This is a digital copy of a book that was preserved for generations on library shelves before it was carefully scanned by Google as part of a project
to make the world's books discoverable online.
It has survived long enough for the copyright to expire and the book to enter the public domain. A public domain book is one that was never subject
to copyright or whose legal copyright term has expired. Whether a book is in the public domain may vary country to country. Public domain books
are our gateways to the past, representing a wealth of history, culture and knowledge that's often difficult to discover.
Marks, notations and other marginalia present in the original volume will appear in this file - a reminder of this book's long journey from the
publisher to a library and finally to you.
Usage guidelines
Google is proud to partner with libraries to digitize public domain materials and make them widely accessible. Public domain books belong to the
public and we are merely their custodians. Nevertheless, this work is expensive, so in order to keep providing this resource, we have taken steps to
prevent abuse by commercial parties, including placing technical restrictions on automated querying.
We also ask that you:
+ Make non-commercial use of the files We designed Google Book Search for use by individuals, and we request that you use these files for
personal, non-commercial purposes.
+ Refrain from automated querying Do not send automated queries of any sort to Google's system: If you are conducting research on machine
translation, optical character recognition or other areas where access to a large amount of text is helpful, please contact us. We encourage the
use of public domain materials for these purposes and may be able to help.
+ Maintain attribution The Google "watermark" you see on each file is essential for informing people about this project and helping them find
additional materials through Google Book Search. Please do not remove it.
+ Keep it legal Whatever your use, remember that you are responsible for ensuring that what you are doing is legal. Do not assume that just
because we believe a book is in the public domain for users in the United States, that the work is also in the public domain for users in other
countries. Whether a book is still in copyright varies from country to country, and we can't offer guidance on whether any specific use of
any specific book is allowed. Please do not assume that a book's appearance in Google Book Search means it can be used in any manner
anywhere in the world. Copyright infringement liability can be quite severe.
About Google Book Search
Google's mission is to organize the world's information and to make it universally accessible and useful. Google Book Search helps readers
discover the world's books while helping authors and publishers reach new audiences. You can search through the full text of this book on the web
at|http : //books . google . com/
i
\^\^%.l
l^arbarli College l^ibraru
FROM
THE QUARTERLY JOURNAL
OF ECONOMICS
.r1
I
I
I
1
INDEX OF
Current Literature
Edited by EDWARD J. WHEELER
VOL. XL
JANUARY-JUNE. 1906
NEW YORK
THE CURRENT LITERATURE PUBLISHING COMPANY
94 WEST itfTM STREET
CURRENT LITERATURE— INDEX TO VOL, XL
INDEX OF SUBJECTS
Acton. Richard Mansfield on. . . 313
Addams. Jane, sketch of 377
Age, Old. the microbe of 75
Afiriculture, report of the U. S.
Secretary of ix
Alcohol, denatured, bill to exempt
from tax 589
Alexander, John W., Nordau's
estimate ot. 264
Alfonso XIII of Spain and Prin-
cess Ena S39
American Spirit, the 641
"Ancestor, The" — Pitach opera. 517
Anglo- Japanese Alliance and the
new British ministry 17
Antarctic ice barrier, mystery of. 69
Anthony, Susan B., career of . . . . 49 >
Anti-trust war of the Administra-
tion. 585
Ants, ps;^chology of 551
Aoki, Viscotmt Suiso, Japanese
ambaMsdor to the united
States 133
"Apostlet, The," |>o]itical drama. 89
Art, the Greek spirit in xs*
Art, the ultimate significance of. 625
**As Pippa Dances, by Haupt-
mann 410
AflMiuith, H. H.. in the British Cab-
inet 19
Atherton, Gertrude, on the San
Prandsoo disaster 573
Atomic theory, the, in the light
of recent research 990
Automobile skate, an 438
"Awakening, The," by Paul Her-
vieu 637
"Babylonism" in the New Testa-
ment 646
Bacteria destructive of muxal
paintings 190
Buley, Senator Joseph W., sketch
of, 487; speech of. on the rate
bill 468
Bannerman, Sir Henry Campbdl.
made Prime Minister 13
Barrie, J. M.. his latest plays, 193;
the secret of his charm. 409:
his new fantasies. 631
Barrie, J. M.. and Bernard
Shaw 534
Battleships, a revolution in 436
Beerbohm, Max, on BUen Terry. 603
Bernhardt, Sarah, in the United
States, 89; sketch of X03
Birth-rate, is it declining? 995
Bigelow, Poultney, and the Pan-
amaCanal 1x9
Bums, H. B.. on Walt Whitman's
religion. 980
Birreu, Auffustine, and the edu-
cation buL 595
Blonds to become extinct in
America. 178
Books, enemies and destroyers of 509
Book! Noticed and Reriewed.
BiMraphic Clinice— George M.
Goad.M.D 65
Bronte, Charlotte — Clement KL
Shorter. $19
Christianity and the Working
Classes— Edited by George
Haw 647
Churchill. Lord Randolph —
Winston Spencer Churchill. . 38 r
Conquest. The, of Canaan —
Booth Tarkington 109
Books Noticed and Reviewed— Cont.
Dawn. The, of a To-morrow —
Frances Hodgson Burnett.. 673
Debtor, The— Mary E. Wilkins-
Freeman xo8
'^^^•^Jlemi&res Paroles — Leo Tolstoy 17a
Dissociation. The, of a Person-
ality— Morton Prince 439
Dynasts. The — ^Thomas Hardy saa
Egypt. A History of— James
Henry Breasted. Ph.D 176
English Fiction, The Makers of
— W. J. Dawson 970
Evolution— C. W. Saleeby 548
Fair Margaret — F. Marion
Crawford ro8
Finality, The, of the Christian
Religion— George Burman
Poster 438
Piute, The. of Pan — ^John Oli-
ver Hobbes 993
Great Refusal, The— Maxwell
Gray 563
Greek View, The, of Life— G.
Lowes Dickinson 549
Grieg. Edvard — ^H. T. Finckj. . 513
Healers, The — ^Maarten Maar-
tens 674
II Santo — ^Antonio Pogazsaro. 4x8
Immanence, The, of God — Bor-
den P. Bowne 69
Individuality and Iixmiortality. 494
In Peril of Change— C. P. G.
Masterman 509
Italian Romance Writers— Jo-
seph Spencer Kexmard 35
Jesus Christ and the Social Ques-
tion— Francis Greenwood
Peabody 167
Jules of the Great Heart — Law-
rence Mott 339
Jungle, The — ^Upton Sinclair. . 569
Kipps— H. G. Wells X09
Lady Baltimore — Ow^ WiSter 673
Lake, The— George Moore. . . . 994
Lamb. Charles, The Life of— E.
V. Lucas 5"
Land of the Strenuous Life, In
the— Abb^ Felix Klein 63
Lanier, Sidney — ^Edwin Mims. . 36
Life and Matter — Sir Oliver
Lodge x8o
Life, The. of Reason — George
Santayana 41X
Lilien, B. M. — E. A. Regener. 38
Lincoln. Master of Men — Alon-
so Rothschild. 606
MacDowell. Edward — ^Laurence
Gilman 404
Main Currents in Nineteenth
Century Literature — George
Brandes 977f 6x6
Man and the Earth — Nathaiuel
Southgate Shaler 73
Mental and Moral Heredity in
Royalty — ^Frederick Adams
Woods, M.D 545
Moral Overstrain — George W.
MyLUe-^'Alfred Russel* Wal- ^*
lace x8x. 9xx
Nedra — George Barr McCutch-
eon xxo
Nietzsche's Philosophy — ^Jules
de Gaultier 989
Books Noticed and Reviewed — Cont.
On the Field of Glory— Henryk
Sienkiewicz 569
Party Leaders of the Time —
Charles Willis Thompson 487
Patriot's Mistake. A— A Daugh-
ter of the House (of Pamell). 494
Paulus— H. Weind 58
Portreeve, The — Eden Phill-
potts 563
Pre-Raphaelitism — ^W. Holman
Humt 97s
Princess Priscilla's Fortnight,
The — ^The author of "Eliza-
beth and her German Gar-
den" 339
Prophet. The. of Nazareth —
Nathaniel Schmidt 497
Rose o' the River — Kate Doug-
las Wiggin xxo
Scholar's Daughter, The — Bea-
trice Harraden 674
Sex and Character^-Otto Wei-
lunger 433
Shdbum Essays — ^Paul Elmer. 968
Sir Joshua Reynolds — (x) Sir
Walter Armstrong— < 9) Will-
iam B. Boulton X57
Sir Raoul — James M. Ludlow. 995
Soul. The. of the People— Will-
iam M. Ivins 64X
Spectdations. The, of John
Steele— Robert Barr 338
Swinburne — George Edward
Woodberry 969
Swinburne, Selected Poems of. 969
Taine, H., Correspondence of . . x6x
Tchaikovsky, Peter Ilich, Life
and Letters of — Modeste
Tchaikovsky 3x6
Theokigy. The Use of the
Scriptures in — ^William New-
ton Clarke, D.D 175
Torrey and Alexandex^— George
T. B. Davis x69
Travelling Thirds, The— Ger-
trude Atherton 993
Trident, The, and the Net—
The author of "The Martyr-
dom of an Empress" 995
Vers le Cceur de I'Amerique—
Charles Wsgner x66
Victor Hugo it Guernsey — ^Patd
Stapfer 33
Von Kunst und Kflnstler —
Max Nordau 963
Voyage, The. of Discovery —
Capt. Robert P. Scott. C. V.
O..R.N 69
Walt Whitman in Camden.With
— Horace Traubel 507
Walt Whitman, A Life of—
Henry Bryan Binns 980
Wheel, The, of Life — Ellen
Glasgow. . • 338
Whistler^-Haldane Macfall... 695
Boomerang, principle of the flight
of the 656
Borglum, Gutson, talent of 499
Botiguereau, Nordau's estimate
otT 963
Bourgeois, L6on, in the French
election X4X
Brandes. George, on Heine, 977;
as a critic 6x6
Breeding for the human race. ... 66 x
British education bill 595
British ministry, the, and its
problems X99
Bront^, Emily, greatest work of 519
CURRENT LITERATURE- INDEX TO VOL. XL
Bryan, WiUsam J., as a prenden-
tial pooribOity 478
Bfjce. James, as Secretary for
Irdand ao
Bfllow. Chancellor of Germany. . 363
Bwna, John, in the British Cabi-
net, 19: sketch of. 3x6
O
Cadman, S. Parkes. D.D., on
evangelism. x6a
Campbeli-Bannennan, Sir Henry,
and his mimstiy ««9
''Canadian. A." by Heyse 3x8
Cancer, opinions about 296
Cannon. Joseph G.. sketch of 59Q
Camso. Enrico, sketch of 379
Castro as the * ' Restorer of Venes-
uda" »So
Catholic reform 4x8
Chamberlain. Joseph, in the new
Pariiament as8
Chandler, ex-Senator, and the
President SQi
Chattanooga lynching, the ...... . 468
"Child. The," by Jean Riche-
ptn. 564
Ch^dhood fsith 590
China, threatened revolution m. 144
Chinese boycott, the. X4s
Chinese question, the, m Great
Britain 13a
Christ, new portrayals of, by
American pamters. 537
Christian Endeavor after 15 years ago
''Christian poBtics" in Holland. 993
Christianity in politics 4a3
Christianity's most vital element. 64 a
Christianity, the final test of 51
Church authority, revolt against,
in Germany. 540-
Church statistics for 1905 a86
Church, the, and the working
man 647
Churchill. Lord Randolph, court-
ship of. 381
"Claasman^The," 86: condemned 350
"Clarioe." William Gillette's play 196
Clark, Dr. WiUiam Newton, on
the Christian elements in the-
oloey....- 175
dergy and laity, the growing
cleavage between 165
Cloud architecture 658
Coal strike prospects a4S
Cokigne literary "Flower Festi-
vals" 618
Cok>rs. therapeutic qualities of. . 445
Composers, visiting, to the United
States 77
Congress, the Fifty-ninth, bills
introduced in x
Conservation of matter not estab-
lished x8o
Consumption. Von Behring's
"cure" for 73
Cooper. Penimore, a new esti-
mate of 6xa
Corporations not privileged to re-
fuse testimony 348
Courts, Federal, interest in recent
action of 46a
Crapsey. Algernon S., trial of. tor
heresy 650
Criticism, irresponsible. 610
Curie. Pierre, and Skoldowski as
discoverers. 669
Custom House, the new, New
York 390
D
Darwin and Wallace compared. . x8x
D'Aummsio and xnodem Italian
drama. sot
Dsfidng, religipus x68
Dawson, the Rev. William J., on
recent fiction a7o
Day, Chancellor James R., re-
bukes President Roosevelt. ... 588
Delitssch, Professor, in the Unit^
ed States 178
Dickens, Charles, a romance of . . 385
Disease, beneficence of X84
Divorce, new drama on 406
Dixon, Thomas, his "Clansman"
condemned 359
Doumer, Paul, as aspirant for the
French presidency X39
Drama, D'Annunsio, and modem
Italian aoi
Drama: notable plays of the
month 84: X93
Drama wrsMS novel 5ax
"Dreadnaught." the new British
battleship 436
Dry-dock "Dewey" towed X4,ooo
miles 18a
Duma, the, speculations on.
483 : meets 597
Dunbar, Paul Laurence, estimate
of 400
Dunne, Mayor of Chicago, and
municipal ownership 474
"DynasU. The," by Hardy saa
Earthquake in San Fraitcisco. . . 455
Earthquake, the problem of the . 665
Educational Alliance of Europe
and America. X47
Education bill, the, in England. . 595
Ena. Princess of Battenberg, and
Alfonso XIII. a39; becomes a
Catholic 5oa
European concert 48a
Evangelism, the new attitude to-
. ward x6i
Evolution of man 548
Exposure, the literature of. 41 : 458
Eye-strain as the cause of the va-
garies of genius 65
Falli^res. Clement Armand, chosen
President of France, 13 7 : sketch
of 3aS
Fiction, recent, the Rev, William
J. Dawaon on a7o
Finance. Jacob Schiff on our cur-
rency X3S
"Finite and Infinite." by Victor
Hugo a85
"Fiona Macleod" identified as
William Sharp «5o
Fitch, Cly.* on the drama and
novel. . . r?*. sax
"Flower Festivals." literary, of
Cologne 6x8
Football ax
Foreign interests of Americans. . xxs
Foreitm policy of the President
criticized 334
Foster, OoorRe Burraan, on the
"Finality of the Christian Re-
ligion" 4a8
France and Germany, miliUry
readiness of 367
France, election orospects in, a^i,
369: election in, 594; and the
Roman Catholic inventories 368
Fulda. Ludwig, in the United
States aoo
Funston. General, in the San
Francisco disaster 578
O
Gastric, juice, extraction of. from
t».. Uog. 446
Genius, the vagaries of, caused
by eye-stnun 65
Germany, advanced theology in.
57; and France, military readi-
ness of, 367; and the United
States 36a
Gillette, William, and his "Clar-
ice" X96
Gisstng, George, according to C.
F. G. Masterman 509
God, huxnanity of, as the central
thing in Christianity 64 a
Gompers, Samuel, on injunctions 465
Goremykin, Ivan, succeeds Witte
in Russia '. . . . 597
Gorky, Maksim, career of. 488;
and the new Russian literature 614
Gospel, the, in a novel 4ax
Greeks, religion of the 59a
Grieg, Edvard, estimate of 5x3
Griscom, Lloyd Carpenter 95
Guild. Mra. Cadwalader 4a
"Gwenevere": opera by Vincent
Thomas. X97
H
Haakon VII. King of Norway. . . 101
Hadley. Herbert A., Attorney-
General of Missoun. and H. H.
Rogera xaa
Hadley, PresidBnt, of Yale, on the
rate bin... M 346
Haldane, Richard Burton, m the
British Cabinet. ao
Hamlet's country. • 5x6
Hardy, Thomas, "The Dynasts" saa
Harland, Henry, and William
Sharp 150
Harper. Dr. William Rainey 97
ilauptmann's new drama 4x0
Hague conference postponed. . . . 486
Hawthorne, Julian, on journal-
ism and literature a7a
Heam. Lafcadio, a Japanese es-
timate of X59
Hearat. William R.. prospects of. 476
Heine. Heinrich. as * the wittiest
man." a77; sketch of 387
Helium and the transmutation of
dements. 555
Heredity in royal pedigrees 545
Higher criticism in a novel, 4ax; .
in two new books 4a7
• • His House in Order." by Pinero 403
History, the divine purpose in. . . 6 a
Home rule and the new British
Cabinet, 17: "on the sly "..... a6x
House of Representatives, U. S.,
interesting members of x
Howells, W. D., on J. M. Bame. 409
Hughes, Charles Evans, sketch
of ao7
Hugo, Victor, new revelations of. 33
Huraperdinck, Engelbert, in the
United Sutes • 77
Humphrey, Judge, decision of
Chicago packera* case. 46a
Humanity, a romance of the re-
ligion of ■ ■ . 54
Hungary's resistance to the Em-
peror ^* ••«••;•• ^'*
Hunt. Hobnan. on Pre-Rapha-
elitism • • a74
Hyde. Dr. Douglas, of the Gaehc
League ai4
II
Ice barrier. Antarctic 69
Ikhnaton. the earliest pronhet. . X76
Immortality according to Maeter-
linck. 60; according to William
Oder 4a4
Injunctions. agiUtion against . . . 464
Insurance companies and San
Francisco S84
Insurance reforms > 35o
Ivins, William M.. on the Ameri-
can spirit 641
Japan and China ass
Japan's naval policy 9SS
Japanese "Don Qmxot^," a . . . 615
Japanese religious mdifferentism. 4ao
CURRENT LITERATURE— INDEX TO VOL. XL
TeruBalem. schools in 541
Jesus. Edwin Bfarkham on the
I
poetry of, 56; was he a Jew? . . s\i
.ws. prospects of converting the a88
Johnson, Tom L., sketch of 33 1
'Josephine/* by J. M. Barrie. . . 631
Journalism, effect of, on literature 272
Kennard, Dr. Joseph Spencer,
and the international educa-
tional alliance 147
Labor leaders in Paiiiament a6o
•'Labyrinth, The" 86
Lamb, Charles, estimate of 511
Langley. Samuel Pierpont, genius
oL 549
Lanier, Sidney, place of, in Amer-
ican poetry. 36
Ledger, Dr. B., on solar phenom-
ena 187
Lcagh. Mercedes, in tiie "Song of
Songs" 699
Le Reveil (The Awakening^ 310
Life insurance, results ot mvesti-
sataxig, 99 ; remedies proposed. . a9
Lilien. B. M. , artist of the (Ghetto. 38
Lincoln, Abraham, a new estimate
of 606
"Lion, The, and the Mouse" 84
Literature, is it being commer-
cialised? j^i\ modem, the anar-
chist spirit m 398
Littlefield opposes rate biU 94a
Lkyd-Geotge. David, in the Brit-
ish Cabinet ai
Lodge, Senator, and the rate bill. 343
Lodise. Sir Oliver, on the conser-
vation of matter. 180: on the
vital element in Christianity. . 64a
Loifdon, Jack, on the San Prmn-
dsco disaster 571
Longevity and the will 999
"Lost Conscience, The" 340
Lowell, Josephine Shaw, esti-
mates A 98
Lowther, James William, new
speaker of Parliament 958
Lynching statistics 360
MacDowell, Edward, Lawrence
Oilman on ^04
Maeterlinck, Maurice, on Immor-
tality. 60; on morality 417
"Major Barbaia," play by Ber-
nard Shaw X91
Man and the anthropoid apes. . 548
Mansfield, Richard, on "Man and
the Actor" 313
"Masquerade," by Pulda ao3
Matthews, Brander, on the drama
and novel sai
Message of the President, annual. 7
Messager, Andr^. in the United
States 77
"Miarka": Prench opera 196
Mice a cause of pneumonia 444
Microbe, the, of old age 75
Miracles of Jesus, Bouaset on 534
Mitchell, Prof. Hinckley G., and
the Board of Bishops 5a
Mwdy, Vaughn's, "A Sabine
Woman " 633
Moon, the, maynot be dead. .... 188
Moral overstrain. 654
Morsl upheaval, the, in America . . 53 5
Morality, can we have, without
religion? 49
Morality, the, of the future..' 417
Morley, John, in the British Cabi-
net ao
Mmcco Conference, the United
Stkteeaad, zt3: dimiwion of,
itf , •4A, j6s; «nda. ■4SS
Morris, BCrs. Minor, ejection of,
from the White House Z17
Mosquito, the, how she bites 301
Muck-rake, the. President's
speech on 457
Municipal ownership in Chicago. 474
Music, American, has it a distinct
note? 635
Music. Santayana on. 411: sense
of the infimte in 5x9
Musical conductors of the current
season 80
Musical season, the. . , 77
Mural decoration 6ax
M
Negro question, the 356
Nero according to Stephen Phil-
lips 40X
Newton, Heber, on the future of
theology 893
Nietzsche, new revelations of . . . 644
Nietszche's revolutionary system. aSa
Nitrogen, its fixation and the food
supply 553
Novel, the. as a political force in
Italy 35
Novel versus drama 5ai
Nordau and modem artists. 963
Norway's theological storm 655
O
Old age. the microbe of 75
Olympic Games at Athens, 354!
winners in 598
Opera in New York, 1906. 78;
singers 8x
Operas, new Prench 517
Osier, William, on immortality. . a^A
"Other Side of the Moon," the. . 675
Panama Canal and its critics X19
Parker, Alton B., on the corpora-
tions decision. . ; 349
Pariiament, the new British a57
Pamell. Charies Stewart, three
loves of 494
Partridge, William Ordway, on
the Greek spirit in art 153
Paul according to the new theol-
ogy 58
Personality, alternations of 439
"Peter Pan" 84
Phelan. John D.. in the San Fran-
cisco disaster 578
Philippines, Japan may buy 954
Philippine tariff biU fafls in Sen-
ate Committee 344
Phillips, David Graham, on "The
Treason of the Senate" 458
Phillips, Stephen, on Nero 401
Pinero. Arttittr Wing, and his
latest play 403
Playwright, the art of the 3x4
Pneumonia, its cause and cure. . 444
Poetry of Jesus. Edwin Markham
on 56
Poetry, Recent (Quoted).
After the Battle— Douglas
Hyde 334
Arabesque — Charles Warren
Stoddard 67a
Arisona Bedroom, My — }.
William Lloyd aax
Babel — Victor Hugo 104
Ballade, A — ^Thomas Bailey
Aldrich ai9
Call, The, t>f the Sea— W. Moa>
foAadanOn 557
Poetry, Recent (Quoted) — Cont.
Chosen People. The— W. M. P. aai
City Childrm — Charles Hanson
Towne 5S8
City's Saint, A— Joseph Dana
Miller sao
Darby and Joan — Henry Aus-
tin 336
Desert. The— Philip Verrill
Mighels 449
Devo. The, that is Called Love
— Douglas Hyde 333
Drawing of the Lot, The — ^John
Vance Cheney az9
Dream-Child. The— Louise
Morgan Silt 669
Bt in Arcadia Ego— Theodosia
Garrison 558
Eve's Return, Ballad of — ^The-
odoeia Garrison aax
Prom One Blind — C^ale Young
Rice 670
Gaudeamus Igitur — Margaret
L. Woods 56X
Guerrilla — ^John Williamson
Palmer 671
Homer — Walter Malone Z05
Homing Heart, The — ^Bdwin
Markham 450
Hymn to Genius — Victor Hugo 105
Infant on My Knee, Ballad of
the — Frank Putnam 561
InMusco^nr — ^Edith M. Thomas 560
Introit — Katharine Tynan. ... 558
I Shall Forget — ^Laurence Hope 449
Isle. The, of Dreams— William
Sharp 560
King's Fool, The— William J..
Niedig X07
Kmghts and King — William
Watson 45 X
Knots, The. of the Blue and
Gray— May Elliot Hutson. . 670
Little Christ, The — Laura
Spencer Porter X07
Loneliness — Douglas Hyde 334
Looking for Work— H. C.
Gauss 67a
Lover, A — Clinton Scollard. . . aai
Love's Confessions — Ella
Wheeler Wilcox 337
March in Kansa»— A. A. B.
Cavaness 450
Maryland Battalion. The, in the
Battle of Long Island— John
Williamson Palmer 449
Might Have— Edith M. Thom-
as 337
My Faith — ^John Vance Cheney ax9
Myself, In Praise of— Walter
Malone xo6
New Year's Thought, A — Aua-
tin Dobson 9x9
Niagara — Florence Wilkinson. 559
. of Speech. The — ^Victor
^iugo X04
Ould Tunes, The — ^Mora O'Neill aaa
Out of the Shadow — Louise
Moxgan Sill 669
Pact, The, of the Twin Goda —
John Payne 44?
Pan in April — Bliss Carman. . S57
Pity— TrumbuU Stickney 67 a
Prayer of Woomh, Th*— PJooa
Madeod axS
! \
CURRENT LITERATURES-INDEX TO VOL. XL
Pbetrr. Rnaot (Qaotsd)— Gont.
Rttlwmy Yard. The— Floraaoe
Wflfcimfm. J35
Reuon. The — ^WaKam Wmtar. los
Red Dawn— P. Habbcrton Lul-
^ bam. 679
Rrvoliitioakt. The — (Tuxs^
caev) ArtburGultermaa 106
Rododactuloe— Wilfred Camp-
bell 451
Roral Pnnena. A— Victor
Hugo. 3 J3
Sayiqga of lad — ^Arthur Giiiter-
man. aas
Sereude, A-— Charlee Buxton
aS^fjH.* ' A* NeW * ' YoA*. "
Dreewd for Sunday — ^Anna
Hempetead Branch 334
Silent Poet. The—Robert
r3arifenn Tongue. eao
for a Cncked Voice—
iDaoe Irwin 336
, The, of the Plage— S.
. jir Mitchell 670
Snrfoce Righte — ^Laurence
Hope 448
"fime— Piona Madeod ei8
Totn-Toffle, Tne— Laurence
Hope 448
Watch. The. of the Code—
Goorgia Wood Pkiy bom 560
WhsapenrB, The — ^Richard
Wateon Gilder. ai9
Poiaoo, the problem of detecting. 305
"Poor Pool, The," by Hermann
Batar. 525
Pope Pius X on the French situ-
alkm. 367
Poativum. a romance of 54
Power. fntuTB KMirGee of. 7a
PicBc^iiiw. is it "muasled"? a78
Pie-B apnaetiti im according to
Hofanan Hunt. 374
President's meeaage, annual 7
Prince Ohi]w.t^Isotde Kurs. . . aa6
Protestant Church in France,
criaasin 174
Providence, by Victor Ht«o 43*
PnrcfaolQgy of mults-peraonality. 430
Pulpit* the. is it **mussled?" a78
••Punch," by J. M. Barrie 631
Pure food buH passes Senate. 343
R
Rachmaninoff. S. G.. in the Unit-
ed Sutes. 7
Radium and the nature of matter ai
Railroad rebates under fire. . . .*. sJ
Railurmy measures at Albany 348
Railways, rate regulations in Con-
Rate bill jpaaees ttaA House. 341;
m the Senate. 345t 465; paatea
Senate. S9>
Rnvnor, Senator, speech on Santo
Domingo. a36
Rebate investigation of railroads. 386
Redmond. John, and Irish home
rule, 131; sketch of. 383
Rednesi of the ddn. method of
treating. 304
Reger. Max, as a compoeer oao
Rctd. WhiteUw. defies British
sartorial tradition 374
Religion. American, a French-
man's impressions of 63;
Charles Wagner on t66
Religion in the dance. 168; of
cmldhood, ssq; of the Greeks.
S4a; of the twentieth century.
4*9; solidarity in. «3a; Walt
Whitman's, a8o; without God. 4a6
Reynolds. Sir Joshua, portrait of.
R«>mn, Nordau's estimate vi.... a03
Rqeefs, Henry H.,and Attoney
General HacOey laa
Roman Catholic resbtance to the
French inventories. 368
Roosevelt, Alice, that was 3>s
Roosevelt. President, antagonism
toward. 115; on the muck
rake." 457> on a progressive
inheritance tax, 4<o; reply to
labor delegation. 404: attack on
the Standard Oil Company. ... 587
Russia, affairs in as
-Russian plavers. 407
Russian pohtics. 48a
Russia's plight. 375
a
"Sabine Woman. A." by Vaughn
Moody 633
Safety-pin. a, through a babv. . . 668
Saion-Ji, Marquis, Prime Minis-
ter of China 145
"Salome," by Richard Strauss.87. 307
San Francisco earthquake and
fire, 4SSt 568; disaster and
Providence 649
Santo Domingo, our poticv with. a34
Schiff. Jacob, predicts fmancial
Sc^idt. Nathanid. and a mod-
em view of Christ 4>7
Schmits, Eugene B.. and the San
Francisco disaster 578
Schools in Jerusalem 541
Schurs. Carl, death and estimates
of S9»
Senate of the United Sutes in
Fifty-ninth Congress, a: criti-
cism of. a3a; passes important
bms. 343
Shakespearean scenes in bas-re-
lief a65
Sharp, William, and "Fiona
Macleod" is©
Shaw, Bernard, and J. M.
Barrie 5>4
Ship subsidy measure passes Sen-
ate 34S
"Sidney Luska" identified as
Henry Hariand 151
Solar phenomena, man's igno-
rance of X87
Solar system, the newest theory
of the evolution of our 76
S6lidarity in reUgicm 53*
"Song of Songs, The." in New
Yoric 6a9
Speech, problems of 30a
Spelling reform 497
Spooner. Senator, speech on San-
to Domingo •37
, Ohio, mobe negroes. 35T
Kl Company attacked
by the President; replies 587
Statehood bill in Congiees, xai;
passes Senate 344
"Sucoeas," by Marguerite von
Oertsen 4sa
Sudermann, Hermann, two new
plays by. 198
Sun, energy of. as useful power. . 7*
Superman, evolution of the, in
uterature 136
Swinburne, estimates of. ao8
Symphony Concerts in San Fran-
dsoo 6a8
T
Taff Vale decision, the a6o
Taft's activity 374
Taine's literary contemporaries. . x6f
Tchaikovsky, Peter Ilich, sketch
of. 3x6
Terry, Ellen, sketch of 600
Thomas, Vincent, and his opera
"Gwenevere" 197
"Three Bfana, The" xix
Theater, propoeed national, criti-
cism of. 87
Theology, advanced in Germany,
57*, new. its estimate of Paul,
58; use of the Scriptures in,
X7S; the future of. S93
Tides, energy olas useful power 7t
Tolstoy's "Last Words" i7t
"To the Stars." by Andreyev. . . 311
Treves. Sir Frederick, on disease. 184
Tsetse fly, the, in Africa 189
Turicey yields to naval threats. . 31
Turner's masterpieces recovered. 504
Tuskegee Institute anniversarv. . 470
"Twisting, The, of the Rope '. . 4x3
U
"Under the Umbiella".* 113
V
"VendetU," French opera. J 17
Venesuela and France S49
Vesuvius in eruption 471
IV
Washington, Booker T., on negro
progress 361
Wagner, Charles, on American re-
ligion 166
Wallace, Alfred Russd, oonfes-
skmsof azi
Wdls, H. Gm sketch of 604
Whitnum, Walt, reUgkm of, a8o:
and his contemporaries 507
Whistler. Nordau's estimate of . . a64
Will, the. and longevity a99
Wierts, Antoine, the genius of. . 394
William II, his family 339
Witte. Ruasian Premier, difficul-
ties of, a6; his prospects, 484:
and his successor 597
Woman, non-nxnmL 433
Wright, Luke E.. ambassador to
Jepen as4
CURRENT LITERATURES-INDEX TO VOL, XL
LIST OF ILLUSTRATIONS
AbW FeUx Klein 63
Aberdeen, Earl of 17
Adams, Maude 85
Addams, Jane 378
Aldrich, Senator 4
AlfonaoXlII 341
Alfonso XIII, Princess Ena and
AlBson. Senator 4
All out of tune (C.) 478
Altar of the Temple of Humanity 54
American athletes of Olympian
Sames. 354, 355
Amonff the Lowly" 39
Antarctic ice wall 70. 71
Anthony, Susan B., 374, 499, 493;
bas-relief of 494
Aoki, Viscount 134
Armour. J. Ogden 590
Armstrong Committee, the. 351
Asquith. H. H z6, 133
Automobile skate 438
B
Babcock. Joseph W 1 19
Bacon, Senator 336
Baffgedl (C.) 463
Bauey, Joseph W.: Frontispiece:
for May and 33 4
Baker. Ray Stannard 461
Balfour, Arthur James 358
Barrymore. Ethel 193
Bear not satisfied (C.) 99
Behrincr. Professor von 74
Bernhardt, Sarah, 83; in tears. . 195
Beveridge. Senator 7
Bigelow. Poultney lai
Birrell, Augustine 133
Boomerang, the. charts of its
flight 656. 6s7
Borglum. Gutson 50a
Bourgeois, L^n 140
Bowne. Borden P 62
Brandegee, Senator 8
Brandes, George 617
British seesaw, a (C.) a63
Bryce, James 17. 13a, 260
Buffalo calves 190
Bulkeley, Senator 9
BOlow. Prince 364
Burkett. Senator 9
Bums. John 16. ai7
Byron's bust 153
By the light of the moon (C.) ... a6
O
Campbell-Bannerman, Sir Henry 13
Cannon. Joseph 0 3. 600
Caracas. 350; President's palace
in as I
Caruso, Enrico 380
Castro, President 249
Chamberlain, Joseph. la, a6o;
Mrs. Joseph Chamberlain a6 x
Chaoin, Benjamin, impersonating
Lmcoln 608, 609
China's Dowager Empress and
ladies 143
Christ, by American painters. 536-539
Churcnili, Lord Randolph. . .381. 38a
Churchill, Winston Spencer 13 1
Civilisation only skin deep (C). . 356
Clark, Francis B 391
Clark, Senator 7
Cl^menceau, Senator, of Prance. 371
Cleveland, Grover. and son:
Frontispiece for February.
Clotilde de Vaux 55
Clouds 658, 660
Constantinople 31
NOTE.— Cartoons are designated by "C."
Contending for the body of Pa-
troclus 397
Coyle, Robert F 431
Cradle of crime, the (C.) 357
Crapsey. Algernon S., 651; the
court that tried him 653
Crooks, Will 358
Cross, the. and the harem 33
Cullum, Senator 4
Curie, Pierre, and wife 66a
Custom House, New York, and
sculptures on 39o~393
Czar's dilemma, the (C.) 38
D
Dance as religious worship 168 , 170. 1 7 x
D'Annunxio at the chase 303
Dante and Beatrice XS4
Dawson. William J 371
Day, James Roscoe 430
Delcass^, Th^pila xa6
Delitssch, Friedrich 178
Deschanel, Pattl. '. 371
Design for a new coat of arms
(C.) 466
Devine. Dr. Edward T 579
Dickens tablet, 386: statue of. . . 387
D'Indy. Vincent 79
Diplomatic corps 95
Does it paW (C.) 353
DoUiver, Senator 348
Doumergue. M 371
Doumer. Paul 138
Dreadnaught. chart of the 436
Dry dock, Dewey 183
DuBois. Prof. W. E. B 3 57
Dunbar, Paul Laurence 400
EC
Earthqtiake auU^n^ph 457
Earthquake charts 666. 667
Eitel, Prince 338
Elgin. Earl of 13 3
Ellcins, Senator 5
Ena, Princess of Battenbcrg .... 34 1
Encouraging (C.) 478
Engineer Roosevelt (C.) 343
England and Germany (C.) 124
Etienne, Eugene 140
Exceeding the speed limit (C.) . . x x6
FT
Pacing the Music (C.) 350
Fairbanks. Vice-President, and
family 2
Palli^res. Clement Armand. .139. 337
Fastenrath, Dr. Johannes 619
Fathers and sons, by E. M. Lilien 40
Fez. Morocco x 35
Fiedler, Max 81
Field, Marshall 146
First step, the (C.) 596
Fish, Stuy vesant 349
Flint, Senator 19
Flower Queen and maids of Co-
logne Festival 6x8
Football from the outside (C). . 33
Forakcr, Senator 347
Fortissimo (C.) 588
Foster, George Burman 437
Frazier, Senator 8
"Free" 45
French bishops consecrated 369
French troops 137
Fulda, Ludwig 199
O
Garfield, Commissioner 588
Gearin, Senator John F xi6
Genxian warning, a (C.) 134
Getting there (C.) . . . , 34©
Gillette. William X9a
"Girlhood of the Virgin * 376
Gissingt George 509
Gladstone. Herbert 15
Gladstone. W. E.. bust of 46
Goremykin, Ivan 597
Gorky. Maksim 489. 49o. 49x
Gould, Dr. George M 67
Gray. Sir Edward U
Grieg, Edvard. and his home,
5 X3 ; with wife and the B j6m-
sons 515
Griscom. Lloyd C 96
Guild. Mrs. Cadwalader 43
Gunsaulus. Frank W 43©
H
Haakon VII and family xoi
Hadlcy. Herbert A 123
Hale, Senator Eugene 5
Hall. Marie 79
Hamlet, tomb of 5 «7
Hapgood, Norman 459
Hardie. Kcir a59
Harland, Henry X50
Harper. William R X46
Hauptmann. Gerhart (C.) 4x1
Havemcycr, Henry 0 59 x
Hawthorne. Julian 373
Heam. Lafcadio x6o
Hearst, William R 479
Heine. Hcinrich, 377. 388; cari-
catures of 389
Hepburn, Congressman William P. 343
Herbert, Victor 8x
Hertz. Alfred (C.) 379
Hervieu. Paul 3 10
Heybum. Senator 337
Hindu deity as impersonated x6o
Holding the powers together (C.) 366
Homer reading, et- iS5
House of RepresenUtives 345
Hughes, Charles E., 308, 209:
home of ao7
Hugo, bas-relief of 34
Humperdinck, Engelbcrt 78
Hunt. Holman 376
Hysteria (C.) 459
I
Isle of Death, the (C.) 484
Japanese troops guarding the
American minister* s residence . . 06
, auris. Jean 3 7o
, efferson. Charles E 43 »
. crome. Jennie 383
, erome sleeps (C.) . . . " 458
, ohnson. Tom L.: Frontispiece
for March.
K
Kean. Senator 6
Keifer. Senator xo
KeiHara »57
Keiter, Therese 6x9
Kennard. Joseph Spencer 149
Keppel, Augustus. Reynolds's
portrait of X57
Kitty Fisher, by Reynolds 158
Knox. Senator 243
Koster. Admiral von 483
Kunwald. Dr. Ernest 8x
CURRENT LITERATURE^INDEX TO VOL. XL
1^
U FoOette, Senator. 8, 467
Umb, Chaxles. 511
Lan^. Samuel Pierpont 550
Laoseft Sidney 37
Ldgb, Mercedes 630
Lilien, B. M., 40: a symbolic
picture by 38
Lincoln, Abraham, bust of 47
Uovd-Geoise, David 14
Lodge, Senator Henry Cabot 5
Loeb. Secretary up
Long, Senator 466
LoMwortt, Nicholas. 3*6; home
of the Lonflfworths 335
Lorenso and Isabella 975
"Lotos" 44
Loabet, Emile 138
Madame, and son 139
LoweQ, Josephine Shaw 99
Macdonald, J. Ramsay aco
MscDowdU Edward... 4J5
Mskino, S. 256
Man. the, of the future, etc 396
Marbury» Elizabeth 315
* Mares of Diomedes," by Boxs-
him K0i
Martyrs of Kishineff, by B. M.
Linen ^o
Matsuda. „?
McCurdys are resigmn«r (C.) 39
Measelbm. Wilhehn 80
Mit^eU. Hinckley G 53
JWecules..... 664. 66s
Money tight (C.) 136
Mooroe doctrine as Uncle Sam
Moigan medBa..' .* .' .' .* .' .' JJa
i£3^-j^*":::::::::::::::'n
Morooco Con^rence. the sphinx
i/fLlll / 36s
Morocco, map of 48a>
Morocco noarket 127
Morocco meny-go-round (C.) .... 1 34
Morocco's SuiUn, 948; his wives 246
Morocco, the Sick Man of (C.) 480. 481
Morocco troops 366
Mosquito, biting apparatus of
the 301
Mnxal paintings, notable. 620-694
Negro hospital and training
^^ scho^ 359
"Nero." by Borglum 500
New Columns of Hercules (C.) . . 483
Newton. R. He^ Joi
New York's favorite diversion
(C.) „a
Nicolaon. Sir Arthur 367
Nietzsche, Priedrich. bust, 98a:
portrait 983
No common carrier (C.) 467
Nordau. Max 964
Norway's Queen xoa
Not decaying (C.) 591
O
OhI you dirty boy (C.) 93
Olympic Games. American ath-
letesin 598
Olympic Stadion 356
Open door, the (C.) 145
Opening Congress (C.) 9
Ophelia^s Spring 517
Panama Canal, chart of 10, ix
Pamell, Charles Stewart. 495;
home of.* 496
Partridge, WiUiun Ordway x s a
Patterson, Senator 935
Payne, Sereno E x x8
Perkins, Senator 6
Perry, Roland Hinton, 96<: his
wife, 968: his daughter Gwen-
dolen 969
Phelan, James D 579
Phillips. David Graham 458
Pinero^ Arthur Wing 40*
Pius A. X4X, 368
Poland's national emblem in
Warsaw's streets 97
Political party, a (C.) 961
Pollock, Channing 3x4
Premature burial 398
Princess of Saxe-Altenburg 45
•'Pursued,'* sculpture by Borg-
lum 498
Q
Queen bees 551
R
Rachmaninoff, S. G 80
Radowitz. Herr von 365
Raising of Lazarus 987
RappoTd. Marie 81
Raynor, Senator 8
Recognition (C.) 347
Redmond, John, 131; and wife. . 384
R^er, Max 697
Removing redness 304
••Revolt of Hell." by WierU 394
Reynolds, Sir Joshua 159
Ribot, M 370
Rienzi 975
Rockefeller, John D 460, 489
Rockefeller Medical Institute. ... 306
Roosevelt, Alice 393, 394
Rouvier, Premier of France 196
Royal children 545-547
Ruau. M 370
Ruskin," by Borglum 499
Russian Bear, the, btirsts his
bonds (C.) 98
3
Safe (CO 469
Safonoff, WassUy 80
Saint-Saftns, Camille 5x8
Saion-Ti, Marquis 954
Saito, Marquis 956
Saleebv. Dr. C. W sU
San rrancisco earthquake and
fire, views of. . .456 and 568 to 585
Santo Domingo views 936, 937
Sarrien, Jean.>^«- 594
•'Scene in Hell." by Wierte 399
Schiff, Jacob 136
Schmitz, Eugene E.: Frontis-
piece for June.
Schoficld. Gen. John M 374
Schurz, Carl 599
Sculpture by Qorglum 500
Senatorial persuasion (C.) 348
Sermon on the Mount 387
Shakespearean scenes in bas-re-
„ Mef 965-a67
Shakespeare monument at Elsi-
nore 516
Sharp, William 151
Shaw. Secretary X37
Slip-knot, the (C.) 139
Smoot, Reed 933
Sobering up (C.) 137
So different (C.) 350
Sophie. Duchess of Oldenberg. . . 399
Sousa. John Philip (C.) 636
Sowing the seeds of war (C). . . xa8
Speech charts 30a, 303
Spooner, Senator 6
Steffens. Lincoln 461
Steinbach, Fritz 80
Stilling the waves (C.) laa
Stratiss, Richard 307
His wife 309
Sudermann. Hermann 198
Sultan's residence 31
Sweatshop worker, the, by E. M.
Lilien 39
Symphony Concert in California.
638. 6a9
T
Taft, Secretary of War:. Frontis-
piece for April.
Taigny. M : . 953
Taine. H., showing effects of eye-
strain 67
Taine. monument to i6a
Tangier, Morocco 197
Tarbell. Ida. 461
Tchaikovsky, Peter Ilich 3x7
Tchaykovsky, Nicholas 485
Teddy's great feat (C.) 367
Tennyson's bust 155
Terry. Ellen. 60 x, 603; with her
son 60a
They make him nervous (C.) ... 590
Thomas, Vincent 197
Tilman, Senator. 732, 346
Toe the mark (C.) 1x8
Too much Roosevelt (C.) a34
Tree, Beerbohm, as ^fero 40a
Treves, Sir Frederick x86
Trimming his wings (C.) 589
Trying to block the way (C.) ... 343
Trying to land (C.) 144
Turner, scenes from 504-506
Tuskegee Institute, 469: elates
« 471
U
Unkind sugi^estion, an (C.) xao
Up against it (C.) 1x7
V
Velie, Anton van, painting the
Pope. X4X
Venezuela, Castro's troops, 350;
man of war. 95X
Venezuelan circus, the (C.) 95 a
Venezuelan hut as x
Vesuvius adapted (C.) 468
Vesuvius, views of 473, 475
Von Moltke, General 364
^^
Wasner, Richard, with eye defect 69
WiJker, Bishop W. D 650
Wallace, Alfred Russel axx, 3x3
Warner, Senator 9
Washington. Booker T., 358, 470;
wife of, 350: wife and sons, 470;
P" and friends 473
Watts, George Frederick 44
Watts^s sUtue of Tennyson:
Frontispiece for January.
Way of life, the 987
Wells. H.G 605
When Parliament opens (C.) .... X30
White, Henry 947
Whitman. Walt 98x, 508
Why will deaf men walk on a
railroad? (C.) 3
Wiertz, Antoine 395
William, Emperor of Germany,
and his family 940, 3 39. 330
Williams, John Sharp 1x7
Wilson, Secretary of Agriculture, x x
Wright, Luke E 955
L ^ r^
\ li^-l
$3.00 a Year
Jantiary 1906 Price 25 Cents
For Complete Table of Contente see iaeide page
A Review of the World
Confess: Its Personnel and Its Work
The Crusade Ag^ainst Football
Great Britain's New Liberal Cabinet
Who Shall Own America ?
Life Insurance : Disclosures and Remedies
Literature and Art
Science and Discovery
Eye Strain and the Vagaries of Genius
Von Behring^'s ** Cure for Consumption "
Mysteries of the Great Antarctic Ice Barrier
Future Sources of Power
The Microbes of Old Age
Music and the Drama
New Revelations of Victor Hugo
Value of the " Literature of Exposure "
A W^oman Sculptor of Genius
An Artist of the Ghetto
Sidney Lanier's Place in American Poetry
Religion and Ethics
The Case of Professor Mitchell
Maeterlinck's Conception of Immortality
Can We Have Morality Without Religion
A Frenchman's Impressions of Our Religion
The Final Test of Christianity
Recent Poetry
An Unprecedented Musical Season
Notable Plays of the Month
^ Criticism of the Proposed National Theatre
Bahr's New Political Drama
Sarah Bernhardt's Visit
Persons in the Foreground ,
Bernhardt at Sixty-one
The Man Who Made Chicago University
Mrs. Lowell, a '< Saint of Gotham "
The Youngest American Diplomat
Personality of Norway's New King
Recent Fiction and the Critics
Short Stories ; The Three Elms ; and Under the Umbrella
THE CURRENT LITERATURE PUBI.ISHING CO.
34 West 26tli Street. New YorR
HAND SAPOLIO DOES, by a method of its own,
what other soap cannot do. If you want a velvet skin,
don't PUT ON preparations, but TAKE OFF the dead
skin, and let the new perfect cuticle furnish its own
beauty.
FINGERS ROUGHENED by needlework catch every
stain and look hopelessly dirty. HAND SAPOLIO will
remove not only the dirt, but also the loosened, injured
cuticle, and restore to the fingers their natural beauty.
AFTER A REFRESHING BATH with HAND SAPO-
LIO, every one of the 2,38 1 ,248 healthily opened pores
of your skin will shout, as through a trumpet, "For this
relief, much thanks." Five minutes with HAND SAPO-
LIO equal hours of so-called Health Exercises. Its use
is a fine habit.
Quick Convalescence t \
A striklniT <|uaUty of Lkhig Company's Extract h
thit H £f]V£s strcQgiti quick ly« It I5 the most cod-
cejjtrittd form of beef knovo; tv^typAfikk kof
fw>l v^iut ani every paitkle h absolutely pwre* j
BrillJaDt jn 5oIutioa; ddidoas infUvcr: ruij
la a mtuute. The Liebig Company do all tlic |
*'tn2kmg," all yoa have to do Is iht mbdn^,
H l^tikiisi cup5 in a 2 oz. far*
UEBIG COMPANY^
E-^xtraet or Beef
It MUST fiave
HQS signatiut
^.ti^
rn bluctor lt*s |
Dot g'e&uine.
4^
Its presence
lends Distinction
to the Music Doom i
- THE
^ New Small ^ m
Grand Piano
Combines tke iannous** Fischer Tone Quality* with
great Durability and Elegance oi ca«e-de«ign, while
occupying but little more space than the Upright.
Catalogue and Terms upon request.
J, OSL O. FISCHCR^ Dept. D
164 FiflH Ave.» near 33a St.» aaci
68 ^West 135tH St., New York
Photograph made for Current Literature.
WATTS'S NEW STATUE OF TENNYSON
Unveiled a few weeks ago, by Lady Brownlow, in Lincoln, England
Flower in the crannied wall,
I pluck you out of the crannies,
I hold you here, root and all, in my hand,^
Little flower — but if I could understand
What vou are, root and all, and all In all,
I should know what God and man is.
oCA*-C»^
1 ■■ ■" •
YOL XL, No. I
Edward J. Wheeler^ Editor
Associate Editors: Leonard D. Abbott, Alexander Harvey
JANUARY, 1906
A Review of the World
UNLESS the fifty-ninth Congress, which
began its first session on December 4,
proves to be one of the most interesting and
important bodies that ever assembled itself in
the Capitol, it will disappoint many observers
and falsify many predictions. It began fairly
well in the lower house to live up to the pre-
dictions. On the first day of the session 4,031
bills were introduced, one gentleman from
Tennessee being sponsor for more than 400
and a Michigander coming in a good second
with 350. Over thirty of the bills provide for
expansion of the powers of the Federal Gov-
ernment, indicating the spread of what the
Hartford Times calls "the hysteria of Federal
control." The bare titles of all these bills, if
printed, would make a fair-sized volume, and
it is safe to say that before this Congress closes
its career the number will be quintupled at
least For there are in this House of Repre-
sentatives some 386 members, each one a man
of some consequence in his own community,
with a constituency of at least 1^3,284 voters to
cater to and with a reputation for public zeal
to make or to preserve. In the sessions of
the preceding House over 20,000 bills were
introduced, and as this is a progressive coun-
try, the present Congress may feel that it must
show at least equal activity in shaping the
destinies of the nation and diminishing the
perils which come of an overfat treasury.
THIS House of Representatives has almost
broken one record. The dominant party
has in it one of the largest numerical pluralities
ever seen in Congress. The Republican plurality
in the House last year was thirty-two; now it
is 114. That party also has in the Senate only
three votes short of a two-thirds majority.
If it can hold itself together it can pass any
bill or defeat any bill as it pleases. There are
eighty-three members of the lower house who
were never before in Congress and several of
them are decidedly youthful, swept into office
unexpectedly to themselves and their friends
by the Roosevelt tidal wave. In the very first
session the leader of the Democratic minority,
John Sharp Williams, in protesting against the
rules of the House that have heretofore pre-
vailed, made an appeal to what he termed the
"kids" in the House to support his protest.
Up rose a young man of twenty-six, beardless,
to ask seriously what Mr. Williams meant by
the term "kids." The crushing reply came as
follows: "Mr. Speaker, with that degree of
reverence which the personal appearance of my
interrogator excites in ray mind, I should say
that he is perhaps the last person in the House
who ought to aslc the question." The young
man aged twenty-six, Wharton by name, sub-
sided. But Mr. Williams made a slight mis-
take in assuming that his questioner was the
youngest member. Mr. Zeno J. Rives, also of
Illinois, is said to be still younger, and there
seems to be some doubt whether he is old
enough (twenty-five) to qualify. He didn't
expect to be elected and didn't half try to be ;
but he had greatness thrust upon him. Of
one other representative, from Missouri, it is
said that he never saw a railroad train until
he was thirty years of age. The New York
Sun suspects the story to be a myth; but, if it
is true, he will be apt, it thinks, to take a
prominent part in the legislation for regula-
tion of railways! One of the interesting fig-
ures among the older men is a "resurrected"
statesman of Ohio, J. Warren Keifer, who was
speaker of the House twenty-two years ago,
and who has vainly endeavored since to re-
gain his political footing until he also hitched
his wagon to the Roosevelt star last year.
One State is not represented — Oregon. But its
two representatives, Hermann and Williamson,
have excuses that must be accepted as valid.
One of them has just been sentenced and the
other has just been indicted for complicity in
CURRENT LITERATURE
.i
Stereograph Copyright, 1904, by B. L. Slagley.
MR. FAIRBANKS AND HIS CABINET
The lady is the Vice-President's wife, and the young
men are his sons. Mr. Fairbanks was tall, green and
gawky when he first went to the Ohio Wesleyan Univer-
sity (like the new student in "The College Widow"),
and he had to work his way. But Miss Cornelia Cole
saw what was in him. She stood by him then and has
been standing by him ever since.
the land frauds that have so abruptly ter-
minated the career and the life Qf Oregon's
senior senator, John H. Mitchell.
AS FOR the Senate, though it is always
impressive, it is not particularly interest-
ing at any one stage of its career, for it is
never a brand new body, as is the lower house,
in the sense that its entire membership must
be elected anew every two years. The Senate
is a continuing body, and the new blood in
the present Senate is not large in amount.
Frank H. Brandegee, of Connecticut, is a new
man (elected to fill the vacancy caused by the
death of Senator O. H. Piatt), and Senator
Bulkeley, from the same State (successor of
Senator Hawley, deceased), though he took his
oath in the last session, is also a new man.
James B. Frazicr, of Tennessee (successor
to the late Senator Bate), is a newcomer. So
is John McDermott Gearin, of Oregon, ap-
pointed to fill the seat left vacant by the death
of Senator Mitchell. William Warner, of
Missouri, succeeds Senator Cockrell, and
Robert W. La Follette, as soon as he sees his
way to resigning the governorship of Wiscon-
sin without imperiling the railroad legislation
which he is engineering in that State, will take
his place in the Senate chamber. The "kid"
of the Senate is Senator Burkett, of Nebraska,
who has amassed the wisdom and the dignity
of but thirty-eight years. In the lower house
the membership of the forty-five committees,
which transact the real business of the House,
is determined by the Speaker, Joseph G.
Cannon, of Illinois, whose power over legisla-
tive matters is second only to that of the
President and sometimes not even second to
that. In the Senate, however, there is a com-
mittee on committees, and, more important
still, there is what is termed a "steering com-
mittee" chosen at a caucus of the dominant
party. This "steering committee" now con-
sists of Senators Allison (chairman), Hale,
Aldrich, Cullom, Lodge, Perkins, Clark (Wy-
oming), Elkins, Spooner, Kean and Beveridge.
The fate of legislation, of treaties and of presi-
dential appointments rests very largely in
their hands.
THE most important work that will come
before the present Congress, so far as
human wisdom can now discern, will be the
question of railroad rate legislation. On that
there will be, apparently, not a party fight,
but a contest between conservatives and pro-
gressives of both parties. "It is not Republi-
can control of Congress, but President Roose-
velt's control of the Republican majority that
remains in question," says The World (New
York). It adds, with special reference to
railroad rate regulation:
OPENING CONGRESS
—Bush in N. Y. fVor/d,
THE NEW CONGRESS
"Mr. Roosevelt prides himself on his method of
?:compIishing^ his ends through his own party.
Br fore the session is over he may have occasion
•: be thankftil to the Democratic minority for
enOing him votes. Whatever his popular ma-
nty was at the polls, he has yet to prove that
•e Republican majori^ in Congress is a Roose-
-it majority."
THERE have been no very striking new
developments during the month on this
Question of railroad rates. The position taken
' y the President in his message was as posi-
ve as that taken in his speeches on the sub-
ect. The only modifications that appear since
his message a year ago arc in the use of the
ttrm "maximum rate" — the significance of
v.bich was noted in these columns last month
—and in his view tjiat this maximum rate,
when fixed by the commission, should go into
ciTect not "at once," as he held formerly, but
within a reasonable time," as he now puts it.
Otherwise he is as emphatic as ever. "I regard
this power to establish a maximum rate as
ht\l^g essential to any scheme of real reform
in the matter of railway regulation," he says
in his recent message ; "the first necessity is to
secure it." He has given the Senators to un-
derstand that he positively will not accept
Senator Foraker's bill on this subject. On the
other hand, the reports from Washington in-
dicate that the Republican Senators are plainly
weakening in their opposition — those of them
who are opposed — to the President's position.
Their plan, according to the Washington cor-
respondent of the New York Times (strongly
\\n\ WILL DEAF MEN WALK ON THE RAILROAD?
— Maybell in Brooklyn Eagle.
Stereograph Copyrlglit, 1005, by Undorvrood k Underwood, N. Y.
MR. SPEAKER
** Speaker Cannon will pipe and the House is expected
to dance to the tune he plays '• He ' stands pat " on the
tariff and is for rate rejjulaUon.
Opposed to rate regulation), has been to have
in committee a mock fight over counterfeit
rate bills, then pass one or more as a com-
promise, pretending that it is about what the
President wants. In this way Senators could
CURRENT LITERATURE
MEMBERS OF THE "STEERING COMMITTEE"
ALLISON OF IOWA •
Senator Allison has served in the upper House con-
tinuously for twenty«eig:ht years. He is chairman of
the ** Steering: Committee."
CULLUM OF ILLINOIS
Was Congressman for six years. Governor of Illinois*
eight years, and has been Senator since 1873. Father of
the Interstate Commerce bill. Born in Kentucky in 1829.
ALDRICH OF RHODE ISLAND
A little State ; a big man. Is 6^ years old, suave, tact-
His daughter Aoby . . - . -
ful and able
Rockefeller, Jr
Not a college man.
by married Jonn D.
Still pose as political friends of the President.
But the latter, by his quick and unexpected
verdict on the Foraker bill even before it was
out of committee, has begun the contest with
"a fine stroke of politics," and one unprece-
dented in the relations between President and
Senate. Opposition to rate regulation has been
formally expressed by the five large labor
unions organized among railway employees,
on the ground that such regulatiort would en-
danger their wages and their fight for an eight-
hour day. The National Grange, on the other
hand, has formally approved the President's
position.
THE most serious obstacle to railway rate
regulation will come not from the ques-
tion of expediency nor the question as to the
sentiment of the American people, but from
questions of constitutionality. Thefe is a
double question here involved: (i) the right
of Congress itself to fix railway rates, which
are on their face simply contracts between the
railroad and the shipper; (2) the power of
Congress, assuming that it has the foregoing
right, to delegate the exercise of it to a com-
CONGtmSS ANI> RATE REGULATION
•JF THE UNITED STATES SENATE
C^rlflit br J. B. Pardy.
LODGE OF MASSACHUSETTS
SdM>lar, historian, lawyer and statesman. A Harvard
^ndaate, an LL.D. of Yale. Has been Senator from the
jli Bay State for twelve years.
nission. On* the first of these two questions,
Senator John T. Morgan, of Alabama, writes
at some length in The Manufacturer's Record
(Dec. 7). "There is no danger," he thinks,
"that the Supreme Court will ever hold that
the power of Congress to regulate commerce
among the States is an arbitrary power to
prescribe to either of the* parties to a contract
for the transportation of commerce the rate of
charges that shall be paid for such service."
Contracts, to be legally binding, must indeed
be "reasonable" ; but the Federal Constitution
insures to railroad corporations, as to private
individuals, the right of trial by jury, and the
question of the reasonableness of a contract
must go to a jury, not to a congressional com-
mission. "No matter whether such rates are
iixed by general State laws or by acts of Con-
gress," says Senator Morgan, "the reasonable-
ness of the charges cannot escape trial by
jury."
ANOTHER. ground on which he bases his
argument of unconstitutionality is the
division of power between the State and the
Federal Government. His argument is:
**In the regulation of commerce Congress can-
ELKINS OF WEST VIRGINIA
He is chairman of the 1nterstatei,Commerce;Committee
of the Senate which has been investigating: the subject
of railroad rate regulations ^during the summer. ^
HALE OP MAINE
He has been 24 years in the Senate, and has twice de-
lined appointment! • " • •
once under Hayes.
clined appointments to the Cabinet, once under Grant,
ndei "
CURRENT LITERATURE
MEMBERS OF THE "STEERING COMMITTEE"
Copyright by J. H Purdy.
SPOONER OF WISCONSIN
He and Senator La Follette from the same State are
bitter enemies. Spooner served as a private iiJithe Civil
War at the age of i8. Graduate of the University of
Wisconsin. A fine orator.
^^^^^^^^^f J^^^^P^^^^^^^^^ ' * ^^^B
r/a 1
hm
KEAN OP NEW JERSEY
He is a banker and corporation official and is not expec-
ted to agree wi'tli the President's plans for rate regulation
PERKINS OP CALIFORNIA
Reared on a Maine farm ; a cabin boy at la ; shipped
before the mast in 1855 ; merchant (in California), miner,
miller, banker, governor* senator.
not repeal, amend or destroy any constitutional
law of any State that creates a railroad corpora-
tion.
"As to rates of charges, the States have granted
such rights or privileges to railroad corporations,
in their charters, as they have deemed wise and
just. Almost every such corporation has its sep-
arate and special powers and restrictions as to
the imposition of freight and passenger rates,
and they are all lawful as terms and conditions
on which their charters are granted, which the
States have the right to impose.
"Can Congress create general freight and pas-
senger rates that will override and destroy these
charter rates, fixed by States, in the exercise of
lawful authority?
"If Congress has such power in the regtilation
of commerce among the States, the Constitution,
which protects contracts and prohibits reactionary
and post- factum legislation, would at least con-
fine the effect of such legislation to the bonds and
stocks of railroads that are issued after Congress
has enacted its laws. Such constitutional legisla-
tion by the States is lawful as to the creditors of
railroads, at least until it is superseded or pro-
hibited by act of Congress, and cannot be violated
by a ppst- factum act.
"The legislation that Congress may enact, being
necessarily prospective as to railroad rates and
the rights of railroad stockholders and bond-
holders, and not retroactive, the question is pre-
sented as to what Congress can do in violation
of the existing charter right of such railroad cor-
porations. Can Congress enact amendments to
such State charters, or can it repeal or abolish
them? If they arc territorial corporations Con-
THR PRESIDENTS "SERMONIC MESSAGE
OF THE UNITED STATES SENATE
BEVERIDGE OF INDIANA
He has cha.Tge in the Senate of the President's Santo
Domiii^o treaty and is making^ an aggressive and untir-
iag canpaisn ag^alnst a stubborn opposition.
gress cai| do all such things, having due respect
for rested rights that have grown up under their
shelter. But where the corporations are created
by State Legislatures, G>ngress has no such
powers. If such powers were unconstitutional
when they were granted by the States, they are
wide open to the annulling decree of a court, and
no act of Congress is needed to destroy them.
If they are valid, Congress cannot invalidate
them."
THE further constitutional question
whether, even if Congress has itself the
right to regulate rates, it can delegate the
exercise of that right to a commission, is one
brought out already in a preliminary discus-
sion in the Senate a few days after the open-
ing of the session. It is to avoid this con-
stitutional obstacle, evidently, that the Presi-
dent, in his message, lays stress upon the
necessity that any commision that is to regu-
late rates "should be made unequivocably ad-
ministrative." Senator Foraker takes the
view that the power to fix rates, or to deter-
mine the reasonableness of rates, can not be
made a merely "administrative" power, but is
of necessity legislative or judicial. The ques-
tion is an exceedingly important one and still
remains to be argued out at length. But
CLARK OF Wyoming
Senator Clark was born in New York State, educated
in Iowa and went to Wyoming in 1882, when it was
still a territory. He is 54 years of age.
enough has already developed to show that
the constitutional features of the coming de-
bate are likely to be as interesting and im-
portant as the political and industrial features.
From all three points of view, the regulation
of railroad rates is the supreme question that
is now "up" for decision. The view of the
New Haven Register is a defensible one — that
in this issue the President has thrown into
Congress "the biggest question it has been
called upon to consider since the days of re-
construction."
THE condition of the country as revealed
in the President's message and in the
reports of the different Cabinet officials is an
interesting historical study, none the less so
from the fact that there is but little of the
dramatic or tragic in it. The message itself
is terribly long — 26,000 words — breaking the
record it is said by those who keep the run of
such things. There is the usual diversity of
opinion as to its ability as a state paper, but
it has aroused no intensity of feeling such as
was aroused, for instance, by President Cleve-
land's message on tariff reform. The sermonic
character of it is noted by many journals both
CURRENT LITERATURE
FRAZIER OP TENNESSEE
Resigned his'office as Governor to take a seat in the
Senate. He practiced law in Chattanooga, is 47 years
old, arid succeeds the late Senator Bate who caught
pneumonia on last inauguration day. ^
here and in England. "It is a lay sermon,"
says the London Chronicle, "from the pulpit
with perhaps the biggest sounding-board * in
the world, on the duties of citizenship."
"Brave pulpit words," says the London Tele-
graph, "but their practical transformation into
laws has been found difficult by all legislators
RAYNOR OP MARYLAND
/"A new senator, who opposed his colleague, Senator
Gorman, m the recent election in Maryland, on the Poe
Franchise Amendment. Was Admiral Schley's counsel
before.the investigating committee.
from Solon downwards." "Parts of the mes-
sage," says the New Orleans Times-Democrat,
BRANDEGEE OF CONNECTICUT
He succeeds the late Senator Piatt after an exciting
tussle. Is a Yale graduate, a lawyer, and has served
two terms in the lower House.
LA FOLLETTE OF WISCONSIN *
Was elected last winter, but has been too busy as Gov-
ernor of his State with legislative reforms to take his
seat in the Senate. " If the Republican party is domi-
nated bjr radical influenees in tne next national conven-
tion, it is easily possible that La FoUette may be the
candidate for the presidency ."
NEW MEMBERS OF THE SENATE
WARNER OV MISSOUEJ
A l«pttl>tlc«tl i»tjccei?<liiig Senator CocVrellT » Oemo-
awL ft ii4ft t>e«ii A Ions titne since M»s*M>iiri wa* rvpre-
•leMd by a R«pi3bl»eAn in the t'. S. Senate. &>eiiAtor
ff <THf wii^ a CotoTtel tf3 Uie Union Army.
'knight have been uttered with perfect pro-
-^'^r in any one of the gfreat pulpits of the
rr/* And the New York Times, which
•<*..
FLINT UF CAl^IFt.UiMA
Pmhk P. Flint i^i another of ihe new iciiAtors^ He ia
very populmr on the Pucific Cottst, but lils views on pub-
lic questions are practickllv unknown to the coun:try
at Urge.
has of late hftQii developing more and more
strongly on an ti -Roosevelt lines, says with a
note ol sarcasm :
"The Congress has never before been 50
BULKEl.KY ^n* COKHECVtCVT
XfMir *. r,.iti>f. *,worfi i^ '^['' ^'''^' ^^c'Ssfiiij, I s president
jcis^Wftrn-' ?ns fulher was
.s trtreo rd and gover*
.t_ V('«t^ >y after Chrlat-
» Mb4Y-««ii0il^ y^c^rs ago.
BURKETT OF NEBRASKA
TbfJ ytjungest member of the Sertate Cja). The choice
nf i^n^tor to succeud Dietrich waa referred to the Re-
publicim priniJirfeK in Nebraska und Burkett won easily*
»* WtU doubtless be heard from as a national figure, •*
cays on« Waabfnji^tan con-espDndent.
lO
CURRENT LITERATURE
KEIFER OF OHIO
Twenty -two years ago he was 'Speaker of the House.
Now he goes back again, swept into office on last year's
RooseveU wave. Was an ofiacer in the Civil War and
also in the Spanish- American War. He is 69 years of age.
preached to by any President as by Mr. Roose-
velt in the message sent to the Capitol yester-
day. It is a sermon expository of the rules of
human conduct. It is unshakably founded upon
the changeless principle that right is different
from wrong. It is solidly built up with granite
blocks of ethical precept. It bristles with moral
maxims, which only men whose hearts have been
steeped in turpitude would have the hardihood to
dispute. The Senators and Members who lis-
tened to the reading of it must have risen from
their task wearier but better men."
The Philadelphia Record also sighs over the
length of the sermon — ^the reading of it before
Congress took two hours and thirty-five min-
utes— and thinks that if the President "could
divest himself of his passion for preaching,"
his papers could be made half as long; but,
perhaps, so it goes on to admit, they would not
gain any in popularity by the elimination.
ONE thing that may account in part both
for the length of the message and its
preachy tone is the fact that this is the first
time Mr. Roosevelt has been free to write him-
self into a message. When he took the helm
after the assassination of President McKinley
it was with a pledge to carry out the McKinley
policies. He is no longer bound by that pledge.
He is now President in his own right, not by
virtue of an accident, and the release from
three and a half years of self-repression shows
in this message. It is his own message, no
doubt about that. All the speeches he made in
his Southern tour are in it, in substance. The
Evening Post (New York) finds fault because
of its slight treatment of the question of tariff
revision. "To judge by his message," it says,
"President Roosevelt has become the weakest
of stand-patters — one without real convic-
tions, that is, and swayed only by political ex-
Courtesyof J7ar|>rr** Weekljf.
THE COMPLETED PANAMA CANAL FROM ATLANTIC TO PACIFIC
The Isthmus will look like this in 1914, according to one official computation. The digging will cost $170,000,000
and the expert talent for eij^ht years $14,000,000. Panama and Colon are to be free ports for vessels and goods in-
tended to pass through the canal. United States naval squadrons are to be stationed within maneuvering distance
of both ports, but the canal will be "neutral " in case of war between.two or more European powers.
A GREAT RECORD FOR AMERICAN FARMS
II
pedicncy." The New York World has a more
sweeping criticism. "Mr. Roosevelt," it says,
'lias submitted the most amazing program of
centralization that any President of the United
States has ever recommended." The Topeka
Capital's comment on the message is as fol-
lows:
"Snch a message as that this week of President
Roosevck could not have been written ten ^ears
ago. Such a message from the then President
would have precipitated a panic. Men would
have thrown up their hands in consternation.
The country is going through a historic educa-
tional experience of self study and analysis* test-
ing in the balances its wonderful material suc-
cess. It is fortunate to have a President who is
ac the same time a bold thinker, without being an
unsound thinker."
NO CABINET official has had a more in-
teresting story to tell this year than that
told in the annual report of the Secretary of
Agriculture. It is a record-breaking story,
such as no other nation in any age has been
able to tell. The value of the year's farm
pr.3ducts — not the value, in the retail markets
but on the farms — is estimated at $6,415,000,-
Lco. That sum would buy out six Steel Trusts
paying par for all the stock. It would more
than pay the enormous national debt of
France or Russia. It would purchase all the
gold produced in the world in the last twenty
yeai3. The value is well distributed among
the different sections and the different kinds of
product. The American hen has given us
-.-ahies nearly equal to that of the wheat crop,
and the American cow has brought 100,000
more dollars to her owners than the cotton
crop has produced. Cotton has long since
ceased to be king. Three farm products, com
(Si,2i6,ooo,ooo), milk and butter ($665,000,-
000) and hay ($605,000,000) are ahead of
cotton ($575,000,000) in value. In conse-
fjence of these enormous crops following a
-fries of wonderfully prosperous years, the
aggregate value of all our farms has increased
in five years by $6,133,000,000. "Every sun-
A MAN WITH A RECORD-BREAKINCi STORY
Secretary Wilson's report of this nation's agricultural
Srofrress in the last five years beats anything the world
as heretofore heard.
set during the past five years," says Secretary
Wilson, has registered an increase of $3,400,-
. 000 in the value of the farms of this country."
This advance has been relatively greatest in
the South, and for the first time in the history
of that section the deposits in the banks exceed
the sum of one billion dollars. ' The farming
population of the United States numbers but
35 per cent, of the total, but if the farmers
keep up for three years more the pace at
which they have been going they will have
produced in ten years one-half the total
amount of wealth produced in the nation in
three centuries. Moreover, the exports of
farm products have amounted in sixteen years
to twelve billion dollars, reversing the balance
rr,. ^giiVQii
fAnrtemj of MarferH WeeKtf.
THE PILE OP EARTH AND ROCK TO BE CLEARED AWAY AT PANAMA
TtJM is indicated bylthe darkened ontline. The "Culebra cut" (the highest point) will prove the most diflBcult. It
contains 43,000,000 cubic yards of hard clay
12
CURRENT LITERATURE
developing even fertile lands
to the highest point of effi-
ciency by the little streamlets
that make us so nearly inde-
pendent of weather conditions.
Another cause of our farming
prosperity is pointed out by
the Chicago Tribune:
"Few ordinary persons realize
how far agricultural progress
has been promoted by the United
States experimental stations es-
tablished eighteen years ago un-
der the Hatch bill. There is one
in each state and territory, in-
cluding Hawaii and Alaska, and
a few states have two. Each
station receives $15,000 annually
from the national treasury, and
the various states and territories
add to the amount, so that the
aggregate annual budget is about
$1,500,000. These stations are
usually attached to the state ag-
ricultural colleges, and they are
served by a staff of nearly a
thousand trained men, including
many prominent experts. . . .
It is doubtful if any national ex-
penditure produces directly and
mdirectlv a higher percentage of
return tnan does the money de-
voted to our sixty experiment
stations — ^to the scientific mas-
tery of the land."
N
THE MAN WHO CAUSED THE CHANGE OF MINISTRY IN ENGLAND
He is Joseph Chamberlain'and^forpiim Lord Rosebery suggests this epitaph :
In a politioal career
Of barely thirty years
He split up
Both the great
Political Parties of the Sute.
of trade and giving us a favorable balance of
over five billions ($5,092,000,000).
IT IS a great record and there are many
causes, some within and some, of course,
beyond human control. One man is now able,
by reason of farm machinery, to do as much
work as three men did in 1855 — half a cen-
tury ago. Irrigation has done wonderful
things for large portions of the country, and
is going to do more, for, as the Butte Inter-
Mountain points out, it is not in the arid lands
alone that irrigation pays, and we will one of
these days learn to imitate the Japanese in
OT only on the fertile
lands and on the ir-
rigable lands are we now
growing crops to fill the hun-
gry mouths of the world. A
few years ago our experiment
stations set farmers in the
Dakotas and Minnesota to
growing, on semi-arid lands
lying too high for irrigation,
durum or macaroni wheat,
and the crop this year is esti-
mated at twenty million bushels, and even
as we write a cargo of 350,000 bushels is
on the way to the Old World. A Govern-
ment expert who went to the Sahara desert
to study agriculture returned with the use-
ful knowledge that the finest date palm will
grow with buf six inches annual rainfall.
Burbank has developed the spineless cac-
tus, which is now being grown as food
for stock where nothing was produced here-
tofore. Yet with all this production of foods,
the New Haven Palladium points out that the
home market for these foods is increasing
faster than the supply, and ''before many dec-
THE NEW MINISTRY IN GREAT BRITAIN
13
ades we will ourselves join the
list of food-importing coun-
tries." It adds:
*'That golden stream of more
than $6,000,000,000 — a sum equal
to the aggregate wealth of the
United States in 1845 — which is
Plowing into the pockets of our
.agriculturists in 1905 is small
L mpared with the flood which
will come to them in the ap-
prc»aching years, and practically
ai! oi it will be contributed by
their own people."
C IR HENRY CAMPBELL-
O BANNERMAN has at-
tained suddenly within a fort-
right to the dignity of Prime
>. Minister of England. Seven
years of vivacity as leader of
the Opposition in the House of
Commons thus lay their flat-
tering unction to this political
f- luL The g^eat Liberal states-
-..an now assuming the govern-
ment of His Britannic Majes-
ty's dominions has been told
by those actually within his
o\fcTi party that never could he
It. what he has just become.
It appeared too inevitable that
not Sir Henry Campbell-Ban-
rfcrman but Earl Spencer of
;»ssibly Lord Rosebery must
uke the place of Mr. Balfour
when that subtle dialectician
hud at last to abandon his
brilliant but vain efforts to
nake Englishmen understand
that he had views on the great-
est issue of the day in British
p-i^litics — the old free trade or
the new protection. Mortal mind could no
rrore mistake the new prime minister's posi-
tion than it could fathom the old prime
minister's rhetoric. Sir Henry Campbell-
Bannerman has made roof after roof ring
^ith his shouts that the greatest of British
blessings is free trade. "The thing is good for
us," are his precise words, "good for this free
country, good for every man, whatever his
calling or station." Protection is styled by
Sir Henry a system of poor relief based upon
favoritism, involving the transformation of
healthy trades, giving strength to the com-
munity, into parasitic industries sapping its
vitality. When Sir Henry cries from tke
platform that protection promotes monopoly
THE LIBERAL LEADER WHO IS NOW PRIME MINISTER OP
EDWARD VII.
His utterance oa Home Rule has made a sensation, being to this eflFect :
" The only way of healing the evils of Ireland, of solvinfi: the difficulties of
her administration, and giving content and prosperity to her people, and of
making her a strength instead of a weakness to the Empire, was that the
Irish people should have the management of their own aitairs."
and favors special privilege, he is ready with
references to this country as a horrible ex-
ample.
THIS pugnacious free-trader owes his tri-
umph, none the less, to that stalwart
protectionist whom Sir Henry accuses of being
a noisy bee collecting vitriol as well as honey
— "a funny contribution," notes the London
Spectator, "to natural history" — Mr. Joseph
Chamberlain. Had this impulsive being,
agree London organs, only refrained from a
speech at Bristol in the closing days of No-
vember, constituting a point-blank refusal to
follow Mr. Balfour's suggestion that the tariff
issue should remain indefinite, the old prime
14
CURRENT LITERATURE
ENGLAND'S NEW SECRETARY OF FOREIGN
AFFAIRS
*' He might have 8tood for George Eliot's portrait of
the man who suffered all his life for looking younger
than he was."
minister need not have gone out and the new
prime minister could not have come in. No
THE^LEADER OF THE REVOLT IN WALES
" David Lloyd-George turned the wheels of government
backward in Wales, accordmg to the London Mat/^ and
gets a seat in the Cabinet for doing so.
general election with its promise of inverting
all political Britain would now impend. An
evolution which has been going on for at least
two years within the Conservative party under
Mr. Balfour thus attained its crucial phase
last month. Mr. Balfour, in an appeal having
to the London Post "an air of desperation,"
had implored his followers to stand by him in
this crisis. There was no use in his being
a leader, he declared, unless he was allowed to
lead.
MR. BALFOUR'S beautifully phrased ad-
vice was that the Conservative party,
with its Unionist wing, should accept so much
of the Chamberlain tariff policy as Mr. Bal-
four himself was disposed to agree with.
This meant "retaliation," a device dear to Mr.
Balfour, as only a phantom with which to
terrify the foreigner into reciprocity. It was
by this time evident to the London Telegraph
and its contemporaries that the terms of Mr.
Balfour's appeal involved his own continuance
in office as well as his leadership of a party
in turmoil. But the lion of that party, after
holding his paw raised for a week, let it de-
scend upon Balfour heavily. "No leadership,
no successful leadership," cried Chamberlain
at one of the most memorable of political
gatherings, "is possible unless the leader is
constantly in close touch with his party, unless
he knows their views and, I will even say, un-
less he can honestly and conscientiously say
he shares those views." The majority of the
Conservative or Unionist party, added Cham-
berlain— and the boldness of the breach these
words made caused a hush to fall upon a vast
audience — must not be asked to sacrifice its
views at the bidding of a minority within it.
Mr. Chamberlain was so obviously the leader
of the majority in question and Mr. Balfour
was so obviously feeble amid his cowed minor-
ity that his inevitable resignation was fune-
real. Chamberlain had captured the soul of
the party the instant its cold form was released
from the frigid embrace of Balfour. Joseph
Chamberlain, thrilled with the excitement of
an approaching election, is asserting the right
of a bom leader to do the leading. As matters
now stand, the supreme issue promises to be
between free trade or protection, with excit-
ing diversions in the form of Home Rule for
Ireland and repeal of an educational law that
has inflamed whole counties of Britain into an
attitude not unlike rebellion to the law and
the constituted authorities.
SIR HENRY AND HIS VIEWS
15
IT IS in the seventieth year of a brilliant old
age that Sir Henry Campbell-Bannerman,
kmg the representative of a typical Scotch
constituency in the House of Commons, is
called to the loftiest political eminence attain-
able by a British subject. He has gone the
round of public office with a fluent sort of
drollery that leads the London Mail — his
political opponent — ^to deem him the best after-
dinner speaker in England. Financial Secre-
tary to the War Office, Secretary of the Ad-
miralty, Chief Secretary for Ireland, Secre-
tary of State for War — these and other posts
of high distinction he has filled with efficiency.
The clever wit displayed in each of these
stations delights the London News (mouth-
piece of that Liberal faction which Sir Henry
heads) , but the sober London Times is grieved
to suspect in a statesman of his caliber a par-
tisanship too egregious, a leadership too reck-
less, a personality too vulgarly vituperative.
To the London Spectator, Sir Henry seems
very happy as regards "the humorous side of
his mind" and a first-rate story teller ; but this
critic finds him too much a Scot. He never
can, we are told, help seeing in criticism of
his official acts some lurking assault upon his
personal honor. The defect is attributed to the
curious Highland instinct with which he came
into the world. Anyhow, the new prime min-
ister is a hot speaker who never presumes to
orate, a dealer in political animosities who
will condescend to no niceness of words when
he thinks Mr. Balfour furtively hypocritical
and Mr. Chamberlain a suspicious character.
Sir Henry retorts that the others are rude of
speech, not he. "It appears," he once observed
at a public meeting, "that Mr. Chamberlain is
somewhat squeamish when plain words are ap-
plied to him. I should not have expected fas-
tidiousness in that quarter. He lives and
moves and has his political being in plain and
sometimes even rude language concerning his
political adversaries." Yet the London Mail
acknowledges "a large amiability" in Sir
Henzy. His native wit it finds real and of
dry, choice quality.
DUT the best thing to be said of Sir Henry,
*^ or so we are told by Sir Henry himself,
is the fact that the man is Scotch. It occurred
to him to ask one of his huge audiences why
the Scotch are so much more intelligent than
other people. "We are ourselves," he averred,
"at once too modest and too honest to dispute
this claim, but why is it?" It is due, Sir
Henry said, to John Knox and his Kirk. Twin
"STAUNCHEST HOME RULER OF THEM ALL"
John Morley, on the eve of his entry into the new
British Ministry, pronounced himself in favor of the
Home Rale idea in Ireland.
THE SON OF THE GREAT GLADSTONE
He prets a place in the British Cabinet because he is such
a good " whip."
i6
CURRENT LITERATURE
"THE ABLEST FREE TRADER IN SIR HENRY'S
CABINET "
Mr. H. H. Asqaith has for three years led the Liberal
campaigrn against Joseph Chamberlain's protectionist
ideas, which he^pronotmces '* worthy of the dark ages.*^
iijifluehces, these, making all Scots spiritually-
minded and with good heads for business.
Sir Henry is but an indifferent illustration of
his own theory, according to the London
Times, which has often called him a grievous
blockhead. But this newspaper is heart and
soul with Mr. Chamberlain, whom Sir Henry
. deems an emissary of the devil. He says it
bluntly enough, although we have the word
of the London Mail for it that the new head
of the King's government is an "easy, accom-
plished gentleman" over the walnuts and the
wine. It evens extols his exquisite urbanity —
upon occasion.
THE idol of the radical camp within the
Liberal pale is "C.-B.," as the English
dailies dub Sir Henry in abbreviation of his
lengthy name. The elegant type of Liberal,
shiningly exemplified in that former prime
minister, Lord Rosebery, barely tolerates Sir
Henry Campbell-Bannerman. The two politi-
cal brethren were at loggerheads not so long
since. The feud between them threatened
to split the Liberal party. Lord Rosebery was
actually denounced by Liberal organs on the
radical side — like the London Speaker — for
striving to eject Sir Henry from his post as
leader of the party in the House of Commons.
The scheme came to nothing. Rosebery had
to go into something that wore the aspect of
sulky retirement. His disappearance left the
Liberal party with no actual head and the jar-
ring sections turned to that nobleman who has
long led a corporal's guard of Liberal peers
in the House of Lords — Earl Spencer. But
Sir Henry Campbell-Bannerman had by this
time made good his authority over the party
rank and file in the Commons. Earl Spencer
issued a proclamation of policy which the
London Times took for a manifesto to Lib-
erals in view of an impending national elec-
tion. Clearly, as the London Standard saw,
Spencer or Campbell-Bannerman would have
to take a subordinate statibn if the Liberals
were called to office. The implication of the
hour was that Earl Spencer was in some kind
of "Whig plot" to depose Sir Henry from the
post of leader. Lord Spencer's high charac-
ter, concluded the London Standard, ought to
be sufficient guarantee, even with avid hunters
of office, that he would never lend himself to
so devious a maneuver. So it proved.
DOCK LABORER IN 1885, IN PRISON IN 1887,
BRITISH CABINET MINISTER TO-DAY
John Burns has been made President of the local
government board by the new British Premier, Mr.
urns' salary is $10,000 a year.
INTERNATIONAL RESULTS OF THE NEW MINISTRY
17
WITH Sir Henry in the place of power,
home rule for Ireland, predicts the
London Times, becomes an issue upon which
the fate of his ministry will be likely to de-
pend. Never, according to the London Spec-
tator, The home rule bogey is not to be
dreaded For many a month this great British
weekly has implored English voters not to
dread what the London Times persists in
dreading. Yet Sir Henry has just made what
the London Morning Post deems a strong
home rule declaration. The one way to heal
the sores of Ireland, said he, is to let the Irish
people have the management of their own
•iomestic affairs. If an instalment of repre-
sentative control were offered to Ireland he
would advise the home rulers to accept it
thankfully, provided it was consistent and led
up to their larger policy. But it must be con-
sistent and it must lead up to this larger
policy. Now, observes the London Times re-
garding this, home rule is not a thing that
Sir Henry will be allowed "to leave in the
re^on of vague aspiration." Mr. Redmond,
the home rule leader, is "not the man to be
satisfied with the windy diet of moral plati-
THE CHAMPION OP MACEDONIA WHO HAS EN-
TERED SIR HEl^RY'S MINISTRY
June* Brycc, author of **The American Commonwealth/'
'is just returned from a tour of investigation in Turkey.
He will, it is believed, use his now ofncial influence in
aror of English interference in behalf of the Mace-
THE NEW LORD-LIEUTENANT OF IRELAND
The Earl of Aberdeen, who Hs thus lectured by the
Dublin Frreman*s Journal : " The Irish Party have no
intention of allowing: Home Rule to be shelved until the
Liberals have outstayed their welcome rand lost their
driving: power to carry any great reform."
tudes." Mr. Balfour adds his own mordant
criticism that the logic of facts, the logic of
opinions and the logic of votes will drive Sir
Henry in the direction of home rule. Sir
Henry will even be forced to confess it, says
Mr. Balfour, in the course of the fierce cam-
paign that is to precede the election of a new
House of Commons. And the London Times
finds much press support for its view that
England is more than ever in the dark as to
the prospects of Irish home rule.
FROM the comprehensive standpoint of
world politics, the change of ministry
in England impresses the dailies of Conti-
nental Europe as a possible menace to the
Anglo-Japanese alliance. The Liberals, they
say, suffer from a lethargy of conscience re-
garding the obligations of Britain's pact with
the Mikado. Not a few serious Conservative
and Unionist dailies in London have taken the
insinuation as well founded. But Sir Henry
himself has just blended this sweeping alliance
with the essence of Liberal policy. Yet his
valor here goes with discretion. Speaking
with the prospect of his new dignity to steady
i8
CURRENT LITERATURE
him, Sir Henry told a very eager audience
that his country's association with the Japa-
nese nation had always been popular with Eng-
lishmen. But, he felt constrained to add,
there is a marked and fundamental difference
between an understanding in virtue of which
two neighboring countries are enabled to ad-
just their differences and an alliance which
places Britain's army and Britain's navy in
certain contingencies at the disposal of another
power, an alliance which lays down stipula-
tions for a goodly term, no matter what
changes may take place, that remain binding
upon both parties. Everyone must naturally
prefer the former — that is, the cordial under-
standing with France — ^to the latter, the Anglo-
Japanese treaty. The alliance seems to Sir
Henry an abandonment of Britain's time-
honored position as a power splendidly iso-
lated. The new premier even declared that the
old premier must have been in possession of
information which justified the committal of
Great Britain to so far-reaching and so im-
portant an obligation. However, the thing
was done and the obligations of the alliance
will be loyally undertaken by his government.
•
THIS led Sir Henry to remark that the
maintenance of China's integrity, in
order that the celestial kingdom might not be-
come a cockpit for the armies of Europe, is an
object worth making sacrifices for. So far
as the Anglo-Japanese treaty aims in that
direction, so far as it proceeds on the prin-
ciple of development in a commercial sense
and not through military annexation or
scrambling for territory. Sir Henry says he
unreservedly approves its object As it stands,
it implies that a sort of wardship over China
is entrusted to or undertaken by Great Britain
and Japan to defend China against all comers.
Yet is there not danger that the prestige of
the British Empire may be abased in the eyes
of the world by that provision of the Anglo-
Japanese Alliance which makes Japan jointly
responsible for the defense of India? This
latter point is full of meaning to anti-British
•organs like the Kreuz Zeitung (Berlin), which
asks if there be not in it sources of trouble
yet to come. As regards Russia, referred to
by the new prime minister as the empire pass-
ing at this moment through a dire ordeal upon
which it would be out of place io comment, we
are assured that it is the avowed policy of the
new government in London to come to an un-
derstanding with the government of St. Peters-
burg embracing all conflicting interests in
Asia. He significantly suggests that an oppor-
tunity for such an arrangement will soon
arrive. The idea that may be in Sir Henry's
mind perturbs the organ of Russia's ally, the
Paris Temps. It is delighted, though, that Sir
Henry should be asserting his appreciation of
the part France has played in widening the
bounds of human liberty, in asserting those
vital political principles which are at the root
of his own party creed. Such eloquence is
vividly poetical to the organ of the French
Foreign Office. It feels confident that promo-
tion of the understanding now so cordial be-
tween the two nations will animate Sir Henry's
joys of office, and it abandons itself to blissful
anticipations of German jealousy at the pros-
pect.
THE new Secretary of Foreign Affairs in
Sir Henry's rapidly formed ministry is
the scion of a great family, and the London
Speaker tells us that he might have stood for
George Eliot's portrait of the man who suf-
fered all his life for looking younger than he
was, were it not for the fact that most of the
characteristic mental qualities of youth have
been denied him. Sir Edward Grey is cold.
He holds aloof. No subject warms him, not
even the foreign affairs upon which he is an
expert recognized as such even by the carp-
ing critics of the London Standard and the
London Mail. With Sir Edward Grey as his
associate in office. Sir Henry Campbell-Ban-
nerman lends himself to tacit tolerance of
Lord Rosebery's position within the Liberal
party. Of all personal considerations, re-
marked Sir Edward Grey only last month,
there is nothing stronger with him than the
desire to keep in touch with Lord Rosebery.
He admits, of course, that Lord Rosebery and
Sir Henry Campbell-Bannerman seem to differ
on the Irish question. But Sir Edward
is of opinion that there has been a misunder-
standing. He believes, he says, that he knows
more about Lord Rosebery's opinion on the
home rule question and more about Sir
Henry Campbell-Bannerman's ({pinion on the
home rule question than either of these two
knows about the opinion of the other on that
question. He assures Britons that there is no
substantial difference between Lord Rosebery
and Sir Henry as to what should be the prac-
tical policy of the new Liberal ministry with
regard to home rule in the next House of
Commons. This, avers the London Times, is
very nice splitting of hairs and it wonders how
Mr. John Redmond, as leader of the Irish
PERSONAL SKETCHES OF NEW BRITISH MINISTERS
19
party, wiU take it There is to be no home
rule in any shape or form, if we are to be
guided by the London Spectator, which seems
to have been constituted the oracle of the new
ministry on this point.
WHEN Sir Edward became Under-Secre-
tary for Foreign Affairs some years
hack he asked whether it would be necessary
for him to learn French. "On mature re-
flection/* says the London Speaker, "he
decided in the negative." But he may be
said to think of foreign affairs in French
terms. The cardinal points of his policy in-
clude a closer understanding with the third
republic, he announces. Not less important
he considers thorough harmony at all points
with this country of ours. He spoke em-
phatically on that subject last month. And he
means to strengthen the alliance with Japan.
But more than anything else. Sir Edward
Orey goes in for free trade. "Protection," he
said on the eve of his entry into the new
ministry, "is organized and mobilized. It
must be fought to a finish."
MOST humanly interesting of all the men
in the new ministry is that working
man who neither drinks nor smokes, John
Boms. He brings much expert knowledge to
the post of president of the Local Government
Board, the knowledge of a self-taught man
who never discredits the school of experience
by decrying liberal education. He urges it for
*-age-earners, especially when he makes his
raucous, oenetrating voice heard in those
London Cx>unty Council discussions in which
his part is sq conspicuous. His new office
brings him ten thousand dollars a year. His
old post of tallow boy in a candle factory
brought him fifty cents a week when he was
ten years old. As a full-grown man he earned
seven dollars a week as one of the countless
dock laborers who were always out of work
when ships kept out of port. He was jailed
for defying the police in this period of his
rise to fame. His international celebrity
dates from the great dock strike of 1889.
When the dock laborers had won their great
victory in this struggle, John Bums was ad-
mittedly the greatest labor leader in the world.
He became an authority on labor questions
(the mouthpiece of what England calls re-
spectable artisan opinion), member of the
House of Commons and a shining light in Lon-
don's rather Socialistic county council. So-
cialistic ideas have been the foundation of
the political creed of John Burns ever since he
had one. He is Puritanically moral, fanatic-
ally honest, untouched by money temptation.
He is known to stand half-way between British
Liberalism and the cause of labor. He was
put into the new ministry for the sake of a
working agreement between the two.
INTO the same ministry has been put the
barrister whose first important case was
the defense of John Burns when that rugged
labor leader was tried for speaking ia Trafal-
gar Square against the wishes of the London
police. The "Rt. Hon." Herbert Henry As-
quith is Chancellor of the Exchequer, bringing
to that high post a curiously achieved fame as
man of fashion, brilliant lawyer with a gift
for cross-examination, and politician of co-
pious eloquence in championship of free trade.
The Pamell trial made Asquith famous. His
inquisitorial method in questioning the man-
ager of the London Times was pronounced
"one of the most brilliant and skilful displays
of word-baiting ever witnessed in a court of
law," and gave Asquith his splendid eminence.
Nature, asserts one of his unwilling eulogists,
has given him a voice of admirable compass
and abundant power, a mobile actor's face and
that gift of arranging and dramatizing un-
original thoughts which is the peculiar spell of
oratory. Fifty-three, a manufacturer's son,
some twenty years in the House and once
home secretary, his career has not gone out-
side the beaten path of that second-rate dis-
tinction which is all his enemies will concede
to him. He seems to have become half
ashamed of the fiercely radical views he held
when younger, a feeling explicable only by
his brilliant social successes, insist those who
accuse him of having betrayed democracy. He
has proved false to home rule, too, say the
Irish, in order to win the smiles of dowager
duchesses. He married the lady who was the
original of Benson's "Dodo" and thus severed
the last of the ties binding him to the man. in
the street.
MR. ASQUITH himself has elbowed his
way to a conviction that nothing of all
this matters very much. He has just told his
constituents that they must think only of the
coming general election as involving a choice
between free trade and protection. He de-.
clared that every one of the assumptions which
Mr. Chamberlain is putting forward in jus-
tification of tariff reform is belied by facts.
Great Britain's trade, instead of decreasing, is
20
CURRENT LITERATURE
constantly increasing. He made sport, like-
wise, of Mr. Balfour's policy of retaliation.
The result of setting up a wall of tariflfs, the
constituents were told, is that it always injures
the wrong person. It will not matter a copeck
to Russia nor a cent to the United States if
Britain puts a tariff upon their manufactures.
Mr. Chamberlain would put a small tax upon
food, to be made up, he said, to the working
classes in other ways. The protectionist al-
ways begins, added Mr. Asquith, with a small
tax upon food, but it always ends by becoming
a big tax. On that inclined plane there is no
halting place until prices have been raised to
the point where the native producer can snap
his fingers at all foreign competitors. All this
would be to the detriment of the working
classes. The British colonies, which are
frankly protectionist, would not, in return for
preferential duties on food, admit English
manufactured goods on terms which would
enable them to compete with their own. The
whole scheme is futile, imperfect and absurd.
Therefore Mr. Asquith has no doubt as to the
result of the impending general election.
I F ASQUITH and Sir Edward Grey are in
1 the Campbell-Bannerman ministry to ren-
der home rule obsolete, their combined weight
may be neutralized by the presence of John
Morley. He has been put out of harm's way
as secretary of state for India, but his voice
is still heard on the political platform defying
the wit of man to give to Ireland any effective
voice in the management of her own affairs
unless there be an executive responsible to a
body in which the elective element shall have
the decisive voice, whether that body sits in
Dublin, or wherever it sits. "I will heckle
myself," he cried at a meeting of his con-
stituents, after the new prime minister had
already offered him a cabinet post He imag-
ined himself quizzed: "Are you in favor of
home rule?" "Yes, I am in favor of home
rule," Morley answered himself, "if you mean
the creation by Parliament of a local legisla-
ture under the paramount authority of the
imperial Parliament." But Mr. Morley con-
fessed that he does not expect to see anything
of the sort made a pressing measure in the
new House of Commons. The trouble with
Mr. Morley, say his dissenting friends, is that
he is by temperament a student, a recluse even.
It is as a man of letters that he should be
judged — as the biographer of Cromwell, Wal-
pole, Emerson, Cobden, Diderot, Voltaire. In-
cidentally he was Gladstone's lieutenant in that
statesman's home rule policy. "Two men have
made me what I am," he says himself, and
those two men were John Stuart Mill and
William E. Gladstone. For the writing of
the life of Gladstone to fall into the hands of
John Morley, declared Frederic Harrison, was
one of those rare and fortunate coincidences
which now and then illumine the sphere of
politics and literature in combination. But
for the post of the secretary of state for India
to have been given to this home ruler touched
by the teachings of the French Revolution is,
to the London Times, congruous only with the
bland absurdity informing the composition of
(all this ministry.
MR. HALDANE is to be the great concilia-
tor of Asquith with Morley, of John
Bums with Sir Edward Grey. His fiercest
enemy in the London press assures us that Mr.
Richard Burton Haldane's most important
part in British politics has been played as the
diplomatist, the man of delicate adjustments
between round and square, the puller of wires,
the plausible concoctor of conciliatory pro-
posals and of schemes for smoothing over
wounded susceptibilities and avoiding incon-
venient assertions of principle. He got his
subtlety by studying metaphyscs at Gottingen
and Edinburgh. He deepened it by devotion
to Schopenhauer, whose philosophy he has
translated spiritedly. He is a pessimist on all
themes that do not concern his qualifications
for office, asserts the London Telegraph, in
effect. He is committed to nothing in par-
ticular, unless it be free trade, to which he
subscribes in metaphysical terms. CI\!ver as a
writer, versatile as a speaker, accomplished as
a politician, he is expected to take a philoso-
pher's delight in moving about in the new
cabinet as in some sort an unseen providence,
secretly advising his colleagues to be cautious.
In the capacity of secretary of state for war
he occasions surprise. The philosophic prob-
lem of reality seemed more in his line than
mobilization and artillery. Not that it matters
— to him. If London Public Opinion be un-
prejudiced, Mr. Richard Burton Haldane is
like the man of whom Sydney Smith said that
he was ready at any moment to undertake the
command of the Channel fleet or run a factory.
SO SORRY a spectacle is James Bryce as
chief secretary for Ireland in the es-
timation of Mr. Chamberlain's newspapers that
they almost weep for him. He will be sure to
make trouble over Macedonia, they say, Mace-
THE CRUSADE AGAINST FOOTBALL
21
donia being to Mr. Bryce what the lamented
King Charles was to Mr. Dick's memorial.
But Mr. Augustine Birreirs presence in the
new ministry — and president of the Board of
Education at that — atones to many a London
daily for the ponderous intellectuality of the
rainistry as a whole. It contains too many
serious men of letters not to have required
the presence of that born bookman, who has
said : "There is much pestilent trash now talked
about the ministry of books and the sublimity
of art and I know not what other fine phrases.
It almost amounts to a religious service con-
ducted before an altar of first editions."
Xevertheless, the London Mail takes Mr. Bir-
rcll seriously. He is the principal editor, it
tells us, of the 30,000,000 Liberal pamphlets
printed and ready for distribution from the
party headquarters the moment the general
election enters its agitated stage. He is un-
derstood to have infused into these pamphlets
all the freshness of phrase with which he
achieved what has been described by the Lon-
don Saturday Review as the unique distinc-
tion of rousing Mr. John Morley to the heights
of enthusiastic hyperbole. The London Post
expects another kind of hyperbole from Mr.
Morley before Augustine Birrell has been
president of the Board of Education for any
length of time.
DAVID LLOYD-GEORGE, as fluent in
his native Welsh as he is fiery in plat-
form English, takes his seat in the new cabinet
to protest, as president of the Board of Trade,
against all sectarian education. He protests
on behalf of what the London Times styles a
profoundly pious people, deeming themselves
outraged iji the very sanctuary of their lives
and now ready for conscience' sake to face the
dungeon. Mr. Lloyd-George has put it less
tragically by saying that if you stir the Eng-
lishman's feelings he goes at once to his
pocket, whereas the Welshman, when similarly
moved, sings hymns. Or, as the London Times
once more prefers to put it, foreign and impe-
rial policy, army reform, tariff controversies,
even wars, do not change or move the Welsh
voter. Everything in Wales is church or
chapel. Wherefore, Mr. Lloyd-George boasted
lately that Welsh unity of revolt against the
sectarian education act passed by Mr. Bal-
four's ministry a few years ago is not under-
mined and that the great and unique com-
bination of Welsh li)cal authorities which
confront the forces of clericalism has not col-
lapsed. Nor will it, he adds, until there is a
complete abolition of religious tests for
teachers in school supported from taxation
and until there is popular control of every one
of them. It will be the duty of Mr. Lloyd-
George, he is told by his Welsh constituents,
to see that this Campbell-Bannerman ministry
takes this burning issue up and the disestab-
lishment of the Church in Wales as well. "The
Parnell of Wales," the London Mail styles
him for having successfully organized a revolt
which has defied every effort of Mr. Balfour
to make the education act more than a farce
there. Not once in his plan of campaign did
Mr. Lloyd-George go outside the four corners
of the law itself, though for some three years
he has kept Wales in a state of practical in-
surrection. Never had the nonconformist
conscience appeared in more heroic shape, ac-
cording to that unfriendly critic, the London
Times, "It seemed as if the conscience of
Great Britain had suddenly become embodied
and had fixed its dwelling place in Wales."
With one side contending for sectarian in-
struction in the schools and the other demand-
ing public control and the abolition of religious
tests for teachers, it is predicted that Sir
Henry's ministry will wallow in a Welsh bog
as deep as any to be found by him in Ireland.
THE football season ended on Thanksgiving
Day, but the crusade against the game
goes strenuously on. Columbia University
has completely abolished football "as played,"
and various other institutions have come al-
most to the same point. Any number of col-
lege and university presidents have expressed
themselves emphatically in opposition to the
game, and whether it can be so reformed as
to preserve it in anything like its present
shape seems to many a serious question. There
are voices raised in favor of the game, but in
the colleges as well as in the general press,
the great majority of opinions expressed pub-
licly of late are for decided changes or entire
abolition of the game. Out of twenty-nine
college presidents replying to a letter of in-
quiry sent out by Judge Victor H. Lane, of
Michigan, only one, that of President North-
rup, of Minnesota University, was favorable
to the game as played at present. President
Butler, of Columbia, speaking of the effect of
the radical action taken by his university,
says :
"Since the action of our committee was made
known, we have been overwhelmed with mes-
sages of congratulation and praise for our uni-
versity from leaders of public opinion everywhere.
22
CURRENT LITERATURE
The best judgment of those best qualified to judge
is that we have done a distinct public service in
shutting the present game of football and its
committee on rules out of Columbia University."
PRESIDENT BUTLER'S own objections
to football, as devised and developed by
the intercollegiate committee of rules, are
stated as follows:
"The game which this committee has devised
and developed is not a sport, but a profession.
It demands prolonged traming, complete absorp-
tion of time and thought, and is inconsistent —
in practice at least — with the devotion to work
which is the first duty of the college or university
student. It can be participated in by only the
merest fraction of the student body. Throughout
the country it has come to be an academic nui-
sance because of its interference with academic
work, and an academic danger because of the
moral and physical ills that follow in its train.
The large sums received in gate-money are a
temptation to extravagant management, and the
desire for them marks the game as in no small
degree a commercial enterprise. The great public
favor with which even the fiercest contests are
received is not a cause for exultation, but rather
for profound regret. . . . Moreover, only a
few of the evils of the game are seen on the play-
ing-field. Those evils are many, subtle, and con-
trolling; they affect every phase of college and
university life and for some years past have
FOOTBALL FROM. THE OUTSIDE
" Say, Bill, did you ever play football ? "
" Who me ? I should say not. I don't take no chances
like that uv killin' myself.
— Omaha Dat'/y News.
reached down even into the secondary schools.
They are moral and educational evils of the first
magnitude."
The university senate of the University of
Chicago has passed a resolution declaring that
"in view of flagrant moral and physical evils
connected with intercollegiate football as at
present conducted, it is the opinion of the uni-
versity senate that the university should take
immediate steps in furtherance of far reaching
and permanent reform." The athletic com-
mittees of the two faculties of Leland Stanford
University and the University of California
have met together and by formal resolution
recommended that the Rugby game be substi-
tuted for the present game, and that the inter-
collegiate rules committee be hereafter ignored
President Wheeler, of the University of Cali-
fornia, speaks in strong terms of the rules
committee and especially of "that fellow Paul
Dashiel [Annapolis] .who controls the com-
mittee." Says President Wheeler:
"He has made the game so that only highly
specialized trained experts can play it success-
fully. What we want in college is a game where
the man who is in college for the right purpose
— ^that of getting an education— can play the
game and stand an equal chance with the fellow
who has more brawn than brain. Football as
now played is a sport apart from college life.
The men who play it are especially trained and
coached for months, and it takes only a man of
exceptional physical strength to play the game.
As it is now played it is useless, it is artificial."
President Eliot, of Harvard, has spoken al-
most as strongly in opposition to the game as
has President Butler, and Chancellor Mac-
Cracken, of the University of the City of New
York, who is seeking to secure joint action
by presidents of the whole country, says that
in his judgment the game should be abolished,
at least for a term of years. The students of
Northwestern University have petitioned the
faculty for "a graduate system of coaching,
football for all students, and the abolition of
gate receipts."
THE position assumed by most college
presidents who have expressed them-
selves in the matter this year is reflected in
the press of the country. Here is the opinion
of the Chicago Tribune:
"The betting evil has reached such a degree of
open prevalence that it stands out as the most
conspicuous thing about a football game. It is
unfair to place this burden upon the players. It
is degrading to place them on a level with prize
fighters and with brutes. Information about a
p/ayer's physical condition is guarded with the
FOOTBALL EVILS AND REMEDIES
23
same reticence as in the case of race horses, and
the same endeavor is made to mislead the public
in order to profit by favorable odds in betting.
The same flashy fraternity that frequents the
ring, the track, and the cockpit is at home at a
football game, and has acquired a prescriptive
right in the flesh and blood, limb and life, ot the
would-be champions. Students are infected by
the gambling passion, and the total sum at stake
in a championship game, according to reports
which are practically unchallenged, is enormous."
The New York Times refers as follows to
the list of casualties:
*^t is notorious that injuries are deliberately
inflicted with the intent to disable the enemy's
formidable players. If the truth could be fully
known, might it not establish the fact that some
of these nineteen [21] fatalities would have to be
classed not as accidents, but as manslaughter? Is
there any student football player now at large
who knows in his inmost soul that he caused the
death of one of these victims by the violence of
an attack intended only to maim, cripple, and
disable? This is a serious, a dreadful aspect of
the question. The more one reflects upon it the
more certain he will be to come to the conclusion
that college football must no^be played in future
as it has been played in the past. . . . Foot-
ball has degenerated into a savage, brutal, bloody
fight between men animated with the passions of
pugilists, seeking to win, not by demonstrations
of skill and strength, but by the blackguardly ex-
pedient of physically disabling as many of their
adversaries as possible. Kick the ball or kick a
head — ^it is all in the game."
THE New York Herald has collected the
casualty statistics for football, baseball
and other sports, and tabulates the figures for
deaths as follows:
DEATH LIST
1904 1905
Football 16 21
Baseball 21 11
Boxing 5 6
Jockeys 3 9
The same journal notes that "the majority
of football players and boxers killed were un-
trained, unknown athletes." The statistics
published by the Chicago Tribune some time
before the close of the present football season
showed that out of seventeen deaths up to that
time for the year 1905, ten were of high-school
players and only three were of college players ;
but of those injured and not killed, seventy-
three were college players, thirty-three high-
school scholars and scvcr grade-school schol-
ars. The New York World says of the game :
•nnhc football that is played is to the football
that should be played as a finish prize fight is to
legitimate boxing. Indeed, as between the two
prize-fighting is on a higher ethical plane than
college football. The fighters are frankly pro-
fessional. They make no pretense of amateur
standing. They fight openly for money, and they
have to fight fairly. The fouling of opponents
which football referees tolerate would not be al-
lowed in a prize-ring. The contest would be
stopped at once, and the decision given to the vic-
tim of the foul. . . . Either a game that does
not invite fraud, murder and mayhem or no game
at all."
SIMILAR expressions to the above could be
culled from scores of journals. Ameri-
can Medicine calls the game "the shame of
young men and the disgrace of American edu-
cation." The Atlanta Constitution, however,
calls attention to the fact that not a death has
occurred this year on Southern gridirons, and
it deprecates the sweeping condemnation by
"people who do not understand its fascinations
and advantages." Jt reprints with approbation
the following from the New York American:
"Perhaps there is danger of getting a little hys-
OH ! YOU DIRTY BOY
— Brinckerhoff in Toledo B/aaTr
24
CURRENT LITERATURE
terical about football and its perils. Nineteen
deaths in a season does seem a high price to pay
for sport. But how many players were on the
'gridirons?* Hardly less than 100,000. In swim-
ming, sailing, motoring, hunting, or almost any
other sort of manly sport the percentage of fatal-
ities must have been about as great.
"Football is not without its advantages, even
to members of the community not engaged in its
active pursuit. We have in mind a college town
which boasts one of the largest universities in the
United States; a college whicn supports a foot-
ball team not ^scored on in three vears. In the
little town are some 20,000 people. To every
growing boy there the successful coach and the
captain are heroes. The little lads emulate the
giants. They 'train* as they learn that the half-
back or right ^ard is training. They spurn
cigarettes, eat wisely and avoid the beer shop as
they would a pest house."
Other utterances that have attracted especial
attention come from General Miles and Carl
Brill, the tackle on Harvard's team. Says
General Miles:
"I have seen the game placed in this and other
countries, and there are various rules or systems
governing the game of football, known as the
Australian game, the Scottish game, the English
game, and the American game. Football as
played here now, while it meets the approval of
a large number of our people, is, in my opinion,
the most brutal, fatal, and fll-advised of any
game or sport practised by any people in any part
of the world."
Carl Brill's statement is as follows:-
"This season ends my football career. The
Yale game was my last contest. I have been in
the game ten years, playing tackle most of the
time. I believe the human body was never meant
to withstand the enormous strain which football
demands. Moreover, I don't believe the game is
right. I dislike it on moral grounds. It is a mere
gladiatoral combat. It is brutal throughout.
When you are opposed to a strong man, you have
got to get the better of him by violence. Many
ask me what the sensations are of a great multi-
tude wildly applauding for half an hour. I can
honestly say I have none. I stand and take my
medicine, impatient to get back to the locker
building and get off the dirt."
THAT the game of football must be
"mended or ended" may be taken as set-
tled. The question how to mend it satisfac-
torily to the public, the college authorities and
the students themselves is the subject of
anxious meditation and discussion by coaches
and athletes. What appeals to us as a very
intelligent discussion of the game, its present
faults and their remedy, appears recently in
the form of an open letter from a member of
the Harvard Alumni Athletic Association,
Henry M. Williams, of Boston, to the athletic
director of that university. The turning point
in the game, the one which has led to nearly all
the faults of the present, came, Mr. Williams
thinks, when Princeton introduced "offside in-
terference" about eight years ago. This had
always been considered unfair, and Princeton
was promptly challenged; but no explicit pro-
hibition was found in the rules at that time,
and the challenge could not be sustained. One
of the first results of this innovation was the
provision made in the rules for tackling below
the waist. This was considered necessary
because "offside interference" had so strength-
ened the offensive that some offset had to be
found to strengthen the defense. To these
two innovations, both contrary to the spirit of
the game, "the faults of the game to-day are
directly attributable." The dense mass plays
"arise almost wholly from the idea of inter-
ference massed ahead," and the tackling below
the waist is responsible for a large share of
the more serious injuries in the "open" game.
The practical result of the offside play is that
any player can and is expected to "go for" any
player on the opposite side, and if he can
"knock him out," all the better. The umpire
and referee must watch not only the man with
the ball and those opposing him, but all the
other players at the same time, which is mani-
festly impossible and gives the present wide
opportunity for dirty playing without being
detected.
THE remedy for the faults of the game,
Mr. Williams feels sure, is to do away
with these two vicious innovations and to go
back to the spirit of the old rules :
"The concrete results of play, if the change
should be made, would be, first, the line men
could open up holes in the line where they stand,
but could not advance in front of the ball to put
out— or, more accurately described, 'knock out'
— the proposing tacklers. The powers of these
tackier s would be lessened by their restriction to
waist-high tackles. With the ball fairly in play,
the opposing team could only touch the runner
with the ball. His support from his own team
would not come from a lot of thugs running
ahead of him for knock-out purposes, but from a
body of supporters ready to receive the ball by
pass when he himself had failed to avoid or
overcome the opposing tacklers. The change
would restore the lost art of passing, requiring
skill, strength and nicety of judgment, both the
quarterback pass from a down and the pass in
motion. The good pass was as much a tninp^ of
beauty and interest as the grand run or long kick."
Already, it may be noted, the old game of
association football — the socker or soccer
game — is being rapidly restored. An inter-
collegiate league has been formed to play the
THE FRENZIED CONDITION OF RUSSIA
25
old game, in which Harvard, Columbia, Cor-
ndJ, Princeton and Pennsylvania are already
represented, and Yale is expected soon to be.
PROFESSIONAUSM is another evil that,
by general consent, must be eliminated
from the college game. President Jordan, of
Stanford University, who still speaks a good
word for the present game as "a rough, virile,
unsparing, man-making contest, with a dis-
tinct lesson in courage, patience, self-control,
and cooperation," is disgusted with the pro-
fessional feature. He says in Collier's Weekly:
**It is a recognized fact that many members of
our roost successful football teams, in fact most
of the men chosen by our experts for an 'All-
American' line-up, are professional or semi-pro-
fessional athletes. That is, they are in the college
not for education, but for what they can make
out of the game— taking their pay in cash or
Ec4oriety, or both. Through the ingenuity of
non-academic professional coaches, *rank out-
•i<iers/ Sb far as university standards are con-
cerned, through the patriotism of alumni and in-
terested citizens (largely gamblers, saloon-
keepers and promoters) a good many 'induce-
ments' can be offered to the husky boys of the
high schools, and even to the still huskier fellows
of no school at all. H the professor in the college
assumes an attitude of indifference in these mat-
ters, the 'bleacher' set has its way ; the more scru-
palous of the student body are swept aside, al-
though usually in the majority, and the team is
axed for victory."
The remedy for this evil, President Jordan
thinks, is in the hands of college faculties.
If a college maintains "snap courses," night
law schools, etc., it should at least debar the
students in these courses from university
privileges, especially in athletics. Another
writer in Collier's, Edward S. Jordan, writing
of football in the University of Minnesota,
gives the names of man after man who has
been induced by financial offers to come to the
university for a merely nominal period in order
to take part in football games and help the
university win victories. After telling of case
after case of this kind— Usher L. Burdick,
Henry O'Brien, "Sunny" Thorp, etc.— Mr.
Jordan says:
'The demand for victory comes with no more
striking force from the commercial interests of
Minneapolis than from the sporting element,
the habitues of the saloons, the cigar stores, and
the gambling dives, now languishing 'under the
Kd.' Minneapolis has had a wave of municipal
reform. The city conscience has been exercised,
and vice in its manifold forms has been driven
from the town, or suppressed beyond the reach
of the novice. There are no curb men who now
even dare to announce in a whisper chance games
going on 'inside*; yet when the dignity of a uni-
versity is loaned to the practice of betting, thou-
sands of dollars are openly wagered in public on
the results of the larger games. Operators on
the Board of Trade boasted to me of , betting
money on local and outside college teams, and a
cigar dealer on a principal street exhibited a
show-case of large capacity that had been filled
with bills put up on a big game. It is public
knowledge that football gamblers need fear no
municipal ban. This is all a part of the Minne-
sota system of athletics, a product of her alliance
with commercial Minneapolis."
It is the president of this university— Presi-
dent Northrup— who says that the game has
"such a tremendous hold upon everybody" that
he sees "no use in fighting it even if it is an
evil."
I N RUSSIA the frenzies of all the month's
1 revolutions have established foundations
for new reactions. It may be a setting sun
that now reddens the edifice of autocracy, as
the Indipendance Beige (Brussels) proclaims;
but that edifice still stands, solitary and silent,
for the moment, yet frowning a militant de-
fiance even upon its peasantry, who have dared
to invade its precincts with a demand for
land, more land. The Czar replies by demon-
strating anew to his critics how little fitted he
is to occupy a throne during the anguish of his
empire's transition from a low scale of civi-
lization to a higher one. Reaction itself curses
him for giving strength, by the weakness of
his will, to the enemies of his absolutism. He
is dealt with insolently in his own palace-—
so insolently that a grand duke shot him, if
we are to believe one of the month's tragical
despatches. The sense of despair with which
the mother of Nicholas II has so long regarded
him seems, in the past four weeks, to have ex-
tended to all his relatives. That is why so
many European dailies take seriously the story
of a revolution within the palace, barely frus-
trated, a few weeks since, by the energy and
high spirit of a wife who plays the part of
Mrs. Micawber to a man who is always wait-
ing for something to turn up. He does not
wait in vain. Tillers of the soil, no longer
able to subsist upon manifestoes, took to the
pillage of landed estates. Whole regiments
proclaimed revolution. Battleships were
navigated in and out of port by mutineers.
Murdered Jews lay unburied for days in the
streets of populous cities. Crowds cheered
wildly when a former minister of war, prac-
tising pacification of the peasantry by the ap-
plication of whips to bare backs, was assassi-
nated for witnessing with indifference the
96
CURRENT LITERATURE
outrage of the women of a whole village by
his own drunken troops. Thus revolutionary
energy radiated outward from St. Petersburg
all last month, until the balance upon which
were poised the foundations of Muscovite
BY THE LIGHT OF THE MOON
Witte (ready to flee): '* Wait a while! Hush! But be
ready at a moment's notice."
—Kladderadatsch (Berlin).
bureaucratic rule in Finland, the Caucasus,
Poland, became overweighted and collapsed^
"Russia," says the Paris Action, "lies in
pieces."
ALL this is very much as it should be, to
the way of thinking of that unbending
reactionary, Count IgnatieflF, now so high in
the esteem of the Czar that he seemed about
to be made dictator when the month's revolts
were threatening personal violence to the
throne. The count avows that in Russia
power is tyranny and that tyranny should be
absolute. General Trepoflf is his ally from
motives of immediate expediency. The two,
with Grand Duke Nicolai, form the triumvi-
rate through which the forces of reaction
make themselves articulate. From their
number, according to one unconfirmed report,
will be chosen the dictator whom the Czar is
urged to appoint at this moment. This may
be rumor only, as the London Telegraph un-
derstands, but it agrees with the Paris Temps
that reaction is waiting confidently for its op-
portunity. For that reason all champions of
autocracy have resolved not to intervene just
now. Matters must not be allowed to mend.
Confusion must grow worse confounded.
Then, when the hour strikes, reaction can be
more terrible than an Ivan would make it.
The influence of Ignatieff and his sort grows
proportionately, says the Journal des Debats
(Paris), with the spread of the revolutionary
movement. "Should the ultra-reactionary
party gain the upper hand again," says the
London Post, "the outbreak of a counter-
revolution may be feared, the consequences of
which would be more sanguinary than the
present troubles." Fascinated by the possi-
bility, grand ducal baiters of the rabble give
encouragement to mutiny that disorganizes
the very troops upon which the existence of
any form of government must depend. All the
revolutions, observes the Paris Aurore, are
symptoms of the one conspiracy. Its object is
to discredit Witte.
WITTE lost most of his credit last month.
Upon that point the acutestnobservers
agree. The many aggravations of his dilemma
are now the greater because he lacks support
of any substantial kind. However much of a
liberal he may be, he is so only from expe-
diency. Popular leaders feel no confidence in
him. Court circles detest him. The workmen
in their meetings call him a fox. In Western
Europe he is scarcely more esteemed than he
THE SEAMY SIDE OF LIFE INSURANCE
97
Pram ibti lUmatrmUd Landom. Srnt*.
CARRYING POLAND'S FORBIDDEN NATIONAL EMBLEM THROUGH WARSAW'S STREETS
Polish revolutionaries are seen here carryina^ devices of the white eaele. This symbol of an independent
t4ti<jnality has been proscribed ever since Russian Poland passed under the autocratic sway of the Czar. The
s»re wearing of the white eagle on a piece of jewelry was a criminal offense until last month's edict.
is in his own country. "He is obviously a
self-seeking man and a vain one/' says the
London Spectator, His wish, it imagines, is to
bring about a revolution without sacrificing
all of Czardom, to transmute the old autocracy
into a twentieth-century royal power. "Before
be can do anything he must convince a reflect-
ive gentleman with a feeble will who is swayed
by ideas which are not his and by people who
are his enemies." Then the Czar dislikes
Witte "as probably not devoted and certainly
plebeian," and makes use of him because there
is no one else to use just now. The Spectator
thinks there are sources of weakness in both
Witte*s character and Witte's patriotism and
these render him a poor barrier against revolu-
tion. But Russia stands just now, according
to French dailies like the Paris Temps, be-
tween Witte and reaction. The idea makes the
St. Petersburg Russ indignant. "Reaction is
impossible," it says. "If a military dictator-
ship is attempted the whole country will go
on strike and thcCzar's authority will be con-
fined to the region of Tsarskoe Selo." That is
far from evident to a most reliable commenta-
tor on Russian affairs, the London Outlook.
"The reactionaries are not dead," it opines.
"For the most part the reactionaries have not
even left their posts and they are as effectually
in possession of the great system of govern-
mental machinery as are the employees of the
posts and railways of the country's commu-
nications." It thinks the reactionaries will be
able to manage the army if Witte falls. Then
there are the stories of Witte's physical break-
down. "Injured in health and wounded in
spirit, he seems to be suffering from partial
paralysis and complete exhaustion." News of
his resignation, were it to come now, must
entail a revival, on the most ambitious scale,
of the policy for which Plehve, the Grand
Duke Sergius, and so many others, have paid
with their lives.
THE seamy side of life insurance has con-
tinued on exhibition in New York dur-
ing the month and the feeling of public in-
dignation and disgust still finds abundant
38
CURRENT UTERATURE
Czar— ** Pull on the lines. Count, pull on the lines!'
WiTTB — **I das'ent, .Little Father, they're rotten!"
— Maybell in Brooklyn Eagle.
expression. But there are also evident a
growing conviction that the worst has been
told and a disposition to get comfort out of
the fact that the situation might have been
even worse than it is. No company, so far as
has yet transpired, has been looted to the
point of insolvency and no death-claims have
gone unpaid, as the cartoonists might lead us
to think, in consequence of the "grafting" that
has gone on for thirty years or more. The
system of straight life insurance has not been
discredited. Such at least is the conclusion
the Kansas Capital draws. It says:
"In condemning the outrageous misuse of their
trust funds and abuse of their character as
trustees by the managements of the 'high finance'
companies, it should be repeated over and over
again, lest the public get an utterly misleading
notion about what has been proven in the in-
vestigation, that life insurance itself comes out
of the fire unscathed as a device for the protec-
tion of dependent families which is deserving of
all praise. Even the worst abused companies are
perfectly solvent, indeed rich. And it should be
remembered that in all the panics of fiftv years
not an old line life insurance company of prom-
inence has ever gone down. So much can not be
said of any other, business in the land, and it
leaves no warrant whatever for suspicion of the
solvency of the life insurance companies doing a
general business over the United States."
OTHER forms of consolation are available
at the present moment. "It is doubtful
if a more thorough investigation was ever
known in this country," says the New Orleans
Times-Democrat; and "it is clear no inves-
tigation ever made will have more beneficial
results." The Springfield Republican gets en-
couragement by contrasting the deferential and
teachable spirit of some of the directors who
have recently testified before the committee,
notably Senator Depew, with the "brazen de-
fiance" exhibited earlier in the investigation.
And expressions of satisfaction are general
over the recent resignations that have been
made. Referring to the retirement of Presi-
dent McCurdy from the New York Mutual,
The World (New York) says:
"To the erstwhile dummy trustees of the Mu-
tual is due the ousting of the McCurdys. Those
trustees were not thick-skinned hypocrites. The
perjury was none of theirs. The policy-holders
were not robbed for their profit. Their names and
their reputations were a cloak, but when what had
been concealed was disclosed they recognized that
the duty was theirs to act, and they acted. The
dummies of the New York Life are now respon-
sible for the continuance of McCall and Perkins
[the latter has since resigned]. They have the
power. They are in law the trustees of the
policy-hblders."
The reorganization of the Equitable, the re-
tirement of McCurdy (succeeded by Charles
A. Peabody, an attorney of William Waldorf
Astor, at a salary of $50,000) from the Mutual,
and the resignation of Vice-President Perkins
from the New York Life, leaves President
McCall, the president of the latter company,
as the chief target now for the press. The
Cleveland Leader appeals to his directors:
"Is it possible that McCall, of the New York
Life, pan cling indefinitely to his place of power
and his huge salary? What are the trustees of
that corporation doing for their policyholders?
When do they propose to show that they are
fit for the responsibilities with which they are
entrusted? If McCall will not let go he should
be kicked out."
Two other resignations that are clamored
for are those of Senators Depew and Piatt
from their seats in the upper house at Wash-
ington. The Journal of Commerce (New
THE RUSSIAN BEAR BURSTS HIS BONDS
LIFE INSURANCE REMEDIES
29
York), not a political paper, referring to Sena-
tor Depew's record as a director of the Equi-
table and to Senator Piatt's admissions as to
his constant receptance for years of campaign
contribations from the life insurance com-
panies, says:
"Both Senators should resign. Neither has
been, is or can be a good and faithful servant of
this great State, and their presence in the Senate
covers it with confusion and humiliation. It is
many years since the Empire State has had a
worthy representation in that august body, and
to-day it can only be regarded with mortification
and shame. Nothing in the political life of either
Senator would so become him as the leaving it."
POINTS in the testimony during the last
few weeks that have elicited most com-
ment have been the story told by Mr. Ryan
of Mr. Harriman's attempt, by threats of the
adverse use of his political power, to secure
a participation in the purchase made by Mr.
Ryan of Mr. Hyde's stock in the Equitable;
Senator Piatt's acknowledgment that he re-
ceived many contributions from the Equitable
and other companies for the Republican State
campaigns; and Mr. Hyde's testimony to the
effect that Governor Odell used his political
power to compel the Mercantile Trust Com-
pany (one of the Equi table's organizations)
to make good the loss he incurred on the stock
of the "shipbuilding trust" which he purchased
through the Mercantile. The bearing upon
politics and politicians has, indeed, been the
most sensational feature of all the more recent
disclosures. In addition to these major
charges, a series of minor disclosures have
been made, such as the payment by the Mutual
Reserve of $3,500 to W. H. Phelps, of St.
Louis, before a license to do business in Mis-
souri could be secured ; the payment by the
Prudential of considerable sums to "J^^S^"
Hamilton, the legislative lobbyist at Albany;
BUT THB CONSTITUTIONAL RESULT IS NOT TO
HIS LIKING
—Kladderadatsch (Berlin).
THE BkcCURDYS ARE RESIGNING
— McCutcheon In Chicago Trtbune,
and the payment to an attach^ in the State in-
surance deparment at Albany of a salary of
$500 a year by a Binghamton company. The
New Orleans Times-Democrat describes the
situation as follows:
"The companies, or rather the officials of the
companies, appear to have had two grand out-
lets for money. What funds were not diverted
into their own pockets or those of their relatives,
seem to have been given freely to support a
crowd of representatives of the class whose mal-
odorous activities are sufficiently well known
around legislative halls and the offices of public
officials. Men have been paid money on all sorts
of grounds: for aiding and for refraining from
doing anything to the injury of the companies.
Were it not proved beyond question that many
leading insurance officials are simply 'grafters of
a larger growth,' one would be tempted to sym-
pathize with the way in which they were appar-
ently held up by Tom, Dick and Harry with some
sort of pull with a^ Legislature or an insurance
commissioner or someone.
DISCUSSION of remedies for the life in-
surance evils has not, so far, been very
general, except on the one suggestion of Fed-
eral supervision, which is arousing very con-
siderable opposition. A series of suggestions
for legislative remedies has been made to the
investigating committee by Gage E. Tarbell,
of the Equitable, which has been favorably re-
ceived. It includes "complete publicity," with
30
CURRENT LITERATURE
various changes in bookkeeping to facilitate
such publicity; political contributions from life
insurance funds to be made a misdemeanor;
no officer in a life insurance company to be
allowed to accept a salaried office in any other
corporation; no life insurance company to be
allowed hereafter to hold more than 20 per
cent of the capital stock in any bank, trust
company or other corporation. A more elab-
orate series of reforms is proposed by Louis D.
Brandeis, in an address before the Commercial
Gub of Boston. Mr. Brandeis is the counsel
for the Protective Committee of policyholders
in the Equitable. After a very lucid statement
of the situation, arraigning the officials of the
big companies for selfish and dishonest abuse
of power and gross inefficiency, he presents a
list of ten reforms, including the following:
Issuance of deferred dividend policies to be
discontinued; the forfeiture of policies to be
prohibited; investments restricted as in the
case of savings-banks; officials to be debarred
from engaging in other business; the size of
companies to be limited. Mr. Brandeis con-
siders that the present evils must be prevented
in the future or we shall soon find the people
resorting to State insurance. This he would
consider "at the present time highly unde-
sirable" ; but he faces the possibility as follows :
"If our people cannot secure life insurance at a
proper cost and through private agencies which
deal fairly with them, or if they cannot procure
it through private agencies except at the price of
erecting financial monsters which dominate the
business world and corrupt our political institu-
tionSp they will discard the private agency and
resort to State insurance.
"Despite your or my protest, the extension of
Government activity into fields now occupied by
private business is urged on every side. Of all
services which the community requires, there is
none in which the State could more easily engage
than that of insuring the lives of its citizens. The
business of life insurance is one of extraordinary
simplicity. To conduct it successfully requires
neither energy nor initiative, and if pursued by
the State does not even call for the exercise of
any high degree of business judgment^ The sole
requisites are honesty, accuracy and economy."
FEDERAL supervision of insurance is, how-
ever, the most discussed of the remedies
so far proposed. It is recommended by the
President in his recent message, and has al-
ready aroused some discussion on the floor of
the Senate. Mr. Brandeis is very positive in
his oppositon to it. He says in the address
already quoted from:
"Doubtless the insurance departments of some
States are subjects for just criticism. In many
of the States the. department is inefficient, in some
doubtless corrupt But is there anything in our
experience of Federal supervision of other de-
partments of business which should lead us to
assume that it will be freer from grounds of
criticism or on the whole more efficient dian the
best insurance department of any of the States ?
