Holman cording to Stauff er he engaged at times in lithog- raphy, photography, and the publishing business. In 1904 he published a series of etchings of his- toric buildings under title Prints of Old New York, of antiquarian interest. During his later years he was a picturesque and familiar figure on the streets of New York, known and liked every- where in the print world. In appearance he is described (New York Times, post) as resem- bling Ruskin: "a handsome, patriarchal figure with flowing white beard, sealskin cap and coat, and his portfolio under his arm." [D. McN. Stauffer, Am. Engravers upon Copper and Steel (1907); Frank Weitenkampf, Am. Graphic Art (1912) ; Am. Art News, Jan. 3, 1920 ; Jour, of the Ex- tyjiiej t