Hoppin homiletics and pastoral charge in the Yale Di- vinity School, a position which he held until 1879. During the first two years he was called upon to share with President Woolsey, Professor (afterward President) Dwight, and Professor George P. Fisher the work of preaching in the College Chapel, and his services among the churches were in constant demand. His success as a speaker and teacher won him an invitation from the Yale Law School to lecture on forensic eloquence from 1872 to 1875, and in 1880 Union Theological Seminary counted him among its in- structors. The literary fruitage of these years may be found in The Office and Work of the Christian Ministry (1869), a work which he later rewrote and enlarged, issuing it in two vol- umes, Homiletics (1881) and Pastoral Theology (1884). Two biographies also came from his pen: the Life of Rear-Admiral Andrew Hull Foote (1874), and a Memoir of Henry Armitt Brown (1880). Later he issued some of his characteristic utterances under the title Sermons on Faith, Hope and Love (1891). During these years his interest in art became so absorbing that in 1879 he left tne Divinity School to accept a professorship in the history of art in the Yale School of Fine Arts. That chair he held for twenty years, becoming professor emeritus in 1899. The change of occupation did not mean a lessening interest in religion; for ac- cording to his theory art is a great moral influ- ence, a power by which men may bring in the reign of truth and of light He soon won high rank in his new field, proving himself to be an authority in the subjects which he taught, a wise and discerning critic, and a true artist in all save the manual skill which expresses itself in form and color. Some of his publications in this field are The Early Renaissance, and Other Essays on Art Subjects (1892); Greek Art on Greek Soil (1897); and Great Epochs in Art History (1901). He delved deeply into Greek thought, publishing his Notes on Aristotle's Ethics (1882) and annotating copiously an interleaved copy of Riddle's edition of Plato's Apology. His broad interests had led him to publish in 1867 a vol- ume on Old England; its Art, Scenery and Peo- ple, of which the twelfth edition appeared in 1893. His last book was The Reading of Shakespeare (1906), issued in the last year of his life. Be- sides these publications he contributed many ar- ticles to various magazines—the Forum, the Bib- liotheca Sacra, the New England er, the Congre- gationalist, and others. He died at his home in New Haven in his eighty-seventh year. By his will he left generous bequests to the Yale Foreign Missionary Society and to the Yale School of Hoppin Fine Arts for the endowment of a chair in archi- tecture. [Hist. Record of the Class of 1840, Yale College (1897) ; Obit. Record Grads. Yale Univ., 1907; Who's Who in America, 1906—07; Yale Univ. (1900), in the Universities and Their Sons series, ed, by J. L. Cham- berlain; Yale Alumni Weekly, Nov. 21, 1906; New Haven Evening Register, Nov. 15, 1906; meager ma- terial in article by W. O. Partridge in the Coming Age, Mar. 1900 ; alumni files of Yale University.] H.H.T. HOPPIN, JOSEPH CLARK (May 23,1870- Jan. 30, 1925), archeologist, nephew of Augustus Hoppin [q.v.], was born in Providence, R. L, the son of Dr. Courtland Hoppin and Mary Frances (Clark) Hoppin. His father died when the boy was six years old, and in 1878 the family went to Europe and lived for three years in Stuttgart, where Hoppin was for a time a student at the Real-Schule. On his return to America he at- tended Groton School and Harvard College. At Harvard he developed the interest in ancient civilization which determined his later career. He took his bachelor's degree in 1893; in the autumn of that year he entered the American School of Classical Studies at Athens, and in the following spring he took part in the excavations at the Heraeum near Argos under the direction of Prof. Charles Waldstein (later Sir Charles Walston). In 1894-96 he studied at Berlin and Munich and took his doctor's degree at Munich, presenting a dissertation on the vase painter, Euthymides, published in Munich in 1896. Al- ready his interest in ancient vase painting had become dominant, and Dr. Waldstein naturally assigned to him the task of publishing the vases and fragments from the Heraeum. On the study of these he spent a great part of the years 1897 and 1898, being associated in both years with the School of Classical Studies at Athens and ap- pointed lecturer on Greek vases for the session of 1897-98. Although his manuscript was pre- pared at this time, the actual publication of his portion of the work did not occur until 1905, when it appeared in Volume II of The Argive Herceum, edited by Professor Waldstein. In 1898 Hoppin returned to America and was immediately appointed instructor in Greek art at Wellesley College. After one year there he was called to Bryn Mawr, where he taught until 1904, when he resigned. He then for several years made his home in Washington, though in 1904-05 he was again in Athens as professor of the Greek language and literature in the Amer- ican School, and in 1910-11, was a member of the expedition to 'explore ancient Cyrene in North Africa, under the direction of his life-long friend, Richard Norton. The outbreak of the World War found him in Paris, where his ample 226