For it must be remembered that an efficient super-
vision by the department of any State will in
effect protect all the policyholders of the com-
pany wherever they may reside. Let us remem-
ber rather the ineffectiveness for eighteen long
years of the Interstate Commerce Commission to
deal with railroad abuses, the futile investigation
by Commissioner Garfield of the Beef Trust, and
the unfinished investigation into the affairs of the
Oil Trust, in which he has since been engaged.
Federal supervision would serve only to cen-
tralize still further the power of otu Government
and to increase still further the powers of the
corporations."
THE demand for Federal supervision seems
to The Sun (N. Y.) "only a symptom of
the general but perhaps temporary mania for
reforming everything that ought to be re-
formed by increasing the powers of the gov-
ernment. Federal, State or municipal." The
Detroit News, however, thinks that this move-
ment which the Sun calls a "mania" is destined
to increase and to enlist in its behalf not only
the owners of insurance companies but of rail-
way corporations and others. Speaking of in-
surance business it says: "Thousands of men
who have spent years in working up a business
and establishing a reputation find themselves
handicapped because the central coterie which
juggled the funds and misused public con-
fidence has been exposed." It is no wonder,
the News thinks, that such men now demand
Federal control as a matter of self-protection.
Two interesting bills have been introduced
in Congress which are desigfned to give Fed-
eral supervision of insurance in a way that
avoids most of the objections raised on con-
stitutional and other grounds. They provide
merely for inspection by a Federal department
of all insurance companies seeking to do
business in the District of Columbia, in the
territories and in our insular possessions. It
is contended that any company seeking ex-
tended public confidence would have to submit
to such inspection, and that thereby all the
practical results of Federal supervision would
be obtained without impairing in any way
supervision by the various State departments.
This plan is said to have the President's en-
dorsement. The New York Times thinks it
would be constitutional but ineffective as a
means of checking the present forms of evil.
THE PERSUASION OF ABDUL HAMID
31
TURKEY'S subtle Sultan, after five irri-
tated refusals to have anything to do
with the latest international scheme for ter-
minating the terrors of Macedonia, has been
subjected to the suasion of a fleet of war-ships.
Abdtd Hamid was practically at war with five
powers simultaneously less than a month ago.
He saw his port of Mitylene seized, descents
made upon an island or two, contingents
landed, custom-houses held. Yet the head of
the house of Othman stood firm. He threat-
ened to glut the furies of Mohammedan fanat-
icism upon the Christians in Constantinople
kfore he would consent to what is in effect "
direct European control over the finances of
Macedonia and the transmutation of his own
authority in that region into the ghost of its
fcwmer self. But Abdul Hamid did at last
bring himself to look into the mirror of his
bumiliation and behold therein the specter
of his sovereignty in Europe. He saved his
ace by consenting "in principle" only. Points
of detail are to be settled later. Europe's sur-
prise at the outcome finds free expression.
"Had he determined to meet force by force,"
says the London Times of the Sultan, "the
task of reducing him to submission might have
cost more blood and treasure than seems to be
iiragined in some quarters." With that digni-
fied urbanity and naturally majestic grace for
Otpyri^t bj H. C. Wbite Cob, N. Y.
WHERE THE SULTAN THREATENED A
MASSACRE
This shows Constantinople with the bridge over the
Crtjldcn Horn to the Turkish quarter. Abdul Hamid
*fud the powers that the Mohammedans would rush
•T^tT the bridge and slay the Christians if a naval dem-
cs»;ration were made.
Copjrrigtic by H. C. White Co., N. T.
RESIDENCE OP THE TURKISH SULTANS
It is at Constantinople and the heir to the throne of
Abdul Hamid was surrej
recently by the Sultan's^ or(
despatches
eptitiously conveyed there
der.according to last month's
which he is so famed, Abdul Hamid had as-
sured the few diplomatists who have access
to himself that he could not yield. And yield
he does.
THE unexpected, by happening thus in Con-
stantinople, convinces the Paris Gaulois
anew that a fleet of battleships is the only
counter-irritant to the dogmas of the Sultan's
religion. For the scruples of the Sultan in
the present case were wholly religious, The
Koran prohibits the very thing the powers
have just forced from Abdul Hamid —
financial control of a Moslem province by
the Christian dog. Voluntary acceptance
of the terms now proposed to him would,
he says, mean his abdication in the eyes of
every true Mussulman. But the Sultan's theo-
cratic sanctity remains unaffected when he
yields to superior force. Those champions of
orthodoxy, the members of the Ulema, and
that exalted hierarch, the Sheik-ul-Islam,
agree that when the Sultan is faced by squad-
rons and battalions he has no choice but to
submit. Terms wrung from him when he is
left with no alternative may be at variance
with the precepts of the Koran, as authori-
tatively expounded, but they do not com-
promise his orthodoxy. If Abdul Hamid sins
unwillingly, he is free from blame. But the
erratic way in which the great powers resort
to armed force in their dealings with Turkey
has aggravated the discord of the concert of
Europe. Austria-Hungary long held back be-
3a
CURRENT LITERATURE
cause Russia once sent war-ships to Turkish
waters without due notice to herself. France
has also been criticized for moving her squad-
rons too near Constantinople without first ob-
taining the general approval. The diplomacy
of Constantinople has, again and again, found
it easy to induce Europe to postpone a united
naval demonstration. For the first time in
many years, Abdul Hamid has openly defied
instead of furtively evading.
AGGRAVATED as the lot of the Chris-
tians in Turkey thus becomes, they
suffer from the additional scourge of fresh
dissensions among themselves. In the Euro-
pean portion of the Sultan's empire the Chris-
tian element in the population is wholly unable
to unite in the presence of the common enemy.
Thcrd are Protestant missionaries. Orthodox
Greek missionaries, Roman Catholic mission-
aries. National churches owing ecclesiastical
obedience to superior authority in Russia,
Bulgaria, Greece and S'ervia began last month
another internecine strife of sect against sect.
Although in a few parts of EuVopean Turkey,
according to the census just taken, the Chris-
tians constitute a decided majority of the popu-
lation, they neutralize this advantage by mu-
tual jealousies between Greek and Roumanian,
Slav and Suabian. Everywhere, reports
James Bryce, after a tour of the region just
completed, the Christian is unable to hold his
own against the Moslem. Still another source
of discord is education. Servia, Roumania,
Bulgaria and Greece maintain separate sets of
schools, which are too often but nests of politi-
cal propaganda. In no part of European Tur-
key is there even a tendency to that union of
Christian forces which is indispensable to
headway against the exactions of the Moham-
medan overlord. In strijcing contrast with this
dissension is the unity among the Turks, who
are held together by the bond of religion and
of that national tradition which makes them
out a body of conquerors surrounded by a sub-
ject population.
1
- H
1
WS • 1 >^
' «
' si
:' -if^^
il^^B^^^ ^jIH^HI
1 ^
\. ...J
THE CROSS THAT SAVES MAIDS AND MATRONS FROM THE HAREM
These Bulf^artan women have crosses on their foreheads. In some villagres all the women are thus branded.
The cross inspires aversion in the Turks and averts from a woman the fate of abduction j and imprisonment in a
Mohammedan harem.
33
Literature and Art
NEW REVELATIONS OF VICTOR HUGO
A woric full of interest, especially for lovers
A Victor Hugo, has just appeared in Paris.
It is from the pen of a distinguished French
nan of letters, M. Paul Stapfer,* who for a
tine shared the poet's exile in Guernsey. M.
Stapfer became a sort of Boswell and took
exact and copious notes of his conversations
with the great writer upon all sorts of sub-
jects—literature, philosophy, theology, politics.
His book, therefore, has almost the value of a
yew work by Victor Hugo. One recognizes
-it (Mce the ''Olympian" phrase of the master
in these utterances, full of odginality 2ind
charm. It is as though the golden tones of the
tnnnpct voice, so long stilled, were heard again
from the Pantheon.
Victor Hugo confided to his friend the amaz-
rug intelligence that Marius, one of the princi-
pal characters in "Les Miserables," was no
other than himself. "He told me," says M.
Stapfer, "that Marius was created in his own
!:kened8, that he had put into this character his
'/WB traits, and that in the acts and career of
the lover of Cosctte would be found the whole
history of his own life, even to the very list of
bis dinners."
In his conversations upon literature with
M Staffer, Victor Hugo expressed boundless
ybsdmtion for Dante. He referred to "Pur-
gatory* and "Paradise" as "two badly under-
stood poesns which are at least equal to the
InferoOw"* Shakespeare, however, may be
said to have been the god of his literary idol-
atry. He said to his friend:
"As rcigards this great poet, you share in the
mrrent ofnnioci which has been made the fashion
by Taiae and. Deschanel, who see in Shakespeare
merely a reproduction of men as they are and
hi nature as she is. According to this view
Shakespeare would be no more than the prototype
r.f Balnc But it is not so. His characters par-
ticipate in the ideal, like those of Corneille and
Aeschylus. Where can you find in nature, I pray
^oa, the types of Macbeth, of Richard III, of
bthclk>, of Falstaff— above all, of Falstaff? To
the human element Shakespeare adds the super-
hnman element, and it is by reason of this that
be is great. Every true poet is a creator of types ;
now it is of the very essence of types that they
be above nature and superhuman."
•Victor Hugo X Guernsey.
'>adin et Cie Paris.
By Paul Stapfer.
He acknowledged that there are blemishes
in Shakespeare. He disapproved, for example,
of the final scene in "Hamlet," and especially
of the exchanging of the foils. But on such
blemishes he disliked to dwell. '1 am a fanatic
upon this point," he said. "I am not one of
those who hold: Quandoque bonus dormitat
Homerus (Sometimes the good Homer nods).
I admire all in Homer,' in Shakespeare and
the Bible."
Among philosophers he particularly ad-
mired Spinoza, in whose grandiose dreams he
probably saw reflections of his own. To
Plautus he awarded very high rank, claiming
that he was the equal of Moliere and would
be comparable to Shakespeare had he pos-
sessed the tragic gift ; he held that the Roman
dramatist was less philosophic and profound
than Moliere, but that he excelled the French-
man in poetic feeling and in style. "I avoid
reading Plautus." he said, "because when I
have begun to read one of his comedies I can-
not leave it alone, and my whole morning is
gone." Toward the great French classicist;
Racine, he was peculiarly intolerant.
"You have done too much honor to Racine in
placing him in the group of the greatest poets,
and in making him the equal of Corneille. Racine
is but a writer of the third rank, hardly superior
to Campistron. He is essentially a bourgeois
poet He responds to what one may call a na-
tional need, so universal is it in France: the need
of a bourgeois poetry. . . . The bourgeois have
wished to have their poet. They have one. It is
Racine."
One of Hugo's particular aversions among
modern men of letters was Taine. He cited
with indignation the famous phrase of the
great determinist, "Vice and virtue are prod-
ucts, like vitrol and sugar," and exclaimed ear-
nestly :
"This is the negation of the difference between
good and evil. Certainly Dupanloup is not my
man, but I approve him when he takes the field
against such infamous doctrines. I would I were
in Paris; yes, I would I were in the Academy
that I might vote with the Bishop of Orleans
against this whipster of the schools r
Hugo had a profound contempt for Taine's
famous historical theories. Pointing out some
34
CURRENT LITERATURE
rom "Tbe Romance <^f Victor Dago and Juliette Drouet." (O. P. Patnuni'i Sena.)
A BAS-RELIEF OF HUGO, BY PROFESSOR MICHEL.
atrocious errors of the contemporary press, he
said that the Taine of i960 would found elabo-
rate theories upon these "documents" of the
nineteenth century.
"The great moral facts alone are important and
not the external details, the color of one's hair,
the place of one's birth, etc. . . . Neither
Tacitus nor Thucydides has fallen into this
ridiculous mistake. What matters it whether a
man's hair is blond or black? Will you pretend
that his temperament can be explained by this?
. . . The criticism in fashion reminds me of
the famous problem : Given the height of the
tallest mast of a vessel and the quantity of provi-
sions on board, to find the age of the captain."
M. Stapfer's book contains new and interest-
ing information concerning Hugo's intellectual
equipment. The idolater of Shakespeare did
not know one word of English. His knowledge
of the greatest of dramatists was gained from
French translations and must, 'therefore, have
been very imperfect. He knew very little
Greek and his knowledge of Greek literature
was confined to Aeschylus and Homer, whom
he read in Latin translation. Like Cato, he
began the study of Greek in his olc
age, "but could not boast of having
made much progress." He was a
thorough and brilliant Latin scholar
and' could recite whole pages by heart
from the following authors: Horace,
Tacitus, Juvenal, Virgil, Lucretius,
Justinius, Quintus Curtius and Sal-
lust M. Stapfer continues:
"One afternoon I encountered Victor
Hugo wandering in meditative mood
through the country, according to his
wont. Upon seeing me he burst out
excitedly :
"T have not yet recovered from the
stupefaction with which I have been
overwhelmed by a discovery I made this
morning. Imagine it, I have found in
Juvenal a translation of one of my
verses, and, what is more, of an unpub-
lished verse!*
"I asked for an explanation of so
queer a phenomenon.
"There is a whole volume of the
"Chatiments." * he replied, 'which has
not yet seen the light, and in which you
will read this:
"'"Personne ne connait sa maison
mieux que moi
Le Champ de Mars."*
" 'Well, to-day, by chance, I opened
my Juvenal, and what did I find there?
" * "Nulli nota magis domus est sua
quam mihi lucus Martis.** *
" 'It is the exact translation in Latin
of my French verse.'
" 'But,' objected I, respectfully, 'would not your
verse be more likely to be an exact translation into
French of Juvenal s Latin verse?'
'"No, no!* replied he energetically, 'for it is
the first time I ever came across it. I have not
read absolutely all of the satires of Juvenal.
There are some, that I know almost by heart from
reading them over and over; but there are some
also that I do not know and this is one of them.
Therefore, one of us two must necessarily have
stolen from the other, and I maintain that Juvenal
is the thief.* "
Contrary to the general impression, Victor
Hugo was a lover and connoisseur of music.
Here are his opinions on some of the German
masters :
"Neither Goethe nor any other German poet
has given reality to his dramatic personages.
Curious fact! The German musicians offer us
more real creations than Goethe or Schiller. The
cataracts and the forests of Beethoven are gen-
uine forests and cataracts. My admiration for
Beethoven is only equalled by that which I have
for Gliick. In my eyes these two are as great
geniuses as Aeschylus and Michael Angelo. In
'Alceste* and in 'Armide' there are pieces of a
sublimity that has never been surpassed or even
attempted. Mozart is great but he comes after
LITERATURE AND ART
35
'jjBct There is a little too much of Louis XIV
-i Mcsart He is inferior to Gluck, as Rubens is
' > Rembfandt, as Raphael is to Michael Angelo,
i' Radne is to 0>meille and Moliere."
The religious side of Victor Hugo, so ap-
arent in his writings, stands out more clearly
±m ever in these memoirs. He was a firm
'jdicTer in God and in the immortality of the
JOcl and looked with contempt upon the in-
SdelitT which inras beginning to widen its em-
pire in France. Upon this subject he always
^e with passion. Is not the following al-
cost worthy of St. Paul ?
*t)h, l^w poor atheism is ! how small and how
iliaird ! *God exists. I am more certain of His
existence than of my own. If God grants me
life enough, it is my tlesire to write a book in
which I shall demonstrate that prayer is neces-
sary to the soul, that it is useful and efficacious.
As for myself, I do not pass four hours in suc-
cession without praying. I pray regularly every
morning and every evening. If I awake during
the night I pray. What do I ask of God? That
he give mt strength. I know what is good and
what is evil, but I am weak, I am conscious of mv
weakness, and I find that I have not the strength
in myself to do that which I know to be right.
God supports us and envelops us. We exist in
Him. In Him we have life, movement, bein^.
He is the Author of all, the Creator. But it xs
not true to say that He has created the world.
For He creates eternally. He is the soul of the
universe. He is the I of the Infinite."
THE NOVEL AS A POLITICAL FORCE IN ITALIAN HISTORY
One of the most interesting points brought
•:ut in Dr. Spencer Kennard's new book on
Italian Romance Writers"* is the extent to
vhich classical learning was used as a pall to
extinguish the national aspirations of Italy
t the opening of the nineteenth century, and
he influence which the novel, and above all
he romantic novel, had in making Italy free.
Vever in the world's history, he maintains,
"35 the reciprocal influence of literature and
rob'tical events been so apparent as in this
xriod of Italian history; but this influence
was obtained only by breaking away from the
icading-strings of the ancient classics.
Dr. Kennard, as will be recalled by our
readers, is the American who is to be made an
Italian noble for his services to Italian litera-
ture, and who last year was invited to lecture
at the Sorbonne, Paris — an honor extended to
no other American since the days of Ben-
jamin Franklin* (see Current Literature,
September). In the introduction to his new
book he dwells upon this connection of politics
and literature — a connection which elsewhere
he is emphasizing to Italian minds as indicat-
ing the surest means to secure the moral re-
generation of the Italian people to-day.
Before the necessity of shaking off the
foreign yoke had been realized by the people
of Italy, its poets and novelists had defeated
their lives to the movement. The Italian novel
owed its birth not to mere literary aspiration,
but to patriotic purpose. "Many glowing
pages," we are told, "were written in the in-
tervals of campaigning, and sometimes in the
•Ttaliaw Rokakcb Writbksi. By Joseph Spencer
Reasard . Brentano's.
dungeons of the Austrian oppression."
then
Fur-
"The fact that this fiction was at once both the
child and the parent of the Italian cry for free-
dom, both the product and the inspiration of the
nation's revolt, cannot be too strongly empha-
sized. It is this interdependence of the political,
social, and literary movements, and the results
achieved, which gives to this Italian evolution its
title to be considered one of the world's greatest
evolutions. ...
"When the dawn of 1800 shone on the wretched
peninsula, Italian nationalism had reached its
lowest depth. The many petty states were cal-
loused by the weight of diains and happy in their
humiliation. Dante's apostrophe, Ahif serva
Italia, di dolore ostello! had never been more
sadly true, yet Italy was the gayest land in
Europe, and strangers gathered to share in the
perpetual carnival. This thoughtlessness was
encouraged by foreign masters as well as by
petty tyrants, mindful of the Juvenalian panem
et circenses.
"A stifling pall of classic training was used to
extinguish all liberal aspirations. Humanism,
that inspiration of Italian genius during the
Renaissance, was now frozen into a pedantic
scholarship. In the schools were taught a fastid-
ious taste and a strict observance of the purity of
the language, in the hope of shutting out the flood
of foreign philosophical and literary innovation."
But Napoleon's invasion broke the barriers,
liberal ideas were given a chance to propa-
gate, the words "Glory" and "Liberty" rang
over all the land, and the Italian romantic
novel came into existence as the literary ex-
pression of social and political aspirations.
The first novel to arouse the nation was the
"Last Letters of Jacobo Ortis," by Ugo Fos-
colo (1798) — "a masterpiece unique in its
double character of poetic prose and classical
36
CURRENT LITERATURE
transposition of a romantic subject." But the
first masterpiece, the first real Italian romance,
was "I Promessi Sposi," by Alessandro Man-
zoni, "the fixed star into whose orbit other
planets were attracted." Every Italian novel-
ist was at one time a Manzonian, and to-day
he is as much studied and as greatly admired as
at the time of his death in 1873. His great
romance is still a text-book in his country's
schools. His ideas of literary work and its re-
lations to life are set forth by Dr. Kennard as
follows :
"Manzoni considered literary work the noblest
of missions. On a paper discovered in his room
after his death was found the following sentence,
copied from an English book: 'When society
becomes better enlightened, no literary perform-
ance which is a mere work of art will be toler-
ated.' This feeling restrained him from admitting
to his page anything unworthy of his lofty aim,
even though he might thus add to its interest and
popularity. Hence, the absence from his novel of
scenes of love-making. In one of his posthumous
papers he tells us that when he first wrote his
novel all the love-scenes and tender endearments
were there. But on revising his work this wasleft
out. 'Because,* he says, 'we ought not to write
about love in such a manner as to awaken that
passion in our reader's mind. . . . There are
many other feelings, such as pity, self-denial, a
desire of justice, which a writer should strive to
excite, there can never be too much of them; but
as for love, there is certainly more than enough
for the preservation of our revered species.*
"He continues: 'If literature had no higher
aim than the amusement of people who are al-
ways amusing themselves, it would be tfie vilest,
most frivolous of professions, and I would search
for some manlier employment than this aping of
the mountebank, who on the market-place enter-
tains with a story a crowd of peasants; . . .
he at least affords pleasure to those who live in
endless toil and misery.' "
SIDNEY LANIER'S PLACE IN AMERICAN POETRY
That Sidney Lanier possessed genius no one
who has written of his life has ever denied.
That he stands in the front rank of American
men of letters many, at least on this side the
ocean, can be found to affirm. But just what
his rank is seems to be a question still timidly
approached. The writer of the first important
life of Lanier,* Prof. Edwin Mims, of Dur-
ham, N. C, does not even attempt the task of
"placing" him. He notes that Lanier's posi-
tion in American, to say nothing of English,
literature, is still a moot point with the critics.
Some in this country who have a right to
speak with authority "shake their heads in
disapproval at what they call the Lanier cult."
In England his vogue does not begin to match
that of Emerson, Poe and Walt Whitman,
while "Madame Blanc's article [a few years
ago] in the Revue des Deux Mondes, setting
forth the charm of his personality and the
excellence of his poetry, met with little re-
sponse in France." More time is demanded by
those who believe justice is yet to be done
to him. Professor Mims is positively apolo-
getic in respect to some of Lanier's preten-
sions to fame. He deprecates the unwise pub-
lication of a large body of Lanier's prose work,
and admits that his author has no claim to
rank high as a critic. Lack of wide knowledge
and also of catholicity of judgment may rea-
•Sli>NEY Lanier. By Edwin Mims. Houghton,
Mifflin & Co.
sonably be urged, he thinks, against such a
claim in Lanier's behalf. His single novel,
"Tiger Lilies," is no doubt a negligible quan-
tity in his claim for remembrance. Not so,
however, his achievement in the field of poetry,
both as singer and as a scientific investigator
of the technique of verse. Professor Mims
says that Lanier believed that he was, or would
be, a great poet There is no lack of con-
fidence in a declaration like the following,
which the biographer quotes : "I know, through
the fiercest tests of life, that I am in soul, and
shall be in life and utterance, a great poet."
His ideal was high and with it went a dis-
paragement of the ideals of some of his fellow
practitioners. Says Professof Mims:
"Time and a^in he spoke of 'the feeble maga-
zine lyrics' of his time. 'This is the kind of poetry
that is technically called culture poetry, yet it is
in reality the product of a want of culture. If
these gentlemen and ladies would read the old
English poetry . . . they would never be con-
tent to put forth these little diffuse pettishnesses
and dandy kickshaws of verse.' And again: 'In
looking around at the publications of the younger
American poets I am struck with the circum-
stance that none of them even attempt anything
great. . . . Hence the endless multiplications
of those little feeble magazine lyrics which we all
know : consisting of one minute idea each, which
is put in the last line of the fourth verse, the
other three verses and three lines being mere sur-
plusage.' His characterizations of contemporary
poetry are strikingly like those of Walt Whitman.
Different as they were in nearly every respect,
LITERATURE AND ART
37
dK two poets were yet alike in their idea that
there should be a reaction against the conven-
tional and artificial poetry of their time. . . .
In both poets, there is a range and sweep, both of
conc^don and of utterance, that sharply differ-
entiates them from all other poets since the Civil
War."
Professor Mims posits the question whether,
vkith this faith in himself, and his lofty con-
ception of the poet's work, Lanier succeeded
in writing poetry that will stand the test of
time. In Lanier's poetic equipment there was
"a sense of melody that found vent primarily
:n music and then in words which moved with
a certain rhythmic cadence." Furthermore, he
had ideas and "was alive to the problems of
his age and to the beauties of nature." Pro-
fessor Mims's analysis next takes a negative
turn:
'With the spiritual endowment of a poet and
in unnsual sense of melody, where was he lack-
ing in what makes a great poet? In j^wer of
expression. He never attained, except in a few
poems, that union of sound and sense which is
characteristic of the best poetry. The touch of
finality is not in his words; the subtle charm of
Terseoutside of the melody and the meaning is
not lis— he failed to get the last 'touches of
vitalizing force.' He did not, as Lowell said of
Kots, 'rediscover the delight and wonder that
lay enchanted in the dictionaxy.' He did not
attain to 'the pwerfection and the precision of the
instantaneous line.'"
Explanations of his partial failure are of-
fered in such phrases as "lack of spontaneous
utterance" — a temperamental defect; "lack of
time for revision" — a penalty which his pov-
erty exacted. A further explanation, rather
strangely, is to be found in Lanier's overwork-
ing the musical effect of his verse, which is
directly traceable to his theory of verse. If,
however, he suffered through his theories as
a poet, it was by their means that he achieved
his solidest results. His book on "The Science
of English Verse," built upon the thesis that
"the laws of music and of verse are identical."
that in all respects "verse is a phenomenon of
«ound," remains an enduring monument to his
fame. In commenting on the value of his
theory. Professor Mims says :
The book emphasizes a point that needs con-
stantly to be emphasized, both by poets and by
smdents of poetry. Followed too cloaely by
minor poets, it will tend to develop artisans rather
than artists. Followed by the greater poets—
consciously or unconsciously, — it may prove to
be one of the surest signs of poetry. This phase
of poetical work needed to be emphasized in
.\merica, where poetry, with the exception of
Foe's, has been deficient in this very element.
Whatever else one may say of Emerson, Bryant,
SIDNEY LANIER.
He said : *'*' 1 know, tbroufi^h the fiercest tests of life,
that I am in soul, ana shall be in life and utterance, a
great poet."
Whittier or Longfellow, he must find that their
poetry as a whole is singularly lacking in mel-
ody. Moreover, the poet who was the most
dominant figure in American literature at the time
when Lanier was writing, prided himself on vio-
lating every law of form, using rhythm, if at all,
in a certain elementary or oriental sense. T
tried to read a beautifully printed and scholarly
volume on the theory of poetry received by mail
this morning from England/ said Whitman, l)ut
gave it up at last as a bad job.' One may be
Uioroughly just to Whitman and grant the worth
of his work in American literature, and yet see
the value of Lanier's contention that the study of
the formal element in poetry will lead to a much
finer poetry than we have yet had in this coun-
try. Other books will supplant 'The Science of
English Verse* as text-books, and few may ever
read it understandingly ; but the author's name
will always be thought of in any discussion of
the relations of music and poetry. It is not only
a scientific monograph, but a philosophical treatise
on a subject that will be discussed with increas-
ing interest."
In even stronger terms the literary editor of
the Springfield Republican writes :
"The Science of English Verse' is the one
epoch-making study in prosody. It is true that it
is full of mistakes. It is puzzling, even mislead-
ing to the unmusical reader, who does not see
exactly where Lanier went astray. With more
time to work his theory out, or with the measur-
ing apparatus of a modern psychological labora-
38
CURRENT LITERATURE
tory at hand, he would have seen that the nota-
tion of music is too stereotyped and clumsy for
the subtler rhythm of poetry. No two people read
alike, and each reader divides up the time to suit
himself. It would have been a matter of years
to measure with precision the allotment of time
between the syllables of a line. But the essential
principle stands, and it makes nearly worthless
the enormous mass of grammarians' literature
which had been accumulating through the cen-
turies. When music is generally understood by
the cultivated classes who have to do with poetry,
it will be seen that the book which Lanier per-
haps came to write because he was not a scholar,
is the most original and important contribution
yet made to American scholarship."
LILIEN: A NOTABLE ARTIST OF THE GHETTO
'"His art is a flower which blooms in Zion,"
says E. A. Regener, in a lately published
book* on Ephraim Moses Lilien, the great
Jewish artist. Lilien's work is well known
throughout Europe. Though scarcely past the
age of thirty, he is already the subject of two
biographical studies, a previous volume having
been contributed by Stefan Zweig. The num-
ber of newspaper and magazine articles written
about him is legion,
Lilien is a genuine son of the Ghetto. He
was born in the dreary town of Drohobycz,
♦E. M. Lilien.
Goslar.
By E. A. Regrener. P. A. Lattmann,
Galicia. His father was a turner, and from
childhood up he was surrounded by poverty.
"It was in these early days of youth/' says
Stefan Zweig, "that the idea of suffering hu-
manity, of the enslaved proletariat, which re-
mained impressed upon his mind forever, was
perhaps first formed. For he saw his people
disconsolate, the poorest of the poor, the
despised Galician Jews." . His struggle with
untoward circumstances was long and severe;
several times he found himself on the point of
despair, but finally he worked his way up to
material success. The founding of the Jugend
presented him a worthy medium for his ef-
IN COMMEMORATION OF THE FIFTH ZIONIST CONGRESS AT BASEL
(By E. M. Lihen.)
LITERATURE AND ART
39
THE SWEATSHOP WORKER
(By E. M. Lilien.)
forts. Then he became contributor to the
Suddeuische Postilion, the Grazien, Weltspie-
gel and Osi und West,
Bat although some of his work for these
oornals showed great promise, none of it
realized his future greatness. It was only
when the Zionist movement became a power-
ful factor in Jewish life that an opportunity
for the full realization of his art was offered
to hira. It is not that Lilien's art is not broad
and comprehensive enough to be understood
and enjoyed by all lovers of the beautiful ; in
fact Regener, who is himself not a Jew, gives
Lilien the same place in the modern renais-
iance of German art as that occupied by
Walter Crane in the English art world. But
Lilien's genius best expresses itself through
the medium of Jewish subjects> just as Zang-
will is at his best in literature when he deals
with Jewish life.
Strangely enough, the first opportunity that
Lilien had to show to the world this talent
was afforded in the illustration of a book of
poems called "J^^^h," written by Borries,
Freiherr von Munchausen, himself not a Jew,
These poems deal with biblical subjects and
Lilien found in them ample inspiration. The
poems of a New York sweatshop worker,
\\.^ffM>mTMmu ^r^m.^^^:,
^L^a^^ ^BM I- --TTTlnp^^- T-- -ly -23- Lt -LJJ_I '-irlt ' " f^t^_M^M^^B
DEDICATED TO THE MARTYRS OF KISHINEFF
(By E. M. LiKen.)
written in Yiddish and translated into German,
offered him subjects on which he could work
with an even surer hand. Morris Rosen f eld's
"Songs of the Ghetto" present a pathetic
chapter of Judaism — its toil, trouble and suf-
fering— written by the greatest singer of mod-
ern Israel. Although the life depicted in these
poems is that of the New York Ghetto, in
which Rosenfeld himself lived, yet their re-
semblance to Jewish Ghettoes the world over
is so close that Lilien needed but to draw upon
his own experiences in his parental home to
give these burning poetical utterances their fit
accompaniment in pen and pencil sketches.
Finally, in portrayal of the Zionist move-
ment Lilien found his supreme expression.
**Lilien is the artist of Zionism," says Dr. J.
Thou, one of his German interpreters. "He
has created symbols that embody the Zionist's
ideas, wishes and yearnings. In them he has
shown us the suffering of Judaism, persecuted
and in exile; learning as the only bright point
in the dusk; and the rising sun of emancipa-
tion." "Zionism," adds Regener, "g^ves to
Lilien the thought-content of his works. He
is borne onward by the movement and is him-
self a brave fighter for its citadel. It was
Zionism and the renaissance of our book craft
40
CURRENT LITERATURE
E. M. LILIEN
HiR work is regrarded as the supreme artistic expression
of Jewish sentiment.
that together have supplied the force that up-
lifted the artist and gave his name fame and
significance." The longing of the Jewish race
for their old national home suggested to Lilien
the subjects of sketches which "in their art
reveal the climax of his possibilities, and in
their relation to Zionism form the most im-
portant creative phenomena that have ap-
peared in connection with this movement, next
to the personality of Herzl."
One of the most famous of these Zionist
sketches, made in conmiemoration of the fifth
Zionist Congress at Basel and reproduced on
postal cards, is thus interpreted by Regener:
"The Jew plods along, a slave and a stranger
in a strange land. Weary and in despair he
falls on his staff. . . . His eyes close in
dumb, silent resignation. Suddenly he feels
the hand of a stranger on his shoulder. His
eyes are dazzled by a brilliant light. Behind
him stands the Angel of the Lord, with
hand pointing to the Promised Land, which
blazes up ruby-red- in the brilliancy of the sun.
Far off, he sees a Jew driving a plow across
the field toward the sim. Ears of com bend at
his side; the thorns about the staff of the
wanderer turn green; and fragrant blossoms
sprout forth on the way from the Ghetto to
Zion."
After the Kishineff massacre Lilien drew a
-picture for Gorky's "Sbomik," the frame of
which is constructed of flames and thorns. It
bears the inscription: "Dedicated to the Mar-
tyrs of Kishineff." It shows an old Jew on a
funeral pyre. His face expresses mildness and
resignation. An angel kisses him on the fore-
head, bearing in his hands the scroll of the
torah, the emblem of the Jewish faith.
Another powerful work of Lilien poignantly
illustrates the position of the Russian Jews
during the Russo-Japanese War. It is entitled
"Fathers and Sons," and is described as fol-
lows by Regener: "When Russia's greed
brought on the war with Japan many Jewish
physicians had to go to the front. Their rela-
tives, the fathers and brothers dependent upon
them for support, were compelled to leave the
cities, for the Russian law does not allow men
to live in the cities without any means of
subsistence. In Lilien's picture, the fathers
and sons meet, the latter led by a figure of
Death on a jaded horse, the former by the
angel of the Jewish people, who lowers the
torch of life and light to the earth in mourn-
ing, and presses his left hand painfully against
FATHERS AND SONS.
(By E. M. Lilien.)
Fathbrs : " Whither are vou bound, sons ? ".' ""*
Sons: "To the East, rfoly Russia sends us thither.
And you, fathers ? "
i^^THBRS : " To the West. Holy Russia drives us
thither."
LITERATURE AND ART
41
his head, with its fingers still bent as if to
bless. Everyone goes to certain death. The
host of fathers cry: "Whither are you bound,
sons?" The host of children replies: "To
the East. Holy Russia sends us thither. And
yon, fathers?'* "To the West. Holy Russia
drives us thither."
Lilien has already accomplished much, and
considering his youth, the growing strength of
his work, the seriousness of his purpose, and
the task for which nature seems to have de-
signed him, there is promise of a still greater
future. Lately, in fact, he has struck out on
somewhat new lines with great success in his
illustrations of the passionate love-themes of
D'Annunzio's poems, and although he has for
a time renounced color-painting and canvas,
the critics are confident of his great possi-
bilities in this highest form of the painter's art.
Even now, however, his works stand supreme
as the artistic embodiment of the Jewish
mind and heart and soul.
VALUE OF THE " LITERATURE OF EXPOSURE
The phrase above quoted has come much
into vogue lately, and serves to characterize
a marked tendency in periodical literature at
this time. Articles dealing with scandals in
private and public life are obviously in de-
mand. Thomas W. Lawson has made the for-
tnne of a magazine by telling the public,
through its pages, what he knows about the
workings of "frenzied finance." Miss Ida M.
TarbelFs study of Rockefeller and the Stand-
ard Oil Company, and Lincoln Steffens's ar-
ticles on civic corruption, have been read and
discussed from one end of the country to the
other. "Exposure," says George W. Alger,
in a recent article in The Atlantic Monthly
(Boston), "has become a peculiar art, which,
like some other arts, seems to exist for its own
sake." As Mr. Alger sees it, the literature of
exposure grows out of "an almost superstitious
reverence for publicity." It will do more harm
than good, he thinks, so long as the writers
who so cleverly point out to us our social
sores have no salve in their hands. He con-
tinues:
''There is comparatively little which is con-
stmctive about this kind of work, and it is for
the most part merely disheartening. Its copious-
ness and Its frequent exaggeration have a strong
tendency to make sober and sane citizens believe
that our political and business evils cannot be
gr^pled with successfully, not because they are
in themselves too great, but because the moral
fibre of the people has deteriorated, — a heresy
more dangerous, if adopted, than all die national
perils which confront us to-day, combined."
In direct opposition to Mr. Alger's view is
that presented in the November Bookman
(New Yoik) by a well-known writer who con-
ceals his identity under the nom-de-plume,
"Richard W. Kemp." He urges that the
literature of exposure is in the highest degree
valuable and effective. He says, in part :
''In our time there has been adopted a scien-
tific method even in the poi>ular exposure of great
public crimes; and the writer now sits down to
his table, not to scarify with epithets, but to com-
press into the briefest possible compass die re-
sults of months of patient investigation. Not
opinions, not judgments, not censure even, but
only facts, facts, facts. And this is effective be-
yond the effectiveness of any rhetoric, for it ap-
peals not merely to those who feel, but to those
who think and reason."
As an illustration of this "scientific method,"
the writer cites Charles £. Russell's "abso-
lutely convincing study of the Beef Trust" in
Everybody's, which he pronounces "the finest
piece of demonstration that has been done,
except Miss Tarbell's." "Its figures and sta-
tistics," he declares, "are unanswerable. They
tell a tale to which no 'vivid' writing can add
one jot, and from which no sophistry can take
one jot away." Miss Tarbell he regards as
"the model investigator and demonstrator";
adding: "Her work on the Standard Oil Com-
pany is an honor not only to her but to her
sex; for it exhibits those higher judicial qual-
ities of thoroughness and impartiality which
men are wont to arrogate to themselves as
purely masculine." Of the general value of
the exposi, the writer has this to say :
"How great that value is when the exposure is
of the sort which we have indicated, may be
gathered from the history of the past year. The
demonstrations have been directed mainly and
most effectively against (i) the Standard Oil
Company; (2) the great insurance companies;
(3) the Beef Trust; (4) the railway combina-
tions which have been giving illegal rebates and
'drawbacks;' and (5) the public land frauds.
Have these demonstrations been without tangible
results? For the first time in its history, the
Standard Oil Company has officially come for-
42
CURRENT LITERATURE
ward through its attorney, Mr. S. C. T. Dodd, to
make public answer to the charges brought
against it by Miss Tarbell and a dozen others.
For the first time in its history one of its chiefs,
Mr. Rogers, has been stung into threatening legal
action (in the case of Mr. Lawson), and, having
done so, has been awed into backing down. Mr.
Rockefeller himself has disbursed over $11,000,000
during the year for philanthropic purposes. Of
course, it may be that he had long intended to
make these gifts at precisely this time; but the
great public is very sceptical and will continue to
believe that this munificence had some relation
to the cry of 'tainted money* — z fearful phrase
that stuck and stank. How many months ago
was it that all the life-insurance journals were
making merry over Mr. Lawson's charges, and
busily explaining why it was not worth the Equi-
table's while to sue him for libel ? Not very many
months; and now a cataclyism has shaken out of
that particular institution the concentrated rotten-
ness of many years; while its sister companies
are before the judgment seat with fear and
trembling. As for the Beef Trust, five of its con-
stituent companies and seventeen of its leading
members are under criniinal indictment and in a
fair wapr to be convicted. As to the railways, — ^the
most difficult problem of all — ^the President of the
United States is pledged to draw their fangs,
either by rate regulation or by national owner-
ship, and though the struggle must be long, it
can end in but one way. And the exposure of the
land frauds has already brought a long sentence
of imprisonment upon a Senator of the United
States. [Senator Mitchell has since died.— Editor
of Current Literature.] Let us, therefore, take
a cheerful view of the literature of exposure. It
belongs no more to the category of cheap enter-
tainment. It has become the efficient instrument
of civic and national reform."
A WOMAN SCULPTOR OF GENIUS
Art is thought expressed in form, but
thought is not all. There must be soul, or it
is not art — it is but craft. One American
artist imbued with this rare quality is a
sculptor who is virtually unknown in this coun-
try, but who has received marked recognition
in many foreign art centers.
Much interest should be awakened when it
is learned that this artist is a woman, for
sculpture is a field in which women seldom
achieve much distinction. Still greater in-
terest should be aroused by the fact that this
artist. Mrs. Cadwalader Guild, is an Ameri-
can woman born and bred, a most loyal one
at heart, although nearly all her work has been
executed and her encouragement received
abroad. Several times she has journeyed back
to the United States hoping to have her work
made known to her fellow countrymen. Two
years ago the Boston Herald proclaimed her
"a force to be reckoned with in contemporary
sculpture" — "the embodiment of the restless,
resistless American spirit." But, in the main,
her work has been neglected in this country.
Her first American opportunity came when
Ambassador White, after seeing her work
abroad, urged her to return to the United
States and make a bust of President Mc-
Kinley. Through correspondence with both
Mr. White and Mrs. Guild, the President
agreed to give the sculptor sittings. Twice
she came, but each time the President
was very busy and she was not permitted
to see him. Not to be daunted, she mod-
eled, on her own commission, a bust of Mr.
McKinley. She had never seen the Presi-
dent, and had nothing but poor prints to guide
her — ^not even a photograph. Yet the result
was a remarkable likeness. When she asked
Mr. Hanna to criticize the bust, he said: "I
see nothing to be changed. It is by far the
best that has ever been made." Then Mr.
Hanna at once entered a bill asking Congress
to purchase the portrait. This the Government
did, and Mrs. Guild's bust of Mr. McKinley
is now in the President's room of the National
Capitol.
Mrs. Guild has made a striking likeness of
Lincoln — 2l head at which one gazes many
minutes. She has expressed his idealism, has
caught the wonderful kindliness of his eyes.
Mr. John Hay said of it: "The power in the
head is remarkable. It is a great expression
of the personality of the man." There is an
interesting note relative to Mrs. Guild's bust
of Lincoln. A photograph taken just before
his election was considered by Lincoln his best
portrait. Some time after his death this
photograph disappeared. The photographer
who owned the plate, having indifferently kept
it for years, left Chicago just prior to that
city's historic fire. Again years passed, the
photographer not realizing its value until as
late as 1903. Then prints were made and it
came to be much admired. The photograph is
the only one in existence which represents
Lincoln without a beard. Mr. John Hay and
Mr. Nicolay, in their "Life of Lincoln," re-
produced this as the standard photograph of
our great President, and it is from this plioto-
43
MRS. CADWALADER GUILD TN HER STUDIO
** V5»ctron,** the statue shown, represents the god Mercury, who has come to earth and is touching an electric
^»*tt«ii on the grottnd 'befoTe him. He realizes that his dominion has gone. Science has wrested from him his
44
CURRENT LITERATURE
GEORGE FREDERICK WATTS
(By Mrs. Cadwalader Guild.)
graph that Mrs. Guild has made her superb
portrait
Her two busts of Gladstone — one in bronze,
one in marble — ^are the only ones for which
Mr. Gladstone gave sittings. It was at his
own request that Mrs. Guild modeled his
portrait. After three or four sittings, Mrs.
Guild removed the bust to her studio to com-
plete the work. Wishing to give her a final
sitting, Mr. Gladstone called one day un-
heralded. The sculptor was out, but the
Premier waited a half-hour for her return.
When she arrived he said : "I have been study-
ing and admiring every piece of work in your
studio. You have made a new departure in
art and I congratulate you sincerely."
A writer in The German Times (Berlin),
reviewing one of Mrs. Guild's foreign ex-
hibits, says: "All these works, displaying ab-
solutely astounding catholicity of taste and
technique, are products from one hand, that of
the well-known artist, Mrs. Cadwalader Guild,
. . . Of great power and worth are Mrs.
Guild's two Gladstone studies done from life.
Here the imaginative artist was not content
to blend in a single face the, many varied
types that made the great Premier so unique
a personality. By giving us two distinct
portraits of Gladstone, one the statesman,
alert, keen, and grim, the other the scholar
and poet, thoughtful, kindly, wise, and benign,
Mrs. Guild has presented us with a complete
biography of the Grand Old Man."
The Manchester Permanent Exhibition
(England) commissioned Mrs. Guild to make
a bust of George Frederick Watts. Mr. Watts,
knowing but little concerning Mrs. Guild's
ability, was disinclined to give her actual
sittings. Because of this it was necessary for
her to model his portrait under great diffi-
culties, while he was running up and down
a ladder at work upon one of his paint-
ings. When the bust was completed Mr. Watts
expressed his praise of it in a very circum-
locutory way, but nevertheless with as genuine
a compliment as was ever given. After look-
ing a long time at the bust he^said: "When I
look at that bust I can understand how that
man could have painted that picture," point-
ing to one of his own great paintings.
Among royalty, Mrs. Guild has made por-
trait-busts, from life, of Princess Christian
" LOTOS '•
(By Mrs. Cadwalader Guild.)
LITERATURE AND ART
45
oi Schleswig-Holstein, second daughter of
<Jiiecn Victoria; Princess Henry of Prussia:
little Prince Henry ; and Princess of Saxe-
Altenborg. Other distinguished patrons of
Mn. Guild's art are Dr. Henry Thode, Pro-
fessor of Art at Heidelberg; His Excellency
Dr. Studt, State Minister of Education and
Art in Germany; Joseph Joachim, the famous
-.iolinist; Hans' Thoma, the painter; and a
rnimbcr of society beauties.
Mrs. Guild's idealistic heads and statues are
as remarkable as her portraits. One study is a
narble head, half girl, half nymph. It is
named the "Lotos." The expression in the
eres is marvelous. The sculptor has suc-
ceeded perfectly in catching the characteristic
glance of such beings as this bust typifies. Re-
ferring to this head, The German Times says :
This psychic masterpiece stamps Mrs. Guild
oneqaivocally as an artist of the very first
rank."
A bronze statuette called "Free," has created
freat admiration among critics abroad, and
has been exhibited at the Paris Salon, at the
THE PRINCESS OP SAXE-ALTENBURG
(By Mrs. Cadwalader Guild.)
"FREE "
(By Mrs. Cadwalader Guild.)
Royal Academy, London, and at Mtmich. It
is the figure of a slave, freed, but who still
feels the pressure of his former bondage.
Half supported by a stump, he leans with
drooping shoulders and hands clasped behind,
self-manacled. It is one of. her finest efforts
and her first modeled from life.
Her "Electron" represents the god Mercury
descended to earth for an instant. He is
46
CURRENT LITERATURE
WILLIAM EWART GLADSTONE
(By Mrs. Cadwalader Guild.)
Mrs. Guild's two busts of Gladstone — one in bronze, one in marble — are
the only ones for which he ever gave sittings.
with hand out-
an electric but-
him. With this
that his mission
seated on an anvil and,
stretched, bends to touch
ton on the ground before
touch the half-god learns
as messenger is over, as science has wrested
from him his absolute control of this power.
The idea of combining poetry and science is
splendidly portrayed in this statue. The figure
of the god is beautiful and graceful, and broad
and strong in treatment. The German Gov-
ernment purchased this "Electron" and placed
it in the Post-Museum at Berlin.
Another large, beautiful figure, in marble, is
called "Endymion." The youth is slowly walking
with arms raised and finofcrs interwoven across
the back of the head, the eyes
fixed above. Of this work The
International Studio ( Decem-
ber) says: "The sculptor wished
to embody the search for the
ideal, the spirit possessed of the
high discontent, saddened with
the quiet disappointment and
yet comforted in the unshaken
faith that are natural to most
artistic experience." In the
whole pose one most forcibly
feels the movement of the per-
fect dreamer forever gliding on
and upward. The back is es-
pecially fascinating. Mrs. Guild
sought to model the figuref in the
most beautiful pose a man's
body can take, and this she se-
cured in the triangular-like out-
lines formed by the upraised
arms. The pose is not to be
found elsewhere in either mod-
ern or ancient sculpture.
The very latest work by this
gifted woman is a bust of Gen.
Samuel Chapman Armstrong,
which is soon to be placed in the
Hampton Institute. One of the
members of the Armstrong As-
sociation, from which Mrs.
Guild received her commission,
when seeing the bust in bronze,
said: "It is a splendid portrait.
The spirituality is there. In the
eyes the sculptor has so ex-
pressed the mission of the man."
This bust, together with Mrs.
Guild's other work, is now on
exhibition at her studio in the
Bryant Park Building, New-
York.
In every sense is Mrs. Guild an enthusiastic
American. She believes implicitly that Ameri-
can art will become a recognized force. She
has achieved what she has through much
discouragement, suffering and patience. She
is a painter as well as a sculptor and known
abroad as one of superior merit.
She possesses wonderful creative powers.
Each painting or statue is, in itself, an expres-
sion of her deep study of life or ideals — not
merely an expression of her own individuality.
She is unmistakably an idealist — a woman of
great culture, but of the utmost simplicity of
bearing.
Grace Whitworth.
LITERATURE AND ART
47
IS LITERATURE BEING * COMMERCIALIZED "?
That our literature "has fallen to a lower
estate than it knew for generations," and that
this depressing result is due to the ravages of
commercialism, is the conviction of Henry
Holt, the well-known New York
publisher. He devotes a lengthy
article in The Atlantic Monthly
(November) to the support of
this conclusion, and his observa-
tions have aroused a great deal
of interest and comment in the
literary world. The article was
suggested by a series of papers
appearing in the Boston Tran-
script about a year ago, and
subsequently published in book
form under the title, "A Pub-
lisher's Confession" (see Cur-
rent Literature, Juty)- The
anonymous author of that work
< reported to be Mr. Walter H.
Page) thinks that "the whole
business of producing contem-
poraneous literature has for the
nioment a decided commercial
squint." With this view Mr.
Holt is in substantial agree-
ment There is altogether too
much "commercialism," he de-
clares, in the practices of both
author and publisher. At least
three of his fellow-publishers,
he charges, "exert every means,
from the dinner-table to the
auction-block, to get hold of the
author." And the author, on
his side, is losing all sense of
personal relationship to his
publisher by employing "literary
agents" whose only aim is to get
as high a price for a manu-
script as possible! On this point
Mr. Holt writes:
into the mean and short-sighted competitions that
inevitably recoil; many of them have danced to
any tune the agents saw fit to play; and many of
them have been licking the agents* boots.' . . .
So far as I know, but one prominent publisher
ABRAHAM LINCOLN
(By Mrs. Cadwalader Guild.)
"A literary agent told me that
among authors the feeling is
-quite frequent that the publisher is
to be squeezed to the last possible cent. The
agents have not been slow to please their clients
by falling in with this feeling. Between them,
the publisher has lately been treated merely as a
corpus vilum to be exploited for money. The
possibility of there being any thought or feeling,
not to speak of aspiration, in him has been ig-
nored. And in many cases the treatment has been
richly deserved. Many of them have been tempted
Made from the onlv photosfraph showing Lincoln without a beard.
John Hay said of this fikeness : ''The power in the head is remarkable.
It is a great expression of the personality of the man,"
in England and perhaps two or three in America
have kept out of the scramble."
Mr. Holt speaks even more emphatically in
regard to the question of advertising. "I can-
not but think," he says, "that lately many
American publishers were as crazy about ad-
vertising as the Dutch ever were about tu-
48
CURRENT LITERATURE
lips, or the French about the Mississippi
Bubble." He instances the great newspaper
advertisements of some publishers, and the ex-
travagant sums expended in the brazen lauda-
tion of literary wares. The inefficiency of such
miscellaneous advertising he indicates in these
paragraphs :
"There is the advertising that appeals to the
eye, and the advertising that appeals to the in-
telligence. One shapes popular habit, independ-
ently of deliberation: everybody has eyes, and
everybody uses food and shoes; so this kind of
advertising may take root anjrwhere, and it pays
to scatter it.
"But the eighty million people using food and
shoes in the United States did not include a hun-
dred thousand who would buy a single book ad-
vertised last year, and probably do not include
fifty thousand who spend as much on books as
they do on shoes. Whatever the number, they
are the very people least affected by the sort of
advertising that appeals to habit. Let them know
sufficiently clearly what there is in the market
that they may care for, and they will make up
their minds whether they want it or not; and the
more damnable iteration you bother them with,
the more apt you will be to turn them aWay."
In a concluding paragraph, Mr. Holt offers
some suggestions which he hopes will help to
stem the present rapid "commercialization" of
literature:
"My opinion, based upon a very long expe-
rience, is that the remarkable concurrence of the
many exceptional conditions I have described, —
the piracy under the old non-copyright license,
the chaos of the transition from the old license to
the new law, the advertising mania, the mad com-
petition stimulated t^ the literary agent, — ^has pro-
duced a strange and abnormal condition in pub-
lishing, and that this condition is destructive and
cannot last. It has already wrought great ruin,
and how much more ruin it must work before a
healthy condition can arise, and how that ruin
can be minimized, is matter for anxious considera-
tion. One class of remedies is clear, if the trade
has character enough to apply them, — ^more subor-
dination of the present to the future, more avoid-
ance of petty games that two can play at, more
faith in the business value of the golden rule,
more feeling for the higher possibilities of their
'profession,' and more i)lain, homely, commonplace
self-respect. The publishers probably have their
human share of the needed virtues ; but they have
been strangely and sorely tried."
The New York Times Saturday Review
thinks that Mr. Holt's article "throws a
stronger light upon a high-minded publisher's
relation to authors and to literature than the
book which is its text"; and the New York
Evening Post says : "Nothing fresher or more
interesting to Grub Street has been written
these many years. No longer is the publisher
a Barabbas, as Byron politely called his Mur-
ray; the opprobrium is to fall on the once
down-trodden but now triumphant scribbler.'^
The Post comments further :
"We can see little indication that 'the commer-
cialization of literature' has really begun to dimin-
ish. One of the most hopeless signs of the tend-
ency is the fact that our successful novelists are
more and more making the stock market or the
conflict of labor and capital their theme. They
not only write for money, but about money. Mr.
Holt is so far right in blaming the audior for
the present state of affairs. It is the business of
the publisher to sell books, and, in a way, to com-
mercialize literature; it is the business of the
author to make himself independent of the baleful
influence of the ledger."
The World's Work (New York), the maga-
zine of which Mr. Page is editor, takes the
whole controversy in light vein. "Is it not all
a question of definition ?" it asks. It continues :
"Is it not impossible for literature to become
commercialized? For as soon as any writing, in
the purpose of the author, is touched with the
commercial spirit, for that very reason, if for no
other, it forfeits all claim to be regarded as litera-
ture. The blight shows at the heart of it. The
endless flood of written stuff that keeps the pub-
lishers' presses going contains very little litera-
ture. Most of it is avowedly commercial in its
aim. It is written for money and published for
money, whereas literature is written diiefly be-
cause it gives joy to the writer and satisfies an
impulse to do good work. It cares no more for
the opinions of contemporary men than the sun-
light cares for a fog, nor does it worry itself about
the flood of commercial writing. But to confuse
trade stuff with literature is enough to make the
most gallant of philosophers sad."
The Saturday Evening Post (Philadelphia)
also refuses to take the issue seriously. It re-
calls a saying of Dr. Johnson's: "No one
but a blockhead ever wrote except for money,"
and thinks he might have added, "though a
good many able but snobbish writers have pre-
tended that they did." It goes on to comment :
"Producing what people will read, will give up
cash for — ^that is hardly a deplorable tendency.
No man ever was able deliberately to produce
'good sellers.' It simply happens that the sort of
stuff he writes best sells well.
"'Commercializing literature' can hardly mean
advertising it so that the people learn that the
kind of literary wares that thejr want are to be
had. A good book is exactly like a ^ood steak
or a good warm overcoat — it's a necessity, an ar-
ticle of health and comfort and happiness. To>
regard it in any other way is to fall under the
spell of the maudlin, damp and dreary false cul-
ture which weakens strong minds and drives
feeble minds to imbecility."
49
Religion and Ethics
CAN WE HAVE MORALITY WITHOUT RELIGION?
The question. Is it possible to establish an
effective system of morality without a belief
ic God? has been presented to a number of the
leading French "intellectuals" by the editor of
the well-known Parisian magazine, La Revue.
The question is an exceedingly "live" one in
France just now, in view of the separation at
last decreed between church and state. The
greatest thinkers, authors and men of affairs
have been invited to participate in the discus-
sion, and they have generously responded, as
is attested by the contributions of Max Nor-
dao, Anatole France, F Brunetiere, Anatole
Leroy-Beaulieti, Jules Qaretie, Abbe Gayraud
and many others.
The editor of La Revue is convinced that a
mutnal exchange of opinions on this subject, if
it cannot lead to a reconciliation of opposing
views, will at least facilitate a comprehension
of them, and thereby bring about a condition
of mutual toleration favorable to social har-
mony and the triumph of truth. He writes :
"Up to the present the morality of the bulk of
humanity has been founded upon reli^ous dogma,
and the echoes to which they have listened were
tliosc of Sinai and the sea of Tiberias. Now,
whether it is to be deplored or not, it is an ac-
cepted fact that religious faith is declining in our
days. Will the shipwreck of our ancient faiths,
«hen it takes place, drag down morality also?
This is a very grave question, to which the
separation of church and state now going on
in France gives the significance of a burning
adnality."
The contributions to the symposium are
divided into four main classes, and the spokes-
men of the various shades of thought are pre-
sented in the following order of succession:
I. Those who think that morality grows up
unconsciously, and is derived from collective
habits and social instincts. 2. Those who
waver in uncertainty. 3. Those who affirm
the rigorous union of morality and faith. 4.
Those who assert reason to be the sole basis of
morality. This order we here preserve.
Anatole France, the eminent French novel-
ist, offers the following reflections :
'*What is morality? Morality is the rule of
cnstooL And custom is habit Morality, then,
is the rule of habit Habitual customs are called
good customs. Bad customs are ti}ose to which
we are not habituated. The old habits are dear
and sacred to men. In them is found the origin
of the religious law. Hence we see that the
morality of religions corresponds to ancient cus-
tom. This is true of all cults. And it is in this
sense that Lucretius said that religion engenders
crime.
"Among Christian peoples, notably among
Catholics, theological morality represents a state
anterior to that of civilization. It is respected
but little understood, and in point of fact one
takes no account of it
"Law, which is a systematization of practical
morality, is in Europe independent of any con-
fessional idea. The Italian minister, Minghetti,
has very justly observed that the Code o! Na-
poleon reproduced in very large part the Roman
law anterior to Christianity, and that what is new
in it was inspired by the eighteenth century spirit
"We have already not only a morality, but
moral sanction independent of religious dogmas.
But they cannot remain fixed. Morality changes
continually with custom, of which it is only the
general idea. Law should follow custom."
According to Max Nordau, sociability is the
foundation of morals. It is an instinct rather
than a dogma or a process of reasoning, he
contends ; and if reasoning can have no effect
upon an anti-social being, it is not likely that
religion will have any greater effect upon him.
Further:
"The sane, normal man has social tendencies;
only the morbid degenerate is an anti-social
being. The former accepts and practices morality
by instinct because it is a social institution. The
latter, on the other hand, escapes morality, also
by instinct, and only submits to its prescriptions
in so far as he is constrained to do so. No argu-
ment will make the naturally good and social
man bad; no arpiment will make the naturally
bad and anti-social man good. Every man may
have bad impulses, but he restrains them by an
energetic inhibition. The inhibitory force of
reason may be augmented by education, instruc-
tion and the suggestion of environment; but if it
is absent no exterior influence can replace it
"Reason suffices to keep the social being on the
road of goodness. Neither reason, nor theology,
nor any argument whatsoever, can have the least
effect upon the natural non-morality or immorality
of an anti- social being."
Jules Lemaitre frankly declares that he can-
not answer the question propounded; and
Emile Faguet says: "This question is one that
I study deeply and almost constantly, but I
must admit that I have not yet arrived at any
definite conclusion or any firm conviction,"
so
CURRENT LITERATURE
F. Brunetiere, on the other hand, is as posi-
tive that morality without religion cannot
subsist as Anatole France is that the opposite
is true. He says:
"If you mean by reason simple common sense,
or individual sense, it is evident that morality
could nQt rest on a more fragile or more ruinous
basis. Individual sense is relative, and morality
is nothing if it has not an absolute basis. Since
human reason cannot attain the absolute, what re-
mains to us but to recognize that reason is in-
capable of supplying a basis for morality? And
in fact, this will be proved in the future as it
has been in the past. There is a Jewish morality,
a Christian morality, a Buddhist morality, a Mo-
hammedan morality. There has practically never
existed in history a Stoic morality or a Platonic
morality, nor even a Socratic morality. There
have been rare Stoics or disciples of Socrates
who have tried to secularize the lessons of a re-
ligious origin, but the only result was the 'Man-
ual* of Epictetus and the Thoughts' of Marcus
Aurelius."
Anatole Leroy-Beaulieu, French author
and President of the Anti-Atheist League,
takes issue with these conclusions, though he
also maintains that to suppress God means to
suppress morality. He declares :
. "That morality can be founded on reason does
not admit of any doubt. All history proves it,
from Socrates to the Stoics in classical antiquity;
from Confucius in Chinese antiquity to Kant and
Guyau. A morality founded on reason, a purely
rational morality, does not signify, however, a
'morality without God.' Far from it. From
Socrates to Kant the greatest phibsophers have
supported their morality upon faith in God, so
that one might say that if the religious idea and
the moral idea have been interwoven and bound
together through the course of the centuries,
philosophy has contributed to that end almost as
much as religion. Morality has been so intimately
connected with religion, and especially with a
faith in God, that it is difficult to-day to separate
them without distorting and enfeebling morality
by depriving it of the force it drew from religious
creeds. This is a truth confirmed by the observa-
tion of individuals, as well as by the history of
nations. Except in the cases of rare and noble
individuals, the disappearance or weakening of
faith has been followed by a lowering of morality
and by a looseness of customs. This fact is so
constant that it might be erected into a law of
history.
"Is not that which is true of the past also true
of the present? Is it really possible at the present
time, without danger to our customs, to base a
popular morality solely upon reason? I confess
that I do not believe it. There is nothing to per-
mit us to suppose that in this respect we arc so
superior to our ancestors. Faith in the moral
progress of society, independent of the bases on
which repose our ethics and morality, is a super-
stition. ' Among all peoples and at all periods of
time a purely rational morality has been an aris-
tocratic morality, which sufficed for an intellectual
elite, but was found devoid of force and virtue
as far as the masses were concerned. It has been
so with the Stoicism of antiquity; it is still so
with Confucianism in China.
"It is not enough, either with individuals or
with nations, to have a high moral ideal; it is
necessary to have the power to realize this ideal.
Religious creeds, faith in a God and in a future
life, the habit of prayer, even the worship of a
cult, offer to human infirmity the resources which
are lacking entirely to a morality without a God.'*
M. TAbbe Gayraud, member of the Cham-
ber of Deputies, naturally believes that moral-
ity is impossible without religion. He argues :
"It is only by authority that man acquires and
possesses literary, historic and scientific knowl-
edge, and often even the professional knowledge
which constitutes the fund of his little intellectual
life. Why, then, should the knowledge of morality
escape this law of popular education? Reasoning,
that is to say, the process of investigation or of
the demonstration of truth by research and per-
sonal reflection, is no more within the reach of the
men of the people than of beginners. This
does not mean that the method of authority is
not rational or reasonable. But opposed to it is
the method of discussion, of criticism, and of in-
dividual reasoning. I conclude, therefore, that
morality should not be taught to grown-up people,
any more than to children, by the method of
critical, individual discussion."
Jules Claretie, the famous novelist and critic,
says: "My answer is positive: Yes, it is pos-
sible to found a popular morality such as you
have posited. Reason will end by being right ;
that has been said long ago. And reason,
which is the truth, is good, it seems to me.
But I would rather read what the others have
to say than develop an opinion so simple. I
have always believed that two and two make
four."
Octave Mirbeau meets the question in his
usual sledge-hammer style:
"Religions have never founded a morality. Nay,
more, they have founded the very contrary of a
morality, since they are all based on lies and on
extortion, and it is enough for the most infamous
scoundrel to repent a second before his death to
be paternally received by God, and to gain the
eternal joys of Heaven. As long as there are
gods on earth, so long will there be no morality;
there will be only the hypocrisy of morality."
And, finally, the great scientist, M. Berthe-
lot, speaks this word in behalf of science:
"Science is the true moral school, let us openly
admit; it teaches man to love and to respect the
truth, without which all hope is -chimerical.
Science teaches man the idea of duty and the
necessity of labor, not as a chastisement, but, on
the contrary, as the most exalted employment of
our activity. It is to science, above all, that we
owe the idea of the solidarity of the human race."
•RELIGION AND ETHICS
SI
THE FINAL TEST OF CHRISTIANITY
The paramount ethical duty of the Christian
church to-day, says the Rev. Charles D. Will-
iams, for twelve years Dean of Trinity Cathe-
dral, Qeveland, and now Bishop Coadjutor-
elect of Michigan, is "to let the Christian con-
science out of the narrow limitations where we
too often confine it, and give it its rightful
sway over the whole common life of man."
We modems, he thinks, are very much like a
l»y who has outgrown all his clothes. The
religion of the past was concerned chiefly with
ecclesiastical proprieties and personal moral-
ities. There has come to the world a sudden
and* vast expansion of commercial develop-
ment. And now "the old Christianity is con-
fronted with conditions for which she has no
definite treatment." Mr. Williams illustrates
and explains his meaning as follows (in Mc-
Clure's Magazine, December) :
"There have been some appalling revelations
made in the last few years both in our periodical
and also in our more permanent literature; ex-
posures of commercial and political iniquity and
civic unrighteousness. There are the stories of some
■»f our gigantic business enterprises which have
dimbed to dizzy heights of unprecedented finan-
cial power. And they have done it by deliberate
f»ilicies of commercial assassination, by ruthlessly
crowding to the wall, both by fair means and
oftencr by foul, all honest competitors. And
imae is so insignificant as to escape their notice;
the keeper of the little corner grocery and even
the street peddler are as calmly and quickly
crushed out of existence as the great rival con-
rems. For with the trusts as with God, though
in a different sense, 'there is no respect of per-
sons.' It considers 'not the person of the poor
nor has respect unto the person of the mighty/
lot because it 'fears the Lord,' but because it has
respect unto the recompense of the reward.'
There are flagrantly dishonest collusions with the
^eat transportation corporations, whereby not
only utterly unfair advantages are secured over all
cnmpetitors, but often the honest profits of these
ri^-als are directly taxed to pay tribute into the
treasury of the trusts. There is solemn perjury
committed before courts of justice and investigat-
ing committees. Stocks are manipulated with
diabolical ingenuity to the fleecing of the innocent
and the ruin of the honest investor. There is not
wanting evidence of crimes against persons,
against individual rights of 'life, liberty, and the
pursuit of happiness.' There are indirect evasions
and overt fractures not merely of the moral law,
but of the common statutes of the state and na-
tion; and there are great legal firms who de-
Hbcratcly prostitute the brilliant abilities and ac-
cumulated knowledge which should be conse-
crated to the maintenance of justice among men,
to the defense of such iniquitous injustice. These
arc the real anarchists who are chiefly to be feared
to-day, who threaten most seriously to overturn
the very foundations of law and order among us."
And who are the men who do these things?
asks the writer. He replies: "They are often
gentlemen who are scruplously correct in their
personal behavior. As to the minor morals,
they are temperate, sober and chaste. They are
good husbands, kind fathers. Their home life
is above reproach. They are often kind and
considerate neighbors. They pay their debts
and fulfill their personal obligations to their
friends. They scorn a lie where no business
interest is at stake. They are interested ac-
tively in all civic improvements of a material
sort. They give munificently to all movements
for human betterment that do not interfere
with their commercial schemes. They found
hospitals, schools and social settlements. They
build libraries and universities. They are even
orthodox, pious and devoted in their religious
life. They go to church regularly, teach in
Sunday-school, lead in prayer-meeting, support
the pastor fso long as he preaches smooth
things), and give generously to missions."
Continuing;. Mr. Wiliams says:
"Now, why is this so? What is the secret of
this strange ethical inconsistency, this moral con-
tradiction? It seems to me to lie in a lack of
moral coordination, a divided and disintegrated
conscience. These men have attained and ful-
filled their ideals of morality in their personal
conduct and. relationships and their technically
religious life. In these regions they exercise and
exhaust their conscience. But in their commer-
cial relations and business life they have no stand-
ards whatsoever. Here they are morally color-
blind. They see no distinctions of right and
wrong. They are for the most part utterly un-
conscious of the flagrant iniquity of their doings.
For here in this region of commercial life, the
writs of Christ do not run. Even common con-
science and the moral law have no jurisdiction.
'The accepted rules of the game' are a sufficient
code of ethics. There is a hopeless cleavage, a
bridgeless gulf through the midst of their lives.
They have fulfilled all the reasonable require-
ments of righteousness here in their personal
conduct and religious piety. They are, therefore,
free to do as they like in this other and outer re-
gion of their existence. They need to pray the
prayer of the Psalmist: Unite my heart to fear
thy name.' "
The supreme task of the church, then, says
Mr. Williams, in concluding, is to unite and
integrate the divided and disintegrated con-
science of Christendom. She is to "teach men
to do business and to vote as they pray, in the
53
CURRENT LITERATURE
fear of God"; and to "speak as fearlessly from
her pulpits against the evils of commercial dis-
honesty and political corruption as she does
now against the evils of divorce and drunken-
ness." Further:
"She is to sound in the ears of her young men
of this generation, young men who are always
ready to answer the call to chivalrous action and
even sacrifice, young men who still 'dream dreams
and see visions/ she is to sound in the ears of
these young men the call to righteous political and
honest commercial careers and make that call as
holy and imperative as the call to her ministry.
There is no holier or higher sphere to-day for
the best service of God and humanity for the con-
secrated man, the man of the highest principles
and most delicately sensitive conscience, in other
words, the most truly religious and Christian
man, than this same sphere of business and even
politics. . . . Here then lies the searching and
final test of our modem Christianity. Can it
produce such men to-day? If it can and will, it
shall prove itself to the conscience and mind of
to-day 'the power of God unto salvation.' If it
cannot or will not, it must perish, whatever argu-
ments may be alleged as to its authenticity and
authority. In every age it has produced the saint
who met the needs of that age. Can it produce to-
day the type of Christian who shall meet the
needs of this age; the man of open mind and yet
reverent faith, of intellectual hospitality and
spiritual insight; the man of large heart with
room for all that is human; and the man of solid
conscience who rings true wherever you strike
him, in whatever region or plane of his Hfe?
"I make no doubt that the Christianity of Christ
can do all this. It has the inherent force and
vitality to do it, but whether it will to-day re-
mains for us who bear His name before the world
to-day, particularly^ those of us who still face the
future, to answer in the lives and careers that lie
before us."
THE CASE OF PROFESSOR H. G. MITCHELL
It seems to be a question of ecclesiastical
polity, rather than of heretical views and
freedom of speech, that is at stake in the
"Mitchell case," now stirring the Methodist
world. The facts in this case may be briefly
stated as follows: Dr. Hinckley G. Mitchell
has been Professor of Hebrew and Old Testa-
ment Exegesis in Boston University School of
Theology for twenty-two years. This is a
Methodist institution. The professors of the
school are elected by the trustees for five-year
terms, and when elected or re-elected must be
approved by the Board of Bishops of the
Methodist Episcopal Church. Five years ago
the board showed some hesitation in confirm-
ing Professor Mitchell, and the vote was not
unanimous. On the occasion of his re-election
six months ago, the bishops were still divided.
They unanimously adopted a resolution regis-
tering their opinion that "some of the state-
ments of Professor Mitchell concerning the
historic character of the early chapters of the
book of Genesis seem to us unwarranted and
objectionable, and as having a tendency to
invalidate the authority of other portions of
the Scriptures," and requesting the trustees of
the school to take "proper action in the
premises." It is understood that the "unwar-
ranted and objectionable" statements referred
to occur in Professor Mitchell's book, "The
World Before Abraham." His views, however,
are not generally regarded as radical, and, in
reply to a direct query from the bishops in
1900, he has put himself on record as one who
accepts the "divine authority" of the Old Tes-
tament and recognizes "a supernatural element
manifested in miracles and prophecy." The
real bone of contention, so far as can be
judged, is not so much Professor Mitchell's
interpretation of the Old Testament as it is
his general attitude and that of the administra-
tors of the school. It appears that the trustees
instead of meeting the issue as presented by
the bishops, and explaining or modifying the
statements complained of, instituted on their
own account an investigation into Professor
Mitchell's orthodoxy; decided he was sound
in the faith; and returned his nomination un-
modified to the bishops, requesting his con-
firmation. The bishops thereupon refused, by
a unanimous vote, to confirm the nomination.
The trustees, on their side, have issued a state-
ment warmly defending Professor Mitchell,
on the ground that he has given "long and
brilliant service" to the university, and that as
a teacher of Hebrew he has "no superior in
the English-speaking world." They also say:
"His attitude toward modern biblical questions'
is by no means dogmatic. He seeks the truth,
and he asks only such liberty in teaching as
can rightfully be accorded to a man holding
the essential doctrines of our Church — such
liberty as was exercised by John Wesley, and
has been exercised by our intellectual leaders
ever since his day."
The "Mitchell case" has been widely dis-
RELIGION AND ETHICS
53
cnssed in papers of every denominational hue.
Many incline toward Professor Mitcheirs side
of the controversy. Even the Methodist fVest-
em Christian Advocate (Cincinnati) expresses
some doubt as to the wisdom of the bishops'
action, which it suggests was rather flimsily
based on "a seeming discrepancy between the
teaching and other scriptural statements or
our doctrinal standards." It adds: "As mat-
ters now stand, who knows whether not only
Professor Mitchell but Professors Bowne,
Sheldon, Terry, Rogers — not to enumerate the
entire faculties of our theological schools —
are all heterodox ? We
have heard of certain
movements which broke
down under the weight
of their own absurd-
ity/' Zion's Herald,
the Boston Methodist
paper, taking a close-
range view of the facts
in dispute, lays stress
on what it calls "the
personal equation in
Dr. Mitchell" Accord-
ing to this paper, "it
was the personality of
Professor Mitchell, in-
genuous, hearty, frank
and unrestrained,
breaking out now and
then in criticism of
traditonal notions and
of prominent officials
in the church, that,
Qc^withstanding h i s
many other confessedly
excellent qualities, pro-
<i u c e d a conviction
with the bishops that
he was not a safe
teacher and guide for
immature and undeveloped minds." The
Christian Advocate (New York) sums up
the whole matter thus:
'The defense of the bishops of their position
is dear : They declined to confirm six months ago ;
they told the trustees why they declined to con-
firm; the trustees simply again asked them to
confirm, and their statement to the bishops was
of such a nature as to intensify the alarm of
those who were most decided in their minds that
Professor Mitchell ought not to remain. And
baring declared that a reasonable doubt existed
they decided that they could not reopen the case.
Professor Mitchell has been entirely cleared from
heresy with respect to his belief in such doctrines
of the chtu-ch as he was examined upon. The
HINCKLEY G. MITCHELL, D.D.
Late Profeasor of Hebrew and Old Testament Exe-
g^esis in Boston University School of Theologry.
bishops unanimously declined to consider him a
heretic on those pomts."
The Boston Congregationalist regards the
action of the bishops as "surprising and dis-
appointing"; and the New York Churchman
(Protestant Episcopal) makes the comment:
"It is strange that men do not realize that
blindfolding their own eyes will not put out
the sun." In severer, terms, the New York
Outlook says:
"The bishops, to speak plainly, have yielded to
an impulse of moral timidity ; they have abridged
the freedom of the scholar without courageously
saying that free scholar-
ship is dangerous; they
have punished a candid
teacher without dearly
and frankly announcing
in what particulars he
has oflFended; they have
attempted to stand as
defenders of the faith
without committing
themselves to opposing
any specific line of prog-
ress. A church has a
perfect right to decide
that in the schools it
sustains and controls the
pupils shall be informed
that the earth is flat, and
that any teacher who de-
clares that the earth is
round must be dis-
missed; if it should do
so, it would be entitled
to some respect, if not
for its enlightenment, at
least for its courage of
conviction ; but the
Methodist Church, in
this instance, has not
openly and bravely stood
for a traditional view; it
has rather vaguely re-
buked a man for the |un- ,
warranted and objection-
able' method by which he
has departed from a tra-
ditional view."
The New York Independent characterizes
the action of the bishops as "amazing and
puerile" :
"They have forbidden a conservative scholar —
for every Old Testament scholar knows that Pro-
fessor Mitchell is what would now be called a
conservative — to question 'the historic character
of the early chapters of Genesis.' This is amaz-
ing and puerile. . . . It is a part of the busi-
ness of such a professor as Dr. Mitchell to show
his students how to reconcile their knowledge
with their faith; and it should have been the
business of the bishops to brush aside technical-
ities, and And a wav to approve one of their most
devout scholars. Instead they have done a sad
injury to the church they ought to lead."
54
CURRENT LITERATURE
A ROMANCE OF THE RELIGION OF HUMANITY
A temple consecrated to the Religion of
Humanity and to Aug^ste Comte, its foimder,
and especially dedicated to Clotilde de Vaux,
the beautiful priestess of the cult, who was
beloved by the famous philosopher, has been
recently erected in Paris. This imique temple,
located in the Rue Payenne, was built at the
expense of a wealthy Englishman named
Crampton, an enthusiastic adept of Comte's
philosophy. In construction and plan it fol-
lows the ideas of the master with great fidelity.
The chapel is designed with sober elegance
and contains as its principal feature a large
altar bearing a general resemblance to the
altars of Roman Catholic churches. Sur-
mounting this altar is the motto in Italian:
"Virgin Mother, Daughter of Thy Son.'*
ALTAR OF THE TEMPLE OF HUMANITY
Recently unveiled in Paris.
Under this is the legend in French: "Country,
Humanity, Family." Surmounting what
closely resembles the tabernacle in a Roman
Catholic church is a large bust of Auguste
Comte by the sculptor, Etex, said to be a fine
likeness of the philosopher in his maturity.
In a large center panel dominating the altar,
and by far the most striking feature of the
temple, appears the portrait of Clotilde de
Vaux holding in her arms a child and sym-
bolizing humanity, according to the Comtean
ideas. Though its suggestiveness of the Sis-
tine Madonna is almost too obvious, it is not
without artistic merit. The lateral walls con-
tain the portraits of the following great men :
Moses, Homer, Aristotle, Archimedes, Caesar,
St. Paul, Charlemagne, Dante, Gutenberg,
Shakespeare, Descartes, Frede-
rick the Great and Bichat In
addition there is a portrait of
Heloise. Here and there are
inscribed maxims such as "Do
thy duty, come what may," and
"Know thyself in order to im-
prove thyself." The worship
consists in ceremonies sug-
gested by the different modern
creeds. Naturally, Christianity
has been drawn upon largely,
and' more especially that side of
it which accords to woman so
important a role. A summary
of the doctrines and tenets of
the creed is contained in "The
Positivist Catechism, or Gen-
eral Exposition of the Univer-
sal Religion." The revolution-
ary character of Comte's con-
ception is here seen at a glance.
He abolishes the old calendar
as Robespierre did, devising a
new one of thirteen months.
Each month consists of twenty-
eight days. The new calendar
starts from 1789, the year
which is regarded by the
founder as the beginning of the
modern era. The cult com-
prises nine "sacraments." These
mark the important periods of
human life and are designated
as follows: Presentation,
which takes place at birth;
Initiation (at fourteen years) ;
RELIGION AND ETHICS
55
Admission (twenty-one years) ; Destination
(twenty-eight years); Marriage; Maturity
(forty-two years) ; Retreat (sixty- three
years) ; Transformation (at death) ; and In-
corporation with the Great Being (seven
rears after death). The Universal Religion
contains a numerous priesthood, whose prin-
cipal function is education and the diffusion
of the tenets of the sects.
A recent article in Le Monde Moderne
I Paris), to which we are indebted for the
above facts, gives a vivid account of the ro-
mantic friendship existing between Comte and
Gotilde d e V a u x,
which is closely linked
with the history of the
Positive Philosophy,
and which is discov-
ered to have been one
of the most interesting
romances to be found
in the annals of litera-
ture. Renan, in the
course of his profound
studies in religious his-
u>ry, has frequently
called attention to the
important influence
which women have
exerted upon the for-
mation and develop-
ment of new religions.
A woman of extraor-
dinary personality was
destined to assume a
role of the first im-
portance in the re-
ligious movement
which marked the final
stages of Comte's phi-
kisophy. To Comte
the appearance of this
woman was like a new
dawn after a life full of gloom and storm.
To appreciate its full effect it is essen-
tial to recall an earlier period — the period
of his ill-starred marriage. This marriage,
which took place in 1826, while he was still
a young man, was most unfortunate. It was,
in his own words, "the sole grievous mistake
of his whole life." Contracted against the
wishes of his parents, it proved disastrous
from the beginning. Madame Comte, though
not lacking in intelligence, was a worldly and
practical woman, incapable of appreciating or
sympathizing with the genius of her husband.
CLOTILDE DE VAUX
The woman that Aug^uste Comte exalted as "a sort
of Madonna of the Religion of Humanity."
She complained bitterly of the modest sur-
roundings of the philosopher and several times
deserted him. In 1842 it was mutually agreed
to separate forever, Comte stipulating to pay
his wife a regular pension, an obligation which
he kept faithfully, notwithstanding his slight
resources. It is supposed that the mystical
turn which was given to Comte's philosophy
was due in some measure to the intense suffer-
ing and melancholy which resulted from the
shipwreck of his married life. Other causes
were contributory as well. Comte had been
brought up in strict Roman Catholic tradi-
tions, and though he
had entirely outlived
his early beliefs, the
moral and spiritual
portion of the religion
of his youth remained
rooted strongly in his
nature. But by far thft
most important factor
in Comte's matured re-
1 i g i o u s development
was represented by the
superior woman who '
came into his life at
the critical moment
and gave to his phi-
losophy its needed hu-
man touch.
Clotilde de Vaux, the
daughter of an old
soldier of the empire,
was a woman of re-
markable beauty and
superior intellectual at-
tainments. Her do-
mestic life was even
more unfortunate than
Comte's. Shortly after
her marriage her hus-
band deserted her, and
she was left without resources. This epoch of
her life left ineffaceable traces upon her char-
acter and health. Forced to gain a precarious
living by her pen, the delicate woman had to
suffer all sorts of indignity and even physical
want. It was during this period of stress that
she produced her novel, "Lucie," which Comte
pronounced a work of rare literary merit. Col-
ored deeply by her sad experiences and re-
flecting many traits of her character, this
novel is regarded as a valuable human docu-
ment by the adepts of the Religion of Human-
ity. From their first meeting this remarkable
S6
CURRENT LITERATURE
woman exerted a strong influence upon Comte,
who at once recognized in her a kindred spirit
capable of appreciating his lofty ideas. Since
his separation from his wife, he had buried
himself in metaphysical speculation and, living
the life of a Trappist, was painfully elaborat-
ing the system of philosophy which was to
make him famous. Suddenly the vision of
Qotilde burst upon his somber meditations
and from that moment his conceptions were
as though irradiated with a new light He had
already expressed this sentiment to a friend:
"In order to become a perfect philosopher it
was essential that I should experience a pas>
sion at once deep and pure, which would en-
able me adequately to appreciate the part
which love plays in humanity." On another
occasion he had said to his friend Valat : "You
cannot imagine how strong the love of woman
is in me."
The little that is known of the personal re-
lations of Comte and Qotilde has been gleaned
from the philosopher's correspondence. What
is certain is that he conceived an ardent pas-
sion for this rare woman and that his love
was returned. Several times he urged mar-
riage, but always met a firm refusal. Her
health had been seriously, undermined by priva-
tion and suffering and she foresaw her ap-
proaching death. "Alas !" she says in one of
her letters; "I cannot go beyond the limits of
friendship; no one will ever appreciate you as I
do, and no other will ever inspire in me what
you have inspired; but the bitterness of the
past is still with me and I was wrong in wish-
ing to brave it"
She died soon after, leaving to Comte the
ineffaceable memory of a pure and elevated
love. Gradually that love, intensely human at
at first, assumed a sacrosanct character, and
Qotilde de Vaux became for Comte what Bea-
trice was to Dante. He reserved for her the
foremost place in his new pantheon. She has
become a sort of Madonna of the Religion of
Humanity.
EDWIN MARKHAM ON THE POETRY OF JESUS.
"He was moved not only by the beauty of
holiness but by the holiness of beauty." In
this striking sentence, Edwin Markham pays
tribute to Jesus as one of the world's great
poets. The poetic soul, so runs Mr. Mark-
ham's train of thought, is forever haunted by
"a divine beauty that broods over us, an ideal
splendor that completes the real." Poetry ex-
presses this beauty in words, religion in deeds ;
and "Jesus, the supreme religious genius of
the world, carried the vision of the poet :
The light that never was on sea or land,
The consecration and the poet's dream.'*
As interpreted by Mr. Markham, this light
is the light of the ideal; this consecration is
the consecration to the service of humanity;
and this dream is the dream of the social
federation of the world. He goes on to say
(Homiletic Review, December) :
"Jesus, like every great poet, was stung with
the pain of genius, the passion for perfection, the
yearning for the ideal. No wonder, then, that he
was 'a man of sorrows and acquainted with
grief.' Out of the long collision between the is
and the ought-to-be, between the world that exists
and the world that awaits us in the future,
springs that majestic sorrow, that noble reticence,
tnat touches with its shadow all elevated and
poetic natures.
"Upon Greece came the passion for beauty, upon
Palestine the passion for righteousness. Jesus
carried both ideals in his heart, for he saw the
glory of the lilies in the furrow and also the per-
fidy of the oppressors who walk over graves. He
was moved not only by the beauty of holiness,
but also by the holiness of beauty."
Jesus preached artistically, continues Mr,
Markham, as the true poet always preaches;
he twined the truth with the beauty. "His
message was flung forth in telling metaphor,
vivid simile, pointed parable — ^the chief ma-
chinery of the poet. He unsouled himself in
the poet's way because the poet's way is the
natural and spontaneous utterance of the
heart." Furthermore :
"Feeling ever the pity and terror of our exist-
ence— its sad perversity, its pathetic brevity, and
its tremendous import — still his poet's heart took
loving note of the beauty and wonder never
wholly lost from these gray roads of men. He
did not fail to note the wayward wind that blow-
eth where it listeth, the red evening sky that
means fair weather, the cloud out of the west
that brings the shower, the tempest in the sea,
and the calm that follows after the storm. Nor
did he overlook the birds of the air that feed on
the Father's bounty in the open fields and lodge
in the branches of the mustard-trees; nor the
green grass that {[lories in the field to-day and
to-morrow is cast into the oven. . . .
"Observe the poet's glance, the brric utterance,
RELIGION AND ETHICS
57
3ni the deUcacy of fedixig in the passages that
make even the birds and the flowers upbraid us!
'Behold the fowls of the air, for they sow not,
nestiber do they reap, nor gather into bams; yet
yoor heavenly Father feedeth them. , . . And
why ukc ye thought for raiment? Consider the
lilies of the field, how they grow: they toil not,
neither do they spia And yet I say unto you that
Sobmon in all his glory was not arrayed like one
of these.' Who docs not feel the idyllic charm of
these words, their naivete and sweetness of
spirit?"
When he wished, Jesus could throw a ro-
mantic color over life, calling men to "poetic
adventure in quest of the beautiful ideal."
Again, he used an artistic severity of expres-
sion. "He is always intense," says Mr. Mark-
ham, "yet always restrained. He has no
wasted word, no needless image, no riot of
emotion, no efflorescence of oriental fancy.
Dante does not have more severity of style,"
At times there was a note of "terrific majesty"
in the utterances of Jesus. Mr. Markham
says, in concluding:
"Jesus never touches the thought of the end of
the world save with words colored with high
poetic seriousness. In his parable of the sheep
and the goats we have a dramatic compression of
our earthly life into a brief spectacle of judgment.
We see the two multitudes, one passing to the
rieht hand and the other to the left hand of the
King. Nothing in all poetry surpasses the dignity
and humanity of this little drama."
POPULARIZING ADVANCED THEOLOGY IN GERMANY
Are critical and advanced theological teach-
ings an esoteric wisdom, to be confined to the
university lecture-rooms and to academic cir-
cles, or should they become the common prop-
erty of the average man? This question has
frequently come up for discussion in the
religious world and has generally been dis-
posed of, even by the radicals, with the state-
ment that the church at large is not in a con-
dition to understand and appreciate the new
views, and hence that debates on their merits
and dements should be confined to those who
are masters of the subject. But lately a
marked change has become manifest among
the radical theologians themselves. It is only
two or three years since the Christliche Welt,
of Marburg, the brilliantly edited weekly organ
of advanced thought in Germany, declared
emphatically that it was not its purpose, nor
that of the school it represented, to bring the
new views before the members of the church
at large, as these were incompetent to pass on
the matter ; and the "Freunde der Christlichen
Welt," consisting of associations of liberals
among the professors, pastors and laymen all
over Germany, have shown in their regular
meetings what seemed but an academic interest
in the radical theories proposed, and have ex-
pressly disclaimed any purpose of organizing
a party of their own within the different state
churches.
Now all this has been changed. Systematic-
ally and aggressively the advanced theologians
have announced that they are setting out to
conquer, and have begun a formal crusade with
a view to popularizing their views. The bold-
est expression of this crusade is the publica-
tion of a series of popular works, issued at an
almost nominal price, in which the newer
views are expounded by its ablest representa-
tives. This series is called "Religionsge-
schichtliche Volksbucher" (Popular Religious
Expositions on the Basis of the History of
Religion), and its purpose is to explain the
leading problems of Christianity in the light
of the newest school of theology known as the
"historico-religious." The editor of the series
is Fr. Michael Schiele, of Marburg, and the
publishers are Gebauer-Schwetschke, of Halle.
Only a few issues have yet appeared, but fully
three dozen prominent university theologians
have promised to contribute. Of the works so
far published, the most important is by Profess-
or Bousset, of Gottingen, entitled "J^sus." It
is a neat little volume of 103 pages, containing
the sum and substance of the teaching of mod-
ern theology concerning Jesus, and sells for the
small price of sixty pfennige (about 15 cents).
These little books are printed in editiohs of
5,000 copies. Among the topics announced
for the near future are the following: "The
Religion of the Old Testament," "Faith and
Morals," "Pictures from Church History."
Several causes have contributed to this
change of front on the part of the advanced
school. One of these is the fact that radical
thinkers have been "ruled out" of the state
churches on the ground that they no longer
teach the fundamental doctrines found in the
official confessions of the church. The brilliant
Dr. Stocker, formerly coyirt preacher in Ber-
lin, and probably the most influential pulpit
S8
CURRENT LITERATURE
orator in Germany, has been the leader of the
crusade against the advanced theologians. In
his organ, the Reformation, he has frequently
declared that honesty should compel advo-
cates of the newer views to leave the historic
churches, whose creed they no longer share,
and organize churches of their own. Stocker
has also said that the conservatives would be
willing to give them their share in the church
properties. Not unnaturally, his views have
been vigorously combated. Dr. Foerster, of
Frankfort, has written in the Chronik, of
Leipsic, and in a special brochure, giving rea-
sons why advanced thinkers cannot and will
not do as Stocker proposes. Protestantism is
capable of development, he maintains; modern
theology is a legitimate development of the
principles of the Lutheran Reformation, and
advanced theologians are accordingly the law-
ful children of the great religious revival of
the sixteenth century. The Christliche Welt
takes similar ground, arguing that Luther,
when correctly interpreted, stands with them
and not with the orthodox.
Another series of brochures on modern
theology seeking to popularize the newer views,
is edited by Professor Weinel, of Jena, and
published by Mohr, of Ttibingen. It is en-
titled "Lebensfragen," and discusses such sub-
jects as "The Resurrection of Christ," "Paul,"
[see following article, "Paul as Pictured in the
New Theology"], "The Dogma of the Trinity,"
"The Religion of our Classics," "Naturalistic
and Religious Philosophy," "Religion and
Art," "Redemption," etc.
As a result of this radical propaganda, the
conservatives are up in arms. They, too, have
begun to issue a series of popular discussions
intended to counteract the influence of the
"Volksbucher." This new set is entitled "§treit-
und Zeitfragen" (Leipsic, Deichert), and is
edited by Professor Kropatscheck, of Breslau.
It represents not a blind orthodoxy, but a posi-
tive type of evangelical thought that is willing^
to recognize the actual good that recent re-
search has accomplished. The fact that all
these sets are selling by the thousands and
even tens of thousands, shows how deep the in-
terest of the German people in religious
problems is.
PAUL AS PICTURED IN THE NEW THEOLOGY.
Next to Jesus himself, the most discussed
character in the New Testament is the
apostle Paul. Did the great apostle of the
Gentiles merely continue the teachings of the
Nazarene, or did he introduce into the Chris-
tian system something radically new and for-
eign to the purposes of the Master? Such are
the questions that continually vex the theo-
logical world, ^any advanced German theo-
logians set Paul's influence above that of
Jesus, although Harnack and other eminent
thinkers dissent from this view. The new
school claims that not Christ, but Paul, is
the real founder of Christianity as accepted
by the church and handed down tra-
ditionally as "orthodox." In opposition to
this claim is heard the cry, "Away from Paul
and back again to Christ !" the original teach-
ings of the Master being regarded as those of
the first three gospels, with the express ex-
clusion of the fourth.
One of the most brilliant of the younger
protagonists of the new school, Dr. H. Weinel,
now professor in Jena, has written a book* in
*Paulus. By H. Weinel. Paul Siebeck. Tabingen.
which he gives us a picture of Paul in the
light of modern criticism. How diflferently
Jesus and Paul speak, he says. The former
was the child of a small agricultural town,
who grew up surrounded by fields of grain,
meadows full of flowers and pasturing herds;
the latter was the child of a mighty city, ac-
customed to the bustle of business streets and
thoroughly acquainted with the clanking
march of armed men, the gladiatorial shows
and the theater. Jesus and Paul moved in two
different worlds of thought and action, and
this difference is reflected in what they
taught. Jesus was a man who spoke boldly
out of his own consciousness, and in the sim-
plicity of his central truth that God is a Being
of Love whom we can approach directly and
without fear; while Christianity, as developed
by Paul, is a complicated affair, full of dog-
matic conceptions. The original disciples of
Jesus only partially understood him; Paul
made the religion of Jesus acceptable by ad-
justing it to the needs and wants of the Gentile
world and by freeing it from its Jewish nar-
rowness. Without this further development
of their doctrines the Christians would prob-
-AMONG THB LOWLV "
wATte bv 1^*^*11 Lthe>ftnitte^ tbe Prencli painter, which hiis been acqiiire-d by the Metropulitun Museum of
^^ ' Art, New York.
6o
CURRENT LITERATUJtE
ably have shared the fate of many a Jewish
sect. Paul became the organizer of the church
as it went out on its mission conquering and
to conquer, and he achieved success by effect-
ing compromises between Christianity and the
religious thought of his day. It may be a
regrettable fact that Christianity won by such
compromises, but its fate without this creative
work of Paul would have been even more re-
grettable. However great the difference may
be between Jesus and Paul, the latter is yet
entitled to the distinction of having given the
religion of Jesus that form in which it became
the world-subduing faith.
Among the many additions which Paul
made to original Christianity, continues Pro-
fessor Weinel, some were in the nature of
burdens that have been difficult to carry.
Whatever may otherwise have been the char-
acteristics of Paul's nature, he was certainly
a shrewd and close thinker. He felt the
necessity of formulating, in a systematic way,
what he had inwardly experienced. When
he came to deal with Christianity, he built
on the basis of the philosophy and thought of
his own times and used the means that rab-
binical theology placed at his disposal. The
outcome of this process was an artistic
(kiinstlerisch) but, on account of the meager
material, an inharmonious system of thought.
Jesus had boldly directed the repentant sinner
to God Himself, who would without any fur-
ther conditions forgive his sins. Paul de-
manded that first the justice of God must be
satisfied by the death of Jesus, and only then
could the love of God become effective. What
a strange thought! But Paul was compelled
to find an answer to the question, Why, other-
wise, should Jesus have died? For the fact
that he did die and that the Messiah was com-
pelled to enter into death was something so
incomprehensible to him, and so offensive, that
he felt himself compelled to justify these facts
before the bar of his thought. In this way
the ideas of an atonement-offering, of the
atoning power of the blood of Christ, and of
the justifying virtue of his sufferings and
death, found their way into Christianity and
became a burden to it through the centuries.
Are we to censure Paul for all this? asks
the author. Are we to expect him to look
upon Christ with the eyes of our own age, and
shall we blame him for loading upon the
cheerful religion of the Master the gloomy
burden of his own theories? Certainly not.
The Pauline stage represented a most impor-
tant part of the development of Christianity as
a world-religion, and Paul was the most im-
portant factor in this development.
In the supplement of the Munich Allge-
meine Zeitung, the views of Weinel are
warmly welcomed as representing the fair
results of historical and literary criticism ap-
plied to the early records of Christianity.
At the same time it is held that we of to-day,
knowing the exact facts, ought to return to
the joyful declaration of God's love as origi-
nally proclaimed by Jesus himself.
MAETERLINCK'S CONCEPTION OF IMMORTALITY
If we cannot explain the simplest objects
around us, if we know nothing of the begin-
ning or the end of the flame that burns in the
lamp on the table and that comes or goes at
our pleasure — how can we hope to penetrate
the profound mystery of a future life? Such,
in effect, is the argument used by Maurice
Maeterlinck, the noted essayist and dramatist,
to illustrate his attitude toward the problem
of immortality. That we live again he is con-
fident; how we live again he thinks that we
cannot know.
Three positions, as he points out (in Har-
per^ s Magasine, December), may reasonably
be taken in regard to the question of immortal-
ity. We may hold that, after death, we are
annihilated absolutely. Or we may contend
that we live again with the same personality
as that which we now possess. Or we may
accept the hypothesis of an after-life with
an enlarged and transformed consciousness.
Dealing with these various theories, in the
order mentioned, Maeterlinck brushes aside
the first without discussion. "That the state
of nothingness is impossible," he says; "that,
after our death, all subsists in itself and noth-
ing perishes: these are things that hardly in-
terest us. The only point that touches us, in
this eternal persistence, is the fate of that little
part of our life which used to perceive phe-
nomena during our existence." This statement
leads to a consideration of the second theory,
that of a continuance of individual conscious-
ness. It is perfectly natural, Maeterlinck ad-
RELIGION AND ETHICS
6i
mits, that we should desire personal immor-
tditf. We cannot but feel that the possible
beaiity and splendor of any future life is as
nothing to us if we lose our identity and the
recollection of the life that now is. And yet,
he asks, is not this an essentially "childish/' or
a least an ''extraordinarily limited," concep-
tion? Arc we wise in wishing to live for
ercr? Are we not like sick men who hug their
ailments? To quote:
*Pictiire a blind man who is also paralvzed
and deal He has been in this condition from
ins birth and has just attained his thirtieth year,
^liat can the hours have embroidered on the
imageless web of this poor life? The unhappy
nan must have gathered iti the depths of his
memory, for lack of other recollections, a few'
wretched sensations of heat and cold, of weariness
-ulA rest, of more or less keen physical sufferings.
Di hunger and thirst. It is probable that all
homan joys, all our ideal hopes and dreams of
p3xadise, will be reduced for him to the confused
sense of well-being that follows the allaying of
2 pain. This, then, is the only possible ec^uipment
of that consciousness and that ego. The intellect,
taring never been invoked from without, will
sleep soundly* knowing nothing of itself. Never-
tbdess, the poor wretch will have his little life
to which he will cling by bonds as narrow and
as eager as the happiest of men. He will dread
death; and the idea of entering into eternity
vithout carrying with him the emotions and
memories of his dark and silent sick-bed will
phnge him into the same despair into which we
are pimiged by the thought of abandoning for
the icy gloom of the tomb a life of glory, light,
and love.
"Let us now suppose that a miracle suddenly
qnickens his eyes and ears and reveals to him,
tbroogh the open window at the head of his bed,
the dawn rising over the plain, the song of the
^rds in the trees, the murmuring of the wind in
the leaves and of the water against its banks,
the ringing of human voices among the morning
bins. Let us suppose also that the same miracle*
completing its work, restores to him the use oi
bis limbs. He rises, stretches out his arms to that
prodigy which as yet for him possesses neither
reality nor a name: the light! He opens the
door, staggers out amidst the effulgence, and his
whole body dissolves in all these marvels. He
enters upon an ineffable life, upon a sky of which
30 dream could have given him a foretaste ; and,
\rs a freak which is readily admissible in this sort
of cure, health, when introducing him to this in-
oTciceivable and unintelligible existence, wipes
oat in him every memory of past days."
Maeterlinck is plainly out of sympathy with
the conception of personal immortality, as or-
dinarily held. He asserts that it is "at bottom
so narrow, so artless and so puerile that,
whether for men or for plants and animals,
one scarcely sees a means of finding a reason-
able place for it in boundless space and in-
finite time.'' He adds his conviction that, of
all our possible destinies, the preservation of
the ego would be "the only one to be really
dreaded," and that "annihilation pure and
simple would be a thousand times preferable."
There remains the third theory of an enlarged
and transcendent consciousness, already re-
ferred to, and eloquently suggested in the pas-
sage above quoted. Are we not all conscious
at times, asks Maeterlinck, of obscure traces
of a "budding or atrophied sense"? Do we
not know moments of pure unselfishness?
"Is it not also possible that the aimless joys of
art, the calm and deep satisfaction into which
we are plunged by the contemplation of a beauti-
ful statue, of a perfect building, which does not
belong to us, which we shall never see again,
which arouses no sensual desire, which can ht of
no service to us : is it not possible that this satis-
faction may be the pale glimmer of a different
consciousness that filters through a cranny of our
mnemonic consciousness? If we are unable to
imagine that different consciousness, that is no
reason to deny it. All our life would be spent in
the midst of things which we could never have
imagined, if our senses, instead of being given to
us all together, had been panted to us one by one
and from year to year. During childhood we did
not suspect the existence of a whole world of
passions, of love's frenzies and sorrows which
excite 'grown-up people.' If, by chance, some
garbled echo of those sounds reached our inno-
cent and curious ears, we did not succeed in un-
derstanding what manner of fury or madness was
thus seizing hold of our elders, and we promised
ourselves, when the time came, to be more sen-
sible, until the day when love, unexpectediv ap-
pearing, disturbed the centre of gravity of all our
feelings and of most of our ideas. We see, there-
fore, that to imagine or not to imagine depends
upon so little that we have no right to doubt the
possibility of that which we cannot conceive."
We stand a much greater chance of lighting
upon a fragment of truth by imagining the
most unimaginable things, says Maeterlinck,
than by "striving to lead the dreams of that
imagination between the dikes of logic and of
actual possibilities." He concludes :
"Let us say to ourselves that, among the possi-
bilities which the universe still hides from us, one
of the easiest to realize, one of the most pal-
pable, the least ambitious and the least dis-
concerting, is certainly the possibility of a
means of enjojring an existence much more spa-
cious, lofty, perfect, durable, and secure than that
which is offered to us b^ our actual consciousness.
Admitting this possibility — ^and there are few as
probable — ^the problem of our immortality is, in
principle, solved. It is now a question of grasping
or foreseeing its ways and, amid the circumstances
that interest us most, of knowing what part of
our intellectual and moral acquirements will pass
into our eternal and universal life. This is not
the work of to-day. or to-morrow; but it would
need no incredible miracle to make it the work of
some other day."
63
CURRENT LITERATURE
THE DIVINE PURPOSE IN HISTORY.
The doctrine of the immanence of God has
been called the great religious discovery of
the nineteenth century. Its significance as a
key to the interpretation of history and of
daily life is ably indicated in a new volume*
by Prof. Borden P. Bowne, of Boston Uni-
versity. Too often in the past, he declares,
men have assumed that nature pursues her
own course according to pre-established law,
and that God is an "absentee." Thus the re-
ligious mind, in its search for God, has found
that a false philosophy had removed him to an
indefinite distance, and substituted a self-run-
BORDEN P. BOWNE, LL.D.
Professor of Philosophy in Boston University.
He says: "If our daily bread came to us by raven
exoress or by a great sheet let down from the skies, it
would be no Lore divinely sent than it if when it comes
Jhrough the springing grass, or the growing corn, or the
ripening harvest."
ning '^Nature" and a self-running "Humanity";
and there has been no recourse but to look for
God in prodigies and disorder in general. Un-
der such a misunderstanding, the professor ar-
gues, "the believer in God in history has
sought for Him largely in strange and striking
events, in historical crises, in marvelous coin-
cidences, rather than in the orderly movement
and progress of human life and society." The
doctrine of the divine immanence "allows us
to find God as present in the ordinary move-
♦Thb Immanbncb o» God.
Houghton, Mifflin & Co.
By Borden P. Bowne.
ments of life and society as in the strange and
uninterpretable things." There is no objec-
tion, he adds, to finding God in prodigies, if
there be such things, but it is far more im-
portant to find him in the normal activities of
men and the unfoldings of history. "Prodigies
are vanishing quantities in any case, in com-
parison with the historic life and development
of humanity; and here alone does the divine
presence have abiding significance." To quote
further :
"A divine purpose, a moral development in
bumanity, is the essential meaning of God in
history. This history is the unfolding and realiza-
tion of the divine purpose. We cannot, indeed,
trace this purpose in all the details of history,
and when we begin to make specific interpreta-
tions, we are very apt to go astray. But the exist-
ence of such a purpose is a necessary implication
of theistic faith. Sometimes the historical crisis
is such, and the co-working of complex factors
so marked, that we seem to be aware of a divinity
that shapes our ends. Then we speak of a guid-
ing or overruling Providence. But commonly life
runs on in the familiar routine, and we seem left
to our own judgment to find the way. At such
times we have nothing to say of Providence. But
it is clear that the only difference is that some-
times the divine purpose seems manifest, while at
other times it is hidden. The purpose, however,
is equally real and equally controlling at all times,
though not equally manifest. Our eyes are holden
in this matter mainly because of our deistic phi-
losophy with its self-running nature and absentee
God. If this philosophy were set aside, most of
our difiiculties would disappear of themselves."
The stereotyped form of objection to belief
in a prodigy or miracle, the writer goes on to
say, is based on the "suspicion that if we un-
derstood all the hidden connections of the
event, we should find it to be natural, and
hence undivine, after all." This objection van-
ishes when we accept the idea of divine im-
manence, for "then we come to a natural which
roots in the supernatural, and a supernatural
whose methods are natural." To this neither
science nor religion has any objection.
Similarly, the objections to "special" crea-
tion, "special" providence, rest on a miscon-
ception. If there be any providence at all,
says Professor Bowne, it must be special, "as
a providence in general would be no provi-
dence at all. . . . Any real providence in
our lives must specify itself into perfectly def-
inite and special ordering of events, or it van-
ishes altogether. In this sense all providences
are special providences, or they are nothing."
He continues:
RELIGION AND ETHICS
63
"Here again the divine immanence helps us
If there be purpose in anything, there is purpose
:n evcrythiiig. The creative plan must include
ill its details, and the immanent creative will
most specifically realize all its special demands.
Both philosophy and religion unite in this view.
Philosophy sjiuts us up to it, and it is a postulate
of rel^on. But both philosophy and religion also
unite in rejecting a doctrine of special providence
which implies that things go their own wa^ for
the most part, and that God now and then mter-
v^es in a striking fashion for his favorites. On
the view of the divine immanence, events are
-:ipematural in their causality and natural in
the order of their happenings; and a so-called
special providence would be simply an event in
which the divine purpose and causality, which are
h all things, could be more clearljr traced, or
w(>{ild more markedly appear, than in more fa-
miliar matters. But when we know that divine
trisdom and love are in all things, we are less con-
cerned about 'special interventions.' "
It will be a great step forward, the writer
concludes, when religious thought is adjusted
to this conception, "when we see the divine
causality in aJl things and the naturalness of
the divine working, and when instead of melo-
dramatic irruptions from without we have or-
derly tin foldings from within along the lines
-)f familiar law and influence." Further:
"If our daily bread came to us by raven ex-
press, or by a great sheet let down from the skies,
It would be no more divinely sent than it is when
It comes through the springing grass, or the grow-
ing com, or the ripening harvest. Similarly, God
works His will in history not apart from men, but
through men and in partnership with them; and
the work is no less divine on that account. An
angel flying abroad through the skies to preach
ABBE FELIX KLEIN
Of the Catholic University of Paris; who lately visited
our shores, and chronicles his impressions in a book that
has been crowned by the French Academy.
the everlasting gospel would amazingly tickle the
spiritual groundling, but devoted men and women,
speaking from heart to heart in our human speech
of the good news of God, would be quite as divine
and more effective. For if they hear not Moses
and the prophets, they would not be persuaded
though one rose from the dead."
A FRENCHMAN'S IMPRESSIONS OF OUR RELIGIOUS LIFE,
The Abbe Felix Klein, of the Catholic Uni-
versity of Paris, recently visited our shores
and set down his impressions in a volume en-
titled "Au Pays de la Vie Intense," which has
already run through seven editions and has
been crowned by the French Academy. He
has now put the book within reach of Ameri-
can readers in an English translation,* and we
have a chance to look at our coiintry and its
institutions through the eyes of' a scholarly
French priest. The abbe is friendly, and even
flattering, in his tone. He devotes a great deal
of space to religious subjects, and is especially
impressed by our religious tolerance. Initia-
tive and tolerance are the two great American
•In THB Land of thb Strbnuous Livb.
Klein. A. C. McClurg & Co.
By Abb«< Felix
qualities, he says; adding: "The courage to
act and the wisdom to permit others to act, —
what is more beautiful, and in our day more
necessary, than this?" The abbe's opinions
are strongly colored by his Roman Catholic
sympathies, and in one place he goes so far
as to say: "America, far from being, as we
had been led to expect, a Protestant country in
which the Catholic Church was respected,
proved to be, in our opinion, a country half
theistic and half Christian, in which Catholi-
cism holds the highest place."
President Roosevelt and Bishop J. L. Spald-
ing, of Peoria, Illinois, are taken as exemplars
of the truest kind of American religion. To
the former the author dedicates his book, by
permission; the latter's works he is trans-
64
CURRENT LITERATURE
lating into French. The abb^ thinks that
President Roosevelt deserves to be described
as "the militant Christian." He comments
with approval on a characteristic address made
by our Chief Executive before the Catholic
Society of the Holy Name, founded for the
suppression of blasphemy, and on felicitous
words uttered by him at a great open-air
gathering of Episcopalians. He is impressed
by the fact that the President was fraternizing
with Roman Catholic priests one day and with
Anglican bishops the next. He says further :
"President Roosevelt is a complete man, in
whom mind and muscle, soul and body, are har-
moniously developed, the realized ideal of the
nation to which he belongs; who by years of
ranch-life turned an originallv weak constitution
into one of robust health; who in politics never
hides his convictions; who in foreign affairs,
perhaps like others, has exaggerated the rights
of his own country ; but who, if we judge him by
his intentions and acts as a whole, regulates his
conduct, as he says, by the motto of Lincoln : 'Do
the best ; but if you can't do the best, then do the
best you can.' "
The abb6 pays another enthusiastic tribute
to Bishop Spalding, preluding his remarks
with the statement: "American bishops are
noted for their simplicity, and he is the sim-
plest of them all."
"Bishop, orator, author, simple citizen, he goes
about his work without ever caring for appear-
ances; and thinks of what he ought to do, not
what people may say of him. There is no more
affectation in his mode of living than about his
person. His dwelling, his speech, and his manner
are those of an honest man, neither luxurious
nor austere. It seems as if he considered ex-
ternal details not worth either magnifying or be-
littling. For him, the picture, not the frame, is
of importance. During our week of intimacy I
did not remark a single striking feature in con-
nection with this great bishop. We lived in the
little rectory, with his family of three priests
belonging to the Cathedral. We took long drives
in a buggy, and when we stopped to visit churches
or convents, the prelate, more expert in the mat-
ter than I, tied our horse to the hitching-post him-
self; we enjoyed long chats after meals — and
that was all. All? Yes, truly; but I sought no
more ; for those few days have left in my memory
much light and peace. ... I have met more
competent specialists on many topics. But I
doubt if there actually exists in the world another
man with a better understanding of religious,
social, and philosophic problems; and I do not
know if there lives anywhere a more Christian
thinker or a Christian who thinks more pro-
foundly."
In surveying the general religious situation
in this country, M. Klein confesses that he was
surprised to find that one-half, or even more,
of the people of the United States are non-
sectarian, t. e., belong to no religions de-
nomination whatsoever. But of these he says :
"Even the non-church-goers, for the most part,
believe in God, and in the immortality of the
soul; they sincerely take part in the prayers
the nation offers up to God on certain solemn
occasions; and, more than that, they love the
Gospel, and what might be called their natural
religion is always Christian in its outward
manifestation." He remarks that during his
sojourn in this country he "bought at ran-
dom every kind of newspaper, without ever
hearing or reading a word against religion."
He comments further:
"But still the bald and disquieting fact re-
mains, that in this great country one-half of the
people are absolutely without any positive re-
ligion. . . .
"Will this state of things continue? Will it
even grow worse?
"This is doubtless a serious problem ; and those
Americans who feel that they are in some way
responsible for the nation's future realize it full
well. To maintain at all costs the religious ideal,
and the Christian standard above wealth, ma-
terial well-beingr and power, — this is the one
thing chiefly insisted upon in their discourses by
the leaders of American public opinion, by the
most clear-sighted and eminent of her sons, like
President Roosevelt or Bishop Spaulding."
From almost all his experiences in this coun-
try the abbe gathers spiritual fruits. Even a
visit to Wall Street led indirectly to "clear
testimony to a faith in other than material
treasures" :
"We visited the business section, inspected a
few stores and newspaper offices, and then went
to the new Stock Exchange. From the gallery
overlooking the great floor of the Exchange, we
witnessed a barbarous spectacle; They tell us
that Paris and London and Berlin offer sights
quite equal to this, and I will believe it if I must.
I found the New York Exchange utterly beyond
the possibilities of description; and fleeing away
as fast as I could, I was fain to seek the seclusion
of the neighboring cemetery, which, like a poetic
little hamlet, encircles Trinity Church. Around
^his beautiful Gothic temple, very pure and sober
in style, are grouped tombs a century and a half
old. Stones hidden in the grass cover the an-
cestors of the great metropolis, and so reverently
is their sleep guarded that not even the most
tempting offers can induce the trustees of the
church to surrender this holy ground. Yet every
square foot of that domain represents a fortune.
Thus to respect the pious purpose for which it
was originally destined is, in my opinion, to give
clear testimony to a faith in other than material
treasures, and nobly to proclaim in the very
midst of the temple of Mammon the sovereignty
of the ideal."
6s
Science and Discovery
EYE-STRAIN AS THE CAUSE OF THE VAGARIES OF GENIUS
Those vagaries of genius which the world
has been taught to discern in the careers of
Wagner, Nietzsche, Carlyle, De Quincey,
Tschaikowsky and Turner were the direct re-
sult of eye-strain. There was no madness in the
origin of their eccentricities. Similarly, eye-
strain affords a key to the careers of Robert
Browning, George Eliot, Herbert Spencer,
Darwin, Huxley, Margaret Fuller, John Ad-
dington Symonds, Taine and innumerable
others. In the light of the new ophthal-
mology, therefore, volumes of literary and art
history must be rewritten. Thus the Berlin
oculist, Liebreich, was certain that the peculiar
character of Turner's pictures was due to his
astigmatism. If Turner's pictures be viewed
through proper astigmatic lenses, these paint-
lags would appear as those of other painters
^ith normal eyes. The musician, Tschai-
kowsky, was troubled all his life by sleepless-
ness, fatigue and depression, traceable to eye-
strain and conditioning the prodiicts of his
amazing genius. Why these truths have been
completely missed and why the notion that
genius is to madness near allied should persist
are matters with which Dr. George M.
Gould deals in a series of notable recent
studies.* Here are the preliminary considera-
tions involved:
*"Dryden's famous couplet is a poor and un-
truthful variation of Aristotle's 'No excellent
soul is exempt from a mixture of madness,' and
of Seneca's *No great genius is without a mixture
of insanity.' The truth, the little truth, there may
be in the sa3rings consists principally of three con-
stituent errors : i. The people who accept such a
ps>'chology of genius and insanity are themselves
incapable of knowing or understanding in what
?cmus or madness consists and view both as
something alien. They are in no danger of illus-
trating either genius or insanity. 2. They may
drive the genius into dementia by their stupid un-
recognition and even hatred. 3. A genius may go
mad because of eye-strain.
*TkIrs. Carlyle, tortured for forty years by ex-
cruciating suffering, may, in the crisis of pain
and the mystery of it, gaspingly demand a promise
that if she goes mad she shall not be put in a
madhouse. De Quincey may prevent pain and in-
sanity by opium. Great alienists may assure Park-
man he will soon be a maniac and may class
•Biographic Clinic?. By George M. Gould» M.D.
Tlirce volumes, P. Blakiston'a Son & Co.
Schopenhauer and Wagner as such. Wagner
may live in fear of it and Nietzsche may be
crushed into the horrible actuality of it. It all
proves not the silly pathology of the proverb but
the sin and the want of medical science. A
simple or rather, speaking in optical terms, a com-
pound pair of lenses would have absolutely pre-
vented the entire tragedy in each case."
Ocular symptoms, ignored in a crude state
of ophthalmological science, show to-day that
De Quincey's life was one of intense ocular
strain. One proof is, Dr. Gould tells us, that
De Quincey kept an eye closed in the latter
part of his life when he was reading or writ-
ing, and that eye is plainly divergent in his
portrait. In the latter part of Wagner's life
at least the left eye wa§ turned upward and
outward and the forehead wrinkled to keep
the lid above the pupil. That demonstrates to
Dr. Gould many years of previous suffering.
Parkman's photophobia was his first and most
constant symptom during life. He had also
blepharitis and meibomian cysts. Pain in his
eyes was as constant a symptom with Nietzsche
as pain in the head and gastric trouble. The
significances of such things in the careers of
these great men are best illustrated. Dr. Gould
points out, by a diagnosis or "biographic
clinic," based upon an individual case. He
gives many, that of De Quincey being typical.
Having supplied appropriate extracts from the
list of this writer's physical ailments as
recorded in the biographies and letters. Dr.
Gould diagnoses :
"Without a scrap of direct evidence as to the
existence of eye-strain, a study of the clinical
biography of De Quincey by a competent oculist
should convince him that the mystery of De
Quincey's life and disease, *the key to the original
cause,* as he puts it, of his suffering, was reflex
ocular neurosis. Why then did his eyes not pain
him and he suffer? It is one of the greatest of
unutilized truths, long known, strangely ignored,
that in the vast majority of cases of eye-strain
the morbid results of the astigmatism, etc., are
not felt in the ^es. It is perfectly explainable
why this is so. The value of the eye so overtops
that of almost any other organ that the reflex
results of its unphysiologic function must be
shunted anywhere except back to the eye itself.
In women it goes to the head and the world is
full of those tortured nearly every day of their
life with head ache and sick head ache ('bilious'
or nervous head aches). In many, and especially
65
CURRENT LITERATURE
DR. G EORGE M. GOULD
His researches in ophtalmology have revolutionised sci-
entitle conceptions of the pathology of genius.
in men working much with the ejres, the reflex is
to the digestional organs, with 'indigestion' and
'liver derangements/ 'anorexia/ etc. The truth
that eye-strain induces these functional gastric,
intestinal and biliary disorders, can not much
longer be ignored. When acted upon it will con-
stitute one of the greatest advances in practical
medicine that has ever been made. . . .
"We must not forget that in the days of De
Quincey, Carlyle, etc., candles and rush lights
were the common sources of artificial light. When
even our wonderful best modem lights are by no
means equal to daylight and are found taxing to
weak and defective eyes, what must have been
the degree of eye-strain in the days of candles?
"At about sixty-five De Quincey's eyes began
troubling him. When accommodation had been
entirely lost, the morbid reflex could not be
shunted elsewhere and must be returned to the
eyes themselves. He had 'pain,' which means,
beyond question, inflammation of the external
or visible parts of the eye. (Cataract and retinal
inflammations are painless.) Stopping reading
by candle light naturally relieved him. It re-
turned worse than ever and affected the cornea
('all but blind') and sulphate of zinc was the
excellent remedy used. This conjunctival trouble
continued to the end of his life and in the last
years most of the reading was done for him by
others, reading aloud.
"As I have said, the trained oculist would not
need direct evidence of ametropia, etc., to con-
vince him of the subtle source of De Quincey's
affliction. But as such positive evidence would
aid in bringing conviction to the layman and to
the ultra-conservative physician, he would wel-
come any such demonstration of the optical 5it>-
normality of this patient's eyes. Luckily, it e^cists
and in a duplicate and mutually corroborative
form. The first is the picture of De Quincey
prefixed to the 'Life and Letters' (by Page) made
from the portrait by Mr. James Archer, R. S- A.
In this, as any ophthalmologist, or even any ob-
servant layman, can see, the eyes are diverg-ent.
In sitting for a portrait in which the eyes are not
directed ('centred') upon the spectator, they nat-
urally fall into a position of noninnervation, de-
scribed as 'at rest,' 'fixed upon vacancy* or 'look-
ing at an infinite distance.' . . .
"The truth was that De Quincey had what tlie
American oculist calls 'exophoria' and the Euro-
pean names 'insufficiency of the interni.' "
It should also be noted, adds Dr. Gould, that
the opium De Quincey took would produce
myosis or narrowing of the pupil to a "pin
point" diameter. This would also greatly aid
him in shutting out the confusing rays or dif-
fusion circles caused by astigmatism and
would thus, in a way, make his vision better.
Unconsciously this fact may also have aided
in the addiction to the opium habit itself. Up
to the age of about sixty-two he was able to
preserve binocular vision, but at an expense
to his nervous and digestional system which
was essentially the cause of his opium habit
and of all his suffering. At any time of his
life a proper pair of spectacle lenses would
have relieved De Quincey of his sufferings,
would have enabled him to quit opium-taking
and would have allowed him to pursue a far
more wonderful literary career. And De
Quincey's struggle to free himself from his
opium habit was to a certain extent a scientific
blunder. It was well that he relapsed into the
habit at one period of the myopic astigmatism
he suffered from.
In the case of Carlyle — whose indigestion is
scorned by Dr. Gould as a blunder of diagnosis
distorting to our whole view of the man — the
painter of his portrait could not help carrying
to the canvas the pained, exhausted look of
eye-strain ta be seen in all the later portraits
of the sage of Chelsea. Carlyle's portrait re-
veals years of morbid ocular labor. That
ocular labor gave the feeling of the rat gnaw-
ing at the pit of Carlyle's stomach. The acme
of physical and intellectual suffering was in
his case to supply a correct intellect, the
product of eyes, with an optically morbid pair
of eyes and compel them to work for sixty
years against the demands of the laws of all
past time. Carlyle's real disposition was sweet,
mild, kind. Eye-strain — not indigestion-
soured him:
"In some men the untoward conditions of cir-
SCIENCE AND DISCOVERY
67
cumstances, the ill health, the mental abnormal-
ism, etc., may have little or no effect upon the
qoality of their literary labors. In others this
may be subtly modified, and in others still the
differences caused may be most profound. Car-
lyle, I think, is an example of the last class.
Every work he brought forth is in almost every
line modified by the direct result of the condi-
tions of e>'e-strain while engaged upon it. The
very choice of subjects is dictated by it."
The more sensitive the nature of a man, the
more the reflex from eye-strain tends to be
cerebral. The more resistant a man's nature,
the more the reflex from eye-strain tends to be
digestional. Carlyle and Huxley, therefore,
would not have headache so much as dyspeptic
symptoms. Robert Browning, on the other
hand, had chiefly, though not solely, the cere-
bral type of reflex from eye-strain.
He was cursed not with the tem-
perament ascribed to him by biog-
raphers, but by reflex ocular neuro-
ns. Like De Quincey, Carlyle, Dar-
win and Huxley, the poet Browning
never suspected the cause of his life
ragedy. Wagner had astigmatism,
the key to his career. The whole
course of Wagner's life crisis might
have been deflected if ophthal-
mology had been in a stage suffi-
ciently advanced to prescribe the
right lenses — bifocals in his mature
years. Each of several of Wagner's
operas has over a million notes, the
stems being, of course, at axis 9a^
and the five ruled lines of the music
paper at axis 180**. These notes
were placed there by his hand gov-
erned by his astigmatic eyes ! In
the same way, Dr. Gould finds John
Addington Symonds dying at fifty-
three, a hero of erudition and litera-
riire, a martyr of medical indiflfer-
ence and ignorance. To quote :
"The principles had been scientific-
ally stated for thirty years which, if
put into practice, would have given
him complete relief. Although many
thousands have found that relief dur-
r\g the last twenty-five years, many
ither thousands are to-day needlessly
suffering exactly as did Symonds. . . .
The pity of it is all the greater if
the tragedy was wholly unnecessary
and obviable. For the patient it is, as
Symonds himself wrote, 'the final sense
■yl impotence to be effectual, most
poignant, most crushing, most persua-
sive and yet unutterable.* The heart-
rending outbreaks of sorrow and dis-
appointment at his destiny are almost
too poignant to reproduce. More than once he
thought of suicide and once— at twenty-eight, note
the age — ^he seriously contemplated it. He had
thought deeply, perhaps too deeply, of his life
problem, but his nonmedical mind could reach no
nearer the little-great truth than 'it is the centre of
the soul that ails.* Intellect, one must keep re-
peating, is the product of vision — ^physical or
rather physiologic vision."
As regards the biographic clinic upon
Symonds*s life, declares Dr. Gould, the greatest
medical interest may lie in the development of
his pulmonary tuberculosis. Careful observa-
tion of the morbid conditions of many such pa-
tients has convinced Dr. Gould that the severe
migraine of eye-strain is a potent and frequent
source of this kind of infection. The symp-
From "Biograpbir Clinic*," by Dr. Ge«»rge M. OouW.
PHOTOGRAPH OF TAINE SHOWING HIS STRABISMUS
AND PTOSIS
"How eas_>' it is at present to [prevent in modern patientsTthe entire
list of evils which is evident in the case ot Taine ! "
68
CURRENT LITERATURE
CouriMy or Mcm Drat *;Co.
PORTRAIT OF RICHARD WAGNER REVEALING HOW HIS LEFT EYE
TURNED OUT AND UPWARD
" This turning of the left e^e upward and outward," writes Dr. George M. Gould in "Bio-
graphic Clinics," (Vol. II), "is, as oculists know, a result of ametropia and especially of
astigmatism and anisometropia."
toms immediately preceding Symonds's death
at fifty-three suggest the symptoms of Lewes
and of George Eliot. Far otherwise was the
accompaniment of the eye-strain that caused
the tragedy of Taine's life :
"It is the old story repeated — the production
or increase of myopia by uncorrected ametropia.
That he was also astigmatic and anisometropic is
beyond question from the fact of his most severe
reflexes caused by the use of his eyes both to the
eyes themselves and to the brain. . . .
"Towards the end of life there was paretic,
almost paral3rtic ptosis or drooping of the lids, a
somewhat frequent result of long continued eye-
strain. In the right it is greater than in the left,
showing the longer and more severe, but at last
ineffectual, effort to keep the right eye in func-
tion. The entire expression of the eyes and
neighboring structures speaks plainly of the
struggle. His eyes showed a cast behind their
spectacles,' says one who knew him in later life.
The date at which the right eye gave up the at-
tempt at binocular vision is not suggested in the
life and letters. . .
"Its exclusion from use marked the end of
long and painful periods of effort which, while
it lasted, produced great suffering and when com-
pleted would probably bring a decided, possibly
an entire, measure of relief. How easy it is at
present to prevent in modern patients the entire
list of evils which is so evident in the case of
Taine!"
Taine's eye-strain never apparently went so
far as to imply that delusion, the insanity of
genius. But in the great majority of cases
there are the mental and physical agonies en-
dured by Nietzsche until paralysis came to his
rescue :
"One heartrending result of their exhaustion
SCIENCE AND DISCOVERY
69
was the desire or fear of death, or of worse than
death, insanity. Darwin was always on the verge
of despair and at one time in middle life made his
will in view, as he thought, of approaching death.
Carlyle often shuddered at the apparent useless-
ness and fatigue of life and the advisability of
death. Wagner was constantly tempted to suicide
and at one time seems to have resolved upon it.
Whittier, Nietzsche, Wagner, all were convinced,
in youth or mid-age, that their lives had been
lived out and that nothing was left to do, at least
no ability to do it. The peculiar nature of eye-
strain, the rapidity with which it produces morbid
reflexes and is relieved, explains the facts of the
coexistence and alternation of exhaustion and irri-
tation. They are mere aspects of 'one neural and
psychic fact."
The explosion of the delusion that insanity
and genius are allied is to be attributed, Dr.
Gould tells us, to one of the greatest dis-
coveries of recent years — astigmatism :
**Even up to the last vears the diseases called
biliousness, headache, oyspepsia, acute lithemia
and by many other terms, were entirely mistmder-
stood and treatment was in the highest degree
unsatisfactory. But there was brought into prac-
tical use dtirmg the last quarter of the nineteenth
century a discovery of as great medical importance
as any made during the century and, so far as
the relief of actual suffering is concerned, of far
greater significance than any. Astigmatism, its
influence upon the general health and character
and the methods of correcting it, is the dis-
covery of which we speak, and with the dis-
covery the last great stronghold of the ancient
and medieval superstition of the humoral pa-
tholo^ was taken. Whenever th^ symptoms of
functional cerebral, mental and digestional dis-
ease, such as headache, dyspepsia, ^biliousness,'
sick headache, migraine, neurasthenia, anemia,
vertigo, insomnia, anorexia, constipation, eructa-
tion of gas, languor, ill temper, melancholia, etc.,
are temporary or acute and dependent upon well
known excess or abnormalism m eating or drink-
ing, the patient is more than stupid if he does
not tell you of the fact The vast majority of
such cases, say at least ninety per cent., are not
caused by dietary indiscretion or organic disease,
and of these oyer ninety per cent, are reflex
ocular neuroses, i.e., due to eye-strain."
MYSTERY OF THE GREAT ANTARCTIC ICE BARRIER]
It was mainly for the purpose of solving
the riddle of the great ice barrier of the Ant-
arctic— a wall of ice about 470 miles long and
on an average 150 feet high — that Captain
Robert F. Scott, C. V. O., R. N., made his
famous voyage toward the south pole in the
Discovery, a full account of which he has
just given to the world.* Captain Scott was
instructed by the scientific societies financing
his expedition to explore the ice barrier to its
eastern extremity and to discover the land
supposed to flank this barrier to the eastward
or to ascertain that it does not exist, and gen-
erally to solve the very important physical and
geographical problems connected with this re-
markable ice formation. Sixty years before,
as Captain Scott himself relates, Ross's tri-
mnphant voyage to these same regions had
been abruptly terminated by a frowning cliff
of ice, which he traced nearly four hundred
miles to the east. Such a phenomenon was
unique, and for sixty years it had been dis-
cussed and rediscussed, and many a theory
had been built on the slender foundation of
fact which alone the meager information con-
cerning it could afford.
Yet the most important result of the expedi-
•The Vovage of the Discovery. By Captain Robert
P. Scott, C. V. O., R. N. In two volumes. Charles
Scribner's Sons.
tion led by Captain Scott — so far as concerns
the great ice barrier — was obtained almost by
accident. Some thirteen and a half months
after the establishment of a supply depot— es-
tablished by carefully calculated alignment —
a member of the expedition found to his
astonishment that the alignment was no longer
"on." There was a displacement of 608
yards. Thus was obtained an indication 'of
movement in this great barrier of ice — a
movement the comparative rapidity of which
presents a problem for which he can conceive
of no solution. The cause of it remains "a
problem of extraordinary interest," and "shows
that there are still conditions in the extreme
south of which we have no knowledge."
Captain Scott's first view of the great ice
barrier impressed him profoundly:
"The sea to the north lay clear and blue, save
where it was dotted by snowy white icebergs.
The barrier edge, in shadow, looked like a long
narrowing black ribbon as it ran with slight
windings to the eastern horizon. South of this
line, to the southeast of our position, a vast plain
extended indefinitely, whilst faint ^adows on
its blue-grey surface seemed to indicate some
slight inequality in level. Further yet to the
south the sun faced us and the plain was lost in
the glitter of its reflection. It was an impressive
sight and the very vastness of what lay at our
feet seemed to add to our sense of its mystery.
... As we steamed along this high ice wall
70
CURRENT LITERATURE
on the atternoon of the 29th we had an inde-
scribable sense of impending change. The con-
stant differences which we had observed in the
barrier outline during the past twenty- four hours
seemed to us to indicate strongly the proximity
of land, though probably none of us could have
produced a very tangible argument to support
this view. We all felt that the plot was thick-
ening and we could not fail to be inspirited by
the facts that we had not so far encountered the
heavy pack ice which Ross reported in this region,
and that consequently we were now sailing in an
open sea into an unknown world.
"Many an eager face peered over the side,
Now and then a more imaginative individual
would find some grand discovery in the cloud
forms that fringed the horizon, but even as he
reported it in excited tones his image would fade
and he would be forced to sink again into crest-
fallen silence.
"Meanwhile we were making comparatively
rapid progress along the uniform high wall on
our right. Perhaps the engines, as well as those
in charge of them, were eager to find out what
lay beyond. Our course lay well to the north-
ward of east and the change came at eight in
the evening, when suddenly the ice cliff turned
to the east and, becoming more and more ir-
regular, continued in that direction for about fiwt
miles, when it again turned sharply to the north.
"Into the deep bay thus formed we ran and as
we approached the ice which lay ahead and to the
eastward of us, we saw that it differed in char-
acter from anything we had yet seen. The ice
foot descended to varying heights of ten or
twenty feet above the water and behind it the
snow surface rose in long undulating slopes to
rounded ridges whose height we could only esti-
mate. If any doubt remained in our minds that
this was snow-covered land, a sounding of 100
fathoms quickty dispelled it. But what a land!
On the swelling mounds of snow above us there
was not one break, not a feature to give definition
to the hazy outline. Instinctively one felt that
such a scene as this was most perfectly devised
to produce optical illusions in the explorer and
to cause those errors into which we had fotmd
even experienced persons to be led. What could
be the height of that misty summit? And what
the distance of that shadowy undulation? In-
struments provided no answer — we could but
guess, and although guesses gave an average
height of 800 or 900 feet to the visible horizon,
one would have been little surprised to learn that
the reality was half or double that amount."
The time had now come to employ the
balloon which was one of the prime factors
in this part of the exploration. The honor of
being the first aeronaut to make an ascent in
the antarctic region belongs to Captain Scott.
He went up five hundred feet and made very
novel observatioils :
"Here the nature of the barrier surface towards
the south could be seen well. South of the rising
slope ahead of the ship I had expected to see a
continuous level plain, but to my surprise found
that the plain continued in a series of long un-
dulations running approximately east and west,
6v parallel to the barrier edge; the first two un-
dulations could be distinctly seen, each wave oc-
cupying a space of two or three miles, but beyond
that the existence of further waves was only in-
dicated by alternate light and shadow, growing
fainter in the distance. In the far south a bank
of cloud had all the appearance of high land, but
such indications are now too well known not to
be received with caution, and even as I looked
through my glasses, faint changes in outline were
perceptible. Far over the snow expanse a small
Coiirteny of Cbarlea Scrlbncr's Sons, New York.
A CLOSE VIEW OP THE GREAT ANTARCTIC ICE BARRIER
"What could be the height of that misty summit ? And what the distance of that shadowy undulation ? Instru-
ments provided no answer — we could but guess."
SCIENCE AND DISCOVERY
7»
ff f^fiTjiftrirf'T"-'- '^•^- Ni'A link
TKB lilOHeST ICB WALL UF THE BARRIER BETWEEN MaN AND THE SOUTH POLE
.„- on© f»U that such n ftc^iie »fi this was most perfectly devised to produce optical QluAtons in tlic e^-
p^KTjLfxd lo cmose tl3o««! errors into which we had fotiQd even experieaced persons to be led.
liaek d^t represented our sledge party. They
taa ^TC beeji tiearly eight mtles away ait4 their
tutbilitx abows how easily a contrast can be seen
CO the monotonous grey of the snow.'*
KcvcrtbeJess, Captain Scott confesses that
be kft the great ice barrier what he had found
tt-^ie grand mystery of the Antarctic. He
goes no further than to say that it runs over
foar hundred miles east and west as a con-
tiouoBS cliff of ice. It comes to an abrupt
tenninjition where it attains that lonely island
ta which tite name o£ Ross is given on the
a&pi^ And Captain Scott observes with the
rrgTTt of the born but baffled explorer that
-^ the exp)orer*s ship is brought up
^nd or by some mighty wall rescm-
Um^ that of the great ice barrien To pass
^"-"1 his ship, therefore, the explorer must
r ravel over land or over great and an*
tiftit suaw fields whtch possess a similar sur-
bc<; fiMigJiig from our present knowledge of
the antarctic regions it is doubtful whether
extensive journeys will ever be made over the
sea ice,"
But the scientific societies which defrayed
the expenses of Captain Scott's daring journey
are not at all daunted by the obstacle of the
ice barrier. Already the interest of explorers
has been enlisted in a new expedition. The
plans of the enterprise have not been finally
made. The present purpose is to secure the
co-operation, if possible, of the leading govern*
ments of the world The geographical sec-
tion of the British Association has authorized
the preparation of an elaborate rei>ort on the
ice barrier. There is some dispute as to
whether Captain Scott has understood the
phenomena upon which he bases his opinion
that the great ice barrier ts in a state of mo-
tion. According to the Paris Cosmos the bar-
rier could scarcely be in a state of motion if
it reposes upon a continent
72
CURRENT LITERATURE
FUTURE SOURCES OF POWER
Coal and natural oils and gases are essen-
tially temporary resources in relation to man's
ever-growing need of power and the world is
within measurable distance of their super-
session or extinction, thinks Dr. Nathaniel
Southgate Shaler, Professor of Geology at
Harvard. In his new book* he asserts, how-
ever, that, viewed as a whole, the forecast for
the future of power, with the world peopled to
its maximum of food-giving resources, is far
from unfavorable. In fact, it is rather favor-
able. The falling waters, the winds, and the
tides are great and permanent sources of sup-
ply from which the mind of man will be cer-
tain to win his needs for the period of his
sojourn upon this planet:
"The largest share of solar energy which we
have a chance to captur^e and turn to account in
our arts is that embodied in the winds. There
are as yet insufficient data for computing the
quantity of this power that can possibly be won
for our service, but it certainly amounts to very
many times as much as is now won from all the
other sources now utilized by man. This source
of power was the first to be used — at the outset
in the sails of boats — but it has as yet afforded
little help in the arts. The winds have ground
much corn and pumped a deal of water but, ex-
cept in sails, they have not helped us much. The
difficulty arises from the great variations in the
speed of the air currents and the long periods in
which the movement is so slight that they af-
ford no effective power whatever, together with
other periods when their speed is likely to be
destructive to any machinery larg[e enough to
win much value in any state of their motion. It
seems likely, however, that the method of the
storage battery, with the cheapening of its cost
and the increase of its efficiency, which may
reasonably be expected in the near future, will
enable us so to husband the energy afforded by
windmills that they will serve for constant uses.
It may also be possible to find a more direct way
of utilizing this source of power by using the
variable work of windmills in pumjping water to
a height whence it can be made to ^ve a constant
supply to water engines. As it is, this oldest
servant of man is still among his useful helpers;
the sails of mills and ships are together more
numerous than any other machines by which he
hitches his economic wagons to the stars and in
time they are likely to yield more power than all
other devices."
The next largest source of solar energy is
that obtained from falling water :
"With the method of turning the energy of fall-
ing water into electricity and thence back to
dynamic power it is now possible to send that
force a hundred miles from the' point where it is
•Man and the Earth. By Nathaniel Southfirate Shaler.
Fox, Duffield & Co.
obtained and, with the improvements that are
constantly making, it seems likely that the dis-
tance to which it way be conveyed will in time
become practically unlimited. In no other case
has the use of any source of power been so
speedily extended. . . .
"Considered as a whole, the rivers of the earth
promise, with the aid of the engineer, to afford
far more dynamic help to the arts than all that
now serves them. Moreover, this help will be
from sources of continuous supply and not, like
that from coal, in the way of speedy exhaustion.
And, further, the full utilization of the streams
as sources of power, because it involves the proc-
ess of holding back the flood waters, will in a
considerable measure aid in diminishing the speed
with which the soil passes to the sea, while the
water, after it has been used to turn the wheels,
may, to a great extent, be made to serve the pur-
poses of irrigation. The increase in the use of
this source of energy will probably not continue
to be very rapid until the supply of the fossil fuel
approaches exhaustion; from that time on it will
necessarily be speedy, until all this group of re-
sources is completely applied to the arts."
The other source of power originating be-
yond the earth is the tide, produced mainly by
the moon's attraction. The total energy in-
volved in the tidal movement is so large that
if all of it could be turned to the uses of man
there would be a supply ample for the needs
of all the hosts which the soil could sustain :
"Unfortunately, we can conceive of no conve-
nient means whereby this power which the sun
and moon expend upon the earth can in any great
measure be applied to industries. The tide mill,
which appears to have been designed in England
some centuries ago and to have been brought to
this country in Uie colonial period, is a simple
device consisting of a dam with wheels so ar-
ranged that they are impelled by the water as it
enters or leaves the embayed space. The energy
thus attained may be very considerable; it would
not be costly at many places to win a maximum
of several thousand horse power. There is, how-
ever, the serious difficulty that the energy thus
obtained is irregularly distributed, the maximum
arising twice each day at mid-tide and falling
to nothing four times each day at the time of
low and high tide. There are yet other irregu-
larities in the difference between spring and neap
tides, as well as the daily alteration by about an
hour of the maxima and minima of the risings.
The result is that there have never been more
than a few hundred tide mills at any one time
in operation, and these have been limited to such
uses as grinding corn. With the development of
steam power, they have gradually passed out of
service, so that it is doubtful if there be a score
of them now in operation in North America. It
is, however, possible that with the development
of an efficient storage battery system the powers
obtainable from the tides will be greatly increased.
In the time, but a few centuries remote from the
SCIENCE AND DISCOVERY
73
present, when the need of replacing the power
derived from fuel is great, the tide is pretty sure
to afford a most valuable resource to all the
coantries about the northern parts of the Atlantic
and Pacific oceans where the range is great and
the sites for mills numerous."
Power obtained from the motion of sea
waves will scarcely be used by man, thinks
Professor Shaler, except in the last extremity.
Nor is it any more probable that man will
ever be able to derive power of any account
by concentrating the sun's heat through lenses.
The project of utilizing the central heat of the
earth as a source of power is pronounced
chimerical.
PROFESSOR VON BEHRING'S " CURE " FOR CONSUMPTION
It seems to be the fate of international medi-
cal congresses, observes the London Lancet,
to be the occasion for pronouncements of
startling or somewhat heterodox views by
coiinent bacteriologists. The latest of them
emanates from that pathologist of world-wide
reputation, "with a splendid record of past
achievements," Professor von Behring. The
fundamental conception of his method of war-
fare npon tuberculosis is stated by himself in
highly technical terms, from which it appears
that he claims to produce not an antitoxic or
immoral immunity, but a cellular immunity,
which is induced by a modified constituent of
the tubercle bacillus. This process of im-
munization is accompanied by a change in the
white cells of the blood and of the tissues in
which they take their origin, by virtue of
which these cells become apparently able to
destroy the bacilli from which formerly they
fled With all due allowance for the reserve
still maintained by Professor von Behring him-
self, Dr. C. W. Saleeby feels warranted in
describing the situation as follows in the Lon-
don Outlook :
The change is determined by the absorption
on the part of the white cells of a non-crystalline
sdbstance, or complex of substances, which is
itself derived from tubercle bacilli. This remark-
able substance, which von Behring calls TR, is
none other than the ground-up bodies of tubercle
bacilli whose fangs have been drawn; that is to
say, whose poisons have previously been ex-
tracted. TR is not a living substance and there-
fore cannot reproduce itself in the body, but von
Behring finds that it is able to give rise to certain
PkolUrt formations which have long been fa-
miliar to the pathologist, and which have already
been looked upon as, in all probability, defensive
in character.
"A point of great practical importance arises in
connection with the preparation of this substance
which von Behring calls TR. By way of con-
trast, let us look first at the manner in which
▼on Behring and his Japanese helper, Kitasato,
bave taught us to prepare the antitoxin which has
already altered the whole aspect of diphtheria and
bas saved tens of thousands of lives. This sub-
stance is an antitoxin, as TR is not; it is an
antitoxin because it is capable of uniting with
and destroying the poisonous properties of the
toxin of diphtheria. In brief, the mode of prep-
aration is this: the bacillus of diphtheria is cul-
tivated in a suitable medium, and the whole^ in
liquid form, is filtered. In the filtrate there is a
quantity of the specific poison or toxin which has
been produced by the bacilli. This is now in-
jected into a vein of the horse— which never
turns its head whilst the tiny operation is per-
formed. In the horse's blood there is produced,
after a time, a substance which neutralizes the
toxin, and ultimately this is produced in such
excess that, when a portion of the horse's blood
is removed and is injected under the skin of a
choking diild, the toxin which is being produced
by the diphtheria bacilli in the child's throat is
neutralised and the child recovers. Death is now
practically unknown amongst cases treated on the
first day by this means."
The main point in all this for scientists is
that the intervention of the horse (or some
other animal) is necessary. Doubtless, the
blood of a child who had recently recovered
from diphtheria might serve the purpose as
well; but at any rate the recovery of the pa-
tient treated by this means depends upon the
efforts previously made by the tissues of some
other patient. The case is different with the
new process of immunization from tubercu-
losis :
"TR is not an antitoxin, and it does not even
require to be elaborated by the tissues of an
animal infected with tuberculosis. It is con-
tained within the tubercle bacilli themselves; so,
in all probability, is the diphtheria antitoxin po-
tentially contained within the bodies of the
diphtheria bacilli — ^but that is a long and difficult
story. Apparently von Behring has been able to
obtain TR from tubercle bacilli grown outside the
body of any animal, and with this TR he has
actually cured various animals suffering from
tuberculosis. A large number of interesting
questions present themselves. If, as everyone
now believes, despite the opinion of Professor
Koch, tuberculosis is essentially one and the same
in all mammals, it ought to be possible to cure a
tuberculosis cow by TR prepared from tubercle
bacilli from the lungs of a consumptive man.
Similarly, it ought to be possible to cure human
CURRENT LITERATURE
THE LATEST BACTERIOLOGIST WITH A CON-
SUMPTION CURE
Professor von Behringf, the pathologist whose world-
wide fame was won through his diphtheria antitoxin.
tuberculosis by TR prepared from bacilli of bovine
origin. Doubtless von Behring will expect the
best results to follow from the employment of
TR obtained from bacilli of human ori^n. In-
deed there is no reason, on paper, why it should
not be possible some day to cure a consumptive
by TR derived from bacilli obtained from his own
sputum, and then cultivated profusely outside his
body."
The attention of the London Lancet is
drawn less to TR than to that modified con-
stituent of the tubercle bacillus which Pro-
fessor von Behring tentatively calls TC and
which, when modified by the cellular activity,
Professor von Behring refers to as TX. The
Lancet says:
"He states that, in his opinion, in the process
of immunisation of cattle against tuberculosis the
TC is freed from other substances and exercises
a specific action on the tissue cells, especially
those of the germ centres of lymphoid organs.
The TC is to be regarded as the cause on the
one hand of the 'hypersensibility* to Koch's
tuberculin, and on the other hand of the pro-
tective reaction against tuberculosis. Part of
Professor von Behring*s experiments have been
directed to saving the organism the labour of
elaborating the TC which he has been able to
eflfect in vitro; in other words, 'to substitute a
passive immunisation for an active one. He then
goes on to state that as a result of his researches
he is able to distinguish three groups of bacillary
materials. First, a substance soluble in water
which possesses a fermentative and catalytic
action. This substance, which he refers to as TV,
represents the toxic factor of Koch's tuberculin.
but a gramme in the dried state is more power-
fully toxic than a litre of Koch's tuberculin.
Secondly, there is a globulin, called TGL, soluble
in a 10 per cent, solution of sodium chloride.
It also is toxic after the manner of Koch's tuber-
culin. Thirdly, there are several non-toxic sub-
stances which are soluble in alcohol, ether, and
chloroform. The bacillus deprived of these three
groups of bodies is referred to as the Vest bacillus/
which retains the shape and staining reactions of
the tubercle bacillus itself. By means of certain
preparations, the nature of which Professor von
Behring withholds, this 'rest bacillus' can be
transformed into an amorphous substance which
is capable of being absorbed by the lymphoid cells
o£ certain animals, such as the guinea-pig, rabbit,
sheep, goat, ox, and horse. This amorphous sub-
stance is elaborated and metamorphosed by the
lymphoid cells of such animals and the cells then
assume oxyphile or eosinophile characters and
coincidently with this change the condition of
immunity develops. A point of great importance
is that the TC, although a non-living substance,
is capable of producing tubercles which, however,
neither caseate nor soften and correspond in all
details to 'the tuberculous granulation* of Laennec.
As already stated, Professor von Behrin^f believes
that the TC can be elaborated in vitro m such a
manner as to be capable of utilisation in the
treatment of human tuberculosis, but he does not
propose to publish the therapeutic section of his
work until the efficacy and innocuous nature of
his new remedy have been established by clini-
cians. He also thinks that it is advisable that
his experiments on animals should be controlled
by observers in other laboratories, to some of
whom he offers to supply his 'remedy* for that
purpose. In conclusion, he draws a parallel be-
tween the present state of his researches and that
of his work on diphtheria antitoxin, published in
1890, which was subsequently so triumphantly
established."
In this he is quite justified, adds The Lancet,
which concedes that the evidence of time in
favor of the antitoxin treatment of diphtheria
justifies the utmost confidence in Professor
von Behring now:
"In the opinion of almost all those who have
studied the question apart from preconceived bias
the treatment of diphtheria by antitoxin has
passed beyond the stage of doubt as to its effi-
cacy to the position of an established and ap-
proved therapeutic method. Voices from among
the medical profession in this country or abroad
raised against it are few and far between and
attract little attention. That this attitude of con-
fidence is justifiable can scarcely be doubted, but
it is possible to arrive at true conclusions on false
premises and the opponents of all treatment by
serums or preparations derived from living ani-
mals endeavor from time to time to cast doubt
upon the value of antitoxin by challenging the
arguments which are sometimes brought forward
to support it, just as they endeavored to combat
the use of vaccination against small-pox by en-
larging upon the error formerly committed by
some of Its supporters in maintaining that the
protection conferred by one inoculation lasted un-
impaired throughout life."
SCIENCE AND DISCOVERY
75
THE MICROBE OF OLD AGE IN BIRDS, QUADRUPEDS
AND MAN
The phenomena characteristic of old age
depend upon the indirect action of microbes
that accumulate in our digestive tube, accord-
ing to a hypothesis brought forward by Prof.
Elie Metchnikoff, the famous scientist of the
Pasteur Institute. This hypothesis, Professor
Metchnikoff adds, rests upon a g^eat many
welV-established facts, although absolute proof
can be supplied only by investigations carried
on for long years. However, the professor
brought together as many arguments as pos-
sible to substantiate his theory in a lecture de-
livered at Paris and recently made accessible
to readers here through the enterprise of
The Scientific American:
'If it is really intestinal microbes that are the
cause of our senile atrophy, we must believe that
the more the flora of the intestines is reduced the .
fewer manifestations of old age there will be.
"If we compare an old mammal with an old
Isrd we are at once struck with the great differ-
ence in their external appearance. An old horse
or an old dog can easily be recognized by its
ugliness, its lazy movements, its worn teeth, its
hcterless hair turned white on certain portions of
the body. A dog of 12 to 15 years shows very
markedly all these signs of senile decrepitude.
Birds keep their age much better and longer than
mammals do. An aged duck, more than 20 years
old, is alert in its movements and does not show
externally any sign of its advanced age. Parrots
2nd parroquets also remain for long years in a
very youthful state. A little parroquet from 15
to 19 years old, which I observed very closely for
several years, manifested no signs whatever of
oJd age. It was very lively and curious, interest-
ing itself in all sorts of things about it, and its
pimnage was brilliant and richly colored. We
have possessed for some years past a parroquet
that, according to reliable information, must be
from 70 to 75 years old. It is impossible to recog-
nize its advanced age, so normal is its appearance
and so easy are its movements."
The general rule is that birds have a much
greater longevity than the large majority of
mammals. An attendant circumstance is ren-
dered significant in consequence:
"Birds are distinguished by having an intestinal
flora very much poorer in microbes than that of
mammals. Possessing no large intestine, birds
lack that great reservoir for alimentary refuse
which, in mammals, breeds an enormous quantity
of all sorts of microbes. A very simple method
of assuring ourselves of this consists in a mi-
croscopic examination directed toward ascertain-
ing the comparative quantity of microbes con-
tained in different parts of the digestive tube of
a small mammal, a white mouse, for example.
We find quite a large nmnber in the stomach;
very few in the upper portions of the small in-
testine. The lower part of the small intestine
contains many microbes, but it is in the caecum
and the large intestine that are found quantities
truly enormous. The examination of the digestive
organs of a small bird, a canary for example,
having the same weight as the mouse above men-
tioned, gives quite a different result. In canaries
microbes are found, but in vtry small numbers.
The stomach and the small intestine contain
throughout their course only a few isolated speci-
mens. The inferior portion of the intestinal tract
contains a few more microbes, but their number
is very far from being equal to that found in the
mouse. The caecum, that large reservoir for in-
testinal microbes in the mouse, is represented
in the canary merely by two rudimentary culs de
sac destitute of microbes. It is not astonishing
that, under these conditions, the toxic effects de-
rived from intestinal sources should be much less
in the canary (and in birds in general) than in
the mouse and most other animals. So we see
that while the mouse is already old after a few
years, and lives hardly five years at most, the
canary is vigorous for a much longer period and
may attein the age of 15 or even 20 years."
When we see that cold-blooded vertebrates,
such as turtles and crocodiles, attain a very
advanced age without showing any extensive
signs of senility, we are tempted to ascribe
this fact to the rather inactive life of those
animals. As they do not have to maintain a
high bodily temperature they take but little
food and are not forced to expend much energy
in procuring it. Birds have none of these ad-
vantages :
"They lead a very active and agitated life; in
order to preserve their normal condition they
must maintain a higher bodily temperature than
is necessary for mammals, yet they attam a
greater and more active old age than do mam-
mals, even including man.
"Notwithstanding the great difference between
the life of birds on the one hand and that of
turtles and crocodiles on the other, these animals
Have this point in common, that in them the large
intestine is very slightly developed, if not absent,
and their intestinal flora is extremely scanty.
"In spite of the imperfect state of our knowl-
edge at the present time, the mass of facts we
have cited may well justify us in maintammg the
hypothesis that the intestinal microbes play the
part of one of the preponderant causes of that
chronic malady, our old age."
Old age as ordinarily observed is not a
natural state, we are likewise told. It is rather
a chronic malady for which no real cure is at
present available, but which can be stamped
out in time.
76
CURRENT LITERATURE
THE NEWEST THEORY OF THE EVOLUTION OF
OUR SOLAR SYSTEM
Laplace's nebular hypothesis of the origin
of our solar system, together with all varia-
tions of it, must be abandoned as untenable in
the light of late investigations, asserts Dr.
Forest Ray Moulton, Professor of Astronomy
at the University of Chicago, writing in The
Astrophysical Journal, The original theory as
formulated by Laplace, and all theories based
upon it subsequently, assumed that the planets
have developed out of rings left off from a
parent nebular mass. The inconsistency of
this ring theory with known phenomena has
been shown recently, however, by an appeal
to the laws of dynamics. The ring theory must
be given up. In its place Professor Moulton
favors what has been termed the "planetes-
imal hypothesis/' elaborated from a series of
calculations by Prof. T. C. Chamberlain and
himself. The outline of the planetesimal hy-
pothesis is as follows:
"It is supposed that our system has developed
from a spiral nebula, perhaps something like
those spiral nebulae which Keeler showed are
many times more numerous than all other kinds
to|fethcr. The spiral nebula is supposed to have
originated at a time when another sun passed
very near our Sun. The dimensions of the nebula
were maintained almost entirely by the orbital
motions of the great number of small masses of
which it was composed, and only a very little by
gaseous expansion. It was never in a state of
hydrodynamical equilibrium, and the loss of heat
was not necessary for its development into plan-
etary masses. The planets have been formed
around primitive nuclei of considerable dimen-
sions by the accretion of the vast amount of scat-
tered material which was spread throughout the
system.
"Such a spiral nebula as that described, having
originated in such a way, will develop into a
system having the following properties: The
planets will all revolve in the same direction, and
approximately (though perhaos not exactly) in
the same plane; the sun will rotate in the same
direction, and nearly in the same plane, and will
have an equatorial acceleration; the more the
planets grow by the accretion of scattered matter,,
the more nearly circular will their orbits become ;
the planets will rotate in the forward direction,
and approximately (though perhaps not exactly)
in the planes of their orbits; the more a planet*
grows by the accretion of scattered matter, the
more rapidly will it rotate; the planetary nuclei
may be attended originally by many satellite
nuclei revolving in any direction, but the scat-
tered material will tend to drive all those satellite
nuclei down on to the primary nucleus which do
not move forward in the general plane of the
system; the scattered material develops and pre-
serves circularity in the satellite orbits, if they
revolve in the forward direction, but considerable
eccentricity, if in the retrograde direction; a
satellite may revolve more rapidly than its pri-
mary rotates; the system may contain many
planetoids whose orbits are interlocked; the
small planets will be cool and dense, and the large
ones hot and rare; and the greater part of the
moment of momentum of the system will belong
to the planets."
In other words, the whole hypothesis fits the
facts and on its mathematical side it responds
to every test. Professor Moulton goes into the
mathematics of the theme and finds the spiral
theory, as he calls this "planetesimal hypoth-
esis," a good working one. Nothing, he adds,
has yet been found which seems seriously to
question its validity. In conclusion :
"The spiral theory raises a whole series of new
and very difficult questions in celestial mechanics.
These are the immediate effects of the tidal
forces which are developed by the near approach
of two suns, the perturbations of the orbits of
matter which has been ejected by one of them
under a \ariety of conditions, and the secular
evolution of the orbits of this ejected material.
A large amount of labor will be required to carry
the discussion of these questions to a successful
conclusion.
"The spiral theory is fertile in suggesting new
considerations for interpreting the immense va-
riety of special phenomena of the system. ' It is
not too much to expect that it may suggest new
questions for observational investigation. It af-
fords geologists new conceptions of the early
history of the Earth. But perhaps its most inter-
esting contribution is to our general philosophy
of nature. Heretofore we have regarded the
cosmical processes as forever aggregating matter
into larger and still larger bodies, and dissipating
energy more and more uniformly. Now we recog-
nize important tendencies for the dispersion of
•matter. This idea has introduced an element of
possible cyclical character in the evolution of the
heavenly bodies, though the question of the source
of the requisite energy is serious."
Organs of scientific thought have been cau-
tious in committing themselves to these views.
London Nature observes:
"The original spiral nebula is supposed to have
been formed by the near approach of another
star to the body which is now our sun. This
exterior attraction set up tides in the solar mat-
ter, and, being continued, actually caused immense
masses to be ejected and drawn out into the spiral
form. On this assumption the spiral would
emerge from the central nucleus in two directions,
on opposite sides, and this is the form generally
shown on photographs of such nebulae"
7?
Music and the Drama
AN UNPRECEDENTED MUSICAL SEASON
The opening of the musical season in New
York has been attended by a distressing omen
—the announcement that Edward MacDowell,
our one composer of world rank, is prostrated
by a sickness which has completely shattered
hfs cerebral and nervous system, and from
which he may never recover. This untoward
event, feelingly referred to by the New York
Evening Post as "one of the greatest tragedies
that the musical world has ever known," is so
far the single regrettable feature in connection
with the winter's music. The season is one of
unprecedented variety and prosperity. As Mr.
Richard Aldrich, of the New York Times, puts
it: "The plans already perfected assure more
orchestral music, more choral music, more
chamber music, more performances by visiting
and local virtuosos, and more opera, than ever
before." The list of visiting composers and
conductors is especially imposing, including,
as it does, the names of Humperdinck, dlndy,
Rachmaninoff, and several other of the most
distinguished figures in European music. The
grand opera season, which is to last seventeen
wedcs — ^two weeks longer than any previous
season — ^has been signalized, at its outset, by
noteworthy revivals of Goldmark's "Queen of
Sheba" and Humperdinck's "Haensel and
Gretel." In the field of symphonic music, no
less than four orchestras of the first class can
be heard in New York alone. Finally, the
visiting virtuosos, headed by Raoul Pugno,
the Italian-French pianist, and Kubelik, the
Bohemian violinist, are legion.
Visiting Composers
It is not often that America has a chance to
welcome composers of such eminence as those
who visit our shores this winter. Andre Mes-
sager, the first to arrive, came to superintend
the production of his comic opera, "Vero-
nique," which ran for three hundred nights in
London and has been favorably received in
New York. He is a pupil of Saint-Sacns,
But while recognized as a talented musicii^n,
he is completely overshadowed by his distin-
guished countryman, Vincent d'Indy. DTndy
is a man of genius — ^"a unique figure not only
in contemporary music, but in well-nigh the
iHiole range of musical history/' according to
Edward Burlingame Hill, the Boston musical
critic. To quote from the New York Sun:
"Vincent d'Indy is the leader of the group of
composers known as 'the younger Frenchmen/
men for the most part, followers and pupils of
Cesar Franck, who have sought to restore abso-
lute music to its proper place in France. He, in
common with most of the other members of this
school, has always been a most ardent disciple of
the art and theories of Richard Wagner. Now in
his fifty-fourth year, he has a long list of com-
positions to his credit, embracing all forms of
music, symphonic, damber, operatic and lyric.
Many of his compositions in the larger forms
have been performed by the Boston Symphony
Orchestra, and his chamber music is rapidly com-
ing to be well known in America. One of the
founders of the Schola Cantorum of Paris, he is
now a director of the institution and the professor
of composition."
Engelbert Humperdinck, the composer of
"Haensel and Gretel," is another ardent ad-
mirer of Richard Wagner. He assisted at tfie
now historic Bayreuth festivals and gave
music lessons to Wagner's son. "Haensel and
Gretel" has been pronounced by authoritative
critics the most inspired opera written since
the death of Wagner. Humperdinck was at
one time a musical critic in Frankfort Now
he lives in the Rhine country. His latest
works are "The Forced Marriage," produced
a few months ago under the direction of
Richard Strauss; a "Moorish" symphony; and
incidental music to "Konigskinder," "Cinder-
ella" and "The Merchant of Venice." One
critic sums up Humperdinck thus: "He has
managed to think as a child and to express his
thoughts as a man." Another says: "Hum-
perdinck is a musical Hans Andersen with oc-
casional lapses into somebody else."
S. G. Rachmaninoff, who comes to us in
the spring to present his own compositions,
has been hailed as the successor of Tschai-
kowfiicy. This brilliant young Russian — he is
but thirty years old — h at present conductor
of the Imperial Opera at Moscow. Of his
work Lawrence Gilman, the New York critic,
writes is The Retnew of Reviews as follows :
"A man whose temperament is both rich and
impulsive, he is dravnatic rather than contempla-
tive, forthright and masterful rather than sensi-
tive,— the temperament of Richard Strauss rather
than of Cesar Franck. He is young, and his
78
CURRENT LITERATURE
EN(iELBERT HUMPERDINCK
He came to the Unil*»d States recently to supervise
the production of his '* Haensel and Gretel " — "the most
inspired opera written since the death of Wagner "
youth is reflected in his art, — not in any imma-
turity, for that is not readily discoverable, but in
exuberance, freshness of sentiment, and largeness
of endeavor. Rachmaninoff has composed thr^e op-
eras,— The Bohemians,' The Avaricious Knight'
(based upon poems by Pushkin), and Trancesca
da Rimini ;' a symphony ; a' toBe-poem for orches-
tra. The Cliff;' a cantata, '*Spring,' for chorus
and baritone ; a 'Bohemian Caprice/ for orchestra ;
two piano concertos, two four-hand suites (one
of which, re-scored for orchestra, will be con-
ducted by Rachmaninoff on the occasion of his
appearance with the Russian Symphony Orches-
tra), a piano trio, a 'cello sonata, a number of
smaller works for piano, and numerous songs."
Felix Weingartner, of. Munich, will return
to the United States to preside over some of
the concerts of the New York Symphony So-
ciety; and Sir Edward Elgar, the greatest
living English composer, is announced as the
conductor of the next Cincinnati Festival.
Grand Opera
On Monday evening, Nov. 20, the twenty-
first season of grand opera at the Metropolitan
Opera House, and the third • under Heinrich
Conried's management was initiated. "Fashion
was there in all its gorgeous array," says The
Musical Courier (New York), "and the scene
resembled a vision in the 'Arabian Nights*
more than it did an opera opening in the
world's busiest commercial centre." Never has
a season begun more auspiciously. More than
$340,000, according to Mr. Conried's own
statement, were netted on advance sales of
tickets, exclusive of the amount paid by the
box-holders for the use of their season's
boxes. No wonder he has been given carte
blanche to proceed along liberal lines in his
new presentations. Five operas were pro-
duced during the first week: "La Gioconda,"
"The Queen of Sheba," "Haensel and Gretel"
(under the composer's supervision), "Rigo-
letto" and "Tannhauser." Neither "The Queen
of Sheba" nor "Haensel and Gretel" has been
heard in America for many years, and their
revival at this time constitutes a musical event
of more than ordinary importance.
Carl Goldmark's "Die Konigin von Saba"
was first presented in this country at the Met-
ropolitan Opera House in 1885. It was the
composer's earliest dramatic work and remains
his most successful. "It reeks with Gold-
mark's Orientalism of style," says Mr. W. J.
Henderson, of the New York Sun, "his lush
instrumental colors and his Hebrew idioms."
Mr. Henderson characterizes its motive as one
"as old as human nature":
"It is the proposition of the man pledged to
honorable and chaste union with a virtuous wom-
an and led astray by a wanton. In this case the
gentleman is the tenor of the opera, Assad, a
favorite courtier of King Solomon. The virtuous
maiden is Sulamith, the daughter of the High
Priest of the Temple. The temptress is the
Queen of Sheba, who is represented as a sort of
Arabian Cleopatra, a serpent of the oasis with
the heat of the blasting simoon io her veins."
The opera affords rich opportunities for
scenic display, which were utilized to the ut-
most in the new production. Says the New
York Evening Post:
"Mr. Conried's 'Queen of Sheba' is arrayed
even more sumptuously than his *Aida,' and the
Orientalism of the setting is more rampant.
Whether it goes too far in brightness and con-
trasts of coloring, it is difficult to say, as Oriental
eyes differ from ours, but certainly Europe has
only two or three houses where an opera is ever
placed on the stage with such multitudinous
splendor, and it is difficult to say which is the
more effective scene — the opening one in Solo-
mon's palace, with an endless procession of the
Queen's attendants and slaves bearing costly pres-
ents for Solomon, the marriage festivities in the
temple, or the sand-storm and the solitary palm,
swayed to the ground by the fierce blast."
"Haensel and Gretel" is said to be the most
successful opera produced in Germany within
a quarter of a century. It has been repeatedly
given, with iclat, in London, Paris and Mos-
cow. It is based, of course, on Grimm's fa-
mous fairy tale — the story of the wicked step-
MUSIC AND THE DRAMA
79
mother, the babes in the wood, and the witch
with the gingerbread palace, that has stirred
the hearts of several generations of children.
To quote again from The Post :
"All Europe has been enjoying and applaud-
ing Hamperdinck's opera for years, and if New
Yorkers have been less favored, this hak been due
chiefly to an ill-starred attempt to produce it,
made ten years ago, which gave managers
the impression that it did not appeal to American
taste. The chief trouble, however, was that on
that occasion this grand opera was not produced
<m a grand-opera scale and in a grand-opera
milieu. Mr. Conried has mended all that; he has
put the fairy opera on the stage with fairy-like
splendor, has g^ven it a satisfactory cast, and the
attitude of Saturday's audience indicated that at
MARIE HALL
A irreat violinist who began ber career as a harpist
^ying for bread in the streets of English towns
VINCENT D'INDY
The eminent French composer now visiting this coun-
try. "A unique figure not only in contemporary music,
but in well* nigh the whole range of musical history "
last 'Hansel and Gretel' will become, what it
should have been long ago, a regular 'Repertoiro-
per/ as the Germans say. The audience was visi-
bly moved by the beautiful things it saw and
heard, and when the curtain closed on each of the
three acts there were many calls for the singers
and for Mr. Humperdinck, Mr. Conried, and Mr.
Hertz."
The "stars" at the opera include most of the
old favorites. Nordica, Sembrich and Eames
are with us again. Caruso, that "prince of
tenors," is duplicating his last year's suc-
cesses; and Heinrich Knote, one of the most
eminent living interpreters of Wagnerian
roles, has been tempted to cross tKe Atlantic
once more. Of the new singers the most in-
teresting is probably Marie Rappold, the wife
of a Brooklyn doctor, who has studied under
Oscar Saenger, of New York. Mr. Conried
was so impressed by her singing at the Schiller
festival in Br^ooklyn last year that he decided
to try her in grand opera. She made her debut
in "The Queen of Sheba," and "it is many a
long day," says Mr. Henderson, "since any
debutante has received such cordial and sus-
tained applause." "This American woman,"
adds a writer in The Times, "has proved that
it is not necessary to have *Made in Germany'
stamped on a voice in order to make a success."
8o
CURRENT LITERATURE
FRITZ STEINBACH
Of the Gfkrzenich Concerts and
Conservatory of Music, Cologne.
WILHBLM MBNGELBERG
Of the Musikgebouw Orchestra,
Amsterdam.
WASSILY SAFONOFF
Of the Imperial Russian Music So-
ciety, Moscow.
CONDUCTORS OF THIS SEASON'S
SYMPHONIC MUSIC
For three years the Philharmonic Society
has recruited its conductors from Europe.
Wassily Safonoff, the Moscow conductor who
has twice come to this country under its
auspices, returns again this year. The other
conductors invited are: Wilhelm Mengelberg,
of the Musikgebouw Orchestra, Amsterdam;
^HKv^'-.
i
s
" '"'IhI
fcr ,' ■ ■ "^
1
■^fl
■iidl
1^^ '' ^H
Coortcty of The Berlew of ReTlewi.
S. G RACHMANINOFF
Conductor of the Imperial Opera at Moscow. He comes
to us in the spring to present his own compositions.
Max Fiedler, of the Philharmonic Society and
Conservatory of Music, Hamburg; Dr. Ernest
Kunwald, of the Opera House, Frankfort; and
Fritz Steinbach, of the Giirzenich Concerts
and Conservatory of Music, Cologne. Victor
Herbert, the well-known American composer,
is also a Philharmonic conductor this year.
Mr. Mengelberg's work at the opening Phil-
harmonic concert has been highly commended.
He is a high-priest of the Strauss cult, and
Strauss has proclaimed his admiration of
him by dedicating to him his "Heldenleben."
The Amsterdam conductor's reading of this
work at the New York concert is declared to
have been even more competent than that of
Strauss himself. While in this country Mr.
Mengelberg heard the Boston Symphony Or-
chestra, and expressed himself as delighted
with its precision and intelligence under Wil-
helm Gericke's bdton. The present season
marks the end of the first quarter century in
its history., and the twentieth year in which
it has given concerts in New York.
A large measure of popular favor is also en-
joyed by the concerts of the New York Sym-
phony, under Walter Damrosch, and of the
Russian Symphony, under Modest Altschuler.
At the first concert given this season by the
former organization, Mr. Damrosch produced
Debussy's "L'Apr^-midi d'un Faune." "De-
bussy's increasing appeal to musicians of in-
dependent thought," says Mr. Oilman, in
Harper^ s Weekly, "is not to be questioned ; and
it is in no insignificant part due to Mr. Dam-
MUSIC AND THE DRAMA
8z
DR. ERNEST KUNWALD
Of the Opera and Opera
Concerts, Frankfort.
VICTOR HERBERT
House American composer, 'cellist
orchestral conductor.
MAX FIEDLER
and Of the Philharmonic Society and
Conservatory of Music, Hamburg^.
PHILHARMONIC CONCERTS
rosch's activities." The Russian Symphony
Society has made marvelous strides during the
two years since its foundation. Started in
Cooper Union by volunteer workers and with
very slender resources, it now holds its con-
certs in Carnegie Hall and is engaging soloists
of the first rank. Safonoff is lending it his
in^uence and co-operation, and Miss Isabel
Hapgood, the well-known translator of Tolstoy
and Turgenieff, is its present secretary.
Among the other orchestras playing in New
York may be mentioned: The People's Sym-
phony Orchestra, an organization founded by
Franz X. Arens to educate the masses in the
appreciation of classical music; the Young
People's Symphony Orchestra, conducted by
Frank Damrosch ; the Volpe Orchestra,
designed to encourage young American solo-
ists and composers ; and Victor Herbert's popu-
lar orchestra, which has been holding Sunday
evening concerts in the Majestic Theater.
VISITING VIRTUOSOS
Pugno, Reisenauer, Bauer, Arthur Rubin-
stein, Maud Powell, Kubelik, Marteau, Sauret,
Otie Chew, Marie Hall, Edwin Grasse, Marie
Nichols, Hugo Heermann, Alice Nielsen, Cam-
panari, Bispham — these are but a few of tht
names of the pianists, violinists and singers who
are thronging to our shores. Of the artists men-
tioned none has been greeted more cordially
than Pugno, who pays us his third visit.
"Pugno represents the mature artist in whom
all the intellectual, emotional and musical
forces are balanced in proper proportion," says
The Musical Courier (New York). Kubelik
is felt to have gained in artistic stature since
his last appearance here. Marie Hall, a violin-
ist who began her career as a harpist playing
for bread in the streets of English towns, has
MARIE RAPPOLD
The wife of a Brooklyn doctor who has recently made a
successful d^but in sfrand opera.
82
CURRENT LITERATURE
been warmly, but not enthusiastically received.
Says the New York Times:
"Everything she does is crystal clear and fin-
ished; her intonation even in the most compli-
cated passages is not often at fault. Her tone is
large and fully at her command in all its lights
and shades, and it has a quality of distinction
that many players might envy her for. . . . What
Miss Hall does not have and does not show in
her playing is a deep musical feeling, the sense
that there is in the music she is playing an)rthing
more important or more deep-seated and influen-
tial than the notes, the phrases. Of her intelli-
gence there can be no doubt, and of her power
to express anything that she feels there ought to
be none."
Of the total effect conveyed by the multiplex
attractions of the New York musical season,
Mr. Edward Ziegler, a writer in The World,
says:
"New York is not yet afflicted by so vast
a number of smaller concerts as are Berlin and
London, the hotbed of song and piano recitals ;
but it is rapidly reaching these numerical levels.
From the humble beginning, when orchestral con-
certs were novelties, through the tentative period
when Theodore Thomas did his share toward the
education of the masses by performing classic
works at popular concerts, New York's music-
madness has grown with each season. The ener-
getic type of New Yorker has hitherto strewn
his ambition and force entirely along the path of
mercantile attainments. Now, from the pinnacle
of these he looks longingly at the artistic devel-
opment of the forei«m centres of civilization, and
with the instinct of his wonderful race proceeds
to emulate his foreign ideas, doing so on the same
lavish scale that has stamped his other enterprises.
"For decades New York has been money-mad.
Now, at the threshold of the *most imposingly
promising music season; it has turned music-mad.
The malady of craving music that has taken staid
Europe centuries to acquire, New York is catch-
ing with almost the furore of frenzy. But music
madness is a sane, artistic malady."
SARAH BERNHARDT'S VISIT
Madame Sarah Bernhardt has fallen under
the ban of clerical condemnation in Canada,
and, according to press dispatches, received
discourteous treatment at the hands of Que-
bec rowdies. In this country, however, she
can hardly complain of lack of appreciation.
From the day of her arrival until now she
has been the recipient of the most enthusiastic
tributes. Hurried across the continent from
New York on a "Bernhardt special" to fill her
first engagement in Chicago, she was greeted
at the depot by "shrill French cheers, five
hundred French hats thrown upward, five
hundred pairs of French arms gesticulating,"
and in struggling to the hotel she distributed
a bouquet of roses and carnations in single
blossoms. "Sarah Bernhardt captured Chi-
cago," according to the Chicago Record-
Herald, The same paper adds : "In beginning
her farewell American tour at the Grand
Opera House the first actress of France and
of the generation received a greeting from ^n
audience as brilliant socially as it was large
and cosmopolitan. Both French and English
speaking residents of Chicago united in hail-
ing the famous artiste — a proof that Bern-
hardt's genius is admired here as deeply as in
her own Paris."
Madame Bernhardt plans an extended
itinerary, and has refused to confirm the
statement that this is her "farewell tour."
She expects to go as far South as the
City of Mexico, and may visit Cuba. Her
present repertoire consists of ten plays :
"La Sorciere," "Fedora," "La Dame aux
Camelias," "La Femme de Claude," "Angelo"
(by Victor Hugo), "Phedre," "Magda," "La
Tosca," "Sapho" and "Adrienne Lecouvreur."
The first-named play, recently given in this
country by Mrs. Patrick Campbell, was chosen
for the opening night in Chicago. " *La
Sorciere* is by no means the best that the
genius of Sardou has given to the stage," re-
marks the Chicago Tribune, "but any one who
sat beneath the spell of Madame Bernhardt's
inimitable presentment will not deny that so
long as she lives the play has a sufficient reason
for being, and that it merits the interest and
attention of the public." "Adrienne Lecou-
vreur," written by Sarah Bernhardt herself,
she confesses she likes "best of all"; but the
verdict of the American papers is rather un-
favorable. In the opinion of the Chicago
Evening Post, this play requires "the mantle
of charity," and is "inconsequent and shaky in
structure." The most favorable comment is
evoked by "Camille." Of Madame Bern-
hardt's impersonation of this famous heroine,
the creation of Alexandre Dumas, tils. The
Post says:
"If Mme. Bernhardt has done more remarkable
things in the course of her histrionic career, it is
MUSIC AND THE DRAMA
83
::>t probable that her art has
tit: been seen to greater ad-
'.«3tage than in her Marguerite
Gauticr of this farewell tour.
"The great charm of her work
as: night was its magnificent
rcsen'c This is a significant
f-ncnt to find oneself making
n Bamhardt's art. Whatever
1:5 astonishing achievements
-4\e been, reserve in just the
:3Mi one found in her Mar-
.Tcntc last night has not been
vsr>' salient merit. She is, in-
^tvd. an artist of too high a
rank not to have had, since her
tTitrrity, command of her emo-
i lil equipment. It is only the
'.cT nationalist of the cruder sort
" .. kises that.
"But the high point, and even
!':c distinguishing merit, of
^tmhardt's art has been the
nc dramatic climax, given with
:^l:Jh astonishing power and ef-
fect as to sweep her audience
i'jn its feet. A long series of
S.rJo'j plays, equipped with
•rnnendous sensational scenes,
^:s given Bernhardt easily the
r^'st place among players of her
r-rf as the exponent of the pas-
Bernhardt's "Marguerite,"
cclares The Post, is "one of
■b»>5e extraordinary achieve-
Tients of histrionic genius
which seems to pass out of the
rqpon of art into that of na-
ture." It continues :
SARAH BERNHARDT AS ADR TENNE LECOUVREUR
"Bernhardt's Marguerite to-
5> is not on the highest plane
"J dramatic art merely because
-e subject matter, the substance
'''• the play, does not permit it. Cordelia, played
'Tth the same masterl^^ perfection of method, the
^^ne sincerity of feeling and nice artistic taste,
* nld have been.
The consideration is important in any esti-
^te of Mme. Bernhardt's place in the pantheon
i the world's great actors. Is this Marguerite,
*rii its wonderful perfection of detail, its subtle
5)Tapathetic vitality, its exquisite artistic reti-
>^^er-ces, an evidence that Bernhardt, under difFer-
^t conditions, might have reached a higher range
i^ attainment than she has ? Or is it the cooling
c^ect of years that covers her art to-day as with a
'^^Jcatc silver haze, through which even the flame
:: her passion shows— dimly, but more beautifully ?
*To-day her Marguerite is at its best; to-day,
^^ter a lifetime of the stage. During a generation
^'.it changes have come to histrionic methods, as
i> the tec&iique of the dramatist, and even as to
the great innocent taste of the public. Yes, even
^ Sarah, who has taught a generation of emo-
.Kjoal actresses all they know."
Reviewing Madame Bernhardt's work on
3tr present tour, the Chicago Tribune also
" Her art remains as matchless as it long has been," says the Chicago
Tribune. " She stands unique on the world's stage to-day, and to see her is
to realize that great acting and grreat art still exist in the realm of the
spoken drama."
comes to the conclusion that, in spite of her
sixty-one years, she is "more remarkable than
ever." It says:
''Her art remains as matchless as it long has
been. That voice, the like of which is not to be
found elsewhere in the world, is just as marvel-
ous as before in its ability to express every shade
and variation of emotion, from the softest caress
of love or sympathy to the fiercest outburst of
anger or passionate invective. . , .
**But it is not alone the voice of Bernhardt that
has remained unchanged since last she was seen
here. Her grace is as matchless, her poses as
exquisite in every line, her movements as fault-
less, her bearing as finely erect, and her facial
expression as wonderfully varied, swift, and elo-
quent as they have been for years. Her tempera-
ment is just as great and responsive, and her in-
telligence as keen and unfailingly artistic, as of
yore. She still stands unique on the world's stage
to-day, and to see her was to realize that great
acting and great art still exist in the realm of
the spoken drama."
84
CURRENT LITERATURE
NOTABLE PLAYS OF THE MONTH
Drama to suit every taste has been pre-
sented in this country during the past few
weeks. Classicists have had a chance to see
interpretations of Shakespeare by several dif-
ferent companies and an impersonation of a
Schiller hero by Richard Mansfield (see Cur-
rent Literature, December). Lovers of pure
phantasy have welcomed J. M. BarrJe's fairy
play, "Peter Pan/' which affords Maude
Adams a winsome role and is being given in
New York contemporaneously with the fairy
opera, "Haensel and Gretel." Practical men
have recognized in Charles Klein's new play,
"The Lion and the Mouse," an attempt to
dramatize the "trust question." Southern au-
diences have been offered a dramatic sensa-
tion in the shape of Thomas Dixon's "Clans-
man," a play which preaches the necessity of
maintaining the absolute supremacy of the
whites over the negroes. Playgoers who crave
the "modern" and passionate note have found
it in the art of Sarah Bernhardt (see article,
"Sarah Bernhardt's Visit"), in Olga Nether-
sole's acting in "The Labyrinth," and in Oscar
Wilde's "Salome."
"peter pan"
Readers of "The Little White Bird" know
that Peter Pan is the Boy Who Wouldn't
Grow Up. In the book he lives in Kensington
Gardens, London; in the play he inhabits a
tropical island — the Never, Never, Never
Land— to which he entices children. "Peter
Pan" cannot be judged by the ordinary stand-
ards of the drama, says the New York Out-
look. "It is a bit of pure phantasy by the
writer who, since the death of Robert Louis
Stevenson, has most truly kept the heart and
mind of a child." To quote further from the
same paper :
"Boys and girls of all ages will love it because
it is a boy's mind turned inside out and put on
the stage. Everything in it happens precisely as
is would happen in a world made by a healthy
boy of imagination. All the best things come
true; there is a real wonderland to which you
actually fly; there you build a house precisely as
you would in an actual country; there are In-
dians; above all, there are pirates as ferocious,
as picturesquely wicked, and as full of malevo-
lence to children as the pirates you used to dream
of were; there is a fascmating crocodile who has
swallowed a clock which ticks audibly; there is a
lion whom you subdue by looking at him, and
when he retreats you calmly cut off his tail;
there arc tremendous combats in which childish
ingenuity and simplicity are more than a match
for the brute force of grown men; there is a
pirate ship which is a joy to the eye because it
is precisely what a pirate ship ought to be, and
the figures on it are as black, as menacing, and as
gruesome as such figures ought to be— when they
go overboard, the spray comes over the rail in
the most deliciously realistic manner; and, last of
all, there is an enchanting vision of the tops of
the trees, of Peter Pan at home in the inde-
structible domain of childhood, surrounded by-
fairy lights. Hardened sinner, weary playgoer,
ennuied society man and woman, disillusioned
pursuer of money, however you may have gone
astray, you come out of the theater rested and
refreshed. For two hours you have believed in
fairies. You have been a child again. And noth-
ing, it may be said in passing, could be better for
the average theater-goer than to be carried back
to the faith, innocence, credulity, and joy of child-
hood."
The New York dailies comment in the same
spirit "Of all the plays of the season and of
several seasons past," says The Times, "this
has seemed the most worth seeing, the most
worth doing." It adds :
"The little people of the Never-Never-Never-
Land are children, and yet they are something more
than children, and Peter Pan himself is a rare
blend of the real and the supernatural. As a re-
sult his proper embodiment on the stage calls for
most unusual qualities. It would be impossible
to name anv one who could meet the require-
ments as Maude Adams has done. Her frail,
delicate personality has taken on, the last two or
three years, just enough of the more material
substance to make her Peter Pam in appearance
exactly the being that Mr. Barrie has conceived.
There is the lightness of Ariel in her movements,
and the grace of Puck; half spirit and half
human, she has the gossamer, fairylike freedom
of the one and the human heart-throb of the
other. Peter rides on the winds and is lifted
above the earth on sylphlike wings, but he is
never so far removed from the actual that he
ceases to remember his human origin."
Mr. John Corbin, of The Sun, goes so far
as to say: "In the whole range of English
poetry and the English theatre there is but
one man comparable in spiritual humor, in
imaginative sympathy, to the author of Teter
Pan,' and that is the author of *A Midsum-
mer Night's Dream.* Barrie, like Shakespeare,
sees life with the inner eye, and has the gift
of realizing his vision in the external ma-
terial of the stage." ^
"the lion and the mouse"
This play is by Charles Klein, who made a
reputation for himself and afforded David
Warfield the opportunity to make his in the *
MUSIC AND THE DRAMA
8S
very successful "Auctioneer"
ajKi "Music Master." It has
almost nothing in common,
however, with these two ear-
lier efforts. "The Lion and
the Mouse" deals with the
dominant power of money in
American politics, and shows
m honest judge pitted against
a corrupt and unscrupulous
n llionaire. The story is thus
summarized by the New York
Dramatic Mirror:
''John Burkett Ryder is sup-
posed to be a composite photo-
graph of various American
masters of finance/ which leads
one to infer that the author is
not intimately acquainted with
The many real flesh and blood
multi-millionaires. He has a
boundless desire for wealth — no
mean avarice, but a love of the
power to be gained through
riches — a domineering will and
an unscrupulous soul. Previous
to the opening of the play he has
compassed Judge Rossmore's
^oancial ruin and professional
di^g^ace to avenge himself for
certain adverse decisions which
the judge has rendered against
the corporations. Shirley, the
jcdge's daughter, has fallen in
love with young Jefferson Ryder
on the steamer returning from
Europe before either of them is
con«icious of what has been hap-
pening in New York. She has
written a novel in which, from
the descriptions of his son, she
has drawn a realistic picture of
the 'magnate' not much more
complimentary than Ida Tarbell's
picture of John D. Rockefeller.
John Ryder has already announced his son's en-
gagement to the daughter of Senator Roberts
without in the least consulting the young man's
inclinations. Shirley Rossmore has written her
book under the pseudonym of Green, and under
this name appears at Ryder's house, he having
been so impressed by her analytic prowess as to
select her to compile his biography. The result-
ing situations with the two lovers under the
same roof are as evident as they are humanly im-
possible. The little mouse beards the lion in his
den as courageously as though she were a grizzly
bear, but only wins his admiration by the out-
spoken audacity of her opinions on his life and
moral code. Finally the old man, having dis-
covered that Kate Roberts is going to elope with
his aristocratic private secretary — 'fourth groom
MAUDE ADAMS
' From a crayon drawing by Ernest Haskell.
There is the lightness of Ariel in her movements, and the grace of Puck.*
of the bed chamber to the second son of Eng-
land's queen' — offers to compromise if Jefferson
will give up Miss Rossmore and marry Miss
Green. Shirley declares her identity, admits that
she has stolen certain letters that might help to
prove the judge's innocence and pleads for her
father. Ryder summarily orders her to leave his
house in the morning. Then he sits up all night,
consumes innumerable black cigars and conquers
his own vanity. In the morning Shirley stoutly
refuses to marry Jefferson or any other man with
such a father. As the boy exclaims, with bitter
humor, 'She objects to the family!' the father
eats an immense slice of humble pie, announces
that he will prevent the judge's unjust impeach-
ment by the Senate, and the curtain falls in a
glow of radiant happiness."
86
CURRENT LITERATURE
Critical comment on this play is, in the main,
favorable. The New York Times thinks it will
prove "one of the most talked-about plays of
the season" ; and the New York Evening Post
says:
"In some respects, with all its crudity and ar-
rant thcatricalism, it is more like the great Ameri-
can play for which we have all been waiting so
long than any piece that has been seen on the
local stage for many years. In the first place,
it deals directly, though very superficialljr, with
one of the chief menaces to our modern civiliza-
tion; in the second, it represents a genuine con-
flict of character and principles worked out to a
sufficiently logical conclusion, and, finally, it is
full of human interest and emotions, without the
least suggestion or taint of illicit passion. A play
that is at once purposeful, vigorous, and clean is
uncommonly welcome."
"the clansman"
Here is another play dealing with a "live"
question. It is a dramatization made by
Thomas Dixon, Jr., of his own novels, "The
Clansman" and "The Leopard's Spots." In
four acts, with five scenes, he attempts to
depict the conditions in South Carolina dur-
ing the period of reconstruction, making
the Ku-Klux Klan the central figure, and
illustrating the consequence of the domina-
tion of the black man over the white. "The
negro must be kept in his place," is the moral
of the play; and Mr. Dixon propounds his
argument with the same kind of frankness as
that which distinguished Harriet Beecher
Stowe's championship of the negro cause in
"Uncle Tom's Cabin." According to a
Charleston (S. C.) correspondent of the New
York Evening Post, "The Clansman" is not
a play at all. "It is a deliberate, well-matured
harangue to the white people of the Southern
States by a man who believes that the coercive
powers of the regnant race are not yet suffi-
ciently strong; that the white man is not suffi-
ciently aware of the menace of the great sub-
merged class; that the danger of a reassertion
of strength by that submerged class, followed
by another terrible storm such as accompanied
the Reconstruction, is real — is imminent."
The same writer says further :
"Rarely has been made such an appeal to sec-
tional feeling and race prejudice in the Southern
States as that which, starting from Richmond a
short time since, is now on its way through the
larger cities of what is called, in discussing the
race problem, *the black belt,' ... As a po-
tent factor in determining the future treatment of
the gravest problem with which the country has
to concern itself, and as a means of sowing the
seed of revulsion for the black man, the play
cannot well be ignored. Already a half-dozen
cities have seen 'The Clansman'; already The
Clansman' is almost the sole subject of conversa-
tion in every Southern home where the news of
its presentation has come."
The Southern press is flooded with letters
discussing this remarkable play, and several
newspapers make editorial comment. Mr*.
Dixon's most prominent supporter is Senator*
Tillman. The Charleston News and Courier
is lukewarm in defense of the play. The
Columbia State condemns it bitterly. The
Augusta Chronicle comments:
"We do not say we fear it, because we believe
the intelligence and morality of the South is al-
ready having an influence against this great evil,
but if an epidemic of l3mchings should follow in
tne wake of The Clansman,' Thomas Dixon
should be made to answer for it to his God, if
not to his fellow countrymen."
"the labyrinth"
Paul Hervieu's play, "Le Dedale," has been
translated into English by W. L. Courtney,
editor of The Fortnightly Review. It scored
a pronounced success when given at the
Theatre Fran^ais, and has been chosen by
Olga Nethersole as the latest vehicle for her
talents. The first American performance was
given at the New National Theater in Wash-
ington, under the patronage of the French and
British embassies. Like many of the modern
French plays, it deals with the divorce prob-
lem. Hervieu endeavors in this play to show
"nature's argument against divorce when there
are children of a marriage." The plot is given
by the New York Sun as follows:
"The Labyrinth of the title refers to the de-
vious path trodden by a divorced woman who has
married a second husband. It leads her, in a
moment of weakness, back to the bed of her first
husband while the second is still living. As
Hervieu conceives the case, this is no mere law-
less wandering of the feminine heart, but the
natural and logical outcome of essential human
nature.
"For in this domestic grand right and left the
role of Sir Pandarus of Troy is played all un-
consciously by the child. While on a visit to his
father he has fallen ill, and his mother comes to
nurse him. Living side by side with her first
husband over the sick bed, she realizes the
strength and the sanctity of the bond of parent-
hood, and learns what she has not before sus-
pected— that if she had acted less harshly toward
her husband in his lapse from rectitude he was
ready to return to her repentant. . . .
"The last act is both logical and melodramatic.
The two men encounter and hurl themselves over
a cliflF, while the wife lives on with her child."
"The Labyrinth" draws varying verdicts
from th€f critics. The Washington Star thinks
that it deals with an "unfortunate" topic, and
MUSIC AND THE DRAMA
87
adds: '^t descends to the level of petty scan-
dal. It goes far beyond 'Sapho' in prurient
suggestion and falls far short of it in artistic
appeal." On the other hand, the Chicago
Evening Post speaks with enthusiasm of Miss
Xethersole's "notable presentation of a notable
play":
'^n The Labyrinth' Miss Nether sole emerges
from the mire of hectic Cypriennes it has been
her wont to portray heretofore, and personates a
woman of class, a woman possessing the moral
attributes of the best of her sex — a good woman
who falls a sacrifice to 'nature's argument.'. To
do this her marvelous emotional powers are re-
pressed, but not weakened, and instead of the
looked-for shrieks of the virago and the passions
tcm to tatters, we have the tense, quiet and co-
gent forces in the strong woman doing battle with
nature against piteous odds. Scarcely once during
her performance last evening was Miss Nether-
sole's voice lifted, and yet her powers never made
her so much the absolute mistress of her au-
dience. A wonder-work of art is Miss Nether-
sole's portrayal of Marianne in *The Labyrinth.' "
"salome"
*'Salome" recently ran for a week at the
Berkeley Lyceum, New York, with Mercedes
Leigh in the title role and the Progressive
Stage Society as sponsor. The performances
were inadequate, but even so were notable.
For "Salome," as the New York World points
out, is "a literary masterpiece" — intense
in its dramatic feeling and embroidered
with marvelous imagery. It was written by
Oscar Wilde in French before the days of his
disgrace and imprisonment. It has been per-
formed in Paris and London, and is well
known to German theater-goers. Richard
Strauss's new opera, "Salome," just produced
in Dresden, was suggested to the composer
after witnessing a performance of the play in
Berlin. The story follows the biblical nar-
rative only in part Salome is represented
as the unhappy daughter of a wanton woman,
Herodias. Herod and his spouse are living
oppressed by a sense of guilt. Outside the
palace walls John the Baptist, imprisoned in
a cistern, lifts up his voice ever and anon in
prophetic warning and solemn denunciations.
Salome, fleeing from the corrupt atmosphere of
the court, is held enthralled by the words of
the prophet. She commands that he be
brought to her that she may look upon him,
and when he appears, she who has never loved
falls passionately in love with this Christly
figure. She follows him, comparing his body
to ivory, his hair to black grapes, his mouth to
a pomegranate cleft in twain. He spurns her
with words that bum as scorpions of fire.
Gradually her rejected love turns into bitterest
hatred, and when Herod asks her to dance for
him, promising her the half of his kingdom,
she complies in order that she may have the
head of John the Baptist on a charger and
may "kiss his lips." As she accomplishes her
purpose, Herod orders his soldiers to crush
her to death with their shields.
Many of the New York critics severely con-
demn the play. Mr. William Winter, of The
Tribune f makes the comment: "It is notable
that all these 'progressive* movements take the
direction of muck" ; and The Globe thinks that
"Salome" is the expression of "morbid emo-
tion, unwholesome and revolting ideas."
CRITICISM OF THE PROPOSED "NATIONAL THEATER"
The recent announcement of a project to
erect a magnificent "National Theater," facing
Central Park in New York, as a temple of art
to be conducted on the social scale of grand
opera, has aroused a surprising amount of
hostile criticism. Richard Mansfield, our lead-
ing actor, thinks that unless the scope of the
enterprise is broadened, it may prove "a de-
lusion and a snare"; and the National Art
Theatre Society, an organization of some
three thousand members, which has been work-
ing for several years to bring about the estab-
lishment of a great public institution devoted
to the "national art of the theatre," has issued,
through its president, Mr. J. I. C. Clarke, a
statement expressing distrust of this new
scheme and intimating that the backers of it
represent the "financial force" but not the "art
life" of the metropolis. These backers are
known to include Mr. Clarence Mackay, Mr.
Henry Morgenthau, Mr. James Speyer, Mr.
James Stillman and Mr. Daniel Guggenheim;
and Heinrich Conned, the present director of
the Metropolitan Opera House, is to be in
charge of the proposed theater. Capital to the
amount of $3,000,000 has already been sub-
scribed, and a committee of women, "all
leaders in New York society," is to be en-
trusted with the duty of exercising a social
censorship in accepting or rejecting applica-
88
CURRENT LITERATURE
tions for boxes. Performances of classic and
contemporary drama, and of a high class of
comic opera, will be given. The following
additional details in regard to the theater have
been furnished by Mr. Conried in a newspaper
interview :
"The plans are not drawn, but they arc to be
for a building so small that a whisper ma;yr be heard
in it, and so large that it may contain a ^reat
audience. There are to be thirty boxes m a
horseshoe, bought in perpetuity by thirty persons.
There are to be six hundred seats at 25 cents each
for students. There arc to be subscriptions at $20
for an entire series of plays. The first season is
to be of ten plays in thirty weeks. It is to be
called the National Theatre because it is to be a
national educator, like the Comedie Frangaise. In
France and in Germany the mission of the
theatre, like that of the school and the church,
is to educate. The theatre amuses while it
educates. Here a theatre really national, paid
for by the government, is impossible. In my
lectures about the National Theatre I asked
for thirty subscribers. ... I had no diffi-
culty about money. But the subscribers were
to be thirty box holders, and I wanted them to
like one another. I didn't want Mrs. H. to. say
to me, *Mrs. Y. is not of my set, and my place is
not to be near hers.' A committee is to be ap-
pointed as soon as the Metropolitan Opera House's
stockholders all return to the city. This commit-
tee is to select the thirty persons that are to pay
each one $100,000, to be boxholders in perpetuity."
Richard Mansfield's attitude is evidently in-
spired by his lack of sympathy with the al-
leged oligarchic and "exclusive" basis of the
new venture. He would have the director of
such a "national" playhouse elected by the
people, and suggests the appointment of a lit-
erary board comprising the best minds of the
country and including the presidents of the
universities. He says (as reported by the New
York Times) :
"The financial side of the enterprise should be
in the hands of a board of trustees, appointed in
the first place by the founders and thereafter by
the Presidents of the universities. The director,
or acting chief, should be elected by the people,
and after the literary board has decided upon the
plays to be produced each season, his decision in
all matters appertaining to their production should
be final.
"The members of the acting company should be
elected by the literary board. Any actor (or ac-
tress) remaining an active member of the Na-
tional Theatre until retirement should be entitled
to a pension from the National Theatre Fund.
All performances given by the National Theatre
should go to the fund. The National Theatre
should be established not only in New York, but
in Chicago. Half the season should be devoted
to the EsLSt and half to the West. A library
should be established in connection with the the-
atre, and a theatrical college for the study of the
drama, literary and acting.
"These are my views concerning a National
Theatre, and in my opinion anything short of this
would be a delusion and a snare and would not
be accepted by the American people as a National
Theatre."
The manifesto issued by the National Art
Theatre Society emphasizes a number of
points of difference between its own ideals and
those of Mr. Conried. The new enterprise, it
points out, is to take legal form as "a private
corporation, operating for profit," and while
"this feature is not to be quarreled with, where
so many theaters are built every year without
any pretense of serving artistic or social pur-
poses," it is "not the sign of a National
Theatre." The plan to give comic opera, as
well as classic drama, is characterized as "un-
dignified and inexpedient," and the fear is ex-
pressed that, under Mr. Conried's manage-
ment, foreign influences will dominate, and
the American playwright will only be able to
look for "a frosty and occasional welcome."
The document closes:
"The National Art Theatre Society welcomes
this evidence that its spirit is abroad.
"It would not publish anything to deter or im-
pede an effort toward building a playhouse which
offers some prospect of an approach to its ideals,
but it would seriously ' and insistently ask all
those who may be concerned in furnishing the
funds for it, to see if it is not possible frankly and
fully to broaden the scheme to really 'national'
dimensions.
"If that were done, and it became the enterprise
of the people at large, as well as one of the parade
grounds of fashionable life ; if it were placed un-
der a government that reflected the art life as
well as the financial force of our great city, it
would enlist every American lover of the dra-
matic art in its service."
Press comment in various parts of the
country reveals a spirit of marked antagonism.
The Kansas City Journal objects to the title,
"National Theatre," on the ground that the
proposed institution "will be the furthest thing
imaginable from a national theatre, which
name implies a place of popular interest and
attendance." The Chicago Evening Post de-
clares that "Chicago does not envy New York
her $3,000,000 temple of snobbishness;" and
the Louisville Courier- Journal says: "It is to
be concluded that the throne of art shall be a
home of snobbishness. It is to offer the
nouveaux riches one more place where, laden
with diamonds, flashy and ill-mannered, they
may make a coarse display and offend all con-
siderations of refined breeding. Hence, for
every inch it promotes dramatic art in America
it will advance silliness, false pride and vul-
garity an ell." The New York Evening Post
comments :
i
MUSIC AND THE DRAMA
89
"The new scheme is, we fear, more masnifi-
cent than practical. That the three-million-dollar
house will give distinction to its neighborhood
and satisfaction to its patrons, may be regarded
as certain ; that it may offer some notable repre-
sentations is by no means improbable; but that
it will immediately and directly raise the national
standard of drama, or hasten the looked-for re-
vival, only the most sanguine of enthusiasts will
believe."
The dramatic papers are more friendly. The
New York Dramatic Mirror thinks that such
a theater as is proposed would "easily and
quickly dominate the society notion that gave
it birth," and "might well become the pride of
the whole country." The Theatre Magazine
(New Yoik) says:
"The new National Theatre probably will not
be more successful in finding good new plays
than are the speculative managers, but at least
it will do what the speculative manager does not
do — it will give us adequate performances of the
classic and standard plays, so that th^ growing
generation, the men and women of to-morrow,
may have an opportimity of seeing well acted the
dramatic masterpieces of all lands. In this lies
the real value of the proposed theatre — not in the
fact that it will be the most expensive and prob-
ably the most beautiful playhouse in America, if
not in the world, and that society — which really
cares as much about educating the drama as it
does about educating the naked Hottentot — will
make it the resort of wealth and fashion. And
so potent and far reaching will be this educational
influence of the splendid new playhouse that indi-
rectly it will affect all our other theatres. It will
improve plays and acting everywhere."
THE APOSTLE— BAHR'S POLITICAL DRAMA
"The Apostle," by Hermann Bahr, an Aus-
trian playwright and dramatic critic of ex-
traordinary power and brilliancy, deals with
a theme somewhat veiled by the title. The name
•* Apostle" scarcely suggests the atmosphere
of modern party politics, yet this is the milieu
in which the personages and the events of the
play are set, and the conclusion deduced from
it is the impossibility of accomplishing the
regeneration of society by the machinery of
the state. Bahr's drama is now being played
in St. Petersburg, where it has produced a
sensation owing to the bearing which it is
interpreted to have upon the actual political
happenings in Russia, and in New York its
production is promised in the near future by
Orleneff's Russian company, with Orleneff in
the leading role.
The point on which the plot turns is
very similar to that in Mrs. Edith Whar-
ton's short story, "The Best Man," which
was contributed to Collier's recent "Short-
Story Contest," and which one of the judges,
Senator Lodge, thought "by far the best
story offered." In the drama and in the
story the hero, an upright statesman, is com-
promised by the action of his wife, who,
without his knowledge, has been trapped into
receiving a loan from one who seeks this
means of placing the statesman in his power.
In each case the statesman, though nearly
overwhelmed, triumphs nobly over his tricky
enemies. In "The Apostle" the statesman is an
Austrian priilie minister who has earned his
sobriquet by his sterling character, his lofty
ideals and his disinterested motives in serving
his country. The government is undertaking
the building of a canal for which two com-
panies are bidding — the National Bank of
Austria and the Southwest Company, an
American corporation. The Prime Minister is
in favor of the National Bank, while the party
of the right favors the Southwest Company,
and is greatly aided by the enormous sums of
money that the American company is expend-
ing in bribes to obtain the contract. Great op-
position to the Premier's course is manifested.
The members of the ministerial party are
discontented and urge upon the Minister the
necessity of strengthening their position by
awarding the government offices to their
own men. At a meeting in the house of
the minister, which takes place before the
parliamentary session at which this question of
the canal franchise is to be decided, Gohl, a
deputy of the chamber, comes out most boldly
for this change of policy. He is known to be
himself an aspirant for the office of prefect,
and in order to gain the assistance of the
premier's wife, Irene, he has iilduced her to
borrow money from the National Bank without
the knowledge of her husband. In the course
of the meeting, the Premier g^ows furious at
Gohl, calls him a "scoundrel," and turns him
out of the house.
The second act opens upon a scene in par-
liament in which Andri, the young leader of
the right, in a brilliant speech, attacks the
government and calls the Minister an unprac-
tical dreamer and a poet, not fit to administer
go
CURRENT LITERATURE
the sober business of state. The Minister re-
plies in a calm, impressive address, and sits
down amid thundering applause. The victory
of the ministerial party seems assured and
the President is about to put the matter to a
vote, when Gohl, smarting under the sense of
his recent rough handling by the Premier and
the open scorn with which he is treated by all
the members of his own party, demands the
floor and precipitates the following tumultuous
scene :
Gohl (to the Premier, who, after giving Gohl a
contemptuous look, turns to the door and is about
to withdraw) : I want you to remain here, Pre-
mier; I am goin^ to bring charges against you.
Premier (motioning to his secretary to stay) :
I hear.
Gohl: I accuse you of having betrayed the
country and sold it for money.
Andri (leader of the right; breaking out indig-
nantly against Gohl) : For shame!
Taun, Luz and Leppa (prominent members of
the left; jumping up and addressing Gohl) : For
shame ! Scoundrel ! Liar !
(The Premier stands motionless as if transfixed.)
Gohl (in a shrill, loud voice reaching out above
the noise of the house) : Sold it for the money of
the National Bank, which bribed and paid him in
hard cash!
(Andri turns away in contempt from Gohl and
walks up ostentatiously to the Minister. There
is a great uproar in the house. The president has
risen from his seat and rings the bell violently.)
Gohl (shouting with all the vigor of his lungs) :
I am going to prove it!
President (sfiouting) : Deputy Gohl, I will not
suffer you to
Gohl (not heeding the President's interrup-
tion) : I am going to prove it !
President (ringing violently and shouting),
You cannot speak if I
Gohl (in a still shriller voice) : I am going to
prove it!
All the Deputies on the Left: For shame!
Scoundrel V Down with him ! Put him out !
Minister (coming up at one bound to the ste-
nographers' table, and stretching himself to his
full height like a lion, with a powerful gesture of
his uplifted hand): Let him prove it! (Then
turning to Gohl amid the sudden stillness that
ensues) : Prove it !
Gohl: I am going to prove that the Minister
is not only a petty adventurer as Andri has called
him with that delicate and careful circumlocution
which, under the mask of justice, he parades for
every species of corruption, for
All the Deputies on the Right (some jumping
on the benches, others running to the middle of
the hall and waving their fists at Gohl) : Scoun-
drel! Scamp! Call him to order!
Andri : He is mad, stark mad !
Minister (shoving back the deputies of the
right) : Let him furnish the proofs ! (Address-
ing Gohl in a loud, threatening voice) : Your
proofs !
Gohl: Not only, as Deputy Andri said, a little
adventurer, but a — a common thief!
(A terrific uproar. The whole audience in the
gallery and in the boxes jump up from their seats
and bend over the railing.)
The Ministers (addressing the President) :
Close up, close up! Close the session!
(The President rings the bell continuously with
an air of helplessness.)
All Deputies of Highland Left (tumultuously) :
Proofs! proofs!
Prime Minister (steps up close to Gohl) :
Proofs !
Gohl (clamors at the top of his voice) : I have
them, yes, I have the proofs! (Pulls a package
of papers from his pocket and waves it trium-
phantly in the air) : Here, here, here they are.
the proofs!
(A sudden stillness falls upon the entire house.
All the groups seem to be dazed. Not a sound,
not a movement is heard. All look with breath-
less suspense at the Minister.)
Gohl (in a light, calm, conversational tone as
he displays one paper after the other) : Acknowl-
edgements to the director of the National Bank of
receipts of loans (with light irony), of course.
loans, Sept. loth, Nov. 4th, and so on, and
so forth. (Handing a paper to the Minister) :
Tell me, please, is this your wife's writing? Or
are you going to deny it?
Prime Minister (remains rooted to the spot as
if struck by lightning; then slowly puts out his
hand for the paper, looks at it, and suddenly be-
gins to simper as if in a, fit of convulsions; he
opens his mouth twice, but is incapable of articu-
lating a sound; finally he says in a rattling, gur-
gling voice) : It is my wife's writing. (Then
breaks down and tumbles on a chair with his head
thrown back. At this moment the fearful tension
is relieved and gives place to a wild uproar and
confusion.)
People in the gallery and in the boxes (furi-
ously gesticulating): For shame! for shame! De-
pose him ! Down with the Minister ! Down with
him!
One of the audience (clamoring) : The Minis-
ter is a thief ! a thief ! The Minister is a thief !
Several: The Minister is a thief! Down with
the Minister! The Minister is a thief!
A street-arab (pushes up to the front bench of
the gallery, and jumping upon it shouts in a
thundering voice, pointing his finger at the Minis-
ter) : Beware of pickpockets ! Pickpocket ! Pick-
pocket !
The entire gallery on the right, soon also fol-
lowed by the left (chanting in a rhythmic fashion) :
Pickpocket! Pickpocket! Pickpocket!
Firmian (the most intimate friend of the Min-
ister, goes up to him, touches him on the shoulder
and whispers) : Carl! Carl!
Ministers (gesticulating violently and talking
all together so that only disconnected words and
phrases are heard) : Evidence ! Dismissal ! But
the evidence ? I wash my hands clean of the entire
matter! Impossible! Dismiss! Break up! At
once ! Resignation ! Resignation !
Deputies of the Rght (violently gesticulating) :
An unconditional resignation! What! agamst
such evidence? Resignation! Now or never!
The people are with us! In the face of such
evidence! Immediate resignation!
MUSIC AND THE DRAMA
91
Prime Minister (with glassy eyes, his head
thrown forward in the arms of Firmian) : The
wretch ! The wretch ! Think of it, Firmian ! My
aire! My wife! What have I done? (Weeps
iike a child. He starts as if in a sudden fit of
iKscnity, thrusts back Firmian and his secretary,
ind staggering down the steps shouts in an un-
n&^urai voice): I am a thief! Away! Don't
ojzat near me ! I am a thief ! (Gajsing up at the
^ullery and his whole body shaking convulsively) :
I un a thief!
Andri (rushing upon Gohl) : Judas ! Judas !
The disorder in the chamber increases until
it becomes a veritable pandemonium. Sorae-
or^e rushes from the gallery and attacks the
Premier. Cries of "Police !" and "Help !" are
raised, and finally the* chamber is cleared amid
the wildest excitement, the fighting continuing
in the street. The third act discovers the
Premier in a dark room in his own house after
be has succeeded in making his escape from
the infuriated mob.
premieres Secretary (putting down his hat and
'ifnbreUa upon the table) : We are saved ! Oh !
Premier (without hat, his coat crumpled and
r*'smudged, his collar loose, his hair disheveled) :
Tae beasts ! the beasts ! (Feeling his face with a
jevnish hand, and bursting forth in a fit of in-
dignation) : Spat upon ! trampled upon ! — whipped !
^ trying) — whipped like a cur! (Jumps up stag-
:trs, and utters inarticulate cries) Oh-oh-oh!
iHis body trembles with rage, he falls back).
Secretary (picks him up and puts him on a
chair) : Premier ! Premier I
Premier: The beasts! The beasts! Oh-oh-
cb! (Shaking his fists at the window) Beasts!
Wolves! Devils! Infernal Devils! I — I — I
(His voice breaks; he seises his throat with his
hands, tears open his shirt, and tumbles down
krir:ily with the chair. With a rattle in his voice)
iirr— hrr
Secretary (trying to help him up) : Premier!
Premier (pushes him away with his feet; shriek-
ing) : Leave me alone! Go! I want nobody, no-
x-dy ! — Alone I I want nobody, nobody any more !
—The beasts ! The beasts !
\ Secretary walks up to the door, presses the
ilcctric button, and the room is lighted up.)
Premier (starts back, blinded by the light. Me-
chcnically^ : My *>eople ! My people ! My peo-
:At\ Everybody is gone from me, everybody! I
an left all alone.
Secretary (pained): Premier!
Premier (indifferently, almost contemptuously) :
Oh. you! That's because you get paid for it!
Beasts! Everybody! Everybody has left me, even
Firmian (shaking his head, while large tears roll
d'yxn his face). Firmian! No more Firmian I
\V}iy should he? I am only a thief. (Jumping
K# with a desperate shriek) I am only a thief,
only a thief ! I am a thief, a thief, a thief !
(A shrill zvhistle is heard from the street close
under the balcony. This is answered by whistles
from ail sides. Then steps are heard approaching
nearer and nearer; a confusion of voices, laugh-
ter.)
A groaning voice in the street: There is light
in the house of the thief.
Secretary (trembling) : They have seen the
light. (He quickly puts out the light, and the
room is again in darkness.)
Many voices in the street: Pickpocket! pick-
pocket! pickpocket! Down with him! Down
with the thief! Down with him! (Laughter
and yells.)
(A large stone crashes through the glass door
of the balcony and falls on the table upon which
the Premier has tumbled in his fright, narrowly
missing him; he crawls under the table in mad
panic.
Repeated cries of "Pickpocket!" The Secretary
rolls down the shutters and the noise in the street
grows faint. At this point Firmian rushes wildly
into the room.)
Premier (from under the table) : Don't let
anybody- come in! Help! help!
Firmian (walking up to the Premier) : Carl !
Carl!
Premier (crawling out from under the table to-
ward the door on the left; shrieks with terror) :
Mercy! mercy! I am innocent!
Firmian : Carl, it is I, Firmian. Calm yourself !
Premier (gropes with his hands after him, com-
poses himself and tries to rise; still hesitating as
if surprised) : You ? Firmian ?
Firmian: The gate is guarded by military;
you are safe. (Lifts the Premier and puts him
on a chair.)
Premier: Firmian, you will remain with me,
will you not? Thank you, thank you! (Puts his
head on Firmian* s breast.)
Firmian: Calm yourself, for Heaven's sake!
Premier (sinks on the chair) : My good Fir-
mian ! ( The street is quiet again, not a sound is
heard.)
Firmian: I do not know how I came to lose
you so suddenly. My hat was knocked from
my head; I bent down to pick it up and fell
forward. A young man helped me up, but when
I got on my feet again you were already gone. I
was carried along with the crowd, but mially suc-
ceeded in slipping out into a side street. I ran
and ran until I found a cab at the bridge. But it
was imposible to pass on account of the throngs
of people. Then I happened to come across a
military guard. The lieutenant knew me and
escorted me to your house. But now all is over.
Premier (laughing with a melancholy air) : Do
you think so? Yes, all is over. — Fame, power
(lowering his voice), honor. All is over. I have
nothing, nothing left. My whole life, everything
is gone. My whole life's work is shattered, gone
in an hour. Not a trace remains. I. am a thief,
a thief.
Firmian: But whoever believes that you ?
Why, no one imagines it even. You are out of
your mind! (IValks up and down the> room.)
The few criers and comedians ! It will blow pver,
and they will be ashamed of it themselves. There
is no one who believes this about you. It is stu-
pid to think it. We are not yet so far gone.
Every honest man knows what to think of you,
and you can well afford to be indifferent about
the opinion of the others. No decent man can
imagine anything of the sort about you. They
know you. Your whole life lies open to them.
9a
CURRENT LITERATURE
Premier: But it is true, it is true.
Fimiian: What is true?
Premier \ I saw the notes.
Firmian : Well ?
Premier: It is her writing. It is true.
Firmian: But no decent man who knows you
will think on that account that you
Premier: Can you comprehend it? You know
her well. Can you {struggling with his tears),
can you comprehend that she ?
Firmian: Good Lord, women!
Premier: She, shel I could have sooner be-
lieved anything, anything else in the world than
that she
Firmian : That will all be explained, I am sure.
Wait until we hear what the director of the bank
has to say. I am positive she had no idea
Premier: No idea?
Firmian: 1 have no doubt of it; I am positive.
Premier: No idea that one must not steal?
Firmian: Women have their own opinions.
Did you ever explain to her that our peculiar po-
sition sometimes does not permit us to do certain
things which in themselves are not at all inad-
missible ?
Premier (staggered) : 1 do not know what you
mean.
Firmian : This is not the time to enter into ex-
planations. What you want now above all else
IS rest. You must gather up all your strength, all
your energy for to-morrow, in order to
Premier: What am I to do to-morrow?
Firmian : You must show them to-morrow who
you are.
Premier: I?
Firmian : You owe this to yourself and to your
country. Nothing has happened so far. We will
get through with Gohl in very short order. And
the people {with ironic emfhasis), the people who
spat upon you to-day will hail you to-morrow.
Mobilia turba QuiritiumI You must only not
give yourself up. You must show how it has
come about, you must prove that you are inno-
cent There is no calumny that cannot be put
down if you only go at it with might and main.
But for this you must above all be fresh and
healthy, and with strong nerves. Don't agitate
yourself any further. The best thing for you
now is to go to bed.
Premier : To her ? Yes, I must go through that
yet, I must go through that. {To the Secretary)
Call my wife in. {As if frightened, bursting into
a laugh) My wife!
Firmian: Not to-day, not now, you are too
much worn out.
Premier: 1 must go through that. {To the
Secretary) Call her in.
Firmian: Then I will leave you.
Premier: Stay here, I entreat you. I promise
you I will be very calm, I will be quite composed.
I only want to know {tuith a sudden outburst)
because I still cannot conceive that she, that
she {Crying out aloud) Firmian, can you
conceive that she whom I, she who
Firmian: Did you not promise me ?
Premier: Yes, yes, I shall be calm, very calm,
but you must remain here with me.
Irene, his wife, enters, looking very pale.
Gohl had told her previously that he was going
to bring a public accusation against her hus-
band, and the situation is therefore clear to
hen
Firmian {with an air of compassion) : Ladx»
lady!
Premier: Silence! I am going to speak, (/w
a whisper, without looking at her) I am not ex-
cited, 1 am quite composed, quite composed. Now
then. I want to know.
Irene {softly) : Carl !
Premier: Yes?
Irene: Now do listen to me!
Premier {thunderingly) : Yes?
Irene: 1 did not loiow that
Premier: Yes or no? Yes? Yes?
Irene {bursting into tears) : Forgive me! For-
give me!
Premier : Oh 1 oh ! oh ! Thief I thief ! {Rushes
at Irene,)
{Firmian interposes between him and Irene.)
Premier {to Firmian) : Get away! Get away, or
I {Springs at his throat,)
Firmian {pushing him away) : Carl !
{Premier staggers back as if in terror of him^
self, and drops on a chair, covering his face with
his hands in shame,
Firmian {takes Irene by the hands and leads
her to a corner on the left) : I can very well
imagine how it came about. You were in an
embarrassed position, and
Irene {softly) : We needed more than
Firmian : Why did you not tell me about it ?
{Premier raises his head and listens to the con-
versation.)
Irene: I was afraid of Carl.
Firmian: Gohl is just the man you should not
have
Irene: He proposed it himself; he must have
learned that I was in financial difficulties.
Firmian {in a mild tone) : And you never
thought, Irene, that
Irene : What do I know about such matters ?
Firmian: But you could have understood that
for Carl to be implicated in that way with the
National Bank
Irene: I did not even know that the money
came from the National Bank.
Firmian: What then? Where did you think
the money came from?
Irene {shrugging her shoulders) : I took the
money and asked no questions.
Firmian: And did not think of the conse-
quences at all?
Irene: The money was not given to me, I just
borrowed it, and meant to save up and pay. How
could I have known that?
Firmian : If you had only said a word to me.
Irene : I did not have the courage.
Firmia : But you confided in Gohl.
Irene: Because he took pains with me. He
noticed that I was troubled. He asked me, you
did not. (Smiling painfully.) I do not mean
this as a reproach. How could you have thought
of it? Only I want to explain how it happened.
I had nobody to turn to. Gohl was the only per-
son.
Premier {with a mild tone) : And I?
Irene {raising her head to the Premier, xnsibly
affected): You?
MUSIC AND THE DRAMA
93
Premier: I, Irene. Was I not here?
Irene {slightly embarrassed) : But you — ^you
were occupied with more important matters.
premier: More important matters?
Ireiu (very simply) : I could not come to you
asd bother you with my troubles too.
Premier: I was occupied with more important
natters !
Irene (to Firmian) : Don't you understand it?
I wanted him to have peace at least when he was
ViEc- I tried to do the best. It gave him such
f*leasure to sec me contented. I had often made
op my mind to speak to him when I saw no other
H^ay out, but then when he would come home
tired and exhausted and so glad to have a half-
briT to play with the children, I could not do it.
Yoa may say what you please, but I could not
-nakc up my mind to do it. You say that 1 have
icted wrongly. It ftiay be, I do not know. I only
knfiw that I could not do otherwise. You have
n-^er seen him tired and worn the whole day
hng with all these duties and cares that I do
rot understand, and then I was to come to him
-ith my cares in addition, and torment him
.jn.in? No, no; I could not act otherwise! Do
* ih me what you please, I could not, I could not
ar: otherwise! (Tears stifle her voice.)
Premier (after a lonf pause) : Firmian, after
ii\ the whole thing was a lie.
firmian (tvith surprise^: What?
Premier: Our whole work. — ^Well, it is just a
fh'^jght that came to me. (Remains standing at
*nc windoTv absorbed in thought, then turns to
Irene) : What you must have suffered, my poor
child! Irene (Bursts into sobs.) Did he torment
yf3c very much?
Irene (weeping) : Only of late.
Premier (putting his Itand on Irene's head) :
F^Tfive me!
ilrene grasps his hand and tvants to kiss it.)
Premier: No, no, you must go now. — To-mor-
row! (Exit Irene.)
Premier (closing the door after her) : To-
morrow! It is my fault. Now I understand all.
Now only do I understand it.
Secretary : Deputy Andri is here. He wants
to see you very urgently.
Premier {recovering his self-composure) : Let
him come in. But nrst open the windows and
let in some air.
Andri (enters) : I have come to apologize to
yoa.
Premier (surprised) : To apologize to me?
You?
.4ndri C^uickly) : I regret, I am so ashamed
that I have worked against you!
Premier (calmh) : Why, you never
.'indri: I have always tried to rtm you down
and to incite people against you. I have trav-
eled through the country to set the people against
yoa. I have fought against you with all the pas-
sion of my feverish soul because I — (pausing an
instant) because I hated you, hated you.
Premier (with a warding-off gesture) : Andri !
Andri: Hated you out of envy, out of sheer
envy, as an insignificant and weak man hates the
powerful and the good man. I hated you for many
years. Now I have repented it, I have been pun-
isbed with this terrible day, this terrible day. I
shall never betray you again. I promise you
that I shall crawl away somewhere in a corner
and disappear. (Premier puts his hdnds on
Andri^s shoulder.)
Andri (unthdrawing, with drooping head) : No,
leave me. I am ashamed of myself, I am ashamed
of myself!
Firmian : Yes, dear Andri, life is different from
what one imagines it to be.
Andri: Terrible! terrible!
Firmian: You have slandered and lied —
(Andri makes a negative gesture) — or you have
allowed others to slander and to lie; all in £[ood
faith, of course, so as to propagate your opinions
and to put us out, for the sake of the party. That
excuses everything! Acheronta movebo! You
did move it! Now take care that it does not
swallow you also.
Andri: It is not for this reason.
Premier: Let that alone now. That is not the
question any more. (Extending his hand to An-
dri) Thank you.
Andri (grasping his hand) : 1 apologize for
everything, everything.
Premier (pressing his hand again) : We have
all erred.
Andri: Oh, I have paid for it, I have atoned
for it.
Firmian: Why, what happened? What is it
that makes you so queer?
Andri: I wanted to come here directly after
the break-up of the session, but it was impossible
to make my way through the crowd. I tried here,
there, because I felt I had to see you, because I
could not get any peace of mind until I told you
that I did not believe all this about you, that I
knew that the scoundrel lied, and that I trusted
and honored you. But it was impossd)Ie to get
through the crowd. Then I met a group of peo-
ple who knew me. They shouted, clamored and
acclaimed me. I was seized and carried along
with them. Oh, how ashamed I was of myself,
how I despised myself! In order to get away
from them I said that I wanted to go home. They'
carried me to my house and up the steps. It
seemed as if they could not tear themselves away
from me from sheer admiration and enthusiasm.
For, don't you see? I am the hero, the hero of
the mob! (With a gesture of disgust) I still feel
their touch and wish I could purge myself of the
defilement. When we got on the balcony they
surrounded me, knelt before me and kissed my
hands. — Oh, those faces, distorted with anger,
malice and hate ! . The infamy of it, the
beasts ! . . . Oh, that hour, that hour !
I have made good, I have atoned for all the
wrong I have done you. I will crawl away in
some comer and disappear. — But one thing I still
had to do — to apologize to you. My motives
were good, I did not know the people. I regarded
as conviction what was nothing but hatred and
envy. I know it now. I recognized myself in
Gohl. We wished to revenge ourselves on you
because you are greater. That was it. We are
like the crowd, like the mob that acclaimed us;
they know why they acclaim us. This is the rec-
ognition I came to in that terrible hour, and I
was anxious to let you know it, that is all. Af-
ter that I am ready to go. I will disappear and
try to become a decent man in some quiet place
and earn my bread by honest toil.
Premier (in calm but powerful voice) : You
err.
94
CURRENT LITERATURE
(Andri raises his eyes to the Apostle, while
his face seems to radiate with a sort of religious
ecstasy.)
Premier: You err. You have no apologies to
make to me ; I have no apologies to make to you.
We have both been wrong, we have both learned.
Now we can both walk together and seek the
right. We shall never part again. {Pointing at
the door) There is a woman who has lived here
many, many years, a woman who loves me, whom
I love, a good woman, the best of mothers, faith-
ful, pure — in short, good. Many years has she
been with me, and was loved by me. This woman
became a thief. Right here at my side, whose
whole life was honesty. She stole without knowing
it, not even from frivolity, but simply because she
did not understand it. It is my fault, mine alone.
For this woman who has lived for so many years
at my side and loved me, the mother of my chil-
dren, had no one to confide in. I was not pres-
ent to advise her, to help her. I thought I had
more important work to do. I was outside. I
had to convert the people, I had to speak, to
speak always and everywhere. In your speech
against me to-day you reproached me with my
big words and small accomplishments. You were
quite right. Words are nothing. Men have lis-
tened to us in the name of liberty and justice,
have applauded and hurrahed us and grown en-
thusiastic, and then they went forth and remained
slaves and unjust. Like my wife, who always lis-
tened to talk about virtue, they believed in it and
then stole! Behold! the word has no power, the
word cannot help. Everyone takes it, repeats it,
and remains what and where he was. The inner
man cannot be reached by words. We who bring
the words, we have felt them here- (pointing to
his breast), and therefore we believe them. Our
feelings must accompany our words. But the
people hear only a sound which deceives them,
but has no genuine feeling. We imagine that
because they repeat our words they also feel with
us. No, they repeat your ^ords, they repeat my
words, but they do not feel them and that is why
they do not act up to them. Now we must see
that the word be expressed in life. All else is
sham and emptiness. You have experienced it.
You meant to speak the truth, but they heard
in your words only their greed and their wrath.
I have experienced it also. Give me your hand.
Now we will seek the right path together.
Andri: No, I do not deserve it.
Premier: We have both erred.
Andri: In your presence I feel myself old.
Premier: No one is old who has a task to per-
form.
Andri: And I have lost my faith in man.
Premier: Believe only in yourself and you
shall be strong.
Andri: I am ashamed of myself.
Premier: You have suffered; the gods love
you. That is their sign.
Andri: It is too hard, too profound.
Premier: Suffering is grace, it purges and im-
proves.
Andri (wearily): To begin again?
Premier : Yes, again ! Always, always again !
In order again to fail, again to suffer, again to
err, again to learn, endlessly — until we reach the
goal, not you and I, but the people in the distance
(gasing into the distance). Bright, radiant men
who smile and soar. I believe in men.
Andri (touched, kissing his hand) : You — you
are great.
Premier (smiles and puts his hands on Andri' s
head; then, while his whole being seems to pass*
into a sort of spiritual ecstasy, and he groivs
taller and taller) : Only good. We need be only
good. That is far greater than to be great. Be-
hold, have we not been foolish? What have we
done? Once in a blessed moment we perceived a
purer condition. And how did we show our grat-
itude? We pressed it into the mold of a poor
word — Liberty, Justice! And we grow impatient
if the people fail to understand it immediately. It
is so foolish. To us, indeed, is sufficient the
memory of that blessed moment! But the people,
how should they know of it ? What can the poor
word do for them? It flickers, and the people
see it glimmer and run to catch it: Liberty, Jus-
tice ! But in their hands it turns gray. It has
only sparkled in the reflection of our own felicity.
No, it is so foolish; so foolish! You can make
people understand only what they themselves have
already experienced. That is it. Let them enter
into our own felicity, our own blessedness, that
they may see with us and reverence with us !
The word is of no avail; they must feel it. (To
Firmian) Now you laugh, you wise man, for it
is not given to you to hope because you think
you know evil. But I say that the evil is only
apparent, it is not real. We are all good, only
no one believes it of another, and because each
one thinks the other bad he disguises himself
until he becomes bad himself. Wait until we are
but together in some blessed moment so that wc
can see one another as we really are, and all men
will sink into one another's arms like brothers.
Come with us, wise man ! Humanity has been
too clever. You see how little reason has ac-
complished. Come with us and be an enthusiast.
Firmian (moved, extending his hand to the
Premier) : You glorious man !
Premier (stationing himself between Andri and
Firmian, and holding each one by the hand) :
Only good, Firmian. We need only be good.
Good is the only, the highest thing. (To Andri,
smiling) In a quiet place, did you say? Yes, we
will go to a quiet place and sit down by the side
of the people, and take each one singly by the
hand and envelope him with such love that he
will grow weak and be no longer able to with-
stand us. (Laughing good-naturedly) No party,
my Andri! No words! We shall sit very still
by the side of the people, and nestle up closely
and warmly against them ; and we shall be good
to them and so tender and loving that they will
incline toward us and become even as we, first
one, then two, then several, then all — gentle,
subdued, all — in the future, in the far distance. —
Let this be our covenant.
Andri (with admiration) : Thus did you ap-
pear to me when I was a boy, when they told me
about you : the Apostle !
Premier : Go now ! The day is breaking. Wc
must each of us hasten to his task! (Stretching
forth both his hands) I am thankful for the lot
that has fallen to me!
(The light of dawn breaks through the mn-
dows; the curtain falls.)
Persons in the Foreground
95
THE YOUNGEST AMERICAN DIPLOMAT
Mr. Lloyd Carpenter Griscom, minister to
Japan since December, 1902, and who, so
Americans resident in Japan hope, is soon to
return to Tokio as ambassador, enjoys the dis-
tinction of being the youngest of American
diplomats. Yet he is far from being the least
experienced. Though his age is but thirty-
three, his- training in the foreign service began
over twelve years ago, when he became private
secretary to ex-Senator Bayard of Delaware,
our first ambassador to England. When Mr.
Bayard left London in 1894 Mr. Griscom re-
turned to New York, where he took a post-
graduate course in the New York Law School,
and was duly admitted to the bar, for which
— being' a Philadelphian — he had first studied
at the L^niversity of Pennsylvania.
His experiences during the next two or
three years included a brief term as deputy
assistant district-attorney of New York
and a trip to Central and South America as a
volunteer War correspondent, in company with
Mr. Richard Harding Davis and Mr. Somers
Somerset, a son of Lady Henry Somerset, the
philanthropist. This novel and exciting ex-
pedition forms the subject of Mr. Davis's en-
tertaining book, "Three Gringos in Ven-
ezuela." When the Spanish-American War
broke out, Mr. Griscom promptly volunteered,
was commissioned a captain, and served for
four months in Cuba as aide-de-camp on the
staff of General Wade. Declining promotion
and a career in the army, he resigned when the
war was over, and, re-enlisting in the diplo-
matic service, was appointed secretary of the
American legation at Constantinople. His
youthfulness and engaging personal qualities
won the personal good- will of the Sultan, and
his native shrewdness enabled him to turn this
advantage to account when the minister, Mr.
Straus, took a protracted leave of absence, and
then resigned an uncongenial task. As chargi
d'affaires from December, 1899, till March,
1901, Mr. Griscom was our chief representa-
tive at the Yildiz Kiosk, and when Mr.
Straus's successor was at last appointed, it
was the Sultan's wish that there should be no
change in the secretaryship of the legation.
But President McKinley saw fit to make him
a minister in name as well as in fact, and he
was accordingly sent to Persia in 1901. It
was in this year that he married; and while
his success has been due to his own abilities,
he has been fortunate in having a wife who
THE DIPLOMATIC CORPS OF WHICH LLOYD C. GRISCOM IS AN ORNAMENT
He stands in the last row (seventh from the reader's left), while our old friend, BaronjKomuia, (in the front
row) ^11 be readily recognized. The baron had just been given a complimentary dinner by these, the ambassadors
aad ministers of all the world's powers in Tokyo.
96
CURRENT LITERATURE
is persona gratissima at every court to which
his career has taken him. On his way from
New York to Teheran he made a brief stop
at Constantinople, and received from the Sul-
tan the grand cordon of the Order of Chefekat
for Mrs. Griscom, and for himself a cigarette
case with the signature of the donor in bril-
liants— 2i most useful gift to a traveler
through the Sultan's dominions in Asia Minor.
One of the fruits of his sojourn at the court
of the Shah was the marking out of a new
trade route to the coast.
After an eighteen months' residence in
Persia, Mr. Griscom i^eceived a further promo-
tion, being transferred by President Roosevelt
to the legation at Tokio in December, 1902.
In the Far East, during the anxious period
that preceded the outbreak of hostilities be-
tween Russia and Japan, as well as in the
troublous days of actual warfare, the young
diplomatist easily held his own with the older
and more experienced representatives of the
European countries. And now — though the
Japanese, much as they esteem the present
minister, might like to see an older and more
famous man sent out as America's first am-
bassador to their country — the probabilities
are that Mr. Griscom, who has just returned
home for a well-earned rest, will go back to
Tokio as his own successor, having attained
ambassadorial rank at an earlier age than any
other man in the service. Had Secretary Hay
lived and remained at Washington, it is un-
derstood that Mr. Griscom would have suc-
ceeded Mr. Loomis as Assistant Secretary of
PREPARING A WARM RECEPTION FORiTOKYO'S
ANTI-AMERICAN RIOTERS
These Japanese troops stood j^uard over Lloyd C.
Gribcom and his official residence as United States min-
ister to Japan, during the brief outbreaks after the first
announcement of the peace terms.
AN AMERICAN DIPLOMATIST WHO AWAITS
PROMOTION
Lloyd C.(Griscom, our minister in Tokyo, may be
given the rank of ambassador there, an elevation in
igrnity already awarded to her minister in Japan by
Greai Britain. He was bom in Riverton New Jersey,
thirty-three years ago.
State. This shows in what regard he was held
by his late chief; and his youthful energy, his
devotion to duty, and his love for outdoor
sports are unfailing passports to the good-will
of the Chief Executive. ' Like the President,
Mr. Griscom is a lover of big-game hunting,
and has indulged his taste for it in lands more
remote than Mr. Roosevelt has yet visited.
In Persia he was so fortunate as to bag some
fine ibexes.
Mr. Griscom's father is Clement A. Gris-
com, president of the International Navigation
Company, and his mother is one of the Phila-
delphia Biddies. He is a much "clubbed"
young man, belonging to club organizations
not only in* Philadelphia and New York, but
in London, Ireland and Constantinople as well.
PERSONS IN THE FOREGROUND
97
THE MAN WHO HAS MADE CHICAGO UNIVERSITYj
For years the president of the Chicago
University, Dr. William Rainey Harper (now
offering from an incurable malady and walk-
ing calmly but not slowly toward an open
grave), went to bed at midnight and rose at
five. •T^r. Harper knows all about the eight-
hour day,** said one of his faculty; "he puts in
two such days every twenty-four hours." A
theological student tried once to make arrange-
ments for advanced work under Dr. Harper's
personal direction. It seemed impossible to
arrange an hour, and the student, downcast,
was about to leave. Said Dr. Harper:
"Are you free at five thirty in the morning?"
"Yes/* was the startled answer.
"Then come every day at that hour."
And the arrangement was concluded on that
basis.
These and other interesting points in the
career of the man who has in fifteen years
built up the third largest university in
America, having now 4,500 students, a faculty
of over 300 members, and an endowment of
twenty millions, are given in World's Work
by James Weber Linn. The most notable thing
about the university, says Mr. Linn, is not its
rapid growth, but the fact that it is, more
markedly than any other educational institu-
tion in the world, the expression of the ideals
and individuality of one man. "Harvard is not
Dr. Eliot, nor Yale Dr.* Hadley, but the Uni-
versity of Chicago is President Harper."
The two traits of Dr. Harper's character
most plainly shown in the university are, Mr.
Linn thinks, his energy and his democratic
character. But he is more than energetic and
democratic, more than "a bom organizer."
He is also an idealist, a dreamer. We quote
from Mr. Linn's article:
"His conceptions have not infrequently the hazi-
ness, and the magnificence, of dreams, and once
and again he has failed because he was blinded
by visions. It is idealism which has made him
nrge new theories and new methods alike — which
(in the effort to correlate primary, secondary, and
university education) has 'littered the campus
with kindergartners' — which, disregarding many
a well-worn idea which had been fancied funda-
mental, put in practice many a new principle 'to
make Quintilian stare and gasp.' He was an in-
novator twenty-five years ago, and he is an inno-
vator now.
"It is this idealism that has caused him to be
called a radical by people who mean the term,
when applied to an educator, to stand for some-
thing intmiteiy futile or infinitely dangerous and
had. Yet it is this idealism that lifts him above
the mere executive, and gives him power over
hearts, so that those who work with him become
devoted to him with their strength and soul.
It is this idealism which must prevent the Uni-
versity, so quick-spning into largeness, from
being merely a material success, and which must
confute the charge which is often brought against
him, that his aims, like his methods, are com-
mercial."
There are men in the university now, we are
assured, who came twelve years ago on the
bare assurance of the president that "some-
thing would turn up" to enable them to get
their salaries the next year. And "no one
has ever voluntarily left Chicago to accept a
position of equal rank elsewhere." The reason
that is given for this is that men are treated
there as men, not mechanics. This is not very
illuminating until Mr. Linn goes on to draw
comparisons between the class-room work re-
quired at Chicago and that required elsewhere.
In a certain scientific department selected at
random for comparison, twenty-one hours of
teaching are required each week in Harvard
from each instructor; in Columbia, twenty-
one; in Chicago University, fourteen. In a
department of the liberal arts, Harvard re-
quires fifteen hours, Columbia fourteen hours,
Chicago but ten. "Comparison of Chicago
with other Western universities makes the
amount of leisure permitted to the instructors
at the former seem almost startling." The
reason for this is not that the university is so
rich it can afford to be so generous, but that
Dr. Harper believes that such a system affords
the instructors opportunity to develop, and
"what develops the instructors must raise the
standards of teaching and of study."
Dt. Harper's democratic nature and convic-
tions have also been impressed upon the uni-
versity. Says Mr. Linn :
"His democracy is, one fancies, less the result of
emotion than of theory. He believes in democ-
racy, rather than feels it. But the belief has be*
come a part of him, and one sees it working out
in practical details. He showed it in the arrange-
ment of the college year. At the foundation of
the University, he declared for a system that
would put higher education within the reach of
the greatest number. The result was the so-
called 'quarter system,* under which a student
may do three months' work and leave until op-
portunity enables him to come again. The usual
arrangement contemplates a year of study. Un-
der this arrangement, courses follow each other
in a continuous procession and without halt.
Work goes on in the summer quarter under the
98
CURRENT LITERATURE
same instructors and counts toward the same
final degrees as in any other quarter."
The student body is, in consequence, a very
democratic body. "Inquiry has failed to dis-
close a single student who admits spending
$1,200 a year." The man "working his way
through" is the rule, not the exception, at Chi-
cago University; and not a few women are
working their way by doing housework.
College life, however, Mr. Linn asserts,
"has been robbed of its traditional sweetness."
Getting an education is a business there, not
a sentiment, and the effect of this, though it
is not satisfactory to the president, was fore-
seen by him and accepted as a necessary con-
sequence, for the time being, at least, of the
choice he deliberately made. We quote again :
"Dr. Harper felt that he must choose between
two ideals. Loyalty to *Alma Mater' which finds
expression in undergraduate songs of praises and
cheering, and which brings back graduates year
after year to reunions at commencement-time, is
loyalty founded on the idea of the college as sep-
arate from the world; it is clique-loyalty, and is
dissipated in proportion as an institution grows
away from the old aristocratic academic ideal.
At Yale it is frantic; at Harvard less so, at Chi-
cago, and Clark, and Johns Hopkins it can
hardly be said to exist. The Alumni Association
of Chicago is little but a name, and the Alumni
Club, the organization of the men who live in
the city, is a joke. The alumni of Chicaj^o seem
for the most part no more bound to their Alma
Mater by ties of affection than the gradu-
ates of a business college or of a night school.
The undergraduates are openly indifferent to all
but the intellectual aspects of the place. They
do not support athletics; they hardly go to the
games even when admission is made free. The
students* social unit is the fraternity, not the
University. The ordinary student activities are
carried on almost entirely through these asso-
ciations. Hundreds pass through the University
every year without a shadow of emotional con-
sideration for it; life to them is a business, and
these their days of apprenticeship."
Dr. Harper is "essentially open-minded," is
tolerant and liberal in his religious views and
a man of prominence in the "higher criti-
cism." He has no memory for personalities
and never indulges in them. He is, finally,
never impulsive, but cautious and systematic.
"He talks pleasantly, but he will not be
'drawn out.' "
A SAINT OF GOTHAM
New York City has its saints as well as its
life insurance presidents. Three of the fine
arts have been called into service to com-
memorate fittingly the life and character of
one of them — Josephine Shaw Lowell, who died
a few weeks ago. On another page we repro-
duce a bas-relief of her made by St. Gaudens.
In Boston one of the Symphony concerts was
held in memory of her, and Thomas Went-
worth Higginson chose for the program of the
occasion Schubert's "Unfinished Symphony"
and Beethoven's "Heroic Symphony." In
New York City Felix Adler, Joseph H. Choate,
Seth Low, Jacob Riis and others, in a memo-
rial service, paid oratorical tribute to her
worth. A number of the speakers in this serv-
ice re-echoed the statement of Robert W.
De Forest that "had Mrs. Lowell lived in
medieval times, she would long since have been
canonized as a saint." And the suggestion
made by Mr. Riis that one of the parks of the
city be named after her has met favorable
consideration, a committee having been ap-
pointed to secure this or some other form of
memorial.
All this honor, it is safe to say, will come as
a surprise to most Americans, for she never
sought or secured a conspicuous place in public
life. Cultured and wealthy, she consecrated
herself to humanitarian work. She was the
founder of the Charity Organization Society.
She was the first woman appointed to a place
on the State Board of Charities. In innumer-
able other movements she bore a leading part
— the establishment of State reformatories for
women, State asylums for feeble-minded girls
of child-bearing age, municipal lodging-houses
for men, the placing of matrons in police sta-
tions, industrial conciliation, the Consumer's
League, the Woman's Industrial League, the
Philippine Progress Association and many
other movements. Said The Evening Post, in
editorial comment on the memorial service:
"Even those who deemed themselves familiar
with Mrs. Lowell's achievements were astounded
as speaker after speaker rehearsed not merely
her self-sacrifice, but the actual results of her
work. In her own person she refuted the idea
that women cannot be as practical as men, when
given offices of responsibility; and her success
as a state commissioner of charities and in private
associations opened wide a door* to useful public
service for hundreds of her sex."
N.
r
\
^
/
*\
. ^..
\ •
t
* *
h .
• . *' -
)■ 1
(-
i
s
1
\
. <
4 '
•
\
\
A, .
\
r.Y- .
\
1^
r • »
" V
•
JOSEPHINE SHAW LOWELL
** Had Mr«. Lowell lived in medieval times,>he would long since have been canonized as a saint,"
zoo
CURRENT LITERATURE
Seven years after her birth (in Roxbury
Mass., in 1843) Josephine Shaw was taken to
Europe by her parents and for five years re-
ceived education in a school in Paris and a
convent in Rome, gaining facility in the use of
the French, Italian and German languages.
On her return she spent one year in a Boston
and one year in a New York school. She was
married at the age of twenty to Charles Russell
Lowell, who just one year later, while serving
under Phil Sheridan, was killed at the battle
of Cedar Creek. Her brother was that Robert
Gould Shaw who organized the first negro
regiment in the Civil War, and whose death
at the head of his black regiment at Fort
Wagner is commemorated by St. Gaudens's
well-known bas-relief on Boston Common.
The pathos of her double bereavement never
went out of her life or her countenance.
Samuel Macauley Jackson wrote recently of
her:
"Her face here was a sad one. At least it always
seemed so to me. She was never able to forget
the crushing sorrow of her young womanhood.
But we who could not enter into that sorrow,
only wonder at its intensity and its duration,
recognizing that it had sanctified her life. She
was by her sorrow able to serve as she would
not have been had she' been the joyful wife and
the mother of many children. She never knew
poverty; she = was a patrician in birth and train-
ing and property. She had access to the really
best society, and had made for herself a promi-
nent place among the volunteer host in the army
of philanthropists. But she did know the heart-
ache, the loneliness, the unsatisfied gaze into the
sky, the sickening sense of desertion which are
harder than poverty to bear. The unfortunate,
the fallen, the tempted, the poor, would have felt
that between her in her high social station, her
culture, her refinement, and themselves there
was no common experience, were it not for her
widowhood."
A few weeks before she died Jacob Riis
visited her at her home in Greenwich. Of that
visit he said : "As we sat by the fire, she spoke
of my wife and kept my hand in hers, and
smoothed it again and again, and she nodded
with the gentle smile that hovered on her lips
all that evening, and repeated, *Yes, yes; I
know. But think of waiting for my husband
forty-one long years, forty-one years.' "
Dr. Felix Adler, in his address at the memo-
rial service (published in full with the other
addresses in the December number of Char-
ities), after speaking of "her charm, her sweet
dignity, her simplicity," endeavors to pack into
a phrase what seemed to him to be, apart from
her lofty personality, the peculiar nature of
h«r lif^ His phrase is, "the harmony of op-
posites." He elaborated his thought as fol-
lows:
"She was an idealist of the purest kind. And
yet she was always the most practical of realists.
. . . She was a harmonizer of the ideal and
the realistic She was a harmonizer ofbpposites.
She was an intense enthusiast for certain causes.
Above all, she dwelt with motherly sympathy,
with the motherhood that embraces all mankind;
she dwelt upon the sufferings and the miseries
of the world. But more than by the sufferings
and the miseries of the world was she touched by
the wrongs. It was injustice in any form that
called out her keenest feeling. It was this that
made her for so long a time, with one other, the
only support of the movement in this country for
justice to the Filipino people. And yet, despite
her capacity for righteous indignation, she was
never one-sided. I could not say at this moment,
truthfully, that she was on the side of the Fili-
pinos, that she took the side of the Filipinos ; nor
could I say truthfully that she took the side of
the laboring people, for the reason that she also
felt so genuinely and intensely how cruel the
oppressor is to himself. If ever anyone loved the
wrongdoer it was Mrs. Lowell when she pro-
tested against his wrongdoing."
"Father" Huntington (the Rev. James O. S.
Huntington) expressed the same view of her
impartiality and sense of all-around justice, in
speaking of her participation in a strike of the
feather workers some years ago. She went
into the cause of the strikers with all her
energy, putting strength into the toilers, lift-
ing up their cause, seeing the humorous as
well as the pathetic side of it; but "she never
arrayed herself on one side as against the
other," and in the strike of the garment-
cutters "every one of the three parties to it
came to her expecting her to sympathize with
it, as she did."
From her voluminous writings on humani-
tarian subjects, we quote the following brief
passage as summing up in a sort the phil-
osophy which she sought to embody in actual
conditions. She wrote in a paper on "Out-
door Relief" (1890):
"I object to the term 'dependent classes,' unless
in speaking of the insane. . . . That there
will always be persons who must be helped, m-
dividuals who must depend on public relief or
on private charity for maintenance, is true, but
it is a disgrace to any community to have a de-
pendent class, and the fact of its existence is a
proof that the community has done its duty
neither to those who compose it nor to those who
maintain it."
Through an oversight last month, we neg-
lected to state that the pictures of Governor
Folk and his mother were from photographs
copyrighted, 1905, by J. C. Strauss, of St. Louis.
PERSONS IN THE FOREGROUND
lOZ
THE ATTRACTIVE PERSONALITY OF NORWAY'S NEW KING
"His wife adores him; but who does not?"
That is the way a Paris paper spoke of the
new King of Norway a few weeks ago, while
he was still Prince Charles of Denmark. Eu-
ropean views in general, if they do not go
quite so far as to assert the existence of gen-
eral adoration, agree that the new sovereign
has always been one of the most likable and
human of men, and they dwell particularly
upon his democratic tastes and his cheerful
disposition. If the Norwegians really desired
a democratic king, as is gen-
erally understood, they appear
to have chosen the right man.
He is "the most democratic of
men in most things," according
to the Vienna Zeit and the
Etoile Beige of Brussels, and
any number of other European
dailies say the same.
It is said in the personal ac-
counts of him which have
gained circulation abroad that
his sympathies were all on the
side of Norway in the recent
trouble with Sweden. For one
thing. King Haakon has always
disliked the form and ceremony
so much in vogue in the land
of aristocratic traditions ruled
by King Oscar. He was reared
in a native Danish atmosphere,
notes the Berlin Vossische
Zeitung, and that accounts for
his democratic tendencies, for
there can scarcely be said to be
any Danish aristocracy at all.
The "upper classes" in King
Christian's realm are largely
wealthy merchants and farmers
of the "scientific" sort. As
Prince Charles he mingled with
them freely. Titles of nobility
are no longer issued in Den-
mark and the few remaining
"noblemen" in the kingdom are
not much seen at court The
nobility of Denmark, in short,
is running ta seed. In Norway
also there exists no aristocracy
in the real sense of the word, or
rather, as one Norwegian paper
puts it, every man is an aristo-
crat This fact is declared to
be perfectly satisfactory to King Haakon.
Unfortunately, as the Paris Matin thinks.
King Haakon is a poor man as royalties go.
Before his accession he mentioned this fact
to some Norwegians who sounded him on the
subject of the kingly dignity. In fact, he ad-
vanced three objections — ^his wife's unwilling-
ness to assume the royal dignity, his own
poverty, and the fact that he ought to be
elected by the Norwegians instead of by the
parliament. The Norwegian gentlemen prom-
KING HAAKON VII, HIS QUEEN AND HIS HEIR
The little boy is now heir to the throne of Norway, and is not three
years old. His name is E*rince Alexander, but the Norweg^ians wish him
to be called Prince Olaf.
to2
CURRENT LITERATURE
ised that a fund would be provided for his
family's proper maintenance and that in the
event of his deposition a life pension would
be granted him. As for his wife's objection,
that was overcome through the personal in-
fluence of King Edward. And the choice of
the new King was ratified by popular vote.
King Haakon VII is "essentially" a domestic
man, says the Paris Matin. Describing him
while he was still a prince, the Matin said:
"He is essentially the life of those gatherings
of the Danish royal family which have become
one of the institutions of monarchical Europe.
Prince Charles is the most attractive figure at
those palace gatherings which so often include
in addition to the venerable King Christian, the
Queen of England, the former Czarina of Russia,
the King of the Hellenes and innumerable other
branches of the same tree. These are strictly
family gatherings. There are games, dinners,
talks — all of the homeliest, most domesticated
sort. Then, indeed, is Prince Charles of Den-
mark most truly himself. He is the life of the
affair, organizing some new form of diversion,
suggesting a novel game to play, telling some
bright story or endearing himself to father, aunt
or cousin in the way he knows so well. He is, in
fact, the favorite of the large family. He is
never seen out of humor, there appears to be no
circumstance that can throw a wet blanket over
the surface of his disposition. He is cheerful-
ness itself, not cheerful in the flamboyant, vola-
tile style of Princess Waldemar, the French mem-
ber of the Danish royal family, but in his own
quiet, ready, sympathetic way. He is not a jolly
prince but a kindly one. His wife adores him —
but who does not?"
In short, the King's character fully justifies,
apparently, the assertion of the London Morn-
ing Post that he unites "in a singular degree
many of the qualifications which the sovereign
of an essentially democratic state must pos-
sess." The British, indeed, seem particularly
well pleased with his accession to kingly dig-
nity. Their own sovereign, Edward VII, is
King Haakon's father-in-law, and has long
had a noticeable fondness for his son-in-law,
never being so well pleased as when Prince
Charles would join him on a shooting expedi-
tion through the Sandringham woods. Prince
Charles was always described as a capital shot.
The name Haakon is a name associated with
the splendors of Norwegian history, as is also
that which the new queen, formerly Princess
Maud, assumes — Queen Maragrethe. The
London Times comments:
"He will be crowned King under the name of
Haakon VII. in remembrance of the days when
a Norse King ruled over a fully independent
Kingdom of Norway. The name of this King,
who died in 1380, was Haakon VI. . . . The
NORWAY'S NEW QUEEN .
Her great objection to her new dignity caused the
new Kin>r of Norway to hesitate before accepting the
crown. She was Princess Maud Alexandra of Wales.
new name for her Royal Highness recalls the
memory of this very King Haakon's wife, a lady
who fills a great place in northern history because
she, already the reigning Queen of Denmark,
brought Norway and Sweden under her mighty
sceptre and in 1397 formed the great union of
all the northern countries which is now again a
dream of the future in modem form."
At this moment Haakon VII is a king with-
out a court. He has already been deluged with
applications for "gold stick" positions.
PERSONS IN THE FOREGROUND
103
SARAH BERNHARDT AT SIXTY-ONE
"Life in all its phases has an untiring charm
for her." That sentence, we are told by
Giarles Henry Meltzer, contains the secret of
Sarah Bernhardt's power and of her youthful-
ness still, although sixty-one years have passed
over her head, and most of them have been
years of storm and strenuosity.
It was a quarter of a century ago — 1881 —
when Madame Bernhardt made her first jour-
ney to the United States. Six friends accom-
panied her, of whom Mr. Meltzer, the secre-
tary of Alphonse Daudet, was one. She was
at that time an erratic and rebellious star who
had just hurled defiance at the managers of the
Theatre Franqais. All sorts of sensational
stories were told about her and she seemed to
encourage that sort of advertising. Protests
many and strong were made in the pulpits
and the church press of America during her
tour here, and her private character was bit-
terly assailed. Now, a quarter of a century
later, although the moralists have never be-
come reconciled to her, she elicits little or no
protest of the sort that she encountered then,
though a misreported interview in Quebec a
few weeks ago resulted in a noisy demonstra-
tion of popular disapproval.
It is a pleasure, however, to note the differ-
ence in the character of the stories told now
of her personal career and those which ob-
tained such currency upon her first trip. An
element pf sweetness and simplicity seems to
have entered into her life which contrasts well
with the gusty passions and reckless extrava-
gance which she exhibited or affected in the
days gone by. Mr. Meltzer writes of her, in
the San Francisco Chronicle, as follows:
"In private life the most adulated actress of her
day is vcty simple and very interesting. She has
faults (which of us has not?), but she has vir-
tues and great qualities. Her nerves may, to
outsiders, make her appear 'sensational.' But in
her own home she is a rare comrade, a kind
mother, a staunch friend. She is happiest, as
she herself would tell you, when, after a hard
season at her Paris house or *on the road,' she
retires to her plain little house — an abandoned
fort — on the island of- Belle-Isle, in Brittany.
There, amid solitude and savagery, and there
only, she rests and lives naturally. Her com-
panions are the peasants, the rude fisher folk and
the cure of the village in which at times she at-
tends mass. For, though by race a Jewess, she
is — or she believes she is — a devout Catholic.
Echoes of Paris are brought down to her, even
in this retreat, by the artists whom she admits
to her intimacy. But at Belle-Isle she shakes off
the wearing tyranny, the enthralling spell, the
relentless influence of the stage, and reveals her-
self as a mere woman. Witty to a fault, insa-
tiably curious, an excellent listener and a delight-
ful talker, she makes an ideal hostess. She is
interested not only in her own art, but in the
affairs of others. Life in all its phases has an
untiring charm for her. That is, perhaps, the
secret, if there be a secret, of the strange power
and youth which, at an age when most are ready
to retire, she still enjoys."
Despite the vast sums which Madame Bern-
hardt has made on the stage — she made over
one million dollars in this country under the
management of Maurice Grau and his partner,
Henry Abbey — and despite this strain of sim-
plicity in her life in Brittany, she is likely to
die poor. At the outset of her career, we are
told by Mr. Meltzer, she loaded herself down
with debt and she has never, save for a few
months or years, recovered from that unfor-
tunate start. She never was able to save
money. We quote again what is said concern-
ing this side of her character :
"Her own lavishness — her inability to deny her- .
self the gratification of her whims, her insatiable
hunger for the rare and beautiful, whether it
chance to take the shape of a Lalique hatpin or
cinquecento tripych — ^have helped to impoverish
her. Generous to a fault, reckless as the women
of her race are rarely reckless, she has squan-
dered her hard-gotten earnings without counting,
on poor relations, rapacious friends and distressed
comrades. In the old days, when her delightful
little villa in the Avenue de Villiers was one of
the Parisian landmarks, I have known her to
play hostess day after day, week after week, to
scores of visitors. Bankruptcy, with the usual
consequences, once at least rewarded her for her
good nature. Her Paris villa and her country
house were sold, and her possessions, including
her pictures and her sculpture, went to the ham-
mer."
Most of her money, however, it is worth
while to note, has been lost as Irvingfs was,
in producing plays which, though of artistic
merit, have failed to win popularity. "I
question whether she has saved much more
than enough," says Mr. Meltzer, "to pay her
expenses and keep up her life insurance pol-
icy." Fortunes have gone, also, into theaters
which she has "financed" for her son Maurice.
Thanks to her health, however, which has
nearly always been marvelous, though for a
time she had fainting fits and has always had
"nerves," and thanks to her high spirits, her
sense of humor and the philosophic strain
in her nature, she has fought her way through
all her many difficulties.
164
Recent Poetry
It sounds too good to be true; but it is true:
a new book of poetry by Victor Hugo has just
been published in Paris entitled Xa Demiere
Gcrbe" (The Last Sheaf). It contains passages
that will take rank with the best of the poet's
work, and has all his characteristic qualities—
his grandiose imagery and his Olympian tone—
which Brandes in his new book on "The Romantic
School in France" has thus described: "We feel
as if the poet had actually seen all and had painted
it with a brush like that pine which Heine would
fain have torn from the Norwegian cliffs and
dipped in the fire of Etna to write with it the
name of his beloved across the expanse of heaven.
The poet dared to lay hold of the painful,
the ugly, the terrible, and incorporate it in his
verse, assured of his power to penetrate it all
with poetry, to impart transparency to all these
shadows and immerge all the blackness in a poetic
sea of light."
We give a literal— not metric— translation of
three of the poems in this posthumous volume.
The first of the three is a sort of lyric nightmare :
BABEL
By Victor Hugo
Babel is in the depths of the land of horrors.
If the Frightful were a visible thing it would
resemble this unheard-of tower, its immeasurable
summit lost in the clouds.
Nay, it is no tower, but rather a monster
building.
Daylight, powerless to illumme, slips oft it.
Its side openings, full of shadow, swallow up
the storm-laden, hissing winds of the void.
Out of it issue unfamiliar, somber hootings.
Its spire, deformed and cloud-piercing, ends
there, or perchance only begins.
Its granite porticoes have been gnawed by the
hurricane : the breach is like a hole that the spade
scoops in the earth; its stairways are hewn out
of the giant rock, and upon its mournful escarp-
ments are engraved masks, tripods,- gnomes,
clepsydras. , , , i. j
Its caves, large enough to shelter hydras, seem
from afar like clefts wherein the asp lurks.
From the fog- wrapt juttings of its sheer walls
emerge clumps of thick herbage.
Its broken arch-clusters are like unto sheaves,
and the stone has the sinister pallor of a shroud.
Babel would fain mount to the zenith: God
alone may set a limit to its ascent.
One trembles beholding that floomy interior—
so black that no starlight may pierce it.
Attached to walls descending sheer from the
pediment there stand out colossal figures of
frightful aspect, targets for the thunderbolt.
From the foundation rise twin towers resem-
bling lighthouses, specters in the distance.
Out of the ghastly pile of architectural enormity
emerge vague forms: a dome, a chaos of stair-
ways, terraces, bridges, all outlined in confused
mass upon the horizon.
And as a Right of pigeons or swift swallows
will sometimes be seen to alight upon a housetop,
so, descending upon these gloomy bastions, there
issue out of the depths of the air griffins, black
hippogriffs, sphinxes born of nightmare, whose
foldless wings are sharp as swords; the dragon
smothering lightnings under its huge belly; the
eagle of the Apocalypse and the larvae of the air ;
white seraphim upborne upon enormous wings,
terrible and newly come from some far-off star.
Hugo lets his fancy revel in the following way
over the beginnings of human language :
THE ORIGIN OF SPEECH
By Victor Hugo
Whence comes the word.^ Whence comes lan-
guage?
From whom do we derive the words which are
the fabric of our speech?
Writing and the alphabet— whence come they?
Plato beheld I issuing from the subtle afr;
Messene copied M from the bucklers of the Mede;
the cranes in their flight give Y to Palamede;
Perseus heard the roll of R in the barking of the
dog ; Z revealed itself to Prometheus in the light-
ning; O is eternity, the serpent gnawing its tail;
L, F and G were seen in the blue vault, confused
gestures of the airy clouds.
Nevertheless, the grammarians dispute all this.
D is the triangle in which God is upborne
by Job; T is the fatal cross that inspired Eze-
kiel's dreams.
Think you now that the problem is solved?
Did Triptolemus in his harvesting let fall
words even as the wheat fell beneath his scythe?
Did Greek blossom from the lips of Euterpe?
Did Hebrew come from Adam? or Celtic from
Irmensul ?
Dispute this as you will, it is certain that no
one knows who placed in the void, pointing to the
glorious ideal, the letters of the ancient alphabet
— those stairs b^ which the human mind mounts
to the sacred heights, those five and twenty golden
steps of the ladder, Thought.
Bethink thee, then, poor insensate clay, man,
shadow, how thou art not able to explain tiiyself.
To the human eye man is naught but a phantom.
When we would mount from speech to thought
and would fain know what relation that sound
bears to this flame, there is no answer.
The bond has been broken.
Of thyself, by means of thy brain, thou art
powerless to solve the enigma.
Thou canst not even open thine own window.
RECENT POETRY
loS
Thou knowest not thyself and thou wouldst
know Him!
Peering, sightless, O miserable magician, thou
dost not understand thine own word and thou
wouldst fathom His.
Here is another of the poems, one with an
adorably audacious ending:
HYMN TO GENIUS
By Victor Hugo
The work of man is the echo of the work of
God.
Star or thought, one hears in the masterpiece
bek)w the echo of the masterpiece on high.
Shakespeare, Dante, Job, Aeschylus 1 your
genius in itself is a harmony in the azure depths.
It broods upon the world and the shadow and
die blue heavens and all existence, and its works
are its reply to God.
It enlists the Ideal in its vast pursuits.
Behold ! God made the Ocean; man made Ham-
let Quits!
William Winter's hair is like the driven snow,
but the fire of his oratory, the flash of his sword
wielded in dramatic criticism, and the melody of
his poetic lyre have wonderfully withstood the
assaults of time. We offer this (from the New
York Tribune) in part evidence:
THE REASON
By William Winter
I know not if thy charm it be.
Or Nature's charm, reveal'd in thee ;
Whether thy face, as now I view it,
Is thine, — or hers that's shining through it :
Bat this I know— whate'er the art
That wins me, thou hast won my heart!
And therefore, though my old guitar
Has strings that were, — not strings that are,—
Once more, ere ^et its time be spent,
I touch that anaent instrument,
In praise of truth and beauty blent !
Through the red glare, the scorching light,
The din, the havoc, and the blight
Of clamorous wradi and hideous haste,
That make this life one dreary waste.
Thy voice, of Music's soul complete,
Was ever tender, low and sweet,—
To make the frantic tumult cease
And Uess me with the balm of peace!
And so for thee I breathe a sigh-
Therefore I love thee— far or nigh—
Or else, — or else— I know not why.
The name of Walter Malone used to be more
familiar to magazine readers a few years ago
than it is now. Mr. Malone now wears the
judge's ermine (or would if judges still wore
ermine) in Memphis, Tennessee; but he looks
back longingly to the days and nights when he
was a constant wooer of the muses in Bohemia.
He has just published a volume of his poems, and
there is much in it that is well worth while.
This, for instance:
HOMER
By Walter Malonb
What earthly King who envies not my name?
What century shall behold my honor dim?
As virile and as vigorous is my fame
As when mankind first heard my morning
hymn.
Csesar has come, has concjuered, passed away;
Young Alexander's empire is a dream;
Napoleon shared my sceptre for a day,
Then saw the snapping of his cobweb scheme.
But I, who living begged my daily bread,
Found death the gateway to a golden throne ;
I rule the living, though they call me dead.
And time to me is but a term unknown.
I see new poets come to take my place;
They can not lift my lance or bend my bow ;
If in their lines be loveliness or grace,
I said the same three thousand years ago.
So Babylon and Nineveh have gone,
While I rejoice in everlasting day;
Paris, Manhattan, London, had their dawn,
And I shall see their splendor fade away.
The dear old gods I knew in ancient days.
Of Egypt and Assyria, Greece and Rome,
Have lost their crowns, and strange new idols
gaze
Across the desert and the ocean foam.
The golden-haired Apollo is no more,
But songs I sang him still have power to thrill ;
Though Pallas pass, I keep my strength of yore;
Great Pan is dead, but 1 am living still.
Lo, by the everlasting throne of God
Sits Gabriel with his trumpet in his hand,
Waiting that far, far day, when sea and sod
Give up their dead, before that Judge to stand.
Not till that trumpet bids the sun grow black,
Shall breath of God blow out my radiant flame ;
Not till the earth shall wander from her track.
And there is no more sea, shall die my name.
A poem does not have to be good theology or
good philosophy in order to be good poetry. The
philosophy of the following poem may strike
some as vulnerable, but it certainly has strength
and genuineness, and voices in a forthright way
the lesson of self-reliance.
io6
CURRENT LITERATURE
IN PRAISE OF MYSELF
By Walter M alone
I am sick of the days of love, of the prating of
beautiful eyes,
Of the ruby lips, of the golden hair, and of cheeks
like morning skies;
For a day will dawn when the eyes grow dim,
and the ringlets of gold are gray,
And Love, like a traitor, when wrinkles come,
will silently sneak away.
I am weary of lays of Friendship, too, of the
truth that never turns,
Of the trusting hearts and the helping hands, the
faith that forever burns;
For when Fate may frown, and when P'ortune
flies, and your golden age is done,
You will find at last, wherever you go, there is
left of your friends not one.
I am weary alike of Prayer, of beseeching of piti-
less skies.
Of the wails for help, of the shrieks for aid as
the wretch in anguish dies;
For the gods help those who uplift the sword,
not those who as beggars come;
To the rich they give, from the poor they take, to
the weak are deaf and dumb.
Whenever you hang on another's arm, the soul of
your strength is past;
When you give your fate to another's hands, the
die of your doom is cast ;
Whenever you mumble for mercy here, the day of
defeat draws nigh ;
Whenever you weep, whenever you wail, you are
left to droop and die.
Whenever you win a battle of life, reap riches or
gain renown.
No hand but your own on the flaming field will
place on your head the crown.
If the palms you bear, if the bays you wear, if
you heap and hoard your pelf.
No finger will lift from a friendly arm till first
you have helped yourself.
I care not what men or women may say when of
outside aid they tell,
For work others do can never suit you — ^you only
can do it well.
And I know this truth, that if win I will, I must
win by force of might ;
What gift I may crave, what reward I seek, I lose
if I do not fight.
Whatever a friend may do for a friend is only
reflected light,
From the sun of Self, of splendor the source, and
without which all is night.
Whenever the fang of a foeman stings, infection
never takes place
Unless I myself have poisoned myself, nourishing
grafted disgrace.
So I praise myself for fights I have fought, for
the enemies underfoot hurled.
And I love myself and I hug myself as I face a
hostile world;
And I praise myself that I heeded not the hisses
and hoots and jeers,
And with bulldog grip have clung to my rights
through all of the friendless years.
Though I blundered oft, and I stumbled oft while
bleeding from thrust on thrust,
I have faced all foes, have endured all blows, have
risen when hurled to dust.
Though many my faults, and my passions strong,
and sins of self were to down,
I have forged ahead, and my brow deserves,
though never it wear, a crown.
So I praise myself for the fights I fought against
all the hosts of hell,
Though I knew at last was a greedy grave, and a
shroud and a funeral bell.
I have trod the path which, I know not why, leads
on to the lonely tomb.
And never a man or a seraph or saint more boldly
has marched to doom.
I care not what sage or sophist might do, what
higher beings might say.
What counsel of man, what wisdom of God, may
have shown a better way;
Had they fought like me, had they bled like me
as they crept through earth to die,
I would challenge them all to take up my lot and
bear it better than I.
I have asked for aid from the sons of men — they
have left me all alone;
I have prayed the gods for a loaf of bread — ^they
have always given a stone.
So I clenched my teeth, and doubled my fists, and
I fought to hold my own,
And the mobs of men, when I helped myself, have
begged me accept a throne.
So little I care if they say my words are vanity,
pomp or conceit,
For I know that Self and that Self alone, can
bring me a mess of meat.
So the little tin gods of the old-time bards I
shove in dust on the shelf,
And asking no leave of a living soul, I take off my
hat to myself.
The assassination the other day of General
Sakharoff by a woman, at the behest of the Rus-
sian revolutionists, gives an air of grim reality to
the poem (from the New York Times) which
follows :
THE REVOLUTIONIST
From a Russian Prose Poem op Turcenev
By Arthur Guiterman
I saw a spacious house. O'erhung with pall,
A narrow doorway pierced the sombre wall.
Within was chill, impenetrable shade;
Without there stood a maid — z. Russian maid,
To whom the icy dark sent forth a slow
And hollow-sounding Voice:
RECENT POETRY
107
"And dost thou know,
When thou hast entered what awaits thee here?"
"I know/' she said, "and knowing do not fear."
*'Cold, hunger, hatred, Slander's blighting
breath,"
The Voice still chanted, "suffering— and Death?"
"I know," she said.
"Undaunted, wilt thou dare
The sneers of kindred? Art thou steeled to bear
From those whom most thou lovest, spite and
scorn?"
"Though Love be paid with Hate, shall that be
borne,"
She answered.
"Think ! Thy doom may be to die
By thine own hand, with none to fathom why,
Unthanked, unhonored, desolate, alone,
Thy graye unmarked, thy toil, thy love unknown,
And none in days to come shall speak thy name."
She said: "I ask no pity, thanks, or fame."
"Art thou prepared for crime?"
She bowed her head:
**Yes, crime, if that shall need," the maiden said.
Now paused the Voice before it asked anew :
''But knowest thou that all thou boldest true
Thy soul may yet deny in bitter pain.
So thou shalt deem thy sacrifice in vain ?"
"E'en this 1 know," she said, "and yet again,
I pray thee, let me enter."
"Enter then!"
That hollow Voice replied. She passed the door.
A sable curtain fell — and nothing more.
'\\ fool!" snarled some one, gnashing. Like a
prayer,
"A Saint !" a whispered answer thrilled the air.
The new Christmas poetry that has come to
our notice this year is not compelling. This from
Tk€ Atlantic Monthly is the best we have seen;
but it is not very Christmasy:
THE LITTLE CHRIST
By Laura Spencer Portor
Mother, I am thy little Son —
Why weepest thou?
Hush! for J see a crown of thorns,
A bleeding brow.
Mother, I am thy little Son —
Why dost thou sigh?
Hush! for the shadow of the years
Stoopeth more nigh!
Mother, I am thy little Son —
Oh, smile on me.
The birds sing blithe, the birds sing gay,
The leaf laughs on the tree.
Oh, hush thee! The leaves do shiver sore,
That tree whereon they grow,
I see it hewn, and bound, to bear
The weight of human woe.
Mother, I am thy little Son—
The Night comes on apace —
When all God's waiting stars shall smile
On me in thy embrace.
Oh. hush thee! I see black starless night!
Oh, could'st thou slip away
Now, by the hawthorn hedge of Deaths —
The stanzas below come from one of the Brit-
ish periodicals. We have neglected to make a
record of the name:
THE KING'S FOOL
By William J. Niedig
A Fool it was, and took his Soul
Within his hollowed hands;
He took his Soul and smoothed it calm,
And loosed its strained bands.
"O Soul," he cried, "you bear the stain
Of chain-gyves interwove!
Who did this thing?" The Soul replied
"It was the friend I love."
"O Soul, you have a flaming brand
Burned on your nakedness!
Who did this thing?" The Soul replied:
"That was a pure caress."
"O Soul, a fissure shows your heart
Like wound of bloody sword!
Who did this thing?" The Soul replied:
"That was a friendly word."
"O Soul, you shrink within my hand,
I scarce see where you be!
Who did this thing?" The Soul replied:
"A woman pitied me."
The Fool laid down his Soul and wept,
And knelt him down beside;
He soothed and questioned all the night, —
No soul of him replied.
The poetry of "Miss Fiona Macleod" has for
ttsn years attracted wide attention and has had
much to do with the so-called Celtic movement in
literature. It now transpires that "Miss Fiona
Macleod" was none other than Mr. William
Sharp, one of Great Britain's well-known authors
and critics, whose death occurred in Sicily a few
days ago — December 14. His widow makes
known this fact, which clears up one of the most
interesting mysteries of literary history. Mr.
Sharp, whose poems under his nom de plume have
"served as a clarion call to the Irish muse," was
a Scotsman.
io8
Recent Fiction and the Critics
I
Marion Crawford has written more than a score
of romances, all of them, or nearly all, good read-
able novels, with real stories, real characters and
the charm of excellent workman-
Margaret : ship. But the publication of a new
A Portrait story by him is not an arousing
event. He is not an epoch-maker,
and he projects no new problems of art or so-
ciology upon a startled public. His latest novel*
is regarded as a fairly good specimen of his work,
not as good as his best, not as bad as his worst.
The scene of the story is laid in Paris, instead of
in Italy, where his scenes are usually laid. The
heroine, Miss Margaret Donne, is an English girl
who has a divine voice and is preparing for her
dibut on the operatic stage. (She doesn't get
that far in this book, but a sequel is foreshadowed
in the closing chapter.) The coterie of artists
among whom her aspiration brings her include
two men, Lushington (French-born but English-
bred) and Legotheli, a Greek, both of whom fall
in love with her, and neither of whom gets her
(in this book) ; also Mme. Bonnani, a great prima-
donna, of peasant manners and stained reputation,
but of good heart. The critics are agreed on one
point— that the character of Mme. Bonnani is
splendidly drawn. The London Academy, which
finds the story rather disappointing after Mr.
Crawford's Italian romances, calls the prima
donna a brilliant sketch. "She is so full of life,
so vivacious, so generous in the highest sense of
the word, that it is impossible not to like her."
Fred Taber Cooper, writing in The Bookman
(New York), says of her: "If there were nothing
else in this book than the portrait of this big-
hearted, Junoesque, voluble French woman, who
has- been a great soprano for thirty years, and a
vulgar peasant all her life, it would still be one
of the books that Mr. Crawford might justly be
very proud of." The same critic thinks that
Crawford has produced nothing since his Sarici-
nesca trilogy that approaches this work. But The
Book News finds that some places in it wear the
reader's patience nearly threadbare. Of Margaret
herself it says :
"With a little more freedom, Margaret would
have developed into warm flesh and blood, but
the author remembered his 'portrait' and placed
her under lock and key. If at times she seems
cold and automatic, it must be laid to this restraint
•Fair Maroamt. A Portrait. By F. Marion Craw-
ford. The MacmlUan Compaoy.
— it was a case of Margaret over-ruling Mr. I
Crawford or vice versa, and the author, being the
stronger of the two, poor Margaret has sunered
unspeakably."
This novel is called by a different name in Eng-
land. There it is known as "Soprano : A Portrait."
When Mary E. Wilkins was married to Dr.
Freeman, she went to a New Jersey town, Me-
tuchen, to reside. She now gives us a New Jersey
story* of 562 pages, which com-
Xhe bines psychology, dramatic action
Debtor and love sentiment in a way that
elicits critical admiration for her
unsparing realism. The hero of the novel — ^"thc
best picture of a genteel dead-beat," accordmg to
the New York Evening Post, "that has been pro-
duced in this country" — is Arthur Carroll, from
Kentucky. Naturally high-spirited, impulsive and
trustful, he became the victim of a smooth friend
who swindled him out of all his possessions in the
South. Thereafter he, his wife, his sister, his two
daughters and his son Hit from one suburban resi-
dence to another, "doing" everybody, sometimes
suffering when their credit with the tradesmen
ran out, but keeping up appearances for a sur-
prisingly long time, and never losing their loyalty
to one another nor the manners that come from
good breeding. In the end the hero bravely
buckles to the task of earning an honest living.
The New York Tribune finds the story truthful,
impressive and entertaining, and thinks it would
be difficult to find a more apt and clear-cut picture
of suburban life. The Louisville Times rates it
the best story Mrs. Freeman has given us, and
the New York Sun thinks it the most successful
which she has written since she began construct-
ing long stories. The Outlook speaks of it as "a
searching study of character" on an unhackneyed
theme. It adds:
"One misses the crispness of style that marked
'Pembroke' and 'Jerome;' one sometimes finds in-
volved sentences and careless phrasing; but the
reality, intensity, and force of the novel are re-
markable. The author has here proven beyond
question that she does not need her old adjuncts
of New England dialect and New Enjg^land en-
vironment She is perfectly at home in a New
Jersey suburban town in probing subtly into mo-
tive and in creating substantial characters whose
actions and lives are interesting to the psycholo-
gist and the novel-lover alike."
*Thb Debtor. By Mary B. Wilkins-Freeman. Harper
& Brothers.
RECENT FICTION AND THE CRITICS
109
The Proridence Journal finds the tale "in many
ways a painful study," but goes on to say:'
"The love story of the joanfer daughter is the
bright ^>ot in the narrative; in the scenes with
her father and with her lover her character de-
velops; she is, on the whole, the most fascinating
heroine whom Miss Willdns has ever drawn.
And if *TTie Debtor" cannot be called a pleasant
novel, it is better than that; it has a true grip
upon life and it deals with actual conditions.
A good many hopes have been built upon Booth
Tarldngton, and nothing that he has done lately
has seemed to the critics to go quite so far
The
.» toward their realization as his new
Camquest novel* There is quite a chorus of
off enthusiastic praise, and most of the
Canaan. reviewers agree that it is the best
norel he has yet produced. As a serial in
Harper's it attracted much interest and held it
to the end. It is another story of an Indiana
town, with any number of provincial types drawn
as from life. We agree with the critic of the Provi-
dence Journal that the story itself is rather crude,
and the doubt which intrudes itself upon a re-
Ticwcr in the New York Times whether there
could be quite so stony-hearted a town as Canaan
seems justified. The Springfield Republican
thinks the work is not an inch beyond 'prentice
work, and the story "distorted at almost every
point"; but it admits that it is, none the less, "de-
cidedly interesting." The popularity of the book
seems already assured. Note the enthusiasm of
the following from Book News:
**It is the welding of beauty and strength in
the work of a writer who has conscientiously, un-
h^sting, unresting, pursued an ideal, and achieved
a masterpiece. For The Conquest of Canaan'
is a great American novel; the finest fruit of a
Htcrary and imaginative art; a piece of American
Hfe in all its sahency of characterization and en-
Tironmcnt ; a contribution to the permanent litera-
tnre of our country. The stamp of reality and
genius attests its genuineness as a human docu-
ment conceived and crystallized in the alembic of
the ima^nation."
The Outlook is not far behind in its praise :
" 'The Conquest of Canaan' has not lost the note
of refinement, but it has gained in solidity and
distinctness of outline; it is an original story in
point of plot; it is witty, spirited, romantic, and
beautifally human in its spirit. It will be read for
its interest and its charm ; it ought to be read also
br the Pharisees, the uncharitable, the hard and
har^-minded, of whom society is far too full."
Joe Louden, the hero, is as a boy a scapegrace,
gets a bad name in Canaan and runs away to
avoid the penalty of one of his pranks. When
be retnmsy years later, having been a good deal
of a vagabond, but having in the end equipped
himself as a lawyer, he finds that the respectable
class are all against him. His interest in the
shady classes — a sort of unconfessed missionary
interest — ^intensifies the hostility of Canaan so-
ciety, but Joe sticks to his work as a lawyer and
gets plenty of clients; but the loneliness of his
life leads to drink and he is in a fair way to
justify his bad name when the heroine appears
on the scene. She is the kind of a heroine you
wish to read about She was his playmate in his
scapegrace days, and when she returns from
Paris, an accomplished artist, wealthy, beautiful
and tactful, she is as loyal as ever to Joe. How
her tact and Joe's courage effect the conquest of
Canaan and the downfall of the local magnate,
Martin Pike, is the burden of the tale, which, as
the Philadelphia Press says, is "to be read with
unremitting interest." Of the hero and heroine.
The Times (New York) says: "A novelist sel-
dom creates two more fascinating young people.
Heroes and heroines are a stiff-necked genera-
tion, usually refusing to live up in any wise to
their author's praises of them; but Joe and Ariel
are altogether humanly delightful, made up of
fine traits, wide in their interests, not merely
puppets of perfection worked by the one string
of the universal passion." It is, the same critic
concludes, one of "that rare inner circle of books
which satisfy— books with a soul."
Mr. H. G. Wells has more than one string to
his literary bow. The pseudo-scientific novel, a la
Jules Verne, is one string and that of social satire
is another, and, many think, even
Kipps a better string. "Kipps"* is a so-
cial satire, not too severe or bitter,
but sweetened with fun and human interest. It
reminds one in many ways of Judge Warren's
"Ten Thousand a Year" and his Tittlebat Tit-
mouse; but the hero in "Kipps" never loses our
respect even in his most ludicrous exhibitions.
Like Titmouse, Kipps is a draper's clerk who
comes unexpectedly into possession of wealth —
twelve hundred pounds a year. He can easily
change the spelling of his name to Cuyps, but
his aitches and his manners are more in-
tractable and render him in the social circles
he now moves in as miserable as a fish out of
water. He ends by running away from a fashion-
able dinner party and from the young woman who
has set her cap for him and, in full evening dress,
hunts up a winsome parlormaid he had loved in
his apprentice days and proposes to her in the
kitchen. And Mr. Wells makes you think well of
*Tn Camavm&r or Cahaam.
Harper « Bnyther^.
By Booth Tarklngton.
•KiPPS:
Thb Story of a Simplb Soul. [By H.
Charles Scribner's Son8<
G'
no
CURRENT LITERATURE
his hero for doing just so. The discriminating
lover of good literature, The Sun thinks, is sure
to be delighted with the crisp and vigorous style
of the story, its whimsical and homely conceits,
its genuine pathos and humor and its sincerity of
realism. "Why try to make of a man a some-
thing he was never intended to be?" is the moral
of the story as interpreted by Book News, and
the answer Mr. Wells gives us is "a picture of
life drawn without obscuring flourishes or the
lights and shadows so placed as to twist the truth
into an 'artistic effect.'" All the English critics
speak admiringly of the story. Kipps, the hero,
is well entitled to be called a creation, The Satur-
day Review thinks, and, Mr. Wells "treats him
with fine skill, sympathetically, humanely, ten-
derly, never savagely as Warren did his Tit-
mouse." The characters of the book live, says
the London Times, and the author never, for a
single page, fails to be amusing. The Athenaeum
concludes its review as follows:
"In this engrossing story Mr. Wells comes to
his own once more. He has set aside the specu-
lations of scientific imagination, and deals with
warm human life to-day. This is the work which
was designed for him in the end, and we cannot
doubt that he will continue to devote himself
to it."
Kate Douglas Wiggin has not, in her latest
book,* quite met the expectations of her ad-
mirers. Not exactly that they love her Rose less,
but love her Rebecca and Pe-
Rose o* nelope more. The Times (New
the River York) concedes the "graceful
sprightliness" of the new book
and would have found much in it to praise if it
were a first book by a new writer. As it is, the
critic experiences a "distinct disappointment."
Kate Blackiston Stille, reviewing the book in
Book News, finds "generous feelings," "alert
imagination" and "the poet's love of nature" in
the novel; but she also uses the words "rather
disappointing." The Independent calls it "a
pretty story pleasantly told," and adds with a
touch of real enthusiasm : "We do not remember
a dearer little house in fiction than the one which
Stephen made ready for the rose of a girl who
was made to bloom within its walls."
A reviewer in the London Academy seems to
be very greatly charmed with the story. He says :
"The thread of this story is so slender that it is
almost imperceptible. A touch of jealousy, a
lovers* quarrel, a lovers' meeting at the journey's
end, and you have the matter in a nutshell; but
you have it without any hint of the charm that
holds you from first page to last Miss Wiggin
has gone back to America and given us an idyl
* Rose o' thb Rivbr. By Kate Douglas Wiggin. Hough-
ton, Miffiin ft Co.
of the Saco and of the lumbermen who ply their
dangerous trade there. The river is the settings
of the story and the oeople on its banks are seen
in the light of its beauty, its strength, its sudden
passions. But Miss Wiggin touches lightly on
the tragedies of life. She sees a vigorous, happy
race making homes on her river banks : she shows
you their failings kindly and their virtues with
real belief. Yet her optimism is not of the exas-
perating, unpersuasive quality that has lost all
sense of proportion and cannot distinguish bad
from good. . . . All Miss Wiggin's men and
women are alive, and, when she wishes it, lovable.
Rose herself is as glowing and fragrant as her
namesake flowers running riot in the garden of
her old home and on the wall-paper of the new
one she comes to in the end as bride."
The London Athenaeum speaks of the book
as "slight and mildly interesting." Our own
Critic classes it among the pot-boilers, and The
Literary Digest calls it a "skimpy little bit of
sentimentality," for whose "cheap banality" the
author ought to apologize. Robert Bridges in
Collier's, on the other hand, terms it "an idyllic
love story" and The Outlook thinks it is "spon-
taneous and fascinating."
Nobody takes Mr. McCutcheon's latest story*
very seriously, but then it is evident that the
author never intended that it should be taken
seriously. It is an amusing ex-
Nedra travaganza. Nedra is the name of
an island in the Philippine group
inhabited by cannibals. Mr. Hugh Ridgeway, a
young Chicago millionaire, is shipwrecked on this
island together with Lady Tennys, who is Eng-
lish, you know, and whose husband is drowned
in the shipwreck. A dreadful fight ensues on the
island between two tribes of cannibals to decide
which tribe shall secure possession of the two
strangers. When that is settled, Hugh and the
lady, instead of being eaten, are deified, and for
a year rule over the tribe as absolute sovereigns.
Then they get to Manila. Hugh finds there the
young lady to whom he was engaged, and with
whom he had run away from Chicago to escape
a fashionable wedding. Accidents had prevented
their being married before embarking on the ship,
and now they find that neither wishes to marry
the other, and everything turns out all right all
right. The story seems to a reviewer in Every-
body's a trifle less glittering in its imaginings
than Mr. McCutcheon's "Graustark" is, but the
same reviewer confesses a gladness that has not
been restrained in the perusal of the tale. "Im-
agine this story set off with cleverness and vivid-
ness," says The World To -Day, "and you have
one of the most attractive examples of the lighter
fiction of the season."
^Nbdra. By Geor^ Barr McCutcheon. Dodd^ M«Ad A Co*
The Three Elms
III
This powerful little tale is by an English writer whose name is just becoming known, at
least on this side the Atlantic — Mr. Henry Normanby. This story and several other of his
stories, all quite short, have lately appeared in The Grand Magazine, and though we make it
a point usually to publish only such stories as are not otherwise easily accessible to American
readers, we make an exception in this case. Mr. Normanby is worth knowing, and this little story,
striking into a new vein, seems to us to merit wider acquaintance.
They were of equal age and beauty, the three
elms, and the memory of man failed and became
extinct before it reached back through the years
to the hour of their nativity. They were gracious
to the sight, and their leaves made slumbrous
music in the soft night breeze. A great brother-
hood of soul was theirs, a sublime patience, an
unfailing charity to every living thing. They
stretched their arms hospitably, and the birds of
the air came into them and made them their
home. They lifted their heads in the stmlight
and whispered their secrets beneath the moon.
The compassionate rain brought them their peace
and the harsh winds of winter moved them not
to anger. In the days of their youth young chil-
dren climbed about them and made merry in their
branches, and in the fulness of time grew up to
manhood and went their ways, forgetting them.
But the three elms remained and remembered.
Together they grew in their stateliness and
strength, and toil was not theirs, neither sorrow,
nor suffering:. War and strife passed by them
unheeding, leaving them to their august repose.
Theirs was an added glory to the landscape, a
culminating beauty to the wide stretch of ver-
durous earth. In the deep shade bestowed by
them tired cattle found coolness and rest, and
>oung lambs nestled therein, and the wayfarer
unhurdcned himself and slept. Beneath them, in
the rich autunuial noondays, aged children of the
earth sat in contentment, becoming drowsily
reminiscent, telling of the days of their adoles-
cence, far back in the hazy region of the past.
Removed from all discord of commerce, they
towered high and broadened nobly, and the green
of their leaves was unsullied by the mire of cities
and the noxious exhalations of factories. In the
long June nights the benediction of their arms
was given freely to the lovers who plighted troth
in their spacious midst, and at eventide, in the
great silence of winter, having cast off their gar-
ment of leaves, they slumbered.
It was theirs, each one of them, to have an aus-
tere destiny, to take great part in the triumphant
march of the world, to determine the tragedies
of the lives of men, to be the agents of love and
sorrow, of despair and death. They knew it not,
the three elms, as they grew together in the sun-
light, stretching out their long arms, touching and
caressing each other.
The slow years passed away, beckoning to the
children of the earth who unwillingly followed
them, and the three elms grew old. Many genera-
tions of men had lived and died, and the hand of
Change lay disquietingly upon the land. A rail-
way had marred their peace and broken their
solitude and the horrible din of machinery
drowned the sibillant lisping of their voices.
These innovations weighed upon them with ex-
ceeding heaviness, their brows became furrowed,
their limbs bent and distorted, and the bright
green of their leaves dull and discolored; their
hands trembled as stricken of the palsy, and they
nodded feebly and without meaning.
Yet high above the discordant railway and the
reverberating workshops they towered magnifi-
cently. Still they stretched out their majestic
arms, and still they gave an added glory to the
landscape, a culminating beauty to the earth.
At length, in the full blaze of high summer,
men approached the trees and stood in their
serene shade. They spoke together long and
earnestly, as those who do business in mer-
chandise, and measured them with tapes and
rods. With coarse speech and rude jest they laid
sacrilegious hands on the fathers of the forest,
and the three elms knew that their hour had
come. Sublime in their stately grace and dignity
they asked no mercy, no consideration. It was
sufficient that it had to be. Presently the men
returned with axes with which they struck at the
trees, foully and insolently. The other trees
looked on in dull amazement. Blow after blow
the men struck, paused to rest awhile, then smote
again and again. For a space the Patriarchs gave
no sign, then the wind blew upon them and they
groaned, for the wind, which hitherto had as-
sailed them in vain, now had power upon them
and wrought with it grievously to their undoing.
Still the men went on striking and cutting into
them, deeply and cruelly, and the wind, gathering
in resolution, pressed heavily and bowed their
iia
CURRENT LITERATURE
majestic heads. They swayed awhile, leaned
widely, then, with a stupendous uproar of tearing
wood, fell lifeless upon the earth. Side by side
they lay in their calamity, even as they had stood
together in their strength and beauty.
Nevertheless, it was supremely theirs to have
an austere destiny, to march magnificently through
the centuries, to symbolise the tragedies of the
lives of men, to be the august agents and accom-
plices of love and sorrow, of desolation and death.
Their broad, beneficent arms no longer stretched
widely; their bright green leaves no longer whis-
pered sweet secrets beneath the moon; their ma-
jestic crests no longer towered above the world.
Shorn of their strength, disfigured and mutilated,
they lay silent upon the moist green earth.
Presently they were borne away in carts to the
railway, chained ignomintously to vile trucks, and
dragged swiftly through the peaceful country to
a great and turbulent city. Here they were
separated. It was the last of their associated
misfortunes. Through all the changes of the
fateful years they had grown up together. Every
joy and every sorrow, every triumph and every
vicissitude, had been equally shared by them.
The same benign showers had fallen upon them;
the same soft winds had caressed them; the same
flowers had breathed over them; the same fair
children had gamboled beneath their branches;
the same dews had cooled them; the same birds
had slept in the shelter of their leaves. Now, in
their death, they were divided; the Fates had
spoken and the austere destiny of each was about
to be fulfilled.
The first was taken to a large prison, and of
it was builded a gibbet, whereon doomed men,
haggard-eyed, were strangled. It was cast about
with horror and darkness and desolation. Men
passed it shudderingly, with averted eyes; women
wept at the thought of it; children were not al-
lowed to look upon it; the very hangman hurried
away from its appalling presence. The lost men
who were taken to it saw in its face the abandon-
ment of hope. The light of the sun never more
fell upon it; no longer did it hearken to the
sound of laughter and song; not once again did
the pure air of heaven whisper its benison over
its head. Yet, since it stood as the dread symbol
of human justice, since by its means was carried
out the due punishment of sin, and since it alone
heard the last whisper of dying men, its destiny
was austere.
The second was purchased by ^. shipwright, and
of it was fashioned a fishing-boat. It was dedi-
cated to the high office of Toil, and by night and
by day, in summer and winter, sunshine and rain,
wind and bitter sleet, it sailed the sea, spoiling it
of its treasure of food, doing battle with it val-
iantly for. ever. It was the home of lonely men,
going with them wheresoever they went, protect-
ing them from the violence of the tempest and
the unreasoned raging of the sea. It carried for
them that which they perilously wrested from the
clutch of the waters, and they put their trust in
it, placing their lives in its keeping, loving it.
In no wise did it betray their sublime faith, for,
when at length, after long years of patient labor,
borne always without anger and without com-
plaint, the might of the sea was greater than it
could withstand, and the wild rush of the wind
swifter than it could out-flee — ^when, on a tem-
pestuous night, its strength failed and the sea
conquered, it perished with them. Together they
went down into the uttermost deeps of the sea,
lying cold and forgotten in the great waters.
Yet, since it performed its task nobly and with-
out hope of reward, since women blessed it and
men trusted to it not in vain, and since, at the
end, it perished without fear and undeserving of
reproach, its destiny was austere.
The third and last elm was hurried away at
night to the most squalid part of a squalid town,
where dwelt an old man — ragged, mole-like,
cadaverous. He worked long and arduously, and
often into the deep watches of the night, for the
merchandise wherein he had dealings was in con-
stant and hurried demand. His work-place was
a cellar, damp and dreary, and ill-lit by a dingy
oil-lamp. He had a wife and children, and he
buried the dead to support the living. Day after
day, and month after month, and year after year
he toiled, this old man, making coffins of elm,
wherein were hidden the dead, that men might
behold them no more. His customers were the
poor and broken in spirit, and his cellar was wet
with the tears of the afilicted. With a rare fore-
sight he made his own coffin, that his widow
might be spared the expense of purchasing it.
To him came the tree, fresh from the fragrance
and living sweetness of the sunlit fields. He cut
it up into short pieces, and of them fashioned his
wares. It made many of them, and many was
not enough. And so, bit by bit, it was taken away
and returned to the earth whence it came; and
the last coffin that was carried out of that dread-
ful cellar took with it him who had fashioned it.
Yet, since it alone assuaged the suffering of
their pain, lifted the burden from the heavy-
laden, and brought the weary into their appointed
rest; since its place was the place of mourning
and lamentation, its speech the low cry of the
afflicted, and its silence the unbroken stillness of
the grave; since for ever with it marched surely
Death, its destiny was austere indeed.
"3
Under the Umbrella
The writer of this sunny little love-story, Enrico Castehiuovo, has been for more than
thirty years one of the most beloved authors of Italian fiction. He excels especially in the short
story, although he has written a number of larger novels that are among the most widely read
in Italy, the first one to gain him general recognition having been "II Quademo della Zia"
(Aunt's Picture). A German critic, Dr. Siegfried Lederer, says of him: "The themes of Cas-
tehiuoYo's compositions are extremely simple and free from all artificiality, but he has a fresh-
ness and a heartiness about him that always wins the reader. Throughout his works there is
r^ected a Idnd, gentle, characteristic note." Castelnuovo has occupied a professor's chair at the
Royal School of Commerce in Venice since the year 1872. This story is translated for us by
Thomas Seltzer.
A disUnce of more than three kilometres still
separated them from their summer home when
it commenced to rain.
Signora Susanna looked up, extended her arm
and received the first drops on the back of her
hand and on her face. Then she said to her
nq>hew, a boy of between fourteen and fifteen
years of age: 'Terrudo, jump over quick to old
Martha, and see if she can't let us have an um-
brella for a while. You stay here, Cecelia. Now,
be careful you don't get the mud all over you."
So saying, Signora Susanna opened her little
umbrella and said to her daughter :
"Come tmder my umbrella until Ferrucio gets
back. It will not do you much good, but it will
keep oflF a little of the rain."
"No, mamma," returned Cecelia, "it is no use
for two to try to get under that tiny umbrella."
Ferrucio was not long in reappearing, breath-
lessly followed at a distance of several feet by a
woman who carried a huge red umbrella under
her arm.
"Would you not rather stop over at my house
for a little while?" inquired the newcomer po-
litely. "A shower like this can't last very long,
I am sure. I think that would be best, signora.
But if you prefer to go at once I brought you this
umbrella. It is a poor umbrella, because we are
poor people ourselves, but it is the only one I
have."
"Thank you, Martha," answered Signora
Susanna cordially. "I shduld be glad to stay at
your house; but it is late and dinner is waiting
for us. I will take your umbrella and let you have
it back soon. Thank you, thank you."
Ferrucio and Cecelia exchanged smiles as they
regarded the large umbrella of the woman, whose
wings seemed calculated to give shelter to an en-
tire family.
"Everybody arm-in-arm 1 Everybody arm-in-
arm?" exclaimed the girl, clapping her hands.
"What art you thinking of, child?" retorted her
mother, '^ou take my parasol and Ferrucio will
hold the large umbrella and be my gentleman."
This arrangement by no means stiited the two
cousins, whose faces elongated several centi-
metres ; but the signora did not observe it because
at that moment her attention happened to be
drawn away by the noise of an approaching car-
riage.
It was the buggy of Dr. Lonzi
"Signora Mellini," cried the doctor, stopping
his horse and putting out his head from the buggy,
"do you want to come into my carriage? I have
a place for you here."
"Really?" answered Signora Susanna. "If you
assure me that you will not go out of your way
on my account I will accept your kind offer."
"Not at all. I am going in your direction.
And at all events, I would not leave you out in
the rain that way. I am only sorry I cannot
accommodate the young lady and the young gen-
tleman."
"The young lady and the young gentleman have
no objection to walking on foot," said Cecelia,
with a smile of contentment.
And, returning her mother's parasol, she
plunged under the ample firmament of the red
umbrella.
"This girl will remain a child until extreme old
age," remarked her mother as she was helped into
the carriage by the doctor; and, turning to the
young couple, she added : "Now don't fool around,
but go straight home. Ferrucio, you are the
younger of the two, but you are the wiser, never-
theless. Take care of your cousin. I entrust her
to you."
Dr. Lonzi shook the reins over his horse's neck
and he started off on a run.
"Did you hear?" said Ferrucio, with an air of
importance. "You are entrusted to my care.
Now, then, respect and awe in the presence of
your superior! Do you understand?"
"Oh!" exclaimed Cecelia, "what a formidable
cavalier. I can push you into that ditch with one
turn of my hand."
"4
CURRENT LITERATURE
•! should like to see it," answered Femido,
irritated at this reflection on his manly strength.
"Will you attempt to deny, perhaps, that I am
at least two inches taller than you are?"
"That is a calumny. We haven't measured our-
selves this fall."
"No, not this fall, but last fall."
•There is the rub. You see I have grown in
^.^'T'^. ^*'" '•*^' "*"' « '«"» not in height."
.J^!i. r"" ? "•* *""**"»>' °^ •»» «>««"
seemed to h.m such a stupendous piece of audacity
that he regretted it before it was well out of his
mwith. and he blushed and lowered his eyes
Jl * TT* ^'^ ^'^ '""'"■''«> " <»on«« « to
^^L H u'' ?""*" °' ^''* "*^' » ''he
t^r^tb^r " """ """"""■"•^ «'-««' --
y«?^'t Jp'''" •""'' *^' '^'"'* «>»« o*-
«o easily from this embarrassment.
"What account?"
"Why, that about my stature "
"You will get to be a regular Goliath, I dare
Z" ^Z M 'I' "^^ '""'''^ ^'"*»*' «» you or can
you not hold that famous umbrella decently?"
the .Ih?.r"**^'"' ''"' "^^ ^^™«° »»naged
.We^jnaafler than his cousin. To make matters
Zl? « *" "^ '*~"« *« »' «very gust
^n ro2.'"""''^ '-----'<•--
relrTedTi' '''"'"■''* •*" "^ '«"' »^'^-•'
^And I on my left," returned Ferrudo.
Wll you let me try?" said the young lady.
l.tt you have the umbrella?"
"Yes, for five minutes."
"I guess I won't."
"Come, be a gentleman."
"I tell you I won't."
But Cecelia, who was obstinate by nature did
force what she could not do by kind words
She began to pull ,t one way and another umil the
dosed up all of a sudden, catching the heads of
the two contestants as in a trap
When thqr finally succeeded' in reopening it,
Ferruco had his hat cocked on one side while
Ceceba was altogether in a state of disarrange-
ment They were both dripping wet. almost as if
they had just come out of a bath.
"It is your fault," cried the girl, "you savage!"
"It is my fault, is it? Was it not you who "
Continued on second fair' following.
At this point, however, the humor of the sitna-
tion overtook them, and the two cousins looked
cadi other in the face and Uughed with all their
might
•^That was a fine blow you got on your head."
I should say so. I guess I must have a bump
on my forehead." *^
"And I, too, here."
"My poor little Cecelia!" cried Fermcio
'Don't laugh so." said Cecelia, striking up a
comic attitude of alarm. "If you shake the um-
brella too much it will start its funny tridc. again
and will shut up."
.n".?^'L.''T'*.' ^"'^ '"• ^«='''»' *hen I come
to Uimk of It, It wasn't sudi a bad tridc the um-
orella played on us, was it?"
Again Fermcio thought that he allowed him-
self to speak too rashly and he flushed red.
Cecdia darted him a glance in which there was
a world of unconsdous coquetry. Then disposing
herself to a resolute mood she said: "Come now
let us walk the rest of the way like respectable
people."
She passed her arm again through that of her
cavalier and drew hersdf up against him as dosely
as possible. "That is the way," she said, "now I
will have my whole body under cover."
Ferrucio fdt a kind of uneasiness, a discomfort
that he had never experienced before; but that
discomfort was so delidous that at that moment
he would not have exchanged it for anything else
in the world.
And Cecelia, indimng her pretty head toward
him, spoke to him as she had never spoken to him
before until that day, as one speaks not to a boy
and a playmate, but to a young man who can be
taken into one's confidence, to a friend.
Sedng himsdf finally treated as an equal by a
young lady almost fifteen and a half years old and
so very pretty, Ferrucio was beside himsdf with
joy. At first he was confused and embarrassed,
but gradually his tongue was unloosened and he
began to speak with warmth and with an un-
usual emphasis.
How many things the two cousins said to each
other under that umbrella! They recalled the
time of thdr infancy when they lived in the same
city and passed many hours together every day
quarreling frequently, occasionally also palling
each other's hair, but never able to remain sei>-
arated. Later the families went to live in different
places, and Cecelia and Ferrucio remembered how
bitterly they wept on the day of thdr separation.
Yes, they wept and wept, and swore that ^ty
would write each other; but inasmuch as tfa^
CURRENT UTERATURB FOR JANUARY. 1906
A Brain Energu !
HORSFORDS
ACID PHOSPHATE
A boon to businessand ^^'
Professional Men a
rEstormg the worn ^
and tired bran to Its ''
normal condition.
m POSTED
MAN^
IS A f
KREMENT2
The posted man
never takes the just
as good Bmion. He 1^
insists on the genuine -^
one-piece ''Krementz
He knows the qualiiv
is stamped on back of
button. Made in
gold and rolled plate.
Easy to button and un
button. Stays buttoned.
If damaged in any way,
exchange It for a new one at
any deaJer. All jewelers and
Qiberdashera, Booklet '' Story'
of Collar Button" will post you,
IBEMENiZ&CO.
>KW%ltl£* JV J.
*eter MoUer's
Cod Liver Oil
!■ juat pure cod liver oil— — f^
free from dieguise, because " ^
none is needed. It is the
impurity or aduMtraUoa in
cod liver oil that makes it
offensive to taste and smell.
The purity of Moller's Oil
makes it
5 Free from Taste
or Odor.
It is this purity that
makes Moller's Oil so
digestible and without
that nauseoas "repeat**
The genaine is sold onlt in
flat, oral bottles. Imported
from Norway, bearing the
>ot
IF ANY DEALER
■ r OFFERS YOU
A SUBSTITUTE
WHEN YOU
ASK FOR
CUSHION
BUTTON
HOSE
SUPPORTER
INSISTON HAVING THE GENUINE
OVER TWO HUNDRED STYLES
WORN ALL OVER THE WORLD
I nnir u^^ t**^ "*""e and the
LUUR MOULDED RUBBER BUTTON
QaowoK Fworr Oo.. makbrs. boston, mass., u.
Please mention Cukkent Lxtebatuke when you write to advertisers
CURRENT LITERATURE
were then scarcely able to make strokes with
their pens there was no possibility of keeping
their promise. But in the fall Ferrucio came to
pass his vacation with his uncle and atmt, and
continued to do so every year. For Cecelia this
was the pleasantest season of the year. It was true
that there was an interval of considerable cooling
down when Cecelia seemed to be bent on becom-
ing a steeple, while Ferrucio evidently had made
up his mind to stop growing. Then she really
looked down upon him. Basta! But now all
this humiliation was at an end, and Cecelia faith-
fully recognized that Ferrucio would not cut a
bad figure at her side. But what a pity it was
that they could not walk arm-in-arm the whole
year round! What a pity that they could not
always confide their intimate thoughts to each
other, their secret desires, the little sorrows
of Ufe!
The two cousins, passed into pathos. Who
knew what the future had in reserve for them?
A series of disillusionments, perhaps, premature
death I Brr ! The very thought of it made their
blood freeze in their veins.
"Don't even say it, Cecelia!" ejaculated Fer-
rucio.
"You would really be grieved if I died?"
"Oh, what terrible language!" he answered,
turning his humid eyes upon her.
In answer she pressed his hand gently.
This sentimental conversation was interrupted
by the sound of a voice.
"Eh, children, why don't you hurry?"
It was Signora Susanna who waited for' them
at the gate of the villa where they had arrived
without noticing it
"And now," continued Signora Susanna, **do
me the kindness to explain why you keep the
umbrella open? It is twenty minutes since it
stopped raining."
"It has stopped raining?" exclaimed Cecelia and
Ferrucio in great surprise.
"Yes, of course? Have you been wandering in
the clouds? I am not surprised at Cecelia, she
never knows where her head is; but you, Fer-
rucio, shame on you ! And in what a horri<l con-
dition you are? All muddy from top to bottom I
Walk up quick and change your dress,- and then
come down at once to the table. You, Ferrucio,
give this umbrella to Menico and let him Return
it to old Martha at once. For all the good it has
done you you might as well have done without it"
"No, mamma, believe me, it was very nice under
this umbrella," said Cecelia as she entered the
house.
"You little rogue!" whispered Ferrucio in her
ear as he caught up beside her at the door.
The Maiden's Quavering Heart'
Miss Marie was half romantic, -half practical,
and a rather pretty girl. She could play the
piano a little, knew some French, was always
tastefully dressed, had a little nose gracefully up-
tilted, and eyes that were sometimes a light and
sometimes a dark blue.
Once she had a remarkable dream.
She saw a balance suspended from the sky.
The scales moved up and down without finding
their equilibrium.
Two angels kept putting things in them.
On one side a dark angel in high silk hat and
frock coat put in diamonds, pearls and gold.
On the other side a white, glorified angel put
in tears, sighs and songs.
Above, on the tongue of the balance, was sus-
pended her own heart. She recognized it in-
stantly.
•Translate 1 for Current L'Teraivrb from the Yiddish of
J. L. Perez.
This little heart quavered and fluttered and
kept moving from one scale to the other.
"Which will you have —
The ring of gold,
The music of song ?
Will you have pearls or tears?"
Thus sang the angels, and the little heart
quavered and knew not which to choose.
Suddenly she thought of a device — women
think even in their dreams. She sprang up and
seated herself upon the scale containing the
pearls and diamonds and gold, and in order not
to weigh down the scale she rested her head upon
the other!
Her body was with the gold, the pearls and
the diamonds; her head amid the tears, the
sighs and the songs.
And still her heart kept ceaselessly vibrating
from one to the other!
Watches of Greatest Utility
FOR MEN, WOMEN AND CHILDREN
The INGERSOLL Dollar Chains
Made in 12 attractive patterns and every one
foaranteed to contain more gold than any chain
3w» can hvy for $3.00. Also guaranteed to give
Btisfaction.
Sold by dealers or postpaid by tis for $1.00.
Grctilar free.
We take it that readers of Current Literature
are both discriminating and practical people. They
are able to sift out the essential from the non-
essential and choose by the light of reason.
In this belief we submit that the Ingersoll
Watches are of greater practical utility, price, serv-
ice and all things considered, than any other watch
manufactured in this country or abroad. They are
worth anybody's consideration from the standpoint
of reliability alone and they should not be adversely
prejudged on account of their low price.
Watelies
$1.22, $1.25, $1.25, $2.21
The Function of a watch is to keep time. It cannot do
less and be a real watch. No watch can do more unless it
be to fill the place of a piece of jewelry.
Many of our foremost men m all walks, looking at the
subject merely in the light of an investment, have adopted
the Ingersoll Watch. Cost with them is not the first con-
sideration. They recognize that the Ingersoll answers
every requirement of a watch; that its cost is less than the
annual cleaning of other makes; that it is less delicate and
less liable to injury. Cold reason, common sense and true
economy dictate their choice, why not yours?
Look for INGERSOLL on the Dial.
Ingersoll Watches are sold by merchants in every town
and city, or the latest models postpaid by the makers. They
are absolutely guaranteed.
For the sake of a few cents extra profit some dealers offer
a substitute which is not a watch because it does not keep
time. Look for INQERSOLL on the dial.
Don't "Stand" For Substitution.
DESCRIPTION.
The movements in the several Ingersoll Watches arc the same. As
timekeepers they are equally reliable. The Dollar Watch, the Eclipse
($1.50) and the Triumph ($1.75) arc regular modem size models. The
Ellipse is stemwmd and stemset and is in a sohd German-silver case.
The Triumph is heavily silver plated. All are made also in Gold-plate and
Gunmetai finishes.
The MIdret is our new ladies* size model. It is stemwind and stemset
and is regular six-size. It is the greatest watch for girls and small boys,
too. Price $2.00. Booklet free.
ROBT. H. INGERSOLL & BRO.,
64 JEWELERS COURT,
NEW YORK.
vose
HAVE BEEN ESTABLISHED
54 YEARS
and are receiving more fav-
orable comments to-day from an art-
iste standpoint than all other makes combined.
WE CHALLENGE
COMPARISONS.
By our easy payment plan every family in moderate
circumstances can own a vose piano. We allow
a liberal price for old instruments in exchange, and
deliver the piano hi your house free of expense.
You can deal with us at a distant point tlie same
as in Boston. Catalogue, books,
etc.. giving full hiformatlon
mailed free.
.vose & SONS PIANO CO.,
1160 Boylston St., Bostoo, Mass.
lANOS
MENNENS
BOilATCO TALCUM
TOILET ^is^POYTDER
Wlien the Snow Flies
I
inri biting, ffiiitf ■Erfnuirlnrnt t^** i1 m, »i if l^SpinnrF^V — Tt \ ^rf.5
the ilin J.vt Hi;l'1. A i...iillv.' rrE|>i t^i (-|lupp4Mt fafmilj^
oIikObv *n'l Wll skin troUlllCB. M'M>neii ;( U-an «tHrrv
Li jt — l>r *ni!ff nj^r yi-j prt (htECJium^, Vnt ijIcc'iT.fvi'-hrrcor
i<y mail,, ^JSC^. Szriii i-i ftf^f. Jrjr AUfirtrn' s i'f 'ff Taicicttt,
GERHARD MENNEN CO., Newark, N.J.
"THE REAL CHOCOLATE DE LUXE*
OUR HIGHEST GSAOE CHOCOLATE
AND BEST QUAUTY ROASTED NUTS.
MHXED AS HNE AS SKILL AND
IMPROVED MACHINERY WILL PERMIT.
Nut Chocolate
EACH CAKE PACKED IN TIN BOX.
I SOLD BY RRST CLASS GROCERS atDRUGOISTS (
EVERYWHERE.
IFNOT HANDLED BY \OURS. MAILED FREE
UPQN RECEIPT OF PRICE, 155 PER CAKE.
[*^^c^d^ Cocoa & Chocolate Works,
BllLSLfi-Irving Place, N.YCity.
If Coffee
Does Things
To You
When you are hit hard enough, quit
and save the remaining stock of health.
It may be small, but it will steadily in-
crease if good, well-made
P05TUM
FOOD COFFEE
Is used in place of ordinary coffee.
"There's a Reason.*'
Postum Cereal Co., Lt<i., Battle Creek, Mich.
WVNKOOP MALLENBECK CRAWFORD CO., NEW YORK
Current
iti^Mure
Edited bx KDMTARD J. MTHKKI^ER
For Complete Table of Contents see inaide page
A Review of the World
Growing Antagonism to the President
Elections in France and Great Britain
A New Currency Agitation
The Morocco Conference and America
Literature and Art
Science and Discovery
Coming Extinction of Blond Americans
The Beneficence of Disease
Towing a Giant Dry Dock 24000 Miles
Differences Between Darwin and Wallace
Music and the Drama
Intellectual Alliance of Europe and America
Two Authors with Dual Personalities
Evolution of the Superman in Literature
A Japanese Estimate of Lafcadio Hearn
Religion and Ethics
New Attitude Toward Evangelism
Tolstoy's Last Words to the World
Religious Interpretation in the Dance
A Crisis in the French Protestant Church
Notable Plays of the Month in America
Shaw's New Play, '*Major Barbara "
Ludwig Fulda's Visit and His Latest Drama
D'Annunzio and Modern Italian Drama
Persons in the Foreground
Recent Poetry
The Man of the Rising Inflection
Confessions of a Great Scientist
The Most Popular Man in Ireland
The Right Honorable John Burns
Recent Fiction and the Critics
Prince Ghika.— A Complete Short Story
F CURRENT LITERATURE FUBLISKING CO.
aA IVeat 2f>#h Str^at. "^ e w Y n t> K
.- .J
HAVE YOU EVER TRIED that "Dainty Womar
Friend," HAND SAPOLIO, for toilet and bath? It
delicate preparation of the purest ingredien
also a necessity to every man, woman and c
the beauty of perfect cleanliness.
is a i
DON'T INFER that the patient ate a horse because you
saw a saddle under the bed. HAND SAPOLIO is related to
Sapolio only because it is made by the same company, but it
is delicate, smooth, dainty, soothing, and healing to the most
tender skin. Don't argue. Don't infer. Try it I
HAND SAPOLIO SAVES doctors' bills, because proper
care of the skin promotes healthy circulation and helps
every function of the body, from the action of the muscles
to the digestion of the food. The safest soap in existence.
Test it yourself.
WateranaTkS
^
FountainPeivlli
Useful to all
BUSINESS MEN
Attorneys
Physicians
Teachers
Insurance and
Other Agents
Bookkeepers
Correspondents
Reporters
Lodgemen
Clerks, etc.
Manufactured by
L. E. WATERMAN CO.
173 BROADWAY, NEW YORK
a^^gsaa
Its presence
lends Distinction
to ihe Music Doom
THE
riscHE:^
^ New Small ^'^
Grand Piano
ComhinestheizmouB'* Fischer Tone Quality* witK
^rcat Durability and Kle^ance of case-design, while
occupying but little more space than the Upright.
Catalogue and Terms upon request.
J. (SL C. FISCHBR, Dept. D
1G4 FiflH Ave., near 33cl St.* and
68 "West 135tH St., New YorlC
,St.'r'Vj|rifrti[.h Cnvr' l'«1**. 1'^"^ ''■ ii'l*rwti*Ki *.t.'n.l«rwin
GROVER CLEVELAND AND HIS SON RICHARD
The (?*-Pr'
iiiljuHtmcnt uT
ri'teree fur tUt L „. ..: -. - ..., -., -
but**, thtf iibi>UtJtJ4i tii wUkii Imn* bvt»n r^iSiiUviJ tipoii^
tintl more important iisrure m there
: table LifPt he ha* ouvr bife^ maijie a
,:uai — iti iiW matUTS pertiiiumf; to re-
Current Literature
A Review <)f- the World
WHAT have we to do with abroad?" This
question, more or less popular a score
of years ago, seems surprisingly antiquated
to-day when one regards the questions that are
engaging most of the attention of Congress
and the press. It is only necessary to enumer-
ate these questions to sec how far we have
traveled of late years in the way of closer in-
ternational relations with the rest of the world.
Next to the regulation of railroad rates and
the statehood of our four remaining territories
— ^purely domestic topics — recent reports from
Washington have been full of the Philippine
tariff, the Panama Canal, the Santo Domingo
mix-up, the conditions in China, the Morocco
conference, the situation in Venezuela and the
threatened tariff war with Germany. These
are ndt subjects of merely speculative interest.
They are compelling attention by the demand
each of them is making for action of some
sort on our part, and as a consequence, in
most cases, of responsibilities which we might
have evaded had we wished, but which we have
chosen wisely or unwisely to assume. It is
not an unusual thing nowadays for any editor
to find, in looking over his exchanges, that
journal after journal, even of those published
in inland American cities, has devoted the ma-
jor part of its editorial page to the discussion
of foreign political affairs. The interest in
"abroad'* is not confined to Congress or the
departments. If the press of the country is
a reliable index, a striking expansion of in-
terest in world affairs has developed in the
American people, dating, we presume, from
the Spanish-American War and the position
in which we found ourselves at its close.
CRITICISM of President Roosevelt has
become the order of the day lately in
Washington, as a result largely of his policy
in our foreign affairs. At least his policy in
foreign affairs is the ostensible reason for
much of this criticism, but there is ground for
assuming that it is often the occasion rather
than the cause. So far has antagonism to the
President developed in Washington that Henry
Loomis Nelson, a special correspondent of the
Boston Herald (Ind.), asserts that President
Roosevelt is to-day, and for sometime has been,
"the most disliked and dreaded executive the
capital has ever known," and that he is to-day
a President without a loyal party following in
Congress. "There is hardly a single follower,"
Mr. Nelson tells us, "whose loyal^, if he may
be said to have any loyalty, is inspired by the
common enthusiasm of the two for any polit-
ical ideal or a political principle." The same
thing is noted in words not much less emphatic
by a large number of the correspondents in
Washington. The Springfield Republican, an-
other independent journal, that has frequently
manifested a liking for the President, says :
"The attitude of Congress toward him has
changed radically, the attitude of the newspaper
correspondents at Washington is changing, and
that of the public is certainly undergoing material
modification. Where before was unstinted praise,
undiscriminating approval and un-American adu-
lation, there now succeeds a more questioning,
critical, challenging spirit. . . . He has reached
and apparently passed his climacteric in popular-
ity and power, and it is not easily possible that
so unusual a position of unopposed and unassail-
able ascendency can be recovered."
The President, says the correspondent of
The Evening Post (New York), was first
amazed at the development of this antagonism,
then concerned, and then amused
VARIOUS reasons are assigned for this in-
crease of hostility in Washington — its
increase elsewhere is seldom asserted. What
the New York Sun calls "the majestic question
of 'pap' " accounts for much of it, in the judg-
Ii6
CURRENT LITERATURE
THE NEW ftEXATOR PROM OH&,OS
j'/hr. F <r*'iirin. who «krj" »-*-^* th«- lat** S"r.a»'»r Mitrh*r!!,
U tr.-^ ♦.'•>* I>»-m'x rat M;r*» lo the- United ^'atc* Senate
ff'/rn <'/r»-i<'An :n e;;<hterTi y*:ar%
merit of a number of trained ol/servers. Saying
the same thing in another way, The Evening
Post sarcastically ot>serve$: '*Thc postmaster-
ship of Podunk is, after all, the vital question
tjeforc Omgrcss to-day. . . . Representatives
arc no fools. They see that if they cannot settle
questions of patronage, statesmanship is a hol-
low sham." A faction called the "insurgents,"
in the lower house of G)ngress — Republicans
who are in opposition to administrative and
caucus measures — is led by Congressman Bab-
cock of Indiana, who has resigned his posi-
tion as chairman of the* Congressional Cam-
paign Committee, which he has held for many
years, because he does not think he has been
treated fairly by Speaker Cannon in the com-
mittee assignments, and by Congressman Over-
street, secretary of that committee, because the
President appointed to the office of surveyor
of the port in Indianapolis a man of Senator
Beveridge's hclcction instead of a man he, the
Congressman, had selected.
PERSONAL considerations of other kinds
account for this recent development of hos-
tility. For instance, according to the New
York Herald's correspondent, a number of new
Congressmen who have come into office on a
tidal wave realize that unless they make them-
se^res cr^-zLypzzz^yzi zr. 2»:c^ -w^j zucj ir^ txttct
come bade for a sec-oc term, ani ±*^ zhizi^
that there is tjj ^jazzzzt'.it gicrj r=: f:n:ccrtir: =:
an admirfstrancc wrth a z^zrzzrLil rLiirrrr of
over one h::r:drcc T:i:er. wbil* Z^.'tt :r2.j >-e
imrA in ^hting ft. The Pre?- oert's pers-rris.!
p^ectiliarhies arc al^o assiztied as a C2.:i5e •: f
boi*:V:iy\ It is a ccnir>:'!: zzczz'^:r.z ni private.
says the Boston He^zli, zzl the tor: of men
called into consultat: .-ti -a-th the Presiient.
that they "can har^Ij ^et a wird in edr-eA'^^-"
and that what he M^Zu^I^rf ttz^zs is n-'t acvire
b-jt a^vjrances of support. "His impettiv us
haste in getting thicgi c:t:e,*' in other wi.rls.
has arous^ the opt-csitict: :•£ thrse in less •: f
a hurr>-. His inclination "to assnme t«>3 lar^re
a share of the powers of g^-.^vemnten:'' and "t.-*
rely too strenuoiLsly on his o'An ;- lament an«l
that of his personal ass-'^iaies" is the tr«:.:''^!e.
according to the Phila'lel^hia Ezcning Bul-
letin ^Rep>. "Perha[»5 Mr. R.X'^e\-eit dc-es
not intend to f>e arro^nt," says the Baltimore
Sun (Ind.;, "but his pi-sition regardir.g the
canal and other questions suggests that he is
not altogether free from a certain conviction
that he can never be in the wrong and that he
never needs enlightenment" "It is not on rec-
ord," so the Washington correspondent of the
Springfield Republican again asserts, **that Mr.
Roosevelt has ever since he has been President
admitted making a mistake or apologized for
a wrong." So runs the diagnosis made by the
correspondents.
EXCEEDING THE SPEED LIMIT
— Boston Herald.
GROWING ANTAGONISM TO THE PRESIDENT
117
BUT the personal qualities thus attributed to
the President can hardly afford a satis-
factory explanation of the recent deluge of
criticism, since no one suggests that they are
qualities newly acquired. One clue to the sud-
den accession of antagonism is given by the
Hartford Times (Dem.), which accounts for
the fact that he "suddenly finds himself antag-
onized by and antagonistic to practically the
whole body of newspaper correspondents in
Washington and also the newspapers of Wash-
ington city," because of the fact that, a few
months ago, he "undertook to limit the fur-
nshing of news in all the departments of the
Government" by means of the order restricting
to the heads of departments the giving of in-
formation about the work of their departments.
This action, touching the 154 correspondents
< tiartered in Washington in a vital spot, so to
>::cak, seems to have aroused not only their
r-^ntment but in some cases the resentment
of their editors, and to have resulted in un-
sparing criticism on the part of some who have
iHTcn wont to criticize sparingly and a dis-
j^ruirtled silence on the part of some who have
•etn wont to defend the administration. Sev-
eral of those who comment on the situation
recall the quick change of public sentiment,
t- r • inadequate causes, in regard to Admiral
Dewey, and express the view that the alleged
Jxline of the President's popularity is due to
inching but the general traits of fickle human
THE LEADER OF THE DEMOCRATS IN CONGRESS
John Sharp Williams, of Yazoo. Miss., supported free
trade with the Philippines, and called for more of it.
nature that render it disposed to tear down to-
day the idols it erected yesterday out of sheer
wantonness and ennui. The New York Press
(Rep.), however, scouts all these theories and
scents conspiracy, deep, deliberate and danger-
ous. The recent attacks are to its mind "only
one part of the general plan of the railroads
to weaken the influence of the President." Re-
plying to this. The World (New York) hurls
at the President an indictment that sums up
all the charges in one fell paragraph as fol-
lows:
"Mr. Roosevelt's influence has undeniably been
weakened; but the railroads did not do it and
could not do it. The responsibility rests with
Theodore Roosevelt alone. The railroads did not
make him tactless; they did not make him im-
pulsive; they did not make him impatient of con-
stitutional restraints; they did not make him in-
different to the rights of co-ordinate branches of
the Government; they did not make him intem-
perate of speech; they did not make him rash in
action and contemptuous of precedent; they did
not impregnate him with the germ of Little
Fatherism. The sources of Mr. Roosevelt's weak-
ened influence all lie within himself.'*
UP AGAINST IT
—Bosh in New York ffVrA/.
THE case of Mrs. Morris seems to have set
loose at once all the critics of the Presi-
dent, whether on political, personal or other
grounds. Mrs. Morris is the wife of Dr. Minor
Morris, at one time in the army medical serv-
ii8
CURRENT LITERATURE
THE FLOOR-LEADER OF THE REPUBLICANS IN
CONGRESS
Sereno Elisha Payne of Auburn N. Y., as chairman of
Ways and Means Committee in the House of Representa-
tives, had charge of the Philippine Tariff bill.
ice and dismissed for the reason, it is said,
that he struck another employee of the War
Department in the face. Dr. Morris has been
for years seeking reinstatement and his wife
went the other day to the White House to
plead with the President for a re-examination
of the circumstances of his dismissal. She was
Drillmaster Roosevelt: "Toe the mark there ! "
— De Mar in Philadelphia H€CQr4,
denied access to the President and told that she
should go to the War Department. She still
insisted on seeing the President, and Assistant-
Secretary Barnes signaled to a police officer,
"a mild-mannered man of some forty years,"
who has for some time been assigned to the
White House. He with the aid of another
policeman removed her by force, taking her
to a police station. There, on the basis of a
lengthy poem on insomnia which she had
written and was carrying in an envelope ad-
dressed to President Roosevelt, she was charged
with insanity, but the charge was changed
later to one of disorderly conduct when on a
physician's examination she was adjudged
sane. She was released on bail, taken in a
condition of nervous collapse to her hotel, and,
no one appearing for her the next day in court,
she was found guilty and fined ^ve. dollars.
Assistant-Secretary Barnes issued an official
statement of the incident, Mrs. Morris issued
a second statement. Dr. Morris issued a third.
Congressman Hull, chairman of the Commit-
tee on Military Affairs, who is a brother of
Mrs. Morris and has had a great deal of trou-
ble with her, issued still another. Moreover,
Congressman Sheppard, of Texas, introduced
in the House a resolution calling for an inves-
tigation and Senator Tillman introduced a
similar resolution in the Senate.
WHETHER Mrs. Morris created enough
disturbance in the White House (she
admits that she refused to leave) to render her
forcible ejectment necessary, and whether
more force was used than was demanded are
facts on which Secretary Barnes and several
newspaper men who claim to have been pres-
ent disagree. The feeling aroused in Wash-
ington over the occurrence is described as in-
tense. Mr. F. A. Richardson, until a few years
ago the dean of the corps of Washington cor-
respondents, wrote to the Washington Star,
saying :
"I do not thiqk the men and women of Wash-
ington have ever before been stirred to such in-
dignation. This indignation, indeed, has- spread
to the confines of the nation, and the American
people will not be satisfied until some adequate
punishment has been inflicted upon every one of
the ruffians responsible for this national disgrace."
This excitement over the case is generally
regarded as disproportionate to its importance.
Most of the journals, however, view the oc-
currence as an evidence of deficient tact on
the part of the President's subordinates, a
THE PANAMA CANAL CONTROVERSY
119
deficiency which, it is intimated, has been ap-
parent several times since Mr. Cortelyou left
the post of secretary for a higher position.
Several journals, on the other hand, point out
that the President is one of the most accessible
officials in the country, and far more accessible
than any one holding a similar high position
in any other country. Says the New York
"There is a difference between the position of
the President of the United States and that of an
ordinary citizen. Booth, Guiteau and Czolgosz
have made* it necessary to guard with especial
care the man who holds that exalted office. Yet
:he humblest citizen has a perfect right to eject
N^ith force from his house or his cabin any ob-
streperous person who insists upon remaining
there against his wish. That right can no more
bte denied to the President than it can to a day
laborer. The place in which to thresh out any
just grievance which Mrs. Morris or her husband
may have, as against the men who put her out
of the White House, is a competent court of the
District of Columbia, and not the House of Rep-
resentatives."
The Washington Star, however, considers
the occurrence "shameful in the last degree,"
and lays especial stress upon the fact, as it
alleges, that its representative was sternly
warned the next day that his report of the
affair was "objectionable to the White House,"
a warning which it and some other journals
construe as an attempt by the President to
abridge the freedom of the press. The case of
Mrs. Morris has, therefore, still further in-
creased the tension between President Roose-
velt and the corps of newspaper correspondents
representing the nation's "fourth estate" at
Washington.
WHETHER or not dirt has been flying in
Panama, it is certain that fur has been
flying in Washington. Three documents have
recently been transmitted to Congress by the
President, at least two of which are well
charged with dynamite. One is a report by the
President himself on the general condition of
the canal work, the other two are reports,
more in detail, by Secretary Taft, one of them
being entirely devoted to an article which Mr.
Poultney Bigelow, the newspaper and maga-
zine correspondent, contributed to The Inde-
pendent (January 4). The President gives a
glowing account of the progress of the canal
work, but his indorsement of the acts of his
subordinates and his characterization of the
criticisms that have been made of late are in
language altogether too sweeping and strenu-
ous to suit many influential journals, and are
LEADER OF THE "INSURGENT" CONGRESSMEN
Joseph Weeks Babcockj of Wisconsin, has resig^ed'as
chairman of the Reptibhcan Concessional Committee
and is headinj? the fijfht in the House of Representatives
against administration measures.
THE PRESIDENT'S PRIVATE SECRETARY
Mr. Loeb has come in for some of the criticism stirred
up by the Mrs. Morris incident.
120
CURRENT LITERATURE
AN UNKIND SUGGESTION
The Lady : " Will yoo oblige me, sir, by kindly
jumping off ? "
— Denver News,
being used as another count in the indictment
which everything he does or says seems to
bring forth in some direction or other just
now. On the work so far done the President
says:
"AH the work so far has been done, not only
with the utmost expedition, but in the most care-
ful and thorough manner, and what has been ac-
complished gives us good reason to believe that
the canal will be dug in a shorter time than had
been expected and at an expenditure within the
estimated amount. All our citizens have a right
to congratulate themselves upon the high stand-
ard of efficiency and integrity which has been
maintained by the representatives of the Govern-
ment in doing this great work. If this high
standard of efficiency and integrity can be main-
tained in the future at the same level which it
has now reached, the construction of the Panama
Canal will be one of the feats to which the people
of this Republic will look back with the highest
pride."
He takes up the criticisms that have been
made and declares that he has carefully exam-
ined every one that seemed worthy of atten-
tion with the result that "in every instance the
accusations have proved to be without founda-
tion in any shape or form." He goes on also
to characterize the sources of these accusa-
tions. They spring sometimes from "irrespon-
sible investigators of a sensational habit of
mind," and more often from "individuals
with a personal grievance." "Every specific
charge," he says again, "relating to jobbery,
to immorality, or to inefficiency from whatever
source it has come has been immediately in-
ve^ig^ted, and in no single instance have the
statements of these sensation mongers and the
interested complainants behind them proved
true." He courts a complete investigation by
Congress, and such an investigation is now
under way.
SOMETHING of a discrepancy is pointed
out by many editorial writers between the
President's sweeping language of commenda-
tion for "all the work so far done," especially
during the last few months, and Secretary
Taft's accompanying report, in which he crit-
icizes two of the acts of Chairman Shonts, the
head of the Canal Commission. The Secre-
tary's criticism is described by some as "in the
nature of a broadside" at the chairman; but,
as a matter of fact, he does not question that
the chairman and the other members of the
commission acted in good faith and with a due
regard to their trust. In one case — the payment
of $10,745.97 to J. E. Markel for expenses in-
curred in making estimates on a proposed con-
tract for eating-houses — the Secretary declares
that the claim "was meritorious and moderate,"
but either the President or himself should
have been consulted before payment. In the
other, case — the sale of bonds of the Panama
Railway — the Secretary's criticism is that the
sale should not have been made without au-
thority of Congress, and he has compelled a re-
purchase of the bonds. One other criticism of
Mr. Shonts that has found expression, not
from Secretary Taft but from many newspaper
critics, has been based upon his retention of
an official relation with the Clover Leaf Rail-
road while serving as chairman of the Panama
Canal Commission. It is now announced that
he is not in receipt of a salary from the rail-
road company.
WHEN Secretary Taft takes up the charges
made by Mr. Poultney Bigelow, he comes
down on that gentleman with all the force of
his 297 pounds. The fifty pounds which he
has contrived to rid himself of lately will
hardly be missed by Mr. Bigelow. The latter
casts doubt upon the Secretary's recent per-
sonal investigation of the conditions at Colon
by stating that he was there but five days and
in that time attended three dances and vari-
ous other functions. Mr. Taft, in reply, shows
that Mr. Bigelow was there but twenty-eight
hours. Mr. Bigelojv describes Colon as a pestif-
erous swamp and the "hundred or more" huts for
laborers which he entered there as unsanitary
ARIZONA DOESN'T WISH TO BE MARRIED
I2t
in the lasft degree, furnishing photographs of
some of them in evidence. Mr. Taft says that
of the 17,000 laborers on the canal company's
pay-roll, not more than two or three hundred
are living in Colon. Mr. Bigelow tells of a
rush on the part of laborers to get back home,
400 going away on the ship in which he left.
Mr. Taft says that they were going home for
the holidays and nearly all of them are already
back at work. The men who are named by
Mr. Bigelow as furnishing him testimony
about conditions in general in the canal zone
are described by Mr. Taft as soreheads and
disappointed seekers after offices or special
privileges, and he is specific in telling just
when, where and how each one has been dis-
appointed. Mr. Bigelow makes a plucky but
not very effective rejoinder (in the New York
Times), standing by his guns and reasserting
his charges, but giving no further facts to
break the force of the Secretary's broadside.
The New York Evening Post, which printed
an editorial, on the basis of Mr. Bigelow's arti-
cle, severely scoring the administration, later
on, after reading the Secretary's reply, re-
tracted its criticism and repudiated Mr. Bige-
low as an unreliable authority. There is, nev-
ertheless, a hope generally expressed that the
Senate will investigate matters thoroughly.
The Mail (New York), however, fears that
such an investigation means a further delay of
several years in the completion of the canal.
FOUR Territories are all that Uncle Sam-
uel now possesses, and he is trying to
dispose of tho$^e by making them into States.
He is having trouble about it. Two of ^hem,
Oklahoma and Indian Territory, are fairly
ripe for statehood, and the proposition to join
them and admit the two as one State, of half
a million inhabitants, under the name Okla-
homa, creates but little opposition. But the
new State would probably be Democratic, and
it is against the ethics of party leaders to add
two votes for the other party in the United
States Senate unless their own party gets a
compensatory increase. Now the other two
Territories, Arizona and New Mexico, are
hardly up to the mark for separate statehood,
and the proposition of Republican leaders, es-
pecially Senator Beveridge (chairman of the
Committee on Territories), Speaker Cannon
and the President, is to tie them also together
and admit them as one broad commonwealth —
considerably larger in acres than New Eng-
land, New York, Pennsylvania, Ohio, New
Jersey and West Virginia combined. Unfor-
HE WENT TO SCHOOL WITH EMPEROR
WILLIAM
America, France and Germanv had a part in the edu-
cation of Poultney Bigelow, but Secretary Taft thinks
he should have taken a longer course at Colon than
twenty-eight hours before writing down the Panama
Canal operations.
tunately for the success ot* this plan Arizona
does not love New Mexico, and 95 per cent,
of her people, it is said, would rather dwell
for a generation to come in territorial spin-
sterhood than to enter with New Mexico into
the connubial bliss of statehood even under
their own name of Arizona. They protest
against the banns and they protest with true
Western emphasis. One orator has been
counseling rebellion rather than submission, in
the real give-us-freedom-or-give-us-death style.
"It is a national drama," says a writer in The
World's Work, referring to the strenuous op-
position of Arizona citizens. The objections
which they offer are : The unwieldy size of the
proposed State, the geographical barriers, the
differences in the character of the popula-
tion and the fact that New Mexico, with her
nearly 300,000 inhabitants (nearly one-half
of them "Greasers" and Indians), would po-
litically dominate over Arizona, with her 150,-
000 inhabitants, about 25,000 of whom are
Indians. New Mexico politics, as "Bull" An-
drews, formerly of Pennsylvania, has developed
the game among the "Greasers," having himself
learned it of Matthew S. Quay, does not com-
mend itself to Arizona, where they boast of
122
CURRENT LITERATURE
/*^4)M
NEW YORK'S FAVORITE DIVERSION
— McCutcheon in Chicago Tribune.
a larger proportion of college graduates than
any other population of similar size can ex-
hibit and public schools as good as those of
Boston.
CONGRESSMEN are playing politics with
the question. The bill for joint state-
hood passed the lower house in the preceding
Congress, but failed in the Senate. It is
again pushed as an administration measure,
having been recommended in the President's
message. All those Republican Congressmen,
called "insurgents," who are rebelling against
their Republican leaders and are using any
club that is handy, and all those who really
have strong convictions against the joint
statehood bill are asserting their determination
to join, under the leadership of Congressman
Babcock, with the Democratic minority, in
opposing the bill. They are not without news-
paper support. Most of the newspaper com-
ment that has been evoked by the contest is
strongly in favor of sustaining the protest of
Arizona, The union of the two Territories
would be "a gross outrage," in the opinion of
the San Francisco Chronicle, and, in the
opinion of the Philadelphia Ledger, would be
"a blunder the magnitude of which grows the
longer it is studied." "Let Oklahoma in,"
says the Republican Evening Mail (New
York), "but better leave both New Mexico
and Arizona out of the Union for another
generation than bring in one-half the region
under bondage to the other half."
STILLING THE WAVES
— Bush in New York IVor Id.
WHEN Henry H. Rogers, once a grocer's
boy and driver of a delivery wagon in
Fairhaven, Mass., now vice-president of the
Standard Oil Company and its executive head,
was recently served with a subpoena and
brought to the witness stand in the proceed-
ings conducted by Attorney-General Herbert
A. Hadley, of Missouri, a very considerable
portion of the world metaphorically pricked up
its ears to hear what he might say. About all
it heard was this: "On the advice of counsel
I refuse to answer." This reply was made,
with the aid of four or five high-salaried law-
yers, to every question of importance. It was
somewhat disappointing to Governor Folk's
young and clever Attorney-General, but could
not have been very much of a surprise, for no-
body expects Mr. Rogers to be any more com-
municative in business matters than the courts
compel him to be. What was much more of a
surprise, and a very unpleasant one to the
country at large, judging from the comments
of the press, was Mr. Rogers's general atti-
tude toward the investigators. What they are
trying to find out is whether the Waters-Pierce
Oil Company of Missouri, the Standard Oil
Company of Indiana and the Republic Oil
Company of New York are owned or con-
trolled by the Standard Oil, and are, in conse-
quence, doing business in Missouri contrary
to the laws of that state relating to trusts.
Mr. Rogers has refused to treat the investiga-
tion in other than a humorous and flippant
way. He seems to have rather captivated the
reporters with his geniality in the waiting-
room; but his attitude on the witness-stand
INVESTIGATING THE STANDARD OIL
121
has caused a deep rumble of indignation in the
editorial sanctums of all sections.
NOT the "yellow" papers alone, but some
of the most staid and conservative jour-
nals of the country are voicing their disappro-
bation. The Sun (New York) is regarded as a
th:ck-and-thin corporation paper; but it warns
Mr. Rogers that his "broad comedy" part is
b-dng overdone. It says:
*'It is possible for a witness in Mr. Rogers'
n-'sitioo to overdo this sort of thing. We are
rrcHigly of the opinion that he is overdoing it
low. If Mr. Rogers and his codirectors of the
S-^afldard Oil and their able and multitudinous
rrjusel apprehended more accurately the temper
«:" the American people, who constitute the specta-
!"tr5 at the present spectacle, there would be less
luttooncry and more seriousness and decency in
heir demeanor toward the representatives of
even distant law."
The Journal of Commerce (New York)
thinks that Mr. Rogers and those with him "do
r.ut seem to realize the kind of exhibition they
are making before the public of the whole
coantry." The attitude assumed evinces, it
thinks, "flippant disrespect" and "sneering con-
tempt/' and produces on the public jnind the
rftect of a confession that the laws are being
'fcfied. "Has Mr. Rogers gone mad through
possession of enormous financial power ?" asks
The Wall Street Journal, The Chicago Even-
'«^ Post, a conservative paper, speaks of the
unseemly spectacle" of this attempt to turn
a legal inquiry into a farce, and says : "Many
legitimate interests — perhaps his own — may be
injured through him. There never has been a
-ime when honorable men of large affairs have
had mofe need than now to make public and
dear their respect for law." "This is a peril-
ous game to play, gentlemen," remarks the
Xew York Mailj and the Richmond Times-Dis-
patch comments in the same vein : "Since the
possession of wealth is safeguarded by the law,
and the law only, is it sound common sense for
a man of great wealth to endeavor to impress
th€ public with the insignificance and impo-
tence of the law?" Attorney-General Hadley
has applied to the court to compel Mr. Rogers
to answer the questions. Up to the time of
this writing the court's decision had not been
rendered.
|F SOME of our American statesmen are
^ right, the United States, in sending dele-
gates to the Morocco conference, has stepped
out of her secure isolation and placed her foot
Pbotognph by Brown Brothcri
A HUNTER OF THE OCTOPUS
Attoraev-General Hadley, of Missouri, is Qovernor
Folk's right-hand man and his efforts to make Henry H.
Rogers answer questions are exciting general interest.
in a hornet's nest. Why, they ask, should we
participate in a European conference over a
strictly European question? "When our dele-
gates once take part in this conference," says
a Florida paper {The Times-Union) appre-
hensively, "we will be estopped from denying
the nations of Europe a voice in American
affairs. Under what system could we refuse
to g^ve to others what we ask or even accept
for ourselves?" The same question has been
raised in the Senate by Senator Bacon, of
Georgia, and Senator Hale, of Maine. The
answer that is made to it by Senators Spooner
and Lodge is to the following effect : We have
commercial interests in Morocco which it is
our duty to consider in any readjustment of
Morocco's affairs; this country was one of
the signatory powers to the original trade
treaty with Morocco, and was therefore very
appropriately invited to participate in the con-
ference and very appropriately accepted; our
delegates, Messrs. White and Gummere, will
124
CURRENT LITERATURE
THE MOROCCO MERRY-GO-ROUND AT
ALGECIRAS
— Berlin Kladderadatsch.
ENGLAND AND GERMANY
BRITANNIA: "What is it?"
Edward VII: "They won't attack Germany for me"
Britannia : "What has Germany done to you?"
Edward VII: "Nothing — only Germany is so patient
—Berlin Kladderadatsch.
and industrious."
not vote on any subject, limiting their actior
to listening and speaking; even if they dc
vote and sign agreements, neither they noi
the President himself can bind this natior
to any action except in the regular constitu-
tional way of drafting a treaty, submitting it
to the Senate, and awaiting action by that
body.
THIS answer has not quieted the apprehen-
sions of everybody. Indeed, it was after
the answer was made that Senator Hale, one
of the Republican leaders, expressed his ear-
nest wish that the President and Secretary
of State had refused the invitation to par-
ticipate in the conference. It is, he main-
tained, wholly a political conference, with
which we should have no concern. There is
danger in our action. Of course ^lo treaty
can be consummated without the consent of
the Senate, but, the Springfield Republican
points out, the conference may not embody its
action in a treaty, but in a protocol or agree-
ment or entente, or something of that sort,
and it recalls the "Peking protocol" resulting
from the Boxer troubles, which was never
submitted to the Senate, although the United
States was one of the signatory powers. The
New York Sun thinks that the danger that
our delegates will get us into trouble is very
slight, and it remarks that if there is likely
to be any doubt at Algeciras of our direct in-
terest in the political subjects to be discussed
there, it might be well for our delegates to
take along with them Mr. Ion Perdicaris.
Mr. Perdicaris, whose enforced sojourn not
long since with an agreeable Moroccan ban-
dit is still fresh in the memory of the pubHc,
takes part in the controversy over the con-
ference in a letter to the Washington Post, in
which he defends the Administration's ac-
tion, on the ground of the great industrial in-
terests that are involved. He writes:
"It may be remembered that Tangier, which is
only eight days distant from New York, is the
gate city to a hinterland of vast agricultural and
mineral resources, and that the development of
Morocco may mean a large demand for Ameri-
can goods and for machinery, especially sectional
steel bridges, electric traction, and innumerable
other openings for American enterprise. Why
lose this market through inadvertence, when we
are spending such vast sums and incurring such
serious responsiblilities to maintain the open door
in the Far East? When we are sending float-
ing docks 14,000 miles across thi ocean, we may,
with propriety, at least keep an eye on what are
practically virgin opportunities nearer home."
WHY THE MOROCCO CONFERENCE WAS CALLED
125
FEZ— THE CAPITAL :OF MOROCCO— AT TIMES
Sometimes the Sultan must flee from the criticisms and even the revolts ot his subjects, and the capital is
wherever the Sultan happens to be. He prefers Fez, and asked that the Morocco conference be held there. The
powers thought that too risky.
THIS Morocco conference, which is in ses-
sion, as we go to press, in the antiquated
Spanish city of Algeciras, has been nominally
assembled to lift the corrupt and ravaged em-
pire of Abdul-Aziz out of the sink of its defile-
ment ; but in reality it has been called to decide
whether there shall be war between France and
Germany. That is the deliberate verdict of
practically all the responsible dailies in Europe.
Indeed, one of the most responsible of them all,
^^^ Independance Beige (Brussels), affirms that
the situation has become so aggravated that offi-
^^^1 Germany, as distinguished from industrial
^nd democratic Germany, is bent upon war as a
means of escape from its political isolation and
'or the purpose of realizing colonial ambitions
^nd securing preponderance in Europe. "We
^c no solid grounds for these extravagant
alarms," observes the London Times, "but the
'"ere circumstance that they are expressed in
^ serious neutral newspaper is indicative of
^€ disquiet which the Morocco dispute must
continue to occasion until it has been finally
closed." But it will not be finally closed, what-
ever be the outcome of this conference, replies
the Belgian organ, "until thousands and thou-
sands of human lives have been lost," until
"ruin accumulates" and until "disaster of a
kind frightful to the commerce and industry of
western Europe" has been brought to pass. As
the Portsmouth conference assembled to end
a war, observes the Paris Aurore, inspired by
the exceedingly well-informed Senator Clem-
encjeau, it looks as if the Morocco conference
gathered to begin one.
THIS latest conference of the world's pow-
ers has been confronted by a dilemma so
menacing to peace on our planet as to over-
shadow purely local considerations like the
organization of Morocco's police, the schedule
of Morocco's tariffs and the control of Moroc-
co's finance. Has the republic of France a
special relation to the empire of Abdul Aziz
126
CURRENT LITERATURE
ACCUSED OF A FRENCH BACK-DOWN IN
MOROCCO
Premier Ronvier is said by his opponents to have
made the Algreciras conference inevitable by weakly
yieldinjBT to Emperor William and dismissing Foreign
Minister Delcass^.
" THE MARTYR OF MOROCCO "
Th^pHa Delcasse is thus hailed by his friends. As
French Foreism Minister he was said to be defying Ger-
many to a war over Morocco, whereupon Premier Rou-
vier asked him to resign.
and a preponderance of interest entitling her
to absorb Morocco in the sense in which Great
Britain is absorbing Egypt? That polished
diplomatist whom Paris has despatched to Al-
geciras, M. Revoil, contends that his country
will be appeased with nothing less. Every
power, concedes the French delegate, making
himself the echo of his official superior, Pre-
mier Rouvier, has some rights in Morocco.
They are not disputed. Every power benefits
by its treaties with Morocco. There has never
been any question of infringing them. But
what France has sought to make clear from the
opening of this conference is what M. Rouvier
terms the special nature of French rights, the
peculiar importance of French interests. This
special and peculiar relation of France to
Morocco is not solely due to contiguity of
frontier. Her right has a more general bear-
ing. France is a Mussulman power in north-
ern Africa. She has to maintain her authority
there over a native population of 6,000,000 in
contact with 700,000 European colonists. The
community of language, religion and race, link-
ing this colonial French population to that of
Morocco, renders it liable to be affected by
any unrest which may develop in the neighbor-
ing state, either through the absence of regu-
lar government or through the constitution of
a hostile government.
SOLIDARITY so absolute as that of the
French press in upholding these conten-
tions is rarely evident in the newspapers of the
republic. The Paris Temps, organ of the For-
eign Office and admittedly inspired at times by
the French Premier, is actually bellicose. The
Paris Gaulois, wedded to monarchical institu-
tions and longing for the return of the Bour-
bons to Versailles, sees something to admire in
a republic that refuses to bend the knee in
Morocco. Whether we take up the Journal
des Debats, slightly horrified at separation of
Church and State, or turn to the flaming and
indiscreet Aurore, alive with anticlericalism,
the same grimness of determination to uphold
a position in which the national honor is
deemed at stake reveals itself almost trucul-
lently. If Germany wants war over Morocco,
she will, apparently, be accommodated by the
French newspapers. They have, in truth, be-
gun it. Only the Socialist Paris Humanite,
echoing the famed Jaures, and certain dailies
of the ideal collectivist school, offer anything
like protest. But they, to employ a phrase
once used by the German Chancellor, bite on
granite.
TENSION BETWEEN FRANCE AND GERMANY
127
THE TROOPS WITH WHICH FRANCE ASKS LEAVE TO POLICE MOROCCO
They belone to the corps stationed in Algeria and will become an army of penetration if Prance can get
her way at Algeciras. But Germany wants an international force to do the work of reducing the Maghzen to
sntnciseion.
SCANNING, now, the Moroccan horizon
through the German eyepiece, we discern
a French monopoly magnified. Nothing else,
in fact, is visible to Berlin's representative,
the faultlessly groomed, insistent yet polite
Hcrr von Radowitz, high in the esteem of
Emperor William. He is suspected to have
inspired an utterance in the Magdehurger
Zeitungj which, in any case, is an organ
through which German diplomacy communi-
cates itself to an anxious earth. France has
hoped, we read therein, that this conference
would supply her with a "mandate" to organize
a military police force for all Morocco. Vain
imagining! That would amount to absolute
political control over the government of Abdul-
Aziz. Maintenance of the policy of the open
door, in its true sense, cannot be guaranteed
in Morocco if military police control be made
over to France or to any one power. Concilia-
Stereograpb Copyright, I9M. H. C. White Co., N. Y.
AT MARKET IN MOROCCO
The natives in Tangrier assemble here to plot rebellion,
which is described as the national pastime. This spot is
the business center of Tangier.
Stereograph Copyright, 1904, U C. White Co , N. Y.
TANGIER— THE CHIEF SEAPORT OP MOROCCO
The f^enuine and famous Morocco leather is manu*
factured in this town. Most of the naval demonstra-
tions off Algeciras are calculated for effect in Tangier.
128
CURRENT LITERATURE
tory assurances by M. Revoil that France de-
sires to maintain the open door in Morocco are
but springes to catch woodcocks if all the efforts
of the Paris Government are centered on the
task of establishing a monopoly. Germany
must oppose to the last any bestowal of 'police
and military control in Morocco upon France.
Nothing but international control can establish
equality of commercial opportunity in Morocco.
If the conference fails to agree on this point,
it is well that it disperse without arriving at
any decison at all.
NOW France, as even the pugnacious Berlin
Tageblatt admits, can never reconcile this
point of view with her own. She is firml>
determined, according to the German daily, to
maintain that the military police shall be or-
ganized and controlled by herself, not only in
the region bordering on the Algerian frontier
but in the whole empire of the reckless young
Moorish Sultan. She will insist upon an anal-
ogy between the relation of the United States
to Cuba and her own connection with Morocco.
Here, laments the Berlin daily, is the live
wire that \v'A\ make for the doom of the con-
ference. A chorus of assent, from the Berlin
Post, the Suddeutsche Reichscorrespondens,
supposed to get its political opinions from
EMPEROR WILLIAM SOWING THE SEEDS OF
WAR
—London Punch.
Prince Biilow, the Deutsche Tagespost, voicing
the official mind there, is not indicative to
Europe of much harmony at Algeciras. Mat-
ters are not mended by the circumstance
pointed out in the London Morning Post that
at this conference of the powers there is no
such thing as a majority. The conference can
reach an agreement only if and when all the
powers represented, from little Montenegro to
these great United States, are unanimous. The
objections of any one of the number suffice to
prevent agreement on the point to which they
apply. Every delegate is imprisoned with'n
the four corners of his written instructions.
Some of the delegates may not even vote at
all. They have simply been attending and lis-
tening. Others must telegraph to their capitals
every time an unforeseen contingency presents
itself. "A conspiracy," comments the Paris
Figaro, "against expedition."
KEEN scrutiny of the firmament of interna-
tional politics reveals to many a British
organ those stars with trains of fire and dews
of blood that herald sanguinary disturbance of
the world's peace. Emperor William, we are
assured, wants a war with France, and, like
the infant in the advertisement, will not be
happy till he gets it. The London Times has
permitted its military expert to forecast the
issue of such a conflict at much length in its
columns. "He does not think it by any means
well established," observes our contemporary
editorially, "that in the event of a sudden on-
slaught on the eastern frontier of France, Ger-
many would possess the overwhelming advan-
tages which we are sometimes told she would
enjoy. On the contrary, he believes that in
mobilization, in concentration and in numbers
France would be no bad match for her foes on
land, though he hints that at sea she or even
this country might on occasion be caught nap-
ping by Germany. At any rate, he shows
that the France which Germany would have to
attack to-day is very different from the France
which she invaded in 1870." The utterance
induces in the Berlin Kreus Zcitung an over-
teeming sarcasm mellowed by a rather sudden
regret that Germany and Great Britain are not
better friends.
YET there would have been war between
France and Germany last summer, de-
clares the serious and careful London Spec-
tator, if Emperor William had not convinced
himself that Great Britain would fight to de-
AN EXCITING ELECTION IN GREAT BRITAIN
129
izLd France from an unprovoked attack. "Ever
met the close of the Franco-German war, Ger-
man statesmen and military chiefs have been
haunted by the notion that Germany would
2 A be safe if France rose once more to a posi-
jca of power." On several occasions, it adds,
wir has almost come to pass as a consequence
:i this dread in Germany's ruling class. That
f why war was so nearly precipitated between
:iese two powers in 1875. ^^ ^^is the alliance
between France and Russia wliich at last con-
-Qced the Berlin Government that war with
be Third Republic involved too grave a risk.
Now that the autocracy lies in fragments, Ber-
iTs policy of war upon France is to the fore.
It would be idle to conceal the fact that if
jrrmany still means to avail herself of the
Russian revolution to crush France, the Mo-
roccan conference will give her any number
ct excuses for action." Many well-informed
Frenchmen, The Spectator declares, are con-
r:aced that Emperor William means to attack
their country. They believe the republic will
be attacked "wnth all the suddenness and over-
wtekning force that modern military organiza-
-«5ti renders possible." That is the shadow
-ver the gathering at Algeciras.
THE sweeping triumph for Sir Henry Camp-
bell-Bannerman which is the result of the
ThDcth's parliamentary elections throughout the
British Isles is made veritably picturesque by
:a€ defeat of Mr. Balfour himself in his own
Cijnstituenc>'. That same London Post which
'♦n the eve of the polling could say that "there is
':itie heard now as to the certainty of a Liberal
majority," is at present clamoring for the depo-
sition of Balfour as a party leader. Returns up
to and including the 20th of the month — the
V. ling terminating a week later — enabled all
iht London dailies to announce in advance that
the ministerial majority would be handsome
e^ven without the Irish home-rule contingent.
Out Sir Henry Campbell-Bannerman's strength
in the new House of Commons proves more
formidable on paper than in fact to organs like
the Mail and Times. They predict already
iihat the labor element is potent, not only in
njmerical force, but in the fact that dozens of
newly elected Liberals owe their seats to a
combination with the laborites. The London
Times foretells a possible combination between
the laborites and the home-rulers. Mr. Win-
ston Churchill, son of the great Lord Ran-
'i*>Iph, scouts such prophecy. This young man
has teen elected to the House by a great ma-
jority in one of the Manchester districts that
balked at Balfour. Not until all the returns
are received and analyzed, of course, will it
be possible to measure the extent of the great
political revolution. Mr. Chamberlain pro-
fesses himself undaunted by what the London
Spectator calls a free-trade landslide. His
own constituency re-elected him by a rousing
majority. He will fight on.
WITH a home rule specter throwing its
preternatural unreality into the political
contest, with an unworkable Education Act
outraging the nonconformist conscience, with
an army of Chinese making havoc of the union
rate of wages in the Transvaal, and with the
citadel of free trade threatened by irruptions
of the protectionist horde. Great Britain's
national election has been dipped, as Shelley
would say, in earthquake and eclipse. Never
was the English practice of heckling, as the
quizzing of candidates on the "stump" is
termed, indulged in with sterner ferocity. Mr.
Balfour's largest audience was as a looking-
glass wherein he could behold the image of his
fallen political nature. He was howled down
in one constituency, his neatest speech became
THE SLIP-KNOT
After the late Sir John Everett Millals* well-known
picture "The Huguenot."
— London Punch
I30
CURRENT LITERATURE
DOWNtrsiG S^
'NO
■JNNECTIOH :
•HftTEVEK '*
• iH iNt FtKM r
'^T ft£C£MTt.V I ■
vVvCATt-DTHtSt I
■
PREHISES' 1
"
c. 1
r
%
open
Joey : " Oh ! I say, Arthur ! Won't we just have jolly larks with their windows when they get the shot
? I've got my pockets full of chestnuts to shy at 'em ! "
Pantaloon : " So have I, Joey ! ! "
a running debate between his hearers and him-
self in another, and one oi the greatest gather-
ings he ever faced was dissolved into its con-
stituent human elements amid perturbations
nearly as elemental as those of a typhoon. The
columns of the London Times exhale S3rmpathy
for him. Mr. Joseph Chamberlain was repeat-
edly interrupted with vegetables, and free trad-
ers were held responsible for the eccentricities
of the automobile in which he sped from audi-
ence to audience. On one occasion he nar-
rowly escaped being carried into the presence
of eternity.
NEVER in his life did Britain's Prime Min-
ister, Sir Henry Campbell-Bannerman,
favor a separate and independent parliament
for Ireland. This he maintained all through the
sound and fury of the fortnight's general elec-
tion. Btft the Prime Minister deals here in
evasions, says the London Morning Post, a
paper which distrusts his Irish policy as pro-
foundly as the London Spectator professes to
believe in it Sir Henry's government, de-
clares the Post, is committed, both by the irre-
sistible force of its traditions and by the recent
— London PuncK
public admissions of its members, to an inde^
pendent executive in Ireland. This independ-
ent executive, it adds, must inevitably lead to
the separation of Ireland from Great Britain.
The Prime Minister, so that eminent British
publicist, Professor A. V. Dicey, also asserts
has "in the plainest language" avowed his
purpose to carry out a policy which "may"
lead toward home rule. Such a policy, we are
assured, is far more likely to obtain success
than any attempt to pass an outright home
rule bill. The House of Lords would reject
such a bill, as Sir Henry and the Irish are
aware. Therefore the Prime Minister's al-
leged plan is to bring home rule about ad-
ministratively. Home-rulers are gradually to
fill every office in Ireland. Unionists are to be
discouraged in every posible official way. The
scheme is, in fact, to confer home rule by
instalments.
PICTURES of Ireland as it will be under Sir
Henry Campbell-Bannerman reveal a mas-
tery of somber effects on the part of his polit-
ical enemies. It is despondently conceded that
the Prime Minister is likely to succeed by in-
THE '* SPECTER OF HOME RULE'
131
directiolu He will end by creating an Irish
parliament for Irish affairs. Yet he will not
banish Irish members from the House of Com-
mons in London. There they are to remain
*'for the management or mismanagement of
British affairs," to quote the complaint of Pro-
fessor Dicey. But the endeavor to confer
home rule by instalments, adds this authority,
involves evils even worse. Agitation in the
Emerald Isle will become incessant, blatant
and violent Throughout the coming six
months of turmoil in Dublin, Sir Henry Camp-
bell-Bannerman will, it is predicted, bemuse
his countrymen with talk of "devolution."
That is defined in the London Times as a Lib-
eral synonym for home rule. It portends the
creation, apparently, of a statutory legislative
body and a financial council for Ireland. The
House of Commons, as the London Mail views
the inatter, would in consequence part with the
power of the purse to please "Sir Henry's
master," Mr. John Redmond.
FROM the electoral struggles of the past
month Mr. John Redmond emerges reiter-
ating that his ultimate goal is the national
independence of his country. He declares that
in its essence the national movement in Ireland
is exactly what it was in the days of Emmett.
**When we say we are working along peaceful
lines it is because they are the only means at
hand." He has been saying all this for years
in a melodious voice without a trace of Hi-
bernian accent Mr. Redmond, in truth, is
admitted in the anti-home-rule London Mail to
be perhaps the greatest orator in the House of
Commons. But the London Standard remains
unmoved by an eloquence embodying the idea
that "armed rebellion itself would be a duty
did a reasonable chance of success exist." Mr.
Redmond never says these things bombast-
ically. As a maker of home - rule speeches,
according to the London Mail itself, "he is
always the pink of courtesy, lacking neither in
tact nor in good taste." "Perhaps he is the
one Irishman in Parliament," adds this ad-
mirer, "who knows how to hold his tongue.
He has a superb gift of silence." Because he
is so forceful, so skilled in leading men, such
a master of the practise and procedure of the
House of Commons and so exquisite at persua-
sion, it will be the task of the Prime Minister's
life to bafl3e this Mr. Redmond's determination
to get the precise kind of home rule he wants.
The Prime Minister has his own kind of home
rule and he means to bestow it lavishly, but
The Freeman's Journal (Dublin) warns Eng-
THE YOUTH WHO CAUSED MR. BALFOUR 1 O
LOSE HIS SEAT
Winston Spencer Churchill, leader of the revolt
against " Balfourism " in Manchester, has just brought
out a life of his father, the late Lord Randolph Church-
ill He is three years younger than the American Win-
ston Churchill.
THE BEST ORATOR IN THE BRITISH PARLIA-
MENT
John Redmond, the Home Rule leader, is entitled to
be so considered, in the opinion of the London AfaiL a
foe of Home Rule.
132
CURRENT LITERATURE
ONE OF THE HOME-RULERS IN THE BRITISH
CABINET
James Bryce is said to have planned the new ministe-
rialist policy of "home-rule on the instalment plan" as
Mr. Balfour persists in calling it
THE HERO OF ENGLAND'S ANTI-CHINESE
CRUSADE
As a member of the Campbell-Bannerman Ministry,
the Earl of Elgin took the action that stopped the rush
of Chinese to South Africa.
lish Liberals thaf Ireland prefers her own lex-
icon of political terminology.
WHAT will happen to home rule when
the new House of Commons finds the
subject pressing, depends, in the opinion of
English organs, upon the Prime Minister's
command of his heterogeneous majority. The
returns are not yet subject to any sound analy-
sis because no competent authority can make
anything of the labor element in the Liberal
ranks. In addition to the two-score or so
of out-ah-out labor members, there are fully
a score of seats won by an alliance of Liberals
and labor unions. It looks as if the Prime
Minister's government will be much embar-
rassed between home-rulers on one side and
the labor element on the other. This was
predicted before the election by Mr. Keir
Hardie in an acute Nineteenth Century (Lon-
don) article. "For fighting purposes," said he,
"the forces in the next Parliament, apart from
the recognized opposition, will be the Irish
and labor parties. I do not anticipate any
alliance between these sections, scarcely even
an understanding, but certainly a general back-
ing of each other in the division lobby."
Hence, according to Mr. Hardie, the Prime
Minister's eflForts will be expended rather in
"keeping the team together" than in writing
anything into the statute book. In that case,
retort some influential Liberal organs, Mr.
Burns might as well have been left out of
the Cabinet. That labor leader was given
office in anticipation of what has happened.
Sir Henry Campbell-Bannerman is definitely
pledged to a repeal, or rather to a modification,
of the Education Act, now weighing so heavily
upon Englishmen who resent government sup-
port of sectarian schools. Sir Henry is like-
wise pledged to rid South Africa of Chinese
labor, so far as that can be managed.
THIS Chinese question alone has inspired
more printed infuriation in the British
Islands within two years than California felt
when Ah Sin was at the height of his career
there. The London Post does not overstate the
truth when it asserts that the Chinese labor
question occupied a place in the foreground of
the policy upon which Sir Henry Campbell-
Bannerman depended for victory in the elec-
tions of the month. The result showed how
powerful was the Chinese cry upon the labor
vote. That vote was left impassive by the
warning that free trade had been imperilled by
Mr. Balfour and Mr. Chamberlain. "To fight
JAPAN'S FIRST AMBASSADOR TO AMERICA
^33
[\2T\H] retaliation, where such a course might
be necessary, against the foreigner, is danger-
ous ^ound for a labor leader to tread," says
iJie London Post, "seeing that hitting back
when struck has ever been regarded by the
^' rkingraan as the Englishman's natural right,
ar.J the old trick of the big and little loaf,
'i 'wever neatly it may be performed, is far too
transparent." So, as this commentator on the
v^s of the time will have it, the labor lead-
ers and those Liberals who cater to the labor
sute made "Chinese labor" their own particu-
lar election cry.
IT IS not so very long since Mr. Balfour
announced his willingness to base his polit-
-cai campaign wholly upon the Chinese labor
j->ue. His ministry sanctioned the bringing
'f the coolies into the gold-mine region.
There are now some fifty thousand of these
^il ejects of the Son of Heaven in the ancestral
Lime of the Boers. The consequences of grat-
iiying what the London Ne7vs deems the lust
•"t mine owners for cheap labor include "enor-
nities," "abominable practices," "degrading
nmorality" and conditions to which Liberal
■rgans have applied even grosser names in
th.ir appeal to the labor vote. Sir Henry
' impbell-Bannerman went so far as to say
-he Chinese in South Africa were slaves until
He tcok office. The London Leader has told
jf coolies being made to hang two hours by
the wrist at the behest of a mine boss. It
>etms that any Chinaman who deserts the em-
ployment of his "importer" or refuses to work
\vhen required by his "importer" to do so, must
?o to prison for eight weeks. Yet it appears
hat desertions frgm the mines have been fre-
'V>jnt. The deserters recently took to roving
the country in bands, terrorizing the dwellers
"H isolated farms. Details of this sort lost
nothing of their piquancy in the speeches of
-h«r Prime Minister's followers on the eve of
tie polling. British laborers were told of a
v^ag^e scale lowered by heathens. The heathens
bd been recruited in their very temples and
'iri^ged from Pe-chili*s opium dens to gorge
the coffers of Mr. Balfour's gold-mining sup-
>)rters. The effect of these philippics is re-
corded in the month's election returns.
THE Viscount Suizo Aoki is the first diplo-
matic representative to come from Tokyo
to Washington with the rank of ambassador.
An ambassador, from the standpoint, of inter-
national law, is in a special sense the repre-
sentative of the honor and dignity of his sov-
A GREAT FIGURE IN BRITAIN'S POLITICAL
LANDSLIDE
Mr. H. H. Asquith, free-trader, is the most trenchant
fiehl ^ * - -
lain culminated in the Liberal triumph at the polls.
\8qt
wnt
of the orators wnose fisht against Balfour and Chamber-
AN AMUSING AUTHOR IN A CABINET OF
SERIOUS ONES
Augustine Birrell, with the portfolio of education in the
British ministry, is, accordingf to the London Evening
Standard, a relief from the jprofundity of such deep
scholars as Bryce, Morley, Haldane and the rest. " Bir-
rell can be funny."
134
CURRENT LITERATURE
HE COMES FROM MUTSU-HITO TO ROOSEVELT
The Viscount Aoki is Japan's ambassador in Washing-
ton, the first of his countrymen to reach our national capi-
tal with that diplomatic rank.
ereign. But in public an ambassador has
never been permitted to exact the precedence
of one representing the person of a royal
ruler until last month, when President Roose-
velt instituted the innovation — for us — of
ranking these diplomatists above the justices
of the Supreme Court of the United States.
Technically, therefore, the new Japanese am-
bassador is a "bigger" man in Washington
functions than Chief Justice Fuller. Viscount
Aoki has been in the Mikado's diplomatic
service for many years, his highest distinction
having been won at the court of Berlin. In-
deed, he married a German lady, and his
daughter married into the German nobility,
and was thought in her own country to have
lost caste by the match. Her husband, al-
though a scion of a most exclusive Prussian
house, strove vainly for years, according to
one story, to penetrate the inner circle of
Tokyo society, a circle to which even the most
distinguished foreigners are seldom, if ever,
admitted. Love found a way, however, and
the present Japanese ambassador here became
the father-in-law of a Hatzfeldt.
THIS Viscount Aoki is described as a man
of such exquisite tact that certain mis-
understandings between Tokyo and Berlin,
consequent upon the Asiatic policy of Em-
peror William, were adjusted by the exercise
of his personal influence. That, anyhow, is
the story. His task in Washington, as the
German press hints, will be to convert this
republic into as much of an unofiicial member
of the Anglo- Japanese alliance as our traditions
permit. He is rather an elderly man for that
task, being in his sixly-third year and not espe-
cially vigorous. His appointment has caused
some little surprise, in fact, for he belongs to the
old school of Japanese statesmanship and was
put into that asylum for the superannuated, the
Privy Council, long ago. Nor does he seem to
possess any particular experience of America.
On the other hand, his personality is so per-
suasive, his talent for diplomacy is so art-
fully molded by European experience and his
genius for entertaining is of such perfection
that he may, as one daily abroad puts it, "go
far" in Washington. The Paris Journal des
Dehats recently called attention to the flam-
boyant gorgeousness with which European
diplomatists stationed here entertain members
of the United States Senate. Invitations are
said to descend in showers upon the Foreign
Relations Committee, especially when an im-
portant treaty awaits confirmation. European
governments are alleged to complain that it
might be better fbr their purposes if they
could accredit ambassadors to the Senate in-
stead of to the President. However, as our
French contemporary explains, they console
themselves by entertaining our Senators. Vis-
count Aoki is confidently expected to make
his assimilation of Western civilization abun-
dantly manifest to the members of the Foreign
Relations Committee.
A GERMAN .WARNING AGAINST THE ANGLO-
JAPANESE ALLIANCE
" Powers of continental Europe, look out for your
colonies !
— Berlin Kladderadatsck,
BANKER SCHIFF'S WARNING CRY
135
THE worst panic this country has ever seen,
one in comparison with which preceding
panics will seem like "child's play," is pre-
dicted imless we proceed to reform our cur-
rency system. The prophet of such dismal
things is not one of the "calamity-howlers"
'.trft over as a relic of Populist days, but one
if the most influential bankers in New York,
ar,*J usually one of the more optimistic — ^Jacob
H. SchiflF, of Kuhn, Loeb & Company, and late
r. director of the Equitable Life. What must
be done to avert the panic, he thinks, is to
^eal^e a more "elastic" currency. The sug-
irtstion is not novel. Every Secretary of the
Treasury, from the days of Secretary Windom
tvith his interconvertible bond down to Secre-
tary Shaw with his "asset currency," has es-
-lyed the task of securing increased elasticity.
It was the favorite theme of Greenbackers and
Farmers' Alliance orators, .whose scheme to
have the Government build warehouses where
farm products could be held in bond and made
the basis for a currency very elastic indeed is
Till remembered with varying emotions. The
principal trouble has been and still is the lack
of agreement on the part of successive Secre-
taries of the Treasury and on the part of dif-
ferent financial magnates as to the method by
which elasticity is to be increased. The occa-
sion of the renewal of an agitation on this
scbject at this time is the high rate that was
prevailing for money on Wall Street last De-
cember and the first part of January, call
xoney being loaned at the rate of 125 per cent,
ior a time, and in some instances going be-
yond that. This condition of the money mar-
ket Mr. Schiff, in an extemporaneous speech
before the New York Chamber of Commerce,
termed "nothing less than a disgrace to any
civilized country." Speculation was not, he
liiinks, the sole cause for it, for other countries
have had wider speculation than the United
States without such extreme rates. "The
cause is in our insufficient circulating medium,
or the insufficient elasticity of our circulat-
ing medium."
THE plan which Secretary Shaw has been
urging is to allow the national banks to
issue an emergency circulation, equal to 50
per cent of their bond-secured circulation, this
emergency issue to be taxed five per cent in
order to insure its retirement when the emer-
gency is past. Mr. Schiff disapproves that plan.
He calls it a "very poor recommendation," be-
cause the emergency issue would all go just
where it ought not to go — to the speculators.
He favors an increase of circulation (by the
banks, of course) based on commercial paper
held by them. Ex-Secretary of the Treasury
Lyman J. Gage agrees with Mr. Schiff as to
the danger of a panic some time in the future
as a result of our bad currency system; but
he is in favor of Secretary Shaw's scheme
— "with modifications." Secretary Shaw's
scheme, in fact, seems to be more popular
among the bankers than Mr. Schiff's sugges-
tion. The latter has since explained thrft he
did not mean to suggest a substitute for the
Secretary's plan, but an addition, commercial
paper to be made merely an extra security for
the emergency circulation. Ex-Comptroller of
the Currency Eckels says our currency laws
are out of date and a positive hindrance to
trade and industrial development. He wants to
see "a clean sweep" of the old laws "so far as
they relate to bank notes and* the handling of
Government funds," and the abolition of the
sub-Treasury. There are other bankers only
waiting to be called on to make other sugges-
tions.
THE spirit in which Mr. Schiff's remarks
have been received by the country in gen-
eral is far from being cordial or encouraging.
The disposition is widespread to attribute the
wild flight of call-money in New York to the
still wilder speculations on Wall Street, and to
the encouragement of such speculations by the
Wall Street banks. Many facts are pointed
out to uphold this view of the case. On De-
cember 12 last the New York correspondent
of the London Economist was saying:
"Some of the big downtown banks have been
too intimately associated with operations in Wall
Street, through managers, directors or others in
interest, to permit of an inference that all of the
in-and-out-of-season booming of securities has
been done with money borrowed abroad. From
this point of view, then, when the second drop
below the 25 per cent, limit of reserves and the
third squeeze in call loan rates within a month
are considered, it must be inferred that some of
the banks here are willing to play with the specu-
lative crowd, whatever may befall, in the ex-
pectation or belief, or both, that if the worst
should happen the secretary of the treasury may
be relied on to come to their relief."
That influential paper, the New York Jour-
nal of Commerce, also puts the blame on the
banks. It says editorially:
"Why have New York banks been so accom-
modating to the daring operators of the Stock
Exchange, reckless of all interests but their own,
and played the role of partners in their manipu-
136
CURRENT LITERATURE
THE MOST INFLUENTIAL JEW IN AMERICA
Banker Schiff was eigrhteen when he came from Ger-
many to America. He is the wealthiest, most power-
ful, and most liberal Hebrew in the country. He is pre-
dicting the greatest panic of our history if our currency
is not made more elastic.
lations of the market? It is largely because rich
and powerful stock operators, employing their
brokers on the Exchange, are in many cases bank
directors themselves or closely allied with them.
They have control or great influence in banks
and use them for their own purposes. Bank offi-
cers are in many instances subservient to them,
because they are in a measure dependent upon
them or interested with them. This close alliance
of banks with great corporate interests is one of
the perils of the situation."
AT THE very time that 100 per cent, was
being asked for call-money on the floor
of the New York Stock Exchange, so the Bos-
ton Herald asserts, business firms were, with
no great difficulty, borrowing all the money
they actually needed for business purposes at
^yi per cent., this fact seeming to indicate that
the relief called for by Mr. Schiff and other
bankers is the relief of the speculators (as
Secretary Shaw has been maintaining), not
of mercantile and commercial business. The
Baltimore American also holds that the abnor-
mal prices in New York were the result sole I j
of the speculative craze here, the same con
dition not being manifest anywhere else. TH<
Springfield Republican finds that the figures oi
currency circulation show an increase on Janri
ary i over one year ago of $101,922,446, and
its conclusion is that the wild rates in N'cw
York have been due, not to contraction or
rigidity of the currency, but rather to unciuc
expansion and the consequent buoyancy in
prices and the speculation stimulated there l3_y.
**It is in truth," so it observes, "a period of
great monetary inflation attended by the phe-
nomena common to all such periods in tHe
past." The Evening Post diagnoses the situa-
tion as follows:
"We have had a market admitting that ono
$70,000,000 stock, another of $50,000,000, and a
third of $30,000,000, were virtually comereci ;
their prices were then advanced, after the opening:
of September, by the speculators in control of
them, thirty, forty-seven, and one hundred an <1
seventy points respectively. These operation s,
and numerous similar ventures which accom-
panied them, were undertaken at a time when tHe
legitimate demands of trade and industry were
at the very highest. It is notorious that these
speculating millionaires and their following were
provided by our banks with money which had
been largely obtained from deposits made by-
Western institutions in this city, and which were
certain to be recalled when the active harvest
trade set in. Whether loaned for such purposes on
call or on time, no intelligent man in Wall Street
doubts for an instant that these huge advances.
^:?^^v^'-^ ^V>**^
MONEY TIGHT IN NEW YORK
— McCutcheon in Chicago Tribune,
A NEW PRESIDENT IN FRANCE
137
for pure stock-jobbing operations, so far tied up
available resources of our banks that they came
into December wholly unable properly to meet
the situation. The extent to which, even then,
with 25 per cent, money and bank reserves below
the legal minimum, great lending institutions
continued to provide the fuel for continued spec-
ulation, leaves the money convulsion at the end
of the year, in our opinion, a phenomenon which
the simplest mijid can understand."
REGARDING the chances of currency leg-
islation at Washington, the Post of that
city remarks that "Congress never meddles
with the currency until the public forces it
to do so. When it comes to that sort of work,
G>ngress is the biggest coward on earth."
The reason for its cowardice is easily found.
It lies in the irreconcilable differences of pub-
lic sentiment in different sections on the fun-
damental principles involved. Here, for in-
stance, is a paragraph from the Omaha World-
Herald's comment on Mr. Schiff's relief meas-
ure:
*'To coin and issue money is a government
function, and should not be a banking privilege.
The increase or decrease of the circulating me-
dium beyond the limits fixed by the natural laws
governing the production of the precious metals
is a responsibility of the gravest importance that
should rest on all the people. . It should not be
intrusted to any one class. Above all things else,
it should not be intrusted to the great and daring
and unscrupulous money kings who control the
large banking institutions of New York in the
interest of their enormous gambling operations."
"REFUSED TO COME TO THE AID OF WALL ^
STREET
Secretary Shaw, of the Treasury, who hopes to be-
come President Shaw, of the White House, is blamed by
Banker Schiff for recent high rates for money in Wall
Street; but he holds speculators and the New York
bankers responsible.
That doctrine still has power from the
stump to arouse wild enthusiasm and to deter-
mine elections in many States. The canny pol-
iticians at Washington know it, if the bankers
in New York sometimes forget it.
SOBERING UP
It is mighty convenient sometimes to have a steady
friend. ^,, ,. ^ ..
— Mmneapohs Trtbun^.
A NAME rendered very familiar to the
world by the fortnight's contest for the
chief magistracy of the second republic of the
world is that of Clement Armand Fallieres.
In all the sixty-five years of his life, neverthe-
less, he has remained, so the Paris Gaulois
asserts, a human cipher, committed to nobody,
representing nothing. From the date of his
first election to the Chamber of Deputies thirty
years ago until he was chosen president of
the republic in succession to Loubet, he has
lived in comparative obscurity. He has held
portfolios in seven ministries and he was Pre-
mier for some twenty-two days years ago; but
to his countrymen he has heretofore signified
little or nothing. His official career has been
one of lengthened political inaction, unexcited
by the Panama scandal, the Dreyfus affair, the
war between Church and State. Fallieres, in
short, has a political organism in which the
138
CURRENT LITERATURE
VHOM THE ih.V^EE PAUACB TO A SI X- ROOM FLAT
TliAt tfunsfarmation in this life of ^mlLc Loi^bet will he made when he vcicttteD the post of pTencta Pr«sidfiDt on the
tttU and ffocs to^reside f n the Roe XJamr* P&rls.
THE ^"STRONG MAN" IN THE FRENCH PRESI-
DENTIAL CAMPAIGN
tpicuouii g^ure iii the ts^reut cuutoiit fur ih« Prmiidetit^x*
bacillus of parti zatiship has to wander vainly
in quest for a spot favorable to growth* **He
is practically a man without a history,*' ob-
serves the London News, "and has never
been aggressively associated with any of the
great political agitations which have disturbed
France during the past fifteen years.** But
he has been six years an avowed candidate
for the presidency and until six months ago
his election was deemed by the most compe-
tent dailies in Paris a foregone, conclusion.
The abrupt thunder of the Doumer candidacy
awaked M. Fallieres rudely,
HIS first step, or that of his friends* was to
identify his candidacy with all that is
respectably anticlerical. He has always been
what the French call a progressive republican.
He favors separation of Church and State as
welt as "keeping the priests/' to quote the
Paris Humanitif **m their places/* Recent
months have found him in closer touch with
such pronounced haters of monks and nuns as
Emilc Combes and Camille Pelletan* These
two men stand for all that is fiercer in the
spirit of French anticlerical ism* They want
THE CAMPAIGN OF PAUL DOVMER
t39
a President who will be content with the posi-
tion of a mere figurehead. Now nobody ques-
tioos the aptitude of M. Fallieres as a figure-
head. He has been one for years. France
could never suspect a dictator in one of his
stout and ungainly shortness, although, as the
Paris Action notes. Napoleon also was fat and
slK>rt. Fallieres is said to possess great firm-
i^ss of character beneath his gentle and quiet
manner. His affability, too, is proverbial. His
eloquence has been mentioned enthusiastically
by his supporters at Versailles, but the clerical
press calls him a dealer in platitudes.
PAUL DOUMER is credited by his enemies
with an unedifying fitness for sophistica-
tion. He strutted through the presidential
election afc Versailles last month^ they say, as
if he were a peacock in full feather — all for
00 other discernible reason than that he is a
sdf-made man. But then it is only natural, it
was said, that in a democracy a man who has
risen {rom an engraver's apprentice to be Gov-
J^^PP^^^BI
^^^^^^I
H^m 1
^^^^p i^^^^^^^^^^
II^^^Btv .^j^^^^^^Kli
Dfk' !flH
llj^B , ^K ^^^^^^^^^^r fn l^^^^^^^lr
ItADAMB LOUBET AND HER YOUNGEST SON
Tlie lady is «aid to have been most reluctant to see
btt lmst>and relinquish the French Presidency, which he
dots this mofrth.
THE SUCCESSFUL CANDIDATE FOR THE
FRENCH PRESIDENCY
Clement Armand Fallieres has striven for many years
to attain the summit of his life's ambition — the chief
magistracy of the third republic. He has now attained it.
ernor-General of Indo-China and President of
the Chamber should deem himself as worthy of
the supreme dignity in the republic as a little
country doctor like Combes, a former grocer's
boy like Rouvier, a nobody like Fallieres. In
the Chamber of Deputies Doumer has talked
much in the last twelve months. One observer
says of him: "A curious admixture of excel-
lent style, graphic and forcible, with more
than indifferent syntax, betrays the self-taught
man ; but, worse than that, an evident pleasure
in himself, his capacities and the part he has
played, together with a constant want of a
central standpoint, puts one in mind of the
conceited self-made man." He is accused of
speaking with immense complacency of the
chapter of colonial history he has written on
Asiatic soil and of the modesty with which he
has endeavored, since he returned to Paris
some two years ago, to make people forget it.
Another estimate, that of Labouchere's Lon-
don Truth, makes Doumer out a high-class
adventurer. "He has no conception of the
small place he holds or ought to hold in a big
national organism." But he speaks and writes
ably, admits this critic, for a man whose hori-
zon is bounded by his interests and his sense
of his own merits.
t4C>
CURRENT LiTERATURn
SCULPTOR, EX-PRIME MINISTER, AUTHOR AND
PARTY LEADER
L^on Bourgeois, who was voted for in the French presi-
dential election, wrote a book called " Solidarity " a few
years ago which still remains the b^sisof the charge that
he is at heart a radical social revolutionary. "The ablest
man," says the London News, *' in French politics."
CHAMPION OF THE "BIG STICK" IN FRANCE
Eugene Etienne, leader of a "group" in the French
Chamber, wishes the republic to become mighty on the
sea and a great colonial power. He was said to have been
urged as a "surpri.se candidate" for the French presidency.
IT was Doumer, with his aching consciotis.—
ness of being great and his fury to riso',
says the Socialist Humanite, who broke up t:l:i<^
"block" or combination of anticlerical groups
under Combes which paved the way for sep-
aration of Church and State. "What impellorcl
him to wage merciless war against a goverr-i-
ment most members of which belonged to tlio'
party he called his?" Ambition, comes the
Socialist reply. His election to the presidencr>'
of the Chamber a little over a year ago ro--
vealed the existence of that intrigue of dissat-
isfied radicals which led to the resignation o £
the Combes ministry not long afterward. Henx-i
Brisson, whom Paul Doumer then defeated,
did his best last month to return the compli-
ment. Himself a presidential aspirant, Bris-
son toiled night and day to hold Doumer from
the summit of his ambition. To Brisson, his
rival is the type of that purely material kind
of worldly success which the third republic
is too prone to worship. Doumer worships
worldly success like the rest, but he worships
himself, too. He likewise worships his eight
children, never touches alcoholic drink, scorns
tobacco, is a model husband in a land where
model husbands are less rare than French nov-
elists would incline Anglo-Saxons to think.
Doumer's father was a poorly paid railroad
clerk who died when his son was a boy. Paul
Doumer began life in a medal-making estab-
lishment. He taught himself, and did it so
well that he got a university degree while still
working for wages. Next he was a Professor
of Mathenatics with a turn for science. From
that to journalism was a step, and from jour-
nalism to politics was another step. He be-
came a deputy, then a Cabinet minister and at
last satrap of the Asiatic empire of France.
EVERY anticlerical liver was convulsively
swollen by the Doumer candidacy. This
self-made man, declared the Paris Lantcrnc,
had won the Pope to his cause. Yet Doumer is
a Freemason, and the Vatican chafes restlessly
over Freemasonry. But certain French car-
dinals were assembled at the archbishopric of
Paris last month, avers the Paris Action, and
schemed for the triumph of Doumer. The
least curious, adds this anticlerical organ,
might be interested in the secret of that anom-
aly. M. Brisson's friends were so interested
as to accuse Doumer of having "gone over to
the Pope," just as once, in the fury of a hot
contest between the Bourgeois Cabinet, to
which he belonged, and the Meline party, he
deserted, bag and baggage, to the latter. It
THE VATICAN AND THE FRENCH ELECTION
14^
TWO FAMOUS MASTERS AT WORK IN THE VATICAN
One \s Pope Pius, -who consented to let the^other — Anton van Velic, the Dutch artist — paint his portrait only
«f. v.o^d\UoTi that tlie pontifical business be not interrupted. This stipulation is understood to have been forced upon
liic Vope owing to the pressure of work entailed. by adjusting the Church in France to the newly consummated
«?arai\on ol Church and State. The Pope, say some Paris jmpers, did his best to have Doumer made President.
happened years ago, but it told against him in
'ast month's balloting. Yet another indictment
of Doumer is on the subject of Japan. He had
b<rt on the wrong horse in Asia by making
himself objectionable to the Japanese. He is
said to hate, dread and denounce them in se-
er^. For proof we are referred to his official
correspondence and to a book on Indo-China he
was unlucky enough to bring out at the wrong
moment. "They rtrive," he declares of these
bated Japanese, "to raise their military power
to the level of their pretensions and the idea
of their strength renders them unbearingly
overweening. They will before long be dan-
gerous." A man with such prejudice against
Britain's ally, says Brisson's organ, would, if
he could, involve France with Britain herself.
Vet the cordial understanding with Britain is
a French bulwark against German aggression.
Thus argue politicians made nervous by the
Morocco conference. The hostility of the So-
cialists to Doumer is intense, and it was shared
by all the candidates. Henri Brisson, Cato
of this third republic, worked less for himself
than against Doumer. The friends of Leon
Bourgeois, that tragic figure in French poli-
tics, declared that Doumer stood for a Bour-
bon restoration unless he had been bought by
the Bonapartists.
NO French politician speaks with greater
authority or commands higher esteem
than Leon Bourgeois. The death of a wife
and a daughter to whom he was devotion per-
sonified and recently his declining health have
forced Bourgeois from active political life.
Last month his name was put forward for the
presidency, but he worked for Fallieres. He saw
in Doumer's candidacy a Vatican design to
undo the separation of Church and State. For
many years, he thinks, the radicals of France
have been obliged to devote most of their
energy to defense of republican institutions
against Caesarism of all kinds, against clerical-
ism of all shades. Treason is again abroad.
Monarchy lifts its head. His culture has lifted
him quite above the level of the politicians
about him and of the class from which he
sprang — his father made and sold watches on
the instalment plan. Leon Bourgeois is in
spirit "an antique Roman." He loves the clas-
sical authors of Greece and Rome. His mind
is said to have as many facets as a well-cut
diamond. Leon Bourgeois, says the Paris
Temps, dould have made a name as a painter
or sculptor. His natural bent prompted him to
be an artist and his leisure is now given to
modeling in clay. But his father made a law-
yer of him. Destiny did the rest.
I4i
CURRENT LITERATURE
AS a student of social philosophy, Leon Bour-
geois is said by the Lx)ndon News to have
sat at the feet of Comte and to have remained
his follower. The fact becomes apparent in
"Solidarity," a work put forth by Bourgeois in
recent years. It reveals the meditating recluse
rather than the presidential aspirant. Human
solidarity is the basis of the Bourgeois con-
ception of justice. There can be no liberty
without it. The book ran through edition
after edition, forming the basis of the month's
partizan cry that Bourgeois is too Socialistic
for the presidency. He wants, moreover, old-
age pensions, land taxation in something like
Henry George style, disarmament and that
sort of thing. He is impractical, says the
Paris Figaro, proving it when Premier by
choosing a renowned chemist for his Minister
of Foreign Affairs. Was not the immortal
Lavoisier told that the republic had no use for
chemists? Does not Bourgeois profess devo-
tion to the principles of 1789? Inconsistency,
thy name is Bourgeois! To which pleasantry
the Gaulois added its sarcasms at the devotion
of Bourgeois to Sanskrit and to Hindu poetry.
He wants France given over to a simple forest
life among innocent girls. He knows no real-
ity outside the Sakuntala of Kalidasa. How
differently the Humanite appraises Bourgeois !
He keeps in contact with life to-day, he is an
expert in parliamentary practice, he has sound
common sense, his philosophy is that of Poor
Richard's Almanac. By no authority has the
honesty of Bourgeois ever been impeached.
In a republic scourged by its scandals his
record is spotless. That is why his warning
against Doumer was taken so seriously. It
had impatted to the presidential election some-
thing of the atmosphere of conspiracy, with
Doumer in the character of Catiline. Fallieres
won.
OUR relations to the Far East — China,
Japan and the Philippines — are eliciting
considerable discussion, some legislation, and
much apprehension. The Philippines have
caused most of the discussion and China has
caused most of the apprehension. The dis-
cussion has revolved around the Philippine
tariff bill and the action of the "insurgents" in
Congress in opposing the administration meas-
ure. The passage of this measure, which gives
free trade to the islands on all products but
sugar and tobacco, and reduces the tariff rate
on those two products to 25 per cent, of the
Dingley rates, was effected in the lower house
by a vote of 251 to 71. The sentiment of the
country, so far as the press voices it, is em-
phatically in favor of the action taken and in
favor of the Senate's following the example of
the lower house as speedily as possible. Some
of the strongest protectionists in the house,
Dalzell, of Pennsylvania, and Grosvenor, of
Ohio, were among the active champions of
the bill, and the Democrats, following the
guidance of John Sharp Williams, supported
it on final vote, with the exception of fifteen
members.
CHINA furnishes material for dark fore-
bodings. The boycott on American
trade has not been lifted, and the general feel-
ing of the Chinese toward all foreigners is,
it is feared, deepening into a set purpose that
will prove far more refractory than the Boxer
uprising was. One indication of the way in
which the boycott is affecting this country is
seen in the following despatch, which we take
from a Spokane paper:
"Seattle, Wash., Jan. 6. — Unless the Chinese
boycott on American goods is removed within
the next 30 days the plant of the Centennial
Milling company, with a capacity of 2400 barrels
of flour per day, and that of the Hammond Mill-
ing company, with its daily capacity of 2000,
will be forced practically to close down. The
boycott has been felt for the past few months by
every flour milling company doing export busi-
ness on the Pacific coast, and the outlook for
the flouring industry, unless the boycott is re-
moved, is believed to be anything but rosy."
EX-SECRETARY of State John W. Foster
writes an article on the Chinese boycott for
The Atlantic Monthly, in which he lays stress
upon the fact that the boycott is entirely a
popular, not a governmental, movement. It
has been directed against this country first,
despite the fact that the United States is the
only one of the great powers which has not
despoiled China's territory and never as-
sumed an attitude of hostility to its govern-
ment, because it is so far almost entirely
caused by the victims of our harsh ex-
clusion laws and the sufferers of the race
hatred existing in some of our localities. It is
"the culmination of a long series of events
extending through a generation." Reviewing
these events, Mr. Foster asserts that from
time to time all the constitutional and treaty
guarantees which we have given to the Chinese
have been disregarded by the authorities of the
United States. If the present legislation is
continued in force, he predicts that the boy-
cott will not only continue, but will grow in
144
CURRENT LITERATURE
'J^em gemmen was settin' dere las' time I tried to Ian."
— Westerraan in Ohio State Journal.
extent and vigor. "The danger is that it will
not only affect our commerce, but extend to
all other American interests." The San Fran-
cisco Chronicle finds another origin for the
boycott. It says that there is no room for
doubt that it has been inspired by the Jap-
anese, and cites the words of one of our mer-
chants in China as follows: "All investiga-
tion leads to but one conclusion, namely, that
behind the boycott is something foreign to
anything ever known before in China, and that
that something is Japanese influence exerted
with the all-powerful subtlety of Oriental
cunning." The purpose of the Japanese, as
alleged, is to secure commercial advantages
and to nullify the advantages to other coun-
tries of the "open door" policy in China. In-
terest in the general subject of our relations
with the Flowery Kingdom is likely to be
stimulated by the Chinese Imperial Commis-
sion which is now visiting this country, led
by his Excellency Tuan Fang, Viceroy of
Foochow, for the purpose of studying this
question and our industrial and commercial
institutions in general.
IMPENDING revolution in China is the
prospect upon which last month's move-
ments of United States troops in the Philip-
pines were said to have been based. The
British Government is alleged to be exchang-
ing views with Paris regarding joint military
and naval action against Peking. Germany's
press grows almost sensational in some of its
predictions and reports of the imminence of
Chinese revolutionary horrors. "The real
Chinese question," avers the London Morning
Post, "is only just beginning." It will have a
sanguinary end, adds the Paris Journal des
Debats. Opinions of many missionaries in all
parts of China, gathered by a cautious London
organ Jast month, point to dangerous inflamma-
tion of the native mind. "The recent massacre
at Lien-chau and the still more recent affray
at Shanghai," says the British daily, "are inci-
dents, we fear, that are only too likely to be
repeated." This means that more American
women missionaries may be stripped of their
clothing by Chinese mobs, exposed to the pub-
lic gaze in heathen shrines, and finally hurled
into the river, where boatmen complete what
has been so thoroughly begun by spearing the
expiring victims. It is feared that many a
tragedy not less harrowing has still to be re-
ported. But such events are scarcely to be
connected with that hatred of Americans and.
all things American to which Secretary Taft
owes some embarrassments of his recent tour
through the Orient. These fresh frenzies are
but a logical outcome of that degradation of
the Chinese masses to which European organs
bear witness through first-hand reports. The
occasion for the atrocities in Lien-chow is de-
scribed as a clash between the interests of a
mission hospital and a native theater. But
back of the occasion lies the cause, and that
is neither local nor ephemeral. It is the wide-
spread suffering and desperation of the people.
MORE than one Chinese province is in a
state of utter ruin because of the exac-
tions of officials who are said to foresee the
impending wreck of their country and to be
determined to feather their own nests while
opportunity is afforded them. Famine often
completes such a work of havoc as mobs began
last month. Thousands of human beings have
died of hunger in the rural districts. In many
villages the population has been subsisting
upon roots and herbs for weeks past. Fathers,
having sold their wives and children into sla-
very, have ended by selling themselves. Last
month's news despatches haVe been filled with
reports of agrarian revolt. We read thaft the
bodies of prisoners executed for resisting the
tax gatherer have been devoured by a horde
of hungry spectators. The executioners them-
selves are declared by some European ob-
servers to have driven a lucrative traffic in the
bodies of criminals sent to death by hundreds.
The public revenue even is said to have occa-
sionally been derived from the growing prac-
tice of cannibalism.
DESPERATE CONDITION OF THE CHINESE PEOPLE
MS
NOW the only influence which acts equally
upon these vast masses of human beings
in China is the acute discontent growing
irectly out of the burden of the indemnity
wrung by the European powers from a peas-
zntry suffering for food. It would appear
that while there is a great difference of opin-
ion among the natives regarding the dynastic
jestion, the religious question, the question
<A progress as opposed to tradition and a vari-
ed of kindred topics, there is no disagreement
at all regarding the deviltry of the foreigner
and the desirability of ridding the country of
his exactions. All the provinces have out-
reaks not wholly unlike that now reported.
Those who lead them are in some instances
former Chinese troopers who have waited
vairJy for their pay and are finally left desti-
t'jte. Thousands of the peasantry take to the
vlls and lead there a life of brigandage.
Another element is made up of revolutionaries
•jtright who wish to put an end once for all
1 1 the woes of China. Towns and villages
are captured by the outlaws, only to be retaken
^rth infinite slaughter by government troops.
Each viceroy does what he can for the pacifi-
cation of his own province, with results that
are sometimes serious and often unknown.
The confusion is worse confounded by the fact
that the importation of arms into China, for-
>4riden for two years by the indemnity treaty,
>eems, from the reports of the past few weeks,
:t be growing, if, indeed, it ever was checked.
Not only are arms being introduced into the
provinces, but native arsenals are constantly
engaged in the manufacture of all kinds of
weapons. The Chinese Government is under-
>tDod to have abandoned all effort to check the
distribution of arms among the natives. Mobs
are strong, or feel so, and they can burn and
ravage with little fear of a neighboring gar-
ri^n. As one comes down to the coast, con-
ditions improve, of course; but a striking
feature of outbreaks such as that in which the
American missionaries lost their lives is the
ofScial secrecy maintained with regard to
them.
1'HE Peking dynasty is said to fear that the
European powers may be led to inter-
vene again if the full extent of the rebellion
becomes known. The world is usually wihout
reliable news as to what is going on in the in-
terior of China. The capture of a village is
represented at times as the loss of a city.
Defeat becomes victory in official reports of
a brush with rebels. Lists of killed and
The POWERS: '*The door is open all right and the
Jap it there with the goods."
wounded fail to discriminate between the
forces of rebellion and the forces of consti-
tuted authority. One rebel leader, to show the
natives the stuff of which he is made, mur-
ders his family and dons imperial robes before
gathering an army which grows in size and
devastates a countryside. The relatives of
insurrectionist leaders are, when captured, ex-
terminated in accordance with a code demand-
ing the decapitation of their grandparents,
parents, sons, daughters and family connec-
tions. For the political offenses of one man
dozens of disinterested relatives are led to exe-
cution. This is a circumstance to be remem-
bered in connection with the official Chinese
assurance that those found responsible for the
outrages in November will be rigorously pun-
ished. Nor does any competent authority in
the press of Europe see how Washington is
to exact real redress or prevent the recurrence
of these now familiar furies. London, acting
alone, is equally impotent. France, in a sense,
is on the spot, having her great Indo-Chinese
possession. Yet Paris organs urge united ac-
tion of all the powers, if there is to be any
action at all. Germany's press, or the officfially
inspired section of it, seems disposed to find
fault with Japan for not having soothed China
into quietude. "Is this," asks the Rheinische-
Westfalische Zeitung, "the Japanization of
China, of which the English prate so much?"
JAPAN'S most blue-blooded aristocrat, the
Marquis Saion-ji, is to-day her Prime Min-
ister. His gait, his deportment, his physiog-
nomy, his most trivial gesture, bear the stamp
of that nobility which the marquis is said to
keep as close to him as his own skin. "Edu-
cated in France," says the London Timfs, "he
has all the quiet and somewhat cold dignity
146
CURRENT LITERATURE
of a grand seigneur, and his manner and con-
versation suggest a man removed alike by
nature and culture from the arena of political
turmoil." Politically, according to the same
high authority, the Marquis Ito has always
held the new Prime Minister by the hand.
When, some few years ago, the Japanese Em-
peror invited Ito to resume the presidency of
the Privy Council — a dignity wholly incom-
patible with leadership of a political party — ^the
Bismarck of Nippon was in a cruel dilemma.*
An imperial invitation was equivalent to a com-
mand. Yet obedience meant abandonment of
the constitutional party or Sei)ru-kai, of which
Ito is the father. The grand old man evaded his
difficulty by going into the Privy Council and
handing the leadership of the Seiyu-kai over
to the Marquis Saion-ji. Not that the aristo-
crat who is now at the head of the government
is a figurehead merely. He stands for a vital
political principle — constitutional government
through a ministry responsible to a party.
There has never yet been anything like true
party government in Japan. The ministry of
the Marquis Saion-ji represents the nearest ap-
proach to it that Japan has yet witnessed.
YET it is an approach only that Japan now
witnesses. The Marquis Saion-ji does not
begin to have a parliamentary majority behind
his official back. Not one party in all tHe
Diet is strong enough to achieve anything by
itself. Every ministry is a jumble of oppo-
sites, and the new one, in this regard, departs
from no precedent. But it is stronger than any
previous ministry in those elements which for
years have protested against the deference of
Japan to her elder sftatesmen, because that def-
erence was a negation of party government.
Marquis Ito and his pupil, the new Prime Min-
ister, are at odds to the extent that the older
man thinks a party system premature while
the younger deems it too long delayed. Neither
gets satisfaction from things as they are, but
the Prime Minister, according to his organ,
the Seiyu, has the future on his side. He is
fifty-seven, however, and as thoroughly Frencli
in training and in temperament as our own
James Hazen Hyde. When he was twenty-one
the Marquis Saion-ji went to Paris and there
lived for ten years. He speaks French like a
native, loves French literature and French art,
and is wedded to French political ideas.
HIS MONUMENT IS CHICAGO UNIVERSITY
*» I am K<>inj< before my work is finished," siiid Presi-
dent Harper. " I do not know where I am Koi"Xi but I
hop^ *y ^'"rk will jfo on. I expect to continue work in
the future state, for this is only a small part of the glor-
ious whole."
CHICAGO SUSPENDED BUSINESS ON THE DAY
OF HIS FUNERAL
Marshall Field, who died the other day of pneumonia,
at the age of seventy, was the richest merchant in
America. He began Iffe as a New England farm-boy.
Literature and Art
NEW DEVELOPMENTS IN THE INTELLECTUAL ALLIANCE
OF EUROPE AND AMERICA
Italy makes the third European country to
alter into what may be described as an in-
tellectual and educational alliance with the
United States. The movement has become
5 sort of world-movement of large and, it is
to be hoped, of lasting significance, not only
n a literary and educational way, but in its
pojtical possibilities as well. In France and
Gcnnany the main feature of the movement is
the interchange of professors and lecturers
with this country. The progress of the
aovement as developed there has been noted
Tith interest in the press and the magazines.
One of the most influential figures in bring-
Ji? about this relation between America and
France has been Mr. James Hazen Hyde,
:: New York, late vice-president of the Equi-
tile Life Assurance Society, whose interest
iid financial support made possible the visits
tj this country of such eminent French lec-
^rs as MM. Bruneti^re, Edouard Rod and
Gaston Deschamps, and who founded the
tliair at the Sorbonne, in' Paris, which Prof.
Barrett Wendell, of Harvard University, occu-
pied last winter. The relation between Ger-
•3aay and this country is due to the efforts
of various public - spirited citizens on both
Kdes of the Atlantic, as well as to the sympa-
tisetic interest of Kaiser Wilhelm and Presi-
toit Roosevelt. At the time of the St
Ucis Fair an agreement was entered into
^jetween representatives of Berlin and Har-
•yd Universities, providing for an exchange
i professors every year. The first lectures
rader the new arrangement have just been
?'en by Prof. Francis G. Peabody, of Har-
'ird, in Berlin, and by Prof. Wilhelm Ost-
^d, of Berlin, at Harvard. Two further de-
velopments in the German-American entente
^ from the foundation of the "Germanistic
Society of America" in 1904, and of the
Theodore Roosevelt professorship" of Amer-
■^ history and institutions, recently endowed
'• Berlin University by Mr. James Speyer, of
^'cw York. It is under the auspices of this
f»«nnanistic Society that Prof. Friedrich Del-
^^»ch (the famous biblical scholar of "Babel
^ Bible" fame) and Ludwig Fulda, the
^^amatisit, arc at present visiting our shores;
and it is announced that Prof. John William
Burgess, Dean of the Faculty of Political
Science in Columbia University, will be the
first occupant of the Roosevelt chair in Berlin.
The latest country, as we have said, to
enter the international educational alliance is
Italy, and this fact must be set down to the
credit of Dr. Joseph Spencer Kennard, the
distinguished American student of Romance
literature. Last summer Dr. Kepnard went
to Italy in the interest of a plan to encourage
American students to study in Italian univer-
sities and to promote an exchange of pro-
fessors between Italy and the United States.
He has returned to America crowned with
success so far as Italy's cooperation is con-
cerned. Italian universities, authors and mem-
bers of Parliament have expressed themselves
enthusiastically in regard to the plan.
The King received Dr. Kennard in private
audience at the request of Signor Tittoni,
Minister of Foreign Affairs, was profoundly
interested, and promised his sympathetic sup-
port. Signor Tittoni and Signor Bianchi,
Minister of Instruction, have also assured
the moral support of the Italian Government
to the "Alleanza Italiana," the society which
Dr. Kennard has founded for the purpose
of carrying out the alliance, and at a dinner
of honor given him by the rector of the Uni-
versity of Rome, Dr. Kennard was invited to
be the first American to lecture before that
university.
The objects of the Alleanza Italiana are :
1. The exchange of students between American
and Italian universities. In furtherance of this
plan Italian universities will in future not only
accept American college diplomas and certificates
as an equivalent to entrance examinations, but also
for graduate standing for those students who de-
sire the degrees of Doctor of Letters, Philosopliy,
Medicine or Law.
2. A temporary exchange of professors be-
tween the universities of the two countries.
3. The exchange of lectures by the more
prominent authors and publicists of the two coun-
tries.
4. The foundation of Italian professorships in
American colleges and of American professor-
ships in Italian imiversities.
5. The foundation in the cities and larger
towns of the United States of circles for the
148
CURRENT LITERATURE
study of the Italian language and literature and
the encouragement of our Italian fellow citizens.
In // Giornale d* Italia, the foremost news-
paper of Rome, Commendatore Tonelli, rec-
tor of the University of Rome, declares his
conviction that the project can prove only
"beneficent in the highest degree" both to
Italy and the United States. He comments
further :
"Dr. Kennard asked himself why a land yet
young, but rich in its intellect, its enterprise and
the promise of its future, like the United States,
might not gain freer access to the fountains of
Italian mentality - and spirituality. And why
should not an ancient nation, potent in thought
and in its grasp of the most perfect form of civil
order, desire and be enabled to gain from contact
with the new world a wealth of experience brac-
ing to its own endeavor and to its intellectual,
moral and social capacities?
"The idea of an intellectual alliance between
Italy and America arose in the mind of Dr. Joseph
Spencer Kennard from these considerations, based
upon the logical position and upon the history of
both nations. And as a model for himself he
Court ecy of N. Y. Indepeudent
MEDAL PRESENTED TO J. PIERPONT MORGAN BY THE
ITALIAN ACADEMY
The desigrn is by Madame Lancelot-Croce aud is Intended to ex-
press the Italian nation's appreciation of Mr. Morgan's g:enerosity
in restoring the cope of Nlcnolas IV, stolen from the ancient city
of Ascoli and sold to him in Paris. Mr. Morgan is shown in the
act of handing over the famous cope to Italy, represented by a
female figure, who grasps his hand in gratitude. On the opposite
side of this medal is an inscription surrounded by a wreath of vio-
lets which symbolize "the modesty of the American millionaire,
who returned the valuable cope without making any parade
about it."
took the Franco-American intellectual alliance,
which has already some 40,000 members and funds
equivalent to the sum of $600,000.
"Dr. Kennard, by forming an association made
up of the elect in the two nation S) proposes to
bring from America numbers of students to our
universities. Here they will either obtain their
education or complete it at our intellectual cen-
tres. Dr. Kennard will bring into our country
numbers of studious Americans who will gain an
acquaintance with our institutions, and learn our
true history from our time-honored memorials.
In the United States, Dr. Kennard will prepare
the way for our most representative men of cul-
ture, that they may spread throughout the republic
a knowledge of Italian thought, Italian traditions
and Italian idealism.
"From such contact and from such exchanges
of idea and of standpoint, Dr. Kennard rightly
believes that a more thorough reciprocal compre-
hension will ensue. This in turn can only bring
about better understanding in the political domain.
"Our king the other day granted an audience
to- the energetic American, who besides being a
man of splendid intellect is gifted with the utmost
energy of will.
"We hope, nay, we feel more than hope, we
firmly believe that this undertaking will succeed.
The outcome can prove only benefi-
cent in the highest degree to our
country and to the influence which it
will both exercise and receive through
the agency of the youthful but potent
and expansive civilization of the great
American republic."
The Florence Marzocco thinks
that if Dr. Kennard modifies a pop-
ular American impression that Italy
can supply the American republic
only with undesirable immigrants
and murder mysteries, his work
will redound to the glory of the
Siena school and of Dante. It de-
plores the failure of former genera-
tions to undertake the task which it
thinks Dr. Kennard is ideally capa-
ble of achieving. Its tribute to his
culture, his knowledge of Italy, her
people, her art and her literature,
is a glowing one ai)d is based on
personal knowledge, so it declares.
It looks forward with fond impa-
tience to the era when students
from our land will repair eagerly
to Italian universities, rivalling in
their appreciation of Italian cul-
ture that fineness of spirit which
lured Milton to Rome and the let-
tered Englishmen of Shakespeare's
day to Pisa and Verona. Dr. Ken-
nard, according to our Florentine
authority, is inaugurating an epoch
in human culture, by the work so
auspiciously begun.
for Carres* l^lterrture. Copyright, ig06
JOSEPH SPENCER KENNARD, Litt. D., D.C.L.
\>:-¥LKcmaTC, ^^o is ?*JP°J^P'„?rP®**^®°^ ^^}^^ Society Letteraria Dante Alighieri and the founder of the All*.
aK*.V^SMrfoT tUc exc^Attgre of professors and students between American and Italian univ-ersiUes Ld a ^r.vLf:
I50
CURRENT LITERATURE
Dr. Kennard is an enthusiast regarding
Italian literature. From the historic point
of view, he thinks, the Italian language and
literature are the most interesting in Europe.
In a recent letter to the Societa Letteraria
Dante Alighieri, of Philadelphia, he wrote:
"From it^ [Italy's] literature our own greatest
English masters from Chaucer and Shakespeare
and Spenser to Robert Browning, have drawn
much of their inspiration and borrowed much of
their literary material. All modem literature
dates from the Italian Rinascimento. The Italian
Dante alone stands on the same high summit with
our English Shakespeare. And we are only just
realizing that the most vital, the most vigorous,
the most dynamic influence in modem European
literature is Italian."
TWO AUTHORS WITH "DUAL PERSONALITIES"
William Sharp and Henry Harland may
have been unacquainted with one another dur-
ing life, but their names are written close
together in the death-roll of the past month.
And though the quality of their work sug-
gests almost nothing that they had in com-
mon, a peculiar fact has served to 'link the
two. They were both authors with "dual per-
sonalities,"
The announcement of Mrs. William Sharp,
that her husband wrote all the works in
prose and verse credited to "Fiona Macleod"
has solved a literary mystery — "the most, in-
teresting literary mystery in the United
Kingdom during the past ten years," accord-
HENRY HARLAND
Who wrote Jewish stories under the nont de plume of
*' Sidney Luska," and afterward made a new reputation
as the author of " The Cardinal's Snuff Box " and *' My
Friend Prospero,*'
ing to the New York Times. The same paper
says further:
"Many guesses have been made regarding the
identity of 'Miss Fiona Macleod.' William Sharp's
name has been mentioned, but not nearly so fre-
quently as the names of som^ other people, and
at length it came to be the general opinion that
Fiona Macleod really existed in her own proper
person.
"The English 'Who's Who/ which is strongly
opposed to noms de plume and is supposed to
print biographical outlines of real persons only,
has a lengthy item about Miss Fiona Macleod,
giving a list of her books and stating that her
recreations are 'sailing, hill walks, and listen-
ing.' . . . One of her' chief pleasures must
have been 'listening* to guesses regarding 'her*
identity. The pseudonym may have been profit-
able, but what other pleasure William Sharp ob-
tained from the 'knowledge that he was Fiona
Macleod it would be difficult to say.
"Indeed, here is the real mystery. Sharp was
a well-known man of letters, a most industrious
author, clever and cultivated, a friend of many
famous people, editor of numerous volumes, and
a critic for various periodicals, but he nev.er at-
tained fame. In a moment he could have become
famous instead of respected. The word that
would have given him renown he never spoke,
and it has been left to his widow to make him
famous after his death.
"Famous his memory will undoubtedly be.
Those poems of 'Fiona Macleod' are more than
brilliant productions; they have struck a new note
in European literature. To them is directly trace-
able the 'Celtic movement,' which is now so well
defined and strong a force. Indeed, the chief
argument for the theory that Fiona Macleod was
no nom de plume — at least, the nom de plume of
no known person — was that the poems were un-
like anything that any one else was writing — or
capable of writing, many of the critics said.
"And in this connection the parallel of Mac-
pherson and 'Ossian' will, of course, suggest it-
self. Macpherson was a fraud, and yet 'Ossian'
started the romantic movement in English litera-
ture. William Sharp was a Scotchman, and yet
his poems have served as a clarion call to the
Irish muse."
The comparison between William Sharp's
case and that of Macpherson and his Ossian
LITERATURE AND ART
151
15 "perfectly natural," but "misleading," in
:it opinion of a writer in the London Acad-
nny. Macpherson invented Ossian, he says,
for the purpose of passing off certain of
h s own works as those of the ^ancient Gaelic
Bards. What William Sharp did was quite
J flerent. He was one of those few peo-
p c who seem to have inherited a dual per-
♦oiality, and he was able to keep its parts
entirely separate. It was as if a man and
.:man were joined together in one person."
n this statement should be added that of
>!r. Richard Whiteing, an intimate friend of
"harp's. Mr. Whiteing writes in the London
Sfkere:
" 'Fiona Macleod* was the greatest of his own
Tcati<»is in fiction. She had never any existence
raiever, except in his brain, and yet she was a
- ng, real personality with all the charm of the
~:^t delicate and S3rmpathetic womanhood. I
m cot exactly concerned to defend him for the
fir, he made her play; it is quite enough to take
±t motive into account. He felt his Celtic poetry
~:cnscly; he took enormous pains about it He
*Tvew what it was to live in lonely fishermen's
^n:s in the remotest highlands, and to make his
Tcndcrful studies of cloud and sea and storm un-
:r conditions that would have appalled many an
i salt. He had an idea — ^perhaps a fanciful
^!^— that he had enemies in the press, and that
'■ five his Celtic muse the best chance she should
be wholly dissociated from his name. In this way
Fjna' came into the world. . . . He was
•mt of a race apart, the bora believers who have
^hit aptitude as others have the sense of color.
-le had the ease of the Swedenborgian adepts in
Eoring amongst the figures of a shadow land. I
tiiink this has a good deal to do with his creation
c: Tiona.' She soon ceased to be a mere pseu-
^-mjuL He gradually perfected his own concep-
!xc until she became a thing of perfect woman-
' xd and, as I have said, the greatest of his char-
acters. He not only thought in her name but he
pincred her in his mind. At one time, I be-
•^Tt there was actually a portrait of her pub-
iivhed, which, of course, he selected or inspired.
Hi wrote letters for her in answer to the bundles
re-.eivcd through the publishers, some of them, I
btlfevc, containing passionate offers of heart and
hand"
The following is a list of the works in
ofose and verse of "Fiona Macleod":
""Pharais : A Romance of the Isles," 1894 ;
The Mountain Lovers," 1895; "The Sin-
ister." 1895; "The Washer of the Ford,"
3896; "Green Fire," 1896; "From the Hills of
Dream/' 1896; "The Laughter of Peterkin,"
Old Celtic Tales Retold," 1897; "Spiritual
Tiles," "Barbaric Tales," and "Tragic Ro-
rT:ances," 1897; "The Dominion of Dreams,"
J 899: "The Divine Adventure," "lona," and
"Other Studies in Spiritual History," 1900:
**?oenis Old and New," "For the Beauty of
WILLIAM SHARP
His widow's announcement that he wrote all the works
in prose and verse credited to ** Fiona Macleod," has
solved "the most interesting literary mystery in the
United Kingdom during the past ten years.*'
an Idea," "The Magic Kingdoms," and "The
House of Usna."
Under his own name Mr. Sharp was general
editor of the "Canterbury Poets" and the author
of many works, including "The Human In-
heritance," "Earth's Voices," "Romantic Bal-
lads and Poems of Fantasy," "Flower of the
Vine" (published in America), biographies
of Dante Gabriel Rossetti, Shelley, Heine and
Browning; "A Fellow and his Wife" (in
collaboration with Blanche Willis Howard),
"Madge o' the Pool," and "Wives in Exile."
He also wrote two plays.
The case of Henry Harland has little of the
romance or dramatic interest associated with
William Sharp. But Harland also had two
selves, and his "double" was "Sidney Luska."
Under the latter name he wrote a number of
clever stories of Jewish life, among them
"The Yoke of Torah," "The Land of Love"
and "Grey Roses." During this period he
lived in New York, and his intimate knowledge
of Jewish traits and character led to the
erroneous conclusion that he was a Hebrew by
birth. Later, he went to London and became
the editor of The Yellow Book. He was
there the center of a coterie that included
Aubrey Beardsley, Max Beerbohm, Ernest
152
CURRENT LITERATURE
WILLIAM ORDWAY PARTRIDGE
!^He says : " Greece's art would never have been the
great art of the world had patriotism been lacking?. No
nation can be gjeat other than through itself, and no art
can- be supreme that is not a nationaiart."
Dowson, Arthur Symons and Richard Le
Gallienne. Finally, he turned again to novel
writing, and under his own name wrote "The
Cardinal's Snuff Box," 'The Lady Para-
mount," and "My Friend Prosper©/' Sa>rs
the New York Outlook:
"The first of these stories was one of the most
charming pieces of what may be called rococo
work that has come from an American hand ; es-
sentially artificial, but done with the nicest feel-
ing. It is to be compared only with Mr. Tartc-
ingfton's 'Monsieur Beaucaire.' It is a romance
of the purest kind, told with great delicacy of
feeling and refinement of style, against a beguil-
ing Italian background. The two succeeding
stories, 'The Lady Paramount' and 'My Friend
Prospero,* were in the same vein and very much
in the same manner. They established Mr. Har-
land's reputation as a writer of skill, charm, and
with the faculty of enveloping his stories in an
enchanting atmosphere. His early death ends a.
most promising career. Committed to literature
at an early age by his tastes and education, the
godson of Mr. Stedman, he seemed marked from
the beginning for a long and harmonious develop-
ment; for he had industry, persistence, and many
charming qualities of character."
The New York Times adds a word of com-
ment on what it regards as "one of the most
remarkable puzzles in the history of letters** :
"Aside from any question of the ultimate value
of his work, the career of Henry Harland affords
one of the most remarkable puzzles in the history
of letters. There have been a few cases of 'double
personality' among authors — of men who have had
two distinct styles or have given up one style to
achieve a reputation with another. But Harland,*
after making a reputation in one kind of work,
made another reputation along entirely different
lines, and then underwent another transformation
and gained his chief success with work absolutely
different from any he had hitherto done."
WILLIAM ORDWAY PARTRIDGE ON THE GREEK
SPIRIT IN ART
"The Greeks carved their souls in marble;
they expressed ideas rather than actions, and
the results are the splendid simplicity before
which we bow to-day, as well as the perfect
blitheness and sanity of which Winkelmann
speaks.** In the above sentence, our own dis-
tinguished sculptor, Mr. William Ordway
Partridge, gives expression to some of his
views of Greek art which have just been
deepened and strengthened by a recent artistic
tour through Sicily and Greece. We are ac-
customed to consider the joy of living as the
dominant note of Greek art and literature ; but
on the contrary, so Mr. Partridge thinks, the
dominant note was the recognition of the near
presence of death — a recognition that was
never absent in any of their moments of pagan
joy.
Mr. Partridge writes in Brush and Pencil
(Chicago), and his article treats of various
mechanical and archeological as well as ar-
tistic features of Greek art. He says :
"Technical dexterity, or that fatal thumb facil-
ity so rampant in Paris to-day, was never con-
sidered an end, but a means to an end, by the
Greeks. With the Greek, it went without saying
• that he could use his tools. Sometimes he per-
mitted himself technical 'fireworks.* just to show
that he could do it, but as a rule it did not seem
worth while ; the thought, not the method, was the
main thing.
LITERATURE AND ART
153
"The Greek sculptor, further, was not biased by
any Puritan element which forbade the represen-
trion of the nude, nor bound nor harassed by
fcdesiasticism. Neither, on the other hand, was
he tainted by any decadent trait such as the
R man sculptor displays, and as is so much in
-.!daice in modem work, showing that the mind
if the creator is impure. To him, the Greek, the
nude form was the most bold and perfect thing
-n the world, the home of the immortal spirit.
>jt in the greatest period of Greek art we seldom
t^nd the figure treated entirely nude, for the rea^
' n that the Greek found that drapery, propferly
iT.dlcd, enhanced the beauty of the figure and
eped out its action. He did not scruple to take
T.:ch poetic license with drapery, as, for instance,
". :.ie Elgin marbles and the figures of the friezes.
ireck drapery eddies about the limbs of the fig-
c:c as the water of a brook eddies about a stone.
Neither did the Greek scruple to use poetic
cense in other things. When he fashioned the
' rses which figure so largely in the frieze of the
I irthenon he made them larger or smaller as the
ice demanded. Also, he understood perfectly
: • value of alliteration and repetition in art, the
: teration of certain lines, as in the procession of
: : \irgin in the Greek festival, held once in every
^ :: years."
The Greeks, continues Mr. Partridge, made
i distinction in their treatment of statues
Hch we do not to-day. A temple statue was
-.".nished in style, and treated with a stiffness
-r^i dignity almost architectural ; while a statue
' trnded to be viewed in the open was polished
•' a gleamingly smooth surface and perfectly
t^ shed Phidias has generally been accepted
d' the master of architectonic sculpture, or
^ jhture as the handmaid of architecture; but,
n Mr. Partridge's opinion, "the pre-Phidian
'^Viies, crude and rough as they were, were
t :er adapted to the uses and effects of archi-
ecture than the noble works of Phidias." The
•jpposedly Oriental character of Phidian and
;:c-Phidian work has led to a popular belief
'J:at Egypt was the birthplace of sculpture.
On this point Mr. Partridge writes: "The
.>>t finds in Crete seem to prove that Greek
•n may have g^own from its own soil instead
•^ being imported, as it were, from older lands.
Ihe Oriental quality was inevitable with Crete
-J closely in touch with the East — Tyre on one
: de and Egypt on the other." Of impressions
leaned in Greece and Sicily Mr. Partridge
zives us these :
""When I went to Greece I entered through
-ic Gate of Gold— Sicily. First, of all came Pal-
^nrio, the Concho di Oro, or Golden Shell, where
tiic blue bay curves into the brilliant land, even
ic the shell they named it for. It was full of
>Tangcs and lemons and yellow sunlight. And
i'^«i, straight across Sicily, I went to Girgenti,
•We there are more temples than anywhere in
••■^ world except Athens. And then to Syracuse,
.*^-
'^.^'^ /
BYRON
(By William Ordway Partridge.)
of Grecian colonization fame; then to Taormina,
where the great theatre of the Greeks lies in
ruins, with the Roman theatre built above it,
and Aetna, in the distance, staining the sapphire
sky with faintest smoke — Taormina, on the coast,
with the port of Greece just over the way. So I
went to Naples, and thus across the blue water
to Greece itself.
"I traveled all over Greece, and lingered as I
went, though in some ways the land where for-
merly Sappho loved and sung does disappoint
the traveler. The ground plans of Delphi and
Olympia are all like Poippeii — roofless entirely,
lifting broken columns against the sky. These
pale pillars, in rows on rows, make the ruins look
like cemeteries, cities of the dead. Delphi is
a very small place. All the excavations could be
fitted easily into an American football-field. And
this is Delphi — the harbinger of our modern de-
mocracy; Delphi — the scourge of empires! The
Greeks themselves have done nothing in the way
of excavations, but the French and German ar-
chaeologists have excavated Delphi and Olympia
very thoroughly — the French Delphi, the Ger-
mans Olympia. Now the Americans are doing
equally complete and skillful work at Corinth,
under Dr. Heermance of Yale. As a matter of
fact, though, the 'finds' in the way of sculp-
ture are not proving very great in Greece.
It must be so. The Romans carried away all the
best works of art to decorate their villas in the
first place. Nero, as we know, took 75,000 statues
from Delphi alone, and some of the rarest crea-
tions, notably a famous bronze by Praxiteles, were
found in the wrecks of Roman ships. Then what
the patricians did not take for their houses the
154
CURRENT LITERATURE
DANTE AND BEATRICE
(By William Ordway Partridge.)
barbarians took for less aesthetic purposes. Burned
marble makes, lime, and no one can estimate how
many priceless statues were destroyed for this
sordid purpose alone, and thus lost to the world
of art forever.
"After the conquest of Persia a number of
marbles were discovered buried in the Ercch-
thcum. They had been piled one on top of the
other as stop-gaps, and proved to be a remark-
able collection, covering the entire period of the
rise, development, and highest pomt of Greek
sculpture. They are in the Acropolis Museum
SHAKESPKARE
(By William Ordway Partrid>^^c.)
now, beside the Parthenon. It is singularly in-
teresting to note that this period of development
covered only fifty years—fifty years from the
crudest pre-Phidian figures to the most complete
achievements of sculptural art Such rapidi^ of
development, one must admit, is nothing less than
wonderful."
The building of the great Greek temples, as
of the Pyramids, has been a matter of mystery
and conjecture; and the question has often
been asked. Just how were the huge blocks of
marble lifted into place? Says Mr. Partridge:
"There are two theories which may explain
this. The first is that great windlasses were used,
worked by vast numbers of men, the cheapness
of labor enabling the builders to accomplish ex-
traordinary results through sheer force of niun-
bers. The other theory is rather more curious
and interesting, as well as being the more prob-
able, all things considered. It makes the follow-
ing hypothesis: As each block of marble was set
in place, earth was dug up and piled all about
it, making a slowly increasing hill up the slope
of which the workmen dragged the succeeding
blocks. As the column grew, the incline became
steeper and steeper and the work more arduous.
The column itself was entirely buried, only the
white topmost block being visible. When the
whole was complete, the earth-hill was dug away
bit by bit, receding slowly from the great white
pillar, which finally rose straight and perfect from
the leveled ground. The Arabs worked thus in
the desert, and even as late as the Renaissance
we know of the same method being practised in
the building of the Santa Croce Cathedral in
Florence."
One of the most insistent qualities in the art
of the Greeks, writes Mr. Partridge, in con-
cluding, is the recognition of the near presence
LITERATURE AND ART
155
HOMER READING HIS ILIAD TO A BAND OF GREEK YOUTHS
(By William Ordway Partridgre.)
of death. "It is the dominant note, the envel-
oping spirit. All their finest work and most
delicate designing went to the fashioning of
their funeral urns. And in no pagan moment
of joy was the fatalism of the race absent;
they lived and laughed, but knew the shadow
lay just beyond the path of sunlight where
they danced." Mr. Partridge adds :
"Yet another thing, and this is worth noting^
the spirit of Greek art is always one of fervid
patriotism. Love of country and desire to dedicate
their lives to her service surely animated the souls
of the men who carved the gp-eat friezes, and
symbolized the glory and triumph of righteous
war. Greece's art would never have been the
great art of the world had the patriotism been
lacking. No nation can be great other than
through itself, and no art can be supreme that
is not a national art It is Coleridge who says
that the only true cosmopolitan is the true patriot,
for in him alone does the true cosmic human
sense find sincere expression. Patriotism is one
of the noblest sentiments known to humanity, one
of the p-eat white-hot irons that bum out the
epochs m the world's destiny. The man who
fights nobly for a lost cause is better than the
man who achieves a masterpiece. Was not the
one bright glorious spot on Byron's inglorious
fame the record of his struggle for the Greece
that he loved?
"Probably no one ever understood Greece bet-
ter, or adored her with more passionate devotion,
than this strange, imperfect genius. In his fight-
ing for her lies a greatness &r beyond his gp-eat-
cst songs. And this bears out a pet theory of
mine, that every man must be greater than his
works. I contend that a small soul cannot prompt
a big creation nor a base heart lie behind a noble
achievement in art. Art must be the expression
of the artist, and if the man is weak, bad, or arti-
ficial, the work of his brain and hands must be
meretricious and imtrue."
Mr. Partridge is not only an admirer of
Byron but of all the great poets, and he has
made it one of the delights of his artistic life
to reproduce in marble and bronze a series of
the greatest figures in poetry. Besides the
Dante and Homer groups, he has made busts
of Shakespeare, Byron, Shelley, Milton, Ten-
nyson, Burns, and, more recently, Poe and
Edwin Markham.
TENNYSON
(By William Ordway Partridge.)
IS6
CURRENT LITERATURE
THE EVOLUTION OF THE SUPERMAN IN LITERATURE
Hegel, the German philosopher, once faced
an audience of students in Berlin University
with the startling statement: "To-day. gentle-
men, we shall proceed to create a god." Ac-
cording to Professor Caffi, a noted Italian
publicist, the nineteenth century actually wit-
nessed the birth of a deity in Nietzsche's con-
cept of the Uebermensch. "In Christianity,"
says Caffi, "the Jehovah of the ancient Hebrews
became a man-God; in modern philosophy we
have the God-man, the Superman." The
professor finds numberless traces of this
thought in the literature of the nineteenth
century, especially in Germany, which is de-
clared to have been "at once the propagator
of the new belief and the soil wherein it has
taken deepest root." Passing in brief review
the theological conceptions of Kant, Fichte,
Feuerbach, Schelling and Hegel, Professor
Caffi emphasizes the influence of Max Stirner,
the most radical of Nietzsche's forerunners,
who "overthrew Hegel's god, substituting for
it the individual man destined to climb to the
highest rung on the ladder of power — to be-
come the Unicum, the Superman."
Outside of Germany, Caffi notes the influence
of three men over religio-philosophical
thought: Emerson with his "Oversoul" and
the " Universal Soul in Art," in many ways
premonitory of the Uebermensch; Carlyle,
with his "Heroes and Hero-Worship," in
England, so intensely individualistic in its
teachings; and, in Scandinavia, the great
Kierkegaard, that Danish theologian who
created a revolution in contemporary thought
by preaching individualism in Christianity.
"Others," he once said, "bewail our times
because men are drawing away from the
church; I anathematize our times because all
passion is disappearing, whereas only by pas-
sion can men scale the heights of individ-
uality." This Professor Caffi calls "pure
Nietzscheanism."
Goethe's "Faust," Shelley's "Prometheus."
and Byron's "Manfred" are all interpreted as
poetical forebears of Nietzsche's literary mas-
terpiece, the strange rhapsody, "Thus Spake
Zarathustra." In Dostoyevsky and the Rus-
sian school. Professor Caffi also discerns "the
closest approximation to the Superman." He
continues (in the Rcvista d' Italia) :
"In Nietzsche are embraced and united all the
currents of individualism, of evolution, of super-
humanistic ideas which, from Plato (whose
*Kingly Man' is but a species of superman), have
dominated philosophers and theologians. . . .
The Nietzschean Superman, in the process of
evolution, passes through three stages. First, he
he is the free man of unrestricted liberty, with-
out a god, without religion, without family,
without morality, a sceptic, a glutton, devoid of
human feelings. This is the 'Blonde Beast,'
in other words, the primitive German. . . .
In the second phase we have the aristocrat, who
stands on an elevation above good and evil, and
stamps all his actions with the one word edel
[noble]. In the third we have the veritable Super-
man. Just what this word means Nietzsche him-
self does not tell us, nor can we form any accu-
rate idea from his works. 'Tis something which
floats aloft in the empyrean, and vanishes at our
touch. It is a word, an ideal, a thought, a desire,
a dream, a chimera maybe, a vague but pulsing,
living aspiration toward the infinite.
"Nietzsche was assailed by all parties ; he beheld
the destruction of his philosophy by a bristling host
of syllogisms and arguments. It seems now as
though we were witnessing the march of so many
Don Quixotes going forth portentously and in all
gravity to fight with windmills. But, notwithstand-
ing all his critics, Nietzsche remains as great as
ever, and perhaps greater to-day than ever before.
In the strict sense of the term he is not a philos-
opher, although in some of his works he has given
evidence of a profim4ity far from common. But
above all things he is a great writer, an artist, a
poet. His 'Zarathustra' is a poem in prose, but
nevertheless it is a great poem. If Nietzsche had
not been a great artist, his career would have been
that of the meteor which is engulfed in night; but
Art is imperishable and 'Zarathustra' will' remain
as the greatest monument of German prose.''
In closing, Professor Caffi admits that Nietzs-
che is a paradoxical figure, and ought not to
be taken too seriously:
"Let us not take too seriously his frenzied out-
bursts (I can find no more adequate phrase).
Too often, like Leopardi, he curses where he
should have blessed. He styles himself a deicide
and yet he has a religion of his own; professes
to be an 'immoralist' and yet has his own system
of morality; calls himself an anti-humanitarian
and is more humanitarian than the philanthropists
themselves. Moreover, he possesses admirable
qualities of mind and heart; his thoughts are
noble, his sentiments elevated; he has all the
ardor and enthusiasm of life, controlled by intel-
lectual sincerity and probity. And so, if indeed
he has faults (and who is without them?), let
us forgive him Christianly, as we forgive . . .
Tolstoy his imprecations against art and human
passions. And let us forgive him in the name of
Art and Poesy. He is a great poet. His poetry
thrills one with its potent lyricism: his thoughts
have something ineffably picturesque which se-
duces the imagination and ravishes the soul."
The growing influence of Nietzsche upon
LITERATURE AND ART
157
writers is indirectly illustrated by Jack Lon-
<Jon's novel, "The Sea Wolf," and by Bernard
Shaw's play, "Man and Superman." The for-
mer is a romance permeated with the Nietzs-
chean spirit. The second is in part a dramatic
travesty of the idea of the Overman.
A PORTRAIT THAT MARKS AN EPOCH IN ART
The father of modern portrait - painting,
according to two new biographies,* was Sir
Joshua Reynolds, and the picture that marks
the advent of a new school of art is his por-
trait of Keppel, who, as a boy of twenty-one,
had been in command of the British frigate,
the Maidstone, had chased a French vessel
inshore in thick weather, and
in the chase had run his ship
ashore. By great energy and
nerve he managed to save his
crew, and when tried afterward
by court-martial had been hon-
orably acquitted. Such was the
subject which Sir Joshua had
and which he handled in a way
that made it ever memorable.
What he did and how he did it
are described by Mr. Boulton.
Ever since the days of Van
Eyck, in the fourteenth century,
the method of portrait-painters
had been "to reproduce their sit-
ter, choosing a moment when he
or she was thinking of nothing
in particular, and surrounding
him with familiar properties
carefully marshalled into a de-
sign." With his portrait of
Keppel, Sir Joshua began to
work on a new line, in which
he took his keynote from his
subject, portraying him when
some characteristic power or
passion was actually at work,
and so endeavoring to g^ve the
spectator the deepest possible
insight into his character and
his career. Says Mr. Boulton
of the Keppel Portrait :
tional background, placed Keppel on the seashore,
alert, brisk, hand outstretched, giving orders, the
very emlx)diment of the able young naval officer
of that day, who was a very important member of
the community indeed. As in all great art, the
very spirit of the times appears in this portrait,
and it would have been produced in no other age,
whatever the genius of the painter who attempted
"Reynolds chose the incident
[just narrated] as the setting of
his portrait He dropped all the
pillars and curtains of the conven-
•SiR Joshua Reynolds, First Pres-
ident OF THE Royal Academy. By
Sir Walter Armstrong. Chas. Scrib-
ner'ft Sons.
•Sir Joshua Reynolds, P. R. A. By
WiUiAin B. Boalton.fE.>P. Button & Co.
SIR JOSHUA REYNOLD.S'S PORTRAIT OP THE HON. AUGUSTUS
(AFTERWARD ADMIRAL) KEPPEL
For centuries the method of portrait-painters had been ** to reproduce
their sitter, choosinjf a moment when he or she was thinkms: of nothing
in particular, and surroundinjf him with tamiliar properties carefully
marshalled into a design." With this portrait. Sir Joshua began to work
on a new line, in which he took his keynots from hts subject, portraying
him when some characteristic power or pa«»sion was actually at work.
158
CURRENT LITERATURE
KITTY FISHER
(By Sir Jobhua Reynolds.)
An admirable illustration of »* femininity of concep-
tion." Every element in the picture carries with it the
notion of woman.
it. The days of public exhibition were not yet.
and Fisher's mezzotint plate of the picture did not
appear imtil six years later; but any of the band
of portrait-painters of that day who chanced to
get sight of the canvas and had eyes to see, must
have known that their light was soon to be ex-
tinguished by the new blaze in Newport Street"
In the same picture, Sir Walter Armstrong,
the author of the other biography, sees evi-
dence not only of Sir Joshua's originality, but
also of his discriminating eclecticism. He
writes :
"The painting of Keppel marks an epoch in
the career of Reynolds as well as of modem art.
Down to 1752 it is easy to determine whence the
inspiration came for everything he did. One pic-
ture is a sublimated Hudson, another an echo of
Rembrandt, a third a Hogarth with a difference.
The Keppel is new mainly because he there draws
upon his memories of a different art, but still
new. He paints the energy and aptitudes of the
man as well as his head and body. Such a thing
had never really been done before. Some of the
great Italians had, no doubt, suggested the dy-
namic possibilities of their sitters ; Velasquez had
now and then gripped the nature before him with
so nervous a hand as to produce a dramatic re-
sult; but before Reynolds painted his Keppel no
'♦ne had succeeded in fusing frank and veracious
Tative with other artistic qualities in a por-
trait. It was exactly the thing to create a furore,
for it was at once novel and entirely comprehen-
sible. People could say 'How new!' and 'Why
hasn't it been done before?' in the same breath.
Such a success would have been dangerous, if
not fatal, to most men. They would have re-
peated it tmtil all merit had been taken out of
the original performance."
There is a particular in which, according
to Sir Walter Armstrong, Sir Joshua went
on to develop his pre-eminence above nearly all
other great painters. This was his power
of contrasting the character of his male and
female sitters. One would think, says he,
that the first care of a portrait-painter would
be to adapt his ideas — his ideas of design,
handling and action — to the sex of his sitter.
"But as a matter of fact, very few painters
have done anything of the kind, and the best,
least of all. Titian, Velasquez, Rubens, Rem-
brandt, Hals and Van Dyck, all had pretty
much the same formulae for men and women.
As a consequence no one among them, with
the possible exception of Titian, succeeded
equally well with both sexes." Van Dyck's
portraits, he says, seem always feminine, while
those of Rembrandt, Frans Hals, and Velas-
quez seem no less invariably masculine. The
writer adds:
"The hard thinking of Reynolds preserved him
from a similar mistake. His patterns in line and
color have sex. During his first period of ma-
turity he painted some half a dozen 'magnificent
portraits which illustrate this, as well as other
characteristics, with peculiar force. The earliest
of these is the 'Mrs. Bon joy,' at Port Eliot,
painted the year after the Keppel. Better known
is the 'Kitty Fisher* with the doves ... a
capital instance of what I mean by femininity of
conception. Every element carries with it the
notion of woman. The handling is vaporous, sin-
uous and long; the color opalescent, and without
masterful contrasts; the design . . . avoids any
hint at the quick aggression of the male. In the
'Lady Tavistock* . . . Rejmolds suggests with
extraordinary felicity the atmosphere of tender
waiting, of intelligent docility, which is proper to
the young wife. Technically, too, it is one of the
best of his early works, and shows the example
of Rembrandt put to the most agreeable use. But
finer still than either the 'Kitty Fisher' or the
•Lady Tavistock' is the great 'Nelly O'Brien' of
1763, in the Wallace colection.
"On the whole, I think this might be accepted
as Sir Joshua's masterpiece. In other pictures he
flies at higher game. In the 'Duchess of Devon-
shire with her Baby' he paints maternal interest,
energy, love, and paints them with a broader and
more audacious brush; in the 'Lady Crosbie* he
concentrates a life history into a movement and
wins a miraculous unity. . . .
"No artist has been so indefatigable as Sir
Joshua in hunting up significant attitudes and
gestures when notable men proposed that he
LITERATURE AND ART
159
should paint their pictures. The 'Lord Heath-
field' holding the key of the Mediterranean is the
t]rpical instance; but it is the exception to find
him handing celebrated people down to us with-
out some hint of how they won their fame. . . .
He paints women in one spirit, men in another;
and in both makes a point of building his con-
ception on something they have been or done."
Mr. Boulton points out an inestimable value
which Reynolds's work has, altogether apart
from its purely artistic qualities:
"Sir Joshua has preserved for posterity ^hc as-
pect of the chief figures of his times with a perfec-
tion and completeness unequalled by any other
portrait painter. The England of Reynolds' day
was eminently the England of a relatively few
personalities to whom for good or evil the des-
tinies of the country were committed. These men
dominated Parliament, they officered the services,
filled the public offices, administered the law, and
governed the dependencies of the country. Rey-
nolds lived among these men, and, with a few
notable exceptions, two generations of them
SIR JOSHUA REYNOLDS
(Painted by Himself.)
passed through his painting-room to leave their
images behind for us, and to provide a national
possession which is literally priceless."
A JAPANESE ESTIMATE OF LAFCADIO HEAJIN
It is generally recognized that Lafcadio
Heam, the Greco-Irish Professor of English
Literature in the Imperial University of Tokyo,
who died over a year ago in Japan, of pa-
ralysis of the heart, was a most exquisite
literary artist. But it was as an interpreter
to the Occidental world of the soul of Japanese
life and art that Heam was unique, and it is
interesting in the extreme to get such an in-
telligent judgment of him and his work, both
as artist and • interpreter, as is now given us
by a Janapese writer, Nobushige Amenomori.
Writing in The Atlantic Monthly, he lays
stress, at the outset, upon Hearn's poetic
qualities.
"Being a poet," we are told, "he naturally
found pleasure in the emotional, and he saw
the emotional side of Evolutionism, so to
speak, in Buddhism and Shintoism. ... I
am inclined to think that, had Hearn lived
longer and taken to versifying, he would have
been to Evolutionism what, in a sense, Pope
was to the philosophy and theology of Boling-
broke. As Pope embellished his ideas with
Christian tenets, so Heam ornamented, in
prose, his ideas with Buddhist and Shintoist
beliefs; and as some verses of Pope's have
been thought models of orthodox Christian de-
votion on account of their beauty concealing
their real sentiment, so a similar illusion has
been created with regard to Hearn's books
because of their uncommon charm."
The always interesting facts of Hearn's
life are briefly reviewed. He was born in
the Ionian Islands about 1850, of a Greek
mother and an Irish father, the latter a sur-
geon in the British army. Early orphaned,
a great-aunt had him educated for the priest-
hood, but he broke away when only nineteen
years old and came to America, here entering
the profession of journalism and beginning to
contribute odd sketches and articles to the
magazines. One of his first and little known
books — "Stray Leaves From Strange Liter-
ature"— is a rare collection of stories from the
Talmud and Moslem lands, Egypt, the Es-
kimos, and others, in the most exotic liter-
atures he could find. During these years'
of hard study and brooding, Hearn wrote to a
friend: "I never read a book which does not
powerfully impress the imagination ; but what-
ever contains novel, curious, potent imagery
I always read, no mattter what the subject.
When the soil of fancy is really well enriched
with innumerable fallen leaves, the flowers
of language grow spontaneously." Here was
no Stevensonian labor for expression !
In 1884 Hearn "had at last found his feet
intellectually through the reading of Herbert
Spencer, which had dispelled all ^isrns' from
i6o
CL'RREXT LITERATURE
LAFCADIO HBARN
** Withln'thU h'/mely-looking: man there burned totne-
thintc aA pure an the veittal fire, and in that flame dwelt
a miod tnat called forth life and p'^etrv cut of the duf»t,
and fir^aftped the hif^heat themes of human thought."
his mind and left him *the vague but omnipo-
tent consolation of the Great Doubt/ " And in
1887 he l^egan his wanderings to exotic coun-
tries, "a small literary bee in search of in-
spiring honey." Hut it was not until 1890
that he reached Japan, there at last to find
his great inspiration. He married a Japanese
woman, Ixrcame a professor in the university
at Tokyo, and finally was adopted by his wife's
family in order to secure the succession of his
property to wife and children. Thenceforth
he was known in Japanese as *'Yakumo Koi-
zumi." And it was undoubtedly this very ab-
sr^rptirin in Jftpaiic-e life, so rli>plcasing to
some of Hearn's Western friends and critics,
that enablefl him to write those classic in-
terpretations which now enrich our literature.
CJwing to the inimitable charm of his style,
some critics have been led to suppo^c that the
author occasionally invented stories to suit
his own taste; but. says N'obushige Ameno-
mori, this is a mistake. Hearn himself says:
"I do not invent my stories. I get them
'm\ Japanese life — facts told in papers, facts
\ me by pilgrims, travellers, servants, — facts
observed in travelling nnrsclL* Ke was in-
satiable in getting informatk-Q- Tbc more
he got, the more did be iranr to know, and
he ever retained what be had leanxd.
While making studies of Shinto shrines^
Hcam once ^Tote to his fricsd: "Yoa nnder-
itand. of course, bow dimcnlt it is for a
foreigner to convey to Western minds the
feeling of these things as tfaev inipress Aim.
On the other band, be cannot convey the
feeling of the Japanese mind, because be has
not experienced it. He can only guess or
imagine/' "Yet," adds the Japanese scholar,
*'how correctly Hearn 'guessed or imagined*
the 'feeling of the Japanese mind' is amply
shown in some of bis papers, such as 'Yuko'
and "The Japanese Smile.* Xo Japanese
could give a better elucidation of those sub-
jects.'
Although Hearn was a journalist of long
experience and training, there was little of the
journalistic mejhod in his production of liter-
ature. Says his friend: "So far as I know,
he never wrote *on the spur of the moment'
anything that appeared under his signature.
. . . And he never wrote one sketch or essay
at a time. He did not begin at the beginning:
he worked at parts first, and from parts built
up a whole." Hearn himself wrote: ''I never
begin. It is too much trouble. I write do>\-n
the easiest thing first, then something else. —
finally the forty or fifty fragments interlink
somehow, and shape into a body. It is like
the Prophet's vision of drv- bones."
*Tn writing on some subjects," we are
further told, "Hearn was not satisfied with
having simply seen, read, understood them; he
waited till he felt them. Until tbc desired
sensation, feeling, came upon him. bis mind
was in a state of restless suspense." The fol-
lowing extract is from a letter written by
him in that mood:
"But somehow, working is 'against the grain.*
I get no thrill, no frisson, no sensation. I want
new experiences, perhaps : and Tokyo is no place
for them. Perhaps the power to feel thrill dies
with the approach of a man's fiftieth year. Per-
haps the only land to find the new sensations is
in the Past, — floats blue-peaked under some beau-
tiful dead sun *in the tropic clime of youth.* Must
I die and be born again to feel the charm of the
Far East; or will Xobushige Amenomori discover
for me some unfamiliar blossom growing beside
the Fountain of Immortality? Alas, I don*t
know ! He is largely absorbed by things awfully
practical. — g-uidebooks, hotels, silk-stocks, mar-
kets and politics, I suppose. He has little time
to travel to the Islands of the Blest."
Interesting above all is the following ad-
LITERATURE AND ART
i6i
vice Heam wrote to this dear friend and
comrade :
•'Now with regard to your own sketch or story.
If 3rou arc quite dissatisfied with it, I think this
if probably due not to what you suppose, — imper-
fection of expression; but rather to the fact that
some latent thought or emotion has not yet de-
lined itself in your mind with sufficient sharp-
ness. You feel something and have not been able
to express the feeling— only because you do not
yet quite know what it is. We feel without un-
derstanding feeling; and our most powerful emo-
tions are the most un definable. This must be so
because they are inherited accumulations of feel-
ing and the multiplicity of them — superimposed
one over another — ^blurs them, and makes them
dim, even though enormously increasing their
strength. . . . Unconscious brain work is the best
to develop such latent feeling or thought. By
quietly w^riting the thing over and over again, I
find that the emotion or idea often develops itself
in the process, — unconsciously. Again, it is often
worth while to try to analyze the feeling that re-
mains dim. Th^ effort of trying to understand ex-
actly what it is that moves us sometimes proves
successful. ... If you have any feeling — no
matter what — strongly latent in the mind (even
only a haunting «adness or a mysterious joy),
y«5u may be sure that it is expressible. Some feel
ings are, of course, very difficult to develop. I
shall show you one of these days, when we see
each other, a page that I worked at for months
before the idea came clearly. . . . When the
best result comes, it ought to surprise you, for
our best work is out of the Uncoitscious."
"The 'page' at which he had labored so
hard," adds Amenomori, "I found, on our next
meeting, to be a fragment of an intended essay
on a palm-tree, — ^the emotion caused by the
sight of a palm-tree as a possible result of
many ancestral memories. He said then,
'Probably this will never be finished.* Un-
fortunately, it proved more thap probable. The
essay was never finished."
Physically Lafcadio Hearn was unlovely.
"Slightly corpulent in later years, short in
stature, hardly five feet high, of somewhat
stooping gait" — he is described by his friend —
"a little brownish in complexion, and of rather
hairy skin. A thin, sharp, aquiline nose, large
protruding eyes, of which the left was blind,
and the right very near sighted." We quote
further :
"I shall ever retain the vivid remembrance of
the sight I had when I stayed over night at his
house for the first time. Being used myself also
to sit up late I read in bed that night. The clock
struck one in the morning, but there was a light
in Ream's study. I heard some low, hoarse
coughing. I was afraid my friend might be ill;
so I stepped out of my room and went to his
study. Not wanting, however, to disturb him, if
he was at work, I cautiously opened the door just
a little, and peeped in. I saw my friend intent
on writing at his high desk, with his nose almost
touching the paper. Leaf after leaf he wrote on.
In a while he held up his head, and what did I
see! It was not the Heam I was familiar with;
it was another Heam. His face was mysteriously
white; his large eye gleamed. He appeared like
one in touch with some unearthly presence.
"Within that homely looking man there burned
something as pure as the vestal fire, and in that
flame dwelt a mind that called forth life and
poetry out of dust, and grasped the highest themes
of human thought."
TAINE'S PEN PORTRAITS OF HIS LITERARY CONTEMPORARIES
A newly published volume of Taine's cor-
respondence* deals with the period of 1870-75,
and contains, in addition to much interesting
comment on the Franco-Prussian War and
the Paris Commune, some graphic pictures of
the literary celebrities of that time. It appears
that in 1871 Taine was invited to lecture at
Oxford. He met, among others, Swinburne,
Matthew Arnold, and the Miss Arnold who
was to become Mrs. Humphry Ward, and he
set down his impressions as follows:
"I was at the home of M. Jowett yesterday.
Was presented to M. Swinburne the poet. His
verses are in the style of Baudelaire and of Victor
Hugo. He is a little sandy man, wearing a red-
ingote and a blue cravat, and thus forming a
contrast with all the black coats and white ties.
•H. Taise, Sa Vie et Sa Correspondence. Hachette,
Paris.
He talks in a brusque manner, straightening him-
self with a convulsive backward movement of the
arms like a man in delirium tremens — a passion-
ate admirer of modern French literature, of Hugo
and Stendhal, and also of painting. His style is
that of a sickly visionary seeking systematically
for excessive sensations.
"Was presented to M. Matthew Arnold, the
poet-critic, son of the celebrated Doctor Arnold,
and an inspector of primary schools at a salary
of one thousand pounds sterling per annum. He
is a great friend and admirer of Sainte-Beuve.
He is a large man with black hair growing very
low on his forehead, of careless and wrinkled
appearance, but very courteous and very amiable.
His brother, Thomas Arnold, who lives here, has
sent me an elegant little compilation of extracts,
notices and prefaces embracing almost all Eng-
lish literature. His letter has some polite ob-
servations on my large work.
"The remainder of the evening was taken up by
young girls to whom I was introduced ; among
l62
CURRENT LITERATURE
A NEW MONUMENT TO TAINE
Recently erected at Vouzie/s in France.
Others was Miss Arnold [Mrs. Humphry Ward],
who was my partner at dinner. 'A very clever
girl/ was M. Jowett's remark as he presented me
to her. She is about twenty years old, very
agreeable, and tasteful in her dress, a rare thing
here (another young lady was imprisoned in the
strangest looking tube of red silk), bom in Aus-
tralia and reared there up to her fifth year. She
knows French, German and Italian, and for a
year has been studying old Spanish of the time
of the Cid, and also Latin, for the purpose of
understanding the old chronicles of the Middle
Ages. She spends all her mornings at the Bod-
leian Library. She is very learned, though sim-
ple in manner and still a young girl. Finally,
giving me one of her sweetest smiles, she let me
know that she had written for Macmillan's Mag-
azine her maiden article on the subject of the
ancient romances."
In a later letter, dated July 23, 1873, ^^^ ad-
dressed to Georg Brandes, the eminent Danish
critic, who is sometimes spoken of as "the
Northern Taine," he pays a notable tribute to
TurgenieflF, the Russian novelist Speaking of
this writer in comparison with German au-
thors, he says: "I hope I am not amenable to
the charge of French prejudice, for to me the
Russian TurgeniefF appears to be a writer of
the first rank. One might heap together in a
mortar all the German authors without being
able to extract one drop of his vigor and sap."
Writing in another place of the French
authors of the day, he indulges in this very
caustic criticism :
"I have just re-read Hugo, Vigny, Lamartine,
Musset, Gautier, Sainte-Beuve, as types of the
poetic pleiad of 1830. How mistaken they have all
been ! How false has been their idea of mankind
and of life! Their eternal theme is: 1 desire an
infinite, ideal, superhuman happiness; I do not
know in what it consists, but my soul, my person-
ality, has need of the infinite. Society has been
badly constructed, earthly life is insuflScient; give
me the sublime, or I shall dash my brains out!'
"Following his peculiar bent and talent each
one has given us variations upon this theme.
**Victor Hugo, first period: nothing fixed or
determined. He is a simple musical instrument
which produces new and astonishing melodies,
and is at the service of all the positive theses —
Christianity, htlmanitarianism, legitimacy. Napo-
leon, the Republic, Louis-Philippe, morality, li-
cense, etc. Second period: in this gp'eat natural
cavern, the Republic, Socialism, the humanitarian
dream of the subscriber of the Siicle, monopolize
the scene, and at the same time the instrument
deteriorates and the fingering is like that of a
, deaf performer.
"Gautier: in this connection Mile, de Maupin
is admirable. This is the theme: I desire for my
personal use a paradise made up of all the ideas
of painting and sculpture realized, with Oriental
splendor and real voluptuousness, plus a dash of
dramatic emotion. But even this Sultan's para-
dise could not satisfy me ; I am an exacting God,
and I am bored with all this!
"Vigny is a solemn and self-exalted priest;
Musset a nervous, covetous gentleman -gamin who
squeezes his orange dry and fiings it away im-
mediately afterwards; Sainte-Beuve and the oth-
ers are sires or sons of Voluptuousness; all of
Hugo's dramas having as their motif excessive
emotion and sudden, unexpected development, are
included in this same category. It is the same
with George Sand's first manner, and with Bal-
zac's The Shagreen Skin.'
"What remains over, what survives of all this,
is the history, the psychology of the age. Observe
this especially in George Sand, Balzac, Stendhal,
Dumas the younger, Augier, Flaubert, Champ-
fleury, and in all recent realism ; in Cousin in the
historical portion of his philosophy, in Guizot,
Michelet, Thierry, Vitet, in parts of Hugo and the
elder Dumas, and in the astonishing number of
monographs and critiques of which Sainte-Beuve
and Renan offer the best tjrpes."
Religion and Ethics
THE NEW ATTITUDE TOWARD EVANGELISM
"Looking forward to church conditions in
the new year of our Lord 1906," says The
Church Economist (New York),' "the leading
problem, in our judgment, is the relation of
church and evangelist."
This issue, as the same paper goes on to
point out, is almost as old as the Christian
church. It was active in the second and third
centuries. It entered into the rise and spread
of monasticism. It led to the foundation of the
so-called religious or mendicant orders in the
medieval church. It found expression in the
woric of the Lollards. And in later ages, from
time to time, it has come into prominence in
the lives and labors of such men as the Wes-
leys, Whitefield, Jonathan Edwards, Finney
and Moody.
Just at present it has been projected into
the field of religious controversy as a result of
the critical attitude assumed by influential
American clergymen and religious journals
toward evangelistic revivals. It appears that
the Rev. Dr. J. Wilbur Chapman, acting under
the auspices of the Evangelistic Committee of
the Presbyterian Church, recently held a num-
ber of meetings in several of the large cities
of the Pacific coast. Upon endeavoring to
organize a similar campaign in San Francisco,
a committee of local clergymen declined to co-
operate with him. "Wc knew that there had
been gp*eat disappointment in Oakland," said
the Rev. Dr. George C. Adams, of the First
Congregational Church; "in Los Angeles, in
Portland and in Seattle the outcome was ex-
ceedingly discouraging. And when we thought
of asking our people for six or eight thousand
dollars to meet the expenses of an effort con-
cerning which we would be likely to be com-
pelled to admit later on that it was a poor
investment, we felt that we had no right to do
it The result was the unanimous vote of the
committee to request Dr. Chapman to cancel
the engagement."
Dr. R. A. Torrey and Mr. Charles M. Alex-
ander, whose evangelistic meetings in Aus-
tralia and the United Kingdom have attracted
world-wide attention and who have now re-
turned to this country to carry on their cru-
sade here, are also under criticism. A guarded
but significant warning bearing the signatures
of the Rev. Dr. S. P. Cadman, of Brooklyn,
and three other prominent clergymen who had
personally familiarized themselves with the
Torrey- Alexander meetings in England, has
been published in the Boston Congregationalist,
cautioning churches in this country from mak-
ing such meetings the center of their activi-
ties. To a request from The Church Econo-
mist for a more detailed statement of his views,
Dr. Cadman replied as follows :
"I am in active sympathy with all genuine evan-
gelical work, but I am opposed to its being used
for the advocacy of any peculiar theological views
which create division in the church and excite
just oposition among thinking men everywhere.
We are not going to win the great fight which is
upon us by clinging to obsolete traditions which
have been discarded by the sane, reverent and con-
structive scholarship of Christianity; and when
these traditions, which are matters of private
opinions, are insisted upon as dogmas necessary
to salvation, I for one refuse to be allied with any
such human perversions of the Divine truth.
"The time has come to call a halt upon the
oft-made statement that only men who favor cer-
tain schools of theological thought can be used by
God to communicate His blessings to their fellows.
"This is not Protestantism. It is at heart Pa-
pacy and it denies the rights of that common life
which all believers in Jesus Christ enjoy, and by
which they are federated together.
"Such characteristics have beset the work of
Dr. Torrey in Great Britain, and the verdict upon
that work is by no means an unmixed one. There
are leading mmisters of the gospel in Great Brit-
ain who believe that the work of evangelization
has been retarded rather than helped in many in-
fluential sections."
The Torrey - Alexander movement has an
even more formidable critic in the New York
Outlook, This influential weekly devotes a
lengthy editorial in a late issue to a decidedly
derogatory review* of Mr. George T. B. Davis's
chronicle* of the Torrey-Alexander crusade.
It comments, in part, as follows :
"Dr. Torrey and Mr. Alexander have con-
ducted a series of remarkable meetings, and they
have been characterized by great emotional in-
terest; but what has been their permanent ethi-
cal effect? The revivals conducted by Dr. Fin-
ney were followed by higher standards of hon-
esty in business, purity in public affairs, temper-
♦ TORREV AND ALEXANDER : THE wSTORV OF A WORLD-
WIDE Revival. By George T. B. Davis. F. H.
Revell Co. ^
l64
CURRENT LITERATURE
ance in personal life. And he left as a monu-
ment of his labors at least two great churches
and one great university, largely due to his
spiritual power. Mr. Moody left as a monu-
ment of nis labors a great church, a continu-
ous summer conference whose inspiring influ-
ence is testified to by hundreds, and two schools
of permanent educational value. It may be too
soon to look for similar fruits of Mr. Torrey's
ministry. But it is not too soon to ask whether
it gives any promise of such fruits. And this
question Mr. Davis does not answer; he does
not seem even to have asked it of himself."
The Outlook goes on to cite an account of
how Mr. Alexander once "prayed the Lord
that he would help him choose a good suit of
clothes, and lead him to the right pattern."
When he went to the tailor's, he was offered
at less than half price a suit that had been
rejected by an earlier customer but that "fitted
him exactly, with the exception that the trou-
sers had to be shortened a little." This he
accepted as an evidence that "God answers
prayer for temporal things as well as for
things spiritual." The incident illustrates,
says The Outlook, "the supreme objection that
devout souls feel for the Torrey-Alexander
movement." Continuing, the same paper says :
"Many spiritually minded men and women
feel a protest against the Torrey-Alexander Mis-
sion which they have often been reluctant to
utter. They object not chiefly that its methods
often violate good taste, nor that its theology
often antagonizes the reason. Their chief objec-
tion is neither rationalistic nor aesthetic, but
spiritual. They object to any religious ministry
which substitutes conventional phrases for spirit-
ual realities; which regards belief in the iner-
rancy of a book as equivalent to a living faith
in the living truths of which that book is an
interpreter; which treats redemption as getting
out of hell into heaven — ^that is. out of horrible
pain into celestial pleasure; which teaches any
man to think himself 'saved* unless his character
is transformed; which recognizes any other
test of that transformation than Christ's test,
'By their fruits ye shall know them;' which puts
arty value whatever on great meetings and waves
of emotional excitement, except as they lead to
higher and holier living; which honors as reli-
gious any experiences unless they leave behind
them the churches strengthened, the sources and
springs of vice weakened, and higher standards
of honesty in business, public spirit in politics,
purity in society, and love in the home. In short,
literalism, conventionalism, and emotionalism are
not the marks of the Christian religion. In so
far as they characterize any movement, that
movement is not toward the kingdom of Christ."
The Church Standard (Protestant Episco-
pal), of Philadelphia, commenting on the ef-
forts at present being made to start a revival
in that city under the leadership of Dr. Torrey
and Mr. Alexander, says that it regards the
Christian desire to co-operate in true revival
work "with sincere respect and cordial sym-
pathy." Nevertheless, it adds, "we find our-
selves turned against it mainly, and almost
exclusively, by the machine-like methods pur-
sued and to be pursued." The Christian Work
and Evangelist (New York) says:
"We hope the Torrey-Alexander Mission, now
under way in this country, will achieve good re-
sults. But we do not hesitate to declare that
brass-band work, big choir work, big 'statistics,'
and everything on the score of Bigness, which
were the features abroad, will not work here.
There is room for earnest evangelical preach-
ing,— lucid, intelligible, and sane. It is the life
in the heart, not our eighteenth century theology,
proclaimed amid fanfare, that is wanted to-day.
'Behold, old things have passed away: all things
are become new.' "
Messrs. Torrey and Alexander are not with-
out warm defenders in the religious press.
The Missionary Review of the World (New
York), edited by Dr. A. T. Pierson, thinks that
some of the attacks upon them are "both un-
fair and unfounded." It says further:
"Of course, the evangelist [Dr. Torrey] is an
old-fashioned believer in the whole Bible, and is
uncompromising in his defense of the infallible
teaching of the Lord Jesus. But his confident tone
has acted as a tonic in the midst of the looseness
and uncertainty of present-day thinking. Wher-
ever he has labored, not only have marked conver-
sions followed, but all evangelistic work has been
stimulated. We have heard it often said that noth-
ing has equaled it in power since the Moody and
Sankey work of a quarter centurv ago. The
closer the work has been watched, the more sat-
isfactory have the results been found."
Commenting in similar vein, the Philadel-
phia Presbyterian says:
"It is idle to speak of the teachings of Dr.
Torrey as his 'personal opinions.' Remission of
sins through the blood of the Cross, acceptance
before God on the merits of Jesus alone, ever-
lasting punishment as the penalty of unbelief, to-
gether with acceptance of the Bible as authorita-
tive in all its parts — ^these doctrines, which con-
stitute in sum, as we understand, the teachings
of Dr. Torrey, are church doctrines, and not
any man's personal opinions. They are not dead
nor obsolete, but a living power to-day in the
experience of millions of Christians. The}r are
the doctrines which made Mr. Moody mighty
in his day; the doctrines which constituted
Charles Spurgeon's pulpit in London the seat
of a world-wide influence: the doctrines which,
preached by Dr. Paton in the New Hebrides,
transformed the haunts of savages and canni-
bals into the abodes of peace and prosperity. Dr.
Torrey^ is undertaking a great task. He is not
going into conflict with the entrenched powers
of evil accoutred in new-fangled armor, or with
untried weapons in his hands. He has the ex-
RELIGION AND ETHICS
i6S
pericflce of ages behind him, and he comes now
to a new sphere of action with a spirit of con-
fidence bom of the fact that these doctrines of
grace, with which God's servants before him
did exploits, have constantly proved in his own
use of them, as he has traveled aromid the world,
the power of God unto salvation.
"Why complain of the air of authority with
which such a man speaks? Authority is the
very thing bv which the pulpit ought ever to
be distinguisned. The faithful ambassador of
Jesus has an inspired Book open before him, and
he is giving to the people, not his 'personal views,'
not the views of the advanced scholarship of
the day, not 'the words which man's wisdom
tcachcth, but which the Holy Ghost teacheth.'"
THE GROWING CLEAVAGE BETWEEN CLERGY AND LAITY
Dean Robbins, of the General Theological
Seminary of the Protestant Episcopal Church,
is deeply impressed by "an ever-increasing gap
between the clergy and laity." Speaking re-
cently before the Church Qub, in New York,
he asked : What sympathy does the young semi-
narian who comes to a rural congregation
fresh from his studies, professional or dog-
inatic, find with his views? What does the
average city curate care for what a layman
thiiiks, and, for that matter, what does a lay-
man care about the curate ? He continued :
The attitude of the laity to the clergy is one
almost of condescension, a very different attitude
from that once held. Generally the layman feels
the clergy to be out of the quick flowing current
of life. It is with enthusiasm, a glad surprise, if
yon will, that the layman meets a clergyman who
13 hardheaded, practical and business-like. Now,
the real seriousness of this is that it makes for a
great ineffectiveness. The clergy are pulling one
way and the laity another. A great g&lf, gaping,
pawning and increasing ever, stretches between.
The clergy and laity cannot meet on common
^ound in these days. I take it that no one will
deny, that no one can deny, that there is this in-
effectiveness. . . . The 'average layman hardly
knows why he is a Churchman."
This utterance has aroused much interest and
discussion in the religious world, coming, as it
docs, almost contemporaneously with the an-
notmcement of two important changes in
church polity looking toward a closer union of
dcrgy and laity. In England, a House of Lay-
aen, co-ordinate with the House of Bishops
and the House of Gergy, is being organized
within the Anglican Church. In Chicago the
synod of the Roman Catholic archdiocese voted
a few days ago to vest the business manage-
n«nt of parishes within the diocese in the
^ands of laymen to an extent not permitted
Wore. Says the New York Churchman (Prot-
^nt Episcopal) :
1 "^en, not only laymen but clergymen, will in
the end have only contempt for thoughts and
words and ritual acts that do not issue m deeds.
They believe that the church exists to redeem so-
ciety. They believe, so far as they are true Chris-
tians, that their work to be eflfective should be
done through the church as Christ's means for
accomplishing his purpose. Wherever the church
is administered in this spirit of social redemption
there is no cleavage between the clergy and laity,
but the most devoted loyalty. The time is past,
and it ought to be recognized as past, when, if
'the hungry sheep look up and are not fed' they
will stay till they starve before seeking greener
pastures. If, then, the clergy will do their part
to remove this cleavage they must fit thcipselves
to appty the spirit of Christ, as well as the law
of Christ, not alone to the individual heart and
conscience, but to society. Laymen can do their
part by helping the clergy, who attempt this reali-
zation of the Kingdom here and now, by their
hearty sympathy and co-operation. It is char-
acteristic of our age and one of the worthiest of
its characteristics, that men will not waste time
on machinery that proves itself worthless or in-
adequate. They subject the church to the same
standard."
The layman's point of view is voiced by
the New York Evening Post as follows :
"The late Archbishop Benson once described
this 'alienation' [between clergy and laity] as 'ter-
rific' He thought the Dissenters were doing
what they could to widen the breach, and that
the clergy were to blame because of their devo-
tional methods, their sacramentarian practices,
and their judgments concerning education and
Parliament, They wish the clergy to be sep-
arate, i.e., Pharisaic' Extreme high churchmen
would say that the clergy had lost the respect of
the laity by abdicating their sacerdotal position,
and by making themselves merely ministers and
public teachers. The low churchmen would con-
tend that it was precisely this assumption of su-
periority and separateness which had impaired the
influence of the clergy, and that the parson should
be like the layman, except that it is his business
to pray and preach. Mr. Moncure Conway has
expressed admiration of the established Church
of England because it admits of this levelling
process, and he would seem to favor a state
church in this country in which the clergyman
might have greater liberty, and there mi^ht be a
minimum of difference between the pnest and
his parishioner. But is not the 'cleavage' simply
a new definition of the old schism between the
church and the world?"
i66
CURRENT LITERATURE
RELIGION IN AMERICA AS VIEWED BY THE AUTHOR OF
*THE SIMPLE LIFE"
Charles Wagner, the celebrated French di-
vine, whose book, "The Simple Life," enjoyed
such popularity in America that his recent
visit to this country was one continual ovation,
has written a volume* chronicling his im-
pressions of the customs and religion of the
American people. The book is dedicated "To
Theodore Roosevelt, President of the United
States, the Magnanimous and Pacific; to his
Home; and to the People of the United
States."
As a clergyman, M. Wagner was, of course,
greatly interested in the religious aspect of
American life. What struck him particularly,
at first sight was the multitude of people
he saw going to church, with a peculiar,* sol-
emn, Sunday expression, in every large Ameri-
can city. "On a Sunday morning," he says,
"the streets leading to the churches present an
aspect both of singular animation and of calm.
All these street passengers seem to be medi-
tative. One feels that they know where they
are going. In going to church they already
think of what they will hear ; in returning from
it they think of what they have heard. In a
word, they convey the pleasant impression of
taking the matter very seriously."
M. Wagner goes on to speak of the great
number of religious societies and churches
existing in America and representing every
possible shade of human sentiments and ideas.
In spite of the contrasts and contradictions
among these various groups, he regards this
very number as a sign of "beautiful vitality."
"It is, of course, questionable," he proceeds to
comment, "whether several chapels in small
j)laces are not a harmful luxury; whether it
would not be a good thing for them to unite,
in order the better to be able to aspire toward
an object which is after all a common one."
Nevertheless, he thinks the actual state of
affairs one that speaks very favorably for
American religious institutions. "In the first
place," he remarks,' "perfect liberty is the
common good of all the churches. This en-
sures a condition that is neither to the advan-
tage nor the detriment of anyone," He con-
tinues :
"The faithful keep up their creed at their own
expense, and organize it as seems proper to
•Vers le Cceur de I'Amerique. By Charles Wagrner.
Libraire Fischbacher, Paris; Brentano's, New York.
them. Enjoying general liberty, everyone re-
spects his neighbor. It is contrary to a general-
ly adopted practice to preach against others.
Everyone does his .best with his own faith and
leaves his neighbor alone. Cordial relations
subsist among the various denominations, and
this feeling of cordiality is steadily growing.
They all feel the need of one another, and op-
portunities for fraternization are sought with
ardor. The points of contact multiply from year
to year. It has not always been so. American
history has known periods of bitter intolerance.
And certainly one would not have to go very far
to find actual specimens of a sectarian attitude
on the part of some who have been disposed to
deny the right to the name of Christian to those
who think otherwise than themselves. But im-
mense progress has been made towards mutual
justice and respect for the beliefs of others.
Narrowness is becoming the exception, breadth
the rule. In the school of history, America has
learned to know and respect liberty. She has
understood the danger of religious authoritarian-
ism. Her national temperament, slowly formed
by instincts of good will, perseverance, and the
desire, above all, of being equitable to everybody,
is gradually being more and more purged of
sectarian prejudice."
M. Wagner relates that during his trip he had
the honor of being invited to give lectures and
sermons in Presbyterian, Episcopalian, Methdd-
ist. Unitarian, Lutheran, Congregationalist and
Baptist churches. "I had even the rare privi-
lege of preaching in a synagogue," he says,
"which constitutes an exceptional event even
in America." And he regrets having been
prevented from showing his "sincere and fra-
ternal sympathy with the Catholic Church"
by accepting an invitation to speak for the
Society of the Ladies of St. Vincent de Paul.
This invitation, he declares, he was compelled
to decline owing to his imminent departure for
France.
In the Protestant churches he found what
he deemed a very happy combination of tradi-
tion and of living thought. He writes on this
point :
"Of course, there sre exceptions. Formalism and
dogmatic vigor, on the one hand ; rationalistic dry-
ness, absence of the mystic fibre, and a tendency
to ignore the soul of the past, on the other, are
spiritual phenomena which one meets with in
America, even as in our old world. But the gen-
eral impression is that of a healthy and living pie^
respectful of the spirit of tradition and intelli-
gently preserving it in the freer manifestations
of contemporary thought and sentiment This
fact enabled me to understand fully the Ameri-
can Christians whom I was able to meet, and to
RELIGION AND ETHICS
167
be folly understood by them. I have learned to
love them greatly for their amenity, their open-
n^s of mind, their warmth of^ heart, and their
baldness of thought."
This liberal American spirit M. Wagner
notes as having had a favorable eflFect upon
Roman Catholicism in the United States. "It
has produced a Catholicism of a very particu-
lar kind, living, original, resolved to march in
accord with what is best in our times." This
is especially true, M. Wagner remarks, of the
kind of Roman Catholicism represented by
the ''Venerable Archbishop Ireland" and his
colleagues. "I made it a duty and a pleasure,"
he says, "to go to St. Paul in order to pay
homage to him." "Side by side with this lib-
eral spirit," continues the French clergyman,
"it is true that there is another kind of Cathol-
icism in process of formation, with narrow
and exclusive traits which cannot but be de-
plored by the friends of the broader and more
generous Catholic Church, among whom I
have always counted myself." He warns the
Roman Catholics and the other religious
groups, on both sides of the Atlantic, against
alienating, by an attitude of opposition and
exclusiveness, elements that otherwise could
be attracted to them, and become great work-
ing forces on their side. He adds:
"The American Catholic Church is a manifest
proof of the justice of my remarks. The quality
which makes her grand, living and powerful is
her atmosphere of liberty. If ill-inspired coun-
sellors ever succeed in making her change her
methods, she will be menaced by a terrible dan-
ger. It would be. contrary to elementary wisdom
to wish to introduce in the land of liberty the
old errors which have so often made the church
an object of suspicion in liberal Europe."
The gp'eat religious problem confronting the
United States to-day, according to M. Wag-
ner, is that of the "transformation of her
venerable and inherited thought into words
and ideas capable of being assimilated by the
modern mind":
"To guide, inspire and penetrate the public
spirit, to direct the education of the young — in a
word, to condense and keep constantly vital all
the best inspirations of a people — religion must
remain living itself, must neglect nothing, must
sconi nothing. It must unite with a pious mem-
ory which guards the best heritage of the past
a spirit of research and of liberty by which the
future may be conquered. America will solve
this problem, because she holds herself ready
to receive every new impression of the Divine
Spirit, which alone is capable, at each successive
stage of humanity, of inspiring us with the neces-
sary word and of furnishing us with the fresh
manna which our souls require."
THE "MOST UNFORTUNATE INCIDENT" IN HERBERT
SPENCER'S CAREER
During mid-life, Herbert Spencer, the emi-
nent English scientist and philosopher, was
deeply stirred by the aggressive attitude of the
British Government toward weaker races, and
permitted himself to attend a public meeting
and make a speech. His action temporarily
weakened his health, and so far interrupted the
regular tenor of his life and intellectual work
that he was led to speculate whether the eflfort
to do good does not generally bring more harm
than benefit. This train of thought appears
in a chapter of his "Autobiography" bearing
the startling title, "A Grievous Mistake," and
he confesses that he came to regard his one
attempt at public service as "the most unfor-
tunate incident" of his career.
The incident serves as a text for the eluci-
dation of Christian ethics in Prof. Francis
G. Peabod/s latest work.* "Never, perhaps,"
•Jesus Christ and the Social Question. By Fran-
ci« Green'wood Peabody. The Macmillan Company.
he avers, was there "so candid a disclosure of
a wholly self-considering career," or a more
explicit contrast with the Christian doctrine of
sacrifice. He continues :
"From this point of view, the career of Jesus,
ending at the age of thirty, with its task, as it
seemed, half done, its disciples despairing, and its
teaching not even preserved in literary form,
would have certainly seemed *a grievous mistake/
Would not the world have been richer if Jesus,
like the English philosopher, had lived to a ripe
old age, and left behind him, not a few beatitudes
and parables, but a complete system of religion
and ethics such as his later years might have
produced ?
"The answer to this criticism is sufficiently
given by the unconscious evidence of Mr. Spencer
himself. He had set himself to write a universal
philosophy; but, with a candor which no critic
would have dared to use, he points out how
meagre was the material for such a philosophy
which could be drawn from his own emotions
X
i68
CURRENT LITERATURE
and desires. He did not permit himself to enter
the region of life where Jesus found not only
the joy of living, but all that he understood
under the name of Life. Mr. Spencer's narrow
range of experience disqualified him from inter-
preting experience. The severest indictment of his
ethics is his autobiography. Love and pity, service
and sacrifice, are subordinated by him to the task
of explaining human life; but the subject which
was his theme was precisely the subject he had
left unexplored, and when his Ethics was set,
as a capstone, on the great structure he had
built, the writer regarded it with a sigh of dis-
appointment, as though aware that his system
was soon to be a historical monument, marking
a point where the procession of thought had for
a few years paused. The fragmentary ethics of
Jesus remains Ihe interpreter of the modern
conscience, while Mr. Spencer's System, in com-
parison with which a generous impulse seemed
a grievous mistake, has, like many another sys-
tem, had its day and ceased to be. The whole
story is told in a conversation, with Professor
Huxley. As they walked together one day, Mr.
Spencer said : T suppose that all one can do with
his life is to make his mark and die.' Tt is not
necessary to make one's mark,* replied Huxley;
'all one need do is to give a push.' "
AN INTERPRETATION OF RELIGION IN DANCING
Since the religious dance is the oldest and
highest form of the art of dancing, and was
the first art born of religious sentiment, espe-
cial interest attaches to a serious effort just
made in New York to revive the dance as a
medium of expression for religious ideas. To
this day, we are told, every Hindu temple has
its band of dancers as our churches have their
choirs, and this fact is made use of by Miss
Ruth St Denis, an American woman, whose
THE DANCE AS RELIGIOUS WORSHIP
' The oflTering of flowers, the beating of the g^onj;, the chanting of the higfh priest before the idol of Radba, are all
acts of worship.'
\
THB HINDU DEITY. EADHA, AS tMPBRSONATBD BY AN AMERICAN WOMAN
ibc Liirtiiso goc'i up, Radlm, the i-Jf.a, fitts cros&-tegj?ed on the throoe. The worship of tho pdesU brinfft
ddwm ihe *plrjt of tho deity* Radha, Into thU image/'
lyo
CURRENT LITERATURE
Hindu Temple Dance was given in a New York
theater a few days ago. A recent writer in The
Cosmopolitan Magazine, speaking of the gen-
eral relation of the art of dancing to religion,
states that in the past the nearer religion has
been to nature the greater has been the im-
portance given to the dance as an element of
ritual. This same writer says further :
"The early Christians did not despise the
dance, but as monkish asceticism drew away from
the simple, natural teaching of •Christ, the dance
fell into disfavor and was frowned upon as a
manifestation of the Evil One. And just so it
was with artistic perception and artistic appre-
ciation. Where they were highest, in Hel-
lenic antiquity, dancing had its place among the
arts and was revered as the oldest of them all,
that art upon which all the others were based.
Dragged down to pander to luxury and profligacy,
as were all the arts during the period of Roman
triumph and Roman decadence, the dance fell,
under a cloud with the rest, and seemed to dis-
appear during the dark ages, as did the others|"
The esoteric dance, however, has always
found its principal devotees in Oriental coun-
tries, and it is to India that Miss St Denis
has gone for material wherewith to elucidate
the artistic and religious possibilities of the
dance. She explains her method in this way :
"The impersonation of a favorite deity offers
a larger scope for expression than that fur-
nished by the limited personality of one dancer.
Hence in my temple dances I have chosen from
the deities of each Oriental religion the one
best suited to express its main idea. At the
same time I employ such forms of the dance as
are characteristic of the country."
In her Hindu dance (see accompanying
illustrations) Miss St. Denis impersonates
Radha, the deified wife of Krishna, who is
sometimes called the "Dancing God." As a
background she uses what is said to be the first
representation of a Hindu temple ever made.
The imported properties are authentic, and the
temple priests are natives of India. As the
temples or mundirs are inaccessible to foreign-
ers, the details of the ceremonies have been
obtained through native Hindu worshipers.
BEGINNING OF THE DANCE
* Slowly as the spirit enters the idol, Radha rises, steps down, and the sacred dance begrins."
RELIGION AND ETHICS
171
PORTRAYAL OP THE SENSES
*■ For smell, she weaves about her in wonderful curves a huge flexible wreath of pale roses."
From the moment the curtain rises, when the
incense is burning before the image of Radha
on the throne or altar, the atmosphere of
Orientalism pervades the scene. The offering
of flowers, the beating of the gong, the chant-
ing of the high priest before the idol of Radha,
arc all acts of worship. There are flower-
wreathed cocoanuts, twinkling little lamps on
the shrine, and even the caste marks sacred to
the Brahman priests who meditate before the
^mall brass idols on the low table.
When the curtain goes up, Radha, the idol,
sits cross-legged on the throne. The worship
of the priests brings down the spirit of the
deity Radha into this image. Slowly as
the spirit enters the idol, Radha rises, steps
down, and the sacred dance begins. In a
scries of five circles the god shows the use and
the dominion of the five senses. Before each
circle is performed the temple high priest
places upon her the symbols of the sense to
be pictured. For sound, she wears strings of
bells; for smell, she weaves about her in won-
derful curves a huge flexible wreath of pale
roses ; for taste, she carries a bowl from which
she drinks, and at the end, suddenly, dramatic-
ally, she flings it down crashing to the floor,
as a symbol of the unfulfilment of the appe-
tites. This is the teaching of the dances of
the senses — unfulfilment, renunciation. Touch
is symbolized by raising the hand to the lips
and kissing it. At last Radha falls down
in a swoon and an empty blackness follows.
The curtain has gone down. When it rises,
Radha is kneeling, and the lighting and ac-
tion symbolize enlightenment. She carries
the begging bowl of the mendicant. At the
end of the ceremony Radha, signifying the
attainment of fulness, rises to her full height,
reaching upward. Little by little she retires
and at the last is again seen sitting cross-
legged on the throne in semi-darkness sur-
rounded by the worshiping and chanting
priests.
In this dance very few liberties are taken
with the actual practices of the Hindu wor-
I7a
CURRENT LITERATURE
shipers. Miss St. Denis combines the sacred
dances of the nautch girls, native East Indian
dancers trained from childhood, with the im-
personation of deified Radha. So that, while
in the present creation of a poetic imagina-
tion the details are actualism, the spirit is
symbolism. The teaching is that of Buddha:
From the illusion of the senses, through re-
nunciation toward enlightenment, man attains
perfect spirituality and peace.
Gellini, in speaking of the Greeks as dancers,
said: "Their dresses were magnificent, and
they spared neither pains nor cost toward the
perfection of their dances. It was in this light
that the ancients required the union of the
actor and of the dancer in the same person.
They expected, in the theater especially, dances
of character that should express to the eyes
the sensations of the soul."
And so, according to this young student, the
dance is a creative art, and the temple dance
its highest form. It employs a skill and grace
which are only acquired through years of
discipline, the result of as severe a technique
as that of poetry and painting or music. It
brings into service the imagination and all
love of beauty. But above all it may serve as
a means for the teaching of spiritual truths.
TOLSTOY'S "LAST WORDS'* TO THE WORLD
The phrase "Last Words" is the one which
Tolstoy himself selects as a title for his new
book, which has just bpen published in Paris,*
and which contains the utterances designed by
him to be his final testament to mankind. Tol-
stoy is now in his seventy-eighth year, and
though his health is relatively good, he is con-
vinced that the end is not far oflf. No sign of
age or decadence, however, appears in these,
his latest writings, which illustrate above all
the intensity of his religious conviction. There
are the same freshness and x)riginality of con-
ception that we find in his earlier works, and
even an added note of optimism as regards
ultimate progress. In spite of his vogue, his
status as a thinker and teacher is not generally
understood. The Russian orthodox church
classes him as an atheist, though he himself
claims to be a disciple of Christ. His works
teem with citations from the New Testament,
of which he is a profound and reverent stu-
dent. Of course he is far from being a Chris-
tian in the orthodox sense, since he has dis-
carded the whole of the supernatural side of
Christianity. This he regards as foreign to the
original teaching of the Master, as encrusted
legend added by succeeding generations. He
believes that all government is wrong since it
is founded in the last resort upon violence and
is thus opposed to the gospel of Christ. Social-
ism, anarchism, monarchy, are to be equally
condemned. Humanity is to be redeemed not
through political means but through Christian-
ity translated into individual action and be-
come practical in life.
• DERNiiRES Paroles. By Leo Tolstoy. Mercure^de
Prance, Paris.
These doctrines are now held by consider-
able numbers of Tolstoy's disciples in Russia
and different parts of Europe, and are being
actively promulgated in England by an exiled
colony of "peaceful anarchies."
The following reflections are taken from
Tolstoy's hitherto unpublished "Journal In-
time," extracts from which are included in his
"Last Words":
"The idea that the teaching of religion is
a form of violence is right. It amounts to that
scandalizing of children of which Christ has
spoken. What right have we to teach that vvhich
is disputed by an enormous majority : the Trinity,
the miracles of Buddha, of Mahomet, or of
Christ? The only thing that we can and should
teach is the doctrine of morality."
"I was contemplating a magnificent sunset.
Here and there among the heaped-up clouds ap-
peared the light, and the sun itself looked like
a live coal of irregular shape hovering over the
forest. I felt my heart swell with joy and I
thought: No, this world is not a mirage; it is
not merely a place of trial, of transition to a
better and eternal world. It is itself one of the
eternal worlds, beautiful and full of joy, a world
which we can and ought to make more beautiful
and joyful for those with whom we live, and for
those who shall come after us."
"From the ordinary point of view the death
of children is thus explained: Nature endeavors
to give us her best creations, and she sometimes
recalls them when she sees that the world is
not ready for them. But let us try to improve
on this explanation : It is like the swallows who
come too soon and die from the cold; yet they
must needs have come. All this reasoning, how-
ever, is ordinarily false. An intelligent explana-
tion would be that the child who dies has ac-
complished the work of God — the establishment
of the kingdom of God by the increasing of love
— in a more important way than those who have
lived a half century or more."
RELIGION AND ETHICS
173
"What happens after death? For their own
happiness, men know not, neither have they any
need of Imowing. In fact, if men knew this, and
if th^ knew that the life beyond the grave
were worse than the present life, they would have
sdll more fear of death; and if they knew that
the life beyond the grave were better, they would
have no care for this life, and would hasten their
own death. This is why we do not know the
hereafter and do not need to know it. The only
thing that it concerns us to know is that our life
will not end. And we know this. The whole
doctrine of Christ is in this: man has two lives,
the bodily life which comes to an end and the
spiritual life which does not change and has
no end. 'Before Abraham was, I am,' said
Christ, and this applies to us all. As soon as we
transport our ego into the spiritual life, we live
but for a spiritual end. Thus our life cannot
cease. It is part of God. It always was and
always will be.' We do good not out of fear of
hell or hope of paradise, but because, in living
the s^ritual life, man can desire nothing except
what is good. And if a man believes in his spirit-
uality, he cannot fear death or annihilation. And
what will this life be? He need not concern him-
self about that, since he has faith in God as a
Father from whom he has proceeded, to whom
he goes, and with whom he has lived, lives and
shall Hvc."
"We are passing through trying days. War,
like a storm in nature, provokes in the mind of
inan a beneficent change, in the sense that move-
ment, hitherto unperceived, becomes visible. The
movement concerns conscience. The times are
trying, and it is all the more necessary to lead
just lives. Each assault of the press — ^and not
merely the Russian but the foreign and revolu-
tionary press — is in vain. It is the same as cut-
ting down weeds: they sprout up again with all
the more strength. It is necessary to pull them
up by the roots. And this can only be done in
the religious domain. It alone is powerful and
invincible."
"In these later days, I have occupied myself
with the composition of a daily lecture composed
of the best thoughts of our best writers. I have
been reading not only Marcus Aurelius, Epictetus,
Xenopbon, Socrates, the Brahman and Chinese
sages, Seneca, Plutarch, Cicero, but also more
recent writers: Montesquieu, Rousseau, Voltaire,
Lessing, Kant, Lichtenberger, Schopenhauer,
Emerson, Channing, Parker, Ruskin, Amiel and
others (I have read neither newspapers nor re-
views for two months). I have been more and
more astonished and fri|;htened, not at the ig-
norance, but at the 'civilized' savagery in which
our society is sunk. Education and culture are
for the purpose of enjoying the spiritual heritage
left by the ancients: meanwhile we go reading
the newspapers, Zola, Maeterlinck, Ibsen, etc.
How I wish that I might remedy in some degree
this terrible misfortune, worse than war ; for this
civilized savagery is, by reason of its self-satis-
faction, most terrible. It Ijrings in its train
all horrors, among the number, war."
"I had a visit recently from an American,
Bryan, a very intelligent and very religious man;
he inquired of me why I thought simple manual
labor necessary. I replied: first, because it is
the practical recognition of the equality of all
men; secondly, because . manual labor brings us
into association with toilers from whom we are
separated by a wall, profiting the while by their
wretchedness; thirdly, because manual labor con-
fers on us superior benefits: tranquillity of con-
science, which cannot be enjoyed bv an honest
man who profits by the services of slaves."
"In their struggle against lies and superstition,
men are often encouraged by the amount of su-
perstition that they have destroyed. Their com-
placency is not justified. We should not be sat-
isfied until we have destroyed all that is con-
trary to reason and that requires faith. Super-
stition is like a cancer. If an operation be begun,
all must be eradicated. If the least vestige is
allowed to remain, all reappears and in a graver
form."
"When we try to split a very hard block of
wood, the blow rebounds as though we were
striking upon steel, and we think that nothing
will come of our efforts, that it is useless to
strike. It is a great pity that we become thus dis-
couraged. We should keep up our blows and
soon we shall hear a dull sound which is a
sign that the block is broken. A few more blows
and it splits open. The world is in a like situa-
tion with regard to Christian truth. I, myself,
remember the time when the blows fell and I
thought they were hopeless. So it is with men
in general. We ought to do like that man who
proposed to himself to empty the sea. If a man
gives his whole life to a work he will realize it,
whatever the work may be — and all the more if it
be the work of God."
The following observation is called forth by
the events which have recently taken place in
Russia. It is one of the most recent utterances
of Tolstoy:
"In England, in America, in France, in Ger-
many, the malfeasance of governments is so well
masked that the citizens of these different coun-
tries, in view of the events in Russia, naively im-
agine that what passes in Russia never happens
outside its boundaries, and that they themselves
enjoy absolute liberty and have no need of im-
proving their condition — that is to say, they are
in the very worst condition of slavery: the
slavery of those who do not comprehend that they
are slaves and are proud of their condition. In
this sense the condition of us Russians, though
more painful (by reason of the grossness of the
violence to which we are subjected), is never-
theless better, because it is easier for us to under-
stand what the question is — to wit : every govern-
ment sustained by force is in its very essence a
useless scourge, and it is therefore the duty of
Russians and of all men subject to governments,
not to replace one government by another, but
to suppress all government. To sum up, my
opinion on present events is as follows: The
Russian government, like every existing govern-
ment— American, French, Japanese, English — is
a horrible, inhuman and impotent robber whose
maleficent activity manifests itself unceasingly.
Therefore all reasonable men should endeavor
with all their strength to deliver themselves of
all government"
^74
CURRENT LITERATURE
A CRISIS IN THE FRENCH PROTESTANT CHURCH
The separation between State and Church
in France has seemingly endangered the Prot-
estant church even more than the Roman
Catholic. According to latest reports, French
Protestants are torn by internal dissension. It
is within the range of possibility that a church
which has been one body for three hundred
years may now be rent in twain.
The Protestant Church of France, while
under State control, had the support of all its
different factions in the struggle against en-
croachments on the part of the political au-
thorities, and it was hoped that when independ-
ence was achieved the same unity of spirit and
co-operation would enable the church to meet
and to solve the problems of the new situa-
tion. In this respect Protestants must confess
to a keen disappointment. Even before the
actual separation . took place, the antagonism
between the conservatives and the liberals, es-
pecially in the Reformed congregations, be-
came pronounced, and as soon as independence
had been gained there was a bitter contest for
the control of the church. An actual schism
between those who insist that the historic
creeds shall be fully recognized in the churches,
in the theological seminaries and in practical
life, and those who profess an advanced type
of theological thought seemed to be inevitable.
There has been and still is a party that is seek-
ing to effect such a separation and to organize
two churches, not because of preference but as
a matter of necessity, since the differences be-
tween the conservatives and radicals are felt
to be irreconcilable.
A writer in the Christliche Welt (Marburg),
to whom we are indebted for the above facts,
says that strenuous efforts have been made to
prevent such a schism. At first an "assemblee
fraternelle" was proposed by leading authori-
ties, in which all the church parties could
openly discuss their rights and wishes ; but the
conservatives predicted that this would end
in a failure. Then the consistories of Lyons
and Rouen suggested a general synod of the
Reformed churches of France. But this also
was opposed by the conservatives through their
representatives, the learned and influential
Professor Doumerge, of Montauban, and Pas-
tor Couve, of Paris. Finally, however, thanks
to the good offices of the Vie Nouvelle (Paris),
the organ of the mediating party, the more
thoughtful members of both factions were
brought together in a synod held at Rheims for
the purpose of debating ways and means of
agreement. It is rather singular that the
party insisting most decidedly upon the rec-
ognition of the confessions in the full his-
torical sense is largely composed of young
men. Their leader, Pastor Dejarac, writes in
the Christianisme insisting upon the Confes-
sion of Faith as formally recognized as late
as 1872.
At the synod in Rheims the two parties were
about equally divided. They agreed upon the
appointment of a special commission of thirty
men who were to propose measures looking
toward: (i) The organization of a national
synod in which both elements should be duly
recognized; (2) a change in the ordination
vow to suit the theological status of the times ;
(3) a modification of the Confession of Faith
of 1872. A convention of three days ended
in a failure to agree upon a modus vivendi.
The synod agreed to a recognition of the prin-
ciple of independence in theological thought,
but reached no conclusion as to the prac-
tical application of this principle. It was
the feeling of the conference that the separa-
tion of State and Church must not be allowed
to bring with it a schismatic division of the
Protestants, and that in some way the co-oper-
ation of the two parties must be effected.
Later, however, it appeared that the work
of the Rheims synod had not met with the
approval of many advanced thinkers, who com-
plained bitterly of the hostility of the conserva-
tives. The Vie Nouvelle itself expressed the
fear that a division would come, in spite of all
that has been done to prevent it.
The latest developments, as chronicled in the
Evangel, Lutherische Kirchenzeitung (Leip-
sic), are more encouraging. It seems that the
advanced party of the Reformed churches of
France has taken a step that will possibly tide
over the crisis. Representatives of the liberal
congregations recently met in Montpelier and
formulated a "Declaration of Principles," in
which they stated their demands moderately,
and appealed to the conservatives to remove
the dangers of schism by recognizing the prin-
ciples contained in this document The state-
ment concedes that Jesus Christ is "the high-
est gift of God, namely, the Redeemer, who
through his person, his teachings, his holy life,
his sacrifice, and his victory over death, com-
municates at all times to the children of our
Heavenly Father the power necessary, here
RELIGION AND ETHICS
175
upon earth, to secure for righteousness and for
k)vc the supremacy over that which is evil."
The declaration insists that all be recognized
who accept the forgiveness of sin in Christ
Jesus, and who, in details of doctrine, re-
main true to the old Protestant and evangel-
ical principle of the Gospel and to the principle
of independent .theological thought. At the
same time, an appeal is made for a general
convention of the representatives of the Re-
formed Protestant churches to decide upon the
organization of the church in view of its
changed status.
The final outcome of the controversy is as
yet uncertain. The orthodox periodicals and
leaders have not had the opportunity to express
themselves; but the Leipsic paper above men-
tioned thinks that, as the liberal standpoint in
reference to the person of Christ and other
matters is now openly stated, the conservatives
will need much enlightenment from on high
to act wisely in the premises.
THE INDISPENSABLE ELEMENT IN CHRISTIAN THEOLOGY
To a greater and greater degree the em-
phasis of modern theology is laid upon Christ
as the sole foundation of religious thought
and belief. Prof. William Newton Clarke, in
his Taylor lectures, recently given before the
Divinity School of Yale University and now
published in book form,* goes so far as to say
that the Christian element in the Scriptures
is not merely "the formative element in Chris-
tian theology," but also "the only element in
the Scriptures which Christian theology is
either required or permitted to receive as con-
tnbuting to its substance," He insists that
there is no doubt or mystery as to what this
Christian element is. "The way to know a
Christian thought is the same as the way to
perceive the blue in the sky — look at it and
discern the quality." Speaking more specifi-
cally, he says: "From Jesus Christ there came
forth the clearest, simplest, worthiest and
truest view of God and the relation of God to
man that has existed in this world" ; and "this
view of God constitutes the revelation of Jesus
Christ." To quote further:
•'It is a revelation made in life. When Jesus
lived in perfect filial fellowship with God and
called his disciples to do the same, he was mak-
ing God known as One who is worthy to receive
filial confidence and love from all souls, and avail-
able for all who will live with Him as His chil-
dren. He assumed in God the reality of all that
men need to find in Him. A God for men to love,
to trust, and to adore, a God who hates evil and
desires to save men from its control, a God of
free, forgiving grace, a God to whom men are
precious and who seeks them in love that He may
make them what they ought to be, a God, indeed,
whose holy love is expressed in the love of Christ
himself, which goes to death in order that it may
save, — such a God Jesus has manifested and com-
•The Use of the Scriptures in Theology. By
WOliaxn Newton Clarke, D.D. Charles Scribner's Sons.
mended to our faith and affection. A God too
who claims as well as loves, who holds His chil-
dren strictly to the spirit of their Father, who in-
sists that a man shall love not only Him but his
neighbor, who is to be served by serving men
and honored by doing righteousness, who makes
human service and fellowship an element in di-
vine religion, and so blesses all in blessing each, —
such a God is He. And since there is such a God
of free unpurchased grace, Jesus gives us to know
that though men are sinful they need not con-
tinue so, though they are sorowful they need not
remain uncomforted, though they are harming
their fellows they can be transformed into a power
to bless. Out of their evil living they can be
brought into such filial life with God as Jesus
lived.
"Thus Jesus is the revealer of God, and is also
in a true sense the revelation of God."
Here, then, is the touchstone of Christianity.
All in the Bible that is in harmony with this
conception of God is to be accepted; all that
is at variance with it must be rejected.
Professor Clarke does more than state a gen-
eral principle. He applies it, with results that
have already evoked expressions of dissent and
protest in conservative circles. Many of the
older views in regard to the Old Testament
will have to be abandoned, he admits. For in-
stance, "we used to suppose that the first chap-
ters of Genesis were witnesses concerning the
manner in which the world and man were cre-
ated"; but now "we have learned to under-
stand these writings better, and know that
they are not historical records." Similarly,
"theology begins to see that Genesis withdraws
its contribution concerning the origin of hu-
man sin." If Christian theology seems to be
weakened by such admissions as these, it is
well to remember, says Professor Clarke, that
Christ "bore no testimony as to the manner of
creation or the age of the world and man, and
we cannot imagine that these questions could
X76
CURRENT LITERATURE
have any bearing, near or remote, upon the
substance of his supreme revelation." This
revelation antiquates only those portions of
the Bible which, in the truest sense, are un-
christian. The "naive anthropomorphisms" of
the primitive Hebrew race fade before it. It
relegates from theology to history the whole
idea of "the special localizing of worship" (so
strongly emphasized in the Old Testament) ;
for "God is a spirit, and they that worship
Him must worship Him in spirit and in truth."
In the light of the Christian revelation, ques-
tions relating to Jews and Gentiles, the privi-
leges of the one and the unprivileged condition
of the other, sink into relative insignificance.
The idea of a "second coming" of the Messiah
and the doctrine of the Atonement were es-
sentially of Jewish origin, maintains Professor
Clarke; and Paul himself was committed to
"distinctly Jewish conceptions, not transformed
by Christie -iiy." To quote again:
"Thcs? iMustrations show what our principle is,
— it is simply the law that we must set the gospel
by itself and keep it there. We must not bmd in
with the gospel f God thoughts that originated
and took on their quality where God was not
known as He is known in Christ. To Christian
theology is entrusted the work and privilege of
setting the gospel t»y itself, and it must use the
Scriptures with this end in view. . . . The
work of separation has never been thoroughly
done, and the result is that the genuine Christian
reverence still holds firmly on to much that is
not Christian. The great distinction cannot be
made in a day, and if someone were now to draw
it with perfect correctness according to the mind
of Christ it would not be accepted at once by the
C!.ilstian people. It is a work of time. But
we can at least see of what nature the undertak-
ing is, and devote ourselves to it with an honest
heart."
Turning from the negative to the positive
effect of the Christian revelation which he
preaches as the "indispensable" element of
Christianity, Professor Clarke says:
"The object of faith is God. What the troubled
faith needs is to change its basis, to transfer itself
from one foundation to another. The present
generation of Christians scarcely needs anything:
else more than to change the foundation of its
faith from the Bible to God. Yet perhaps those
who need it most would be puzzled to know just
what this would be. I have told students of this
great^ necessity, and been met in reply by the
question, 'But what do we know of God, except
through the Bible?' Yes, and what do we know
of the star except by help of the telescope? — and
yet the telescope is not the star, and we need not
be told that the telescope is given us in order
that the star may be revealed. The Bible is the
telescope, and God is the star, the sun. The Bible
is a means, not an end ; a help to faith, not an
object of faith. We wrong it if we make it the
foundation of our faith : God must be foundation,
as well as object. It is the one thing needful, not
that we keep our Bible, but that we keep our
God. We must know Him as in Christ he is, and
must know no other. If you say to me, 'This I
must believe and this respect, lest I lose my Bible,'
I say to you in answer, This I must believe and
this reject, lest I lose my God,'— -lest I fail to
mark Him as He is in Christ, but get some false
conception of Him, and bind to my heart some
image of God that is unlike the living One whom
in Christ we know. Knowledge of Him as He is
in Christ is what the Bible was given to bring us.
If in any of its parts it brings us anything dif-
ferent, it is our Christian privilege and duty to
mark the difference. If anything in the bible
obscures the Christian thought of God, it is no
part of the abiding Christian ^ft; let it not
trouble you: leave it aside if it darkens that
divine face which Christ reveals. This is what
the Christian people need to learn. We must
transfer our faith from the book that reveals
God in Christ, to God in Christ whom the book
reveals,— from the telescope to the sun. When
we have done this, our Christian faith will rest
upon a foundation that will stand forever."
'THE FIRST PROPHET OF HISTORY'
The fatherhood of God and the goodness of
one All-Father were perceived and proclaimed
in some degree in Egypt over thirteen hundred
years before Christ, so Dr. James Henry
Breasted, Professor of Egyptology in the Uni-
versity of Chicago, tells us. In a striking work
on ancient Egypt* we are told that other ideas
associated with Christianity were promulgated
by an African who actually proclaimed his
teaching by anticipating the sentiment of one
•A History of Egypt from the Earliest Times to
THE Persian Conquest. By James Henry Breasted,
Ph-D. Charles Scribner*s Sons.
of the psalms, and even the words of one of
them. This wonderful religious genius of
ancient Egypt was king of the country, Ikhna-
ton by name, or, as he figures in the dynastic
lists, Amenhotep IV. He grasped, says Dr.
Breasted, the idea of one world dominator as
the creator of nature. He saw revealed the
creator's beneficent purpose for all his crea-
tures, even the meanest. "The birds fluttering
about in the lily-grown Nile marshes to him
seemed to be uplifting their wings in adora-
tion of their creator; and even the fish in the
stream leaped up in praise of God." It was a
RELIGION AND ETHICS
^11
moiudhdstic conception of a god of infinite
gcodoess, of infinite power, entitling Ikhnaton
to a place never yet accorded him among the
few sublime teachers of spiritual truth :
°He based the universal sway of God upon his
udjerly care of all men alike, irrespective of
nee or nationality, and to the proud and exclu-
^ire ^yptian he pointed to the all-embracing
bsantr of the common father of humanity, even
radng Syria and Nubia before Egypt in his
fraTcration. It is this aspect of Ikhnaton'sr mind
^-hich is especially remarkable; he is the first
rjophct of history. While to the traditional
r:araoh the state god was only the triumphant
:on^ucror, who crushed all peoples and drove
•^^ tribute-laden before the Pharaoh's chariot,
Tiinaton saw in him the beneficent father of all
siL It is the first time in history that a dis-
fning eye has caught this great universal truth.
Afiin his whole movement was but a return to
•^T:re, resulting from a spontaneous recognition
'[ the g^oodness and the beauty evident in it,
~^3gled also with a consciousness of the mystery
T t all, which adds just the fitting element of
STstidsm in such a faith."
Bttt while Ikhnaton thus recognized clearly
t-e power and to a surprising extent the benefi-
^cc of God, there is not apparent in his re-
■ Med teaching a very spiritual conception of
•:e deity nor any attribution to him, according
' Dr. Breasted, of ethical qualities beyond
• *5e which Amon had long been supposed to
?5ses5. The king has not perceptibly risen
■T'lm the beneficence to the righteousness in
^^e character of God, nor to His demand for
*Ji^ in the character of men. Nevertheless,
•ere is in his teaching, as it is fragmentarily
p'eferved, a constant emphasis upon truth such
is i> not found before nor since. And for him
-hat was was right and its propriety was evi-
"tt by its very existence. "Aton" is the
anie applied by the king to this father of all
^okind Either for temple service or for
personal devotions the king composed hymns
"5 Aton, and from them we may gather an
nidation of the doctrines which the specu-
^Tc young Pharaoh made great sacrifices to
''^sseminate among his people. The immense
'^ess in our knowledge of the language of
2r :ient Egypt that has been achieved during the
^ twenty years has enabled Dr. Breasted to
proride his own translation of these remarka-
^•e teachings. Their anticipation of the one
^dred and fourth psalm, notes Dr. Breasted,
5 striking. But while the psalms are permeated
with a sense of the terrible might of Jehovah,
'it god of wrath as well as of goodness, this
•weninner of Jesus Christ dwells upon God's
I'ithcrhood. Yet there is a striking similarity
ci thought and language between Ikhnaton and
the author of the Old Testament masterpieces.
Psalm CIV has : "Thou makest darkness and it
is night, Wherein all the beasts of the forest
do creep forth. The young lions roar after
their prey; They seek their meat from God."
And Ikhnaton writes:
"When thou settest in the western horizon
of heaven,
"The world is in darkness like the dead.
"They sleep in their chambers,
"Their heads are wrapped up,
"Their nostrils stopped and none seeth the
other.
"Stolen are all their things, that are under their
heads,
"While they know it not
"Every lion cometh forth from his den,
"All serpents, they sting.
"Darkness reigns. (?)
"The world is in silence,
"He that made them has gone to rest in his
horizon."
This same Psalm CIV may well be deemed
foreshadowed in another instance. The psalm-
ist, for instance, tells us: "The sun ariseth,
they get them away. And lay them down in
their dens. Man goeth forth unto his work,
And to his labor until the evening." With
this Dr. Breasted compares the utterance of
Ikhnaton on the subject of "day and man":
"Bright is the earth,
"When thou risest in the horizon.
"When thou shinest as Aton by day.
"The darkness is banished,
"When thou sendest forth thy rays,
"The two lands (Egypt) are in daily festivity,
"Awake and standing upon their feet,
"For thou, has raised them up.
"Their limbs bathed, they take their clothing;
"Their arms uplifted in adoration to thy dawn-
ing.
"Then in all the world they do their work."
Even more noteworthy is the anticipation of
the psalmist where he exclaims : "O Lord, how
manifold are thy works I In wisdom hast thou
made them all; The earth is full of thy crea-
tures." Ikhnaton exclaims :
"How manifold are all thy works!
"Thev arc hidden from before us,
"O thou sole God, whose power no other pos-
sesseth.
"Thou didst create the earth according to thy
desire.
"While thou wast alone:
"Men, all cattle, large and small,
"All tiiat are upon the earth,
"That go about upon their feet;
"All that are on high,
"That fly with their wings.
"The countries of Syria and Nubia,
"The land of Egypt;
"Thou settest every man in his place,
"Thou suppliest their necessities.
"Every one has his possessions,
178
CURRENT LITERATURE
"And his days are reckoned.
"Their tongues are divers in ^ech,
"Their forms likewise and their skins,
"For thou divider hast divided the peoples."
Still more in touch with Christian sentiment
arc the exclamations of Ikhnaton to the all-
father: "Thou art in my heart," "By thee man
liveth," and "The world is in thy hand." How-
ever, as Dr. Breasted informs us, the study of
Egyptian religion has but begun, and it might
be overbold to press other analogies further
until investigation has been pursued more
completely. All the documents on the religious
system of Ikhnaton and all his known hymns
were examined in the original by Dr. Breasted.
He denies that the teaching of Ikhnaton was
sun-worship. The god worshiped by this an-
cient king and prophet was clearly distin-
guished from the material sun. In fact, Aton,
as God was called, received recognition as
"lord of the sun." The "vital heat" which
Ikhnaton found accompanying all life played
in his religion a part as important as we find
it assuming in the early cosmogonic philoso-
phies of the Greeks. Thence, as we might ex-
pect, says Dr. Breasted, God is stated by Ikh-
naton to be everywhere active by means of his
rays, and his symbol is a disk in the heavens,
darting earthward numerous diverging rays
which terminate in hands, each grasping the
symbol of life. "In his age of the world, it is
perfectly certain that the king could not have
had the vaguest notion of the physico-chemical
aspects of his assumption any more than had
the early Greeks in dealing with a similar
PROF. FRIEDRICH DELITZSCH, OP THE UNI-
VERSITY OF BERLIN
The leading liviog: Assyriologrist, now on a visit to this
country.
thought; yet the fundamental idea is surpris-
ingly true."
THE VISIT OF PROFESSOR DELITZSCH
Professor Delitzsch, of the University of
Berlin, who has recently come to our shores to
lecture here under the auspices of the Ger-
manistic Society, is accounted the leading liv-
ing Assyriologist. Many of our own greatest
scholars have studied under him. He has writ-
ten a dozen books on the Egyptian excavations,
cuneiform writing and kindred subjects. His
lectures on "Babylon and the Bible," delivered
in 1902, in which he discarded the theory of
revelation in the Old Testament and tried to
show its direct descent from Assyrian inscrip-
tions, created a sensation in the religious
world. The K^iiser considered the utterances
of the distinguished professor so important
that he found it necessary to counteract De-
litzsch's influence by publishing his own Credo
in a letter to Admiral Hollmann.
An American interviewer, Mr. George Syl-
vester Viereck, recently elicited some interest-
ing expressions of opinion from Delitzsch,
and publishes them in the New Yorker Revue.
It seems that he has not in any way modified
his statements since the publication of the
Kaiser's letter. He still believes that the Old
Testament is mostly of Babylonian origin;
but he holds that "the myths of the Babylo-
nians have been exaggerated and distorted by
the writers of the Bible." *Tt is my ambition,"
he says, "to cleanse our religion of its Baby-
lonian prejudices; it is the essence of religion
alone that we want to retain."
Science and Discovery
COMING EXTINCTION OF BLOND AMERICANS BY LIGHT
Men tend to be big in daric climates and to
be little in light climates ; but only in dark,
cloudy climates where there never is intense
light do we find the blonds at home, writes
that noted military surgeon, Major Dr.
diaries E. Woodruff, U. S. A,, in the New
York Medical Record. In the cold northern
portion of Europe, he adds, blondness is an
actual advantage in conserving heat White
surfaces radiate less heat than dark ones.
Consequently blonds are perfectly adjusted to
dark, cold climates, and when they migrate to
Hghter countries they are more or less dam-
aged according to the excess of light to whi h
they are exposed. This, he thinks, fully ac-
counts for the fact that though there has been
a succession of streams of blond races flow-
ing southward in Europe, they do not per-
manently survive. He thinks it necessary to
inquire how this extinction has taken place,
and in America this inquiry can be prose-
cuted to good advantage. Since America is
peopled entirely by European types, many of
whom are far south of their natural habitat,
it is evident that the process of extinction is
now going on under our very eyes, but so
slowly that it has never been noticed. An-
thropologists have repeatedly called attention
to the fact that Americans are becoming more
and more brunette, so as to approximate the
complexions of people of similar latitudes in
Europe. The ordinary explanation has been
in the direction of a belief that our children
arc becoming darker than their parents. No
one seems to have noticed that the blonds are
suffering a greater mortality than the b'u-
ncttcs, yet that. Dr. Woodruff thinks, is the
real process and has already progressed con-
siderably in our south, where the vigorous
types of white men are notably brunette.
The most important facts, we are told, are
found in reference to complexion. "It has
Wn particularly noticed that blonds suffer
in the Philippines more than brunettes, have
higher grades of neurasthenia, break down in
larger numbers proportionately, and in many
ways prove their unfitness for the climate."
This is an important point in America, and
particularly in the cities, in which the light
gUre is so intense in summer. The inhabit-
ants of European cities are more brunette than
those of the surrounding country and the same
condition is becoming manifest here. This
process of the death of blond families in our
larger cities, particularly in the South, is very
slow, but it is a fact, nevertheless, and is per-
haps the main reason for another fact, so long
noticed, that cities are consumers of population.
Growing or germ cells are more easily in-
jured than differentiated adult cells. Men who
are raised in the country can move to a city
and stand the light which k^lls off all their
children or makes them so nervous that they
are not fit to procreate a healthy third gen-
eration. Hence we find dreadful neurasthenic
conditions in children in the cities, even ba-
bies, when the parents are strong. Hence, too,
we find white children in the tropics begin-
ning to fade at seven or eight, or about the
time they begin to run about. Infants kept
indoors and protected from the light appar-
ently do well in the Philippines, though Dr.
Woodruff has seen them very sick, particu-
larly blond children. Again :
"I have been informed by a Philadelphia neu-
rologist that most if not all his neurasthenics
are from the South, and blond at that. The
Northwest corner of the United States is the
cloudiest and rainiest. Not only do blonds
flourish there, but the report of the Surgeon-
General shows that the soldiers in that region
have the lowest sick and death rates of any place
in the country. As soldiers are all of one type
and live under identical conditions, the result
must be due to the cloudy climate. It may be
remarked in passing that slight degrees of pig-
mentation are quite good light-screens. The tan-
ning due to a sunburn prevents a repetition of
the damage, and jr-rays can be applied very
strongly after previous applications have tanned
the skin. An olive skin such as is found in the
Mediterranean basin is a protection permitting
exposures harmful to Scandinavians, so that
such dark types show less damage here in Amer-
ica."
Physicians should find more neurasthenic
conditions among the city blonds than among
the brunettes, omitting the Jews, whom Dr.
Woodruff pronounces notoriously neurasthenic
the world over. Further :
"It will also be found that all conditions having
a basis in a weakened nervous system are apt to
be more frequent in the blonds, but to particular-
ize would require a very long list of diseases of
i8o
CURRENT LITERATURE
this nature. In the tropics we have noted that
apepsia is very common, and so is amnesia, which
may go even to the point of complete loss of
memory of recent events. There are a host of
other neuroses which can have no other origin
than neurasthenia.
"It has long been known that suicides and
insanity are more frequent in the lighter months
of the year than in the darker — phenomena no-
ticed in every part of the world. It seems that
the pain or irritation due to the light is the last
straw which forces melancholies to the final act.
Chronic manias are reported to be worse after
several days of intense light, and school chil-
dren are known to be better behaved in soothing
dark days, but irritable and hard to manage after
several days of bright light streaming into the
school room. Their sufferings can be imagined
when it is known that there is an actual sun-
pain, or a curious blinding headache, resulting
from light glare in the Philippines, even when
there is not an excessive heat. I have found
these cases so bad that life was hardly worth the
living, and yet complete relief could be obtained
through darkening the house with appropriate
window shades and verandas. It is a dreadful
pain, which is more marked in the blond, the
neurasthenic, and in women. Hence it is true
that dark gloomy weather has a soothing effect
and reduces crime, insanity, misdemeanors, and
suicides, and has the exact opposite result of what
popular opinion gives to it."
Now, if it be true that excessive light is
one of the many causes of neurasthenia, it
follows that this condition in America should
be worse in blonds than in brunettes, should be
worse in cities than in the country, and should
be vastly benefited or cured by a removal to
dark and cloudy climates. Says Dr. Woodruff
on these points :
"As a matter of fact severe cases are known
to be remarkably benefited by removal from the
city in the Summer, and are made worse by re-
maining ; are damaged by a trip to lighter climates
and benefited or cured by a sojourn in northern
cloudy ones. It is not the heat, fpr the fact is
the same even if the sufferer escapes the heat.
Of course cases can arise in cloudy places if
there are other causes. It is merely proof that
light is one of the causes of this trouble.
"In the case of insanity, it is said that there
is a tendency to brunetness because of the large
number of our foreign element who are notoriously
brunet to begin with; but in the old families it
is said that the blonds suffer more than the bru-
nets in this respect as well as in all nervous con-
ditions.
"The degeneration, through nervous instability,
of the blond families of our Western plains, is
a phenomenon which is bound to receive atten-
tion in the future. The curious hysterical out-
bursts, religious or political, which characterize
certain of these Western States, have an explana-
tion in a pathological state of the nervous sys-
tem."
WHY " CONSERVATION OF MATTER " IS NOT AN
ESTABLISHED FACT
The law which has been called "the sheet
anchor of chemistry" is considered by Sir
Oliver Lodge, the famous British scientist, to
be still an hypothesfs — a "reasonable hypoth-
esis" is the term he uses in his latest volume.*
The law in question — ^that of the conservation
of matter — means, observes Sir Oliver, that in
any operation, mechanical, physical or chem-
ical, to which matter can be subjected, its
amount, as measured by weight, remains un-
changed; so that the only way to increase or
diminish the weight of substance inside a
given enclosure, or geometrically closed bound-
ary, is to pass matter in or out through the
walls. Such is the law of which chemistry
makes so much and which Sir Oliver finds far
from self-evident. He writes:
"Its statement involves the finding of a property
of matter which experimentally shall remain un-
changed, although nearly every other property
♦Life and Matter. By Sir Oliver Lodge. G. P. Put-
nam's Sons.
is modified. To superficial observation, nothing
is easier than to destroy matter. When liquid —
when dew, for instance — evaporates, it seems to
disappear and when a manuscript is burned, it is
certainly destroyed; but it turns out that there
is something which may be called the vapor of
water or the 'matter' of the letter, which still per-
sists though it has taken rarer form and become
unrecognizable. Ultimately, in order to express
the persistence of the permanent abstraction
called 'matter' clearly, it is necessary to speak of
the ultimate atoms of which it is composed and
to say that though these may enter into various
combinations, and thereby display many outward
forms, yet that they themselves are immutable
and indestructible, constant in number and quality
and form, not subject to any law of evolution;
in other words, totally unaffected by time."
At this point, observes Sir Oliver, if we ask
for the evidence on which this generalization
is founded we have to appeal to various deli-
cate weighings conducted chiefly for practical
purposes by chemists, and very few of them
really directed to ascertain whether the law is
true or not :
SCIENCE AND DISCOVERY
i8i
"A few such direct experiments are now, in-
deed, beinfiT conducted with the hope of finding
that the law is not completely true; in other
words, with the hope of finding that the weight
of a body does depend slightly on its state of
aggregation or on some other physical property.
The question has even been raised whether the
weight of a crystal is altogether independent of
its aspect : the direction of its plane of cleavage
with reference to the earth's radius; also whether
the temperature of bodies has any influence on
their weight; but on these points it may be trul^
said that if any difference were discovered it
would not be expressed by saying that the amount
of matter was different, but simply that 'weight*
was not so fundamental and inalienable a prop-
erty of matter as has been sometimes assumed;
in which case it is clear that there must be a more
fundamental property to which appeal can be
made in favor of constancy or persistency or con-
servation."
Now the most fundamental property of
matter known, we are told, is undoubtedly in-
ertia. The law of conservation would there-
fore come to mean that the inertia of matter
is constant, no matter what changes it under-
goes. But inertia is not an easy property to
measure — ^very difficult to measure with great
accuracy. It is in practice nearly always in-
ferred from weight; and "in terms of in-
ertia," Sir Oliver goes on to say, "the law of
conservation of matter can not be considered
really an experimental fact. It is, strictly
speaking, a reasonable hypothesis."
DIFFERENCES BETWEEN DARWIN AND WALLACE
The fact is well knovm that the theory of
evolution as developed by Darwin was dis-
covered independently and almost simultane-
ously by Alfred Russel Wallace. The latter, in
the course of his newly issued biography,* com-
f^ains that his differences of opinion with
Darwin are so construed as to imply that he
has now abandoned the most essential parts
of the theory of natural selection. This, he
says, is far from being the case. He pro-
ceeds to enumerate these differences and to
explain their significance, as it appears to
him. First and foremost among his conflicts
of theory with Darwin he places that relating
to the origin of man as an intellectual and
moral being. On this topic Dr. Wallace
states:
"The belief and teaching of Darwin was that
man's whole nature — physical, mental, intellectual
and moral — was developed from the lower ani-
mals by means of the same laws of variation and
sarvival ; and, as a consequence of this belief, that
there was no difference in kind between man's
nature and animal nature, but only one of degree.
My view, on the other hand, was and is that
there is a difference in kind, intellectually and
morally, between man and other animals; and
that while his body was undoubtedly developed by
the continuous modification of some ancestral ani-
mal form, some different agency, analogous to
that which first produced organic life, and then
originated consciousness, came into play in order
to develop the higher intellectual and spiritual
nature of man. . . .
"These views caused much distress of mind to
Darwin, but they do not in the least affect the
general doctrine of natural selection. It might be
♦My Life. By Alfred Russet Wallace. Two volumes.
New York, Dodd, Mead & Company.
as well argued that because man has produced
the pouter pigeon, the bulldog and the dray horse,
none of which could have been produced by nat-
ural selection alone, therefore the agency of natu-
ral selection is weakened- or disproved. Neither,
I urge, is it weakened or disproved if my theory
of the origin of man is the true one."
The next most important conflict of views
between these eminent scientists related to
the subject of sexual selection through female
choice. Darwin's theory of sexual selection.
Dr. Wallace observes, consists of two quite
distinct parts — ^the combats of males, so com-
mon among polygamous animals and birds,
and the choice of more musical or more orna-
mental male birds by the females. The first,
he says, is an observed fact, and the develop-
ment of weapons such as horns, canine teeth,
spurs, etc., is a result of natural selection act-
ing through such combats. The second is an
inference from observed facts and **an infer-
ence supported by singularly little evidence."
The first he still holds as strongly as Darwin
himself. The latter he at first accepted; but
he soon came to doubt the possibility of such
an explanation, at first from considering the
fact that in butterflies sexual differences are
as strongly marked as in birds, and it was to
him impossible to accept female choice in
their case. As the whole question of color
came to be better understood he saw equally
valid reasons for the total rejection of the
theory even as to birds and mammalia.
The presence of arctic plants in the south-
em hemisphere and on isolated mountain tops
within the tropics developed the third differ-
ence of standpoint between these brethren in
l82
CURRENT LITERATURE
an identical field. Darwin accounted for the
phenomena by a cooling of the tropical low-
lands of the whole earth during the glacial
period to such an extent as to allow large num-
bers of north temperate and arctic plants to
spread across the continents to the southern
hemispheres, and as the cold passed away to
ascend to the summits of isolated tropical
mountains. Dr. Wallace says of this view :
"The difficulties in the way of Darwin's view
are twofold. First, that of lowering temperature
of inter-tropical lowlands to the required extent
would inevitably have destroyed much of the
overwhelming luxuriances and variety of plant,
insect and bird life that characterize those regions.
This has so impressed myself, Bates, and others
familiar with the tropics as to render the idea
wholly inconceivable; and the only reason why
Darwin did not feel this appears to be that he
really knew nothing personally of the tropics be-
yond a few days at Bahia and Rio, and could
have had no conception of its wonderfully rich
and highly specialized fauna and flora. In the
second place, even if a sufficient lowering of tem-
perature had occurred during the ice age, it would
not account for the facts, which involve, as Sir
Joseph Hooker remarks, *a continuous current of
vegetation from north to south,* going much fur-
ther back than the glacial period, because it has
led to the transmission not of existing species
only, but of distinct representative species, and
even distinct genera, showing that the process must
have been going on long before the cold period.
The reason why Darwin was unaffected by these
various difficulties may perhaps be found in the
circumstance that he had held his views for so
many years almost unchallenged."
Pangenesis and the transmission by hered-
ity of acquired characters were subjects re-
garding which debate between Darwin and
Wallace was keen. Says Wallace n6w:
"Darwin always believed .in the inheritance of
acquired characters, such as the effects of use and
disuse of organs and of climate, food, etc., on
the individual, as did almost every naturalist, and
his theory of pangenesis was invented to explain
this among other effects of heredity. I therefore
accepted pangenesis at first, because I have always
felt it a relief (as did Darwin) to have sotne
hypothesis, however provisional and improbable,
that would serve to explain the facts ; and I told
him that *I shall never be able to give it up till
a better one supplies its place.' I never imagined
that it could be directly disproved, but Mr. F.
Galton's experiments of transfusing a large quan-
tity of the blood of rabbits into other individuals
of quite different breeds, and afterwards finding
that the progeny was not in the slightest degree
altered, did seem to me to be very nearly a dis-
proof, although Darwin did not accept it as such.
But when, at a much later period, Dr. Weismann
showed that there is actually no valid evidence
for the transmission of such characters, and when
he further set forth a mass of evidence in support
of his theory of the continuity of the germ-plasm,
the 'better theory* was found, and I finally gave
as pangenesis was untenable."
TOWING A GIANT DRY DOCK 14,000 MILES
The huge steel dry dock Dewey, which left
our shores for the Philippines last Decem-
ber, may not reach its destination until May or
June. Yet all reports indicate that this un-
precedented undertaking, involving the convoy
of the greatest structure of its type afloat
along a stretch of waters 14,000 miles in ex-
tent, is proceeding successfully. In towing
this dock, as the New York Herald explains,
hawsers having a total length of 1,220 fath-
oms, or 140 yards more than a mile and a
quarter, now stretch between the ships and the
dock. This great length of hawser, together
with the lengths of the ships and the dock
itself, make a tow of about one mile and three-
quarters.
These giant machines hooked up present,
according to the reports in the New York
Herald, a dazzling spectacle on clear nights.
The four ships convoying the dock are fully
equipped with electricity in the way of search
and signal lights, and each ship and the dock
are equipped with wireless telegraphy. One
of the most important factors in the towing
of the dock are the automatic towing ma-
chines, which are an American invention.
These are depended upon in a large measure
to make the undertaking comparatively safe :
"The resistance of the tow is borne entirely
by the steam pressure in the cylinders of the
towing machine, which consists of a reel or
drum upon which the steel wire hawsers wind
and unwind automatically. This drum is driven
by a pinion gear in the crank shaft of the engine,
which meshes with the gear on the drum shaft.
The machine has a regulating reducing steam
valve, in which the opening is increased or di-
minished according as the strain on the towing
hawser increases or diminishes.
"In a seaway, as the vessel rises on a wave or
sea, thus increasing the strain on the hawser,
the drum begins to revolve and to pay out or
slack the hawser. This action of the hawser
opens the regulating valve and increases the
steaAi pressure in the cylinders until the pressure
is sufficient to equalize the strain on the hawser.
Then, as the strain on the hawser decreases, the
pressure in the cylinders will revolve the drum
and wind in the slack of the hawser.
"In this way the machine is prevented from
paying out the whole of the hawser and only
enough is paid out to relieve the extra and mo^
SCIENCE AND DISCOVERY
183
C4iwtCB) of MMine Ettfftf^eerUig ("New York). Photo by Giocnlngvr.
THE FLOATING DRY DOCK DEWEY WITH THE BATTLESHIP IOWA ON THE BLOCKS
" A novel feature of the dock is its ability to dock itself," says the New York Herald. " All steel vessels take
C31 a marine RTovrth on their bottoms, which necessitates hauling them out every year or so, as their life depends
ao receiving paint to protect the hulls. Docks now afloat are so gigantic that they cannot be docked to be cleaned
or repaired, with the exception of the Oewey.*'
mcntary strain on the line and thus prevent its
injury or breaking. The regulating valve, which
admits and cuts off the steam to and from the
c)Iindcrs, is entirely automatic and requires no
handling whatever. An independent admission
valve is provided, by which steam is admitted to
the cylinders and the hawser lengthened and
shortened at will."
This great steel dry dock, christened in honor
of Admiral Dewey, was built at the plant of
the Maryland Steel Company in a great exca-
vation near the water-front, just outside of
Baltimore. When it was completed a bulk-
bead that separated the Patapsco from the hole
in the ground was cut away and the water
ran in and floated the huge mass of steel. The
dock lifts a 20,000-ton battleship, although the
contract called for only a 16,000- ton capacity
in this direction. Indeed, this dock broke all
records when it lifted the battleship Iowa, of
16,000 tons, with heavy weights in her turrets
amidships, in one hour and thirty-seven min-
utes. A novel feature of the dock is its capac-
ity to dock itself. All steel vessels accumulate
marine growths on their bottoms. This neces-
sitates hauling them out every year or so, as
their life depends upon coatings of paint to
protect the hulls. Docks now afloat are so
gigantic that they cannot be docked for clean-
ing purposes, with the exception of the Dewey,
The Dewey can release two side walls and dis-
connect the three pontoons that are joined to-
gether in the flooring or hull. Then the two
smaller pontoons are filled with water and
sunk under the larger or center pontoon.
They are then pumped out and the two smaller
steel pontoons rise with the larger one on top
of them. When it is desired to dock the
smaller pontoons, the conditions are reversed.
The big center pontoon is sunk and the two
smaller ones placed on it, and the big one
pumped out to raise the little ones.
When heavy weather comes on at sea the
bottom sections of the Dewey are filled with
water until the body of the mass of steel is
submerged and only the side walls extend
above the surface. Even then she presents a
large surface to the wind.
No effort is made to tow the dock while it
is partly submerged through stress of weather.
The towing vessels simply hang on, drifting
with the giant structure as the wind drives it.
When the gale has spent its force, the course
is resumed.
1 84
CURRENT LITERATURE
THE BENEFICENCE OF DISEASE
In the important address recently deliv-
ered by him before the Edinburgh Philosoph-
ical Institution, that most celebrated of the
world's surgeons. Sir Frederick Treves, sought
to show that the purpose of d'sease is "benefi-
cent"— ^his own word — and that the processes
of disease are aimed not at the destruction of
life but at the saving of it The Grand Maga-
zine, which has been enterprising enough to
secure the distinguished expert's address and
to publish it entire, quotes him as saying that
if it were not for disease the human race would
soon be extinct Disease, adds Sir Frederick,
is not one of the ills that fiesh is heir to, but
one of the good gifts, for its motive is protect-
ive and benevolent An individual, for in-
stance, meets with a severe wound of the hand
from an unclean instrument and the wound is
dressed. What, then, is the fear of the pa-
tient's friends? There is one dread possibility
in their minds— inflammation. But:
"The facts, however, are as follow: Into the
wound — at the time of the accident — certain
germs or micro-organisms have been introduced.
These, finding themselves in a favorable soil,
proceed to flourish and multiply. They multiply
m no uncertain manner. Those who are curious
in the matter of birth-rates may be interested to
know that the progeny of one single cell may at
the end of twenty-four hours be sixteen millions.
The cells are not only prolific ; they produce, also,
a subtle poison called a toxin. Thp invasion,
therefore, of the body by a poison-producing host,
capable of multiplying by millions in a day, is a
matter of some concern, and if the name 'disease'
be limited to this accident, I am willing to call
it a calamity.
"Now, how is this germ invasion met? There
is a rush of blood to the wounded part, and the
vessels around the damaged area enlarge to their
utmost capacity, in order that as much blood as
possible may be brought to the invaded quarter.
The limb in consequence becomes red and swollen,
smd of necessity painful, so that it is said to be
'inflamed.' The pain causes the member to be
kept at rest, a state conducive to recovery.
Blood is hurried to the part for precisely the same
reason that an army is hurried to the frontier
when a country is attacked. At the seat of the
wound an invading force has landed ; their weap-
on is poison; they need neither transport, auxil-
iaries, nor stores, for they live on the body itself
and can add to their numbers without extraneous
aid. The blood, on the other hand, contains cer-
tain cells or corpuscles, poor, pale, flabby-look-
ing objects, called leucocytes, which are, however,
bom microbe killers, and have a passion for fight-
ing which no racial hatred among men could
even faintly imitate. These leucocytes do not
wait for the invading germs to enter the blood-
^s, but make their way out of those channels
'St the invaders in the open. They also
have a power of multiplication and, in the field,
are joined by comrades of the same kin.
"There now takes place a battle the like of
which no pen has ever attempted to describe.
Millions are opposed to millions, and the fight-
ing is to the death. The hosts of Armageddon
would be a mere handful to the uncountable
hordes which fill the battlefield about the con-
fines of a wound. The leucocytes destroy the
germs by eating them— and thus it is they arc
sometimes called 'phagocytes.' They, also, by
sacrificing their living bodies to the poisons of
the enemy, save the country they defend. The
mortality of this combat is beyond the limits of
reasonable computation. The arena is piled up
with the dead, until at last the living, the dead,
the poisoning and the poisoned are thrown out
in the form of what is known as 'matter' or pus,
and die trouble probably ends."
Of course, should the invading force beat
down the first line of defense and find a way:
into the channels of the body, then a stand as
vigorous is made at the second circle of en-
trenchments— ^the lymphatic glands. In the
case of a wound of the hand the glands under
the arm oppose the invading host They in*
flame, possibly they suppurate. The sub-
ject of this condition grumbles and deplores
the misfortune which, in addition to his wound
(already trouble enough), has given him an
inflamed hand and now a tender gland under
his arm. The blame is ill placed. It is the
story all over again of the faithful but mis-
understood hound.
This, then, is the inflammation that is re-
garded as a dire disease, a portent of calam-
ity. It is to the multitude a disorder whose
symptoms must be combated by every means
within the surgeon's power. In reality it is
a wholly benevolent process with one purpose
—to protect the body; and with one aim— to
cure. If it fail, it is only because the task
was impossible, never because the generous
intention faltered. For centuries there has
been presented the strange spectacle of men
of science struggling to the utmost to thwart,
to curb, to annihilate a process of cure.
Volume after volume has been written upon
the treatment of inflammation and schools
have been formed to uphold with much
wrangling this method or that. At last,
amidst the Babel of suggestion, advice and
aimless discourse, a surgeon. Lord Lister,
points out that if the invading force be pre-
vented from landing, the country, or body
politic, will remain at peace and the aid of
SCIENCE AND DISCOVERY
i8s
inflammation will be uncalled for. Such is
the whole teaching of antiseptidsm.
Again, in that phase of the inflammatory
process known by the dread name of perito-
nitis, the benign intentions of what are termed
manifestations of disease are very remark-
ably illustrated. The peritoneum is most sus-
ceptible to the inroad of bacteria, whether they
find an entrance through a wound or through
a breach in such an organ as the appendix.
The moment the invasion takes place the
symptoms of peritonitis appear. These symp-
toms are nothing more than nature's efforts to-
ward the saving of life from the undoubted
disaster. They serve to secure at once those
conditions which are most conducive to recov-
ery. They provide prompt means for closing
the breach and for staying the spread of the
trouble:
" Peritonitis has always been spoken of as the
operating surgeon's deadliest enemy; it is, in re-
ality, his best friend. The general mortality of
the common disease known as appendicitis is low.
This forttmate circumstance is due to peritonitis,
for, without that much-abused ally, every exam-
ple of the disorder would be fatal. Even now
it is usual to say that a death from appendix
trouble is due to peritonitis; it should rather be
Slid that it came about in spite of peritonitis.
Peritonitis is, indeed, never a calamity, for.it i.«
never other than a process of cure. It is only
the accident which calls it into being that is whol-
ly disastrous.
''Certain disorders are called infectious be-
cansc they have been proved to be due to an in-
fection from without In such maladies there is
the simple disposition of a seed, on the one hand,
and on the other of a soil in which it can grow
luxuriantly. The seed is a specific bacterium;
the soil the body of a living creature. When the
soil IS generous the individual is said to be sus-
ceptible; when it is inhospitable he is said to be
immune.
"The common cold is, no doubt, a so-called
bacterial disease. It can be 'caught'; it can be
conveyed from person to person. The germ
would seem to linger in the haunts of men and
to find pleasure in the ' madding crowd. ' When
I was concerned in starting hospital ships in the
North Sea, I found that fishermen, returning to
port after a two months' voyage, were very
prone to catch cold. Many told me that they de-
veloped a cold whenever they went ashore. The
chilly blasts of the North Sea in the winter were
unpleasant enough, but they were not laden
with the cold-in-the-head bacillus, while the air
of the cosy seaport was. It is often claimed that
the common cold is due to cold. In connexion
with this fallacy I may quote the following from
the report of Dr. Wilson, surgeon to the Dis-
covcry, in the recent Antarctic Expedition.
Speaking of 'colds,' he writes: 'We were en-
tirely free from this trouble from the time we en-
tered the ice to the time we reached New Zealand,
two and a half years later, except on two occa-
sions, which were somewhat remarkable. On
the occasion of our unpacking a large bale of
woollen clothing, long after we. had been in the
ice, a very virulent form of nasal catarrh ran
through the whole ship's company. Undoubt-
edly in this case the infection was in the clothing.
On the second occasion, the catarrh was ac-
counted for by the fact that our wardroom car-
pet was taken up for beating, and the infection
which had lain dormant for many months was
liberated and had the usual effect' The germ
enters through the air-passages, and, finding a
suitable medium for growth m the lining mem-
brane of the nose and throat, develops there.
The symptoms which result are too well known
to be dwelt upon: the sneezing, the catarrh, the
sore throat, the cough, the tnalatse,
"According to popular medicine, these phe-
nomena constitute a disease; are purposeless,
profitless, and wantonly distressful, so that the
victim demands from the physician a means for
stamping the trouble out. These symptoms, how-
ever, are in the main the manifestations of a
process of cure, and are so far benevolent that
without them a common cold might be a fatal
malady."
It rs noticed in connection with infectious
diseases that certain classes of animals are
susceptible to one malady and immune to an-
other. It is also observed that there is an im-
munity as well as a susceptibility which be-
longs to the individual as distinguished from
the class. For example, typhoid fever attacks
man but not animals, rinderpest attacks ani-
mals but not man. The horse is liable to
glanders but the pig is immune. The white
rat is immune to anthrax but can be made
susceptible by feeding on an exclusively vege-
table diet. Fowls are likewise immune, but
can be infected by anthrax if kept in a state
of continued cold. The immune pigeon can,
in a similar manner, be made susceptible by
starvation. The favoring of infection in
man by exposure to cold, fatigue and famine
is well known. Most notable of all is the fact
that in certain diseases one attack exempts
the individual from further onslaughts of the
same trouble. How, in such cases is immu-
nity secured? This somewhat wide question
may be illustrated by a particular instance :
"It is known that one attack of diphtheria ap-
pears to protect the individual against further
outbreaks. The history' of this affection is as
follows : The bacterium gains access to the
throat of a susceptible child and, settling on
the tonsils, finds a favorable soil for growth. In
that growth it develops a poison or toxin which
finds its way into the blood. The moment the
bacillus effects a lodgment the cells of the body
rise up against it, and, for a time at least, make
a successful defence. An active inflammation is
induced, one evidence of the energy of which is
shown by the fibrinous exudation which forms
over the invaded surface. This much dreaded
i86
CURRENT LITERATURE
KING EDWARD'S SURGEON
Sir Frederick Treves resrards disease as one of the
benienant processes through which nature labors for the
happiness of mankind.
membrane is the outcome not of a vicious and
purposeless action but of a process which has for
its sole intent the arrest oi the destroying host
At the same time there is developed in the blood
a substance of xndeftnite nature which is an an-
tidote to the poison filtering in from the dis-
turbed area. This substance is called an anti-
toxin. It is not existent at the time of the in-
fection. It is produced on the spur of the mo-
ment and with such good result that many pa-
tients recover from diphtheria. The child in
any case becomes very ill, and it is said that its
distressing symptoms are due to the disease and
are therefore ill-meaning. The symptoms--no-
tably of fever — are due to the excessive activity
of the body in its attempt to ward off the bacte-
rial invasion, to the inflammation, to the very
elaborate blood changes concerned in the pro-
duction of an antitoxin. That some degree of
the ill condition is due to the poison which is
entering the system is undoubted, but when the
phenomena of poisoning are paramount the child
i^ dying. Without what are called the symptoms
of diphtheria no case could recover.
"In diphtheria the workings of the disease
have been so far recognized as efforts towards
cure that they have been imitated in the modem
treatment of the malady. In this wise : the
horse can be inoculated with diphtheria, but, be-
ing little susceptible to the bacterium, is hardly
made ill by the incident. The toxin of diphthe-
ria is injected into the horse and, as a result,
the blood of the animal at once develops, for
protective purposes, an antitoxin. Repeated and
increasing doses of the poison are introduced,
each inoculation being followed by an aug-
mented formation of antitoxin in the blood. At
last the serum of the blood of this much in-
fected horse is so potent in antitoxins that when
drawn off and injected into the body of any
child suffering from diphtheria it is possible for
the disease to be stayed. The child, on its part,
is laboring with infinite effort to produce the
antitoxin. The horse's blood provides it with
the antidote it is inadequately manufacturing.
The success of the serum treatment of diphtheria
is now beyond all question."
But Sir Frederick has limited the applica-
tion of his theory, as he admits, to diseases
the nature of which is comparatively well un-
derstood. But he deems the obscurer diseases
no obstacle to his theory. New facts may con-
firm it. There are, unfortunately, large num-
bers of disorders whose secrets have not yet
been fathomed:
"If it be claimed that they afford exceptions
to the theory advanced, I am content to wait
until the exact nature of those affections is made
manifest. One cannot fail, however, to be met
with the assertion that at least the machinations
of cancer have nothing in them that is good. To
this I have, at present, no answer. What con-
stitutes malignant disease is known to no man,
and there is little profit in being dogmatic about
the unknown. In this connection an experience
in tne past may be recalled with advantage.
There is a disease of blood-vessels known as
'aneurism,' in which the wall of the artery dilates
so* as to form a sac, which tends to become thin-
ner and thinner until at last it bursts, and the
victim dies. Within the widening sac nature
forms a curious clot, layer by layer, with infinite
patience. This clot may ultimately fill the cavity,
close it, and cause the lesion to be cured. There
was a time when this carefully deposited clot
was considered to be a malignant growth, and,
under the influence of that conviction, .it was
cut out by the surgeon. It was claimed to be
the product of disease, a cancer, and as all the
manifestations of disease were convicted of ill-
intention, the clot must needs be got rid of. So
with much labor and more risk the nearly com-
pleted product of a cure was sliced away. It was
as if a drowning man had cut the rope he found
about his waist for no other reason than that
he could not understand how it came to be there.
In time the truth was made clear, and then the
accepted method consisted in aiding in every
possible way the formation of the much-abused
clot ; the surgeon but imitated the phenomena
of a so-called malignant disease. It would seem
that cancer reproduces, under inopportune cir-
cumstances, the type of exuberant growth normal
and opportune when the structures of the body
are being formed; a strange resuscitation in the
declining body of a process normal in the young.
What the purpose is of this out-of-placc activity
no one can tell. In the absence ot any knowl-
edge, it is in conformity with custom to con-
sider it malign in intention."
SCIENCE AND DISCOVERY
187
MAN'S IGNORANCE OF SOLAR PHENOMENA
It cannot be too strongly insisted upon that
man remains in a state of dense ignorance
regarding the sun and solar phenomena in gen-
eral, wc are told by that experienced astron-
omer. Dr. E. Ledger, for years connected with
one of the most adequately equipped observa-
tories in Britain. There is a popular impres-
sion, according to him, that we know a great
deal about the sun. As a matter of fact,
science can teach us very little, comparatively,
r^arding tho^e things of which we are most
anxious to have information respecting the
sun. ''Its distance is so great, in comparison
with the power of our instruments," writes Dr.
Ledger in The Nineteenth Century and After
(London), "as to reduce our knowledge of its
nature and constitution almost to a minimum."
The sun is so far away, he adds, that we are
stifl "intensely ignorant" with regard to it,
while the brilliance of its light is such as to be
the greatest hindrance to our study of it, ob-
scuring our view of what we long, but for the
most part try in vain, to decipher or explain.
To quote:
"So far as we can judge, almost all solar phe-
nomena are probably remarkably interdependent.
The diemistry of the sun, its magnetism, its spots,
its eruptions, its heat, its light, are all related to
ODe another. . . . Such a very limited knowl-
edge of the sun as we possess at present is due
mamly to the telescope and to the spectroscope,
bat much more to the latter than to the former
of these two instruments, while in connection with
both of them photography fias afforded very great
^idp. ...
'In its more elementary and daily observation
the sun is seen as a huge globe of about 866,000
miles in diameter, having for its apparent bound-
ary 'an intensely heated and brilliant surface
which astronomers terra the photosphere. This
limits what is ordinarily visible either with or
without a telescope. What is thus seen is, how-
ever, no solid surface. Under favorable condi-
tioQs, with a powerful telescope, or if a photo-
graph be taken, with a very brief exposure, so
that the intensity of the light does not blot out
details, it is perceived that the bright surface is
mottled all over. It is not at all uniformly bright.
It seems to be formed by a layer of individual
cIoiKl-like formations of vast size, so close to-
gether as to look like a continuous surface under
a low magnifying power. But whether we ob-
serve this photosphere telescopically or spectro-
scopically, with or without the aid of photography,
<iay by day, or at the special moments when the
advancing body of the moon leaves the minutest
sickk or crescent of light uncovered, at the begin-
ning or ending of the totality of an eclipse, the
result is the same. We can find out very little
indeed as to what these cloud formations are,
whether their matter is in the form of solid metal-
lic particles or is of a more liquid or viscous na-
ture; whether, as they float, they bear some
re&emblance, although on a vaster scale, to the
little clouds of our own atmosphere, in spite of
their intense heat and light ; or whether they may
be merely the summits, if such a term may be
used, of great uprising currents of matter from
beneath. All is doubt, vagueness, mystery and
hypothesis in regard to them."
Equally unsatisfactory is the state of our
ignorance respecting the region in which these
cloud formations may float, the heights or
depths to which they may rise or fall, their
size, or even whether cloud formation be at
all a correct appellation. These so-called cloud
formations may be but the summits of emana-
tions coming up radially from the sun's inte-
rior; but of that interior our ignorance is of
necessity greater still. We quote again :
"Wc may venture to say that there must be in
it intense and immense currents, deeply stirring it,
and incessantly conveying supplies of heated mat-
ter upwards, and of cooler matter downwards.
But how little does this really explain ! Who can
dogmatise as to the way* in which such currents
may work in the midst of the conflict, that must
be ever raging around them, between such intensi-
ties of heat and pressure as lie entirely beyond
the range of any of our laboratory experiments,
and may therefore, in their mutual action, most
probably be free from any law that we can deter-
mine? . . .
"Let us further notice that the only way in
which we ever have an opportunity of looking
down below the general surface of the Photo-
sphere at all, and then • probably only to a very
slight depth, is when we observe some of the
great dark spots which are periodically seen in
it, and are occasionally, as in two instances last
October, clearly visible to the naked eye. Yet
the very mention of such spots reminds us that
so little is known with regard to them that quite
recently a discussion has arisen among astronom-
ical authorities, whether they are as a rule ele-
vations or depressions; an attempt also being
made to reconcile both these ideas by supposing
that the spots are caused by matter elevated
from beneath till it rises above the Photosphere,
but that their darker or deeper parts fail to reach
the general level of the surface around them. At
the same time masses of fiery vapour arc ejected
through them, which may hover over them for a
while and presently fall in again, or even, through
the extreme velocity pf their projection, rush
forth into outer space never to return. Within
the spots the spectroscope certainly indicates the
presence of masses of seething vapors, which are
ever rising, falling, and rotating. With regard
to them it constantly records many details of a
most complicated character which are excessively
difficult to explain."
To the question of the existence of any plan-
i88
CURRENT LITERATURE
et or planets nearer to the sun than Mercury
much attention has recently been given. Such
planets would be illuminated by intense solar
light; and, if of a diameter only one-quarter
that of Mercury, ought to be easily seen by the
naked eye. It is possible that such a planet
might be hidden in some eclipses by the sun
or moon. Up to the present, however, no such
planet has been detected. In the eclipse ojE
the i8th of May, 1901, as many as 170 stars
were recorded around the Sun, and it was con-
cluded that no intra-Mercurial planet was then
visible. No portion of the sun is more tanta-
lizing in its mystery than the corona. Astron-
omers have often tried to see it and still more
often to find some means by which to photo-
graph its form and features day by day. Some
photographs' are so taken as to show the inner
parts, others the outer parts, of the corona
most distinctly. Its light is analyzed by the
spectroscope; the proportion of that light
which may merely be a reflection of that from
the main body of the sun is tested by the po-
lariscope ; drawings are made by means of eye
observations as accurately as possible. All that
can be accomplished is recorded during the
brief moments of totality by observers on the
small portion of our globe from which any
given eclipse is visible. And all this is done
in the vague hope that what is detected in the
corona may help toward the solution of the
many problems connected with the regions
lying beneath it, or with the sun's constitution
in general. Nevertheless very little has so far
been really achieved:
"It is found, no doubt, that some of the coronal
light (although the proportion may vary from
time to time) is the ordinary light of tiie sun
reflected from particles which may be of the na-
ture of excessively fine dust ; that another portion
is derived from self-luminous incandescent parti-
cles; and yet another from highly heated gas.
There are some indications that the light of its
outer extensions may resemble that of the comets'
tails and perhaps be due to electrical excitement.
Its light also seems in general to be almost wholly
devoid of heat and so far to resemble a mere
phosphorescent glow. But the principal gas ex-
isting in it, up to an average height of 150,000 to
200,000 miles above the Photosphere, whose light
gives the chief bright line in its spectrum, is one
that can be identified with no known substance.
Astronomers, therefore, as a confession of ig-
norance, have agreed to call this unknown gas
Coronium."
WHY THE MOON MAY NOT BE DEAD
Familiar as the notion has now become
that the moon is dead — absolutely destitute
of any form of life — recent advances in sel-
enography made by Professor Pickering, the
distinguished astronomer, demonstrate appar-
rently to the satisfaction of The Scientific
American (New York), that although our
satellite is "not a riotously luxuriant abode," it
is anything but the lifeless orb commonly sup-
posed.
The moon may be desolate and cold, but
it is not absolutely dead. "Although it once
formed part of the earth," says the journal
just quoted, in commenting on Professor Pick-
ering's studies of the subject, "the moon is
different from our globe in many respects.
Charred by fires long since dead, honeycombed
like a giant ball of slag, scarred by terrific
volcanic upheavals, its telescopic aspect is
anything but cheerful." The craters that
appear on the moon's surface are astonish-
ing in their number and size. "At the
lunar south pole these dead volcanoes are so
closely packed together that to Galileo (the
first nian who ever saw the moon through a
telescope) they seemed like the eyes of a pea-
cock's tail. So large, indeed, are many of these
craters that a man standing within one of them
would be unable to see the surrounding ram-
parts because they would lie below his horizon.
A diameter of ten, twenty, or even sixty miles
is not infrequently met with in a lunar crater."
What indication is there, then, that these-cra-
ters are not all dead ? It is found, we are told,
in Professor Pickering's observations of two
craters :
"On an old map one observer records Linne
as a crater of moderate size. A century later it
is described ls a small, round, brilliant spot.
When modern instruments of precision were in-
vented the crater was measured repeatedly, with
decidedly surprising results. Once its diameter
was four miles; then it grew to six miles; and
now it has shrunk to three-quarters of a mile. If
this volcano is extinct, how comes it that it
changes its size so strangely? Still another proof
of activity is found by Prof. Pickering in the
eccentricities of a gigantic crater called Plato,
and in dense clouds of white vapor which have
appeared before his eyes, rising from a tortuous
cleft known as Schroeter's Valley. So minute
have been Prof. Pickering's observations that
SCIENCE AND DISCOVERY
189
Ibdr accuracy can not be seriously called into
question.''
Granted that few of the moon's craters are
active, it follows that they must discharge
something into space. That something, judged
by our earthly volcanoes, must be water and
carbonic acid gas. Because the pressure on
the moon's surface is exceedingly low, and be-
cause the temperature during the long, cold
Itmar night is probably not far from 460 de-
grees Fahrenheit below zero, water cannot
possibly exist in the fluid state. Ice and snow
are the only forms water can assume. We
(piote again :
"Is there any evidence of snow and ice? Al-
most every crater is lined with white. The lofty
peaks of mountain ranges are hooded in white.
At the South Pole the white glare is almost
blinding. What is this white sheen ? Merely the
natural color of the moon's wrinkled face, accord-
ing to most astronomers — snow and ice, forming
where it should form, according to Professor
Pickering. The disappearance and reappearance
of these white spots are admirably explained by
this theory; for snow and ice would vaporize in
the long lunar day — equal to fifteen of our days,
and congeal again in white crystals as the sun set
"It has been said that an earthly volcano vomits
carbonic acid. Conceding that a lunar crater ejects
water in the form of a vapor and carbonic acid
ffas, is there any reason why life, in its lowest
forms at least, may not exist on the moon ? Prof.
Pickering believes that he has discovered traces
of vegetation. There are variable spots on the
moon, spots that darken after sunrise and gradu-
ally disappear toward sunset. They are not
shadows, for they are most pronounced when the
sun is high in the heavens. They appear quickly
at the equator, and encroach on the higher lati-
tudes after a few days have elapsed. They are
never seen in the polar r^ons. It is in these
variable spots that Prof. Pickering has discov-
ered what he considers to be vegetation. Whether
he is right or wrong, this much is certain: he
has explained with admirable simplicity a phe-
nomenon that has long puzzled astronomers. To
offset the objections that the temperature of the
moon is too low to support organic life, it may
be answered that certain lichens thrive in our own
Arctic regions, where the temperature rarely rises
above the melting point of ice. Moreover, many
bacteria resist the most intense cold that we can
produce."
THE PARASITE THAT RENDERS THE '* FLY COUNTRY
UNINHABITABLE
No horses, cattle or dogs can now venture,
even for a day, into the so-called "fly country"
of Africa. This result is due to the industry
of a minute blood parasite gaining entrance to
the blood of animals under conditions ex-
plained by Col. D. Bruce, F. R. S., president
of the physiology section of the British Asso-
ciation for the Advancement of Science. It
was once thought, according to Colonel
Brute's paper in London Nature, that the dev-
astation was all the work of the tsetse fly,
which presumably injected a poison into ani-
mals upon which it alighted. The latest in-
vestigations show that the real mischief-maker
is a parasite known as the trypanosoma, which
signi6es a screw-like body. This trypanosoma
is undoubtedly the cause of the death
of the horses and cattle struck by the
tsetse fly. The tsetse fly sucks the parasite
out of the blood of wild animals. Then the
parasite, having lived for some days in the
alimentary tract of its host, is transferred by
the tsetse when it has its next feed on an ani-
nial. Access is gained, in other words, to
the blood of a new host, and so the disease is
set up. It is not at all improbable, thinks
Colonel Bruce, that this fly disease may
spread over thousands of miles in South Africa
in addition to the vast regions it now renders
uninhabitable. To quote:
"Investigation brought to light the curious fact
that most of the wild animals— the buffalo, the
koodoo, the wildebeeste — carried the trypano-
somes in small numbers in their blood, and it
was from them that the fly obtained the parasite.
The wild animals act as a reservoir of the dis-
ease. The trypanosome seems to live in the blood
of the wild animals without doing them any
harm, just as the rat trypanosome lives in tiie
blood of healthy rats; but when introduced into
the blood of such domestic animals as the horse,
the dog, or ox it gives rise to a rapidly fatal dis-
ease. The discovery that the wild animals act as
a reservoir of the disease accounted for the cu-
rious fact that Tsetse-fly Disease disappears from
a tract of country as soon as the wild animals are
killed off or driven away."
In spite of innumerable experiments directed
toward the discovery of some method of vac-
cination or inoculation against this disease,
nothing definite up to the present time has
been discovered. "At present there docs not
seen to be any likelihood that a serum can be
prepared which will render animals immune to
the tsetse fly disease. It has also been found
impossible, up to the present, to modify its
virulence,
1 9©
CURRENT LITERATURE
BACTERICIDAL FUNCTIONS OF MURAL PAINTING
Bacteriology has already doomed wall-
paper and tapestry. Mural painting will per-
form important bactericidal services in that
great reconstruction of civilized society
toward which our race tends. Generation
after generation of our species, inhaling the
accumulated infection of dwellings adorned
with curtained lambrequins and costly dadoes,
has perished because mural painting was not
sufficiently encouraged. In the future the
great artist will decorate walls not only for
esthetic reasons, but in a bactericidal spirit,
for this form of art undoubtedly prolongs the
lives of those who are reared in its environ-
ment. Recent experiments all over Europe
prove that coloring extracts applied to walls
are microbicidal.
All the foregoing observations are deduced
from the study of wall coatings and their hy-
gienic effects as made by Dr. A. Cartaz and
described in Nature (Paris). He writes:
"The best results have been obtained with
enamelled porcelain colors. After an interval of
four days there remained no trace of the vibrio
of cholera or of the diphtheric bacillus. The
bacillus of Eberth (typhoid fever) and the golden
staphylococcus, the microbe of suppuration, dis-
appeared on the eighth day. Carbuncular bac-
teria are the most resistant. A delay of at least
thirty days is necessary before the cultures are ^
sterile. In the case of oil colors, with white
lead or oxide of zinc as a base, the effects arc
less rapid but just as constant. In the case of
other coatings such as amphiboline or hyperolinc,
a considerable time is required for the destruc-
tion of the germs."
The bactericidal action of mural painting
Dr. Cartaz regards as thus beyond dispute.
But what is the method of this action? It
seems a point, says Dr. Cartaz, regarding
which there are as many opinions as there are
experimenters. Many factors have to be
considered. There are, to begin with, the
chemical substances, more or less toxic and
acting in a more or less bactericidal way,
which enter into the composition of the colors.
Then there are conditions of light and ventila-
tion, the porosity of the coated surfaces. In
any event, says Dr. Cartaz, let there be no
more wall-paper and no more tapestry.
i
This is
to cre-
Copyrlgbt 1906, by Ert.e«t Uarold Baynca.
BUFFALO CALVES AS DRAFT ANIMALS
Ernest Harold Baynes, Secretary of the American Bison Society, sends the above photojcraph, saying: **
a team of buffalo calves which I have reared by hand and broken to the yoke and to harness, with a view
atinar additional interest in the national movement now on foot to siivc the miflfalo from extinction. These calves
are intelligent, and have much jfreater strcn^^th and speed than most domestic steers of the same ajfc I wish to
impress upon all those who do not yet know the fact, that the buffalo can be domesticated and used as a beast
of burden. The calvesjwere five months old when first broken to harness. They are now nine njonths of aji^e aqd
were a feature>>f the recent Sportsmen's Show iu |5oston.
Music and the Drama
BERNARD SHAWNS " DISCUSSION "— " MAJOR BARBARA "
Bernard Shaw has recently declared that he
considers it his prime function in life to "cre-
ate intellectual unrest." Judged from this
point of view, his new play, which he frankly
'.abels a "discussion," has already scored a pro-
nounced success. One of its earliest perform-
ances at the Court Theatre, in London, at-
tracted Mr. Balfour, the late Prime Minister
of England, and Sir Oliver Lodge, the eminent
scientist. They shared a box, and, according
to reliable authority, thoroughly enjoyed the
qjigrams and perversities of this extraordinary
plaj. "Major Barbara" is a tangle of para-
<joxes which London editors and correspond-
ents are tr>-ing to unravel. Critical comment
s voluble, and, in the main, unfavorable.
Even Mr. Walkley, of the London Times, to
whom Bernard Shaw dedicated "Man and Su-
ptnnan," makes the remark: "In Mr. Shaw's
earlier plays there was some pretense of
dramatic form, unity, coherence. In 'Major
Barbara' there is none." The same critic says
further;
**\Vhat a farrago! Mr. Shaw has certainly
justified his sub-title of 'discussion,* and he has
discussed everything under the sun; Salvation-
ism, Wliiggism, Parliament, the press, university
crlucation, the choice of a profession, the philos-
ophy of war, alcohol, charity, Donizetti's music,
Greek scholarship, English slang, courtship and
matrimony, the manufacture of explosives, quic-
qvid aguHt homines. It is all very 'Shavian,'
very bewildering, very suggestive in its flashes
of shrewd sense, very amusing in its long
^trctdles of March-hare madness (until they be-
ojne*too long), and absolutely undramatic
throoghouL"
**Major Barbara" (impersonated by Annie
Ru>scll in the London production) is the
daughter of Andrew Undershaft, millionaire
I and manufacturer of explosives, a gentleman
vbo is made up in the likeness of Andrew Car-
negie and who advises the world to scrap its old
prejudices, its old moralities, its old religions
and its old political constitutions, as it scraps
its old boots and its obsolete steam-engines,
Returning to his wife and family after years
of separation, he is surprised to find Barbara
an active member of the Salvation Army. She
is engaged to a Greek professor who "plays
tHe big drum for her in public because he has
fallen head over heels in love with her." Bar-
bara, in true propagandist zeal, resolves to
convert her father, and induces him to visit a
Salvation Army barracks. There is an inter-
esting exhibition — in cynical Shaw fashion—
of comic converts, and the following dialogue
takes place between Mr. Undershaft and a
member of the Salvation Army :
The -millionaire father, the maker of death-
dealing engines, being told that he does not know
what the Army does for the poor, replies, "Oh,
yes, I do. It draws their teeth: that is enough
for me — as a man of business."
"Nonsense," says the Army's defender. "It
makes them sober."
"I prefer sober workmen." says the millionaire,
in the manner of the Wolf answering Red Rid-
ing Hood. "The profits are larger."
The other pleads that the Army makes men
honest.
"Honest workmen are the most economical,"
replies the employer.
" — attached to their homes," says the other.
"So much the better: they will put up with
anything sooner than change their shop."
" — happy — " continues the apologist.
"An invaluable safeguard against revolution,"
says the plutocrat.
*| — unselfish — " says the Salvationist.
^ "Indifferent to their own interests, which suits
me exactly," says the millionaire.
"—with their thoughts on heavenly things—"
says the Salvationist.
"And not," says the employer, rubbing his
hands, "on trade unionism nor Socialism. Ex-
cellent."
"You really are an infernal old rascal," says
the Salvationist.
"And this," says the armorer, pointing to an
able, teetotal workman, who has worked ten to
twelve hours a day since he was 13, and has now
been discharged because he is too old at 46, "and
this is an honest man."
There is a suggestion of Rockefeller, as well
as Andrew Carnegie, in Bernard Shaw's heart-
less millionaire. Not to be outdone by a
wealthy distiller, who makes a handsome con-
tribution to the funds of the Army, Mr. Un-
dershaft offers a check for $5,000. But in
Major Barbara's estimation, the money is
"tainted," and, rather than accept it, she sadly
resigns her position.
Later, a characteristic dialogue takes place
between Mr. Undershaft and his son in regard
to the management of his business.
The son, being consulted, declares that he has
no capacity for business, and "nothing of the
192
CURRENT LITERATURE
WILLIAM GILLETTE
In his new play **Claiice," he "has scored another tri-
umph both as a writer of plays and as an actor."
artist about him, either in faculty or character,
thank Heaven/' and will, therefore, devote him-
self to politics. There is, happily, one thing he
knows: he knows the difference between right
and wrong.
"You don't say so," cries the father. "What!
No capacity for business, no knowledge of law,
no sympathy with art, no pretension to phi-
losophy : only a simple knowledge of the secret
that has puzzled all the philosophers, baffled all
the lawyers, muddled all the men of business, and
ruined most of the artists: the secret of right
and wrong! Why, man, you are a genius, a
master of masters, a god!"
The son sulkily retorts that he pretends "to
nothing more than any honorable English gentle-
man claims as his birthright."
"Oh!" assents the father, "that's everybody's
birthright. Look at poor little Jenny Hill, the
Salvation lassie. She would think you were laugh-
ing at her if you asked her to stand up in the
street and teach grammar, or geography, or
mathematics, or even drawing-room dancing.
But it never occurs to her to doubt that she can
teach morals and religion. You are all alike,
you respectable people. You can't tell me the
bursting strain of a ten-inch gun, which is a
very simple matter; but you think you can all
tell me the bursting strain of a man under temp-
tation. You daren't handle high explosives; but
you are all ready to handle honesty, and truth,
and justice, and the whole duty of man, and kill
one another at that game. What a country 1
What a world!"
The last act passes in Mr. Undcrshaft's
workshops, and is in large part' devoted to a
glorification of his "money and gunpowder;
freedom and power ;.command of life, and com-
mand of death." The millionaire contrasts the
well-being of his workers with the poverty,
misery, cold and hunger of the wastrels in
Barbara's Salvation shelter. He declares he
has saved them, as he has saved Barbara, from
the worst of crimes, which is poverty. He
goes on, in eloquent declamation :
"All the other crimes are virtues beside it.
all the other dishonors are chivalry itself by com-
parison. Poverty blights whole cities; spreads
horrible pestilences; strikes at the souls of all
those who come within sight, sound, or smell of
it. What you call crime is nothing: a murder
here and a theft there, a blow now and a curse
then, what do they matter? They are only the
accidents and illnesses of life: there are not fifty
genuine professional criminals in London. But
there are millions of poor people, abject people,
dirty people, ill-fed, ill-clothed people. They
poison us morally and physically: they kill the
happiness of society: they force us to do away
with our own liberties, and to organise unnatural
cruelties, for fear they should rise against us
and drag us down into their abyss. Only fools
fear crime; we all fear poverty. Pah! You talk
of your half-saved ruffian in West Ham: you ac-
cuse me of dragging his soul back to perdition.
Well, bring him to me here, and I will drag his
soul back again to salvation for you. Not by
words and dreams, but by 38s. a week, a sound
house in a handsome street, and a permanent job.
In three weeks he will have a fancy waistcoat; in
three months a tall hat and a chapel sitting; be-
fore the end of the year he will shake hands with
a duchess at Ji Primrose League meeting, and
join the Conservative Party. . . . It is cheap
work converting starving men with a Bible in one
hand and a slice of bread and butter in the other.
I will undertake to convert West Ham to Ma-
hometanism on the same terms. ... I had
rather be a thief than a pauper. I had rather
be a murderer than a slave. I don't want to be
either; but if you force the alternative on me,
then, by Heaven, I'll choose the braver and more
moral one. I hate poverty and slavery worse
than any other crimes whatsoever. And let
me tell you this. Poverty and slavery have stood
up for centuries to your sermons and leading
articles: they will not stand up to my machine
guns. Don't preach at them: don't reason with
them. Kill them."
Mr. A. M. Thompson, the dramatic critic of
the Socialist Clarion (London), to whom we
are indebted for the above quotations, con-
fesses that he is puzzled by this "audacious
propagandist drama." He endeavors to sum
up its meaning thus :
"Shaw drives his patrons furiously to think —
which is already more than playgoers bargain
for — and the lines are clear enough along which
their thought is driven: civilized socie^s pri-
mary business is to cast all its obsolete creeds
MUSIC AND THE DRAMA
193
an J moral codes to the scrap heap, and apply
itself with all its mi^ht — even at the cost of
bullets, blood, and social revolution — not to the
making of 'good* men, but to the making of
healthy, strong men, to the elimination of the
fit from the unfit, to the evolution of the Super-
man from the supervacaneous."
A more conservative critic, Mr. St. John
Hankin, of the London Academy, interprets
the play in this way :
'What we are meant to be interested in is
the mental development of Barbara and her
Professor as their high idealist views of morality,
philanthropy and religion came under the solvent
of Undershaft's cold-blooded but eminently prac-
tical philosophy. It's all very well to wield a
tamborine in West Ham and hand round tea
and bread in Salvation Army «^ielters, but isn't
it really more useful to pay high wages to an
army of employees, even though their employment
is that of making Lyddite and quick-firers? And
though humanitarian folk are greatly shocked
at the manufacture of high explosives for the
dismemberment of their fellows, it is none so
certain that the world would get on as well
without those aids to civilization. While, if your
mind revolts against the material force rep-
resented by shells and cannon, does not 'the man
behind the gun' represent moral force too? So
Andrew Undershatt— <)r more or less so. And
the interesting thing is that the audience listens
with every sign of absorbed interest. How many
people five years ago would have believed that
you could hold a London audience for more than
three hours in its seats in a west-end theatre
while the people on the stage discussed Ethics
ETHEL »ARRYMORE
Who takes the title r61e in the American presentation
of J. M. Barrie's latest play, " Alice-Sit-by-the-Fire."
and Sociology? It is when one thinks of that
that one realizes the full extent of the *Shaw
Revolution.' "
NOTABLE PLAYS OF THE MONTH IN AMERICA
Mr. James Huneker, the well-known dra-
matic and musical critic, finds J. M. Barrie's
"Peter Pan" as immoral in its way as Bernard
Shaw's "Mrs. Warren's Profession." "In it,"
he declares {Metropolitan Magazine), "Mr.
Barrie preaches the subversive doctrine that
fairies exist; that fairies always exited. This
relic of paganism when the very hedges hid
glow-worm goblins and the trees jested greenly
with the g^ass, Barrie would seek to incor-
porate in his Christian mythology. Does he
realize that in illuding middle-aged men with
his charming and damnable theories, he robs
them of their hard-won sense of present reali-
ties, sending their vacillating minds back to the
nursery, aye, to the very cradle? This senti-
mental trick is all the more dangerous because
it robs us of moral underpinnings." But even
Mr. Huneker cannot bring a charge of immo-
rality against "Alice-Si t-by-the-Fire" and "Pan-
taloon," Mr. Barrie's late^ plays. They har-
bor no fairies. They are charged with a spirit
of delicious naivette and breezy optimism.
They represent the most interesting individual
offering made of late from across the Atlan-
tic, just as William Gillette's "Clarice" is rec-
ognized as the most notable recent achievement
of an American playwright.
BARRIERS "pantaloon."
"Pantaloon" is a romance of the harlequinade,
of which the dramatis personce are Clown,
Harlequin, Columbine and Pantaloon — figures
more familiar to the lovers of English panto-
mime than to the American public. "A mas-
terpiece in miniature," Mr. John Corbin, of the
New York Sun, proclaims it, adding his con-
viction: "Few things in the English drama of
any time ring as sweet or true as this little
tragi-comedy." The story may be briefly out-
lined as follows:
Columbine is the daughter of Pantaloon, who
194
CURRENT LITERATURE
designs her for the Clown, his ideal and his
tyrant. But Columbine, after consenting to the
hateful union, takes flight with Harlequin, and
Pantaloon feels the vengeance of the malicious
Clown, who comes to taunt him in his poverty
and loneliness. Then Columbine and Harlequin
return, and are overwhelmed with reproaches
for the disaster which they have brought upon
the household by their foolish fondness, until
they produce their first bom, a clown in minia-
ture, who, with a touch of the familiar hot poker,
soon revives poor Pantaloon's sinking spirits,
and fetches the curtain down upon a scene of
rejoicing.
As interpreted by Mr. Corbin, old Pantaloon,
pining in his lonely room for the glitter o£ the
footlights, is "the protagonist of what the Ger-
mans call a 'universal human' drama, the trag-
edy of superannuation, which sooner or later
we all enact in our own persons." Mr. J. Ran-
ken Towse, of the New York Evening Post,
sets a rather different estimate on the play :
"The tale may be regarded, according to the
taste and fancy of the beholder, either as a mere
Christmas frolic or as an allegory of human
life, with a seasoning of satire that is not without
a dash of bitter in its flavor. The Clown, of
course, is the griping, vulgar Croesus, to whom
Columbine, representative of beauty, innocence,
and filial devotion, is ruthlessly sold by the
wretched old parent, Pantaloon, who mumbles
about his affection and the advantages of the
match. It is the primeval plot at the bottom of
all domestic melodrama. Incidentally Mr. Bar-
rie indulges in some light but pointed raillery
at the expense of buffoons who proclaim them-
selves as artists, and of the public intelligence
that can discern so much humor in their antics.
Doubtless the harlequinade of the last century was
a foolish thing, but dulce est desipere in loco,
and seniors used to laugh as heartily as the boys
and girls when Pantaloon was folded jip in a
barrel and rolled off the stage, or Clown v/as
made to dance for once at the point of his own
hot poker. Should it come back again, as is
said to be probable, the babies will not be soli-
tary in their rejoicing."
barrie's "alice-sit-by-the-fire"
When given in England last September, the
title role of "Alice-Sit-by-the-Fire" was taken
by Ellen Terry. In this country the part has
fallen to Ethel Barrymore, whose impersona-
tion is regarded as charming and intelligent,
but as hardly satisfying in some phases of the
character. "She was ingratiating in the vari-
ety and naturalness of her expressions," re-
marks the New York Times, "nearly (but not
.quite) making one forget that she is years too
young in appearance, movement and tempo
of action for this youthful but still forty-year- '
old Alice."
"Alice-Sit-by-the-Fire" is a satire with the
true Barriesque flavor. It makes fun of the
modern and social problem drama, with its
artificial and theatrical conventions. Inciden-
tally, it portrays an amusing conflict between
the older and younger generations. Says the
New York Sun:
"A Colonel in the Indian service has educated
his children in England and returns with his
wife to find them grown past recognition. The
eldest daughter. Amy, has become what we should
call a matinee girl, and, quite ignorant of the
real world, has a head filled with ideas of Life
derived from the problem play of French ex-
traction, the chief ingredients of which are the
eternal triangle and its single insistent note, a
bachelor's chambers with clandestine suppers and
a heroine concealed in a closet, compromising^
letters and a heroic deed of «elf-sacrifice. It so
happens that Amy's mother, who is only just
40 and has shone as the belle of the Punjab, is
on comradely terms of affection with a quite
innocuous cub, and in full sight of her theatrico-
romantic daughter . she kisses him good night
on the ear. In an instant Amy knows the worst,
and, clad in her first evening frock, sets out to
save her mother's character and her father's
peace of mind by acting in the manner of a real
theatric heroine. Then follows a series of situa-
tions in which all the familiar phases of the
drama of convention are exhibited in a shrewd
and delectable contrast with simple, unaffected
reality. The result is a series of lively comedy
scenes made out of the familiar appurtenances
of dramatic convention, in which everyone is in
turn mystified and rendered amiably ludicrous.
It is Amy, of course, who is most ludicrous of
all, and not least so when the stroke of self-
sacrifice which she has planned as a means of
her mother's rescue and reformation, as a 'happy
ending' in short, turns out to provide herself
with the consummation devoutly to be wished
of marriage to the aforesaid innocuous cub."
"Generalization upon anything so will-o'-
the^wisp like as a Barrie piece," comments
The Post, "is not easy, and a too close insist-
ence upon details might easily become tedious.
Suffice it to say, in this instance, that the enter-
tainment afforded is varied and excellent, but
of inconstant quality. But the light of intellect
is visible in it all." Mr. Winter, of the New
York Tribune, writes of the play rather se-
verely :
"As a whole it is formless, spineless, indirect,
incoherent, exceedingly pretentious, and, though
piquant in spots, a whirling mass of vacuous
prattle. Such effects of mirth as it causes are
produced by the well worn expedient of capsizing
common sense, in sitQation and in lan^:uage.
Colman began this in the English drama, in the
eighteenth century, and W. S. Gilbert carried
it to perfection, m our time, and set the pace
that many later writers, Mr. Barrie among them,
have followed. The play is often insipid, never
strong, has no character, no action, no dramatic
effect; but it pleases as a bit of chaff. ... It
will probably run, but it is exceedingly flimsy
stuff, and it has been dreadfully overrated in the
preliminary proclamation."
SARAH BERNHARDT IN TEARS: AN UNCONVENTIONAL PORTRAIT
. ''Whatever the reason," says The Theatre Magazine (New York) of her tour in America this season,
it is cer-
~>n technique the foremost expon^pt of modem academic culture in the drama ; in temperament an embodied gen-
josof sentiment and passion : a chameleon-like human creature of fire and air, an essence of woman-spirit in every
'^'tc mood, the eternal child, impervious to time, and the perennial priestess of an immortal art."
196
CURRENT LITERATURE
GILLETTE S * CLARICF "
In this play, Mr. Gillette "has scored another
triumph both as a writer of plays and as an
actor," says the Boston Herald. " 'Qarice' is
by far the best thing he has done since 'Secret
Service,' " adds the same paper.
As presented in London and Liverpool last
year with a diflFerent final scene, "Qarice"
was not successful, as Mr. Gillette reckons
success. Remodeled and improved, it has been
played before crowded houses in Boston, and
seems likely to prove one of the greatest suc-
cesses of the theatrical year in America. Says
The Herald:
"The leading part is taken by a doctor who
has gone into South Carolina to win back his
lost health. He takes with him the only child
of an old friend, an orphan girl, Clarice, whom
he cares for first as a daughter, then, with an
overpowering love, one for whom he will make
any sacrifice, no matter what the cost Clarice,
in turn, loves him — ^wor ships him, in fact — and
even when he tries to make her think he no
longer cares for her she still asks only to be
near him.
"Interwoven into the story there is another
doctor who also loves Clarice, and her aunt and
uncle, the former plotting to have Clarice married
to the rival of her guardian. The uncle is an
amusing character, one of the class who 'enjoy
poor health.' Then, too, there is an ever-preScnt
colored servant, who exercises complete and un-
disputed sway over the whole household. Four
of the five scenes are shown in Dr. Carrington's
living room, a most effective stage setting.
"The current theatrical season has been marked
by a .dearth of strong, or even amusing plays.
Cfontrasted with much of the rubbish served up
to the theatre-goer, 'Clarice' is a refreshing relief,
'a play that is really worth while,' as one of the
audience well expressed it"
The most dramatic moments of the play rest
on a situation that contains elements both of
originality and of improbability. Mr. Gillette
asks us to believe that a physician of con-
spicuous professional skill does not know
whether or not pulmonary consumption has
come upon him, or whether it has advanced so
far that the girl whom he is about to marry is
in danger of infection from him. 'The first
assumption," thinks the Boston Transcript,
"might be credible. The second is quite in-
credible." The same paper comments further :
"The skill of Mr. Gillette as playwright and
actor in 'Clarice' is not the skill of invention.
In that, indeed, from the <iays of 'Held by the
Enemy' and 'Secret Service,' he has never been
strong. His has rather been the skill of treat-
ment, and in his newest play it is so fine, supple
and plausible that the spectator forgets, as he
looks and listens, the basic improbability upon
which that treatment rests. No playwright of
our time knows better than Mr. Gillette how
by endless verisimilitude in detail to give the
semblance of life — ^nay, the truth of life itself — to
a series of incidents that depend upon a hypoth-
esis palpabljT at variance with that truth. Few
such playwrights, too, are shrewder judges than
he of the lengths to which he can carry this ver-
isimilitude and of the moment when he must
yield it to an audience's habitual notions of stage
conventions. By every sign 'Clarice' gripped the
spectators— not by the force of the material in
the play, but by the skill with which hc^ as play-
wright and actor — and his company with nim —
handled it"
TWO OPERATIC NOVELTIES IN ENGLAND AND FRANCE
Young as the operatic season is as yet in
Europe, it has already introduced two interest-
ing novelties — one ' in Paris, at the Opera
Comique, the other at the London Coronet
Theatre. The French novelty is called
"Miarka," and is a romantic composition, "a
lyrical comedy" in four acts, for which Alex-
andre Georges, a young composer, has written
the music and Jean Richepin, the eminent
author, has provided the libretto, based on a
novel from his own pen. The English novelty
is called "Gwenevere" and is variously de-
scribed as a "lyric play," Celtic music drama
and romantic opera.
Very different in style and origin and in-
spiration, there appears to be not a little
that is common to these two new contributions
to the world's operatic repertory.
"Miarka" is really a series of pictures,
depicting the life of the heroine, a princess
of a Romany tribe. The music is throughout
illustrative of, and appropriate to, the situations
and scenes. It appears that when the novel
first appeared the composer wrote a group of
melodies for the . "songs of Miarka" in the
book; these melodies became very popular
in salons, as well as among the people, and M.
Georges thereupon conceived the idea of mak-
ing an opera of the subject and incorporating
in it his Miarka songs.
MUSIC AND THE DRAMA
197
VINCENT THOMAS
K LoQdoti \>aiiliL cleric'' w^ho has written an opera based on
tlie Arthurian legend
Oi the plot and the music, Gabriel Faure,
l\ve musician, writes as follows in the Paris
Figoro;
"This lyrical comedy may thus be represented
in a resume : Miarka is born ; Miarka grows up ;
Miarka finds out; Miarka loves not; Miarka
defends herself; Miarka escapes.
"Miarka is born on a village square. Who is
her father? No one knows. Her grandmother,
la Vougue, a member of the errant Romany race,
attributes royal origin to her. She gives her the
sun for godfather and the river for godmother,
whence a ringing song to the sun and a more
tranquil hymn to the river.
"Miarka grows up, and is beautiful. Her
charm captivates Glende, the innocent, the bird-
catcher. Miarka learns the mysteries, legends,
traditions of her race, as well as the songs of
her tribe. Glende pursues and torments her with
his amorous attentions, but she does not favor
his suit. Her grandmother, by her magic, has
evoked for Miarka the image of the Romany
king she is to marry. The mayor of the village
gives her protection and shelter (hoping to ob-
tain the secret documents of her tribe), but she
is not grateful. - In running away, la Vougue sets
fire to the house which has given her and
Miarka hospitality and refuge.
"So Miarka goes away. On the way la
Vougue falls exhausted and d^ing. Miarka en-
counters mists, clouds and ram — ^and there are
songs about mists, clouds and rain ; but finally
she meets a whole gypsy tribe, which proves to
be her tribe, and the king of which, according
to predictions, loves and marries her.
"Thus ends in cheerfulness and joyous song —
in spite of the melancholy fate of la Vougue and
Glende — a tale distinctly uncertain from a dra-
matic point of view, but written in a style that
is luxuriously poetic and picturesque and which
contains more than one characteristic and charm-
ing episode."
In regard to the quality of the music of
''Miarka," M. Faure finds that, appropriate
as are the melodies to the songs, the work as
a whole is deficient in variety, in warmth of
tone, in richness of color. The composer is
direct and fluent, but he does not elaborate
his themes, and while eloquent and interesting,
he spares himself the trouble of conceiving
new rhythms, original turns. He is too spon^
taneous and writes as he feels, so that there
is little in the score that is unexpected or
calculated to excite surprise.
"Gwenevere," as the title indicates, is based
on the Arthurian legend. The action, how-
ever, does not tell the whole story, and some
previous familiarity with the latter is required
of the auditor-spectator. Yet the opera
is very long, as long as any of Wagner's
greater works. It is written on Wagnerian
principles, for it is described as "an attempt
to bring poetry and music together on the
stage with a sense throughout of their lyric
dependence upon one another and their ideal
equality in art."
The libretto is by Ernest Rhys and the
music by Vincent Thomas, a London bank
clerk. King Arthur and his knights are first
shown awaiting, at the Round Table, the return
of Merlin, who is bringing Gwenevere from
Caledon. She rides into the hall, bedraggled
and wet, and in spite of the opposition of
Mordred and Morgan le Fay, is chosen as
Arthur's Queen. Three years elapse. Gwen-
evere comes into the woods with her attend-
ants and meets Lancelot. She hangs her
crown on a tree, and strays off into the wood
with her lover. Mordred and two knights lie
in wait, and on their return attack Lancelot,
who is unarmed. He plucks a bough and
slays a knight. Merlin shields Gwenevere,
and in his house she awaits the return of her
attendant maidens. The third act shows
Arthur's return to Camelot, after he has re-
ceived his death-blow from the treacherous
Mordred. He is carried out to die, after for-
giving Lancelot, who returns in the nick of
time in the guise of a monk.
Of the music The Westminster Gazette says
that it is "mildly descriptive," with traces of
melody, but that the beginning of the second
iqS
CURRENT LITERATURE
HERMANN SUDERMANN
He shares with Hauptmann the honors of intellectual
leadership in present-day German drama.
act is both clever and fine. The Pall Mall
Gazette is more specific. It thinks that pass-
ages of great merit alternate with music that
is totally uninspired. To quote :
"Mr. Vincent Thomas has written some clever
music for this play. There are some choral
items which are extremely pretty, and some bal-
lads of a rather too modern type, which, though
possessing a certain little charm, cannot be de-
scribed as anything more than obvious. There
is one delightful reminiscence of Purcell (though,
of course, not taken from Purcell) in a song for
Gwenevere, *Out of the Birch Leaves.' Again,
one recognizes a sense of folk-song in some of
Mr. Thomas's music which is all the happier
because it is naturally associated with one of the
most ancient of our folk-legends. The scoring,
too, is clever; but, take the music as a whole,
where it is untouched by the influence of Wag-
ner— now and then one is reminded of that
musician's Tristan* — its texture is too light, its
tunes too undistinguished to our mind for any
lasting popularity. It is true that Mr. Thomas
has a vein of melody which never runs dry ;
sometimes, in fact, one is even a little astonished
by its continuity. He has, too, a sense of choral
writing, and will, we imagine, do much better
things when he has learnt how to distinguish pre-
cisely between that which is really good in his
inspiration and that which is possibly a trifle
cheap."
The London Times finds some individuality
in the melodic ideas of the composer and
praises particular airs and numbers as having
expressiveness, quaintness, charm. As^ a
whole, the score is declared to be lacking* in
contrast and power.
TWO NEW PLAYS BY SUDERMANN
Hermann Sudermann, who shares with
Hauptmann the honors of intellectual leader-
ship in present-day German drama, has re-
cently completed two new plays. The first,
"Stein unter Steinen" (Stone among Stones),
is being given in Germany at this time. Built
on an underlying motive not unlike that of
Ibsen's "When We Dead Awake," it aims to
show that the hearts of the majority of men
to-day in their relation to their fellows are
being turned to stone. The second play, "Das
Blumenboot" (The Flower Boat), published
in book form but not yet presented on the
stage, is deemed of special significance as in-
dicating a reaction from the ultra-artistic and
sometimes decadent note of several of Suder-
mann's plays.
"Stein unter Steinen" is a popular but not a
critical success. No contemporary German
playwright has had as much trouble with the
press critics as Sudermann. Some years ago
he was moved to make a general attack on
these professional judges of the drama, point-
ing out that, while he has generally pleased
the theatre-going public, he has failed to elicit
the approval of the critics. Whatever the
causes of this may be, his new play has not
proved an exception to the rule. Most of the
German critics have passed adverse verdicts
upon it, and some have been quite severe in
their comments. It has been pronounced stale,
shallow, conventional and melodramatic — an
attempt to imitate Hauptmann without the
latter's courage and boldness in attacking the
ideals and sentiments of "bourgeois" society.
The play deals with the subject (not un-
familiar in German dramatic literature) of the
attitude of society toward an ex-convict; of
the struggles and hardships encountered by a
social delinquent after his release from prison.
Instead of the bread of sympathy and help, he
is oflfered the stone of suspicion, hostility and
MUSIC AND THE DRAMA
199
persecution. The whole philosophy of the play
is summed up in some reflections by one of the
•*good" characters. The story is as follows :
Jacob Bigler, who has served a long term of
imprisonment at hard labor for the crime of
manslaughter, is, upon his release, taken by
an old master stone-cutter into his employ as
night-watchman. The employer knows Jacob's
past, but his workmen do not. Jacob never
was a criminal at heart ; he had killed a scoun-
drel under the influence of passion aroused by
outraged love for a girl dishonored by the
former.
Jacob has an enemy in his predecessor in the
place of night-watchman, an old man named
Eichholtz. An accidental remark reveals to
the workmen the secret of Jacob's life, and
Eichholtz makes full use of the weapon thus
placed in his hands.
The woricmen scornfully and mercilessly
turn their backs on the ex-convict, and he
finds himself once more a social outcast. His
dejection would be extreme, but at least one
human being. Lore, the daughter of the old
Eichholtz (a young woman who had been
seduced and betrayed by one of the stone-
cutters, Gettling, and who, with an illegitimate
child to care for, has known suffering and neg-
lect and shame), manifest sympathy and kind-
ness for him, and this introduces a ray of light
and comfort into his unhappy existence — ^this,
and also his art, for he is not merely a laborer,
but a true artist in stone-cutting, and he works
early and late at his art.
Gettling persecutes Jacob even more mali-
ciously than Lore's father. He is the knave of
the drama, his physical attractiveness — for he
is tall, handsome, strong — making him the
more dangerous. Marie, the daughter of the
employer, a cripple, is in love with him, and
he intends to abuse her confidence and affec-
tion. Lore discovers this from his boastful,
impudent hints, and, remembering her own
infatuation and awakening, she has a violent
scene with the betrayer.
Jacob comes in, overhears the conversation,
and in his righteous wrath strikes Gettling and
shows himself a brave, chivalrous and true
man. His two bitter enemies conspire to kill
him at the works, but the plan miscarries and
he triumphs over all.
He wins the love of Lore, who defends him
before her confused and humbled father and
who exclaims at the close, "Listen, it is hap-
piness which sings." The happiness is to take
the form of a union of the two who have un-
derstood each other and faced the pitiless
world. Lore deplore? th? selfishness and
LUDWm FULDA
A German dramatist who comes to this country m
February to read from his plays and lecture upon the
modern drama.
cruelty of men, whose hearts so easily turn
to stone. Nature, she says, requires long ages
to form her rocks, while men's hearts die
within them and become stone in a short time.
They work, they sleep, eat and even make
merry, but in truth they are dead — for their
souls have been turned to stone.
This, according to the critics, is conven-
tional melodrama, not honest, genuine, human
drama. Die Gegenwart (Berlin) says that it
is "American" in its conception, "for Suder-
mann's most pronounced characteristic is his
Americanism," but that he has utterly failed to
realize it. The ending is commonplace, and
there is no social moral in the play, according
to this critic. Where, he asks, is the stone?
Jacob is not one, and Lore and the employer
are certainly good and virtuous. Besides,
Jacob is not really an ordinary ex-convict; he
is a victim, not a criminal, and an artist and
hero in addition. What does the case prove?
Even more scathing are the comments of
the Allgemcine Zeitung (Munich), which says
that Sudermann, with all his independence and
heterodoxy, has not risen above middle-class,
Philistine morals and sentiment.
**Das Blunienboot" is described as a strong
reading play, like "Sodom's End" and
"Home," a sharp social satire, full of d^mg-
2oO
CURRENT LITERATURE
cratic protest, and its success is predicted upon
the stage. Much of its sarcasm will, it is
thought, there be found very telling.
The play is in four acts and an "interlude" ;
the last term has been criticized on the ground
that what it covers is an integral part of the
drama. This deals with a family of "ac-
knowledged respectability," Hoyer by name,
founded by a self-made business man, now in
his dotage, but possessing a large fortune. The
leading characters are his two grandchildren,
cousins, Fred and Thea. Fred is the dissipated
heir, squandering his substance in riotous
living and shamelessly (albeit amusingly)
flaunting his wildness in the face of his family
and society. The character of Thea sho>ys
with startling frankness the naked spiritual
deformities of the modern German "smart"
woman. She cares for nothing but pleasure,
despises all that possesses true dignity, and
plays with the most sacred things. In a very
remarkable scene with her married sister,
Raffaela, she reveals the most unblushing cor-
ruption, at the very moment when a member
of the aristocracy is at the door to ask her
hand. This suitor she rejects, and, having
been in joke engaged to Fred, becomes so in
earnest. Under stipulation that each shall re-
tain full liberty to do whatever may seem
pleasing, they marry and spend their wedding
night in a low artists' pot-house known to
Fred. What appears and happens here forms
the intei-lude. A burlesque actor named Little
Moppel, dropping into Thea's ear the warning
"not to make herself common," arouses con-
science and womanhood. After a struggle
with her own nature, having defied and mocked
her husband (who is now on the road to re-
form), and seen Raffaela's happiness wrecked
as a result of her own disgraceful talk to her,
she comes to herself. Wretchedness of heart
is seen to bloom on the flowery path of sin —
in the hands of the impure and the weak,
"freedom" brings indeed only enslavement —
and she flees to her husband's side, unheeding
the calls of "personality" and satisfied hence-
forward with the good "old" ways, content to
be just a woman.
Fred's and Thea's evolution teaches the
natural superiority of goodness, propriety and
useful activity to depravity, looseness and
dissipation. The play is built round these two
characters, and (read or acted) must stand or
fall with them. While their story recalls
"Sodom's End," the dinouement, it will be
seen, is brighter.
THE VISIT OF LUDWIG FULDA
Toward the end of February those of us
who have mastered the German language may
have the pleasure of hearing one of Germany's
most prominent dramatists, Ludwig Fulda,
reading his plays and lecturing on the modem
drama at Columbia University. For several
years Americans and Germans interested in
promoting cordial relations between this coun-
try and the Fatherland have directed their at-
tention to the American universities as a splen-
did medium. The Kaiser favored an "ex-
change of professors," and Professor Peabody,
of Harvard, took the initiative in delivering a
series of lectures at Berlin University. On
this side of the Atlantic, under the presidency
of Nicholas Murray Butler, of Columbia Uni-
versity, and with Carl Schurz, Andrew D.
White, and Seth Low as vice-presidents, a
"Germanistic Society" has been formed for
the purpose of furthering the study of German
and making us acquainted with the leaders of
German thought.
Dr. Fulda speaks under the auspices of this
society. He is a playwright who was classed
among the "moderns" some ten years ago. To-
day Germany listens to "misbegotten, strange
new gods of song," of which he is not one.
Yet though the extremists may not bow to* him,
his plays are never off the boards. Once,
under the spell of Sudermann, he went for a
time into realism, but he repented long ago,
and has given us the "Talisman" and "Jugend-
freunde." He is a satirist of Aristophanic po-
tentialities. His language is classic. Fedor
von Zobeltitz, his friend, gives in the New
Yorker Revue a charming account of the
poet's life. "What first struck me when I
met him," says that writer, "was his lack of
appetite. He looked the true German poet,
lean, pale-cheeked and with a curl hanging
down the middle of his forehead. Later, when
he became famous, he combed it back." It
seems that even at that time, at the age of
twenty-one, he had received a prize for a one-
act comedy. His father wanted him to go into
business, but soon the poet's incapacity for
MUSIC AND THE DRAMA
20I
financial tnuisactions became so evident that
he was pennitted to study philology. But, as
the Germans say, "the lion had licked blood,**
and soon we find young Fulda eager for more
theatrical laurels. And, as his friend admits,
he had both talent and luck. Then came the
realistic intermezzo. He published "Paradise
Lost" and "The Slave." Both show strong
dramatic talent and fine touches of feeling, but
lack this author's greatest gifts — satire and
humor.
And then came the "Talisman." The poet
had found himself. The play is written in
verse and combines charming freshness of feel-
ing with profound truth. It is built upon the
legend of the emperor for whom a crafty de-
ceiver pretends to weave a garment so finely
spun that coarse-fibered and ignorant people
are unable to see it at all. The emperor, un-
willing to confess his shortcomings, and with
him all his couit, heaps praises upon this imag-
inary apparel. Finally all is discovered, but
the monarch is consoled by the charming line,
"Du bist ein Koenig auch in Unterhosen,"
which we might freely render, "Thou art a
king even in pajamas." The moral and its
application to the German Emperor are obvi-
ous, and the Kaiser showed his mortification.
When in 1893 a competent committee awarded
the Schiller Prize to the poet, the Emperor re-
fused his sanction and Fulda had to be satis-
fied with the applause of the people without the
superfluity of official recognition. Not quite
as successful was "The Son of the Caliph,"
something on the line of the "Talisman." But
"Jugendf reunde," a light comedy, and his won-
derful translation of "Cyrano de Bergerac"
were decided hits. Among his other transla-
tions Zobeltitz mentions especially "The Mis-
anthrope" and "Tartuffe," also Beaumarchais's
"Figaro's Marriage." His latest play, "Mas-
querade," will be given in Conried's German
Theater, New York, in honor of the author's
presence.
Mr. Fulda was married to a young Viennese.
actress, but it seems that the union was not
very happy and ended in separation. The
poet has published several books of verses and
is famous for his repartee. He is also an ex-
cellent lecturer.
D'ANNUNZIO AND MODERN ITALIAN DRAMA
D'Annunzio's qualities as poet and play-
wright may savor of degeneracy, btit the fact
remains, and is duly emphasized in recent
magazine articles, that he has revolutiopized
the esthetic and dramatic literature of modem
Italy. "Taking D'Annunzio as a whole," says
Annetta Halliday-Antona in the New York
Critic, "it is undoubtedly true that no Italian
writer since Dante has done so much for his
language."
"Why do you get down in the dirt so?"
D'Annunzio was asked one day by an Italian
critic. **Would you call the primary instincts
the principal instincts in life, the best heritage
that has come down to us after all these cen-
turies?" And D'Annunzio, whose fundamental
faith is in aristocracy and lineage, answered
that because of their long descent these pri-
mary instincts were of the utmost importance.
His reply is cited by the writer in The Critic
as an indication of his attitude toward "the
mightiest problem that life possesses for him
as yet, the sex emotion, the attitude of man
towards woman, and of woman towards man."
D'Annunzio, says the same writer, is "a
type of the new Italian,^ the Italian with whom
Keats, Rossetti, Holman Hunt, Shelley and
Bume- Jones are enthusiasms, and who is as
familiar with German philosophy and English
estheticisms as with the classics." He is pas-
sionately fond of music, and closely allied to
his love of music is his love of color and of
smell. For every odor he has a name. He
speaks of fruit odors as ethereal, of gum odors
as fragrant, of musk odors as ambrosial.
Shells, beetles, birds, man, all speak to the
color-sense in him; even black has a pleasur-
able effect upon him. He says of the strength
of beauty: "What great elemental force, —
flood, frost, fire, — can compare with that love-
liest, strongest thing in the world, the sweet
gold of sunlight? The life essence of the
plant world is chlorophyl or emerald coloring,
the life essence of the animal organism is ruby
red; both are types of the beauty of color."
To quote further:
"D'Annunzio has often been called a pagan.
It is his birthright Paganism is essentially an
Italian attribute, and this paganism, stirring be-
neath all of the religious strata, stimulated the
whole Renaissance movement. In Italian litera-
ture this strain has always shown itself in a very
wide license of speech, hence D'Annunzio's chap-
203
CURRENT LITERATURE
4 1 / /'"'J^^^^^^L ^B
iflhSliS
D'ANNUNZIO AT THE CHASE
Showing a picturesque phase of Italian life on the Roman Campagna.
ter of horrors, the pilgrimage to Casalbordino,
which out-Zolas Zola s 'Lourdes.' All the docile
apprentice habit of mind which is his, is not al-
together an unmixed blessing, for as a result the
Italian author has levied tribute right and left.
Zola, Bourget, Loti,— every page pricks one into
remembrance. An ardent student of Petrarch,
of Cino da Pistoja, of Benuccio Salimbeni,
Saviozzo da Siena, all the centuries from the
twelfth onward, contribute to his works. He
would have made an admirable member of the
coterie of Lorenzo de Medici."
Miss Helen Zimmern, writing in The Corn-
hill Magazine (London) on the conditions that
have made possible the vogue of D'Annunzio's
dramas in Italy, points out that problem plays
find no favor with Italian audiences, whereas
historical plays, pronounced dull by an English-
speaking public, appear greatly to please them.
She continues :
"This taste originates, perhaps, in the classical
traditions of the Italians. . . . They will listen
for hours, and with the most rapt attention,
to what a northerner would call empty
tion, to what a northerner would call empty
flight of rhetoric; they will applaud to the echo
interminable speeches of richly coloured words
and rolling periods, regardless of the fact that
when reduced to plain speech they contain few
ideas, and are compounded chiefly of 'words, idle
words'; sufficient if they are musically woven
and tickle the sensitive and innately true ear of
the Italian. Hence in part the great and over-
whelming success achieved by Gabriele d'An-
nunzio."
So successful a dramatist as D'Annunzio
was«bound to have imitators, and Miss Zim-
mern thinks that "in pointing them to higher
dramatic ideals than those of mere amusement
he certainly has done good work." Unfor-
tunately his followers, for the most part, have
his faults without his genius. There is one
Italian dramatist, however, whose works, the
writer predicts, will far outlast D'Annunzio's
"magnificently worded but immoral fireworks."
His name is E. A. Butti, a man as yet hardly
known outside of Italy, Other young writers
who are making their way without evincing
D'Annunzio's decadent and morbid character-
istics are Roberto Bracco, of the school of
Hauptmann ; Giuseppe Giacosa, a light comedy
writer; Rovetta, a historical dramatist; and
Praga, whose amusing plays are very success-
ful. Miss Zimmern says finally: "One thing
is certain. No other nation has a modern
drama so full of high classical aspirations, so
remote, as a whole, in its essence, from the
trivial humdrum of life, so desirous to take its
auditors outside the daily routine of existence."
MUSIC AND THE DRAMA
203
"MASQUERADE"— LUDWIG FULDA'S LATEST DRAMA
This play, which is shortly to be produced In
Xew York by Conried's German company, is,
from a literary point of view, the best dramatic
production of the past year in Europe. It is a
scathing satire on the tociety of the upper
German officials and the mariage de conve-
nance which in the upper circles of the gov-
ernment has developed into an institution the
unwritten laws of which can rarely be broken
except at the cost of social and official ostra-
cism. The drama is brilliantly written in every
part, contains more action and plot than most
modern high-class plays, and holds the reader's
attention from beginning to end.
The central characters are Max Freiherr
von Wittinghof (brother of Karl, Minister of
State) and Gerda Hiibner, his natural daugh-
ter. The relations between von Wittinghof
and the mother of Gerda are founded on real
mutual love, and he is determined to marry
her in spite of the family opposition ; but such
enormous pressure is brought to bear upon him
that he finds himself powerless to resist. He
becomes the victim of physical and mental
prostration and is all but forced to contract a
so-called "proper" marriage. He then goes to
America as ambassador, and leads a cheerless
existence with his wife and sickly child. After
the death of both of these he returns to Berlin.
Hb daughter Gerda consistently refuses to
have anything to do with him, as she has re-
fused before all his offers of financial assist-
ance. Her mother had been left under the
impression created by the family that he aban-
doned her of his own free will, and Gerda
naturally cherishes a strong resentment against
the man who has ruined her mother's life and
left her to the humiliation attaching to an
illegal child
Finally he succeeds in gaining admission to
her, and Gerda is somewhat reconciled when
she hears the story from his own lips, and
when he tells her of his intention immediately
to make her his legal child. She then informs
him: **I am not what you consider me to be.
I am not worthy in your eyes. I have a lover."
The father is shocked. "This I truly have not
suspected !" he exclaims. "Now you know all,"
Gerda continues. "I have been honest with
you as you with me, and now we are even.
Forget me and let everything be as before."
And as she bursts into tears, the father
soothes her: "Poor child I poor child! Calm
yourself! I am with you; I shall not go. Did
you really think that I would now don the
mantle of virtue and abandon you?" Then
follows this dialogue:
Gerda: After you have heard what has hap-
pened to me?
Father: Nothing better and nothing worse
than what happened to your mother through
me. And for this also I am to blame. For I
am your father and have not protected you.
Gerda: No, no, no! I should have protected
myself.
Father: Well, that would surely have been
wiser. And it would be pleasanter to me for
your sake.
Gerda: Now you sec that
Father: I see that circumstances are some-
what different from what I have imagined. But
that I am not concerned in this matter any more
I cannot see. On the contrary. And at any rate
I should be the last to cast a stone at you; nor
have I the least desire to do so.
Gerda: This is — ^this is indeed a miracle!
Do miracles still happen?
Father: Yes, child, that is the way it is in
this foolish world. The most natural thing al-
ways seems to be the most wonderful. But we
will not philosophize any more about that which
carmot be changed ; we will consider together how
to proceed further in this matter. Come, sit
down beside me and you will tell me everything,
will you not? {Gerda nods assent,)
Father: You love him very much?
Gerda (softly) : Yes.
Father: And he you also?
Gerda: He has avowed it to me a hundred
times.
Father: Did he ever speak to you of mar-
riage ?
Gerda: There never was any talk about that
between us.
Father: What is his idea about that, do you
think?
Gerda: There are very great obstacles.
Father: You think this is all that keeps
him ?
Gerda: Yes, I do. I must think so.
Father: And what is the nature of these
obstacles ?
Gerda: He is a government official.
Father: So, so?
Gerda : And, above all, his parents.
Father: Who is he?
Gerda : He is the son of the Privy Councillor
Schellhorn.
Father: Schellhorn? Well, I do declare!
Gerda: Do you know him?
Father: The father, yes, very well. We were
classmates at the university. He is a mighty
career-hunter before the Lord. Too respectable
for my tastes. That's why T have gradually
dropped all connections with him. To his great
sorrow, my brother is his chief. He will be
overjoyed.
Gerda: How do you mean?
Fathers: Now the matter has assumed a prac-
tical aspect. Now I am in a position to clear the
way for two lovers.
304
CURRENT LITERATURE
Gerda: How so?
Father: When you become Frauldn von Wit-
tinghof, then the young man has no choice; then
he must marry you.
Gerda: No, it must not be carried to that
point, under any circumstances! You must ex-
ercise no restraint over him. Besides there is
no cause for such a thing. He loves me. He
must be given perfect freedom to decide what he
considers proper.
Von Wittinghof visits the Privy Councillor,
tells him that he has a daughter who has al-
ways lived in Berlin, and who is acquainted
witii his son, and invites them to his house for
the next day. The son knows nothing of the
significance of the invitation, but his father
interprets the unexpected visit aright: the
daughter of von Wittinghof must have fallen
in love with his son Edmund, the government
assessor, and he congratulates him on his good
fortune in being able to make such a brilliant
match. Then the son tells him of his love-af-
fair with Gerda, which he represents as more
serious than the ordinary affairs of that sort,
for the reason that she is a good, honest girl
who loves him truly. "You don't mean to say
that you have deceived a girl of good family?"
exclaims his father in fright, and when Ed-
mund tells him that she is an illegitimate child,
"Oh I" he says, "such a creature, such a piece
of womanhood 1" and he laughs away his son's
scruples, and bids him write to her, breaking
off sdl relations with her. Edmund offers some
opposition, but finally complies. Gerda comes
to live with her father, and Edmund's letter is
brought to her from her former quarters just
as Schellhorn and his wife are visiting them.
Von Wittinghof sends her into her room to
read the letter, telling her that he will have
disclosed everything to the Privy Councillor be-
fore calling her back. In the meantime Ed-
mund enters. Soon Gerda rushes into their
presence in a state of extreme excitement:
Gerda: No more! 'Tis no longer necessary!
The hide-and-seek game is over! All is over I
Von Wittinghof: Child, for God's sake! (Runs
up to her.)
Privy Councillor (perplexed) : What is the
matter with the baroness?
Edmund (with staring eyes) : Gerda !
Gerda (with a wild burst of laughter) : Ha !
ha! he has arranged it finely; he has arranged it
in an extremely fine fashion, the young man of
good family! Hfi must marry rich; papa wants
it so. And that is why he thrusts me aside like
a dog. These are his own statements.
Privy Councillor: The Baroness is sick! She
is raving.
Edmund (seising himself by the hair) : Where
am I?
Gerda: These are his vows! These are his
kisses !
Von Wittinghof: Child, you are beside your-
self; consider
Gerda (to von Wittinghof) : And do you know
for whom he flings me aside? Do you know who
is the brilliant party for whom he betrays zne
and sells me? It is your daughter, to whom they
have just paid their court, according to the ac-
cepted formula, in order to catch her for their
dear son! Do you understand?
Privy Councillor: Am I mad? Are we all of
us mad together?
Edmund: Gerda
Gerda (giving the letter to her father) : There
— read it, read it! And you will laugh as I di<L
Oh, it is grand ! He must give me the slip on the
same day when, rigged out in his best frock coat,
he comes here as matrimonial candidate 1 Do you
understand? He first had to clear the field.
Papa wanted it so !
Edmund: Gerda, if I tell you
Privy Councillor: You call her Gerda? What
does that mean? What does that mean? Will
you tell me at once, or am I to lose my senses?
Edmund: It is you who have cooked this dish
fof me, papa! It is you I have to thank for
this!
Privy Councillor: What does this mean? What
does this mean?
Von Wittinghof (after glancing over the let-
ter) : That is strong !
Gerda: Sorry for your shrewd scheme, Mr.
Government Assessor! Sorry that vou did not
find the Baroness whom you were looking for!
Awfully sorry that your beloved Gerda, in the
meantime, is not tearing her hair out in despair
in her room, without so much as a cock crowing
for her! That's how you have imagined it, is it
not so? This is what you wanted, eh?
Privy Councillor: Your Excellency! I beg of
you, your Excellency, who is this? What does
this mean?
Von Wittinghof: This scene was not meant to
be in the play. You were in too great a hurry.
Gerda : Yes, gentlemen ! Yes, my noble, worthy,
highly respectable gentlemen! I am only a poor
girl, a misled, deceived, lost girl! But shame
upon you ! You should be ashamed to stand here
in front of me, ashamed down to the marrow of
your bones ! Not for all the glory in the world
would I stand before you as you now stand be-
fore me!
Privy Councillor: Your Excellency! Your Ex-
cellency! Is not this the Baroness? Is not this
your daughter?
Von Wttinghof (drawing Gerda to his breast) :
Yes, it is my daughter, rrivy Councillor. It is
my dear, poor child.
Privy Councillor: But all-merciful God, how
am I to explain
Von Wittinghof: You see that my child needs
to be spared now. Your son will explain to you
all the rest
On the next day the following scene takes
place between Gerda and Edmund :
Edmund : Gerda !
Gerda: What do you want of me now?
Edmund: Can you pardon me?
Gerda : No.
Edmund : Gerda, do you know why I am here
now? Has not my mother spoken to you?
MUSIC AND THE DRAMA
flos
Gerda : It is for her sake I have accepted your
visit. You can see from this how great a regard
I hare for her. She could not have asked me for
anything that would have meant a greater sac-
rifice.
EdmMud : I am here to ask you
Gerda: What? (She sees the Howers which
he holds in his hands,) Ah, so I First the thorns
and then the roses 1 (Takes the flowers and
throws them on a chair.)
Edmund: I am here to ask you if you want
to become my wife. I — ^hm — I ask you herewith
for your hand.
Gerda (mockingly) : Much obliged !
Edmmnd: I ask for your hand with the con-
sent of your parents and in altogether official
fashion.
Gerda: You have a wonderful capacity for
adapting yourself to conditions, my friend; I
must admit that. You are an artist of the first
water. Three days ago you swore to me 'that
yon k>ved me, that I could always depend on your
tove. Yesterday you sent me your parting letter.
To-day you make an offer of marriage to me.
Speed works no magic.
Edmund: Gerda, you have not the least ink-
ling of what I have passed through since yester-
day.
Gerda: So? Have I overestimated vour elas-
ticity? Did you have to give yourself a thrust
each time? And is that to be the end of it?
Or what event is to come to-morrow and the
day after to-morrow ?
Edmund: I pray you, stop this mocking I I
have been punished severely enough. You have
not gone through what I have been through with
my father ; you can have no idea. I made it hard
for him before he won me over, I assure you. We
abnost had a fight I fought for you
Gerda: Like a lion.
Edmund: Until loss of consciousness. It
is an absolute puzzle to me how he managed to
get me after all. He took advantage of my mo-
mentary confusion; he forced that letter from
D2C, got' it from me by trickery.
Gerda: But vou wrote it with your own hand.
Edmund : And when I was through with it I
bowled like a dog.
Gerda: It is heart-rending.
Edmund: When it was sent away I had to
sommon all my resolution to keep from sending
a bullet through my head.
Gerda: And then you stunmoned all your
resolution again, swallowed your grief, and came
here to catdi the goldfish.
Edmund: But in what a condition, Gerda 1 It
was a kind of hypnotic state. Yes, upon my
honor 1 But when I came back to my senses,
when I awoke as if from a nightmare
Gerda: Aroused by met
Edmund: My suffering, how shall I describe
it to you? My regrets, my feeling of utter
annihilation, my self-reproach — ^it was simply
horrible! And yet I said to myself over and
over again : It is unthinkable, positively unthink-
able that one weak hour should destroy and
Jwccp away what we have shared with each
other! 'An hour against five blissful months I
Gerda, were we not like angels in the seventh
heaven? Was I not your Edmund? Were you
not my sweet little mousie? And all this shall be
as if it were not? Gerda, if you ever loved
me
Gerda: Yes, I loved you with a love that you
did not deserve and did not understand. I loved
you, because I saw in you something which you
do not possess, and which you can never a^aln
have in mjr eyes. I gave you all I had to f^ve;
you took it with the promise to guard it as
something sacred, but with the secret thought
that it could never be anything else than an
amusement for a while. You were dishonest
toward me from the first moment; that your
letter has proved. From this letter I came to
recognize you, and I shiver down to the marrow
of my bones at the thought of having thrown
myself away in that manner. Five months long
I have been your mistress; but it is only since
yesterday that you have dishonored me. (Bursts
into tears,)
Edmund: Deary, dear little mousie! Think
of me what you will; only don't think that I
have ceased to love you. Quite the contrary.
Only now I have come to know clearly what
you are to me— now that I was about to lose
you ! -Gerda, I love you more than ever. Come,
take out that ill-fated letter, and we will tear it
into a thousand pieces— and everything will be
again as it was before; no, a hundred thousand
times more beautiful. Yes, when you will be my
dear little bride, and then my adored little
wife
Gerda: (has dried her tears, again in a com-
posed voice) : In truth, my friend, this is a solu-
tion with which you ought to be satisfied. You
kill two birds with one stone. You can make
good your broken pledge and get a large fortune,
besides. The sweet mousie and the good party
in one person — ^my deary, what else do you want?
Edmund: I want only you. All else is Of no
importance to me.
Gerda: And if I had not happened to find a
rich, noble father, what then?
Edmund: What is the use of thinking about
it? Fortunately you did find him.
Gerda: If I had remained the lonely, poor
girl that I was, what then, I ask you? Would
you have kept on loving me then? Would you
nave come to me then to recall your letter?
Edmund: Yes, I would.
Gerda: Yes? Really? And you would have
asked me to become your wife?
Edmund: What I would have done in that
case, I cannot tell you exactly at this moment
But one thing you ought to believe uncondi-
tionally: I should never have been able to leave
youl I could not have lived without you. I
should have returned to you under any circum-
stances.
Gerda : Yes, after the marriage with your gold-
fish was over. There are married men who
don't object to a thing of that kind.
Edmund : No ! on my word of honor, I should
not have married that way. Ten horses could not
have dragged me to do a thing of that kind.
I should have belabored my father, day and
night, until he gave in, and if it came to the
worst, I should rather have let him go and the
whole rigmarole of position and career than
have let you go.
2o6
CURRENT LITERATURE
Gerda {apparently conquered) : If that is
the case, Edmund, then we will tear up the letter.
Edmund (approaches her) : Well, then?
Gerda (drawing back) : But how am I to
know that you speak the truth this time?
Edmund:^ What would I not do to be able
to prove to you
Cerda: You can prove it to me on the spot.
Edmund: In what way?
Gerda: Because I have resolved not to ac-
cept the generous offer of my father.
Edmund: What?
Gerda: I do not want to accept a position in
life to which I have not been trained. I do not
want to live on the beneficence of a man who
has so long denied me. I decline to become legit-
imized, and I remain the same Gerda Hiibner
whom you knew when you first fell in love with
me.
Edmund: Are you in real earnest?
Gerda : Absolutely.
Edmund: And your father, what does he say
to it?
Gerda: He cannot keep me against my will.
Edmund: Gerda, are you completely out of
your mind?
Gerda: I think not.
Edmund: You are not going to throw away
such a colossal, such a fabulous fortune, for a
caprice, a phantom?
Gerda: Do I not have you, my future hus-
band? You will be my fortune.
Edmund: Gerda, you will not do it! You
will not commit such a colossal, such a stupen-
dous, such a crying absurdity!
Gerda: Are you going to prevent me?
Edmund: Yes, I certainly will.
Gerda: By what right?
Edmund: Well, it seetns to me that as your
future husband, I shall also have a word to say
about it.
Gerda : Aha !
Edmund: As you intended, I have the right
to exert myself to the utmost to keep you from
such a frivolous step.
Gerda: Frivolous?
Edmund: Yes, frivolous! I can find no other
word for it. Now, when such good luck has
befallen both of us, now, when it becomes
a social possibility for us to unite, and all ob-
stacles are removed
Gerda (pointing to the door) : Go !
Edmund: What does that mean?
Gerda: Go! I despise you!
Edmund (in a rage) : Gerda — ^that word —
you will take back!
Gerda: Go, I tell you.
Edmund: I am an officer. I must not take
this even from a woman I
Gerda: Go, or I will repeat it in the presence
of my father.
Edmund: Calm yourself! Consider
Gerda: Don't you believe me? (Rings the
hell.)
Edmund: You are going to carry this mad
caprice so far
Gerda: (to the servant who ansivcrs the
bell) : Tell my father to please come in here.
(Servant goes.)
Edmund: Once more, take that word back be-
fore it is too late!
Gerda: It is too late.
Edmund (as if petrified): Gerda! — (Thewm
ivith resolve) : You will yet regret it. (Leaves
quickly. Von Wittinghof enters,)
Von IVittinghof: What was it? Is he gone?
Gerda: Forever. I have given him his walk-
ing papers.
Von mttinghof: So? After all?
Gerda: It is now only that he has completely
revealed himself to me. Excuse me; I cannot
marry a man whom I no longer respect.
Von IVittinghof: Do you understand the sig-
nificance of Siis?
Gerda: Oh, yes. I have upset the plan whicli
you have made for me with so much devotion.
In return for all yrour good will, I have put you
in a painrul situation. And therefore, I beg you,
let me bear all the consequences myself. What
I have said to him in order to put him to the
test I repeat to you as my honest wish: Re-
nounce your noble purpose ! I treat ft as if ac-
cepted and will always preserve a grateful, loving
remembrance of you. But permit me to remain
what I was and let me go my own way. Don't
charge yourself with my fate. You have better
things to do.
Von IVittinghof : Bravo, my child ! Bravo !
I also have i)ut you to the test, and you have
stood it brilliantly. You are not hypocritical ;
you do not speculate; you do not play a double
game. In you I already perceive the new day
which I wish had dawned upon the entire land.
You are my genuine daughter; by my poor soul,
I am proud of you!
Gerda : But
Von IVittinghof : And do you think that I can
now let ycu go from me?
Gerda: The world in which you live, your so-
ciety
Von IVittinghof : I care not a rush for socicty.
What has it offered me thus far, what can it
offer in the future to outbalance you? And
if the ground here should grow too hot under
my feet — God's house has many habitations.
Gerda: No matter where you may take me,
my life is ruined.
Von IVittinghof: Child, you are young, and
the possibihies of life are infinite. You need not
mourn for that man. And if you only wish to.
you can have someone who belongs to you. I
think I shall last yet for some time at least.
Gerda, do you wish to remain with me?
Gerda (falling on his breast) : Yes; for I love
you!
(The Privy Councillor enters.)
Gerda (drawing back from her father in
fright) : I will go.
Von IVittinghof: No, stay here! We owe
ourselves this satisfaction.
Privy Councillor: May I congratulate you? —
But where is Edmund?
Von IVittinghof : 1 am sorry, but my daughter
must decline.
Privy Councillor: What?
Von Wittinghof: She declines the honorable
offer of your son with thanks.
Privy Councillor : Why ?
Von hittinghof: Because he was not capable
of inspiring her with the confidence necessary for
a permanent union.
Privy Councillor : That donkey !
Persons in the Foreground
THE MAN OF THE RISING INFLECTION
The deadly power of an interrogation mark
was probably never more clearly shown than
in the questions which, during a series of
eventful weeks, Charles Evans Hughes has
been putting courteously but pitilessly to life
insurance officials. The object of the ques-
tions was to secure a basis for legislative re-
forms; but even before a single recommenda-
tion for such reforms had been made by the
committee of investigation or a legislative
step taken, and before any criminal proceedings
had been instituted, the questions themselves
and the facts they elicited from unwilling wit-
nesses had driven from their financial thrones
the presidents of the three mammoth insurance
societies, forced the resignations of numerous
lesser officials and exerted an influence which
has been almost unparalleled in the toning up
of financial institutions and the elevation of
financial standards throughout the country.
It is said that a man with a fiddle having but
one string can, if the string produces just the
right note, fiddle a bridge into collapse. Mr.
Hughes's rising inflection has had
something like that power upon
some features of the system of
"high finance." He had practised
the use of that rising inflection
before he took hold of the insur-
ance societies. For two years he
conducted night quizzes at the
Columbia Law School, which are
still remembered, so a writer in
Success Magazine (J. Herbert
Welch) tells us, for their "brisk
tirilliancy" and thoroughness. And
when, nearly a year ago, the New
Vork Legislature undertook an
investigation of the gas companies
in the metropolis, Mr. Hughes,
then almost unknown to the gen-
eral public, was chosen to ask
questions, which he did with the
same brilliancy and thoroughness.
His success in eliciting informa-
tion then led to his appointment
in the life insurance inquisition
later on, with results that all the
world knows about.
It was Mark Twain, we believe,
who began an autobiographical
THE HUGHES HOME
(West End Avenue.)
sketch by saying that he was born young. It
would not quite do to say that of Charles E.
Hughes. He seems to have been born rather
old. At the age of eight one of his Christmas
presents was a copy of the Bible printed in
Greek, and he recalls with a laugh that he
spent considerable time after breakfast poring
over the book. When he was ten he was not
only studying the classic languages but read-
ing theology as well. When he graduated from
the public school in New York city he was
but thirteen years of age, but he had already
been handling in his essays such subjects as
"The Limitation of the Human Mind" and
"The Evils of Light Literature." He insists
now that these signs of precocity were not due
to any priggishness, but to the fact that in his
childhood he was too delicate to engage in
rough romps with other children, and the
scholarly tastes of his father, the Rev. Dr. D.
C. Hughes — a well-known Baptist clergyman
and author — gave direction to the boy's mind.
In spite of these indications of premature age,
Mr. Hughes is now, at the age of
forty-three, a man with "a very
spontaneous and rather boyish
laugh" and so strong a sense of
humor that "now and then he
feels obliged to rein it in." And,
moreover, he makes this unblush-
ing confession to a New York
Herald reporter:
"We are all incorrigible hypo-
crites, especially are we hypocrites
about the things we like to read,
or that we think we like to read
or ought to like to read. Now
as a matter of fact, being only a
mere man, I must confess to a
number of literary weaknesses that
are not at all orthodox. I must
confess that I like a good blood-and-
thunder, swash-buckling romance
better than almost anything else you
can give rae printed in black and
white. I don't care very much who
wrote it, and I don't care very
much whether it is written by -a
stylist or not, just as long as it has
a rattling good story between its
covers, and the hero and the hero-
ine manage to keep each other in
the prescribed state of suspense.
And next to a good thriller of this
sort I must say I lean pretty strong-
2o8
CURRENT LITERATURE
AT THE AGE OF FOURTEEN
Mr Huffbes at this age had delivered his essay on
*' The Limitation of Human Knowledge,*' in the public
school and had entered Colgate University.
ly to the old fashioned detective story. There
is nothing like a good detective story for a weary
brain and a tired back, nothing like it in the
world."
When young Charles, at the age of four-
teen, entered Colgate University, he was slight,
delicate, and short of stature. Two years later,
at Brown University, he quickly acquired the
reputation of being "a chap who managed to
carry off the plums of scholarship without
study," but that was because his previous hard
work had placed him well ahead of his class.
When he graduated he received one of the
Carpenter prizes given to the two students
who show the best all-round promise. At the
age of nineteen he was devoting half his time
to the teaching of Greek and mathematics in
Delaware Academy, Delhi, N. Y., and the
other half to the reading of law. A little later
he attended Columbia Law School, where he
was pronounced by Prof. George Chase to be
one of the two ablest students the school had
ever had up to that time. The other of the two
was William M. Hornblower. In three years
after graduating from the law school he be-
came a junior partner in the firm of Chamber-
lain, Carter & Hornblower. At the age of
twenty-seven he was arguing cases before the
Court of Appeals. By the time he was thirty.
his printed briefs filled up eight bound volumes
in his law library. All this meant the hardest
kind of work. Many a night he went to his
office after dinner and did not leave his desk
until after daylight the next day. The restilt
was that at the age of twenty-nine he had to
take a long "rest." The way he got it was by
accepting a chair of law in Cornell Univer-
sity and staying there two years — ^two of the
happiest years of his life. In the meantime he
had already used the rising inflection to such
purpose that it had elicited from the daughter
of the head of the law firm, Miss Carter, the
right kind of an answer, and the home life
of the two, with their three children, at West
End Avenue New York, is described as one
of idyllic beauty. One of his children, Charles,
is now old enough to accompany his father
on his yearly trip into the Maine woods, one
of the latter's favorite forms of recreation
being the whipping of the trout streams and
lakes of that region. For thirteen years he has
AT THE AGE OF TWENTY
Having graduated with high honors at the age of nine-
teen, from Brown University, young Hughes was now
devoting half his time to the teaching of Greek and
mathematics and half to the study of law
LATEST PHOTOGRAPH OF CHARLES EVANS HUGHES
" What we need is a revival of the sense of honor. We want to hear less of the man who began poor and amassed
riches, and more about the man who lived unsullied, though he dies poor. '
3IO
CURRENT LITERATURE
not missed his yearly tour to Switzerland,
where he climbs mountains with the passionate
delight of Dr. Parkhurst himself.
Here is a pen-picture of Mr. Hughes as he
appears to a reporter who has watched him at
the life insurance investigations :
"In appearance Mr. Hughe* is not a robust
man. He is about five feet ten inches in height,
with a slight but well proportioned figure. His
brown hair, which was once luxuriant, is becom-
ing thin on top, and his forehead, which is high
and rather narrow, indicates intellectuality in
a high degree. His blue eyes are wide apart
and deep set. He has a trick of allowing the
lids to drop until they half cover the eyeball,
which gives him an expression ef anything but
alertness. At the same time he devitalizes his
features in the same manner adopted by a poker
player who wishes to hide his emotions. His
mouth is large and his lips are full and behind
them are large, regular, white teeth, shaded by
a heavy brown mustache and short, thick brown
beard, in which a few gray hairs have begun to
appear. The immobility of his countenance
changes to an expression of animation the instant
Mr. Hughes becomes interested in any subject.
His eyes open wide, a keen light comes into them,
and if the science of physiognomy tells anything
Charles £. Hughes is a strong man, who has
confidence in his own powers and possesses the
ability to put them to use."
A lady reporter who interviewed Mr.
Hughes at his home recently gives us an at-
tractive sketch of the man's personality. He
can, it seems, not only ask questions but an-
swer them. One question about his views of
George Bernard Shaw elicited a merry burst
of laughter and the following response re-
garding not only Shaw but Ibsen, Hardy and
James :
"We went to sec one Shaw play, my wife and
I. We went to see 'Candida,' and we sat through
the most boresome performance either of us ever
witnessed. My wife and I made up our minds,
after we had sat through 'Candida,* that we never
wanted to see another Shaw play, and that we
never wanted to read any Shaw books, and we
have not changed our minds since that episode.
The Shaw cult is only temporary. As a matter
of fact he is bound to die, and die mighty soon,
though to say so is rash and stamps one irre-
trievably as a Philistine.
"Married men and women discontented with
themselves and disgusted with each other, of an
intellectual temperament ; young fellows who have
gone the pace too fast and over-intellectualized
young women who have specialized in the analysis
of that which they in fact know nothing about in
actual experience, all that small minority of the
half-cultured among our theatregoing population
who have a grudge against themselves and each
other because they have not succeeded in getting
out of love and marriage as much as they think
they should have got— I suppose that these wrong-
headed people do find some surcease from sorrow
in watching Shaw hold up the mirror to them-
selves. But those people are the exception, not-
withstanding all our problem novelists' evidence
to the contrary. One would think to read that
aggregation there in the corner"— he turned
around in his chair and peered into the dimness
of a corner of the library that had not yet been
explored by the visitor's eye — ^"one would think
to read what those men, and particularly those
women, have to say about love and marriage and
the relation of the sexes in general, that it was
the most absorbing business of the world."
"And isn't it?" was asked.
"Not at all. Important it is, to be sure. And
necessary business it undoubtedly is, but it does
not occupy men's and women's minds in real
life to anything like the extent it does in novels.
There, for instance, on that top shelf arc some
of Mr. Thomas Hardy's books. Mr. Hardy is
an admirable artist, but does he not present the
tragedy of love in proportions entirely out of
keeping with the perspective of his characters*
lives as a whole? And right there, it seems to
me, is where Charles Dickens' chief greatness lies.
Dickens' people are never so thoroughly saturated
with the essence of tragedy but they can switch
oflF, at certain prescribed moments, to eat their
dinner, to curl their hair, to listen to a good
joke. Really life is not nearly so dismal as Ibsen
tries to make it, nor is it nearly so complex as
Henry James has almost persuaded us that it is.
' "I read Ibsen occasionally, and with larg:e
grains of salt. He is a consummate artist. No
lawyer could possibly fail to be fascinated with
his superb method of presenting his evidence,
so to speak. He unfolds his drama with mathe-
matical precision, there are no wasted words;
he makes one see things and see them quickly,
and in a few minutes after the curtain goes up
you are in possession of the heart secrets of
every man and woman on the stage, you know
all their past, all the deadly and guilty secrets
with which their souls are burdened, and yet
neither they nor Ibsen has told, nor even hinted
at any of these things. There is something^ un-
canny about Ibsen's power, and the trained judi-
cial mind cannot help standing uncovered before
it. And yet, after all, it is hardly worth while.
Does Ibsen make men any happier or better for
the reading of him?
"Henry James!" Mr. Hughes repeated the
name with a chuckle. "Well, I must confess that
I like to read Henry James. It's hard work,
mighty hard work, but it's good fun, too. Just
like chess, it keeps your mind active. One con-
stantly marvels while reading him not so much
that he is doing his particular literary trick well,
but that he can do it at all. And yet, for myself,
I always read with a lingering suspicion that
Mr. James is having fun at my expense."
Mr. Hughes has liberal views about "the
rights of woman." He likes the "new woman"
better than he thinks he would have liked the
"old woman," and he believes in higher edu-
cation for woman, and in leaving her free and
untrammeled to practise law, medicine or any-
thing else she wishes to do to earn a living and
make a career; but he is also glad to believe
that very few women really wish to do any of
these things.
PERSONS IN THE FOREGROUND
211
THE CONFESSIONS OF A GREAT SCIENTIST
Alfred Russell Wallace, one of the greatest
living biologists of the world, is very frank
about his own defects and deficiencies. He
lacks physical courage, for one thing. He is
disinclined to much exertion, either mental or
physical, for another thing. He has difficulty
in finding the words he wants to use in verbal
argument or conversation. He is shy, reti-
cent, delicate, and lacking in self-confidence.
All these things and a great many more he
tells us very simply and very frankly in his
autobiography, just published.* The secret of
his success in life, achieved despite these and
other defects, is, he thinks, his facility for cor-
rect reasoning. In reasoning upon the phe-
nomena of nature he has felt able to hold his
owTi with Lyell, Huxley, and Darwin, despite
his inferiority to them in knowledge and in the
powers of concentration. This power of cor-
rect reasoning and of
drawing independent
conclusions was, he
thinks, somewhat
marked even at the
early age of five, when
the shape of his head
showed but a moder-
ate development of
the faculties of form
and individuality,
while locality, ideal-
ity, color, and com-
parison were decided-
ly stronger.
Wallace's father
seems, from his son's
account, to have been
a thriftless gentleman
of the old school, im-
providently married,
and the educational advantages of the future
scientist were relatively limited. He was flogged
to some extent into a rudimentary knowledge
of Latin, but he never could learn Greek and
there was not even a pretense of instilling
into him that which in this century would be
recognized as true science in any shape or
form. Wallace leaves us with rather painful
impressions of his school experience :
"Next to Latin grammar the most painful sub-
ject I learned was geography, which ought to
have been the most interesting. It consisted al-
most entirely in learning by heart the names of
•My UPE. By Alfred RuasellJWallace.^In two vol-
ameft. Dodd, Mead A Company.
QapTTiftthf Dodd. MMd L Co.
IN 1848
This was the year dur-
ing which Alfred Russell
Wallace sailed on the voy-
age to the Amazon from
which results of such
great importance to science
were achieved.
the chief towns, rivers, and mountains of the
various countries from, I think, Pinnacle's 'School
Geography/ which gave the minimum of useful
or interestmg information. It was something like
learning the multiplication table both in the pain-
fulness of the process and the permanence of the
results. The incessant grinding in both, week
after week and year after year, resulted in my
knowing both the product of any two numbers
up to twelve, and the chief towns of any English
county so thoroughly that the result was auto-
matic, and the name of Staffordshire brought
into my memory Stafford, Litchfield, Leek, as
surely and rapidly as eight times seven brought
fifty-six. The labor and mental effort to one who
like myself had little verbal memory was very
painful, and though the result has been a some-
what useful acquisition during life, I can not think
but that the same amount of mental exertion
wisely directed might have produced far greater
and more generally useful results. When I had
to learn the chief towns of the provinces of
Poland, Russia, Asia Minor, and other parts
of Western Asia, with their almost unpronounce-
able names, I dreaded
the approaching hour,
as I was sure to be
kept in for inability to
repeat them, and it was
sometimes only by sev-
eral repetitions that I
could attain even an
approximate knowledge
of them. No interest-
ing facts were ever
given in connection
with these names, no
accounts of the country
by travelers were ever
read, no good maps
ever given us. nothing
but the horrid stream
of unintelligible place-
names, to be learned in
their due order as be-
longing to a certain
country.
"History was very lit-
tle better, being largely
a matter of learning by heart names and dates, and
reading the very baldest account of the doings
of kings and queens, of wars, rebellions and con-
quests. Whatever little knowledge of history I
have ever acquired has been derived more from
Shakespeare's plays and from good historical
novels than from anything I learned at school."
Necessity drove Wallace into the profession
of surveying, at which he did fairly well, but
he disliked the devious business methods he
found in vogue. He was then a well-grown
youth, practically a young man, roving about
England and Wales in the practice of his pro-
fession. He would have enjoyed the society
of the people he met but for his excessive
shyness. Then, too, his clothes, besides being
Cnpyrlgbt by Dodd, Mead k. Co.
IN 1869
At this time Wallace
was achieving new fame
by his work in bionomics,
or the relation of animal
life to the world around it
312
CURRENT LITERATURE
shabby, were rather too small for him — elo-
quent evidence of the poverty that pinched
him all through life until a government pen-
sion late in his career removed all occasion for
financial anxiety.
The event which formed a turning-point in
the life of Wallace was the formation of an
acquaintance through which he derived a taste
for the wonders of insect life, opening up to
him a new aspect of nature. That led him to
a journey along the Amazon, which proved
the foundation of his scientific career. In that
career, as we have already seen, the chief fac-
tor of success was his quickness in detecting
false reasoning, a faculty to which Huxley
paid tribute. But the two qualities which de-
termined the use to which he has put his
powers of reasoning are those which arc usu-
ally termed emotional or moral — namely, in-
tense appreciation of the beauty, harmony and
variety in nature and in all natural phenom-
ena, and an equally strong passion for justice
as between man and man. To this latter pas-
sion is to be attributed the fact that' in addi-
tion to being one of the half-dozen most emi-
nent scientists of Europe, he is to-day a
Socialist, an anti-vaccinator, and, to a con-
siderable degree, a philosophical anarchist.
He is also a warm admirer of Byron, because,
as he thinks, "Byron fought only for freedom
and felt scorn and contempt for the majority
of English landlords, who subordinated all
ideas of justice or humanity to the keeping up
of their rents."
Continuing his own portrait, Wallace tells
us that he lacks an ear for music, though he is
deeply affected by grand, pathetic, or religious
music. He says further:
"Another and more serious defect is in verbal
memory, which, combined with the inability to
reproduce vocal sounds, has rendered the acquire-
ment of all foreign languapres very diflicult and
distasteful. This, with my very imperfect school
training, added to my shyness and want of con-
fidence, must have caused me to appear a very
dull, ignorant, and uneducated person to numbers
of chance acquaintances. This deficiency has
also put me at a great disadvantage as a public
speaker. I can rarely find the right word or
expression to enforce or illustrate my argument,
and constantly feel the same difficulty in private
conversation. In writing it is not so injurious,
for when I have time for deliberate thought I
can generally express myself with tolerable clear-
ness and accuracy. I think, too, that the absence
of the flow of words which so many writers pos-
sess has caused me to avoid that extreme diffuse-
ness and verbosity which is so great a fault in
many scientific and philosophical works.
"Another important defect is in the power of
rapidly seeing analogies or hidden resemblances
and incongruities, a deficiency which, in com-
bination with that of language, has produced the
total absence of wit or humor, paradox or
brilliancy, in my writings, although no one can
enjoy and admire these qualities more than I do.
The rhythm and pathos, as well as the inimita-
ble puns of Hood, were the delight of my youth,
as are the more recondite and fantastic humour
of Mark Twain and Lewis Carroll in my old
age. The faculty which gives to its possessor
wit or humour is also essential to the high mathe-
matician, who is almost always witty or poetical
as well ; and t was therefore debarred from any
hope of success in this direction; while my very
limited power of drawing or perception of the
intricacies of form were equally antagonistic to
much progress as an artist or a geometrician.
"Other deficiencies of great influence in my
life have been my want of assertiveness and of
physical courage, which, combined with delicacy
of the nervous system and of bodily constitution,
and a general disinclination to much exertion,
physical or mental, have caused that shjmess,
reticence, and love of solitude which, though
often misunderstood and leading to unpleasant
results, have, perhaps, on the whole^ been bene-
ficial to me. They have helped to give me those
long periods, botn at home and n broad, when,
alone and surrounded only by wild nature and
uncultured man, I could ponder at leisure on the
various matters that interested me."
Wallace is one of the three great English
scientists — Sir Oliver Lodge and Sir William
Crookes being the other two — ^to whom spirit-
ualists point as giving scientific indorsement
to the claims made regarding the reality of
psychic or spiritistic phenomena. In his
autobiography. Dr. Wallace devotes consider-
able space to his experiences with "ghosts."
He was one of the scientists who attended that
series of seances presided over by Miss Kate
Cook, sister of a medium through whom Sir
William Crookes obtained such striking re-
sults.
More interesting, however, than Miss
Cook's stances were those with Mr. .Haxby,
a young man employed in the post-office and
pronounced by Dr. Wallace a remarkable me-
dium for materializations :
"He was a small man, and sat in a small draw-
ing room on the first floor, separated by cur-
tains from a larger one, where the visitors sat
in a subdued light. After a few minutes, from
between the curtains would come a tall and
stately East Indian figure in white robes, a rich
waist band, sandals, and large turban, snowy
white, and disposed with perfect elegance. Some-
times this fi^re would walk round the room,
outside the circle, would lift up a large and very
heavy musical box, which he would wind up and
swing round his head with one hand. He would
often come to each of us in succession, bow, and
allow us to feel his hands and examine his robes.
We asked him to stand against the door post and
marked his height, and on one occasion Mr.
PERSONS IN THE FOREGROUND
213
Hensleigh Wedgwood brought with
him a shoemaker's measuring rule,
and at our request Abdullah, as he
gave his name, took off his sandals,
placed his foot on a chair and al-
lowed it to be accurately measured
with the sliding rule. After the
seance, Mr. Haxby removed his
boot and had his foot measured by
the same rule, when that of the fig-
ure was found to be one full inch
and a quarter the longer, whije in
height it was about half a foot tall-
er. A minute or two after Abdul-
lah had retired into the small room,
Haxby was found in a trance in his
chair, while no trace of the white-
robed stranger was to be seen. The
door and window of the back room
were securely fastened and often
secured with gummed pa*^**- . which
was found intact."
On another occasion Dr. Wal-
lace was present in a private
house when a very similar figure
appeared with a medium known
as Eglinton before a large party
of spiritualists and inquirers :
*'In this case the conditions were
even more stringent and the result
absolutely conclusive. A comer of
the room had a curtain hung across
it enclosing a space just large
enough to hold a chair for the me-
dium. I and others examined this
comer and found the walls solid
and the carpet nailed down. The
medium on arrival came at once
into the room, and after a short
:>eriod of introductions seated him-
self in the comer. There was a
lighted gas-chandelier in the room,
which was turned down so»as just
to permit us to see each other. The
%ure. beautifully robed, passed
round the room, allowed himself to
be toudhed, his robes, hands and
feet examined closely by all present
—I think sixteen or eighteen persons. Every one
was delighted, but to make the seance a test one,
""^veral of the medium's friends begged him to al-
low himself to be searched so that the result might
be published. After some difficulty he was per-
stiaded, and four persons were appointed to make
the examination. Immediately two of these led
him into a bedroom, while I and a friend who had
come with me closely examined the chair, floor,
and walls, and were able to declare that nothing
so large as a glove had been left. We then joined
the oSier two in the bedroom, and as Eglinton
took off his clothes each article was passed through
our hands, down to underclothing and socks, so
that we could positively declare that not a single
article besides his own clothes was found upon
him."
Yet one more case of what he calls "materi-
alization** is given by Dr. Wallace. It was
even more remarkable in some respects than
those already recorded. It seems that a Mr.
Monk, a clergyman of some evangelical de-
nomination, was a remarkable medium, and in
order to be able to examine the phenomena
carefully and to preserve the medium from the
injury often caused by repeated miscellaneous
seances, four gentlemen secured his exclusive
services for a year. In view of his eminence
as a biologist and on account of the weight
his evidence would carry with a skeptical pub-
lic, Dr. Wallace was invited to attend a seance
and note the phenomena. He tells us this of
what he saw:
"It was a bright summer afternoon, and every-
thing happened in the full light of day. After a
ai4
CURRENT LITERATURE
little conversation, Monk, who was dressed in
the usual clerical blade, appeared to go into a
trance; then stood up a few feet in front of us,
and after a little while pointed to his side, say-
ing, 'Look/ We saw there a faint white patch
on his coat on the left side. This grew brighter,
then seemed to flicker, and extended both up-
wards and downwards, till very gradually it
formed a cloudy pillar extending from his shoul-
der to his feet and close to his body. Then he
shifted himself a little sideways, the cloudy figure
standing still, but appearing joined to him by a
cloudy band at the height at which it had first
begun to form. Then, after a few minutes more,
Monk again said 'Look,' and passed his hand
through the connecting band, severing it. He
and the figure then moved away from each other
till they were about five or six feet apart. The
figure had now assumed the appearance of a
thickly draped female form, with arms and hands
just visible. Monk looked towards it and again
said to us 'Look,' and then clapped his hands.
On which the figure put out her hands, clapped
them as he had done, and we all distinctly heard
her clap following his, but fainter. The figure
then moved slowly back to him, grew fainter
and shorter, and was apparently absorbed into
his body as it had grown out of it."
Such a narration as this, Dr. Wallace ad-
mits, must seem to those who know nothing of
the phenomena that gradually led up to it
mere midsummer madness. "But to those who
have for years obtained positive knowledge
of a great variety of facts equally strange, this
is only the culminating point of a long series
of phenomena, all antecedently incredible to
the people who talk so confidently of the laws
of nature."
"THE MOST POPULAR MAN IN IRELAND"
W^hen a city like Dublin suspends business
and 50,000 of its inhabitants, headed by their
Lord Mayor, march in procession to accom-
pany a man to his train — a man who holds no
public position and is not a politician — it is
time we knew something about the man and
what he is doing. The man in this case was
Dr. Douglas Hyde, president of the Gaelic
League. When he went to the train in Dublin
with nearly all Dublin for an escort it was the
beginning of his recent journey to America.
We have in times past seen many Irish agi-
tators coming to America with words of elo-
quent vituperation on their lips and passion-
ate hatred in their hearts, to raise funds for
revolutionary purposes. This man, Douglas
Hyde, has had a different purpose and has
manifested a different spirit. He has come,
indeed, to tell of another Irish revolution, but
this time it is an intellectual rather than a
political revolution. In his own words, "this
revolution aims at the intellectual independ-
ence of Ireland. In the last few years it has
accomplished a victory beyond our utmost
dreams. Slowly, but surely, we are reaching
our goal. Ireland no longer imitates Eng-
land. We have become a self-reliant nation.
In a short time we will have our own books,
our, own songs, our own music, our own
drama, our own everything." That sounds
as if the "revolution" were limited to mat-
ters literary and artistic. But it is not. In
consequence of the work of the Gaelic League
to recreate "an Ireland that shall be Irish all
out," the output of the Irish mills is said to
have nearly doubled in the last three years.
Why and how appears from the following in-
cident narrated in the New York Freeman's
Journal of an Irish-American recently visiting
in Dublin:
"A warm patriot and an enthusiastic Gaelic
League man, he took care to be Irish-made in
clothes. His exterior was O. K., but in a Dublin
club room he offered a friend a cigar and then a
match. The friend scorned the light.
"That's an English match and not for me," he
said, and he used one of his own of Irish make.
"That match," he said, pointing to the burned
wood, "was made here. The man who makes
them had a little place in an alley, but since the
Gaelic League awakened the nation his place has
grown until he now employs 800 people and makes
the finest matches in the world."
A literary movement that can double a coun-
try's manufacturing output in three years is
something even the most incorrigible materi-
alist may take an interest in without apologiz-
ing to himself.
Twelve years ago this "Gaelic movement"
or "Irish movement" began, and Dr. Hyde has
been its foremost apostle. He was then thirty-
three years of age, having been bom in North
Connacht, the son of a Protestant clergyman.
He had had a brilliant career in Trinity Col-
lege, winning half a dozen gold medals and
various degrees, and had settled down to the
study of the Gaelic language and literature.
He became an enthusiast. "Up to the seven-
teenth century," he says, "the Gaelic language
PERSONS IN THE FOREGROUND
aiS
was as cultivated as any in the world. It is
capable of revival and fitted for all purposes."
He published selections of Gaelic folk-tales and
poetry, wrote original poetry in the same lan-
guage and composed Irish dramas. His Irish
compatriots are enthusiastic in praise of his
literary work in these lines, Mr. W. B. Yeats
speaking of it as "the coming of a new power
into literature/' and expressing the belief that
if Dr^Hyde would write more and engage less
arduously in the work of propaganda "he
might become to modern Irish what Mistral
was to modern Provencal." His magnum opus,
however, is his "Literary History of Ireland,"
a voltune of 650 pages, by which he is best
known to America. But he was not satisfied
with historical and creative work. He began
the work of propaganda and organization to
save his dear Gaelic language from becoming
or remaining one of the dead languages. Even
as a lad in North Connacht he had been drawn
to the firesides of the Irish peasantry, listen-
ing to their folk-tales, and earning the nick-
name of an Kreeveen Eeven (an Craoibhin
Aoibhinn — ^the delightful little branch), which
he afterward adopted as a literary pen-name.
When, twelve years ago, he started his work
of propaganda he again went among the peo-
ple, played cards, smoked by the turf-fires,
talked Gaelic and appealed to the O's and Macs
in a way that rekindled their patriotic fervor
as nothing in two hundred years had been able
to rekindle it. He traveled from village to vil-
lage, winning allies everywhere. What he
said to them may be inferred from what he
said to the world in general in one of his
books. Speaking of the scholars in the so-
called "national schools" of Ireland, he said (in
1899):
"They never sing an Irish song or repeat an
Irish poem — the schoolmaster does not; they
forget all about their own country that their
parents told them — ^the schoolmaster is not al-
lowed to teach Irish history; they translate their
names into English — ^probably the schoolmaster
has done the same ; and what is the use of having
an Irish name now that they are not allowed to
speak Irish? Worst of all they are becoming
ashamed of the patron saints of their own people,
the names even of Patrick and Brigit. This is
the direct result of the system pursued by the
National Board, which refuses to teach the chil-
dren anything about Patrick and Brigit, but
which is never tired of putting^ second-hand
English models before them. Archbishop Whately,
that able and unconventional Englishman, who
had 80 much to do with molding the system,
deqnte his undoubted sense of humor, saw noth-
' "^ in making the childrea (in the
Trish National' schools) learn to repeat such
verses as:
" T thank the goodness and the ^ace
Which on my birth have smiled,
And made me in these Christian days
A happy English child.' "
Now Gaelic is taught in the schools of Ire-
land wherever school managers, parents and
children are unanimous in desiring it, and it
is claimed that 800,000 persons "are speaking
the Gaelic language exclusively or in part"
Special schools have been established for
, teaching it, and "Irish classes have been
formed in nearly every town and parish
throughout the country." This era, Mr. Yeats
says, will be known in Ireland as the era of
Douglas Hyde. Another writer, in an anony-
mous pamphlet distributed in connection with
Dr. Hyde's trip to this country, says :
"He has literally thrilled the country. His
movement has become more than a mere lan-
guage movement. He aims at a rebirth of the
imaginative and aesthetic life of Ireland, the
moulding anew of Irish national ideals, and the
stamping out of the cheap vulgar books and
vulgarer songs that were coming to Ireland from
England. There is a new intellectual life in
Ireland and the fame of Douglas Hyde's great
work has gone abroad and has attracted the
attention of scholars a^d has stirred the hearts
of Irishmen in many distant lands. His devotion
to his ideals has been an inspiring spectacle in
an age that seems to worship only money and
material success."
One of the comments elicited by his recent
lecturing tour in the United States is the fol-
lowing from a rather pro-English journal, the
New York Times, It says editorially :
"In Ireland it is not a question of using a lan-
guage for purposes of separation, but putting a
stop to the disappearance of a language for the
good of education. Irish can never oust English,
nor is there any sane Irishman who would wish
it. But the knowledge of Irish as a second tongue
helps education and encourages that local pa-
triotism the absence of which has done so much
to deliver Ireland over to the encroachments of
the British on her freedom, her industries, her
commerce, and her self-respect. Even to-day
Ireland suffers from the effects of religious quar-
rels, in so far, at least, as to offer examples of
discrimination against Catholics. A shiftmg of
the ground from the wretched religious differ-
ences to a field on which Protestant and Catholic
can meet without bitterness, brought together
by the bond of admiration for an ancient litera-
ture and a tongue that still produces works of
high literary merit, is a godsend for which every
one should be thankful. To Dr. Douglas Hyde,
more than to any other living Irishman, con-
gratulations are due for his efforts to provide a
cause which may unite Irishmen of every rank
and every denomination."
3l6
CURRENT LITERATURE
THE RIGHT HONORABLE JOHN BURNS
When, a few days ago, John Burns, clad in
his dark-blue reefer serge suit, a black derby
hat, his hands ungloved, stood before King
Edward VII in Buckingham Palace to be
sworn in as member of the new British Cab-
inet, the event, according to one British paper,
marked a "revolution in British politics." It
was, to quote another British paper, "the most
remarkable testimony to the growth of the defi-
nite labor power in politics that has ever yet
occurred in Great Britain." When Burns
kissed the royal hand the King told him very
cordially that he hoped his objection to wear-
ing court costume would not prevent his at-
tending court entertainments. That evening
the new Prime Minister gave a dinner, and
Bums, who never possessed, and never ex-
pects to possess, a dress suit, sat down to the
table in the same serge reefer suit, and prob-
ably rode to the building on his bicycle. Here
is the way The Labour Leader, a London So-
cialist paper, comments on the occasion :
"John Burns, the *man of the red flag,' the
'working engineer,' is now the Right Honourable
John Burns, P.C., M.P., President of the Local
Government Board. He has a salary of £2,000
a year, and after five years' service is entitled
to an old age pension of ii,200 a year. That
should almost take honest John's breath away.
'Our own Jack Burns,' as he was enthusiastically
called in the old Trafalgar Square days, when
he led the ragged and hungry unemployed to
and fro, will now be the constant assoaate of
rich and titled people, dining at tables which
would have made his heart quake twenty years
ago."
♦John Burns is but forty-seven years of age,
and a man of astonishing physical strength;
but his hair is white and has been ever since
the famous dock strike, the leadership of which
made him known all over the world. He was
bom within a stone's throw of the district
(Battersea) he represents in Parliament. His
father had been a Scotch agricultural laborer
with a turn for machinery, who removed to
London and finally secured a position in a
mathine shop. Young John's schooling ceased
when he was ten, when he secured employment
in a candle factory, rising at the age of eleven
to the post of rivet boy in an engine house.
Then he was apprenticed to a mechanical en-
gineer, for whom he worked until he was
twenty-one. There is a kind of ponderosity
in the account of him provided in Men and
Women of the Time, indicating that he was
a type never before handled in the pages of
that select British -publication :
"Throughout his earlier years he had read
omnivorously, and imbibed Socialistic theories
from a fellow-workman, a Frenchman, who had
fled from Paris after the Commune. On coming
of age he worked for a year as foreman engineer
on the Niger, and on his return from West
Africa spent his savings in a six months' tour
of Europe. As a boy he had got into trouble
with his employers for delivering an open-air
address, but he did not come into public notice
as a speaker until at an Industrial Remuneration
Conference in London he delivered certain
speeches on Socialism which attracted attention*
Since that time he has constantly addressed work-
man audiences. Becoming prominent in his own
union— the Amalgamated Engineers— he stood
as a Socialist candidate for the western division
of Nottingham at the General Election of iSSs,
but obtained only 598 votes. In 1886 he took
a leading part in the unemployed agitation, and
was one of the heads of the crowd which broke
from its leaders and caused a riot in the West
End on Feb. 8, 1887. Subsequently he contested
the right of public meeting in Trafalgar Square,
and underwent a short term of imprisonment
(six weeks) for resisting the police. . . .
"He adressed dockers' meetings in the East
End every day for weeks, walking from Battersea
every morning and returning on foot at night.
His main contention was that the docker deserved
six-pence (a 'tanner') more a day than he had
hitherto been paid, but he was also indefatigable
as an organiser and strike manager. When the
dock laborers finally won a great victory in
their long struggle for higher wages Bums's
reputation as the first of labor organisers was
made. He was regarded as an authority on
labor."
Everything interests him in the outer show
of our existence, says the London Speaker —
soldiers, books, pictures, fine buildings, the
drama, travel, the problems of practical sci-
ence and workmanship. He has never broken
a resolution formed in early life not to smoke
and never to imbibe an intoxicant. As an
orator he is deemed singularly florid for so
direct, and in a sense so rude, a type. He runs
to metaphors, vivid denunciations of existing
institutions and rare expletives. But he does
not swear on the platform as some English
labor leaders do. In diet he is highly abste-
mious. Plain roast beef and potatoes make up
his dinner. If he adds a dessert, it is seldom
anything but fruit. He is said to have tried
vegetarianism and to have pronounced it a
failure in his own case. He is Scotch from
birth, breeding, temperament.
"What would you do with me if you had
me in your power?" Cecil Rhodes once asked
PERSONS IN THE FOREGROUND
ai7
him. Burns's reply was, "Put you with your
back against a wall and fill you full of lead."
His opposition to Great Britain's part in the
Boer War was intense, and intensely was it
resented. Writing in the Boston Transcript,
Kellogg Durland says :
"When a mob of ten thousand men and women
Tjsitcd his home on Lavender Hill, and stoned
his door and broke his windows because of his
opposition to the Boer War, he held his own
for days, armed only with a cricket bat. And he
had the satisfaction some weeks later of seeing
those same constituents of his turn from their
angry mood to unstinted loyalty to him, and as
if to compensate for the insults heaped upon
him when anger swayed them, Burns, their leader,
was carried in triumph on the shoulders of the
crowd through the streets of London, amid scenes
of unparalleled enthusiasm. The life of John
Burns has been full' of incidents like this. The
roar of the mob has never swayed him one inch
and never will. Burns sees clearly, thinks
strongly and directly and he has never learned
how to hedge."
In the lobby of the House of Commons one
night, on the eve of an important vote in
which Bums was deeply interested, he said:
"Remember this, Durland. Remember Socra-
tes and the hemlock, Bruno and Savonarola at
the stake ; that was success. Christ, crucified —
that was triumph. And unless you are pre-
pared to follow them, keep out of public life."
A few weeks ago Durland found Burns
"prowling about the East Side of New York."
Durland saluted him in surprise, and was told
that he had been for eight weeks traveling in-
cognito in America without having been rec-
ognized by a soul. He was investigating labor
conditions, and he did not want public recog-
nition. When asked where he had been and
what he had seen, he said: *T. traveled sixteen
hundred miles out of my way to meet again
the only saint America has produced — Jane
Addams." But Jane Addams, of Hull House,
Chicago, was not all he had seen even in Chi-
cago. He is deeply interested in the principle
of municipal ownership and Chicago's attempts
to apply the principle on a larger scale was
one object of his investigations here. When
Durland began to speak to him about East
Side tenements in New York ^urns said :
'*Why, I have even been into your tenements
here. I march upstairs, and when a good woman
opens the door to find out who the prowler may
b^ I politely take off my hat and I say, *Madam,
do you live here?* And while she is making some
answer I step into her little home, and before
you can say Jack Robinson I have engaged her
in pleasant conversation."
That is the way in which this present mem-
ber of the British Cabinet spent most of his
ONCE
•THE MAN OP .THE RED FLAG'
A BRITISH CABINET OFFICIAL
-NOW
•* Remember Socrates and the hemlock, Bruno and
Savanarola at the stake ; that was success. Christ,
crucified — that was triumph. Unless you are prepared
to follow them, keep out of "public life/'
time here. He is going to write a book about
his trip,' and his conclusibns about us are fore-
shadowed in his conversation with Mr. Durland:
"One thing Mr. Burns deplores — ^the lack of
decision on the part of the young men in this
country toward any of the important issues of
the day. It is rare to find a young man who
has really made up his mind on which side of the
fence he is. The people who should be bearing
the heat and burden of the day are inclined to
shirk the responsibilities of public office and to
stand apart as mere observers, or to follow an-
other alternative, which is yet more deplorable —
to give themselves so absolutely to mere money-
making that all of their civic responsibilities are
crowded from their thoughts and their days are
so full with the. routine of business or pleasure
that there is no time left for the civic duties.
"Three years ago, when I talked with Mr.
Bums in London, he was far less hopeful and
optimistic of America than he is today. It is a
matter^ therefore, of some significance that after
his brief yet intense sojourn among us, he has
received impressions which have so largely tended
to make rosy his view of us and our life. For
the attitude which he now holds toward America
is one of distinct optimism."
Recent Poetry
The sensation of the day in poetical circles con-
tinues to be the revelation concerning the identity
of "Fiona Macleod/' mentioned in our columns
last month. There are some who refuse to accept
the revelation as trustworthy, insisting that no
man could have written the poems that have been
published under the pen-name of Fiona Macleod,
and that William Sharp never displayed the tal-
ents requisite for such a high order of work.
This, obviously, is a begging of the question. Up
to the present no facts have come to light to throw
discredit on the circumstantial statement made
by Mr. Sharp's widow. His literary skill, not only
in criticism and in essay, but in poetry as well,
has been known and conceded for. years, some of
the verses under his own name having marked
lyrical quality, though not ranking as high as the
best of that printed under the notn de plume.
If "Fiona Macleod" did not die a few weeks ago
when William Sharp died, it should be a very
simple thing for her to prove the falsity of the
statement made by Mrs. Sharp. All "she" has to
do is to keep on writing poetry. One poem with
"her" name affixed has appeared in the London
Academy since Mr. Sharp's death, but of course
a number of posthumous poems are to be ex-
pected. It is as follows:
TIME
By Fiona Macleod
I saw a happy spirit
That wandered among flowers :
Her crown was a rainbow.
Her gown was wove of hours.
She turned with sudden laughter,
/ waSf hut am not now!
And as I followed after
Time smote me on the brow.
, Probably "Fiona Macleod" never wrote any-
thing more striking, certainly nothing more strik-
ing viewed as the product of a man's mind, than
the following:
THE PRAYER OF WOMEN
By Fiona Macleod
O spirit that broods upon the hills
And moves upon the face of the deep.
And is heard in the wind,
Save us from the desire of men's eyes,
And the cruel lust of them.
Save us from the springing of the cruel seed
In that narrow house which is as the grave
For darkness and loneliness . . .
That women carry with them with shame, and
weariness, and long pain.
Only for the laughter of man's heart.
And for the joy that triumphs therein.
And the sport that is in his heart,
Wherewith he mocketh us.
Wherewith he playeth with us,
Wherewith he trampleth upon us . . .
Us, who conceive and bear him ;
Us, who bring him forth ;
Who feed him in the womb, and at the breast,
and at the knee:
Whom he calleth mother and wife.
And mother again of his children and his chil-
dren's children.
Ah, hour of the hours,
When he looks at our hair and sees it is grey ;
And at our eyes and sees they are dim ;
And at our lips straightened out with long pain ;
And at our breasts, fallen and seared as a barren
hill;
And at our hands, worn with toil 1
Ah, hour of the hours.
When, seeing, he seeth all the bitter ruin and
wreck of us —
All save the violated womb that curses him —
All save the heart that forbeareth . . . for
pity-
All save the living brain that condemneth him —
All save the spirit that «hall not mate with him —
All save the soul he shall never see
Till he be one with it, and equal;
He who hath the bridle, but guideth not;
He who hath the whip, yet is driven ;
He who as a shepherd calleth upon us,
But is himself a lost sheep, crying among the
hills 1
O Spirit, and the Nine Angels who watch us,
And Thou, white Christ, and Mary Mother of
Sorrow,
Heal us of the wrong of man :
We whose breasts are weary of milk.
Cry, cry to Thee, O Compassionate!
John Vance Cheney, who has long been one of
the more frequent contributors to our periodicals
and who won a prize contributed a few years
ago by Collis P. Huntington for the best answer,
in verse, to Edwin Markham's "The Man With
the Hoe," has collected his poems and published
them in a volume (Houghton, Mifflin & Com-
pany) bearing the simple title "Poems." Nothing
more noteworthy has been done by him, perhaps,
than that fatalistic reply to Markham, the philos-
ophy of which is that the peasant toiler is fulfill-
ing his destiny; let him alone:
Need was, need is, and need will ever be
For him and such as he.
Cast for the gap, with gnarled arm and liml:
The Mother moulded him.
RECENT POETRY
aig
The poem is rather too well known to be quoted
here at fnll length. Instead, we reprint several
ether of his poems, not more noteworthy but more
representative of the general character of Mr.
Chene/s muse, which treats of external Nature
for the most part and possesses an optimistic
philosophy that may be roughly defined as nat-
ural religion. Here is the initial poem of the
volume :
MY FAITH
By John Vance Cheney
I tmst in what the love-mad mavis sings,
In what the whiteweed says whereso it blows,
And the red sorrel and the redder rose;
I trust the power that puts the bee on wings,
And in the socket sets the rock, and rings
The hill with mist, and gilds the brook, and
sows
The dusk ; is on the wind whidi comes and goes,
Tne voice in thunders and leaf-murmurings;
I trust the might that makes the lichen strong.
That leads tihe rabbit from her burrow forth.
That in the shadow hides, in sunlight shii^es ;
I trust what gives the one lone cricket song,
What points the clamorous wild-goose harrow
north.
And sifts the white calm on the winter pines.
The poem below is in a contrasting vein, and
m it the poet's "trust in the power that puts the
bee on wings," etc., is not so evident :
THE DRAWING OF THE LOT
By John Vance Cheney
One comes with kind, capacious hold,
But through his fingers slips the gold ;
He with the talons, his the hands
That rake up riches as the sands.
One fats as does the ox unbroke :
Never on his red neck the yoke.
The pale, stooped thing, with heart and brain.
On hm the weight of toil and pain.
One longs, — she with the full warm breast.
Bat no babe's head does on it rest ;
On some starved slant a fool thought fair
Love's boon is thrust, and suckled there.
Several of our older poets have been heard from
during the last few weeks, though not in a way
to add anything to their laurels. We fin dthis in
Th€ Pall Mall Magazine:
A NEW YEAR'S THOUGHT
By Austin Dobson
Yet once again in wintry ways
The gray world rolls its tale of days ;
And though its breast be chill and frore.
Still holds the songs of Spring in store,
The Autumn rains, the Summer blaze.
Season to season, phase to phase
Succeed, and pass: what seems a maze
Is but Life's ordered course run o'er
Yet once again.
So, through this drear December haze.
We, fearless, turn our forward gaze.
As those who know, from days before.
What has been once will be once more. —
Good Hap or ill, and Blame, and Praise,
Yet once again!
The little poem below has made some newspa-
per talk because of the journal (Town Topics) in
which it was published, the editor of which has
secured considerable undesirable notoriety for his
connection with the "Fads and Fancies" project.
Mr. Aldrich has explained that the poem was
written forty years ago and was placed with Town
Topics by a friend in whose possession it hap-
pened to come :
A BALLADE
A.D. 1400
By Thomas Bailey Aldxich
Is it a mermaiden
From caverns in the deep?
Or is't some tawny* forest-girl
That will not let me sleep ?
O, if it is a mermaid.
Go, get thee to the sea !
An' if 'tis some wild woodland-girl.
No Dryad captures met
But if 'tis Grace of Devon
That haunts me night an' day,
Why, — then, — come here, thou pale sweet Ghost,
All' thou shalt have thy way I
The insurance investigation has evidently in-
spired the following, which was first published
in The Evening Post (New York) :
THE WHISPERERS
NEW YORK — 1905
By Richard Watson Gilder
In the House of State at Albany — in shadowy
corridors and comers — the whisperers whispered
together.
In sumptuous palaces in the big city men talked
intently, with mouth to ear.
YeaV in and year out they whispered, and talked,
and no one heard save those who listened close.
Now in the Hall of the City the whisperers
again are whispering, the talkers are talking.
They who once conversed so quietly, secretly,
with shrugs and winks and finger laid beside nose
—what has happened to their throats?
For speak they never s6 low, their voices are
as the voices of trumpets; whisper they never so
close, their words are like alarm bells rtmg in the
night.
aao
CURRENT LITERATURE
Every whisper is a shout, and the noise of their
speech goes forth like thunders.
They cry as from the housetops — their voices
resound up and down the streets ; they echo from
city to city and from village to village.
Over prairies and mountains and across the salt
sea their whispers ^o hissing and shouting.
They say the thmg they would not say, and
?[ui<^ly the shameful thing clamors back and
orth over the round world;
And when they would fain cease their saving,
they may not, for a clear-voiced questioner is as
the finger of fate and the crack of doom.
What they would hide they reveal, what they
would cover they make plain ;
What they feared to speak aloud to one another,
unwillingly they publish to all mankind;
And the people listen with bowed heads, won-
dering and m grief ;
And wise men, and they who love their coun-
try, turn pale and ask: "What new shame will
come upon us?"
And again they ask, "Are these they in whose
keep are the substance and hope of the widow and
the fatherless?"
And the poor man, plodding home with his
scant earnings from his hard week's work, hears
the voices, with bitterness in his soul.
And thieves, lurking in dark places and fur-
tively seizing that which is not their own; and
the petty and cowardly briber, and he who is
bribed, nudge one another ;
And the anarch and the thrower of bombs clap
hands together, and cry out: "Behold these our
allies r
The life and character of Josephine Shaw
Lowell were the subject of a sketch in another
department of this magazine last month. Several
poetical tributes have since appeared, one of which
we give below:
A CITY'S SAINT
josephine shaw lowell
By Joseph Dana Miller
"A woman lived and now a woman dies ;*'
If that were all, this line were ipuch too long ;
But with her went from out our social skies
A light, and voice like a remembered song.
Some saints have lived who on the ensanguined
V field .
Walked with the balm of healing in their hands ;
And not until the eye of God is sealed
Fadeth the glory where some woman stands.
Shedding strange radiance from her tender eyes;
Now in the town, and now in court or camp —
Some woman with her deed of sacrifice,
Lighting the world like an eternal lamp.
'. ' ■ - .
And she to whom War's tragedy o^:pain
Had brought its tears — whose ht»band, brother,
friend
Passed in the cannonading to the slam-^
Walked with her lonely sorrow to the end.
But in that sorrow's self-for{^et fulness
She wrought whose splendid task is done too
soon;
Because she lived, the evil days are less
Bridging these civic nights to highest noon. .
And mid the populous town, its walls that rise.
Its massive structures wrought of myriad hands.
This story of a woman's sacrifice
Shines like a beacon where the city stands.
This shall outlive its mortar and its stone.
This shall be told where cities rise and fall ;
A woman working in its ways alone
With loving hands built bastions round its wall.
Mr. Alexander Jessup, a critic, a compiler, and
a poet, calls attention in the New York Times
to the lyrical work of Robert Clarkson Tongue,
an Episcopal clergyman in Connecticut, who died
in 1904, and whose poetry has just been published
by his widow in a memorial volume. Mr. Jessup
quotes and rightly praises this:
THE SILENT POET
By Robert Clarkson Tongue
Do you think there are none but you, O poeU
friend of my heart,
Who look through the veil and the bar deep
into the soul of things ;
Do you think that to you alone, who live for the
subtle art
Of molding beauty to words, the soul of the
beautiful sings?
And the sky-glow and the stars, and the glory
of sea and earth —
Are they meant for Him alone who can utter
them back again?
And is there no message sent to the one of a
common birth
Who inarticulate utters his cry of rapture or
pain ?
Never a song have I wrought, yet I share in the
mystery
Of night, and the natal joy of life when the
night is past.
Never a song have I wrought, yet I am akin to
the sea,
And I hear the voices calling ever out of the
vast.
And the burden of all your songs is only an echo,
blent
Of things that I loved before, and of measures
I sometimes heard,
And held, unknown to myself, in the depth of
my being pent.
Till a mightier one than I had quickened them
at a word.
And the passion that fell to earth and beat like
a wounded bird,
And the fledgling song of a soul that never was
plumed to flight,
RECENT POETRY
221
Utter themselves in you, when the voice of your
soul is heard,
And winged by your master-song, ascend to
the sun-crowned height
Here is a graceful little love-poem (in The
Metropolitan) from an always graceful bard :
A LOVER
By Cunton Scollaro
First her eyes I — I can't express
All the wonder of her eyes;
Truth and trust and tenderness
Dwell there ever, vernal-wise.
Next her smile 1 — I cannot tell
All the marvel of her smile;
Tis a golden miracle
To enrapture and beguile.
Then her voice I — I cannot say
What most charms me in her voice ;
Melody to trance the day.
Notes to bid the night rejoice.
Last her heart! — and when I think
That it quickens but for me,
I am mute upon the brink
Of amaze — and ecstasy.
A little volume, entitled "Songs of the Desert,"
comes to us from "The Lloyd Group of Authors
and Publishers," Westficld, New Jersey. It is a
product of Arizona, and though the author, J.
William Lloyd, has not exactly "arrived" as yet,
he has feet on the rungs of the ladder, as the
following will show:
MY ARIZONA BEDROOM
By J. William Lloyd
O my Arizona bedroom
Is beneath the Milker Way
And the moon is m its ceiling.
And the star that tells of day.
And the mountains lift the comers.
And the desert lays the floor.
Of my Arizona bedroom.
Which is large as all outdoor.
O my Arizona bedroom
Is ventilated nght,
Every wind that's under heaven
Comes to me with blithe good-night,
G>mes to me with touch of blessing
And of ozone one drink more,
In my Arizona bedroom.
Which is large as all outdoor.
O my Arizona bedroom
Has the lightnmg on its wall,
And the thunders rap the panels
And their heavy voices call ;
And the night birds wing above me
And the owl hoots galore
Through my Arizona bedroom,
Which is large as all outdoor.
O my Arizona bedstead.
It sometimes seems to me,
Is afloat in middle heaven
With each star an argosy:
And the tide that turns at midnight
Drifts us down to morning's shore,
Floats us, stars and bed and bedstead.
On the ocean of outdoor.
O my Arizona bedroom
Is beneath the splendid stars.
And the clouds roll up the curtains
And the windows have no bars,
And I see my God in heaven
As the andents did of yore.
In my Arizona bedroom
Which is large as all outdoor.
Here is a newspaper poem, with a ring of sin-
cerity in it and timeliness that make it impress-
ive. It was sent to the New York Times and
published by it in an editorial column with re-
spectful coqmient:
THE CHOSEN PEOPLE
By M. W. p.
Tlw chosen people. Lord I Ay, and for what?
Chosen to bear the world's contempt and scorn ;
Chosen to cringe and fawn, contrive and plot.
Only to win the right to live, being bom ;
Chosen to bow the neck and bend the knee.
To hold the tongue when other tongues revile,
To bear the burdens, bond-slaves e'en when free;
Give cheerfully, be spit upon and smile;
Chosen for death, for torture and the screws.
While the slow centuries move, they say, toward
light 1
Lord, from the horrors of this endless night
Let us go freel — another people choose 1
We find ourselves printing something of Theo-
dosia Garrison's in this department nearly every
month. But she is to blame for that, not we!
The following is from Scribner^s:
• BALLAD OF EVE'S RETURN
By Theodosia Garrison
'Twas Eve came back to Paradise
And paused without the gate;
The angels with the flaming swords
Stood each beside the grate—
And clean-white was one sword like love,
And one was red like hate.
The chaste hosts leaned from heaven to see
The woman of first sin;
Above her head the burning blades
Crossed, menacin£[ and thin.
And lo! a great voice spake through space,
"My people, let her in!"
Down dropped the swords on either side,
The thrice-barred gate swung free;
Blossomed and bright and beckoning
Stirred sun-filled flower and tree,
But Eve stood still without the gate
Nor wistfully spake she:
aaa
CURRENT LITERATURE
"Afar my strong man breaks the soil,
And as he toils he sings
That I ma>r know that still his love
Grows with earth's growing things.
An I came in, who else might lean
To greet his home-comings ?
"And what to me were Paradise
And languid days of ease,
Seeing the peace that springs from toil
Is lovelier than these,
What time at evenfall we two
Rest 'neath our new-grown trees ?
"And what to me were Paradise,
Since I have known the best —
My true mate's eyes within my eyes,
The man-child at my breast.
Their exquisite, dear need of me
That makes me wholly blest?"
The thrice-barred gate swung free and wide
To show 'the sun-filled way;
The blossomed heights of Paradise
Lured her as live things may.
'Twas Eve who stood without the gate
And laughed and turned away.
A^ast, amazed, the hosts of Heaven
Broke forth in wildered cries,
"Where, then, is that her punishment
Thou didst devise, Most Wise,
What time Thy vengeance drove her forth
Outcast from Paradise?"
Beneath the answering voice they bent
As wind-swayed forests move.
"My people, of this woman's word
Take ye the truth thereof ;
Learn ye thus late her punishment
Came not of hate, but love 1
"Wiser than ye is she who guessed
My meaning overlong;
Love cast her forth from Paradise —
Now when hath love wrought wrong?"
And suddenly the courts of Heaven
Thrilled with adoring song.
Here is a poem with music and good Irish cheer
in it It is taken from McClure's:
THE OULD TUNES
By Moira O'Neill
A hoy we had belongin' us, an' och, but he was
gay,
An* we'd sooner hear him singin' than we'd hear
the birds in May ;
For a bullfinch was a fool to him, an' all ye had
to do,
Only name the song ye wanted an' he'd sing it for
ye through
Wid his "Up now there 1" an' his "Look about
an' thry for it,"
Faith, he had the quarest songs of any ye
could find —
"Poppies in the Com" too, an' "Mollic, never
cry for it!"
"The pretty girl I courted," an' "There's
trouble in the wind."
Music is deludherin', ye'll hear the people say,
The more they be deludhered then the better is
their case;
I would sooner miss my dhrink than never hear a
fiddle play
An' since Hughie up an' left us this has been
another place.
Arrah, Come back, ladl an' we'll love you
when you sing for us —
Sure we're gettin' oulder an' yc'U maybe come
too late —
Sing "Girl Dearl" an' "The Bees among the
Ling" for us.
Still I'd shake a foot to hear "The Pigeon
on the Gate."
Oh Hughie had the music, but there come on him
a change.
He should ha' stayed the boy he was an' never
grown a man ;
I seen the shadow on his face before his time
to range.
An' I knew he sung for sorrow as a winter
robin can.
But thafs not the way I — oh, I'd feel my heart
grow light again,
Hughie, if I'd hear you at the "Pleasant
Summer Rain."
Ould sweet tunes, sure my wrong 'ud all
come right again,
Listenin' for an hour, I'd forget the feel o' pain.
Arthur Guiterman gives us in verse more of
the wise and otherwise sayings of the Far East.
We take these from the New York Times:
SAYINGS OF IND.
By Arthur Guiterman
"O Crocodile, why do xou weep
When Gunga in freshet is brown?"
"Alas 1 for the river is deep I
Alas I for the people will drown 1"
Can Love devise
That Love shall not be seen?
Nay. Eyes meet Eyes,
And Love slips out between.
"My cage of gold is hung with silk;
The' King and Court delight in me ;
My food is fruit, my drink is milk—
I want my nest and hollow tree 1"
"My wisdom aids the world I" How sweet
That secret thought of great and small I
The seagull sleeps with upturned feet
To catch the sky, if that should fall.
The scimitar smites
Where the buckler is weak.
The Fish has no rights
In the Cormorant s beak.
Recent Fiction and the Critics
A very interesting analysis of the novels of 1905
is given in The Bookman (January). It appears
that 29 different novels secured a place once or
oftener in the lists of six best selling novels pub-
lished each month during that year. Of these
29 best sellers, 13 were written by men and 11
by women; three were the results of collabora-
tion by husband and wife; one a result of collab-
oration by three women; and of one novel the
sex of the author is not revealed. Of the authors
of these 29 novels, moreover, an unusually large
number — ten — were British, one a Canadian, and
three of those written by collaboration had one
American and one Britisher in the joiijt author-
ship. The six books which led the list for the
year in point of popularity are divided equally
between men and women and between Americans
and British authors.
Gertrude Atherton, in her new novel,* has
pleased the British critics more than she has
— -^ pleased the American. Her Ameri-
TrAveliinff *^" heroine and her other Ameri-
.---. can characters are applauded there
and disapproved here. For in-
stance, speaking of this heroine, Catalina, a Cali-
fornia girl, the London Athenaeum says she is
"thoroughly lovable," and Mrs. Atherton has
never done anything better; while our own
Reader Magazine thinks she "is not a winning
heroine, being much too self-sure, too disdainful,
too well pleased."
The novel is the story of a party of Americans
who ^do** Spain in third-class railway carriages,
and who have some picturesque adventures, in-
cluding two love stories, the abduction of the
heroine by a Spanish brigand, and a physical
enconnter between him and the heroine in which
he is badly worsted and very much surprised.
She not only scratched and clawed in true woman
tadiion, but leaped on his back, on the edge
of a precipice too, and —
'*She pressed her knees into his sides, dragged
his head back with one arm, while with the
other she pounded his unprotected face. He gave
a mighty shake, but he might as well have at-
tempted to throw off a wild cat of her own
forests."
The Athenaeum, having expressed its admira-
tion of Catalina, with the exception of this "gro-
tesque" incident, goes on to say:
"Of the other characters in the book, a pro-
fes^onal invalid and her two daughters will be
•The Travelling Thirds. By Gertrude Atherton
AB^rper ft Brotbero.
recognized as faithful portraits by all who are
familiar with the various types of American
tourists. The hero, a British guardsman, cannot
be said to be a success. It is odd that Mrs.
Atherton, with her evident dislike of the conven-
tional, should have drawn so conventional and
artificial a portrait as that of Capt. Over."
The London Times thinks the author "has hit
upon a happy device whereby to show glimpses of
a fine people in a fine landscape"; and the love-
story between Catalina and Captain Over "is
worked up to a fine if somewhat fantastic climax,
and escapes triviality by virtue of the cleverly-
drawn figure of a difficult, complex heroine stand-
ing out against a background filled with pictur-
esque colour and light."
The San Francisco Argonaut, however, thinks
that the novel is in the main "trivial, a mere pot-
boiler." The Bookman pays extended attention
to its "fearful and wonderful phrases," some of
those which especitally amuse it, being the follow-
ing:
"... moved her head slowly on the long
column of her throat."
"Her claim to distinction was in her grooming,
her beauty mien."
"After they had rambled in silence for an hour
[one of the characters] emerged from her
centres."
"A rich brown silence."
"A pale blue gaze."
The Reader Magasine says of the work as a
whole :
"What has become of the brilliant imagination
of The Conqueror' and 'Rulers of Kings'? And
where is that imperious style with its splendidly
large figures and its energy of movement that
have made this author's pages swift and strong
and sumptuous? Only faint traces and distant
echoes of these qualities are to be found in 'The
Travelling Thirds.' The book possesses its au-
thor's characteristic faults of hardness and exag-
geration; it is almost destitute of sympathy and
moderation, while of the unusual virtues of bold
plot and suspended creation that we have come
to associate with Mrs. Atherton's name, it has
scant measure."
Mrs. Craigie ("John Oliver Hobbes"), in her
present lecture tour in America, is not Ijkely to
be unduly exhilarated by what the reviewers
here say of her latest novel.* Most
of the critics admit that she is
still incapable of being dull, but
they variously stigmatize this
work as "trivial," "silly" and "stagey." The
Sun (New York), however, regards it as "a
♦ The Flute of Pan. By John] Oliver |Hobbes.1D
Appleton & Company. ^
The
Flute of
Pan.
334
CURRENT LITERATURE
comedy of much ingenuity and interest," and The
Times (New York) thinks "she has provided a
good story as well as a deal of clever talk and
some rather uncannily acute analysis." But The
Dial (Chicago) dubs it "a trifling performance,"
and the Boston Transcript calls it "a silly love-
story laid in a silly and impossible little German
state full of 'hereditary princesses/ etc"
The title of the book is explained in the
;)uthor's foreword as follows:
"Pan was a heathen god, who could guide lost
travelers and calm all storms by the magic of his
flute. I am showing him leading some pilgrims
who have lost their way. They hear him piping
and are encouraged. It is a parable of modern
life. We torment ourselves with boredom and
scruples, whereas all we need, is more music,
more joy ! We must listen to the flute of Pan. It
is always plaving, but we drown it with our
wretched bubble of philosophies, the noise of
machinery, the turmoil of money making."
The hero of the story is an eccentric English-
man of title and wealth and Tolstoyan ideas, who
renounces vanity and espouses art, taking lodg-
ings in Venice to paint "A Flute of Pan" and
other things. "It was clear to the thoughtful that
he disliked most people because he disliked him-
self. If a man cannot love himself, whom he
can justify as a rule, how can he love the
stranger, whom he does not understand in the
least?" The heroine, a princess of Siluria, finds
him in Venice, and, needing a husband in her
business — ruling a disturbed realm — ^proposes
marriage for reasons of state, which reasons,
however, coincide with the state of her heart
as well. He accepts on condition that when
order is restored to her realm she will abdicate
and return to Venice to live with him in his life
of renunciation. Suspicions and misunderstand-
ings harry them for long, and keep them at cross-
purposes. When all these are cleared away, and
they return to Venice, new difficulties arise that
compel them to take up again the burden of
rule.
So much of the book, says The Evening Post
(New York), "is clearly stage dialogue, and so
much the elaboration of stage directions that one
wishes that the comedy had never been written."
Most severe of all the reviewers is the one who
writes in The Tribune (New York) :
"Shades of Ouida at her worst I We say 'at her
worst' because Ouida at her best would never
dream of piling on the agony in this Corinthian
fashion. Mrs Cragie is still enormously clever
and 'The Flute of Pan' is indubitably a readable
book, but there is something about it so forced
and unnatural that, in view of what the author
has done in the past, it is actually painful. Her
hero hasn't even the smallest relation to human
nature, and the heroine — ^an amazing young j>er-
son fetched from a kind of opera bouffe princi-
pality d la Anthony Hope — is not one whit more
credible."
The Lake.
In what has come to be called the Gaelic school
of literature — one of the most interesting literary
developments of recent years — Mr. George Moore
must be accorded an important
place. His new novel* portrays
the clash between Irish ideas, as
represented in a Connaught priest.
Father (jogarty, and pagan ideas, as represented
in a girl, Rose Leicester, the mistress of a scholar.
She has been driven from his parish by the priest,
because of her lapse in virtue, and the revenge
she takes, knowing that he is really in love with
her, is to write letters to him from the Continent,
telling him of art and life and "higher criticism,''
until she shakes his faith, and, determined to
taste the life of the world, he abandons his parish
and comes to New York to earn a living and see
life as a journalist. Rose Leicester, it is gener*
ally thought by the critics, is unreal and impos-
sible ; but Father Gogarty is a hero of charm and
emotional power, and the setting in which he is
placed is of the true Celtic quality, winsome and
mystical. Here is the London Academy's com-
ment:
"We can take no interest in the young woman
and her chatter. She and it are cheap and vulgar
compared with the young priest and the woods
in which he wanders, his mind a field of battle
between the old and the still older, between
law and 'liberty.* He deserts his woods; slips
away by night to go and be a journalist in New
York. But he leaves us behind, leaves us to
choose the better part he has rejected and to
dream time away in the woods which Mr. (jeorge
Moore has described in such beautiful sensitive
and musical language. He has never shown him-
self a more finished artist in words than in this
book. The contrasting vulgarity only throws
up the exquisite poetry of the soul of the priest
and the mournful sweetness of his country."
It is the same strain in the book that haunts
the London Outlook's reviewer — the descriptions
of the gray-limestone lake, by which Father
Gogarty lives, y^ith its ruined castles and island
hermitages and ancient thickets holding Druidic
stones. "Viewed as a story in which things hap-
pen," says this same reviewer, "'The Lake' is a
Celtic coracle in an age of Cunarders; yet it is
full of haunting and pathetic charm, and every
page bears the stamp of a true literary artist."
The London Times notes the sharp contrast
between Moore's earlier style, learned from
Flaubert, and his present Celtic strain. The story
♦The Lake. By George Moore. Heinemannf London.
RECENT FICTION AND THE CRITICS
225
in the present case, it thinks, is so slight that it
>an hardly be called a story, but is so finely
written that one must class it with prose poems.
The Tintes adds : "The interest is in the play of
mmd and the charm in the poetical presentaton
^f the picture. We have seldom seen Irish
-cenery better realized and rendered, nor do we
!<cnow any modem novelist better skilled than Mr.
Moore in gating fresh harmonious effects out of
the lan^ua^e."
lot of Sir Raoul. ... A story as robust in
invention as it is ingenious in plot."
"A monumental romance with a colossal theme"
15 the way in which the New York Sun char-
acterizes Dr. James M. Ludlow's new histori-
cal novel.* Dr. Ludlow is best
Sir known (in a literary way) by his
Raoul. "Captain of the Janizaries/' writ-
ten twenty years ago and still in
moderate demand. The present work treats of
the fourth crusade in the thirteenth century,
and its diversion by Venetian intrigues into a
raid upon Constantinople, which resulted in a
t-imporary union of the Greek and Roman
Churches and the establishment of the Latin
Caurch under Baldwin. The hero of the story,
Sir Raoul, is a youthful knight of the Black
Forest, who is early disgraced in a tourney, is
thought to be dead, but under an assumed name
becomes a member of a robber band, goes to
Venice and Constantinople as an adventurer, saves
the life of the beautiful Renee, an emperor's niece,
whom he had played with and loved as a girl,
and returns home to win back fame, honor, and
the hand of the heroine. "The story goes for-
ward," says the Book News, "with swiftness and
dramatic intensity of movement." The chief fault
of the book, says the Chicago Dial, is due to the
abundant and rich historical material available,
hj reason of which the author "huddles one
event upon another to confusing effect." But the
interest, it adds, is sustained at a high pitch
throughout, and it pays admiring tribute to Dr.
LcdIoVs knowledge, both of the broad historical
issues and the matters of detail of the period.
The Sun sees this same fault of overcrowding
and overelaboration, but says: "It is a vigor-
oa« story resounding in the clash of arms, the
thunder of horses' hoofs, the din of opposing
annieSy and shows evidences of great care and
sincerity in treatment, wide historical research
and excellent craftsmanship in the working out
of an intricate and elaborate plot." "King Ar^
thur and all his knights," observes The Evening
Post (New York), "rolled into one, had no more
exciting experiences" than those which fell to the
•5ia Raoul. By James M. Ludlow. FlemingfH.
Rerell Company.
What one critic calls a "work of genius" and
another calls "the veriest trash" appears from the
pen of the anonymous author of "The Martyrdom
of an Empress" and "The Tribu-
The Trident lations of a Princess." The new
and the Net. work,* however, is not biography
but. fiction, and the verdict of the
critics is, for the most part, decidedly favorable.
It is in the Philadelphia Ledger that the novel is
declared to be "the veriest trash" and "a ranting
kind of melodrama given with a wealth of detail
that is invariably of a rank luxuriance, and coarse
shadows apparently painted into the picture by
means of a broom." The Chicago Dial also speaks
of the work, after the early chapters are passed, as
"unreal melodrama" in which no constructive art
is manifested. And the Springfield Republican
thinks the novel is "very long and very tedious."
But a still larger array of respectable reviewers
can be cited in praise that becomes at times super-
lative. The Times (New York) thinks the story
is told "with only too great eloquence," and the
tragedy of it all "does not lose its clutch upon
one's heart until long after the inevitable end is
reached." The Boston Herald also finds that the
story "holds the reader almost too strongly in its
grasp." And the Boston Transcript, the New
York Evening Post and the New York Tribune
all speak of it as a work of power and dramatic
force.
The story opens in Brittany, and the early chap-
ters descriptive of life there are praised unstint-
edly even by those who find the rest of the novel
tedious. The hero, Loic, who becomes Marquise
de Kergoat, has a mother of gtisty temper and
variable moods, who does all that a mother can
to ruin her son's character by her excessive in-
dulgence one moment and excessive exactions
the next. She is one of his bad angels, against
whom he struggles manfully, with the aid of
his sister Gaidik, who is his good angel. But the
good angel becomes married and leaves him to
struggle unaided. Then comes Rose, a young
woman of low rank, and also a bad angel, with
whom he finally goes to New York, where he
earns his living as a teacher in a riding academy,
dying at last under tragic and sordid circum-
stances. The title, of course, is derived from the
days of gladiatorial Rome, when the net was used
to render an opponent helpless and the trident
was used to despatch him.
• The Trident and the Net. By the author of " The
Martyrdom of an Express." Harper & Brothers.
Prince Ghika — By Isolde Kurz
The author of this story (which is translated from the German, for Current Literature, by
Felix Waring) is the daughter of a father distinguished in Germany as a Shakespearean scolar,
as translator of Byron and Moore, and as a publicist, editor, novelist and poet — the late Hermann
Kurz, of Tubingen. The daughter has already achieved fame for her literary work in prose and
verse. She is one of the coming German writers, and this story well represents her high-bred fan-
ciful humor and fine literary style. We have abridged the story somewhat by eliminating some
of the descriptive passages.
The Palace Hotel, Maloggia, Aug. 8th, 1903.
Dearest Clothilde: It's just a week ago to-
night that we reached the end of that wind*
swept Maloggia Pass. To me the week seems like
an age, for here the days contain twice as many
hours as in Heidelberg. "Why should they?"
Why, one's sole occupation is waiting for the
mail, which comes twice a day and is just now in
duty bound to bring me tidings of my Arnold's
speedy coming. During all our engagement we
have never been separated longer than twenty-
four hours, until now, and this everlasting watcn-
ing and waiting is getting on my nerves. As I
understand it, he should have been here yester-
day. He had only your father's lectures on
common law to attend and his course was fin-
ished,—^r so I understood him to say when he
bade me good-by and au revoir on the station
platform.
"But the world is wide and wondrous and
you're perched on its highest peaks," I hear you
reply; "then look for new mterests in life!"
An, dearest Qotho, for a ^rl once engaged, and
in love into the bargain, life holds no other in-
terests. And, indeed, it ought not to, either for
her or for him, and if I thought that Arnold had
found other interests meanwhile, I'd ! If
you knew how indifferent and unconcerned I am,
so long as he is absent. I simply sit and stare
at this mob of polished and varnished figures
about me, so stiff with varnish that they can
scarcely move without cracking, sitting at table
as solemnly as if it were a funeral banquet,
their weightiest topic of conversation as to
whether the brook trout is better this season than
the mackerel or vice-versa. If I hadn't sworn to
you that I'd keep my eyes open for interesting
human creatures, in order to forward them to
you, well pressed and packed in this "Herbarium,"
as ^ou once styled our correspondence, I don't
believe I should once lift my eyes from my plate
at the hotel table d'hote. Besides, you're so hard
to please! The two charming Boer girls I wrote
you about in my last letter don't interest you at
all apparently. Perhaps in my next I may be
able to serve up something more to your liking, as
I've had a new neighbor at table ever since
yesterday's dinner, a jolly young lawyer from
Bologna, who surprised me by his excellent Ger-
man, but who, as he confessed to me in the first
few moments, despite his exhaustless eloquence,
has as yet to plead his first case. His name is
Benivieni ; he's good-looking, as most Italians are,
only, unfortunately, a trifle short — at least he'd
seem so when compared to such a Juno-like crea-
ture as my majestic Coz. Also there is a Prince
Ghika avec suite, from Rumania, registered among
to-day's arrivals, but not as yet visible to mor-
tal ken.
Now I must get ready for our walk.
Two hours later. Once more the mail has been
distributed and not a line from him! 1 am be-
ginning to get seriously anxious. Papa tries to
convince me that his letter has gone astray, but
such consolation won't do for me.
Do, dearest Cloe, do please discover what he is
up to, and write at once to the poor things,
plagued with a thousand wretched premonitions,
whom you once called
Your loving cousin,
Ilka.
August gth, '03.
Best of Cousins: Your letter received to-day-
must have crossed mine of yesterday. Thanks
awfully for the glad tidings. Now I know, at
least, that Arnold is alive and well. The il-
lumination of the castle, with which the good city
of Heidelberg bade Godspeed to the departing:
Prince August, must have offered "a wildly fan-
tastical spectacle," as you say. And to think that
with my passion for the fantastic, I should have
been doomed to miss it! The castle in flames,
towers and ruins wrapt in a rosy glow, the trees
along the banks filled with bengal lights,— you sec
I know all the details. Then the music on the
riverside and, on its glittering waters, the bc-
flagged and belanterned boats with their gaily
dressed occupants, — and in one of these boats (of
course, accompanied by her stem parent) my
beautiful cousin and my affianced! For you sec
I know all about that, too, though in your de-
scription of the heavenly evening, you hardly
hinted at your companions, while Arnold has not
yet broken his golden silence. All my girl friends
have not forgotten me, however ! Clotho, Clotho,
what does all this secrecy mean ? I only hope that
you are not playing any of your mischievous
tricks on me.
But, joking aside, it was awfully dear of you
to write me so soon again, and, to show my grati-
tude, I'll continue my catalogue of the hotel
guests; perhaps some one of them may be for-
tunate enough to arouse your interest. The Boer
girls you are kind enough to inquire after have
left us, I am grieved to relate. Their seats at
table are occupied now by an heiress from Berlin
^ith her very stout and very stolid father, who
seems to be afflicted with fatty degeneration of
the heart. I mention her first, as she is the prin-
cipal personage in the ^family. She has red hair,
watery blue eyes, a skinny figure, is named Spar-
row and chirps like one. She is far from being
as attractive as were my pretty sisters from the
PRINCE GHIKA
227
Orange State, but far more communicative. This
is the third summer she has come to Maloggia
with the idea of finding a better half here; for,
to her thinking, this highly rarefied air is just
the dimate for husky fellows, mountain climbers
and eligible bachelors. Just now she seems
to have her eye on our Italian friend, though
I must say this much . for her, that, in spite of
her frankly expressed designs on them, she be-
haves herself in a most modest and retiring man-
ner when in men's company.
Ill have to stop, the mail has arrived. . . .
At last a letter from Arnold, but such an ex-
traordinary production 1 Curt, confused, as if he
could not look me straight in the eyes! Not one
word in r^ard to the festival illuminations, about
which the papers are full And still nothing
definite about his departure, only hints as to
thixigs that hinder his leaviiu:. Lots about social
duties and engagements. Social duties during
the long vacation, I declare 1 Then there's his
doctoral thesis to polish up! Really, I am
amazed. In a postscript, tucked up shyly in one
comer, there's a little line about your next
rehearsal of somebody[s ^ trio in b fiat; how in-
dis|>ensable his violin is on that momentous oc-
casion; how he has to practise daily in order not
to cut too poor a figure in company with you and
your talented father. Good gracious, are these
triangular exercises never to end? Of course, I
am well aware that classical music is the only
port of entry to your austere parent's soul. But
must Arnold fiddle his way into the land of law?
And that, too, with the thermometer at 90 degrees
in the shade? I can see you under the pergola,
you enticing Lorelei of the golden locks, the
cello at your knees, the marvelous white arm,
its perfect curves unhampered by the Grecian
sleeve which leaves its beauty bare, wielding the
graceful bow, — a worshipful picture, my masters 1
And Arnold defenseless by your side, helplessly
wafted on the waves of music that bid fair to
close over him and the fateful water nymph 1
Clotho, lef s have a moment's heart to heart
talk together! Look, dear, all your girl friends,
including me, your poorest of cousins, have al-
ways gladly taken a back seat in your regal
presence. None ever dared dispute the crown
with your beautyship, while your gowns were the
finest, your jewels the choicest besides. That at
every dinner the best partner should be yours was
a matter of course; your father's position as
Germany's greatest legal luminary would alone
have assured you that Poor me I I have always,
as the modest daughter of the Geological Faculty,
kept toy proper place in the second ranks and
rejoiced in vour triumphs with all my heart. But
when you lay that lovely hand of yours on my
little all, what to me is more precious than every
one of your prerogatives and conquests, then.
Mademoiselle Clothilde, beware! "Wise as a ser-
pent and gentle as a dove," you used to say of me.
Take care, the serpent can hite and the dove can
use its bill to peck!
Now, don't be angry, coz dear; I'm only
joking, just as you are only joking, of course.
Oh, I know all your flirtations are only in jest,
only a little intrigue to drive dull care away.
What need have you of further witnesses to
prove your power over the heart of man?
There goes the bell, and I must jump into my
dinner gown. Adieu, my beautiful, haughty
princess, forgive me if any word of mine mis-
pleases thee. And by the bye, speaking of royalty*
reminds me that the Prince is to appear to-night
at the table d'hote. Of course, you remember that
Rumanian Prince of whom I must have written
you. I saw him this morning out rowing. From
the distance he looked as if he were neither old
nor ugly, at all events a very distinguished car-
riage. The servants salaam to the ground
whithersoever he ^oes, and announce "Son
Altesse le Prince Ghika!" at every opportunity.
I wonder whether he'll be seated near enough
to me so that I can get a good look at him?
Ilka.
August the I2th.
Why, my dearest, sweetest Clotho, how could
you so misunderstand me? Beneath my jesting
manner, 3rou write, I am making a poor attempt
to conceal the pangs of jealousy. I, jealous!
Don't you know your madcap cousin any better
than that? Can't you see that with my assumed
heroics I am only trying to make you and myself
forget the emptiness of these interminable sum-
mer days? Could there be anything more rea-
sonable than that the rigorous Dean of the Law
Faculty, who next autumn is to examine my
poor law student, examine him body and bones,
examine him with that eagle eye, for which my
famous uncle is so feared, — ^is there anything
more natural, I say, than that my luckless limb
of the law should strive by any hook or crook to
get into his good graces? And if, just as a side
issue, he has to pay his court to the daughter,
my fair coz, why. If it does no good, 'twill do
no harm/' thinks the scamp, doubtless.
Think of it; we've got the Prince at our table,
and the other tables are green with enw. The
first day he sat between papa and Mr. rindley;
he chose this seat himself, he said, because these
two gentlemen, — ^pardon my pride for our poor
part, — struck him as being the most distinguished
looking personages in the hotel. At first he
struck us as being most reserved in his manner.
Later we discovered that he was completely over-
whelmed by the shocking occurrences in Servia,
with which the daily papers are full just at pres-
ent.
He considers himself a mere civilian, he told
papa, and busies himself with science, with no
liking and no longing for political renown. Any-
thing the European powers see fit to do is all
one to him, if only they do not disturb his studies.
You should have heard his voice when he said
that! I can't fancy anyone at our table having
the assurance to catechize him on the Balkan
question; young as he is and in spite of his de-
liciously formal politeness, the man has something
about him which makes people keep their dis-
tance. Counselor Benivieni, whqse strong point
is not shyness, tried just once to overstep that
line; he won't venture it a second time, I wager,
though he perish of sheer curiosity.
You'll want to know whether Ghika is really as
good looking as I fancied. Yes, Clo, dear, he's
really handsome, so handsome that I know no
one to compare with him ; not mere physical good
looks, I shouldn't consider them worth dwelling
on so emphatically; rather, in his case, it would
228
CURRENT LITERATURE
seem that through and along with the aristocracy
of blood an aristocracy of mind and soul were
actually visible. Till now Fve always considered
Arnold the best looking, as he is the best built
man among all our acquaintances. But here
there's something else, — ages of birth and breed-
ing. I must try to explain the difference to you,
as I conceive it. When a countryman of ours
strikes us as good looking, it's as an individual
specimen, and involves his own personality alone ;
his brothers or sisters you may fancy, if you will,
as being homely as hedgehogs, and indeed they
often are. He has risen above the masses by his
own merits, so to speak; he's a self-made beauty.
In old Southern families it's just the reverse;
with them good looks are inherited, an inalien-
able bequest of the ages. Anyone who sees Ghika
must feel that he springs from ancestors who have
been, each in his or her own way, physically per-
fect His sisters must be the acme of loveliness.
As for his brothers or cousins, if he has any, no
one could possibly dream of their being in the
least homely.
You are "surprised that people entitle him Your
Highness"? A mere Rumanian or Italian Prince
or Serenity, you write, ought not by any means
to be confounded with a genuine Prince of the
blood. You may be right about it, but "His High-
ness" he remains just the same. I have no notion
how Gotha decides this moot question; anyway,
hotel proprietors aren't quite so strict ks the
Almanack. On the other hand, he has this one
decided advantage over your genuine European
princes of the blood: he can marry whom he
pleases. His cousin, Milan Obrenovitch, for in-
stance, made the daughter of a Russian colonel
his queen, not to mention his son and successor
of bloody memory. Who would dare fetter the
fancies of even a mere prince of this lineage?
Anywayj I'm heartily glad that our Prince has
no political ambitions, but finds his chief delight
in the reading of law and i>olitical economy. He
has studied at Oxford and in Paris; next winter
he expects to spend at a German university; and,
only fancy, Clo, father is so charmed with him
that he is trying his best to get him to decide
on giving our dear old Heidelberg the preference.
As his own only daughter is disposed of, he may
surely display his kindly feelings toward any
young man, without fear of misconstructions.
The two are in a fair way to become intimates,
for we have made the delightful discovery that
Ghika is enthusiastically interested, not only in
jurisprudence, but in geology, since whidi time
he accompanies us on otir rambles up the Chemin
des Artistes. Must I confess it? — these geological
marvels make a far deeper impression on me
since I noticed how deeply they interested His
Highness.
For a change, however, we went to-day to Cav-
loccia Lake, which the Prince had not seen. You
may recall my description of the big and little
rocks, fallen from the precipices above into its
dark waters, and lying scattered about like tiny
islands, covered, as are the steep banks, with the
loveliest of flowers. I've been there often with
papa alone, but really you hav% no idea how
much more I sensed the beauty of it all now that
the Prince was with us. I don't know how to
explain it, but everything strikes me as more
beautiful when he is in our company !
Besides, I had quite an adventure.
Papa was hammering away at the rocks as
though he were bent on discovering some secret
passage into the great mountain. The Prince was
deeply interested in his burglarious attempts.
As no one paid any attention to your sweet ooz,
she began hopping from one stone to another,
gathering her pretty posies, when just as I reached
out to pick a gorgeous yellow anemone, my foot
slipped, and I after it, into the water. Papa
shrieks, the Prince gives a quick spring, but be-
fore he can reach me, I am on my feet The
water was only up to my knees and it was purely
politeness which made me accept the Prince's
hand to haul me ashore. But you can form no
notion of how cold the water is m these mountain
. lakes. Of course, they are fed by tlte- glaciers,
while never a ray of sunshine can reach where
the overhanging precipices overshadow them. The
cold crept up through my whole body. Papa got
so tremendously excited at the idea that I might
catch a cold or anything else, that he began to
scold, which was doubly distressing to me on the
Prince's account. Naturally, there was nothingr
to do but start back at once; so I had the
added misery of feeling that I had been a perfect
spoil-sport for the others. The Prince, who was
most sympathetic, kept repeating again and again :
"Faut marcher plus vite, plus vitel" (He speaks
German fluently, but whenever he is excited he
breaks out in French.) Finally we fairly ran, so
that my dear, stout papa could no longer keep
pace with us, accordingly threw up the race and
merely motioned us to keep it up, as he saw that
the Prince was taking the best of care of me. I
don't think I ever knew the way could be so
short. The Prince's agility seemed to lend me
wings; my shoes were dry and my feet were
burning long before we reached the hotel. The
very presence of this splendid high-bred man
actually seems electrifying at times; it was the
first opportunity I had had to really have any
conversation with him, but now I perfectly com-
prehend why the others are bewitched by him.
Here I am sittinpr in my hotel bedchamber with
a cup of hot tea m one hand, my legs .swathed
in heavy woolen stockings, all of which is pai>a's
doings — and my penance— the while I am making
a full confession to my dear coz, as of old I
always did. But I shan't seal this letter yet, as
the last mail is closed and who can tell what
postscript the morrow may bring forth. Good
night, sweetest Cloel
There actually is a postscript, but one I should
never have dreamed of. My watery exploit has
had its sequel in a slight attack of tonsilitis,
wherefore papa has sentenced me to stay in bed.
You know how easily alarmed he is, and I simphr
have to humor him. But to-day of all days!^ It
is too provoking. Out of doors, the sun shines
so gaily over the sparkling blue Lake Maloggia^
where the young folks are rowing about in Bieir
light summer gowns; sounds of singing and
laughter come up through my windows, while I,
forsooth, must amuse myself with scribbling^.
One little surprise, however, I have to set down
to the credit of my slight indisposition. An hoar
ago. Prince Ghika sent up the most charminff
arrangement of Alpine flowers. Among the hotd
guests here it is quite the thing to purchase such
bouquets and send them to one another; only
PRINCE GHIKA
229
ye^erday we were speaking of this citified, con-
ventional castom, and we both agreed in stamp-
ing it as utterly inappropriate to our wild sur-
roundings. Consequently, the Prince took pains
to let me know that these* flowers were plucked
by his own hands; the combination alone would
have told me that. Alpine roses form only the
framework; for there are few buds left now and
these are already beginning to wilt. But there
are m^ darling daphnes, wil£ their faint fragrance
of syringa, and deep metallic-blue gentians, while
in the very center is a cluster of those very
moimtain anemones which were the cause of my
coming to grief yesterday. Isn't that a gracefm
bit of courtesy? Oh, if I weren't so foolishly
in love with Arnold — Why! what silly, silly
thoughts do come into one's head !
After luncheon, which I was at some pains to
swallow in my loneliness. Miss Sparrow, from
Berlin, made me quite a long call She greatly
admired the Prince's thoughtful remembrance,
and regarded the arrangement as a notable dis-
play of good taste and gallantry. Naturally, she
'dotes oci" the Prince, but in most unselfish
fashion, as her hopes could never soar so high.
She confided further in me and implored me to
"pnt a flea in Benivieni's ear."
From Miss Sparrow I learned furthermore that
our "Palace Hotel" is richer since last evening
by another sdon of royalty, a Russian, Princess
Wjaesemsky (accent on the first syllable, please,
if yon venture to pronounce it at all). A very
great lady, no longer in the first bloom of youth,
bat very, very b^utiful and, rumor says, im-
patiently awaiting a divorce decree from her
present lord. She has been coming here for
several summers and Miss Sparrow knows her,
though naturally not admitted to her extremely
select circle. My caller tells me it was like a
scene in a play when she and the Prince caught
sight of one another for the first time in the
reading room last night. As two magnets attract
each other, without anyone being able to say
which is drawing the other, only suddenly thev
come together, so. Sparrow says, it was with
these two. That evemng they walked together a
long time in the hotel gardens, talking very
animatedly in French.
I must stop; the chambermaid has come to get
my letters for the post.
Thy Ilka.
Given at Maloggia, this thirteenth day of Au-
gust, in solitary confinement.
Morning of August i6th.
In the Hotel Reading Room.
Sweet Cloe: You've put such a lot of ques-
tions to me in to-day's letter that I don't laiow
how I shall manage to find time to answer them
all Krst, I must allay your cousinly fears for
my health. In fact, the sore throat wasn't so
trilling a matter as I imagined at first, and I had
to have the doctor over from Saint Moritz tp
paint and sprav it, but now the trouble has quite
disappeared. Yesterday I was released from my
mattress-prison, and Uy^y I occupied my old
seat at the table d'hote.
Owing to the departure of Mr. Findley, there
have bMi several changes at our table. This
opportunity my Berlin heiress was clever enough
to seize, and arranged things so that her place
was set next to that of the Italian counselor-at-
law, thus making their conversation much pleas-
anter than when carried on across the board;
naturally her father has migrated with her to the
other side. Thus two seats were left vacant next
me, which have been taken by my father and the
Prince, so that now I am seated between them.
Who arranged this is more than I can tell, I'm
sure. Anyway, the Prince seems far from dis-
pleased at the change, and, so far as I am con-
cerned, I'm more than glad to have him on my
left, if only because, as you know, dear, my profile
is best viewed from the left. You'll not begrudge
me just a bit of foolish vanity in your absence,
will you?
You are amazed that a Rumanian prince should
want to study law in Germany. Of course, I can
give you no detailed information as to the scope
of his plans. But isn't there such a thing as in-
ternational law? I should fancy that princes
would have to study it, if there is. If I am mis-
taken, vou'll have to forgive me, because it's
more than likely I misunderstood some of his
confidences, owing to his delightfully broken
speech. The future wife of a barrister-at-law
ought, indeed, to be better posted in such matters,
but you can't blame me, — Arnold's conversations
with me were about everything else under the
sun except jurisprudence.
Ten delightful hours later, in my own room,
Qoel Qoel Come dance with me! As a
recompense for my enforced confinement of the
last few days, papa has promised to take me on
an excursion to the Fex glacier on the first fine
day. The Prince is to be one of the party. I
am madly happy. It is the first glacier I shall
have ever seen, except from a distance, for both
our projected visits to the Fomo glacier had to
be canceled on account of rain. May the heavens
smile propitiously on this plan! Herr Sparrow
besought papa to take his own nestling under his
—papa's — ^wmg, as his own weight precluded all
idea oi attempting so high a flight Naturally her
Romeo begged to be allowed to assist papa, for,
during the last few days th^ have been insep-
arable, and I feel assured that they will soon
arrive at a happy consummation of their mutual
ambitions. Signor Benivieni has made any at-
tempts on my part to turn his bonnet into a bee-
hive quite superfluous. With astounding open-
heartedness, and as if I were his oldest friend, he
has confessed to me that he too is a candidate for
the holy estate of matrimony, and that despite—
or rather, I should say, on account of, — ^his cir-
cumscribed pecuniary situation, he^ had ventured
to incur the enormous expense incident to a stay
at our "Palace Hotel," because only at these
fashionable resorts were maidens to^ be met with
such dowries as he considered indispensable.
"What a shameless fortune-hunter!" I can hear
you say.^ But if you could have heard not only
the big words but the tone of perfect simplicity
and innocence in which these utterly prosaic sen-
timents fell from his usually fanciful lips, you
would, like myself, have been filled first with
amazement and then with half-amused forbear-
ance; and as Banker Sparrow is reported to be
one of the solidest propositions in the financial
world we may look for a speedy union of two
candid souls.
230
CURRENT LITERATURE
In order to prevent my letter leaving such a
prosaic aftertaste in your mouth — ^never mind the*
metaphor, I've a soul above 'em — I must tell you
about a Rumanian ballad which the Prince sang
for me this evening while out on the lake. In
its melody it was melancholy, well-nigh monoto-
nous, but with a strangely savage charm peculiarly
its own. I managed to get a translation of the
words, which are in themselves wild and peculiar
enough. A maiden steals down the mountain-
side every evening to the churchyard in the valley,
there to meet her dead lover. In the moonlight
and in the dark the dead man evermore keeps the
cross on his tombstone between her and him, lest
bjT any mischance she should touch his corpse.
Finally the father appears and forever unites the
lovers by mercifully slaying his child. There was
something unspeakably pathetic and tender un-
derl3ring the strange tragedy. And his voice,
with its deep, rich, ringing tones, as he sang! I
can close my eyes and ears and fancy I hear it,
wherever I am, wherever I go. How it rings!
how it rings!
You (strange creature that you are) tell me
that it's my duty to inform the Prince of my en-
gagement. But how in the world am I to ap-
proach the subject? He has never asked me
whether I were fancy free, and why should I
suppose that the question is of any interest to
him?
Put up with this hasty scrawl for to-day. I
have still a few lines which I suppose I must
write to Arnold. Of course, I understand per-
fectly the force of circumstances which keep him
bound in Heidelberg, and that he can't break his
bonds at a moment's notice. Try and convince
him that I am neither impatient nor unhappy in
his absence.
Yours devotedly,
Ilka.
August the i8th.
Just returned from the Fex glacier. Here in
my little room I am dreaming over again ;the
wondrous day and you shall share its marvels
with me, coz, dear.
Promptly at eight o'clock our comfortable drag
tooled away merrily toward Si Is Maria. The
drive was charming along Lake Maloggia, which
our brave River Inn crosses like a fearless young
swimmer. Across its waters snow-capped peaks
beckoned us welcomingly, while on this side rises
Mount Julier, mantled in white almost down to
the green hedges of the valley, where the larks
sing. We could see the Julier post-road, over
which I have looked to see Arnold coming long
since.
Well, at Sils Maria we left the horses and
began mounting up the lovely, lonely ravine, with
an occasional chalet in sight, seeming so fragile,
but brave with flags, bidding the wanderer halt.
At last we are in the Fexthal ; and a lad from Sils
Maria awaits us with the commissary stores.
"This is the home of Spring," the Prince cried
delightedly, as our feet sank in the soft carpet
of grass. Despite the altitude a gentle breeze
greeted us, for the long valley with its tender
slopes was all flooded with bright, warm sunshine.
Along the heights were all sorts and conditions
of mankind climbing about in search of edel-
weis, and in the distance the girl's gay dresses
gleamed like great flowers against the soft green
background. Fresh from the rugged landscape
of Maloggia, one felt as if transported to a dainty
midsummer day's dream.
"An eagle!" exclaimed papa and the Prince, as
with one voice. It gave me a strange sensation
when, after, a moment's pause, the Prince said
gravely: "That was the eagle of Zarathustra.
Here, as I am told, that enigmatic book was
written, here where the wildest of flowers gro'w,
where eagles soar aloft Where else but here
could those wonderful lines have been inspired :
"Warm is the breath of the rockbound heights.
Here Happiness has laid his weary head on
their breast."
"Yes, here or nowhere must Happiness find his
true home. Oh, if but someone would show me
on which of these moss-grown plinths he has but
recently been reposing, how gladly would I hasten
thither to still the beatings of a heart torn with
a thousand uncertainties against that warm stont;,
and thereby win a space of rest!"
AVe were following the others, in the mean-
while, along a little brook, over rubble stone, thick
Alpine turf and huge shelves of rock. Not far
from the glacier itself we came upon a flat boul-
der, for all the world like a table set before us in
the wilderness, and the servants proceeded to
unpack our hampers so busily that our luncheon
was ready for us almost instantly. But the Prince
and I had little appetite, while papa was so
anxious to begin his investigations that he pleaded
for haste. Our pair of turtle doves, however,
after keeping to themselves all the way thus far,
now declared they could go no farther. My poor
little Sparrow had twisted her wing — I mean her
ankle (Se non i vero i ben trovato!) and
wouldn't venture on that slippery rubble, while
the legal luminary preferred the view of the
glacier as seen from his mossy couch. Accord-
ingly the guide started off with just us three.
Though you have as yet seen no glacier, I know
you won't expect me to describe the weird, un-
canny landscape before us. Papa, whose atten-
tion was absorbed in a study of the glacial move-
ment, remained below, hammering and measuring
away, and taking copious notes. The Prince and
I climbed still higher and higher, over snow-fields
and boulders, to where we could get a good view
of this fantastic realm of the Ice King, with its
mimic towers and peaks, its green grottos and
shimmering portals. Silently we stood there to-
gether, looking and listening, for the glacier is
no dead thing; always a rustling or a rumbling
sound, with now and then the crash of falling
masses of ice or stone, awakening tremendous
echoes. When an avalanche comes sweeping down
in the far distance, it thunders athwart the glacier
like some giant express train. Silently we stood
there, overwhelmed by the immensity of Nature's
powers, — it seemed as if our very souls were sink-
ing together deep down through those blue green
ravines into some icy dreamland or inferno. A
shrill whistle from below broke the spell of en-
chantment. Papa was beckoning to us and hold-
ing up his watch as a reminder that neither time
nor glaciers wait on dreamers. We descended
very carefully, the Prince holding me by the el-
Continued on second page ^ollowinf^.
CURRENT UTBRATVRB FOR FEBRUARY, 1906
Will You Try the Battle
Creek Lifefor 30 Days?
Will You Eat the Foods and Live
the Life Our Experts Recommend?
Do You Really Want to Bo Porfect?if Woll?
Tell us then if you are ailing, or if in good
health that you wish to remain so.
Let us send you our book. It is very inter-
esting. The life it recommends you can live m
j'our own home. You ought to read about it.
Nowhere else are so many specialists study-
ing this one thing alone— how to get well and
how to stay well. No organization anywhere
has been so successful. None other is so near
the truth. And the basis of all this is right
food — right living— keeping the stomach right.
All this we explain in our book. Explain
clearly— logically— interestingly so that you may
understand. Isn't it worth the mere effort of
writ:ne us simply to know ? Won't you ask for
our book to-^y? Address The Battle Creek
Sanitarium Co.. Ltd., Dept. A 127, Battle Creek,
Michigan.
Within
this jar
I there is more of the
real substance of Beef
— and a higher qual-
I ity of Beef^ — than in
lany other Meat Ex-
I tract jar of equal size*
II MUST have THIS signature
In t>lu«, or It's not genuine.
LIEBIGCOMPANTfS
Extract of Beef
A CHAIN of testimonials from dentists in
practice attests the unequalled excel-
lence of Dentacura Tooth Paste. It
cleans the teeth, destroys bacteria, prevents
decay. It is applied to the brush without the
waste attending the use of powder. That you
may know by experience its value we will
send you free a sample tube of Dentacura and
our booklet, ''Taking Care of the Teeth.**
Write at once. Offer expires March ist,
*o6. Dentacur* may be had at most toilet
counters. Price 25c. If your dealer does not
have it we will send it on receipt of price.
DENTACURA CO., 74 Ailing St.. Newark. N. J.
IE ANY DEALER
Ir OFFERS YOU
A SUBSTITUTE
WHEN YOU
ASK FOR
THC
HOSE
SUPPORTER
INStSTONHAVIKG THE GENUINE
OVER TWO HUNDRED STYLES
WORN ALL OVER THE WORLD
I (liW rOftTHE HAfMEANDTlie
LUUK MaULDCD RUBBER BUTTOH
OBOflOB FnOST 00.. MAKKf
Please mention Current Literature when you write to advertisers
PRINCE GHIKA
bows whenever I began to slip, for my shoes were
not the proper, heavy-pegged sort, and as I am a
novice at mountain climbing, I can accept as-
sistance without any compunction.
As we reached our halting-place, we noticed
that £ma was still seated on her mossy couch,
while the Italian stood before her, gesticulating
like the typical Southron that he is. The Prince
and I exchanged a meaning smile, as much as to
say that the world was to be congratulated on
another happv couple. But as we drew nearer
I remarked that Ema's wings, — arms, I mean, —
hung as lifeless by her side as any sick birds'.
Evidently our bri^ess barrister had wasted the
excellent opportunity especially arranged for him,
and despite our pains the pair were not yet united.
To your sympathetic soul I may add, without
breach of confidence, that in the course of the
day Benivieni made up for lost time. On the
way back he wore a judicial demeanor and when
we stopped for rest and a cup of tea at one of
the little chalets along the Fexthal,'upon Ema's
excusing herself on the plea of looking for edel-
weis, he followed after; and when they reap-
peared you should have seen their faces. Ema
winked at me with both eyes as much as to say:
"It's all right!" During the rest of the walk
they made no secret of their happiness ; she took
his arm, and Benivieni sang, with enthusiastic
emphasis, one Italian love song after another.
This excellent yotmg man has the most mar-
velous genius for accommodating his ideals to
his practical common sense, and makes me think
of that old but ever true tale of the matrimonial
agency: "Love-matches? Oh, certainly, we keep
them in stock, too."
Dare I confide to your cousinly confidence the
last scene of this day so fraught with significance
to us aU? At Sils Maria tne Inn issues from
Lake Malo^gia and forms a pretty little cove
bordered with rushes; then hastens on his way
toward Silvaplana. On the bridge which spans
the youthful stream at this point, we stopped and
waited for the others to overtake us. Going
through the ravine, the Prince had cut a branch
and had busied himself carving letters on a short
stick as we walked. Now he let me see it.
There was an S and an I intertwined, the initials
of his name and mine, Stephan and Ilka. Then
he tossed the reed far out on the swift-running^
waters and exclaimed: "Inn, bear this to the
Danube 1 Danube, do thou tell my Black Sea
what this message means V*
Suddenly he seized my hand and pressed a
burning kiss upon it, just as the others came up.
Now I am sitting alone in my room watching
and watching this day's scenes pass by. Unutter-
able thoughts, possibilities that make me blind
and dizzy, return again and again. I feel abso-
lutely incapable of even thinking for myself, while
those two deep, dark eyes seem to encompass me
in their passionate gaze. It is high time that
Arnold — ^never mind, let whatever is to be, come
in God's name, and may Providence provide some
remedy. Kismet.
Your Cousin Ilka.
August 20th.
Traitress! what have you done? You have
shown my letters about the Prince to Arnold!
He has telegraphed that he is coming imme-
diately,— raging, beside himself, I dare say, and
sure to challenge His Highness! Clothilde, what
will become of us? You are to blame if some-
thing terrible occurs.
And you accuse me of flirting and makinj:
men's hearts the plaything of my existence. You
accuse mef And has your own conscience noth-
ing to accuse you of? Or is it your creed that
all interesting male creatures are your lawful
property? First you practise your arts on my
future husband that was to be, and now you act
as if the Prince were your property, too. Wait
till you see how much there will be left of that
noble, handsome man when Arnold's rage has
cooled. My hand trembles so, I can write no
more.
Ilka.
August 31st.
He is here, his arm is around me as I write.
All is explained and we are, oh, so happy 1
"Do you still love me?" — ^"And how about
you?" Those were our only words; then, I think;
we both shed a few sweetly silly tears on one
another's shoulders.
Afterward Arnold made his little confession
to me and I to him, and in the mutual absolutions
your sins, too, lovely Qoe, were all included. In
your sweet self, he says, he saw only his absent
love incarnate, as he worshiped at your shrine.
And now truth for truth: the Prince must dis-
appear for good and all from mv mimic scene.
I can not rescue him, poor Princeling, since I
have been forced to confess that he is altogether
the creation of my own poor mother-wit Not
one word of all my maunderings is true, except
his name, which you will find in the hotel register
under date of Augiist 8th. I never even saw him
or his suite, as he only stayed over one night in
the hotel. Indeed, I took good care not even to
ask any questions about his personal appearance,
for had I been told that he was old and bald, it
misdoubts me whether I should have had the
courage to weave my little romance around so
tminspiring a hero. Blessings on thee, noble son
of Rumania, or young or old, who by the mere
magic of thy name hast enabled me to recover
my heart's, happiness. The newspapers and a
"History of the Balkans," which I found in the
reading room furnished me with the rest of my
material
On the other hand the briefless barrister of
Bologna and the little gold bird from Berlin are
real, solid flesh and blood personages. They are
to be married in a few weeks and have invited us
to visit them when we pass through Milan on our
wedding journey.
Now, don't be vexed and cross, sweetoat coz.
If ever I do meet a real live prince, I give you
my word Til drag him in fetters to your feet
As for Arnold, whose bonds I have made fast
this time, so tight that neither nymph nor goddess
may loose them, the poor penitent is condemned
to learn by heart this sage quatrain:
"Let not loved from lover stray,
Longer, — hither, thither—
Than the rose she gives him may
Bloom and yet not wither."
A
MILLION
DOLLARS
For a Stomach
Here's the challenge
t>t ati American mil-
lionaire to the doctors.
It '8 a very small price,
ccnisidtring the value of
this organ to the human
body. 13ut you can't buy a new
stomach — you wont need one if
you eat a natural food that strength-
ens the stomach by inaking it do its work.
Such a iood is
Shredded Whole Wheat
It is made of the finest wheat that grows, cleaned,
steam-cooked, drawn into tine porous shreds and
baked, presenting all the strcngtb-giving elements
of the whole wheat in their most dii^cstible form.
Stomach Stuffing means Stt>macb Suffering.
Satisfiction means Sunshine and Success.
Stomach
Shredded Wheat keeps the Stomach clean and sweet. It also
promotes " bowel exercise," keeping the intestinal tract in a healthy
condition.
Shradded Wli«at Is made In two forms, BISCUIT and TRISCUIT. The
BISCUIT Is dolldoos for broaKftM with hot or cold miltt or cream, or
for anjr meal In comhination with fmit or Tegetables. TRISCUIT Is
the shredded whole wheat cracKer, crisp, nourishing and appetizing
Delidons as a toast with beTeta|{es or with cheese or preserves.
The " Vital Question Cook Book "
is sent free for the asking
The Natural Food Co.
NIAGARA FALLS, N, Y.
""its All in the Shreds'
1AVE BEEN ESTABLISl^EP
54 YEARS
ind are receiying more far-
orable eommants UHlay from an art-
ifCto atandpolnt tban all other makes combined.
WB CHALLENGE
CX>MPARISONS.
By our easy payment plan every family in moderate
circumstances can own a V080 piano. We allow
a liberal price for old Instnmients in exchange, and
deliver the piano in your bouse free of expense.
You can deal with us at a distant point the same
as in Boston. Catalogue, books,
etc., giving full information
mailed free.
|VOSe & SONS PIANO co^
il60 Boylston St., Bostoii« Masi.
lANOS
roU can obtain G.-W. " Elastic " Book Cases
I fitted with bml •lata tfUa. laWed tfiM or plaia
* JIaM ioort, and with panel ends or plain ends.
There is practically no limit to the varied and
artistic arranfirements that can be made with
these nniU, whfch embody the best material,
finish and mechanical construction.
An units controlled by our patent non-
bhiding door equalizer. ^^. , .,
Uniform prices everywhere. Obtainable
from authorized agents in nearly one
thousand cities. Where not represented
we ship on approval, freight paid.
Write for Catalogue los C
CINCINNATI.
m„^A Nsw York 380-382 Broadw^r.
•^JL--, Boston, 91-93 Federal St.
"••^ CHICAGO. 224-228 Wabaah Ave.
ENNEN'^
BORATE© TAt-GUM
'OILET .^ft. POWDER]
j ■ W'V;i>'"l
v;
When the Snow Flies
* ami Milnj*. fn^ty all loyETieni iJiir sVlti. uw MetincTi*S"ll tfrrn
the ak.3rt h'si ncM. A jioftitiTc ntHef fyr cbapi^rd tinndsp
ekiill n K a nd atl akJ n t roali 1t« a. M c nnc:? t Ui e m n e rer^r
I hox^iKvitv iim ycu eel th« tervume. F^r »14 rvrryvhf re oe
I hf I&lll, attO* Siraj-TiJ ffCf, Try MtHnrm's iwHt rmatm^
i GERHAJCD WEHNEN CO-» Newark. N* J.
Earning^
Poorer
of Brain
Depends upon everyday food lo renew
the loss of yesterday.
You can't make a keen, bright
"111 inker" from badly selected food.
There are certain elements in the
field grains that Old Dame Nature
must have to build good, strong, work-
ing grey matter in brain and nerve
centres.
These things are scientifically incor-
porated in the world-famous Brain
Food
Grape-Nuts
"There's a Reason.'*
Postum Cereal Cc, Ltd.. P.atlle Creek Mich.. U. S. A.
WYNKOOP HALLENBECK CRAWFORD CO., NEW YORK.
$3.00 a Year
MarcH 1900
Price 25 Cents
Current
literature
For Complet* Table of Contents see inelde page
A Review of the World
The United States Senate Under Fire
Evolution of Our Foreign Policy
Are We Going to Regulate Railroad Rates ?
Vhat WUl the New Parliament Do ?
Literature and Art
Science and Discovery
General Decline of Human Fertility
The Doom of the Atom
The Will as a Means of Prolonging Life
Present Position of the Cancer Problem
Music and the Drama
Nordau*s New Onslaught on Noted Artists
The First of Living Poets
The Wittiest Man That Ever Lived
Is Journalism the Destroyer of Literature ?
Religion and Ethics
Most Revolutionary of all Philosophies
Have We a Muzzled Pulpit ?
Walt Whitman's Religion
The Future of Christian Theology
Recent Poetry
Stfauss*s Great Musical Sensation
The Play of the Year in Paris
How to Write Successful Plays
Tchaikovsky's Melancholy Self-Portrayal
Persons in the Foreground
Miss Alice l^oosevelt That Was
'* Best Mayor of Our Best Governed City"
The German Emperor's Family Circle
The New French President
Recent Fiction and the Critics
The Story of the Lost Conscience
THE CURRENT LITERATURE PUBLISHING CO.
34 West 26th Street, New York
HAVE YOU EVER TRIED that ^^Dainty Woman^s
Friend/' HAND SAPOLIO, for toilet and bath ? It is a
delicate preparation of the purest ingredients, a luxury, but
also a necessity to every man, woman and child who desires
the beauty of perfect cleanliness*
DON'T INFER that the patient ate a horse because you
saw a saddle under the bed* HAND SAPOLIO is relatea to
Sapolio only because it is made by the same company, but it
is delicate, smooth, dainty, soothing, and healing to the most
tender skin* Don't argue. Don't infer. Try it 1
HAND SAPOLIO SAVES doctors' bills, because proper
care of the skin promotes healthy circulation and helps
every function of the body, from the action of the muscles
to the digestion of the food* The safest soap in existence*
Test it yourself*
Intending purchasers
of a strictly first-
class Piano
should
not fail
to exam- /
ine the
meritis of
THE WORLD RENOWNED
SOBMSn
It 2s the special favorite of the refined and
cultured musical public on account of Its un-
surpassed tone-quality, unequaled durability,
elegance of design and finish. Catalogue
mailed on application.
THE80HMER-CECILIAN INSIDE PLAYER
SURPASSES ALL OTHERS
Favorable Terms to ResponBlble Parties
SOHMER & COMPANY
WirariKMU Car. M An. 22i Si. NEW YOU
Court 'y ot Th' l^iKH-.
I HE BEST MAYOR OF THE BEST GOVERNED CITY IN THE UNITED STATFS''
Tom L. T«'^ins(vn, of Cl«*veland. Ohio, thus characterized by Lincoln Stiffens, bexr: n life in penury and be-
<-ame a millinnaire before he was thirty-tive. He said in ('on>rress : "As a business man 1 a!ii willing to take
advantavce ot all the monopoly laws vou pass, but as a member of Congress 1 will not beb:) vou to pass t^eiu
■auJ I will try to f.-rce you to repeal'thtm." ' '
Currenttiterature
?0L XI^ Ni. 3
Edward J. Wheeler, Editor
Associate Editors: Leonard D. Abbott, Alexander Harvey
MARCH, 1906
A Review of the World
IF CRITICISM of the President was the
order of the day in Washington one
month ago, criticism of the Senate is the order
of the day now, not in Washington but in
the country at large. This may be looked upon,
in part, as the response of the country to the
attacks upon the President, which have been
interpreted by Democratic and Republican
journals alike as the result of a coalition be-
tween affronted newspaper correspondents.
Congressmen disappointed in matters of
patronag^e and opponents of the measures
which the President is especially desirous to
see enacted. In the lower house of Congress
this antagonism has produced small ^ results.
The Philippine tariff bill, the statehood bill,
and the rate-regulation bill have all been passed
hy large majorities (the last named having
but seven votes in opposition) , and all in about
the shai>e the President was supposed to de-
sire. Everything of special importance, there-
fore, is now "up to" the Senate, and upon
that small body of ninety men the whole
attention of the country is at this time
concentered.
WHAT the New York Sun calls an "epi-
demic of Congress-baiting" has broken
out in consequence, nearly all of it directed at
the upper house. So perturbed are the Sen-
ators represented to be, more especially be-
cause of the magazine articles appearing or
promised, that the suggestion has been con-
sidered hy them of selecting one of their ablest
spokesmen to deliver a carefully prepared re-
sponse. "The Treason of the Senate" is the
title of one series of these magazine articles.
It is to run well through the year in Mr.
Hearst's Cosmopolitan, and is written by the
novelist David Graham Phillips. The editorial
announcement of the series is sufficiently lurid.
For instance; "A searching and unsparing
spot-light, directed by the masterly hand of
Mr. Phillips, will be turned upon each of the
iniquitous figures that walk the Senate stage
at the national Capitol." The first of the series
appears in the March number. Nearly all of
it is devoted to the career of Senator Depew,
whose joviality and popularity are said by the
writer to have cost the American people at
least one billion dollars. Another "artist in
exposure" is in Washington — Mr. Lincoln
bteffens — ^who begins by finding the lower
house "frightened," "factional" and *'cow-
ardly." Pitching into public men, The Sun
remarks, "is now a regular and lucrative
branch of magazine literature."
ANOTHER magazine article, severe but not
sensational, appears in The Atlantic
Monthly from the pen of Dr. William Everett.
It is directed entirely at the Senate, about
which, the writer thinks, most Americans en-
tertain an uneasy feeling — a feeling that all is
not well with that branch of our Government.
Dr. Everett's article is not likely to allay this
uneasiness. "Less by usurpation than by
growth," he finds, "it [the Senate] has come
to hold the President and the House of Repre-
sentatives by the throat, and almost dictate to
them whatever appointments and measures it
sees fit." The development of this power he
traces historically to the nameless fear of a
monarchy that prevailed in the convention of
1787. The Senate was entrusted with a share
in all three departments of Government— ex-
ecutive, legislative and judicial. It has had
its ups and downs, but after every period of
disfavor it has reasserted itself and gained
ground every time. It assumes now to reject
nominations on account of personal pique, or
to hold them up indefinitely. The power to
amend revenue bills has been stretched, es-
pecially in the case of tariff bills, to an indefi-
«3*
CURRENT LITERATURE
HAS FOUND HIS PITCHFORK AGAIN
Senator Tillman has lately renewed all the violence of
Invective of his earlier days. He thinks the President is
guilty of "usurpation" in the Santo Domingo matter.
nite extent, even that of substituting a wholly
different bill with a different preamble. If the
Senate has not actually usurped any ungranted
powers. Dr. Everett repeats, it "has so inflated
those it has as almost to burst their constitu-
tional limits, and it has done so with an assur-
ance, an arrogance, an air of 'what are you
going to do about it?' that has had no prece-
dent in Parliamentary history for centuries."
It has succeeded in thus inflating its powers
by reason of four facts: (l) the long term of
office (six years) ; (2) the continuous char-
acter of the senatorial body; (3) its compara-
tively small size; and (4) the social character
that has developed and made of the Senate "a
luxurious club." Dr. Everett writes :
"If the long tenure, the small numbers, the con-
tinuity and the sociality of the Senate increase its
complacency and tempt it to defy the other de-
partments of government, still more do they lead
to its being extolled and courted in outside opin-
ion. When an entire body consists of ninety and
can always be controlled by less than fifty men,
yet has its hand on the throttle valve of the ma-
chine of government, what wonder that its mem-
bers are approached by every species of persua-
sion, personal, political, and social, and absolutely
made to feel, if they did not feel so themselves,
that they are the nation's rulers."
But Dr. Everett has no faith in any proposed
amendment to the Constitution for the purpose
of securing election of the Senators by direct
vote of the people. His advice is: Let the
President and the House of Representatives
stand on their rights. "Let the President
break away once for all from the stupidity,
and as I believe the illegality, of the congres-
sional spoils system, and absolutely refuse to
listen to Senators' recommendations for office ;
let the House of Representatives risk the loss
of revenue rather than let the Senate dictate
its bills."
DEFENDERS of the Senate at this junc-
ture are not lacking. Most conspicuous
among the newspapers that take up the cudg-
els in its behalf are the New York 5*1411 and
the Boston Herald, The former decries what
it considers intemperate criticism of both
branches of Congress. Patriotism and fidelity
to American institutions demand that we re-
spect our national legislature. "Without con-
fidence in lawmakers there can be no respect
for law. Those who seek to undermine that
confidence and to destroy respect are playing
wkh matches in dangerous proximity to a
powder magazine." The same paper main-
tains that a study of The Congressional Rec-
ord shows intimate knowledge on the part of
Congressmen, high intelligence and a laudable
grasp of principles and details. The Boston
Herald thinks the country is to be congrat-
ulated that the Senate acts as a check upon the
half-baked and demagogic bills passed by the
lower house at the dictates of its speaker, and
upon the "hurry" recommendations "of an
impetuous and impatient President who too
often applies to grave matters of diplomacy or
statesmanship the *hair trigger' practice that
he uses in hunting *big game.' " Another in-
fluential and independent journal, the New
York Journal of Commerce, is "on the fence.*'
It maintains that so far as present policies are
concerned, the Senate "is fighting the popular
battle against the executive." In the Presi-
dent's foreign policy it sees a uniform element
of danger, namely, the tendency toward cen-
tralization. At the same time it is convinced
that the Senate's growth of power and decline
in character present another serious menace,
and of the two perils, senatorial aggrandize-
ment and the centralization of power, it knows
not which is more to be feared. It also, with
Dr. Everett, calls upon the lower house to re-
assert its rights and re-establish itself in public
confidence by greater care and deliberation in
BITTER CRITICISM OF THE SENATE
233
its enactment of legislation. Ever since the
"Reed rules" were enacted, another writer,
Henry Loomis Nelson, tells us, the lower house
has declined in importance. It has come more
and more under the autocratic control of the
speaker, and all that is necessary now for tlie
President to control its action is a compact
with one man. This call upon the lower house
to defend its rights more vigorously and to
resist the aggressions both of the Senate and
the President is heard more and more fre-
quently ot late.
WHEN we get away from the Eastern
States, the expressions of opinion con-
cerning the Senate grow more positive and bit-
ter, not because of what the Senate has or has
not done this session, but because of what it
is expected to do. Here is an extract from
one of the leading Democratic dailies of Ohio,
the Qeveland Plain Dealer, taken from a long
editorial on "The President and the Politi-
cians" :
"There is no secret as to the real character
of the contest at Washington. Behind the poli-
ticians in congress are crouched the great rail-
road interests, the trusts that have fattened on
special privileges, the giant corporations that
have dictated laws in their interest and disre-
garded laws conflicting with the success of their
schemes. These corporations have their agents
and servants in the house. They are strongly
entrenched in the Senate. They are determined
there shall be no 'square deal.' . . .
'The plan of campaign in the Senate is already
developing. It is to be one of delays and petti-
fogging attacks on the President that, it is hoped,
will divert attention from the main issues. The
management of Psuiama canal affairs, the Santo
Domingo complications, the Philippines, the state-
hood controversy, everything that can be made
use of for delay and everything that can by per-
verse ingenuity be twisted to the discredit of the
President, or to impeachment of his judgment,
will be taken advantage of by his pretended
friends but secret enemies in his own party. It
is hardly possible that these tactics will prevail
to shake the faith of the people in President
Roosevelt, even if they are successful in staving
off for a while legislation the public have de-
manded and the President urged."
In many other Democratic papers, as well
as Republican, the same bitter tone is main-
tained Here is a similar representative ut-
terance from the South, from the Memphis
Commercial-Appeal (Dem.) :
"The Senate has become an appendix to the
trusts and the protected interests. It represents
the people no longer. There are some men in it,
of course, who do look out for the popular will,
but the Senate as a whole, and under Republican
auspices, is a mere instrument of Republican cor-
ruption."
THE APOSTOLIC SENATOR
Reed Smoot. the Mormon, is still fiehting for a right to
represent Utah in the Senate. It is charged that his
vows as an Apostle are at variance with his professed
fealty to the flag.
The antagonism to the President is resented
by the Indianapolis News (Rep.) with equal
fervor. The fight against him is in reality,
so The News thinks, a fight against the people,
and it says:
"We should remember that the professional
politicians have always been hostile to Theodore
Koosevelt, and that the whole monopolistic in-
fluence is bitterly antagonistic to him to-day.
And now that the President has on his hands the
biggest fight he ever had, these old enemies feel
that they can' pool issues, defeat the legislation
asked for by both the President and the people,
and show at the same time that the President is
not after all a formidable figure. We believe that
that is the game now on foot. He is as unpopu-
lar with the Aldriches and Platts and Depews as
he always was, and he is quite as popular with
the masses as he was a year ago."
OUR foreign policy and the modifications
which it is thought to be undergoing at
the present time furnish a topic which has
elicited several notable addresses in the Sen-
ate and a vigorous discussion by the press in
all sections of the country. The discussion has
assumed various phases. The arrangement
made by the President for the collection of
customs duties in Santo Domingo is one and
perhaps the most acute phase. The sending
of delegates to the Morocco Conference is
»34
CURRENT LITERATURE
MAY SUPPLANT GORMAN AS DEMOCRATIC
LEADER
It was while Senator Gorman was away that the cau-
cus of Democratic Senators w«s held, under the leader-
ship of Senator Bailey of Texas. He is but 42.
another. These two events and some recent
interpretations of the Monroe doctrine as
ma3e by President Roosevelt and Secretary
Taft have brought that historic policy again to
the front. The powers of the President in for-
eign matters and the constitutional powers of
the Senate have been involved in the discus-
sion. And, finally, the decision of the Demo-
cratic Senators to take caucus action against
the Santo Domingo treaty, and the revolt from
the caucus of Senator Patterson, of Colorado,
have created something like a political sensa-
tion.
THE Santo Domingo treaty was nego-
tiated by the President and placed
before the Senate last year. That body
adjourned without action and the treaty,
therefore, remained pending. Shortly
after the adjournment of the Senate, the
President received a cablegram which
may become historic. In the usual eco-
nomical verbiage of cablegrams, it in-
formed the President that the Santo
Domingo Government, under the pres-
sure of foreign creditors and of domes-
tic peril, offered to place in charge of
the custom-houses in its Southern ports
and in four Northern ports a citizen of the
United States, under whose administration of
the customs 45 per cent of the money was to
go to the Dominican Government and 55 per
cent, to be deposited in New York for distribu-
tion among the nation's creditors after ratifica-
tion of the pending treaty. The creditors were
all or practically all willing to accept such an
arrangement. It was made. President Roose-
velt "nominated" for receiver of the duties
Colonel George R. Colton, a retired officer of
the United States army. He was appointed
by President Morales, and he entered upon his
duties. The arrangement is one somewhat
similar to that provided for in the pending
treaty, but there are differences. Senator
Spooner thinks the differences are important.
Senator Tillman thinks they are unimpoitant
and charges the President with usurpation of
power in making such an arrangement when
the treaty was still pending.
UNDER the treaty when it shall have been
ratified, the United States will take
charge of Dominican custom-houses, and col-
lect and have charge of all receipts. It is also
to appoint a commission for the purpose of ad-
justing the debts of the republic, amoimting
nominally to about thirty-three million dollars.
Under the present arrangement no such direct
responsibility is incurred by our Government
Colonel Colton, though nominated by President
Roosevelt, was appointed by Morales, his sal-
ary is paid by the Dominican Government, he
collects revenues and deposits or pays them out
under a decree of the same government, acting
"solely under the atrthority of that govern-
ment" Such was Colonel Colton's own testi-
mony before the Senate committee, and its ac-
curacy has not been challenged. In eight
months, ending November 30 last. Colonel Col-
TOO MUCH ROOSBVELT
— Donophy in CleveUmd JWn Deahr,
EVOLUTION OF OUR FOREIGN POLICY
ajS
ton had collected $1^5,000, turning oyer 45
per cent (less costs of administration), or
$550,000, to the Dominican Government, a sum
in excess of the entire amount hitherto col-
lected by Dominican officials. The remainder
of the sum collected has been deposited in the
National City Bank of New York, awaiting
the ratification of the treaty and the adjust-
ment of the Dominican debts before being dis-
tributed to the creditors. This seems to be all
there is in the situation at present, despite the
language of the President in a speech at
dautauqua last August in which he seemed
to imply that the United States itself is re-
sponsible for Colonel Colton's acts. "Under
this arrangement," he said, "we sec to the
honest administration of the custom-houses";
"we are protecting the custom-houses"; and
"the Government is actually getting more from
the 45 per cent, that we turn over to it than
it got formerly when it took the entire rev-
enue." Senator Spooner, after a long and bril-
liant defense of the President's course, was in-
terrogated by Senator Culberson concerning
this speech. He did not attempt any explana-
tion. He had defended the President's official
acts; perhaps he thought that explanation of
the President's unofficial utterances was not
a part of his duties.
WHETHER or not the President has ex-
ceeded the constitutional limits of his
power in the arrangement with Santo Domingo
is a somewhat technical question that pales
into comparative unimportance before the
question raised by the treaty itself. The pres-
A RULE THAT WORKS ONLY ONE WAY
— Maybell in Brooklyn £a^/e.
Copyright 1902 by J. K. Purdy, Bofton.
HE BOLTED THE CAUCUS
Senator Patterson, of Colorado, claims that the caucus
of Democratic Senators on the Santo DonrinRo treaty was
a violation of the Federal Constitution. He has intro-
duced a resolution saying so.
ent arrangement is a temporary device le-
gally binding the United States as a nation to
nothing. The treaty, if ratified, will be per-
manent and will bring the nation into new in-
ternational relations that may constitute a
very important precedent. Already it is re-
ported that the Italian Government has made
inquiry as to the likelihood of our entering
into a similar arrangement with Haiti. There
are many other countries in Central America
and South America which are in a chronic
condition of financial trouble similar to that
of Santo Domingo. If this treaty is to be rati-
fied, where will this course lead us? Are we
to assume a protectorate over the rest of these
shaky republics whenever a European nation
threatens to collect debts at the cannon's
mouth? Is the Monroe doctrine to receive a
new and startling extension, such as may con-
stitute us a sort of receiver for any bankrupt
country in this hemisphere ? Such questions as
these are asked by the enemies of the treaty.
The answer made is that this treaty, if ratified,
commits us to nothing further. It will consti-
tute a special arrangement made under excep-
tional circumstances, with a nation but ninety
^3*
CURRENT LITERATURE
DIDN'T WANT US TO GO TO ALGECIRAS
" To save the country from a violation of the policy
laid down in Washington's farewell address," Senator
Bacon, of Georg^ia, protested against our participation
in the Morocco conference.
miles distant from our possessions in Porto
Rico. And, moreover, it will be an arrange-
ment effected* as the result of an appeal from
Santo Domingo itself.
AVERY eloquent speech on this subject of
our foreign relations, particularly the
Santo Domingo affair, was made several weeks
ago by the new Senator from Maryland, Sen-
ator Rayner. In the course of this, his maiden
speech, the Senator paid high tribute, both to
President Roosevelt and Secretary Taft; but
he rejected emphatically what he called the
"Roosevelt corollary" to the Monroe doctrine,
and included in his rejection the policy of
President Cleveland in the Venezuela contro-
versy. He stood for the Monroe doctrine as
it was originally promulgated, but not as it
has been expanded of late years. He under-
took to establish these two propositions :
"First — ^That the President is in error when he
states that 'we are within our rights and other
governments are within their rights when they
actively intervene in support of the contractual
claims of their citizens.'
"Second — ^That he is equally in error if we are
tp be governed by precedent when he states that
'upon the seizure of a custom house to enforce
claims recognized by international law in south or
Central America we become a party in interest
under the Monroe doctrine and must prevent
this action upon the part of foreign govern-
ments.' "
Intervention in the case of Santo Domingo,
he held, is not to preserve political liberty (the
purpose of the Monroe doctrine), but to col-
lect the debts of usurious bondholders. One
of these bonded debts he explains in some de-
tail. It amounts to £750,700, on which Santo
Domingo is bound to pay, for interest and
sinking fund, the sum of £58,900 annually.
And all the actual money Santo Domingo ever
received for this was £38,000, or £20,000 less
even than the annual payment required. Said
Senator Rayner:
"We must realize that this new Monroe doc-
trine is strictly a financial doctrine. The tragic
figures of Bolivar and Miranda and a hundred
other heroes, who swept up and down the Spanish
main, have disappeared from view, and the Santo
THE SKY-LINE OF SANTO DOMINGO'S CAPITAL
Effective naval action off this port is not easy. The mouth of the Ozama River debouches here and is acces-
sible beyond this point only to small vessels. The roadstead is danfi^erous to battleships, which must be cau-
tiously piloted.
WE AND SANTO^DOMINGO
m
A LEADING THOROUGHFARE IN SANTO DOMINGO
More than'one regimeDt of foreifirn troops has policed this street in the course of recent crises. A German force
heldthe town on one occasion and camped here in the open.
Domingo Improvement Company and the West-
emdorps, of Amsterdam, and Messrs. Bichoff-
schein and Goldschmidt now appear upon the
scene. Arma virumque cano is an epic dream.
The theme is money, the legend is cash and the
foreign hordes who are advancing into the State
Department are a syndicate of relentless merce-
naries and money-lenders, who traffic in calamity,
look upon national misfortune as so much mer-
chandise and who for a venal profit would call
a vendue and auction to the highest bidder the
liberties of mankind."
CENATOR SPOONER'S speech in the
*^ Senate, January 23, was not delivered
as a reply to Senator Rayner's. The Wis-
consin Senator's purpose was not to discuss
the treaty with Santo Domingo, but to defend
the President's temporary arrangement while
the treaty is pending. And he expressly dis-
claimed any intention to become involved in
an attempt to sustain any amendment or
alleged corollary to the Monroe doctrine. But
he insisted, as Senator Lodge had also insisted,
that Santo Domingo presents an exceptional
case, agreeing with other Senators that the
United States has no general call to become
the receiver of bankrupt nations to the south
of us. For a hundred years Santo Domingo has
had "an irredeemably bad history from almost
every standpoint." The people have been "the
prey of foreign usurers and of domestic black-
mailers and revolutionists." Senator Spooner
took no exceptions to Senator Rayner's de-
scriptions of the usurious character of the
nation^s debts. He concluded his •speech as
follows, speaking of the pending treaty:
"It is believed that their honest debt, instead of
being $33,000,000, is less than $10,000,000. Every
year has been a year of horror, and it is now
WANTS TO ANNEX SANTO DOMINGO
Senator Heybum, of Idaho, has a bill reviving General
Grant's pet project.
438
CURRENT LITERATURE
within sight of our flag. That is one thing which
distinguishes the case from all the rest. It is
90 miles from Porto Rico.
"Nor, Mr. President, is that all. There is
another element in it which appeals to every man,
I think, who stops to consider it, which will dis-
tinguish it probably from all to the southward.
Santo Domingo asks the United States to do this
thing. What? To help her to face the sunrise. To
help her work her way out of the darkness. She
wants to pay her debts. She can never rehabili-
tate herself until some one stronger than she in-
vestigates these claims, and, having influence with
the creditor nations, scales them down to what is
honest and ri^ht. All they want is to be protected
from revolution by an honest collection of rev-
enues until their debt is paid, and they believe
that during that period of time the contrast be-
tween prosperity and anarchy, between law and
peace and bloodshed and violence will teach that
people to prefer the improved condition. To
whom else could she apply? We gave her war-
rant to apply to us. How? When? Where?
When we went to war to free Cuba, and, after
we had freed her, taught her people by an object
lesson in their midst the true theory of govern-
ment, organized a government and left her, under
the resolution of which my friend the Senator
from Colorado [Mr. Teller] has a right always
to be proud, to her people. What other nation has
done that? And to us, her neighbor, known all
over the world as not only a powerful and rich,
but just and generous and liberty loving nation —
little Santo Domingo appeals to give her a chance
— ^that is all — for life and peace; not to compel
her to pay usurious interest to rascals, not to force
her to pay what she does not owe, but to give
her a chance. Is there any other case like it?
She is a derelict little nation out in the near by
sea. Any nation has the right to clear the sea
of a derelict. It is a danger. Is it not on the
whole safer and better to extend to her our aid
than to turn away from her appeal, with the com-
plications certain to follow?"
THE Santo Domingo question has now be-
come a partizan one. The fact is
generally deplored, for it is commonly ad-
mitted that in dealing with foreign nations
we should present a nonpartizan front — a line
of conduct, by the way, which all nations
profess to desire but seldom achieve. For
the partizan developments in this case Demo-
crats blame Republicans and Republicans
blame Democrats. The overt act which
advertised the partizanship phase of the ques-
tion was the action of the Democratic Senators
in holding a caucus and acting upon two reso-
lutions, one opposing the Santo Domingo
treaty, the other declaring it the duty of every
Democratic Senator to vote against ratification
of the treaty if the resolution opposing it were
adopted by a two-thirds vote of the caucus.
Both resolutions were adopted and Senator
Bailey then gave notice that any Senator not
abiding by the action of the caucus should be
excluded from all future participation in
caucus meetings. The next morning an
editorial appeared in the New York Sun to
which is credited, rightly or wrongly, an im-
portant influence on subsequent events. The
editorial, entitled "Caucusing Against the Con-
stitution," began as follows:
"It seems to us that no deeper disgrace ever
yawned before a minority than that to which the
Democrats of the Senate are invited by the pro-
moters of the caucus plan of disposing of the
Santo Domingo treaty. What are these Demo-
cratic Senators thinking of? Arc they blind to
the significance of the proposed application of
caucus rule to their part in the making of
treaties?"
The editorial proceeded to set forth the
individual responsibility of Senators, under
the Constitution, in the matter of treaties. It
held that never before in all the history of the
Government had the caucus method been
applied to treaty-making. It means that in a
full Senate of ninety members, twenty-one
Senators can by caucus method defeat a treaty.
It added :
"It has been the glory of all great parties since
our Government was instituted that in matters of
foreign policy, and particularly in the performance
of the Senate's high function as a part of the
treaty-making power, the party whip has Deen
. absent, or at least invisible. The present proposal
to produce the whip and to apply it publicly for
the suppression of the advice and consent of the
Senators subjected to party dictation, merits, in
our opinion, the serious attention of patriotic
Americans.
"Considerably more important, we should say,
than the failure or success of this particular
treaty are the questions whether the power of the
United States uovernment to do business with for-
eign nations by means of treaties shall continue
to be exercised according to the mathematical
formula which the Constitution prescribes, and
whether the decision of the fate of treaties shall
be transferred from executive session to party
caucus."
SENATOR PATTERSON, of Colorado, a
Democrat, evidently took the same view.
He had left the caucus before a vote on the
resolutions was taken. He now proceeded to
introduce in the Senate a resolution to the
effect that caucus action on a treaty is "in
plain violation of the spirit and intent of the
Constitution of the United States," speaking
to his resolution on much the same line as
that presented in The Sun editorial, and pay-
ing tribute to the President as one who "in his
great struggle against railroads and trusts is
doing a greater work than any President since
Andrew Jackson." Senator Bailey took him
sharply to task and defended caucus action
THE CAUCUS AND THE CONSTITUTION
239
on the grotind that the President, by parttzan
considerations and the use of patronage, had
whipped the Republican Senators all into line
in support of the treaty, and the Democrats
were justified in meeting such tactics with
caucus rule. This is the line of defense fol-
lowed by the Democratic press. The Detroit
News (Ind.) calls attention to the fact that the
caucus is a "purely voluntary meeting" of no
oflkial character, and if the argument against
it were carried to its logical extreme "a
Senator would be debarred from consulting
with any of his colleagues, or even with the
President himself, lest the result of the con-
sultation should influence him to substitute
the judgment of the other for his own." It
refers to the "steering committee" of the
Republican Senators as ''a less formal sub-
stitute for the caucus." The Atlanta Consti-
tution thinks that "from a party standpoint"
the effort of the Democratic Senators to get
together and present something like har-
mony of action after several years of division
is to be commended. This aspect also strikes
the Philadelphia Bulletin (Rep.) forcibly,
which thinks the fact that the Democrats are
again getting "into shape as a fighting opposi-
tion" is the most important phase of the ques-
tion. The Philadelphia Ledger (Ind.) thinks,
on the other hand, that "a strict and servile
obedience to a party caucus lash" cannot be
justified either in case of a treaty or
in case of any ordinary legislative meas-
ure, on which also a memb^ of either
bouse is bound to act according to his
own convictions. The Pittsburg Dispatch
(Rep.) is opposed to the Santo Domingo
treaty, but it holds that Senator Patterson is
"unquestionably correct" in his opposition to
caucus rule. It argues as follows:
''It is establishing a boss in the form of a party
majority. This power when exerted is generally
a minority of the whole legislative body, because
if there is a majority of the body in favor of a
given action the attempt to dragoon dissidents
into line by party authority is unnecessary. So
that caucus authority, besides destroying individ-
ual freedom of action, is, if successful, a means of
securing what is really desired and approved by
no more than a minority of the members."
N
EARLY all the opposition to the Santo
Domingo treaty in the press is due to a
belief that it is likely to impClate us in similar
relations with numerous other countries. "We
know of no single argument advanced for our
JDtervention in Santo Domingo," says the New
York Evening Post, "which does not apply, or
coald not be made to apply, to all other re-
publics in arrears and in difficulty between
us and Cape Horn. And the greater part of
their debts, like those of Santo Domingo, is
practically of the nature of gambling debts.
Speculators have simply taken chances, as
in a lottery, and now we are to guarantee the
lottery." In another editorial on "Uncle Sam
as Pan-American Receiver," it sets forth the
size of the job it thinks we would be shoulder-
ing by ratifying the treaty. It says:
"Santo Domingo first placed a loan with for-
eigners in 1869. On it she has been in default for
more than twenty years. Colombia has had a
foreign debt for some 83 years, during about 47
of which no interest was paid. The corresponding
figures for Guatemala, lionduras, and Venezuela
are, respectively, 78 and 48, 78 and 72, 83 and 41.
Costa Rica and Nicaragua have been in default
for more than half the time. Salvador has repu-
diated a part of her foreign debt. Thus it ap-
pears that, if Uncle Sam is going to set himself
up in the. business of liquidating all outstanding
Pan-American debts, he will not lack for occupa-
tion!"
LOVE kept such a fiery vigil in the bosom
of Alfonso XIII last month and the
tender passion has taken such possession of
the whole soul of Princess Ena of Batten-
berg that the Madrid Epoca is led to conjecture
that this radiant pair will wed prior to the date
in May now tentatively fixed. But the many
entanglements, social and political, that must
ensue if this marriage be made suggest them-
selves to a correspondent of the London
Times. As Queen of Spain, Ena will be "most
Catholic," althoiigh she was reared as a
Protestant. When she comes on a visit to
England it will be in Westminster Cathedral
that she will worship while the Roman Cath-
olic ecclesiastics will receive her and she will
take her confessor to Buckingham Palace.
The nonconformist conscience is described as
in a state of revolt, and high churchmen can
not enjoy the perfume of the full-blown rose
of Princess Ena's passion for a king who has
made her a Roman Catholic. Even the clerical
Volkszeitung of Cologne is in a state of dis-
edification. A political conversion to the faith,
says this Roman Catholic organ, can please
nobody. So the aching adieu of Alfonso to
Ena at Biarritz three weeks ago really
initiated a struggle of their linked destinies
against a too ecclesiastical world. She handed
him two exquisite roses which she took from
a vase, avers the London Mail. The King
kissed them tenderly and placed them inside
the left breast of his coat next to his heart
And so they parted.
THE RELIGION OF PRINCESS EN A
241
THE SPANISH KING WITH THE AUSTRIAN LIP
This physiosnomical characteristic is not pleasine to
Spaniards, reminding them of Austrian influence, lone
dominant at Madrid. The Spaniards call their King^
mother '*that Austrian woman."
THEY are in love. They are young. Let
the Vatican think only of that, pleads
the Correspondencia de EspaHa (Madrid), a
liberally disposed organ, transported by its
own admiration for an English princess with
a boundless capacity for love and overjoyed
by the defeat of an Austrian "candidate" for
the glories that will be Ena's. But the
Universo (Madrid), organ of the hierarchy in
Spain, remains significantly unmoved. Spain's
ambassador at the Vatican, it observes, has
arranged a visit from the princess to the
Pope. "Her Highness will then abjure the
errors of Protestantism," we read, "and be
received into fhe one true faith." Carlist
organs, nevertheless, openly deplore in the
King an attachment based, as they contend, not
upon strength of character but upon strength
of passion. They reproduce German insinu-
ations that Princess Ena's temper is a hot
one. They are impressed by no English
newspaper notions of her perfect loveliness.
They praise, instead, the fascination of an
unnamed German royal maiden whom the
King saw while visiting Emperor William.
TO MARRY THE KING OF SPAIN
Princess Bna of Battenbere is the cause of much
aaritation on account of her religion, whiqh is Protestant.
Her intended, Alfonso XIII, discovered in her a warm
sympathy with Roman Catholicism. The Vatican is
now investigatingf.
WHEN the Hepburn rate bill passed in
the House of Representatives, on Feb-
ruary 8, the most important policy advocated
by the President since he entered the White
House was supposed to have made an im-
portant advance. The bill is a sort of com-
posite photograph, so to speak, of nineteen
other bills for the regulation of railroad rates,
which had been submitted by different Con-
gressmen and referred to the Committee on
Interstate and Foreign Commerce, of which
Mr. Hepburn is chairman. "In the preparation
of this [Hepburn] bill," says the report ac-
companying the bill, "the committee has been
aided by their study of all the bills and
probably has borrowed something from each
one." That was diplomatic, and one result of
the diplomacy was the unanimous support of
the bill by the Democratic and Republican
members of the committee, and almost unani-
mous support by the House itself. All amend-
ments were voted down and the bill was adopt-
ed with but seven votes in the negative. The
bill passed on to the Senate and consideration
943
CURRENT LITERATURE
1
TRUST rKFUf ME}
^il«&ys
ffl^n^^l
S^^^"^ ff
m
r
1
i^mI^BEWIk]
TRYING TO BLOCK THE WAY
— Smith in Indianapolis Sen/me/.
of it began the very next day in the Senate
committee.
SEVERAL surprises came in the House
discussion. Congressman Littlefield, of
Maine, who one year ago was especially prom-
inent as a champion of Federal control of
corporations, and was considered a spokesman
of the President, voted "No" after a vigorous
attack on the bill. At the rate of 200 words
a minute for two hours he assailed the bill
x^-^ ^:^
Engineer Roosevelt— "Let me out on the main
line!"
— DeMar In Philadelphia /Record.
and belittled the Interstate Commerce Com-
mission, whose "utter incapacity" to adjust
rates as proposed in the bill he endeavored
to establish by court records, showing that
in thirty-two cases in which the commis-
sion has passed upon charges of unjust dis-
crimination, the courts in their review of
its decisions have overruled it twenty-four
times. Mr. Littlefield is a fine orator and he
addressed not only a full House, but many
members of the Senate, who were present to
hear him. Speaking further of the commis-
sion, he said: "They know nothing about
either the railroad business or the other great
business interests of the country. If you turn
over the railroad business to such hands you
will not only ruin the railroads, but all those
other enormous business interests which have
been developed and made possible by the rail-
roads." Still more important was his positive
statement that the bill does not meet the
President's views. "In the zeal with which
both political parties are runnings a race," he
said, "they have gone far beyond the Presi-
dent's desires." Every Democrat in the House
voted for the bill, and there were many
radiant flights of glowing oratory. Here was
one by Congressman Heflin:
"When the Democrats get back in power and
regulate these economic institutions and arrange-
ments in the interest of the great mass of the
people and strike off the hand that holds up the
producer and the hand that robs the consumer,
we will exclaim: Land of our fathers, through
thy length and breadth a tremor passes. Look!
The dark is done, and on thy proud form shall
shine the splendor of the sun. Thine own chil-
dren, with heads erect and lifi^it on all their faces,
are happy in the triumph of Democracy's creed !"
"We like to see Mr. Heflin's countenance
illuminated," commented The Sun (New*
York) ; "but what Democracy's creed is no-
body knows." And The World (New York),
after reading this and other similar speeches,
observed: "The Hepburn bill is more than
legislation; it is a prose-poem. It mounts to
the Senate on wings of song."
WHETHER the President's approval has
been given to this Hepburn bill or not
is manifestly important. Mr. Littlefield's
statement is re-enforced by the utterances of
Senator Lodge, who is supposedly very close
to the President. The Senator's speech on the
bill, February 12, reviewed the whole subject
of rate legislation. He has reached two con-
clusions as a result of his study. One is that
the matter cannot be dealt with as a simple
THE PRESIDENT AND THE HEPBURN BILL
U3
question of right or wrong. "Success depends
absoltttely on the manner, the measure and the
form of the legislation." The other conclu-
sion is that a mistake in this matter "will not
only cause commercial and financial disaster
of a magnitude almost beyond computation,
but will involve possibilities of political change
and alterations in our form of government the
gravity of which cannot be overestimated."
He classified the evils complained of in rail-
road administration into three classes: (i)
Discriminations between persons; (2) Exces-
sive rates; (3) Discriminat^ns between locali-
ties. The first of these evils seem to him
so serious that he does not think it would be
possible to draft legislation too drastic to pre-
vent them. The present law has largely
checked the system of rebates, but it should be
amended to make violation or secret evasion
punishable by imprisonment Another amend-
ment should give the proper authorities power
to examine the books of railroad companies
whenever rebates are suspected. Rebates have
been practically eradicated in England, said
the Senator, and can be here; but government
rate-making of itself furnishes no remedy for
this class of evils. Nor does it furnish a
remedy for excessive rates, says Mr. Lodge.
He reviews the effect of government rate-
making in the various nations of the Old
World, and finds that it has invariably tended
to prevent reduction in rates and to make them
inelastic. "No railroad dares to lower a rate,"
be says, "if it can possibly be avoided, because
of the restrictions imposed by law on increas-
ing the rate when it becomes necessary. . . .
On the continent of Europe, generally, rates
are 50 per cent higher than ours, and show
the same quality of inflexibility and the same
lack of adaptation to changing conditions
which we find in England." As to the third
class of evils, discriminations between places,
Senator Lodge says:
The experience of other nations shows that
govemment rate-making has not stopped discrim-
inations in the slightest degree. It has substituted
discriminations made by tne government for the
discriminations which are brought about by
economic forces, the competition of markets and
the action of business interests. It hardly, I think,
needs argument to show that discriminations
forced in this way through oolitical action would
be peculiarly unfortunate in the United States."
NEVERTHELESS, Senator Lodge will
vote for a rate-regulation bill, but
it must furnish "the most absolute protection
a^nst hasty or prejudiced action through
provision for an appeal to the courts of the
THE NEW RATE-REGULATION BILL BEARS
HIS NAME
Col. William Peters Hepburn, of Iowa, is serving: his
tenth term in Congress. He was bom in Ohio seventy-
three years ago.
country." Anything that strikes at free access
to the courts "strikes at the very heart of the
measure" which has been urged by President
THEIRATE BILL IS IN HIS HANDS
Reports from Washingrton are that the' President is
gretty sure to accept whatever changes in the rate bill
enator Knox, of Pennsylvania, advises.
^44
CURRENT LITERATURE
Roosevelt, so the Senator maintains. He
quotes not only the President's message of last
December, but recent utterances by Secretary
Taft and ex-Secretary (now Senator) Knox,
and the provisions of the Esch-Townsend bill
passed a year ago, to prove that review by the
courts has been all along maintained as an
indispensable feature of rate legislation. The
emphasis the Senator laid on this point im-
plies that he will not support and does not
believe the President will support the Hep-
burn bill without change, for that bill is
criticized for its uncertain utterance on this
phase of the question, in marked contrast to
the Esch-Townsend bill. The important sec-
tion of the Hepburn^ bill, and the one contain-
ing the only reference to review by the courts,
is as follows:
"Sec. 15. That the Commission is authorized
and empowered, and it shall be its duty, whenever,
after full hearing upon a complaint made as pro-
vided in section thirteen of this Act, or upon
complaint of any common carrier, it shall be of
the opinion that any of the rates, or charges what-
soever, demanded, charged, or collected by any
common carrier or carriers, subject to the pro-
visions of this Act, for the transportation of per-
sons or property as defined in the first section of
this Act, or that any regulations or practices
whatsoever of such carrier or carriers affecting
such rates, are unjust or unreasonable, or unjustly
discriminatory, or unduly preferential or prejudi-
cial, or otherwise in violation of any of the pro-
visions of this Act, to determine and prescribe
what will, in its judgment, be the just and reason-
able and fairly remunerative rate or rates, charge
or charges, to be thereafter observed in such case
as the maximum to be charged; and what regula-
tion or practice in respect to such transportation is
jlist, fair, and reasonable to be thereafter fol-
lowed; and to make an order that the carrier
shall cease and desist from such violation, to the
extent to which the Commission find the same to
exist, and shall not thereafter publish, demand, or
collect any rate or charge for such transportation
in excess of the maximum rate or charge so pre-
scribed, and shall conform to the regulation or
practice so prescribed. Such order shall go into
effect thirty days after notice to the carrier and
shall remain in force and be observed by the
carrier unless the same shall be suspended or
'modified or set aside by the Commission or be
suspended or set aside by a court of competent
jurisdiction."
The last twelve words above give all the bill
has to say about review by the courts. The
Esch-Townsend bill contained 150 lines on the
subject, drafted by Attorney-General Moody.
And the Elkins bill, introduced in the Senate
February 13, devotes an entire section to re-
view by the courts, giving to them authority
to suspend the rates ordered by the commis-
sion by means of injunction.
HAS p6pular interest in the subject of rate
regulation subsided of late? The asser-
tion that it has is made by the New York
Sun, which points in proof to the very small
number of petitions on the subject sent to
Congress while the Hepburn bill was pending
in the lower house. On February 2, for
instance, it observes, when one speaker re-
ferred to petitions "just literally flooding this
house," three pages and a half of The Con-
gressional Record were filled with the titles
of petitions presented to Congress; but of
these htmdreds of petitions only three were
abottt rate regulation. The Washington cor-
respondent of the New York Journal of Com-
merce says: "There is no question among
members but that the whole rate agitation is
the President's work. Men from all parts of
the country say that it never would have
sprung up at this time had it not been for
his efforts." This view seems to the Spring-
field Republican "supremely ridiculous." The
agitation for rate regulation, it says, "grows
out of a popular agitation which dates back
20 years or more, which has found repeated
expression in many state enactments, was
supposed to have found satisfaction in the
federal act of 1887 and was renewed when
it appeared that the courts had devitalized the
act of 1887." And the St. Couis Globe-Demo-
crat thinks that the vote in the lower house
admits of no other interpretation than that
the country at large "demands^ adequate
governmental supervision of railway freight
charges."
WHETHER or not this is a correct inter-
pretation of public sentiment, the press
of the country indicate no subsidence of public
interest in the subject. No subject, in fact, is
more widely discussed at the present time, and
the opposition to the present form of rate-
making, as exemplified in the Hepburn bill,
seems to us to be fully as vigorous and fre-
quent as the support. This is particularly
evident in the Eastern papers, and not only
in those usually classed among the more con-
servative journals. In New York City, for
instance, The Journal of Commerce, The
Evening Post, The Times and The Sun are
not alone in opposition to the bill. Journals
such as The World and The Press that appeal
to a more radical class of readers are equally
vigorous in their hostility. The World (Dem.)
calls the bill "a half-baked hodge-podge of un-
certain phrases," and comes out against rate
regulation in general on the ground that
WHAT ANOTHER COAL STRIKE WOULD MEAN
HS
Federal control of railroads will make them
redouble their political activity and increase
the corruption of national politics. The Press
(Rep.) calls the Hepburn bill a "bunco" bill
that "gives the railroads every possible ad-
vantage that can be taken by means of the
law's delays/' and says that the President
does not indorse it, and its passage in the
lower house means that he has been beaten
there and "that is all there is to it." Some of
the strong conservative journals in the East,
sach as the Boston Transcript and the Phil-
adelphia Press and Ledger, lean in the direc-
tion of rate regulation, but cannot be quoted
emphatically on one side or the other. Even
in the South and West protests against the
Hepburn bill are not infrequent. The Kansas
City Star criticizes it because it does not con-
fer on the commission power to reclassify
freight, an omission that would "largely
neutralize" the usefulness of the bill. The
Columbia, S. C, State thinks the bill is about
what the President wishes, but has no doubt
that the Supreme Court will declare it un-
constitutional. The Richmond Times asks for
serious consideration of objections advanced
by a contributor. It sums up these objections
as follows:
'The commission is composed in the main of
Northern and Western men. The North and
West are allies against the South. In all cases of
discrimination in favor of the South, what will
the decision be? Give this power to the Federal
government and no Southern man will ever be
elected to the presidency. The North and West
will see to that. Our cities and ports will soon
have passed the zenith of their greatness, and will
decline. The factories, foundries and mines and
all our infant industries will be closed."
AMONG the stanchest advocates of rate
regulation in general is the Springfield
Republican (Ind.). The sole question at issue,
it thinks, is whether the immense power that
attaches to the making of rates should be
left in private hands. If it is so left, the
country must remain "subject to the arbitrary
will of a great private monopoly whose oper-
atio^s affect profoundly every citizen and
every community and every industry in the
broad land." The Chicago Tribune (Rep.)
thinks that the argument is "irrefutable," as
advanced by Bourke Cockran, Senator Clay
and others, that the alternative of rate regu-
lation is public ownership of railroads. The
Pittsburg Dispatch (Rep.) thinks the propo-
sition involved in rate-making is very simple:
"From the construction, more than the actual
enactments of the law of 1887, that measure was
held to give no authority to the commission for
an effective remedy in cases typified by the Kan-
sas oil rate, th(i refined oil rates northward from
New Orleans as compared with those going in
the opposite direction, and the practice of charg-
ing 50 per cent, more freight to Denver than on
the same freight that passes through Denver sev-
eral hundred miles farther to San Francisco. The
bill proposes merely to give it power to make
the remedies effective. All the attempts of the
corporate advocates to becloud that fact failed of
their purpose."
One of the utterances widely quoted in favor
of rate regulation is that by President A. B.
Stickney, of the Chicago Great Western rail-
way. He says:
"It is my conclusion that, because the railways
have assumed the common law obligation of com-
mon carriers, and because they are public high-
ways, it is fair and right to control their rates by
law, and that, because railways are monopolies,
the law of self-preservation, as well as of fairness
and justice, demands that the people, through the
government, should control railway rates by law."
WHEN the first day of April dawns, the
agreement which President Roosevelt's
Coal Strike Commission secured between the
strikers and the operators over three years ago
will have come to an end. After that, what?
The question has been hanging over industry
all winter, and as we go to press it is still un-
answered. The coal miners both in the an-
thracite and bituminous fields are demanding
an eight-hour day, a ten per cent, increase of
wages, and "a trade agreement between the
operators and the unions which will be a full
and complete recognition of the union." The
operators demand a continuance of the present
scale of wages and hours, as established by
the commission three years ago, and which
gave the miners at that time a ten per cent, ad-
vance. Efforts to "get together"' have been
made, but so far in vain, and it is not using too
strong language to say that the country stands
aghast at the prospects if an agreement is not
reached. The strike, if ,it comes, will be more
extensive and pfobably more prolonged than
it was before. The men, organized and unor-
ganized, who will be directly involved will
number over half a million. The unions re-
port in their treasuries a surplus of $2,679,-
134.43, and a special tax of $1.00 per week
per member has been levied which is counted
on to increase this surplus by April to over
five million dollars. The operators, on the
other hand, report a large supply of anthracite
coal on hand. If the miners win their fight,
the result will almost certainly be a further ad-
vance in the price of coal. If a strike comes.
346
CURRENT LITERATURE
From stcreograpb, copyright 1906, Underwood * Underwood.
SOME OF THE WIVES OF MOROCCO'S SULTAN
This is a photograph taken by the Sultan himself.
Authoritative interpreters of the Koran at Fez do not
agree regarding the precise number of wives allowable
to Adbul-Aziz. Ordmarily a Mohammedan may have
but four. Some authorities report that his palaces con-
tain a much larger number of wives (includmg the lady
on the wheel) than this picture indicates. ^
the loss to the public will be tremendous, for
it will involve all sorts of industries. There
will be no "soft coal" this time to use as a
substitute.
WHAT the public will be "up against" in
the event of a strike is thus set forth by
the New York Tribune :
"It is reported that there is only a two weeks
supply of soft coal in stock. The twenty-five or
thirty millions of tons of anthracite expected to
be accumulated by April i would carry the indus-
tries of the country only a short way. Produc-
tion would be limited to the non-union mines of
West Virginia and to districts where the strike
order was imperfectly effective. The price of such
coal as reached the market would be well-nigh
prohibitive. The threatened strike would dwarf
by comparison that of four years ago, which will
be long remembered for the losses and suffering
it caused. At that time bituminous coal was be-
ing produced abundantly, and industries con-
tinued in operation, though the people suffered
from want of domestic fuel. Now industrial coal
is to be cut off, too, and in a few weeks, such is
the threat, railroads must cease running, machin-
ery must stop turning and industries must come
to a standstill. In a word, we are brought un-
pleasantly face to face in all its essential details
with the menace of a general strike. In the hands
of the workmen of one industry is the means to
tie up all."
A result still more fateful, in the judgment
of the Providence Journal, may ensue, namely,
a long step toward socialism. It says:
"Something will have to be done to avert the
suffering that a second prolonged strike would
entail. The country is not ready for socialism,
nor has it accepted the familiar theories of those
who believe in Government ownership; but even
conservative citizens may be pardoned if they feel
that the quarrels of capital and labor in Penn-
sylvania and the States of the adjacent West
cannot be permitted to inconvenience the public
as they inconvenienced it three years ago. Coal
is a prime necessity in this day and generation.
We require it for the most ordmary functions of
our social and industrial establishment. David B.
Hill's retirement from politics may be said to
date from his introduction into the Democratic
platform in New York State of a plank for Gov-
ernment ownership of the mines. . . . Yet if
another strike takes place we may see identical
resolutions offered in conventions of both parties
by men who have never hitherto regarded them-
selves as political radicals."
CERTAIN European organs, searching for
a scapegoat for the Morocco conference,
have precipitately raised President Roosevelt
to that bad eminence. He was impetuous
enough, complain some French dailies, to de-
spatch two envoys to Algeciras before dis-
covering that the Morocco conference must
necessarily discuss one set of questions dis-
guised in the form of another set. He
blundered thus fatuously, if the London
National Review is to be credited, because the
German ambassador had previously ionized
the diplomatic air of Washington so as to make
it a conductor of the dynastic electricity from
Berlin. Emanations from the presidential
mind reveal a Roosevelt still convinced that
the Morocco conference was called to settle
the affairs of Morocco. How devoutly the
Depeche de Toulouse wishes the President did
not err! His administration is unwittingly
partizan in aiding Germany to undo the pact
between France and Great Britain, a pact upon
which the foundations of world politics, from a
European standpoint, have been made to rest.
'*Wc see America," laments also the London
Outlook, "sitting and voting on a purely
European question." It leaves out of account
one fact for which Senator Spooner vouched
last month in the Senate, namely, that two
great powers declined to go into a Morocco
conference unless the United States, as one of
the signatories to the Madrid convention, sent
. delegates with the rest. The inference is that
had this country stayed out, no conference
could l>ave been held.
THIS British weekly's indictment of our
Executive is very emphatic. Mr. Henry
White temporarily quitted Rome, where he
is United States ambassador, to advocate at
AMERICA'S, ^PRESENCE AT MOROCCO RESENTED
247
Algedras such things as the
open door, an international po-
lice and the better treatment of
Jews. True, Mr. White and
his colleague are delegates, not
plenipotentiaries. They have
no authority to sign any treaty
without instructions from the
Department of State, and any
treaty they do sign must go to
the Senate for ratification. The
London Outlook refrains from
comment on the form of these
instructions, but their limita-
tions throw upon Mr. Roose-
velt, it notes, a wide and active
responsibility. For some time
yet, perhaps, Mr. Roosevelt
will be as much preoccupied
with all that underlies the
Morocco question as Prince
BQlow or Premier Rouvier, to
say nothing of the London For-
eign Office. Even that, we are
told, is a matter of less im-
portance than the policy which,
between them, Messrs. Roose-
velt and Root have annotmced.
It is a policy which to various
organs of British imperialism
seems ostentatiously meddle-
some with interests exclusively
European — interests dynastic
and political at that It is no-
torious, we read, that one of the
controversial matters between
Germany and France at Algeci-
ras concerns the army of con-
trol, or, to employ the current euphemism,
the "police." On this question, says the
London Outlook, the United States has already
declared its mind. Mr. White and his col-
league are in the conference, therefore, not to
harmonize, but to take sides. Mr. Roosevelt
interposes in a matter which within the past
few months has brought the two leading powers
of Continental Europe to the verge of war. He
can, he apparently desires to, throw his weight
on the side of one and against the other.
Simultaneously he warns Europe away from
South America in the name of the Monroe
doctrine. That is an attitude which the
London Outlook thinks must in the end prove
quite untenable. And its view finds some sup-
port in the press of the United States, where
criticism of the same sort appears, but less fre-
quently than a month ago.
Copvitglit by J. £. Purdy. Bostou.
THE VOICE OF AMERICA AT THE MOROCCO CONFERENCE.
Mr. Henry White, ambassador to Italy, represents the Roosevelt pol-
icy at Alf^eciras. He was pursued last month by correspondents eager to
know what the President meant to do as between France and Germany.
HAD President Roosevelt realized how de-
liberately Emperor William thrust the
police question into the forefront at the
Morocco meeting, he and his Secretary of
State, insinuates a writer in the Paris Aurore,
might have been more circumspect in publish-
ing instructions to Mr. White. Emperor
William's object, say London organs like The
Times and The Mail, was to disrupt the unity
of French relations with British world policy.
England's trump card in winning the amity
of France is a free hand for the Paris govern-
ment in Morocco. William II is determined
that England shall not play that trump card.
He leads into a new suit by playing the police
at Algeciras. His delegates insist that the
armed forces maintaining order in Morocco
shall not be those of the republic, but that
French soldiers may preserve order only on
«48-
CURRENT LITERATURE
Prom liereogrmpo, copj rlgbt, IWfl, Underwood A ITndcrwtKxI.
MOROCCO'S SULTAN DRESSED IN TURKISH
UNIFORM
This portrait is an anomaly inasmuch as the Sultan of
Morocco should, in the eyes of his orthodox subjects, re-
pudiate all the dogmas expounded on the sacred authority
of the Saltan in Constantinople. A Turkish uniform
worn by their Sultan would scandalize the more pious
among the Mohammedan faithful.
the frontier toward Algiers. The London
Standard specifies the objections to this
scheme. International forces have failed to
maintain order in Macedonia, in Crete, in
Egypt. An alternative is to place Morocco
under the control of one neutral and dis-
interested power. But it would be difficult to
choose a neutral power. Even if a nation like
Denmark or Switzerland were willing to un-
dertake the task, the necessary authority would
be lacking. On the other hand, if Italy or
Austria were suggested, France would be
affronted. Italy is a Mediterranean power,
like France. Why, inquires the British daily,
should Italy be asked to step into Morocco
and perform a task which Emperor William
thinks France cannot undertake without
menace to the interests of Europe? Possibly
the German Emperor has "spheres of influ-
ence" in his mind. He has applied that
principle to China and he is, according to his
English critics, eager to apply it in South
America. Meanwhile, we are assured, Presi-
dent Roosevelt helps to apply it in Morocco.
PRESIDENT ROOSEVELT has no partner
in the game at Algeciras, as German
officially inspired organs see the play. The
Berlin Kreuz Zeitung is inclined to admire
Mr. Roosevelt's indifference to the influence
which his own hand may have on that of any
other player. This daily does not understand
that the United States has taken sides, at any
rate to the extent that London opinion seems
half inclined to dread. When the London
Morning Post asserts that the United States
Government favors the idea of an international
agreement for the policing of Morocco outside
the border region, the Berlin Post observes
that this does not mean veiy much and the
London Times replies that it means, if put
into practice, a severe blow to the friendship
between France and Germany. "More than
ever," it adds, "the conviction is general abroad
that the Moroccan difficulty retains its original
character as part of a policy directed by Ger-
many against the Anglo-French entente, and
in watching the progress of the business at
the conference it is important to bear this in
mind." The whole system of international
poh'cy, from Emperor William's point of view,
is based on maintenance of bitter rivalry be-
tween France and Great Britain. His imme-
diate aim, our British informant continues, is
to have a makeshift arrangement put into
shape at Algeciras. France must thus see
that British friendship has no practical value.
WHAT WILL FRANCE DO TO VENEZUELA t
^49
WAR between France and
Venezuela dragged out a
technical existence all last
month, with President Castro on
the offensive. That statesman
committed an act of war, ex-
plains the Temps, when he re-
fused to let a French diplomatist
return to the Venezuelan shore
after boarding a French steamer.
The diplomatist wanted his of-
ficial correspondence before
Castro had a chance to intercept
it. Venezuelan statutes, it
should be explained, permit Cas-
tro to open and read anybody's
correspondence. He has been
reading even the American min-
isters correspondence, it is said,
and seems to be incensed by
what he found in some confiden-
tial commtmications from the
Department of State to our rep-
resentative at Caracas. The
V^enezuelan President regards
as personally offensive Minis-
ter Russell's efforts, made under
instructions from Washington,
to assist in the peaceful settle-
ment of the Franco- Venezuelan
dispute. But Castro subse-
quently consented to be molli-
fied. He tolerates Mr. Russell
for the time being, but he will
transact no official business with
French diplomatists. The Paris
government was supposed to be
preparing a bombardment of
Venezuelan ports. Suddenly
everything was halted.
MANY French statesmen
rightly or wrongly suspect
that Germany is behind Ven-
ezuela at this juncture, declares the London
Telegraph, It is possible, explains the Matin,
that France might discover Germany in
Venezuela just as she finds her in Morocco,
hampering her movements, delaying agree-
ments and skilfully raising objections. Ger-
many, we read, does not want war. But she is
trying to give France embarrassment. Hence
the dispute with Castro may be productive of
more complications in Europe than the pub-
lished facts imply. Here, contends the Berlin
Kreuz Zeitung, we have a tissue of English
fabrications of a kind to which the London
Coartecy of The World's Wifrk.
"THE RESTORER OF VENEZUELA"
This is the title by which Castro hopes to become known in the^pages
of his country's history. 3oIivar is the model whom he has taken lor
imitation in all things, say officially inspired Caracas dailies,
injf was executed at the request of the Venezuelan Congress.
This paint-
Times is prone. Anyhow, it does not suit
France, evidently, to re-enforce her naval di-
vision in the West Indies to any considerable
extent. Even if she went to the length of
threatening, and even bombarding some port,
argues the London Telegraph, France would
incur the risk of killing her own citizens, her
own friends. The Monroe doctrine stands in
the way of territorial occupation. There is
the middle course of blockading one or more
ports and seizing the revenues, as has been
done on various occasions with Turkey. But
other European powers have claims on the
*s°
CURRENT LITERATURE
Copyright by H C. WbiteCo.
THE FLOWER OF CASTRO'S ARMY
It is rumored that there is disaffection in these ranks,
preluding the decline and fall of the present Venezuelan
empire.
customs. France is thus on the horns of a
dilemma. She will play a waiting game.
CASTRO now has on his mind something
far weightier than his latest war with a
great European power, says the London Morn-
ing Post, He is maturing plans to make him-
self dictator of Colombia and Ecuador in
addition to Venezuela. That and resistance
to the United States, with a determination to
keep Venezuela for the Venezuelans, sum
up his program as our contemporary outlines
it. Castro talks of himself as a second Bolivar,
another Qesar, a Washington returned to
earth. His public addresses and the replies
to them from Congress and the censored press
are compared with Nero's panegyrics of him-
self. Castro is "the restorer of Venezuela" and
his heart is "inspired by ideals sublime and
grandiose" while the blessings he has bestowed
upon his country are "as refulgent as the light
of the king star as it shines in the zenith."
Such are the eulogies with which the halls of
Congress at Caracas are made to echo. Ven-
ezuelans of the Andine province from which
Castro hails take him at his own valuation.
They are proud to learn that the annual meet-
ing of Venezuela's Congress has been changed
to take place on the anniversary of the date on
which Castro set out from the inland moun-
tains to overthrow his predecessor in the
dictatorship. His journeys through the land
are now marked with the pomp, the extrava-
Copy light by H. C. Wttlte Co.
"MIRAFLOR^S"
This is the palace at Caracas in which Castro and his
boon companions are accused of re-enacting: tl»e infamies
of the imperial palace in the time of Nero.
gance, the adulations and the revelries of a
Roman emperor. One of the dates of
Venezuelan independence has been altered on
the national escutcheon to the anniversary of
Castro's birth. His bust is now replacing that
of Bolivar on the latest issue of Venezuelan
postage-stamps. Such facts, set forth and
vouched for by the London Morning Post, give
us, it thinks, the measure of the man to-day.
Copyright by H. C. White Co.
IN CASTRO'S CAPITAL
This is the main street in Caracas. On one side is the
University, on the other the Government buildhif.
CONFLICTING VIEWS OF CASTRO
251
Co^frtftit by a C. White Co.
CORRIDOR OP THE PRESIDENTIAL
PALACE AT CARACAS
The aide-de-^amp to President Castro is in coDver-
flition with one ot the executive secretaries.
CASTRO has now annulled the American
asphalt concession, the Italian mining
concession, the Belgian waterworks concession,
the French cable concession, all under due
process of Venezuelan law. He- is devoted
to the constitution as authoritatively in-
teipretcd by the supreme court of the republic.
TTiat tribunal is absolutely his instrument, it
Copyil^^t by H. C. Wblte Co.
CASTRO'S MAN-OF-WAR
It is an antiqtiatedlcraft, the basis, presumably, of
President Castro's allusions to '' the naval forces ot the
rqmbUc," now b^ing put **iq a state of efficiency."
Copyright by H. C. White Ck).
CASTRO WAS BORN IN A VENEZUELAN HUT
LIKE THIS
It stands in a mountain villag^e near the place of
Castro's reputed birth in one of the Andine provinces of
Venezuela. Castro himself is proud of his humble
orifcin, attesting, he thinks, the possibilities of Venez-
uelan institutions.
is charged in British dailies. A chief justice
who was chief justice in fact, as well as in
name, we are told, disappeared when he had
the tactlessness to discover over a hundred men
in prison at Caracas, thrown there by execu-
tive order. Salt, coal, pearl fisheries, matches,
coffee, rum, sugar, coco, gold mining, banks
and railroads are all laid under contribution
by Castro. Every business and all undertak-
ings of whatsoever kind exist on sufferance.
They must pay for the privilege of being pro-
tected. Nor is this analysis of the situation,
drawn from British sources, unsupported by
the press of other European countries.
Foreign dailies are filled with accounts of
Caracas in turmoil and of Castro feasting in
his palace at Miraflores or at some inland
retreat, guarded by his troops and surrounded
by his partizans, mostly discredited men and
women. Yet Castro, according to the London
Post, is to all appearances secure. He has per-
fected his defensive machinery. His army,
his. telegraphs, his closely woven mesh of
espionage, his censorship over the press, over
foreign despatches, even over private letters,
would appear to keep him informed of all that
happens. He could crush a rising instantly.
That is not the understanding of the Paris
Temps and a few of its Continental contem-
poraries. They hear that Castro's fall cannot
252
CURRENT LITERATURE
be long postponed. All classes of Venezuelans,
except the native mountaineers, want relief
from Castro's, exactions. A plot is maturing.
Venezuela may have a new President before
long.
BUT President Roosevelt ought to deal
summarily with Castro at once, urges the
Paris Temps, inspired by the French Foreign
Office. It suggests that the United States as-
sume financial control of Venezuela, thus as-
suring all nations of the reparation and satis-
faction due them. Did the Temps, retorts the
London Times, ever hear of Santo Domingo?
Does it know that between the President and
the Senate there is an open conflict because
Mr. Roosevelt proposed to do by treaty what he
is now invited to do in respect of Venezuela?
There is no reason to believe, thinks the
London Times, that the United States Senate
would look favorably on any such treaty with
Venezuela, still less on any interposition by
Mr. Roosevelt without a treaty. The President
of the United States has repeatedly declared
his intention of remitting the whole subject
to Congress at the proper moment. In the
meantime the French ambassador and Mr.
Roosevelt are in friendly conference. Mr.
Roosevelt has the benefit of the report made
by Judge Calhoun, who went to Caracas for
first-hand information. So sensational are the
revelations in this report, according to in-
sinuations in French dailies, that, if made
public at all, it will have to be edited. The
next move is with France, asserts the London
Times, adding that, though it may be post-
poned, it will doubtless be taken, and taken
with effect.
EXCITEMENT in France grows intense as
the time for the national election draws
near. That event has been fixed for the coming
April. The date may be advanced or retarded
a little even at the eleventh hour, for the
ministry has power to fix the precise day to suit
itself. But the new President, Mr. Fallieres.
who duly succeeded M. Loubet last month,
turns out something of a stickler for con-
stitutional observances, and no election can
legally be held, he thinks, earlier than next
month, unless the machinery of dissolution be
brought into play. Prime Minister Rouvier
THE VENEZUELA CIRCUS
William II : *' Decidedly, I begin to understand my sympathy with the turbulent Moroccans. Don't talk to me about
theirJapanese trick dancers or the negro clowns. President Castro, of Venezuela, can give lessons to us all."
— Paris Ar«W.
COMING ELECTIONS IN FRANCE
«S3
considers that the machinery of dissolution is
virtually in abeyance. It has only once been
brought into operation since 1877. A newly
chosen parliament is hardly in full working
order till its second year, and it must expire,
in any event, by the end of its fourth. To
shorten this period by dissolution would be
to doom the legislative apparatus to impotence.
A French Chamber of Deputies, therefore, is
always permitted to live out its full term.
The executive is thus deprived, according to
the Temps, of a resource which is essential
to the proper working of a parliamentary con-
stitution. Yet were Rouvier to bring about a
dissolution in the full constitutional sense of
the term — for the word is employed a little
loosely in French politics — the episode would
be extraordinary. But there have been hints
of it, although the Chamber has almost ex-
pired as it is. The deputies, during this
closing session, were more occupied in securing
their own return, says the Gaulois, than in
attending to the public business.
THE ministry which is now to appeal to
the French electorate for a fresh lease
of power is providing the people with their
first opportunity to pass judgment upon the
separation of Church and State. It is Premier
Rouvier's misfortune, say extreme Socialist
organs like the Lanterne, to have failed to
rally to himself many of the strongest elements
in ^e combination that sustained his anticler-
ical predecessor. Combes, foe of all clericals,
boldly admitted not merely radicals but
socialists to full membership in the ministerial
combination. Under Rouvier the extreme
socialists and some moderate ones have de-
clined to be conciliated even by the appointment
of ministers of their own school of thought.
But Premier Rouvier's political life has been
one continued fight against adverse circum-
stances. This is not the first time, observes the
Figaro, that he has hdd to complain of the
cowardice which has allowed colleagues to
throw him to the wolves. The fact is largely
responsible for the cynicism with which he is
declared to be awaiting the issue. His gov-
ernment began last month to enforce that pro-
vision of the law separating Church and State
which calls for inventories of ecclesiastical
property. Certain prelates and priests as-
sumed an attitude of defiance. The Gaulois
declared that atheistic officials had deliberately
profaned vessels of the . sanctuary, even at-
tempting, in some instances, to violate taber-
nacles. The result was a series of riotous
BOYCOTTED
CASTRO
This is the former secretary of the French Legation at
Caracas, M. Taigny. He went aboard a steamer to get
his letters, and was not allowed to return to shore. He
went to Washington last month for a conference with
the Department of State.
254
CURRENT LITERATURE
radicals and out-and-out socialists would
make short work of the financier Rou-
vicr. The expectation of many English
dailies is that Rouvier will give way
before very long to a Prime Minister of
more sternly anticlerical mood. Btrt, if
the unexpected happens, if the parlia-
mentary elections result in the return of
a clerically inclined majority, there must
ensue a fundamental revolution. There
would be a presidential crisis, predicts
the Lanteme, and a papal nuncio would
once more head the diplomatic corps.
That separation of Church and State
which now plunges so many clerical
souls in anguish would then be undone
by the forces of reaction. The surprises
of universal suffrage are illimitable to
the London Standard, which says it
would be rash indeed to predict precisely
what the voting urns may have in store
for France.
JAPAN'S GALLICIZED PRIME MINISTER
The MarqulB Saion-ji cordially indorses the saying: that every
good man has two countries — ^his own and^France.
scenes in some of the celebrated houses of
worship in France. The Pope appeased the
fury to some extent. He enjoined prelates,
priests and people to obey the law. The
government, on its side, abated the zeal of
officials. They were bidden not to invade tab-
ernacles, since in them the sacred elements
are kept. The Rouvier ministry fears, never-
theless, says the Matin, that renewed scenes
of turbulence may yet impart an air of martyr-
dom to the clericals. The Premier is in a
hurry to have the elections out of the way.
THE result will completely vindicate the
anticlerical policy initiated by Waldeck-
Rousseau advanced by Combes and consum-
mated by Rouvier. That is the prophecy of
those who study the situation dispassionately
in England and in Germany. But Rouvier
himself is believed to be in imminent danger
of a fall. His one chance of surviving is
thought to be the possible election of a
moderately inclined radical and republican
majority. A Chamber filled with extreme
I N sending an American fresh from the
* imposing office of Governor-General
of the Philippines as ambassador to
Japan's Emperor, President Roosevelt is
supposed by French organs to have had
in mind Tokyo's ambition to purchase the
archipelago won by this country from
Spain. Gen. Luke E. Wright is even
said to have been instructed regarding
his attitude in the event of the rumored
negotiations assuming definite shape. Often as
the United States Government has repudiated
any intention to sell the Philippines to Japan,
the rumor is revived in papers like the London
Times and the Paris Journal des DSbats. The
transaction would be little less than an act
of irgason to the whole white__j:acc^thinks
a writer {rTihe^trWil^ssiscKeZeitung. The
Figaro intimates that if the archipelago is ever
put into the market William II might bid
animatedly against Mutsuhito. The new
Japanese prime minister, the Marquis Saion-ji,
is a Jingo, say the Europeans, and he would be
very happy to negotiate with Ambassador
Wright on a cash basis. Meantime he is
strengthening the forces of Japan. The Diet
at Tokyo contains members with a propensity
to ask what Great Britain is doing to render
her own armed forces adequate to the am-
bitious position implied in the terms of the
Anglo- Japanese alliance. Some London dailies
resent such curiosity. Others find it legitimate.
The Asahi Shimbun observes that the spirit
of such inquiries will not be misunderstood
JAPAN I2 A f lost OP cum A
^SS
by Japan's ally. They might be out of place
were a less soldierly statesman than General
Terauchi in the Saion-ji ministry. He wants
a strong England to stand by the side of a
strong Japan.
IN forming his ministry, Marquis Saion-ji
was forced, seemingly to his regret, to retain
a few of the colleagues of his predecessor.
Our old friend. Baron Komura, had to go, his
post as Minister of Foreign Affairs being as-
sumed by Count Kato, one of the original
advocates of an Anglo - Japanese alliance,
who must not be confused with the Mr. Kato
who was long Japanese adviser to the Korean
Government. Count Kato is said in German
organs to owe his influence to pressure exerted
from London, where he was once the Mikado's
minister. The most significant thing to Ber-
lin is that the new Prime Minister retains the
old Minister of War and the Minister of Ma-
rine. These two statesmen saw Japan through
her war with Russia. They are equally commit-
ted to a policy of military and naval expansion.
General Terauchi wants his country's army to
be as strong as that of Germany, and it is the
determination of Vice-Admiral Saito to make
Japan the third naval power of the world.
Holding respectively the portfolios of War and
the Navy, these Cabinet ministers are said by
the Jiji Shitnpo to have prepared the appro-
priation bills so staggering to the Diet some
weeks ago. Terauchi likewise promised the
Diet to make inquiries into the state of Eng-
land's army. The London News says "Well !"
IT MAY surprise students of the Russo-Jap-
anese war to learn that Japan will soon
commence the building of battleships in her
own yards. Her ability to attempt the feat is
due to the energy of the Minister of Marine.
He amazed the Mikado by exhibiting a squad-
ron of new submarines at a recent navaJ re-
view. Many vessels of this type are under-
stood to be now building under the supervision
of Vice-Admiral Saito, who superintended
the launching of the armored cruiser Tsukuba
at Kure last month. The event was a mem-
orable one, European military organs taking a
lively interest in the forthcoming tests of this
product of Japanese naval architecture. With
the new Japanese battleships and cruisers ap-
proaching completion in Europe and the addi-
tions to the Mikado's navy gained through the
recent war, Japan's rank as a sea power makes
her, in the opinion of the Berlin Kreug Zeitung,
I menace to the United States. Japan, more-
OUR FIRST AMBASSADOR TO JAPAN
Governor-General Luke B. Wrieht, LLD., has been
transferred from the Philippines to Tokyo. He was once
Attorney -General of Tennessee and his father was Chief
Justice of that State. He will be sixty next year.
over, has just completed her new ordnance
factory near Tokyo, covering over eighty acres
of ground and comprising a plant fitted to
equip the largest of her battleships with the
most formidable batteries. "The Jingoes," ob-
jerves the Paris Figaro, "are stronger than
^ever in Japan." But the organ of the new
Prime Minister explains that Japan is doing
no more than her duty to her self as one of the
great powers of the world.
IN the fulfilment of such a mission as the
uplifting of China — a land believed to con-
template a general massacre of all resident
foreigners — ^Japan finds herself, thinks the
Berlin Kreuz Zeitung, in a position not unlike
that of an intelligept teacher who knows very
little more than his pupils. Japan must
often study the day's lessons with much
diligence the night before. She has
gone to work with all the fond en-
thusiasm of a dutiful elder sister. The prog-
ress already made is certainly startling. We
see Japan still somewhat uncertain on her
feet, teaching a huge and unwieldy China how
to walk. Many of the circumstances are
wholly encouraging. China and Japan have
aS6
CURRENT LITERATURE
WANTS JAPAN'S NAVY MADE BIGGER
THAN OURS
He Is Marquis Saito. who last month, as Minister of
Marine, supervised the launching of the first battleship
laid down in a Japanese yard, and surprised the Mikado
•with a submarine fleet.
THE MIKADO'S MINISTER OF E DUCATION
Mr. S. Makino was recalled from his post as minister
in Vienna to enter the cabinet of the Marquis Salon- ji.
practically the same written language, al-
though the spoken tongues are not identical.
Japan is at home in the Chinese classics, the
foundations of her own ancient but now dis-
carded culture. Tokyo can think in Peking^
terms._ Baron Komura is even credited with
the remark that between Japan and China
exists an affinity suggesting that which hais
made all the English-speaking peoples alike
subjects of King Shakespeare. Intellectually,
socially and morally, the influence which Japan
can bring to bear upon China is incalculably
great The native newspapers in China are in
many cases Japanese enterprises. The na-
tional universities and schools are subject to
influences exerted from Tokyo. Japanese
^prodycts^ invade the Chinese, inarkfit in., ever
increasing guantHy." China's army is slowly
reforming itseiriinder the supervision, if not
the control, of Japanese military experts.
Even the police of Peking are officered by sub-
jects of the Mikado.
HOW vast a transformation Tokyo aims at
in China becomes apparent to the Berlin
Post from the fact that the traditional attitude
of China toward Japan has always been one
of disdain. Peking has looked down upon
Tokyo as a thing immeasurably beneath con-
tempt. The Japanese have been regarded as
borrowers of their best from the storehouse
of Chinese civilization. This conception was
based upon reality. The old civilization of
Japan had an origin exclusively Chinese, and
one result of this circumstance is the detesta-
tion felt by the aristocracy of China for
Japanese ways and Japanese ideas. But this
sentiment, as the European press agrees, is not
shared to-day by the masses of the Chinese
people. They are more and more coming to
regard the Japanese as the saviors of their
country from the hated foreigner. Only in
the wholly benighted provinces does the tra-
ditional hatred of all things Japanese yet
linger. Nor is the traditional conserva-
tism of the old school of Chinese cul-
ture quite impervious to the influences
so persuasively brought to bear by the
Japanese. That much is plain to the Journal
des Debats (Paris). The schools in Tokyo
and in the provincial island cities are resorted
to in ever increasing numbers by the flower of
the Chinese youth. Manual laborers from the
provinces ruled by the dynasty of Peking ac-
quire their skill and a mastery of new handi-
crafts in the factories and workshops of the
Mikado's subjects. Even the officials who rule
OPENING OF ENGLAND'S MOTLEY PARLIAMENT
m
by the grace of the Son of Heaven are some-
times bronght to perceive the enormous ad-
^-^tages to be derived from an acquaintance
at first hand with the lore of which Japan is
accumulating such quantities. Revolutionized,
truly, are the conditions which in days long
past made China's literature and Buddha's
creed sources of the best and brightest in
Japan's national life, when the government of
the Mikado imitated with provincial servility
the administrative system devised by the Man-
darins, and when the ambitious youth of Japan
str^med for light and learning to that Peking
which was the intellectual capital of the world
they knew. Japan must now exert the domi-
nant influence in the great Chinese upheaval
for which the powers are preparing.
IX TRAILING robes of scarlet and ermine,
five titled representatives of King Edward
VII conducted the medieval ceremonies incident
to the first gathering of the newly elected
House of Commons on the 13th of the
laonth just past. Never did the Lord Chan-
cellor command the Usher of the Black Rod
to desire the immediate attendance in the
House of Lords of a more motley gathering.
The eighty odd home rulers were a familiar
enough sight; but some hundred and fifty
unionists were all that had survived of that
splendid majority with which Arthur James
Balfour had passed the Chinese Labor Act and
the Education Act A sea of unfamiliar faces
represented the majority of more than four-
score over all other factions combined with
which the people of Great Britain have
equipped Sir Henry Campbell-Bannerman.
More impressive than all the rest of the com-
moners, as the presage of social changes to
come, were nearly three-score wage-earners re-
turned to this Parliament as a result of what
the London Mail deems "the revolution of 1906."
In this more or less cohesive group were two
factory hands, two compositors, a gas house
laborer, a navvy, a shipwright, a railroad con-
ductor and representatives of callings even
humbler. Many have to be supported out of
the funds of the trade-unions which fought
for their seats in the house. The labor mem-
bers are a political phenomenon which, to quote
the London Mail once more, has never hitherto
been witnessed in that august assembly. Gone
is the "first club in Europe." "Gone, too,"
adds our contemporary, "is the lustre of the
letters *M.P.' on the prospectus of a company."
The inevitable result of the great change, it
JAPAN^S MILLIONAIRE POLITICIAN, KEI HARA 5^,
He has entered the new ministry at Tokyo to manage /
internal affairs. His wealth is estimated at 17,500,00a '' ^ v
THE FIGHTER OF FAMINE IN JAPAN
Mr. Matsuda enters the Saion-ji ministrv owing to his
intimate acquaintance with Japanese and Korean agri-
culture. He predicted the Japanese famine last year.
^S8
CURRENT LITERATURE
MR. BALFOUR, WHO HAS JUST ESPOUSED
PROTECTION IN CHAMBERLAIN FORM.
**The establishment of a moderate general tariff on
manufactured goods, not imposed for the purpose of
raising prices or giving artificial protection against legit-
imate competition, and the imposition of a small duty
on foreign corn are not in principle objectionable."
predicts, must be a formidable attack on the
most solidly entrenched vested interests in
England and a clamor for the abolition of the
HouSe of Lords. But the London Saturday
Review, despising popular government, ex-
claims: "Thank God, we have a House of
Lords I"
AS a preliminary to the spectacular event
of the 19th, when the King opened
this amazing Parliament in state, the Commons
proceeded to the election of a Speaker. The
result heralded none of the revolutions antici-
pated by despairing Conservatives. The honor
was bestowed, by the Prime Minister's motion,
upon the Right Honorable James William
Lowther. This gentleman, in his official
capacity, theoretically knows every member,
but practically he is believed by the London
Standard to devote half his time to studying
the photographs of new members in the six-
penny weeklies, and trying to identify the
originals on the crowded benches before him.
Mr. Lowther has been Speaker in the past, but
to-day he is likened to a new master in a
strange school. His right honorable friend
Mr. Balfour, was not visible. The former
Prime Minister has found a safe seat — a Con-
servative stronghold in London with more
voters than residents ; but he could not be made
an "M. P." in time for the opening session of
the House. Missing, too, were all but three
members of the Balfour ministry, defeated, one
after another, in constituencies supposed to be
Conservative. "In such a battue of the big
game," laments the London Saturday Review,
"the fate of lesser ministers has really almost
been unheeded by the public. Yet several of
the brightest of the younger men who held
office under the last government have lost their
seats." The only consolation to his beaten
supporters thjit suggests itself to Mr. Balfour,
takes the form of prophecy. He assures his
countrymen that they will yet vote his party
into power. He refrains, however, from
specifying the date.
AVERY conspicuous figure was Mr. Joseph
Chamberlain. His faithful Birmingham
has returned to the House a solid phalanx of
seven Unionists, headed by himself. Mr.
A BRITISH LABOR LEADER WHOM THE
COUNTESS OP WARWICK INDORSES.
Mr. Will Crookes has been elected to the House of
Commons on a very socialistic platform, but it is not
socialistic enough for the countess.
POLITICAL METHODS OF JOSEPH CHAMBERLAIN
259
Giamberlain himself was returned by a ma-
jority of over 5,000 — a significant figure in the
general shrinkage of Unionist numbers. The
triumph is personal, says the London Times,
but Mr. Chamberlain's foes attribute it to his
careful imitation of American methods of
organization. His managers have a card index
of every voter in Birmingham. The electors
are regularly visited. Favors are granted x
on Tammany principles. The factories are
filled with men who owe their places to the
Chamberlain influence. Every new arrival in
the constituency receives a call from the rep-
r^entative of "the great Joe." Such facts,
according to the free-trade organs, are an in-
forming commentary upon the London Times'
(Ascription of Mr. Chamberlain as "a clear
thinking; painstaking and well informed man
dealing with an electorate which has been
taught very largely by himself to appreciate
sound arguments." The London Spectator is
alarmed by Mr. Chamberlain's political tactics.
''He has begun to coquet openly with the labor
BRITISH I^ABOR'S ORGANIZER OF VICTORY
J. Ramsay Macdonald is credited with the preliminary
work upon which the success of the labor campaign
in Rnglly'"'^ was founded. For generations his ancestors
have been vilUtee fishermen and blacksmiths. He is
now secretary of the "labor rejiresentation committee"
which el«rted.^»9 of <''theJ54 k" straight" laborites in the
Hoose of Commons.l
THE LEADER OP THE BIGGEST LABOR GROUP
IN PARLIAMENT
Keir Hardie was last month chosen chairman of the
"L. R. C. " labor group, which repudiates John Burns
as not a "straight " laborite. Mr. Bums (unlike Hardie)
does not lead an integral labor party.
party," it declares, "and he has made the
sinister and significant remark that the Irish
are of necessity protectionists." Mr. Cham-
berlain wants, in other words, to ally the rem-
nant of the Unionists with the home rulers
and with the labor members in order to carry
a protection measure through the House of
Commons. A free-trade landslide has left
him as incorrigible as ever.
BUT Mr. Chamberlain has already sustained
a rebuff in his efforts to come to terms
with the forces of labor. These members fall
into three groups in the House of Commons.
Far the most powerful, as the London Tele-
graph explains, are the delegates of the "labor
representation committee," about thirty in
number. Well drilled and disciplined, they are
already marching as a single regiment through
the arena of parliamentary war. Keir Hardie
is the best known fighter in these ranks, John
Burns being in another category altogether.
So great has been the success of Keir Hardie
and his fellows at the polls that the trade-
unions are already embarrassed, according to
the London News, by the necessity of financing
26o
CURRENT LITERATURE
HE IS PHOTOGRAPHED NEARLY EVERY DAY
This is his latest, and he looks even younger than it
indicates him to be, although he is seventy or so. It
is superfluous to say that this is Joseph Chamberlain.
SO many members of Parliament, who, unlike
our own members of Congress, do not receive
any official salary. Next in importance to these
thirty, must be reckoned the band of eleven
miners who constitute an integral labor group
of their own. Finally we have a disorganized
crowd of some fifteen independent laborites,
John Bums being the only international per-
sonality among them. To Mr. Chamberlain
has been attributed a wily scheme for the uni-
fication of these broken political pieces by
the paste of preferential tariff. He has been
foiled by John Burns, who has a different kind
of cement. It is derived from a promise to
negative the principle established by the Taff
Vale decision.
THIS Taff Vale decision is to British labor
what the Dred Scott decision once seemed
to the American abolitionist. The labor unions
want the right to strike without legal liability
to damages for the consequences of the strike.
They writhe beneath the effects of a judgment
by a high judicial authority to the effect that a
trade-union, although not a corporate body, can
be sued as a legal entity and that its property
— meaning strike funds — is liable for the illegal
acts of its agents or officers acting under its
authority. It is this principle, we read in
the London Telegraph, which has acted as a
centripetal force among the trade-unions oi
Great Britain, drawing them into something
like political affiliation and bringing them in
unprecedented thousands to the pollings booths
to vote for the Keir Hardies and the Will
Thornes. The mere suspicion of being- favor-
able to the principle of the Taff Vale decision
has been fatal to the prospects of any candidate
for parliament in a constituency dominated
by labor. Yet Mr. Asquith, right-hand man
of the Prime Minister and Chancellor of the
Exchequer, could not develop in himself any
hostility to the Taff Vale decision until his
right honorable friend and colleague, Mr. John
Burns, had transmitted vibratory impulses
from a proletariat in agitation to the seat of
the Chancellor's official consciousness. So
magical was the effect that a plea for labor
legislation found its way into the speech from
the throne read aloud by King Edward to an
aristocracy of birth and intellect
THAT aristocracy, if we may infer anything
from the London Times, was perturbed.
Dozens of peers have a vested interest in the
decision on the reversal of which the labor
JAMES BRYCE, THE NEW SECRETARY
OF IRELAND
" Is it correct to say Ochone or Begorra in these
circumstances ? *'
t— Punch {.London).
LEGISLATIVE SPECTERS IN GREAT BRITAIN
261
members have begun to concentrate their
energies in the Commons. Picketing is to be
made legal, if John Bums and Keir Hardie
can accomplish so much by reconciling their
long-standing differences. Many another
rusty weapon in the trade-union arsenal will
be given a legislative burnishing. That is the
meaning of the alliance between labor and
liberalism which Mr. Chamberlain thinks he
can disintegrate. But Sir Henry Campbell-
Bannerman has given a definite pledge and
John Bums has guaranteed. The labor bill
soon to be introduced is pronounced revolution-
ary by those who profess to have knowledge of
it Nor can any British court pro-
nounce an act of Parliament null and void
after the fashion of the United States Federal
courts in dealing with the Washington law-
makers. The London Standard is in something
of a panic at the prospect. Its information is
that the labor members will also support the
Prime Minister's bill to undo the Education
Act. Once that abomination to the noncon-
formist conscience has been ended, there is to
ensue so drastic a revision of the taxes on land
that country squires and territorial aristocrats
have already raised a cry of confiscation. If
we conceive Germany's Social-Democratic
party transplanted from the Reichstag to the
Commons, we may then, according to the
London Morning Post, get an idea of the legis-
lative nightmares that are sure to make their
appearance in this Parliament. But the House
of Lords still endures and can be depended
upon to stand by the "vested interests" to the
last gasp, as it has done so often before.
A POLITICAL PARTY
— London Evening Standard.
THE AMERICAN WIPE OF JOSEPH
CHAMBERLAIN
She was Miss Mary Crowninshield Endicott, daughter
of Grover Cleveland's Secretary of War. She married
Mr. Chamberlain in 1888, being nis second wife.
IN ADDITION to these socialistic night-
I mares the eye of Mr. Balfour discerns that
of home' rule, which was almost forgotten by
students of the election returns in England
until Mr. John Redmond and the Freeman's
Journal began to conjure it forth again. Then
Mr. Balfour announced a bargain between the
home rulers and Sir Henry Campbell-Ban-
nerman. "He has made," said
the former Prime Minister of
the present Prime Minister,
"some sort of a bargain with
Mr. Redmond. He concealed
that transaction. But no one
doubts that there is such an ar-
rangement, though the terms
may be a perplexity to most of
us and are unquestionably a
perplexity to me." Again Mr.
Balfour asked: "What is the in-
stalment of reform leading
toward that state of things
which the Prime Minister has
promised Mr. Redmond, and for
which Mr. Redmond has prom-
ised the support of the Nation-
alist party in Ireland?" If this
had been meant to "draw" Sir
Henry Campbell-Banncrman, it;
d62
CURRENT LITERATURE
succeeded. "There is no foundation from be-
ginning to end for the whole story," he cried.
It was "pot house babble'' scandalous as
evidence of the depths to which a Balfour
could sink. "There are solid grounds of agree-
ment between the Liberals and the Irish
Nationalists," admitted Sir Henry, and he
named three of them. First was an intense
longing to be rid of Mr. Balfour and his
ministry. Next was an equally earnest desire
to improve the administration of Ireland. "And
the third is the belief that in Ireland self
government is the best and safest and healthiest
basis on which a community can rest." This
only means, says the London Standard, that a
home-rule bill on Gladstonian lines will not be
introduced because the House of Lords would
reject it. The necessity of the situation com-
pels an attempt to circumvent the House of
Lords. It means "Home Rule on the sly,"
says the London Times. Mr. Redmond mean-
while is holding conferences with labor leaders.
MR. CHAMBERLAIN is also having his
conferences with labor leaders, but most
of his time is spent in an attempt to bring to-
gether the fractured parts of the Unionist
party. That body, however, is still unable to
stand at ease upon the Chamberlain platform ,
nor does it appear more comfortable upon the
^Balfourian retaliation plank. "The crisis
ended," "a united party," and similar heading^s
in organs like the London Times, Mail and
Standard imply, however, far more harmony
between the standpoints of Balfour and Cham-
berlain than the persistent rivalry between
their followers for control of the Unionist
organization would indicate. Mr. Chamberlain
declares that he and his "tariff reformers" are
ready to accept Mr. Balfour's leadership. That
statesman no longer clings to the plank of re-
taliation as he drifts down the stream of de-
feat. He consents to don the life-belt of
protection, but, as Mr. Chamberlain implies, he
does not know how to put it on. The former
Prime Minister is now undergoing a process
of instruction and gentle suasion. Or it may
be that the London Chronicle is nearest the
truth in its intimation that Mr. Chamberlain
abandoned the frontal attack on Mr. Balfour
in favor of an enveloping movement. And
if Balfour and Chamberlain between them win
the day at the next election, predicts the Lon-
don Morning Post, a staggering blow will have
been dealt to the economic structure of the
United States.
Mr. John Redmond: "Well, my weight doesn't seem to matter much now.**
—London Punchy
Literature and Art
NORDAU'S NEW ONSLAUGHT ON NOTED MODERN ARTISTS
Since the publication of "Degeneration"
Xordau has written nothing of so radical a
character and of so far-reaching importance as
his latest book "On Art and Artists."* While it
contains favorable appreci^ions of some of the
great modern artists it deals rudely with
the reputations of a number of others who
have long been set up as idols and generally
regarded as the highest interpreters of the
modern artistic spirit. Undaunted by the fact
that the world does not seem to have ))ecn in
any hurry to accept his verdict on Tolstoy,
Ibsen, Maeterlinck and Oscar Wilde, as for-
mulated in "Degeneration," Nordau sallies
forth again to do battle against a later school
of "degenerates." Rodin in especial excites his
wrath and Bouguereau, John W. Alexander
and Whistler, all fall under the ban of his
condemnation. In justification of his uncom-
promising attitude, he says :
"There is scarcely anything I hate so much as
opportunistic criticism which does not take sides
honestly for or against those manifestations in
art that come with noisy, pretentious claims to
modernity and progress, but which, with the
shrewd circumspection of the bat in the fable,
seeks to have an understanding with the hostile
camps of the birds as well as of the mice. . . .
Intolerable are those clever fellows, the ever-
smiling, smvi^, obliging, intangible eclectics, who
praise, but with reserve; who blame, but with re-
straint; who bandy about such well-known and
harmless phrases as, *of course there is some
exaggeration here, but a peculiar individuality
cannot be denied; and 'it is certainly not a
perfect creation, but the work has a certain prom-
ise' These people, who speak so sweetly, are the
real poisoners of the public taste. It is because
of their efforts that tendencies that would other-
wise lie outside the limits of the law enjoy a sort
of 'equal rights,' granted them, so to speak, by an
aesthetico-historical tribunal."
That Nordau's own method continues to be
diametrically opposite to that of the critics
thus described by him the book affords ample
evidence. In no uncertain tones he accuses
Rodin of "hysterical epilepsy," of appeal in;j; to
"the morbid impulses of his neurotic
followers," and of adopting a technique v/hich
"breaks with tradition and indulges in childish
eccentricities." He says further:
•Vox KUXST UNO KUNSTLER. By Max Nordau. B.
Elischer, Leipsic. •
"Rodin's unpardonable sin is his adherence to
an aesthetic principle which is confessedly im-
pressionistic. The only thing that interests him
in a figure or a group is the line of motion. His
work retains that line of motion with persuasive
veracity, but with an accentuation so exaggerated
that it almost reaches the point of caricature.
Meanwhile he neglects everything that does not
contribute to the expression of that line. Now
sculpture is an art wholly incompatible with im-
pressionism. In the nature of things it demands
'an unfailing and unswerving candor in its re-
production of nature. . . . Rodin halts in his
work just when he has arrived at what We may
call a promise. His work is never a fulfilment.
He is a sculptor working with the eye and the
hand of a painter, and he applies the painter's
methods to the execution of works which must
be looked at from a thousand different angles.
"Rodin overstepped the outermost limits of
his folly when he made his monument of Balzac,
which Gogo, who accepts many humbugs, couldn't
quite swallow. . . . *Le Penseur,* a colossal
statue exhibited in 1904, is almost as disastrous
as the Balzac, . . . but he's much less com-
ical, for he isn't clad in a meal-sack. The figure
is nude and so ill-wrought that no one can see
it without a sensation bordering on horror, unless,
of course, he has a Hking for depraved art. . . .
"All this is most lamentable, for Rodin was
originally a highly gifted artist."
Bouguereau is "slaughtered" with equal
heartlessness. The "contempt for Bouguereau"
expressed by the modern artist Nordau him-
self shares and intensifies. He says:
"Bouguereau pleases the inadequately trained
eye because he paints prettily. But in art the
pretty thing is the very contrary of the beautiful,
for it is the untrue. The naturally fine feeling
or the happily educated conscience perceive as
beautiful only that which is true. What is pretty
is necessarily untrue, for it represents something
which is gotfen without pain; which does not
arouse contradiction, does not compel any exer-
tion on the observer's part, and does not make
any demands upon him to adapt himself to the
peculiarity of the artist. . . . The artist who
aims at the pretty thing does not seek truth. He
is only thinking of the multitude whom he wishes
to please. He does not represent what he sees
and what makes an impression upon him, but only
what corresponds to the faint, inaccurate concep-
tion of things that the majority of people have.
He is the crowd's courtier. He flatters their shal-
lowness and incapacity. He wants them to say
with a self-satisfied smile: This man is a great
artist, for he has the same views as I
have !' "
The two American painters dealt with, John
964
CURRENT LITERATURE
MAX NORDAU
(From a drawing by E. M. Lilien.)
W. Alexander and Whistler, fare no better
than Rodin and Boug^ereau. Alexander, in
Nordau's eyes, is "the inventor of acrobatism
in portraiture." To quote:
"He is an American who possesses enviable
cleverness and security. He is master of the
instruments of expression in his art and has a
sure feeling for the harmony of those soft, toned-
down colors which in France are known as 'Lib-
erty* shades, after the name of an American busi-
ness man in the Avenue de TOpera who first
brought into fashion dress, furniture and wall-
stuffs of those peculiar, bloodless and, as it were,
chlorotic colors. With his skilful* drawing and
his charming harmonies of cool, pale-blue, gen-
tle-green, pale white-yellow and tender rose, he
might, perhaps, have pleased some connoisseurs,
but would scarcely have attained world-wide
fame. So he hit upon the idea of painting women
in the most startling positions. He became the
inventor of acrobatism in portraiture. His women
lie in orgiastic torsions on the ground or on
sofas, with their feet up in the air and their
heads hanging over the edge; or their figures are
doubled in curves, like screws, or coiled up like
sleeping dogs, staggering the harmless observer,
and suggesting to the corrupt imagination certain
lustful pictures."
On much the same grounds Whistler is
condemned. His method of portraying women,
we are told, is the resuh of a "hypcraesthesia"
which is "a decided state of disease." Says
Nordau :
"The violence with which he treats young, high-
bred, nervous women has an uncannv effect upon
me. I am thinking of his *Lady Meux,* and of
other capricious specimens of femininity exhibited
in the Paris and London salons during the past
five years. He plants his model before us in
some strange position. Sometimes she stands
with her back turned toward us, but as if with
a sudden caprice wheels her head around ; another
time she shows the full face and looks at us
fascinatingly with mouth screwed up and agitated,
penetrating eyes. These spoiled, capricious beau-
ties are arrayed in remarkable toilets; often not
a finger's breadth of skin is left bare, beside the
face and hands; and yet they cry aloud of sen-
suality. They are bundles of sick nerves that
seem to tremble in excitement from the crown
of their heads to their finger-tips. It is as if
they wished to incite the men to wild dare-devil-
try, and at the same time held their claws ready
to tear their victims to pieces with a loud cry
of joy. All the mad bacchanalianism, all the
sphinx-like relentle^sness that Ibsen was unable
to embody with verisimilitude in his 'Hedda
Gabler,' speaks distinctly from the pictures of
Whistler's women."
LITERATURE AND ART
265
SHAKESPEAREAN SCENES IN BAS-RELIEF
The scenes and characters of Shakespeare
have, of course, inspired the efforts of in-
numerable pictorial artists; and certain de-
tached figures from his plays have been
embodied over and over again in marble and
bronze; but there is something unique in the
way in which a New York sculptor, Mr.
R- Hinton Perry, has embodied in bas-relief
representative Shakespearean scenes, each one
including numerous characters, and telling the
main story of a play. In large panels, nine
feet by four, he has embodied his conceptions,
the series forming a frieze to which the news-
paper and magazine writers still call attention.
The New Amsterdam Theatre, in which these
bas-relief representations of Shakespearean
drama and comedy appear, is thought to sur-
pass all other buildings of like character in
the beauty of its interior decoration. The
"Art Nouveau" has here found its first large
expression in this country. Representations
of the human figure, of animals, birds, flowers
and foliage, follow the structural lines of the
building, and furnish a setting for the work
of eminent American painters and sculptors.
In the lobby of the theatre are Mr. Perry's
^eat bas-reliefs, ten in number, five of them
on Wagnerian subjects and five on Shake-
spearean. In finish and composition, in grasp
and in detail, they form a tribute such as the
sculptor's art has perhaps never before at-
tempted to pay to the great myriad-minded
dramatist and to the Shakespeare of music.
The Shakespearean scenes reproduced
herewith are selected from three tragedies —
"Hamlet," "Macbeth" and "Richard III"— and
ROLAND HINTON PERRY
Whose bas-relief representations of Shakespearean
subjects, in the New Amsterdam Theatre, New York,
form a tribute such as a sculptor has probably never
before attempted j^to pay to the great dramatist.
two comedies — "As You Like It" and "A
Midsummer Night's Dream." The greatest
"HAMLET"
(By Roland Hinton Perry, i
266
CURRENT LITERATURE
!(. ^ ^ ^
'A MIDSUMMER NIGHT'S DREAM/
(By Roland Hinton Perry.)
of Shakespeare's plays are thus represented,
and though, by reason of the rich coloring of
the medieval costumes, such subjects may be
felt iif lend themselves more readily to paint-
ing^*'than to sculpture, Mr. Perry has been
able to achieve notable effects of expression.
In each theme it has been his aim to give the
keynote of the play, to condense the whole
situation into a single, suggestive phase. He
shows Hamlet, for instance, the man of morbid
temperament, inclined to introspection and
melancholy, at the moment when the ghost
appears, walking the ramparts of the castle of
Elsinore. In the same way, "Macbeth and the
Witches" and "The Battle of Bosworth Field "
catch moments pregnant with dramatic interest
and significance. The last-named panel has
gained the illusion of motion, of atmosphere,
of elaborate detail. It is a tour de force in the
inflexible material which is the sculptor's
medium. The effect is that of a Gobelin
tapestry. By a skilful manipulation of the
space, crowding it with detail, yet using as
few lines of indication as possible, Mr. Perry
has succeeded suggestively in telling the whole
story, when, literally, he could not have told
the whole story. The subordination of detail
alone makes of this panel a lesson to the spec-
tator. Every accessory is studied and au-
thentic. Spears, armor, the accoutrement of
the horses, anatomical truth, the manner and
attitude of attack, were all the subjects of re-
search, and the handling of the theme is heroic.
An original note appears in Mr. Perry's
'MACBETH AND THE WITCHES"
(By Roland Hinton Perry.)
LITERATURE AND ART
267
♦IN THE FOREST OF ARDEN '
(By Roland Hinton Perry.)
presentation of Shakespearean heroines. In the
panel representing Rosalind in the Forest of
Arden, the figure of Orlando, carving the name
on a tree, stands out most strongly. But while
the figure of Rosalind is gently subordinated,
she remains the central personality of the
scene.
Plaster copies of the Shakespearean bas-
reliefs hang on the facades of the sculptor's
studio, which is the scene of varied artistic
activity. Mr. Perry's best known work is
probably the "Court of Neptune" fountain, be-
fore the entrance of the Congressional Library
at Washington. During the past year he has
created nothing more beautiful than a bust
of his own little daughter. A solid noble
breadth is the basis of this work. Upon it
the sculptor has known how to throw the most
ephemeral, sprite-like gleams. Mischief and
wonder are expressed in the tilted head and
the arrested gaze. The hair is treated simply,
but with great skill, and the neck is a combina-
tion of child-like force and frailty. . The fea-
tures, modeled with sincerity, are flashing with
life. This beautiful work, in which the sculp-
tor and father has perpetuated the sotil of his
own child, is in purest marble. A still more
recent work is a life-size bust of General Sick-
les. The subject is a magnificent one, for the
features are almost Bismarckian in their em-
bodiment of force and resolution ; but of a Bis-
marck turned into a gentleman, with a capacity
for tenderness as well as dogged leadership.
One art critic recently pronounced this bust
'THE BATTLE OF BOSWORTH FIELD*
(By Roland Hinton Perry.)
268
CURRENT LITERATURE
MRS. ROLAND HINTON PERRY
Painted by her husband.
of the General the finest piece of sculpture
he has yet seen by an American artist.
Another and more conventional work on which
Mr. Perry has been engaged is a group of two
figures for the Chickamauga battle-field. The
figures represent a Confederate and Union
soldier clasping hands in token of a reunited
country.
Mr. Perry is a painter as well as a sculptor,
and his first studies were in the pictorial line ;
but the "pinching of clay" had a fascination
which he could not resist. He still paints at
intervals, and the portrait which we reproduce
is not only of interest as a specimen of his
skill upon canvas, but has an additional in-
terest just now, in that it is the likeness of
the lady (Mrs. May Hanbury Fisher) whom
he recently made his wife.
Three other notable works by Mr. Perry
are his "Circe," his "Primitive Man and
Serpent," and the "Golden Girl" which he
made to crown the dome of the Pennsylvania
State Capitol, in Harrisburg. -The first two
are elemental and barbaric in feeling. The
last has something of the Grecian spirit The
woman figure stands, one hand holding a long,
lithe wand, the other outstretched. Her face
has intensity of vision, firmness of chin,
nobility of profile.
Roland Hinton Perry is still comparatively
young, having just rounded his thirty-sixth year.
THE FIRST OF LIVING POETvS
This proud title., undoubtedly belongs to Al-
gernon Charles Swinburne, and has been
freely accorded to him by critical commenta-
tors in many countries. "His best lyrics,"
says a writer in the London Speaker, "have a
perfection and variety of rhythm which were
not only never achieved before, but seem never
to have been contemplated as possible of
achievement in English poetry"; and George
Barlow, the author of an article in The Con-
temporary Review (London) which deals with
the spiritual passion, rather than the lyrical
gifts, of Swinburne, goes so far as to
make this statement: "No poet that has ever
lived, no poet ever likely to arise, has sur-
passed, or will surpass, Mr. Swinburne in the
rare and priceless gift of spiritual sublimity."
These glowing estimates are a part of the
current criticism evoked by the recent pub-
lication of Swinburne's collected poems and
dramas. They are typical of the spirit in
which his English admirers pay him homage.
Swinburne also has his enthusiastic devo-
tees in this country; but of three critical
estimates lately printed, only one — ^that of
Prof. George E. Woodberry — is in the nature
of panegyric. The other two — ^by Paul Elmer
More, of the New York Evening Post, and
William Morton Payne, of the Chicago Dial
— evidently represent eflforts to pass judgment
uninfluenced by glamor or sentiment. Mr.
More's verdict is the least favorable of the
three. Writing in the third volume of his
"Shelburne Essays,"* he confesses to a feeling
akin to "personal repulsion" in contemplating
Swinburne. He says in part:
"The reader of Swinburne feels constantly as
if his feet were swept away from the earth and
he were carried into a misty mid-region where
blind currents of air beat hither and thither; he
longs for some anchor to reality. In the later
books this sensation becomes almost painful."
"The satiety of the flesh hangs like a fatal web
• Shelburne Essays. Third Series, By Paul Elmer
More. G. P. Putnam & Son.
LITERATURE AND ART
369
aboot the 'Laus Veneris'; the satiety of disap-
pcnntment clings 'with sullen savor of poisonous
pain* to *Thc Triumph of Time' ; satiety speaks in
the •Hymn to Proserpine,' with its regret for the
passing of the old heathen gods; it seeks relief
m the unnatural passion of 'Anactoria'; turns to
the abominations of cruelty in 'Faustine.' . . .
Now the acquiescence of weariness may have its
inner compensations, even its sacred joys; but
satiety, with its torturing impotence and its hun-
gering for forbidden fruit, is perhaps the most
unmoral word in the language; its unashamed
display causes a kind of revulsion in any whole-
some mind."
*To Swinburne the sotmd of liberty was a
charm to cast him into a kind of frothing mania.
It is true that one or two of the poems on this
theme are lifted up with a superb and genuine
l)Tic enthusiasm."
*The rhythmic grace of his metre is like a
bubble blown into the air, floating before our
eyes with gorgeous iridescence — ^but when it
touches earth it bursts. There lies the fatal weak-
ness of all this frenzy over liberty and this hy-
meneal chanting of sky and ocean; it has no
basis in the homely facts of the heart."
•'No inconsiderable portion of Swinburne's
work is made up of a stream of half-visualized
abstractions that crowd upon one another with
the motion of clouds driven below the moon. He
is more like Walt Whitman in this respect than
any other poet in the language." ^
A true poet who respects the sacredness of
noble ideas, who cherishes some awe for the
mysteries, does not buffet them about as a shut-
tlecock; he uses them sparingly and onlv when
the thought rises of necessi^ to those heights.
There is a lack of emotional breeding, almost an
indecency, in Swinburne's easy familiarity with
these great things of the spirit^'
William Morton Payne's estimate appears
in the introduction to a newly issued volume
of selections of Swinburne's poetry.* He
finds Swinburne's greatest strength in the sum
total of his achievement:
"When the comparative claims made for the
greater poets of the nineteenth century shall
receive their final adjudication at the tribunal
of criticism, there can be little doubt that to
Shelley, Wordsworth, and Tennyson, in this
ultimate reckoning, there will be conceded a
higher place than that allowed to Swinburne.
Keats and Coleridge, by virtue of a few perfect
poems; Browning and Arnold, by virtue of a
special appeal to the intellectual rather than the
strictly aesthetic element in appreciation, may
also be cherished by many with a deeper affec-
tion. Some may discover in Byron's 'superb
energy of sincerity and strength,' a more positive
inspiration; some may recognize in Landor's
superb yet wistful restraint a fmer example ; some
may even find in the artistic passion of Rossetti
or in the golden haze of Morris a surer stimulus
to the deeper sensibilities — ^but with all at least,
Swinburne will be found fairly comparable in the
impressiveness of his achievement as a whole.
The rich diversity of that achievement, the splen-
did artistry of its performance, and the high and
♦Selected Poems ofSwinburne. D. C. Heath & Co.
MR. PERRY'S BUST OF HIS DAUGHTER
GWENDOLEN
austere idealism which informs it, are qualities
that may safely be trusted to save it from the
oblivion in which the work of all but the greater
poets becomes engulfed soon after they have
passed away from among men."
Professor Woodberry's new volume on
Swinburne* is, in a certain sense, a vindica-
tion of the poet — a moving plea for the ftdl
and unstinted recognition of his genius. He
says he supposes that "no English poet has
ever had so wide and familiar acquaintance
with the poetry of foreign climes. ... He
achieved such familiarity with past literature
that his mind became capable of an attitude of
contemporaneity toward it.'.' Moreover:
"The truth about Swinburne is the exact op-
posite of what has been widely and popularly
thought — weakness, affectation, exotic foreign-
ness. The traits of aestheticism in the debased
sense of that word are far from him. He is
strong ; he is genuine ; he is English bred, with a
European mind, it is true, like Shelley, like Gray
and Milton, but in his own genius, temperament,
and the paths of his flight, charged with the
Strength of England. In his nature-verse there
is sympathy with power, grandeur, energy, mark-
ing the verse unmistakably as that of a strong
soul; in his social verse of all kinds, political
and religious, there is the same sympathy mark-
ing it, making it clarion-like, to use his. own
♦Swinburne. By George Edward Woodberry. Mc-
Clure, Phillips & Co.
270
CURRENT LITERATURE
metaphor, for liberty, progress, man, for the
truth and love of the Revolution, for the ideal of
the Republic as the great and single aim of the
race. In his passion-verse there is the same
breath of the power of life; and that fare-
well to life in which the pagan mood ends,
by its insistency, its poignancy, its plangency, the
sweetness of its regret, the bitterness of its de-
spair, is the death-recoil of a great power of life,
of joy and dream and aspiration in youth, of a
power to seize the things of nature and of the
spirit, to live over again the experience, to think
over again the thoughts of man, to have man's
life. ....
"Liberty, melody, passion, faith, nature, love,
and fame are the seven chords which the poet's
hand, from his first, almost boyhood, touch upon
the lyre, has swept now for two-score years with
music that has been blown through the world."
On the continent of Europe, Swinburne's
reputation is steadily growing. To the
French people he was long ago introduced,
most fittingly, by Victor Hugo, the master
whose praise he was never tired of singing.
The Parnassians and Symbolists received with
great enthusiasm the English poet in whose
song they found traces of their own idols,
Gautier and Baudelaire. Until the South
African War there existed in Paris a Swin-
burne Qub. At that time the poet printed the
well-known sonnet in which he defended the
English policy with more patriotism than good
taste. The Frenchmen of those days were
very hbt-headed and fervent sympathizers with
the Boers. So they decided that a man who
could write in defence of "British tyranny"
was unworthy of their admiration, and the
Swinburne Club came to an untimely and ig-
nominious end.
The tide of Swinburne enthusiasm has
reached Germany. It was through Max Nor-
dau that he was first brought to the notice of
the German reading public. Nordau, it will
be remembered, was kind enough to Swin-
burne to reckon him among "the higher de-
generates whose language was at least clear
and whose thought coherent." But until re-
cently Swinburne was only known to a limited
circle. Now, a number of his best poems have
been translated and issued in book form by
Otto Hauser; himself no mean poet, and for
that reason well qualified to interpret Swin-
burne's work to his compatriots. Of his
book the literary critic of the Berliner Tuge-
blatt writes as follows: "For the first time
there appears in German translation an Eng-
lish lyrist, whom his own land reckons among
the poets of the first order and who with us,
too, will, perhaps, soon be assigned an un-
alterable position among the poets of the
world's literature. We speak of Algernon
Charles Swinburne, of all lyric poets one of
the most peculiar. He was a symbolist before
symbolism, and thought and wrought realistic-
ally before the coming of the naturalistic
clique, — in short, a potent personality, of Pro-
methean independence."
THE EXTINCTION OF FICTION WORSHIP
We read the novels of to-day and after a
fashion we discuss them, declares the Rev. W.
J. Dawson in his striking study of English
prose fiction recently published.* But who, he
asks, now waits for the appearance of any
novel "in a fever of expectation"? Who
"weeps and laughs" over new novels, who is
kindled into "vigorous love or hatred" of their
characters? In fact, if the circumstances are
soundly viewed by Mr. Dawson, it must be
that for some century and a half the Anglo-
Saxon race was prone to an excessive fiction
worship. The cult, in its true form, died out
with Dickens. "He peopled the imagination
of his countrymen with the creatures of his
art. He created a personal bond between him-
self and his reader unique in the entire history
of literature. When in later life he appeared
♦The Makers of English Fiction. By W. J. Daw-
son. Fleming H. Revell Co
as the pubHc interpreter of his own books, he
was received with the most frantic demon-
strations of affection. Never had any writer
such a hold upon his readers — never again
can such a phenomenon be anticipated." But
the reading world of our day has traveled so
far beyond "a cult, a passion, an adoration, a
fanaticism," as Mr. Dawson calls it, for any
display of genius in the art of writing fiction
that "it is impossible for us to-day to under-
stand the kind of feeling with which Dickehs
was regarded by his contemporaries." In
seeming conflict with some critics of the pub-
lic taste who speak of "fiction frenzy" as ram-
ps^nt to-day, Mr. Dawson thinks our emotions
have been rendered practically immune by
long subjection to the contagion. He brings
the point out most clearjy, perhaps, in what
he has to say of Richardson : '
"By what strange power or virtue did a man
LITERATURE AND ART
271
so essentially homely achieve this prodigious
^xne? The secret is, after all, quite simple.
He was the originator of the novel of sentiment.
The charge which Dickens brings against Defoe
of an entire lack of tenderness and sentiment in
his death of Friday is a charge which lies against
an Defoe's work. Defoe never thinks of touch-
ing the fountain ot tears, and probably could
not have dcme so had he wished. The lack of
sentiment is even more marked in Swift, for
he takes a cruel pleasure in exposing htunan
frailty and has no tears even for the most pitiable
of human miseries. Richardson strikes a new
note. He introduces S3rmpathy and pathos into
English fiction. He investigates the human heart
not to sneer at its emotions but to digni hr them.
His sympathy with women is remarkable. He
understands them perfectly, he reverences them,
and he applies to them an analysis whicl;i is as
delicate as it is acute. No wonder he found him-
self the idol of female coteries: he was the
anointed Prophet of the Feminine. Women read
his books with a kind of breathless interest
which the sentimental tales of Dickens excited in
our own da^, and wrote him passionate letters,
imploring him not to kill his heroine or to save
the soul of his hero, much as the early readers
of Dickens implored him not to kill Little Nell.
One of his favorite correspondents. Lady Brads-
haigfa, has vividly described her emotions over
'Clarissa Harlowe.' She wept copiously over the
book, laid it down unable t« command her feel-
ings, could not sleep at night for thinking, of it,
and needed all her fortitude and the active sym-
pathy of her husband to enable her to persist in
the agonizing task.
"There is no reason to doubt the sincerity of
her confession. We have become inured to the
sentimental novelist and are on our guard against
him. Our feelings have been outraged so often
that if we 3rield ourselves to his spell it is with
deliberation and with a due regard to the con-
sequences of our weakness. But Richardson
dealt with unsophisticated readers, rich in virgin
emotions."
From this standpoint, it is a step to the
conclusion that many well-known phenomena
of fiction worship are unthinkable to-day.
"Every one recalls the story of the old gentle-
man on his death-bed who thanked God for
the likelihood of living till the next number of
'Pickwick* came out. Not so familiar, but
equally significant, is the story of the man who
rode several miles at midnight that he might
awaken his friend with the great and welcome
news: 'Carter's dead!'" Things like that do
not happen now, or if they do they are ex-
ceptional. The novel-reading mind has grown
fastidious, even among the masses. Atid the
literary palate is jaded when the viands are
on the whole more appetizing than ever be-
fore:
"In one respect the modem novel shows a
great advance on its predecessors — ^viz. : in its
technical perfection. Its art may be thin and
poor, but its craftsmanship is excellent. The
THE REV. WILLIAM J. DAWSON
For a century and a half, he thinks, the Anglo-Saxon
race was prone to an excessive fiction worship ; but the
cult, in its true form, died out with Dickens.
Story is usually told with vivacity and clearness,
the plot is skilfully contrived, the interest is sus-
tained and the writing often has a real grace of
style. The average of sound literary craftsman-
ship is to-day much higher than it ever was.
If we take at random any half-dozen novels of
the present season and compare them with the
novels produced by writers not of the first rank
fifty years ago, We are struck at once by the
great advande in technique. It is scarcely an
exaggeration to say that every season there is
published one or more novels which would have
made a great reputation fifty years ago. The
average of good craftsmanship in fiction has risen
in the ratio of increased literary perception and
education among the people."
Potent, likewise, among the forces making
for the extinction of fiction worship is the
popular knowledge of the secrets of the craft
When a brilliant novel appears from a new
pen, readers no longer leap to the conclusion
that a fresh genuine genius has emerged. Too
many disappointments make us wary. "Every
season brings us some new novel which
achieves distinction. . . . The author
strikes a vein of observation which is fresh
and original — he pictures something he knows,
and the result is that his work receives an
applause which even a Thackeray or a Dickens
would have regarded as unstinted." Nor can
we forget that literary history is to-day so
272
CURRENT LITERATURE
well known that novel readers are familiar
with the. mistaken judgments of their novel-
reading fathers and grandfathers. Not that
the novel is destined to lose its hold. Far
from it. It is likely to evolve steadily. "It
seems yet more likely that the time will come
when every man who has anything to say on
art or science or religion or sociology will
seek to say it in fiction. These tendencies will
inevitably produce a more general perception
of fiction as a serious form of literature. We
shall regard it less as a means of amusement
than of instruction." Finally, the novelist is
not to blame, if he find himself no longer the
object of a cult or a worship. "All the love
stories have been told; every possible situa-
tion in which lovers find themselves has been
exhausted. . . . No doubt it is much more
difficult to write a great novel to-day than a
century ago."
IS JOURNALISM THE DESTROYER OF LITERATURE ?
According to Julian Hawthorne, the well-
known novelist and newspaper writer, jour-
nalism is antagonistic, by the very law of its
being, to pure literature. "What lives in lit-
erature," he says, "dies in journalism." The
daily paper, as he admits, is the character-
istic voice of the age, and never exerted a
■wider influence than at the present time.
Moreover, it is often "splendidly officered,
sagaciously managed, admirably done." But
the fact remains that its "mode of speech
is of the material plane"; it "involves no ap-
peal to the spiritual affiliations of men." On a
newspaper diet "heart and soul are atrophied,"
and literature, "the characteristic utterance of
the spiritual plane," languishes. Mr. Haw-
thorne's utterances on the subject come with
additional force oWing to the fact that, after
achieving no inconsiderable* success in the
realms of purely creative fiction, he has of
late years devoted the major part of his time
to journalistic work of various kinds. Few
men are better qualified than he to discourse
intelligently on the relations of literature to
journalism. One seems to detect the note of
personal resentment toward the work of
his later years.
Perhaps it will be asked: Is not the news-
paper an educational force? Does it not
broaden a man, remove his prejudice and abate
his provincinalism ? Is it not a sort of uni-
versity of general knowledge? Even to these
questions Mr. Hawthorne refuses to give an
affirmative reply. He says (in The Critic,
February) :
"If we catechize a graduate of this university,
the result is not reassuring. The area of his
available information is, indeed, unrestricted; but
he is also free to select from it only what he
fancies, and these are items which tend to in-
flame, rather than to dissipate, his provincialism
and prejudices. Finding, too, so many things ap-
parently incompatible offered for his belief, he
ends by drifting into scepticism; while his sym-
pathies are bankrupted by the very multitude of
the appeals to them. Thus he acquires an in-
different ism which is rather that of impotence
than of philosophy; for the indifference of the
philosopher is due either to faith in a state of
being purer than the earthly, or else to a noble
superiority to destiny; whereas the mind of the
newspaper graduate has simply lost virility. In-
stead of mastery of marshalled truths, he exhibits
a dim agglomeration of half-remembered or mis-
remembered facts; and because the things he
cares to read in his newspaper are few compared
with those he skips, he has lost the faculty of
fixing his full attention upon anything. His
moral stamina has been assailed by the endless
procession of crimes and criminals that deploys
before him, often in attractive guise; and as for
ideals, he may choose between those of the stock
exchange and of State legislatures."
There is a sense, continues Mr. Haw-
thorne, in which the very technical excellence
of a newspaper constitutes its chief danger to
the public. Its stories are well written —
terse, clear, strong, and to the point. In two
recent instances at least a journalist has risen
to the highest rank in literature. Men of
established literary standing contribute special
articles to newspapers. War correspondents
have won a niche in the temple of fame. "But
if, by such means, waifs of literature be
occasionally dragged neck-and-heels into a
place where they do not belong, so much the
worse for literature, and for the community
thereby led to accept this abnormal mis-
cegenation for a legitimate marriage." Mr.
Hawthorne proceeds to describe more fully
what he means by "literature":
"Consider for a moment that literature is wri-
ting which is as readable and valuable to-day as
it was a hundred or a thousand years ago, — ^a
longevity which it owes to a quality just the
LITERATURE AND ART
273
r>pposite of that essential to joumaliam; that is,
It lives not by reason of what is says^ so much as
of the manner of the sa3ring. It is nature and
life passed through a human mind and tinged
with his mood and personality. It is warmed by
his emotion and modified by his limitations. . . .
*Thc highest literature is that of imagination,
thou^ much true literature is not strictly im-
aginative,— Aristotle and Huxley, though not on
Homer's or Shakespeare's level, wrote literature.
Imagixijation is of all gifts the most human and
mysterious; being in touch with the infinite^ in
tinite man, it is creative. Fact is transfigured
by it, and truth humanized; though it is not so
much as based upon invention, fancy may be its
forerunner. Like all creative impulses, it is suf-
fused with emotion, — ^with passion even, — ^but
under control; the soul is at the helm. Imagina-
tion moulds and launches a new world, but its
laws are the same as those of the world we know ;
it presents scenes of enchantment earth cannot
rival, but laid in truth and wrought in reason, —
transcending, but not contradicting what we call
reality. . . . Literature has its play-grounds,
too, where it disports itself lightsomely as a child,
but a child whose eyes sparkle with divinity that
may at any moment bring to our own tears as
weU as laughter. Or it may seem preoccupied
with sober descriptions of people and things; but
in the midst of them we find ourselves subtly
drawn toward magic casements, wherefrom, be-
yond boundaries of mortal vision, we behold the
lights and shadows, the music and the mystery
of fairy-land."
In all this, what is there congenial, asks
Mr. Hawthorne, with bright, hard, im-
personal, business-like, matter-of-fact jour-
nalism? Of course it is possible to print in a
newspaper Keats's "Ode to a Nightingale," or
Kiplingps "They," but this does not make the
newspaper a literary medium. We may go
through the motions of harnessing Pegasus to
a market-garden cart, but Pegasus will not
stay harnessed. He does not belong on the
market-garden plane, and was not really there
even when yve were fastening the traces.
"Keats's Nightingale cannot be made to sing
check by jowl with a soap advertisement, in
the gas-light glare of Miss Makeup's Advice to
the Love-lorn." What lives in literature —
the individual touch, the deeps of feeling, the
second sight — dies in journalism.
The influence of the magazines, adds Mr.
Hawthorne, is just as deplorable as that of
the newspapers. To quote again :
'The newspaper is the characteristic voice of
the age ; and the age cannot have two character-
istic voices. And the success of the newspaper,
its enterprise, its dashing invasion of fields be-
yond its legitimate sphere, have compelled the
magazines, each in a greater or less degree, so to
modify their contents as to meet this novel rivalry.
They try to handle 'timely* subjects, to treat
topics of the day, to discuss burning questions.
Pboto. by Vamler Weydc
JULIAN HAWTHORNE
* What lives in literature,
\ in literature." he says, "dies in joum
Keats's ' Nightingale^ cannot be made
lism . . . Keats's ' Nightingale^ cannot be made to
sing cheek by jowl with a soap advertisement, in the
^as-light glare of Miss Makeup^s Advice to the Love-
om.'*^
Ic
Such things are impossible to the literary spirit;
but writers are not lacking, and their work is
often masterly— on its own plane — ^which is that
of the newspaper. Important uses are served;
but they are not literary uses. Fiction does not
escape the infection; the class of stories which
is upon the whole most acceptable in magazines
has to do with current domestic and social prob-
lems, and with the dramas and intrigues of busi-
ness. The interest is sustained, the detail is
vividly realistic, the characters are such as you
meet everjrwhere, the whole handling is alert,
smart, telling, up-to-date; — ^but where are the ,
personal . touch, the atmosphere, the deep beneath
deep of feeling, the second sight, the light that
never was on sea or land, the consecration and the
poet's dream? What has hterature to do with
these clever stories? You may read the entire
contents of a magazine, and all the articles seem
to have been the work of the same hand, with
slight variations of mood; and next weel^ how
many of them all remain distinct in your
memory?"
In spite, however, of all these depressing
signs, Mr. Hawthorne takes a hopeful view
of the future. While literary geniuses never
before had such difficulty in getting a hearing,
he thinks our need for real literature remains,
and the inevitable swing of the pendulum will
274
CURRENT LITERATURE
bring it back in due season. The newspaper
spirit has closed above us the gates of the
spiritual plane, but he sees signs of hope:
"There are already symptoms, if one will give
heed to them, of discontent with the dollar as
the arbiter of human life, of weariness of wars of
traders, both on the floor of 'change, where the
dead are suicides, and on the field of battle, where
Japanese and Russian peasants kill one another
in behalf of rival pawnbrokers. There is a long-
ing to re-establish humanity among human beings,
b0th in their private and their public relations;
to turn from the illusion of frescoed and electric-
lighted palm- rooms, and to open our eyes again
to the Delectable Mountains, with their sun and
moon and stars. The premonitions of such a
change are perceptible; and, along with them,
a timid putting forth, here and there, like early
spring buds upon the bare boughs of winter, of
essays, sometimes, in fiction, sometimes other-
wise, which possess quite a fresh aroma of the
spiritual genius. Some of them arrive from over
seas, some are of native culture. They are at the
polar extreme from the newspaper fashion, and
for that reason the more sigmficant They have
a strange, gentle power, which many feel without
understanding it, and love they know not why.
These may be the harbingers of a new and pure
literature, free and imprecedented, emancipated
both from the traditions of the past and from the
imprisonment of the present. Man cannot help
himself, but is succored from above."
WHO* WAS THE REAL LEADER OF THE PRE-RAPHAELITES ?
After these many years of reading and
writing concerning the Pre-Raphaelite move-
ment, of explication, implication and mysti-
fication, the history, we are told, must all be
rewritten, in order to make it conform to
the facts. For neither Rossetti (as many have
maintained), nor his whilom teacher, Ford
Madox Brown as others have maintained, was
the leader and inspirer of the movement Hol-
man Hunt was the real prophet, the one who
"LORENZO AND ISABELLA"
(By J. E. Millais.^
Pronounced by Holman Hunt " the most wonderful painting that any youth under twenty
years of age ever painted."
UTERATURE AND ART
275
''RIENZI"
Holman Hunt's first important pointing
first, last and all the time stood for the prin-
ciples of Pre-Raphaelite art. He tells us so
himself, in a new work* that has impressive
claims to be considered the most authoritative
history of the movement yet written.
Ruskin, it seems, while rescuing the young
painters from the clutches of angry art critics
at a time when their early works were being
exhibited, conceived a higher interest in
Rossctti than in Hunt or John Millais, and in
his estimates of the work of the brotherhood,
spoke of Millais and Hunt as quite secondary
in comparison with his newer protege. On
this verdict Holman Hunt now comments :
"Millais and I had no leisure to read every
pronouncement on our work that was published;
we therefore did not heed the terms in which
Ruskin compared thfe different members of our
school. It is needful to point this out or it might
be asked why w did not at the time challenge
the statement of Rossetti's leadership. For my
part, not then contemplating the duty of historian
of the Brotherhood, I did not feel called upon to
heed Ruskin's verdict. Indeed, I shall never
argue the point, for it is a matter of small im-
portance which of the three was orieinator of
our movement, provided that the desired object
♦PRE-RAPH A ELITISM AND THE PRE-RAPHAEUTE
Brotherhood. By W. Holman Hunt. The Macmillan
Company.
was attained. But what makes the question vital
is whether Rossetti's inspiration of ideals and
manner of work did represent the original pur-
pose of Pre-Raphaelitism?"
In defining Pre-Raphaelitism, Hunt de-
clares : "Not alone was the work that we were
bent on producing to.be more persistently de-
rived from Nature than any having a dramatic
significance yet done in the world; not simply
were our productions to establish a more frank
study of creation as their initial intention, but
the name adopted by us negatived the sus-
picion of any servile antiquarianism." Pre-
Raphaelitism is not Pre-Raphaelism, he con-
tinues; it involves no such repudiation of
Raphael as was understood and denounced by
the critics when the mystic signature "P. R.
B." was first explained. The Raphaelites were
those who "servilely travestied" this prince
of painters, and their kind, it would
seem from the following, had not become ex-
tinct, even down to Holman Hunt's own day.
He writes:
"Although certain rare geniuses since then have
dared to burst the fetters forged in Raphael's
decline, I here venture to repeat what we said
in the days of our youth, that the traditions
that went on through the Bolognese Academy,
CURRENT LITERATURE
arose in Germany prior to the English Pre-
Raphaelites. Madox Brown had caught from
its representative, Overbcck, this reprehensible
note and had conveyed it to his early pupil,
Rossetti. It is more because this trait of
Rossetti's early work has become identified
with Pre-Raphaelitism than because Rossetti
has been unjustly accorded the position of
leadership, that Holman Hunt now utters his
protest Referring to earlier appreciative
words applied to Rossetti, Hunt now writes :
"My tributes to his honor have been too often
interpreted as an acknowledgment of his 'leader-
ship,* and though this was very far from my in-
tention, yet as my words were strictly accurate,
I have no compunction in reprinting them. In
some cases, to avoid what would have seemed
like egoism, I made reports of his talk without
mention of the initiatory programme which had
called forth his amplification of the idea. Re-
peating my tribute I now add other facts which
prove to be essential to the correct balance of
the story ; this would be but of trivial importance
if the issue were merely a personal one, to de-
termine whether Millais, Rossetti, or I, most
had the responsibility of Pre-Raphaelitism, but
it involves the question as to the exact purpose
of Pre-Raphaelitism. This is so vital in my eyes
that if it were decided to mean what the Brown-
Rossetti circle and all the critics, native and for-
eign, inspired by them, continually ascribe to it,
Pre-Rapnaelitism should certainly not engage my
unprofessional pen."
HOLMAN HUNT
(From a portrait by Ralph Peacock.)
Mr. Hunt is the sole survivor of the early days of Pre-
Raphaelitism, and claims to have been its real prophet—
the one who first, last ilnd all the time stood for the
principles of Pre-Raphaelite art.
which were introduced at the foundation of all
later schools and enforced by Le Brun, Du Fres-
noy, Raphael Mengs, and Sir Joshua Reynolds,
to our own time were lethal in their influence,
tending to stifle the breath of design. The name
Pre-Raphaelite excludes the influence of such
corrupters of perfection, even though Raphael,
by reason of some of his works, be in the list,
while it accepts that of his more sincere fore-
runners."
The phrase "servile antiquarianism " in-
dicates a danger that the Pre-Raphaelites
sought to avoid even in the inspiration derived
from Raphael's forerunners. And herein, it
seems, lies the quality which differentiates
Rossetti from the real Pre-Raphaelite. *An-
tiquarianism" was the note of a school that
• ^
... r
i\
/j^H
'THE GIRLHOOD OF THE VIRGIN"
(By D. G. Rossetti.)
The first picture exhibited by the Pre-Raphaelite
Brotherhood.
LITERATURE AND ART
277
The pictures first exhibited by the brother-
hood as such were the ''Lorenzo and Isa-
bella" by Millais, the "Rienzi" by Hunt and
the "Girlhood of Virgin Mary" by Rossetti.
The two former showed their pictures at the
Royal Academy, while Rossetti exhibited his
at a gallery in Portland Place. The fact that
ihe latter exhibition was opened a week earlier
than the Academy, gave to Rossetti a certain
priority in public interest, and hence, it seems,
came the inception of the "legend" of Rossetti's
leadership. Hunt's comment on the event is
as follows:
"While our pictures were shut up for another
week at the Royal Academy, Rossetti's was open
to public sight, and we heard that he was
^)oken of as the precursor of a new school; this
was somewhat trying. In fact, when Rossetti had
made selection from his three designs of the
subject he should paint under me, he chose that
which was most Overbeckian in manner. This I
had r^^ded as of but little moment, thinking
the painting would serve as a simple exercise,
prol^ly never to be finished, but simply to pre-
pare him for future efforts. It turned out, how-
ever, that the picture was completed and realized
with that Pre-Raphaelite thoroughness which it
could not have reached under Brown's mediaeval
supervision; this had made us agree to its ap-
pearance with our monogram P. R. B. That
Millais and I did not exaggerate the danger to
our cause in this distortion of our principles is
shown t^ the altogether false interpretation of the
HENRICH HEINE
The only German poet who is much and steadily read
outside of Germany.
term Pre-Raphaelitism which originated then and
is current to this day."
THE WITTIEST MAN THAT EVER LIVED
As a poet of universal fame and "the
wittiest man of modern times,", if not of all
time, Heinrich Heine is presented by George
Brandes, the radical Danish critic. The one
writer of genius in the German "opposition
literature" of 1820 to 1848, says Brandes
in a recently translated volume,* Heine
is also the only German poet who is "much
and steadily read" outside of Germany. In
the Fatherland he is looked upon as the
"stinging nettle in the garden of literature."
"He stings the historians' fingers and they
curse him," as Brandes remarks. In histories
of literature and magazine articles his prose
is described as old-fashioned and his poetry as
artificial. Yet his works, now that the copy-
right has expired, are republished in innumer-
able editions. Furthermore:
*MAI3f CURREXTS IN NINETEENTH CENTURY LITERA-
TURE. Vol. VT, Young Germany. By George Bran-
des. The Macmlllan Company.
"Both in and out of Germany he is as much
sung as read. His poems have given occasion to
more than 3,000 musical compositions. In 1887
the solo-songs alone (leaving out of account
the duets, quartettes and choruses) numbered
2,500. Hueflfer has counted one hundred and
sixty settings of *Du bist wie eine Blume/ eighty-
three each of 'Ich hab' im Traum geweinet' and
'Leise zieht durch mein Gemiith,' seventy-six of
'Ein Fichtenbaum steht einsam,' and thirty-seven
of 'Ich weiss nicht was soil es bedeuten.'
Amongst these compositions are many of the most
beautiful songs of Schubert, Mendelssohn, Schu-
mann, Brahms, Robert Franz, and Rubinstein,
very few of which the poet himself can have
heard. Of all the German lyric poets Heine is
the one whose songs have been most frequently
set to music. After him, with his 3,000 composi-
tions, comes Goethe, with about 1,700; the others
follow far behind."
Out of Germany, continues Brandes, Heine's
fame not merely lives unassailed, but is
steadily growing and spreading:
"In France he occupies men's minds as if he
278
CURRENT LITERATURE
were a contemporary. He is the only foreign poet
whom Frenchmen regard as one of their own,
one of their greatest. No other foreign author
is so frequently mentioned in the French litera-
ture of our own day, and none is named with
greater admiration, not even Shelley or Poc.
Edmond de Goncourt makes use of the strong
expression that all modern French writers, when
compared with Heine, remind him of commercial
travelers; and Thtephile Gautier said that the
Philistines sought to drag the stones to build a
pyramid above Heine's grave.
"A question that is'^ constantly cropping up in
one civilised society or another is: What works
should be included in a library Qf the hundred
best books? The answers, of course. Vary very
much. But in all Romanic and Slavonic coun-
tries, Heine's name is sure to be one of tlie first
on the lists. . . . No small astonishment was
expressed in Germany a few years ago when a
great number of English lists were published and
Heine was found in them all — a distinction shown
to no other German author, for there were lists
which contained no book by Goethe."
"This universal fame," adds Brandes, "is
not, however, founded on Hdne's merits alone,
but also on the fact that much of his writing;
demands only the very slightest amount of
culture for its comprehension, and of refine-
ment of mind for its enjoyment"; which is
rather disconcerting to the Heine lover.
Brandes proceeds to register his conviction
that probably Heine is the wittiest man that
ever lived — "or at least the wittiest man of
modern times"; and he agrees with the older
critics (and with Heine himself) that "since
the days of ancient Greece there has been no
wit so nearly akin to the wit of Aristophanes
as Heinrich Heine's."
The "Buch der Lieder," published in 1827, is
the most popular of Heine's books to-day, and
Brandes considers the volumes of prose much
below the level of his verse — mere journalism
and dilettante at that I But perhaps Brandes's
most striking contribution to the literature
about Heine is the following parallel drawn
between his poetry and Rembrandt's pictures:
"When we call Heine a great realistic poet, we
make an assertion of the same qualified truth as
when we call Rembrandt the great colorist.
Rembrandt cannot be said to be one of the great
color-realists, for the reason that several paint-
ers surpass him in the power of reproducing local
color and its exact value, and of showing the
actual form and color of an object seen in half
darkness. It is not color but light that is the
main thing with Rembrandt. To him light is life;
the battle of life is the battle of light, and the
tragedy of life is the tragedy of light, struggling
and dying in damp and darkness. . . . He
sometimes sacrifices drawing, even painting, in his
eagerness to produce some effect of light. Think,
for example, of the badly painted corpse in the
'Lesson in Anatomy.* But it is exactly what
makes him less successful than the realists in tasks
requiring absolute truthfulness — the painting^ of
hands, the exact reproduction of stuffs — ^tfiat
makes him so great when he causes light to ex-
press what it alone indicates to him, the inner life»
the world of waking visions.
"Something similar to this is the case ^vith
Heine. . . . The most characteristic doniain
in the province of his art is the domain of chiar-
oscuro, a chiaroscuro akin to Rembrandt's.
"To make the central objects stand out from
the shadow or half-darkness in which they are
concealed; to make light, natural light, produce
a ghostly, supernatural effect bv conjuring: it
forth. from a sea of dark shadow-waves, bring^ingr
it flickering or flaring out of half-darkness; to
make darkness penetrable, half-darkness trans-
parent— ^this is Rembrandt's art.
"Heine's, which is closely related, consists in
gradually, imperceptibly, conjuring forth out of
the world of reality, and back into it again, a
perfectly modern fantastic dream-world."
As a political poet, the controversy over
Heine seems endless. He has been spoken
of with the utmost contempt by German his-
torians of literature, historians proper, and
literary critics. "Talented but characterless/'
said his radical contemporaries — a phrase
which the poet ridiculed without mercy in
"Atta Troll." Yet "Heine's soul was in
politics," declares Brandes; "and in politics he
was honest, even in cases where his honesty
was misunderstood." Moreover:
"We must also remember that in Heine's wri-
tings there is an absence of all 'pathetic gesture.'
He was too proud to employ it. Germans can-
not understand this. But grievous wrong is done
him. The pathos was in his soul. His whole
soul is in the little poem 'Enfant Perdu,' with
which one of the divisions of 'Romanzero' con-
cludes, and which he wrote when he was no -
longer young. He really was what he here calls
himself, an advanced and forgotten outpost, left
to be shot down. And when, in his posthumous
prose-hymn, he cries : T am the sword ; I am the
flame,' it is but the truth. The li^ht of his flame,
the sparks of his sword-blows, still shine bright.
Many still warm themselves at his fire."
Writing of the last eight agonized years of
Heinrich Heine's life and art, Brandes pays
him the following deep tribute:
"At no time did he write truer, more incisive,
more brilliant verse than when he lay nailed to
the low, broad bed of torture in Paris. And
never, so far as we know, has a great productive
mind borne superhuman sufferings with more
undaunted courage and endurance. The power
of the soul over the body has seldom displayed
itself so unmistakably. To bear such agonies as
his in close-lipped silence would have been ad-
mirable; but to create, to bubble over with
sparkling, whimsical jest and mockery, to let his
spirit wander the world round in charming and
profoimd reverie, while he himself lay crippled,
almost lifeless, on his couch — this was great."
Religion and Ethics
HAVE WE A MUZZLED PULPIT?
This question has come into more or less
prominence as the result of a recent contro-
versy in American Jewry between Rabbi S.
S. Wise, of Portland, Oregon, and the trustees
of Temple Emanu-El, New York. At a time
when the representatives of this influential
Jewish congregation were thinking of ex-
tending a call to Rabbi Wise, he made the
stipulation: "If I accept a call to Emanu-El's
pulpit, I do so with the understanding that my
pulpit is not to be muzzled." Whereupon the
trustees replied: "The pulpit shall always be
under the control of the board of trustees."
Louis Marshall, one of the board, made the
further explanation, in a .newspaper interview :
Temple Emanu-El being recognized as belong-
ing to the conservative reformed wing of Judaism,
it would become a source of serious controversy
if its rabbi should preach orthodoxy, radical re-
form, ethical culture, or Zionism, or should in-
dulge in sensational preaching on political or
economical subjects, thus converting the pulpit
into a forum of a character entirely foreign to
the purpose for which the congregation was or-
ganized."
The minister, on his side, elaborated his posi-
tion in a public statement from which we quote:
"I believe that a question of super-eminent im-
portance has been raised, the question whether
the pulpit shall be free or whether the pulpit shall
not be free. The whole question of the churches
is involved in this question. . . .
'The chief office of a minister, I take it, is not
to represent the views of the congregation, but
to proclaim the truth as he sees it. How can he
serve a congregation as a teacher save as he
quickens the minds of the hearers by the vitality
and independence of his utterances ? But how can
a man be vital and independent and helpful if he
be tethered and muzzled? . . . The minister
is not to be the spokesman of the congregation,
not the message bearer of the congregation, but
the bearer of a message to the congregation."
As a result of the debate. Rabbi Wise de-
cided to remain in Portland, and the issues
at stake have been widely discussed. The
American Hebrew (New York) finds a cer-
tain truth in both sides of the argument. It says :
"A censored pulpit goes against the Jewish
grain; asstuning of course that the pulpit is con-
fined to its legitimate sphere, the exposition of
Judaism. But the present day tendency of the
pulpit to discuss everything else under the sun
but Judaism, to make of it a public forum rather
than a source of spiritual upliftment and the
spread of Jewish prmciples, justifies the restric-
tion of the trustees. Especially in the case of
Dr. Wise is this true, since he avowed to trustees
and prominent members of Emanu-El that it was
his purpose to discuss in the pulpit matters which,
to many people, seem foreign thereto. While dis-
approving of limiting the rabbi's utterances so
long as he confines himself within legitimate lines,
we are in sympathy with the trustees in their
desire to maintain the pulpit up to the high level
of its province, and to demand that it be Jewish
in spirit and in atmosphere, quite as much as in
dogma."
Max Heller, an editorial writer in The
American Israelite (Cincinnati), takes much
the same ground. "Neither congregations nor
ministers," he says, "are always infallibly in
the right." He adds:
"A Luther or a Savonarola would scorn to
submit to any limitations. They have their power-
ful individuality; their congregation must adapt
itself to that or they will find an audience that
will follow willingly. A Henry Ward Beecher
would have laughed at any such imputation. Such
men are the kings and makers of their congrega-
tion; they can legitimately say, with the 'grand
monarch :* *the state, that is myself.' But where
a great congregation, proud of its traditions, is
looking for a minister that shall, with dignity and
ability, represent its standpoint, uphold its hon-
ored customs, stand before the public as its
trusted dignitary it can justly ask, especially of a
young man, that he should be guided by the ad-
vice of an experienced body of men; they do not
presume to prescribe what or how he shall preach ;
they wish to guard against the chance that their
congregation might be exposed to misunder-
standing and derision."
The Church Economist (New York), an
independent monthly thinks that **the minister
is muzzled no more and no less than the rest
of the community." It continues:
"We are all muzzled by civilization. It is un-
lawful to speak evil of our neighbor. To refer
to his conduct or business injuriously is libelous.
It is also dangerous socially. The newspapers are
muzzled; they cannot print 'all the news,* or one
per cent, of the news; the lawyers, doctors, poli-
ticians, merchants, housewives — all are muzzled.
An effective cartoon might depict a muzzled
clergyman preaching to a muzzled congregation.
"The fact is that civilization is a compromise.
We waive certain natural rights for security in
the possession of other rights. Among the waived
rights is the right of free speech. You can say
anything you like on a desert island ; in town, you
cannot. And upon the whole most of us prefer
to live in town, muzzles and all.
"What shall we sa^r then? Shall we sacrifice
truth to conventionality and prudence? As a
matter of fact, we do continually. How far it is
28o
CURRENT LITERATURE
justifiable to suppress or color religious truth (if
we divide truth into sections) in order to main-
tain the modus vivendi rests ultimately on the
individual conscience."
Some of the secular papers have joined in
the discussion. The New. York Times regards
the action of the Temple Emanu-El trustees
as "abundantly justified." The New York
Evening Post, on the other hand, sympathizes
with Rabbi Wise's attitude. It says:
"If ministers wish to keep their minds forever
open to new truth, to say with Rabbi Wise, 'My
pulpit is not to be muzzled,' they do not fit into
the order which is dominant to-day. There are
lawless exceptions. Phillips Brooks was a man
whose 'churchmanship' — ^that is, his fervor for
the special tenets of Episcopalianism — was bitterly
assailed, yet he was too powerful to be driven
out. Dr. Charles H. Parkhurst is notoriously de-
ficient in ardor for Calvinism; he too commands
a loyal following. But the man who lacks this
unusual force must tread the strait and narro>v
path of the sect or he is suspected of being 'dan-
gerous,' and he is quietly side-tracked. If Rabbi
Wise wants to apply the principles of morals to
politics and finance, to speak out boldly, no mat-
ter whose feelings are hurt, to attempt the diffi-
cult and unpopular task of bringing religion into
contact with daily life and thought, he must
gather an independent following, which has con-
fidence in his purposes and his ideals. So must
any minister who wishes to be absolutely unmuz-
zled. This is one reason why strong men — as the
churches themselves complain — refuse the minis-
try as a career; and one reason why the churches
lack vitality."
WALT WHITMAN'S RELIGION
That Walt Whitman was "one of the most
essentially religious of men" and that his re-
ligibn was "based upon profound personal
experience" is the contention of Henry Bryan
Binns, a young English poet, whose new book
on Whitman* is hailed as "by far the best
life of the man that has yet appeared." Para-
doxically enough, the very element in Whit-
man's character which is often felt to stamp
his work as irreligious, if not immoral,
furnishes the first argument in support of Mr.
Binns*s contention. Says the English writer:
"The inner mysteries of religion and of sex are
hardly to be separated. They are different phases
of the one supreme passion of immanent, expand-
ing and uniting life; mysterious breakings of
barriers, and burstings forth; expressions of a
power which seems to augment continually with
the store of the world's experience in this world
of sense; experience received and hidden beneath
the ground of our consciousness. To feel the
passion of love is to discover something of that
mystery breaking, in its orgasm, through the nar-
row completeness and separate finality of that
complacent commonplace, which in our ignorance
we build so confidently over it, and creating a
new life of communion. To feel the passion of
religion is to discover more.
"The relation of the two passions was so evi-
dent to Whitman that we may believe it was sug-
gested to his mind by his own experience. In
some lives it would appear that the one passion
takes the place of the other, so that the. ascetics
imagine them to be mutually exclusive; but this
was certainly not Whitman's case. Whitman's
♦A Life of Walt Whitman. By Henry Bryan Binns.
E. P. Dutton ft Co.
mysticism was well-rooted in the life of the
senses, and hence its indubitable reality."
The "passion of religion," according to Mr.
Binns's theory, burst on Whitman quite
definitely and dramatically "one memorable
midsummer morning as he lay in the fields
breathing the lucid air." Suddenly "the mean-
ing of his life and of his world shone clear
within him, and, arising, spread an ineflfablc
peace, joy and knowledge all about him." The
mood was thus expressed in "Leaves of
Grass" :
Swiftly arose and spread around me the peace and knowl-
edge that pass all the arjsrument of the Earth.
And I know that the hand of God is the promise of
mv own,
And I know that the Spirit of God is the brother of
my own,
And that all the men ever born are also my brothers,
and the women my sisters and lovers,
And that a kelson of the creation is love.
And limitless are leaves stifT or drooping in the fields.
And brown ants in the little wells beneath them,
And mossy scabs of the worm fence, heap'd stones, elder,
mullein and poke weed.
Whitman's revelation, continues Mr. Binns,
was in the nature of a comprehension of the
universe "not as a hypothetical Whole, but
as an incarnate purpose, a life with which
he was able to hold some kind of communion."
This communion related him to the universe
on its spiritual side by a bond of actual ex-
perience. It f;elated him to the ants and the
weeds, and it related him more closely still to
men and women the world over. "When
Whitman used the word God," says Mr. Binns,
"as he did but rarely and always with de-
liberation, he seems to have meant the im-
manent, conscious Spirit of the Whole." To
quote further:
RELIGION AND ETHICS
281
"It seems desirable to define his position a little
fnrther, though we find ourselves at once in a
dlcmma; for at this point it is evident that he
was both — or neither — ^a Christian nor a Pagan.
He is difficult to place, as indeed we must often
feel our own selves to be, for whom ^le idea of
2 suffering God is no more completely satisfying
than that of Unconscious Impersonal Cosmic
Force Again, while worship was a purely per-
stToal matter for him, yet the need of fellowship
was so profound that he strove to create some-
thii^ that may not improperly be described as a
church, a world-wide fellowship of comrades,
•iirough whose devotion the salvation Of the
world should be accomplished.
"In a profound sense, '
though emphatically not
that of the creeds, Whit-
nan was Christian, be-
cause he believed that
the supreme Revelation
of God is to be sought,
net in the external world,
'^j: in the soul of man;
because he held, though
lot in the orthodox form,
:he doctrine of Incarna-
tion; because he saw in
Love the Divine Law
ind the Divine Liberty;
md because it was his
passionate desire to give
his life to the world. In
all these things he was
Christian, though we can
hardly call him 'a Chris-
tian,' for in respect of all
of these he might also be
cJaimed by other world-
religions."
As to the churches,
^ys Mr. Binns, Whit-
nian was not only out-
side them, but he frank-
ly disliked them all,
with the exception of
the Society of Friends.
"We may say that he
was Unitarian in his
view of Jesus; but we
must add that he regard-
ed humanity as being
Stilly as Divine as the orthodox consider Jesus
to be; while his full-blooded religion was very
far from the Unitarianism with which he was
aquainted; and his faith in humanity exalted
the passions to a place from which this least
emotional of religious bodies is usually the
first to exclude them. In fact, he took neither
an intellectual nor an ascetic view of religion.
He had the supreme sanity of holiness in its best
and most wholesome sense; but whenever it
seemed to be applied to him in later years, he
properly disclaimed the cognomen of saint, less
^om humility, though he also was hiunble, than
"«apse he knew it to be inapplicable. In con-
ventional humility and Uie other negative vir-
create sometning that may not improperly b<
scHbed as a church — a world-wide fellowship of com-
rades throueh whose devotion the salvation of the
world should be accomplished."
tues, renunciation, remorse and self-denial, he saw
more evil than good. His message was one rather
of self-assertion, than of self-surrender. One re-
gretfully recognises that, for many critics, this
alone will be sufficient to place him outside the
pale."
Whitman is described as having been "ap-
parently without the sense of mystical rela-
tionship, save that of sympathy, with Jesus
as a present Savior-God." But "none the less,
he had communion with the Deity whose
self-revealing nature is not merely energy
but purpose. And his God was a God not only,
of perfect and ineffable
purpose, but of all-per-
meating love." Mr.
Binns adds:
"The final test of re-
ligions, however, is to be
found in their fruits, and
the boast of Christianity
is its 'passion for souls/
Now Whitman is among
the great examples of
this passion, and his
book is one long person-
al appeal, addressed,
sometimes almost pain-
fully, 'to You.'"
But it may be asked,
"Did Whitman aim at
saving souls for Christ ?"
Mr. Binns replies: "If
I understand this very
mystical and obscure
question and its ordi-
nary use, I must an-
swer. No, — but I am
not sure of its meaning.
Whitman's own sal-
vation urged him to
save men and women
by the love of God
for the glory of man-
hood and of woman-
hood and for the serv-
ice of humanity." Mr. Binns concludes:
"Far as this may be from an affirmative reply
to the question, the seer who has glimpses of ulti-
mate things will yet recognise Whitman as an
evangelical. For he brought good tidings in
his very face. He preached Yourself, as God
purposed you, and will help and have you to
be. Whether this is Paganism or Christianity let
us leave the others to decide; sure for ourselves,
at least, that it is no cold code of ethical pre-
cepts and impersonal injunctions, but the ut-
terance of a personality become radiant, impas-
sioned and procreative by the potency of the
divine spirit within."
WALT WHITMAN
According to a new interpreter, he " strove to
* be de-
282
CURRENT LITERATURE
'THE HOST REVOLUTIONARY SYSTEM OF THOUGHT EVER
PRESENTED TO MEN"
Extraordinary homage is being paid at this
time in France to Nietzsche, the latest of the
line of German metaphysicians who have
undertaken to revolutionize thought Numer-
ous French translations of his works have ap-
peared and are being sold in Paris in popular
editions. They constitute a favorite theme of
discussion in cultivated circles and receive
large attention from the literary period-
NIETZSCHE
(From a bust by Klinge.r.)
icals. The novel and startling themes of
Nietzsche, at first laughed at, then angrily
denounced as the utterances of an Antichrist,
are now eagerly championed by French men
of learning. Among the interesting works
which have recently been published in Paris
is a critical study* of Nietzsche's philosophy
by M. Jules de Gaultier.
M. de Gaultier pronounces Nietzsche a
philosophical thinker of the first originality.
The conception of Nietzsche, he writes, as-
signs to philosophy an absolutely new aim.
Philosophy used to be regarded as the science
of wisdom ; "it seemed that wisdom was some-
thing superior to life, so that it was necessary
to discover it in order to amend life." From
Nietzsche's view-point "there is nothing beyond
or outside of life, and life invents for itself its
value, its aims and its laws." M. de Gaultier
proceeds as follows:
"According to Nietszche, philosophy is the
creation of values. This means that it has for
its object the invention of all that which imparts
to life worth or value. Things are neither good
nor bad in themselves; they become so; they
acquire a certain value by reason of the desire or
repulsion which they inspire. Thus philosophic
virtue, according to Nietzsche, resides in the taste,
in the appetite which give birth to the desire,
which create a preference for a determined thing,
and assign to this thing its rank and value. Here
is a race of men full of activity and prone to
use their energy in acquiring land, in appropriat-
ing abundant harvests, in creating property.
Here, again, is a wholly different type of race
which will have no other object than to prove its
power to itself; it will only attack an adversary
for the sake of conquering him and of satisfying
its own pride by the display of its strength. Now,
consider a third type which will fieht only to
attain independence, in order that it may have
leisure to carve beautiful forms from marble, to
make words vibrate in rhythm, and to set forth
ideas in phrases. Here, then, we have the appe-
tite for wealth, the appetite for power and the
appetite for art — the primordial though diverse
causes of the objects of desire, which will fix the
value of things and create, according to the phi-
losopher's expression, standards of value. At the
same time, and in view of attaining diverse aims,
these differing races will organize their power and
establish it in hierarchical form ; they will honor
certain phases of existence and prescribe others
in accordance as their dominant appetite, which
has already fixed the value of things — which has
caused one to prefer material wealth; another,
♦ Nietzsche et la r6forme philosophioue. By
Tules de Gaultier. Mercure de France, Paris; Bren-
tano's, New York.
RELIGION AND ETHICS
283
glory ; another, beauty — deter-
mines the value of action."
Such, in brief, is the essence
of the Nietzschean philosophy,
and this conception, developed
and elaborated at great length
and with remarkable ingenuity,
constitutes, in M. de Gaultier*s
opinion, not merely a reform,
but a complete philosophical
revolution. Contrasting Nietz-
sche's view with that of the
older philosophers, M. de Gaul-
tier goes on to say :
"The ancient interpretation of
philosophy as the search for
truth is based on the hypothesis
that truth exists, that it is know-
able, and that once determined
it will reveal that which is good
in life as well as what is evil,
what is good in itself, and what
is evil in itself. The idea of
truth thus enters the domain of
morality : it fixes conduct, it as-
:'gns to men an aim toward
which they should direct their
activity. Outside of life, above
life, there exists something su-
perior to life: the Divinity, de-
clare the theologians; the world
of Reason whose laws are re-
flected in human reason and re-
veal to us the truth, declare the
philosophers. ... Since it
is a question of deciding the
most serious thing in life, it is
important to find out whether this conception of
the ancient philosophers is beneficial or injurious
for life. Now, true or false, a conception, in
order to be efficacious, must find credit in the
mind of man, and after ages of effort and dispute
it does not appear that Plato's conception regard-
ing truth and the sovereign good have been
crowned with incontestable authority."
M. Gaultier next shows how the ancient
philosophy, at first under the protection of
theology, became in turn its protector. Met-
aphysical rationalism became the sword and
buckler of the old dogmas, but there came a
fatal day when it was laid in the dust by the
mighty Kant. The effect of the "Critique of
Pure Reason" was to make it apparent that
truth has no meaning, except inasmuch as it
concerns the modes of knowledge. "With the
*Critiquc of Pure Reason,' " says M. de Gaul-
tier, "the searph for universal truth, which up to
then had been the chief concern of philosophy,
brought about the conclusion that, outside of
the principles which determine our means of
knowledge, there is no knowable universal
truth. ... It may be said of Kant, that
FRIEDRICH NIETZSCHE
The Dovel and startling: theories of Nietxsche, at first laughed at, then angrily
denounced, are now eagerly championed by French men of learnint^.
having utterly destroyed the edifice under
whose roof humanity had thought to find
shelter, he wished to constrain it to live among
these ruins, and would not allow it to seek
another asylum."
To erect, then, upon the ruins left by the
destructive criticism of Kant an entirely new
edifice of philosophy which shall respond to
human needs as enlightened by modern
science is the task which Nietzsche has under-
taken.
One sees at once that the keynote of Nietz-
sche's philosophy is optimism. It is a mighty
protest against the Schopenhauerian pessi-
mism, which has been steadily widening its
empire in Germany since its great author's
death. The elaborate theories of Schopen-
hauer, as embodied in his chief work, "The
World as Will and Idea," had ended in an
impasse of blank despair. Pain and evil are
the mo^t real things in the world, happiness is
an illusion, annihilation is preferable to ex-
istence— such are the ultimate conclusions of
the greatest German intellect since Kant. At-
284
CURRENT LITERATURE
tracted by its darker side, Schopenhauer had
extended the hand of friendship to Chris-
tianity. The creed of the "Man of Sorrows"
had a strong attraction for him. Nietzsche, on
the contrary, has nothing but hatred for Chris-
tianity and for its forerunner, Judaism. Be-
lieving that pain and evil are not absolute,
but that they constitute the stern means by
which humanity may rise to a higher estate,
he has nothing but scorn for religion that
makes humility a virtue. "The Jews," he says,
"a people born for slavery, as Tacitus and
the whole ancient world affirm, a people
chosen among the peoples, as they themselves
affirm and believe, — ^the Jews here realized
the miracle of reversing the standard of values,
thanks to which life upon the earth for some
thousands of years has taken on a new and
dangerous attraction." And he sees in them
the most remarkable people in universal history
because, given the choice of being and non-
being, they have preferred, with a clairvoyance
that is disquieting, being at all cost. On this
M. de Gaultier comments:
"What then have the Jews accomplished that
they should .deserve the passionate attention that
Nietzsche bestows upon them? This: conquered
in a political sense, reduced to slavery, having
shown themselves inferior in the game whose
rules decide supremacy among nations, they have
deliberately condemned the rules of the game,
they have stigmatized all that is procured
through struggle and by means of force, and set
the seal of approval upon what, in the same strug-
gle, is the condition of weakness, the cause of de-
feat and humiliation. They have, further, identi-
fied the words *rich* and 'powerfuF with the
words 'impious,' *bad,' Violent,' 'sensual'; the
word 'poor' has become for them the synonym
of 'holy.' They have turned defeat into a badge,
humiliation into glory, and, branding all that
is victorious by reason of natural gifts, beauty,
strength, intelligence, fortuitous circumstance,
birth or riches, 'they have for the first time con-
ceived the world in the likeness of shame.' Un-
able to found such a standard of things upon any
positive reality, they have founded it upon some-
thing imaginary, upon that elastic basis in whicli
desire, strengthened by credulity, leaps all
bounds. It is God, the Jewish God, who sanc-
tions the new standard of value. It is God who
exalts the humble and abases the proud."
And here Nietzsche alludes to the interven-
tion of the priest who, disposing of God, ac-
complishes the universal falsification by which
the Jewish standard will triumph. As none of
% the facts of the real world correspond to this
standard of value, it became necessary to in-
vent imaginary causes to explain the apparent
lack of harmony. Sin was invented. The
world, as Nietzsche says, loses its innocence.
Misery is dishonored by calling it sin. The
downfall of the Jewish people is explained as
the consequence and punishment of sin, a chas-
tisement inflicted by Jehovah. Further, such
a chastisement is the work of divine favor.
Through expiation, God permits His people to
retrieve itself and to merit a better destiny.
Blessed are those who suffer trials, for they
shall possess the kingdom of God Hence, the
necessity of expiation, of obedience to the
priest who is charged with divine secrets and
has the power of forgiveness. Expiation be-
comes the pledge of future power, of revenge
upon the world.
Judaism, then, represents the effort of a
people vanquished in the struggle for power to
"invent a means of nullifying reality." This
means does not appear in its full development,
according to Nietzsche's idea, until it has be-
come generalized and universalized under the
form of Christianity. It is with Christianity
that the conduct appropriate for a small con-
quered people will become the policy for all
the conquered and all the weak, and a sword
of vengeance in their hands. "With the Jew-
ish people," he says, "began the insurrection of
slaves in the moral domain. It is only with
the appearance of Christianity that this in-
surrection of weakness against force will be-
come a menace to the ancient standards of
value."
Nietzsche, then, declares war 6 outrance
against Christianity. "In the Christian sys-
tem," he says, "neither morality nor religion
are in contact with reality. There is nothing
but imaginery causes: 'God,' 'the soul,' 'the
ego,' 'spirit,' 'free will'; nothing but imaginary
things: 'sin,' 'salvation,' 'grace,' 'inspiration,*
'pardon for sins.'" Together with Chris-
tianity he condemns democracy, which he re-
gards as its daughter, and which he asserts
to be in direct conflict with the essential nature
of things. Never, perhaps, in the long annals
of philosophy has a more original or revolu-
tionary system of thought been offered for the
acceptance of men. Never before have those
things which are held as the dearest posses-
sions of humanity been so openly flouted by
a serious thinker. "The philosophy of Nietz-
sche," concludes M. de Gaultier, "is in fact
the most murderous weapon that has ever
been aimed against the moral system of
Kant."
Trsntlftted for Currskt LiTBBATxmi
from the volume of poctbamoat poems ** Ij
DernUre Gerbe " published in France.
Finite and Infinite
by Victor Hugo
•• I have no love for God! '* such is your despairing cry.
Having found evil at the bottom of all things, having found
bitterness in reality and man the prey of an incomprehensible and
fatal destiny, you cry out, '' I hate the god who has made such a
world ! The workman must be judged by his work. Now the work
is bad, therefore the author is bad, and I hate this God ! '*
Thereupon, touched with remorse, you think perhaps I am mis-
taken; perhaps my plummet has not pierced through the shadowy
depths to God. Perhaps, O vain seeker God hath escaped thee.
What if I am mistaken ?
But you are not mistaken. Your sounding-lead has touched
the bottom of the abyss of the infinite : your mind has compassed
God. Yes, this enormous abyss of light is indeed God.
Dip a sponge into the Ocean, and what have you when you
withdraw it ? A cup of salt water.
How much does it contain of the sea, profound and terrible ?
How much of that immensity of foam and shock, of waves in-
cessantly born and destroyed ?
How much of the chaos of shock and tempest and waterspout,
whose somber feasts are trumpeted by the haggard-wild hurricane ?
How much of the nameless monsters that range those engulfed
regions ? or of the hidden oases and Otaheites where are enacted idylls
of glorious nudity; of the fathomless torment of the clouds; of the
shells and breakers and the azure bosom of the sea ; of the abyss
whence morning is born, and wherein night dips its robe of shadow
and its mantle of stars ?
How much of the encounter of sail and blast, of that infinite,
now dark, now dazzling ?
Do you believe that you hold all this in your hand ?
Now, if you raise this glass to your lips and taste the bitter
water, your stomach will reject it, you will find an unpleasant savor in
the sublime draught.
But will you dare to say that you have tasted the abyss, that
you have vomited up the sea and spat out God? »
386
CURRENT LITERATURE
CHURCH STATISTICS FOR 1905
The valuable statistical summary of the
churches of the United States, compiled by the
Rev. Dr. H. K. Carro'll, of Plainfield, N. J.,
and published every January in The Christian
Advocate (New York), shows a relatively
slow growth in church-membership during
the past year. The net gain of all the churches
was but 519,155, as compared with 898,857
for 1904 and 889,734 for 1903. Protestant
communicants in this country now total
20,233,194, and the eight bodies of Catholics
claim 10,915,251. After the Roman Catholic
Church, which is by far the largest single
denomination, comes the Methodist Episcopal
Church, with 2,910,779 communicants. The
Roman Catholic gains in 1905 were 192,122;
the Methodist Episcopal, 62,847. ^t is interest-
ing to note that in spite of the relatively small
number of the Methodists, their itinerant min-
isters outnumber Roman Catholic priests, the
figures being 17,400 and 14,000. There is an
even greater disparity in the number of
churches, the Roman Catholic Church having
about 11,500 and the Methodist Episcopal
27,300 — more than twice as many. Methodists
of all bodies gained nearly 102,000 ; Baptists of
all varieties, 72,667. The Presbyterian Church
reports a gain of 26,174, and the Protestant
Episcopal one of 19,203. The Christian
Scientists request that their figures for the
previous year be cut down, and claim a gain
of ten churches and 7,441 members for 1905.
Their total membership is 71,114. "Did ever
so small a body succeed in attracting so much
attention?" asks the New York Churchman
( Protestant Episcopal ) .
Here is Dr. Carroll's table showing the
various denominational families of the United
States, their present status, and their growth
during 1905:
DENOMINATIONS.
SUMMARY FOR 1905.
MINISTERS.
COMMUNI-
CANTS.
NET GAINS FOR 1905.
MINISTERS.
CHITRCHRS.
COUMUNI
CANIS.
Adventists (6 bodies)
Baptists (X3 bodies)
Brethren (River) U bodies)
Brethren (Plymouth) (4 bodies)
Catholics (8 bodies)
Catholic Apostolic
Chinese Temples
Christadelphians
Christian Connection
Christian Catholic (Dowie)
Christian Missionary Association
Christian Scientists
Church of God ( Winebrennarian)
Church of the New Jerusalem
Conununistic Societies (6 bodies)
Congregationalists
Disciples of Christ
Dunkards (4 bodies)
Evangelical (a bodies)
Friends (4 bodies)
Friends ot the Temple
German Evangelical Protestant
German Evangelical Synod
Jews (a bodies)
Latter-Day Saints (a bodies)
Lutherans (aa bodies)
Swedish Evangelical Mission Covenant
Mennonites ( 1 a bodies)
Methodists (17 bodies)
Moravians
Presbyterians (i a bodies)
Protestant Episcopal (a bodies)
Reformed (3 bodies)
Salvation Army
Schwenkfeldians.
Social Brethren
Society for Ethical Culture
Spiritualists
Tneosophical Society
United Brethren (a bodies)
Unitarians
Universalists
Independent Congregations
Grand total for 1905
Grand total for 1904
» __
d Decrease
X.56S
37.06X
157
X4.104
95
1.348
104
10
i.aaa
475
X33
6,059
6.475
3.166
1.4SI
i,4za
4
100
956
301
1,560
7.585
391
I, an
40,a78
132
ia,65o
5.ao9
1,970
3.773
3
17
a,z85
547
727
54
154.3 90|
X5a.S75(
a.499
Sa.919
85
3M
".637
xo
47
63
1.340
XIO
13
6x1
590
X40
aa
S.938
1X.033
X.X38
2.648
X.075
4
155
x,aai
S70
x,338
X3.373
307
766
58.659
1x7
X5.702
7.224
2,536
983
7
90
4
334
69
4.407
459
965
X56
95.437
4,974.047
4.339
6.66 z
10,9x5, as X
X.49X
x,277
ioi,S97
40,000
754
7X.XX4
39.500
8.067
3.084
687.042
1.235.294
zx6,3Zi
X66.978
xao,4X5
340
ao.ooo
a a a, 003
X 43 .000
344.247
1,84 1,346
33.400
61,048
6,4a9,8x5
z6,58a
1.723,871
8a7.X27
405.0 a a
aS.soo
600
9x3
X.500
45.030
2,663
374.01 a
71,000
53.64X
Z4.xa6
X5
<f9a!
28
^33
xi|
432
a
dS
da4
1.406
rfx97
dS
aoi.608
31.148,445
1.8x5
30,639,390
3.136
75
X76
da3
279
9
535
I
d99
ai9
di
963
d»3
3
96
X.636
2,6 34
3.019
73.667
734
7.441
1.500
8S
9. 117
3.360
3.3 SO
997
51.580
95
xo 1,893
255
• t6.X74
19.203
4.021
3.491
232
X.833
^359
519.155
898.857
RELIGION AND ETHICS
287
THE RAlSiNG OF LAZARUS
lUx belonging^ to tl
detail in iiis dramatic portrayal of incidents in the life of Christ.
THE SERMON ON THE MOUNT
Two of tbe snuLll tableaux belonging to the work reproduced below, showing M. Channels faithful attention to
Hnliisr • •••
"THE WAY OF LIFE "—A SERMON IN PRECIOUS STONES
This curious example of the goldsmith's art, recently exhibited in London, has occupied M. Channet, the Pans
ieweler, for thirty years. The basis of the work is marble, and around it runs the Klver of Life, in onyx. The
small tableaux all represent incidents in the life of Christ, from Bethlehem to Calvary, and among the scenes depic-
ted are: **Tbe Sermon on the Mount/' "The Marriage at Cana," "The Raising of Lazarus," "The Last Supper,"
"The Agony in Gethsemane/' "The Trial cf Jesus," and "The Crucifixion." 'The figures are fashioned in ivory,
meul axMl precious stones, and above all is , symbol of the Trinity.
388
CURRENT LITERATURE
The following table shows the order of the
denominational families now and in 1890:
DBN0MINA110NAL
FAMILIES.
Catholic
Methodist
Baptist
Lutheran
Presbyterian
Episcopal
Kefomied
Latter- Day Saints..
United Brethren....
Rvancelical Bodies.
Jewish
Friends
Dunkards
Adventists
Mennonites
RANK
IN
I90S.
COMMUNI-
CANTS.
RANK
IN
1890.
I
xo.QXS.asi
X
9
6,429,815
9
3
4,974.047
l;84 1,346
3
4
5
S
ii7»3.87x
4
6
897,127
6
7
405.099
7
8
344,247
9
9
974.019
8
10
X66.978
XO
IX
143,000
XX
19
X 90.4x5
X9
13
1x6.3 IX
13
14
95,437
14
IS
61,048
IS
COMMUNI-
CANTS.
6.957.871
4,589.a84
3.717.969
1.931,07 a
1,378.369
540,509
309.458
x66, xas
995.981
133.3x3
130,406
xo7,9o8
73.795
60.491
4X.541
In the eyes of the Boston Congregationalist,
the showing of the above statistics is "not en-
couraging," and is "difficult to reconcile with
the evangelistic propaganda which has been
under way in so many denominations." The
Universalist Leader (Boston), however, re-
fuses tp be discouraged by figures which make
it* evident that "the forces of the Christian
church, as a whole, have been increased by
the addition of over half a million new mem-
bers, that is, net gain, giving an aggregate of
31,148,445 church members in the United
States." It continues:
"This membership in a population of something
over 80,000,000 reveals the great fact that there is
but need of the union of all Christian forces to
control the country for righteousness. And there
is much to cheer the hearts of all high-minded
people in these figures, for while it is undoubtedly
true that there are many in the Christian church
who are unworthy and unfaithful, the great ma-
jority of them can always be counted on the side
of the best things."
The Chicago Interior (Presbyterian) is im-
pressed by the fact that "not a single non-
evangelical denomination in the states made
any distinct gain during the past year." It
comments :
"Dr. Carroll's latest figures emphasize what we
have said before, that most of what we hear about
the 'one hundred and fifty kinds of religion in
the United States' is exaggerated nonsense.
Sixty-five of these 'denominations' have fewer
than 100 ministers each and twenty-one others
have each less than 200. ,And these little ormii-
zations twinkle in and tw'inkle out without affect-
ing the general situation or final results in the
slightest. The figures show that not a single
non-evangelical denomination in the states made
any distinct gain during the past year, unless it be
the 'Reorganized' Church of the Latter Day
Saints, — in other words, the non-polygamous
Mormons, an insignificant body at best. The
Utah branch is, still 'estimated' at the figure given
us twenty-five years ago by one of the most in-
telligent and reputable 'apostles* in Salt Lake
City.
"The work of the Master in this country must
be done, if done at all, by the churches which have
shown that they have a message worthy of atten-
tion. Toward them the better educated in the
little bodies gravitate by an inevitable process.
Petty schisms will be nursed into little sects by
vociferous leaders in the future as in the past,
but most of such bodies are, like our 'boom'
towns, 'biggest when born.' A church which
preaches not mint and anise and cummin but
judgment and mercy, will always command a
hearing. But even for the most Christlike church
the hour of rest has not yet come. It must plant
and it must water, and to God it must lift up
prayer for the increase. The present situation
should make us sober and watchful unto prayer."
THE PROSPECTS OF JEWISH "CONVERSION" AS VIEWED
BY A CHRISTIAN
The ultimate attitude of Jewish religious
thought toward Christianity has been a subject
of keen speculation ever since the days when
Paul expressed the confident conviction that
Israel as a nation would yet accept Jesus of
Nazareth as its Messiah. Sanguine workers
for Jewish advancement in our own day, such
as the German theologian, the older Delitzsch,
and many others, have seen in the Christian
sympathies of the late Jewish lawyer, Rabino-
witz, of Bessarabia, and in other phenomena
of this character in the Jewish religious world,
the first fruits of the promised Pauline harvest.
pther writers and workers, however, take a
rather pessimistic view of the prospects of
Israel's "conversion." A characteristic ex-
pression of this type of thought is found in an
instructive article by Pastor R. Bieling, of Ber-
lin, in the Allgenieine Missions-Zeitschrift
(Berlin).
It is impossible to determine exactly the
number of Jews on the globe, says the German
writer. The most careful compilation has been
made by Professor Dalman, of Leipsic, in a
work entitled "Handbuch fur Mission unter
Israel" (Handbook for Mission-work among
RELIGION AND ETHICS
389
the Jews). He computes that in 1893 the total
number of Israelites was 7404,250, of whom
3^36,000 were to be found in Russia. The
current estimate of a total of eleven million
Jews he regards as entirely too high.
As a factor in the religious world of thought
and life, argues Pastor Bieling, these millions,
who have rejected Christ, are a constant re-
proach and a standing danger to Christianity.
For, consciously or unconsciously, the develop-
ment of the Jewish nation has from the outset
been antagonistic to Christianity. Unbelief
has active missionary agents in modern times
and in its service Judaism equips a greater
number of protagonists with tongue and pen
than is furnished by other communions. Who-
ever takes the trouble to read the Jewish books,
pamphlets and periodicals of the day finds that
they are filled with remarkable self-confidence
and enthusiastic belief in a coming victory of
the Jewish cause and creed. An outsider is
simply amazed at what he finds in these publi-
cations. The writers already predict the day
when faith in the Only One, who is the God-
of the Synagogue, will be the only prevailing
belief. One factor that strengthens Judaism
in this conviction is the radicalism of modern
Protestant theology, especially in its endeavors
to deprive Christ of his divine character and
dignity and to make him merely a brilliant
Jew. A prominent Jewish periodical recently
printed an article on the "J^^^^^ing" of Chris-
tianity and applauded the movement. The
same journal declares that this is "a fruit of
Jewish mission work, a joyful message that
the Jewish Messianic hopes are not a decep-
tion"; adding its conviction that "the nations
will in the end recognize Israel as the Servant
of God, as the sorely tried messenger of the
divine truth." Nobody, says Pastor Bieling,
should be deceived by the friendly utterances
heard in Jewish circles concerning Jesus. All
these apply to him as a human personality, but
never in the least to him as the Savior from
sins. Indeed, if nowadays the "great Rabbi of
Nazareth" is honored as never before among
the Jews, it is solely because thereby the great-
ness of the Jewish nation is increased. "He
honors our race," a prominent Jewish writer
has said.
An examination of the genius and character
of modern Judaism, continues the writer,
shows that it cannot be otherwise than hostile
to the divine claims of Christ and Christianity.
There is no common creed accepted every-
where by the Israelites ; even the thirteen arti-
cles of faith in their prayer-book arc not doc-
trinally binding. The nearest approach to a
general confession is found in the following
exhortation, constantly recurring in the Jewish
services : "Hear, Israel, the Lord thy God is one
God." Hence it is not an easy matter to deter-
mine exactly what the essence of Judaism is,
Only recently a leading Jewish society in Ber-
lin offered a prize for a pamphlet on "Das
Wesen des Judentums" (The Essence of Juda-
ism). This action was probably suggested by a
recent work of the Jewish writer. Dr. Levi Bock,
bearing the same title. He finds the charac-
teristic features of Judaism in its moral de-
mands, and acknowledges that Judaism has no
real doctrinal creed, or at any rate no creed
of any importance. In the same way the Rabbi
Perles, of Konigsberg, in a public correspond-
ence with the Christian theologian Borgius, of
the same city, has recently stated : "In Judaism
there are no dogmas in the Christian sense of
the term — that is to say,, a certain number of
statements which must be believed, or even
accepted, with an oath." He also argues that
the real difference between Christianity and
Judaism lies in this — ^that the former finds its
center in faith and the latter in action. The
uncertainty of Judaism in regard to its faith is
even more strikingly illustrated in the pub-
lished utterance of another leading rabbi, who
not long ago declared to a convert : "The main
purpose of a Jew at present is not to become a
Christian."
Modern Judaism, then, differs from the older
type of Judaism chiefly in this — ^that whereas
the older Judaism was as antagonistic to
Christ and to his church as modern Judaism
is, the latter is willing to pass a more friendly
judgment on the person of the Nazarene. The
Jahrbuch fur jiidische Geschichte und Litera-
tur, as late as 1903, tried by a unique explana-
tion of the words of Matthew xxvii, 25 ("His
blood be on us and our children") to show
that those who made use of this statement had
thereby declared that they did not desire the
death of Jesus, and intended to warn the Ro-
mans against the proposed judicial murder
of the Lord. This effort at a new exegesis of
this incriminating passage is very significant
of the attitude of modern Judaism toward
Christ, and is part of the determined protest
found everywhere in Jewish literature against
making the Jews responsible for Christ's cruci-
fixion.
Notwithstanding the instinctive hostility of
Judaism to Christianity, says Dr. Bieling, mis-
sion work among the Jews has been reasonably
successful. First of all, the Jews have learned
290
CURRENT LITERATURE
to know Christianity better, and this has
brought many thousands of Jews into the
Christian Church. It is impossible to compute
the full number, as many conversions are not
published. But according to official reports,
17,250 Jews became Christians during the past
century in Germany alone; and the Berlin
society alone reports over eight hundred bap-
tisms of the Jews. Signs are multiplying, con-
cludes the writer, to show that Judaism is
now at the parting of the ways, in a religious
sense, notwithstanding its loud proclamation
of victory. Zionism is an evidence of this
crisis, although it is not clear in its purposes
or ends. The possibility of important changes
cannot be ignored, but only the future can de-
termine exactly what the character of these
changes will be.
A MOVEMENT UNIQUE IN CHRISTIAN HISTORY
"A tiny seed, a great tree: from one society
of less than fifty members to over sixty-six
thousand societies and nearly four million
members: from one small church in Portland,
Maine,^ to churches in every Christian com-
munity and at most of the missionary stations
the world round: from a few dollars a year,
for missionary and other causes, to over half
a million dollars last year from less than one-
sixth of the whole number of societies: from
obscurity to world-wide fame and influence" —
thus is summed up the quarter-of-a-century
story of the Christian Endeavor movement.
The record is one to evoke justifiable pride, and
magazines and newspapers all over the world
are at this time printing eulogistic articles on
the movement. Christian Endeavorers them-
selves are planning a permanent memorial of
their twenty-fifth anniversary in the form of
a building in Boston, which is to serve as an
international headquarters for the movement
and as "a loving tribute** to its founder, the
Rev. Dr. Francis E. Clark. Dr. Clark, as
we are reminded by Henry B. F. Macfarland,
President of the Board of Commissioners
of the District of Columbia, is still a compara-
tively young man. "He has had the great
good fortune — almost unique," says Mr.
Macfarland, "to start a perfectly new organi-
zation, and then lead it, through every increase
and improvement and development, always
keeping it to his thought for it." Sir George
Williams, whose experience was somewhat
similar, "did not, in twice the time, impress
his life as completely on the Young Men's
Christian Association movement"; and "even
General William Booth, with autocratic au-
thority, is not more intimately related to the
Salvation Army than Dr. Francis E. Clark is
to the Christian Endeavor societies, over which
he has no authority, every one of them being
absolutely independent, except of its own
church. The organizations conceived by these
three men are characterized by Mr. Macfar-
land as "the most important of modern times,"
and, taken together as having the same motive,
inspiration and aspiration, they suggest to him
the thought that "this should be called the Age
of Faith rather than the Age of Doubt." He
continues (North American Revietv, Feb-
ruary) :
"Simply as one of the facts of life in our day,
the rise and progress of the Christian Endeavor
movement, for example, is sufficiently importanl
to be worthy the careful consideration of any
thoughtful man, regardless of his views of re-
ligion. If a new political party had, in the same
time, grown to such proportions and was showing
the same virility and stability, it would be the fre-
quent theme of men who, perhaps, do not know
even the name of the Christian Endeavor Society.
If four million people were keeping a pledge to
read daily the plays of Shakespeare, or the poems
of Dante, or the dialogues of Plato — to meditate
upon them, to bring them to the attention of
others and to put their highest teachings into
practical living — ^that fact would interest im-
mensely men who do not seem to know that the
greatest book of all is having just such jplace
and power in the lives of four million people. The
Kingdom of Heaven cometh in all of its phases
without observation, however, and it is not nec-
essary, if desirable, that this particular phase of it
should have that kind of observation. The vast
majority of the members of the Christian En-
deavor Society are happily unconscious of the fact
that they are not under the eyes of certain critics,
who, because they do not know that this and simi-
lar forms of religious life are giving Christianity
new progress and power, write of it as if it were
declining."
No philosopher who sees life whole, adds
Mr. Macfarland, can ignore the immense sig-
nificance of such an organization as the Chris-
tian Endeavor Society. Not to speak of its
importance to the individual church, or to the
individual State, "its value as an interdenomi-
national and international league, binding the
churches together and binding the states to-
RELIGION AND ETHICS
391
gether, with the invisible tics of affection,
sympathy and a good purpose, can hardly be
overestimated." Thus it has become a great
factor in the encouragement of "patriotism, ex-
pressed in good citizenship," and in the
promotion of "international peace, through
international justice." And yet nothing was
further from the mind of the youthful Con-
gregational minister of the Williston Church of
Portland, Me., when, on the evening of
February 2, 1881, he organized his young
parishioners into the first Christian Endeavor
Society, than that it would figure in the affairs
of the nation, much less in the affairs of
nations. He simply saw that the young men
and women of his church needed a larger op-
portunity for activity and expression than
that provided by the old-fashioned types of
young people's societies. Accordingly, he pre-
pared a constitution for a "society of Christian
Endeavor" whose object should be "to promote
an earnest Christian life among its members,
to increase their mutual acquaintance and to
make them more useful servants of God." He
added an iron-clad obligation: "It is expected
that all of the active members of the society
will be present at every meeting, unless de-
tained by some absolute necessity, and that
each one will take some part, however slight,
in every meeting." This contained Dr. Clark's
root idea, "that the young Christian must be
trained into strong Christian manhood, as by
the industrial training-school, which teaches
apprentices how to work by working, how to
use tools by using them, how to exercise hand
and foot and eye and brain in order that hand
and foot and eye and brain may become ex-
pert in life's vocation." The provisions of
the constitution were **evidently more than the
young people had bargained for," wrote Dr.
Clark afterward; "they had not been accus-
tomed to take their religious duties se-
riously. ... It seemed as though the society
would die still-born. . . . But God ordered it
otherwise." To quote again from Mr. Macfar-
land's article:
"As the news of the new organization was
spread by the press, it was gradually introduced
in many churches; but there were only six so-
deties when the first convention was held at Wil-
liston Church, in June, 1882. There were fifty-
three, with an enrolled membership of 2,630, when
the second convention was held the next year.
Before ten years passed, 5/xx) delegates were
present in a national convention held in Chicago,
representing thirty-three States and Territories,
societies had been started in England, and Dr.
Clark had been induced to retire from the pastor-
ate to become the President of the United society
THE REV. FRANCIS E. CLARK, D.D.
Founder of the Christian Endeavor movement, which.
In twenty-five years, has gjown from one society of lebs
than fifty .members to over sixty-six thousand societies
and nearly four million members.
of Christian Endeavor, and Editor-in-Chief of
The Golden Rule, the Christian Endeavor organ,
now named The Christian Endeavor World. 'By
the time the national convention met in Philadel-
phia in July, 1899, 6,500 delegates were sent, a
number of foreign countries were represented,
and the President of the United States sent a
telegram of greeting. Prominent clergymen and
other public speakers were glad to address this
convention. These conventions have become an
important feature in the life of the movement.
Not even the political conventions have com-
manded such an attendance or shown such ear-
nestness of enthusiasm, and no religious gather-
ings arc comparable with them in numbers or
public interest. Twenty thousand delegates from
outside of the convention city, and an attendance
of over fifty thousand, are the astonishing reports
of these national conventions. They have been
supplemented by State and local conventions.
. . . Dr. Clark has stated that 'on the
average for ten years past, nearly two hun-
dred thousand each year of the associate
members of the society have connected them-
selves with some branch of the church of
God.' Although he docs not claim that this
is due wholly to the society, no one can doubt that
it is largely due to the society. He has also stated
that : 'It is far below the actual facts to say that
the Endeavorcrs annually give, through their own
organizations, in addition to ail that they give
throujfh other channels of the church, not less
than a million dollars a year for the borne
292
CURRENT LITERATURE
churches and for missions at home and abroad/
and he justly claims that very much of this is an
extra asset, additional to what would have been
given otherwise, as shown by what was given be-
fore the Christian Endeavor movement began.
"It cannot be too often repeated that the United
Society, which is the international headquarters,
does not draw for its support one dollar from the
individual societies, but is maintained by the
profits of its own publications. Dr. Clark has
supported himself by his own writings. Ten
thousand dollars a year is gathered from the
societies in America and Great Britain, solely to
promote the cause of Christian Endeavor in coun-
tries where the English language is not spoken,
on the invitation of the church missionaries."
Dr. Clark has so put his life into the
Christian Endeavor movement, says Mr.
Macfarland, in concluding, that it seems like
his body. "It is impossible to write its history
without seeming to write his biography."
Through his writings and his world tours he
has gained a personal hold upon the members
of the societies, and now each Endeavorer is
to contribute a small sum — twenty-five cents,
if no more — toward the memorial building and
headquarters. On this project Mr. Macfarland
comments :
"Sir George Williams was knighted by Queen
Victoria for founding the Young Men's Christian
Association, celebrated its jubilee in Westminster
Abbey, and was made a freeman of the City of
London, and similar honors might have been
given Dr. Clark if he had done his work from
London. Not only the Endeavorers, with their
personal devotion to him, but all of those who can
appreciate the value of his services to society and
its increasing influence upon the future, will feel
that to give Dr. Clark the honor that is proposed
for him, and which he will appreciate chiefly be-
cause it will be of lasting benefit to his life-work,
is not too great for this benefactor of mankind."
THE STRUGGLE FOR "CHRISTIAN POLITICS" IN HOLLAND
The most remarkable experiment in "Chris-
tian politics" known to modern Europe has
suffered a severe set-back, owing to the de-
feat of the Kuyper ministry and the Christian
party in Holland. The Kuyper Christian
party has been called by one of its leaders
"the Party of the Living God." Its program
is probably best expressed in "the true an- *
tithesis" which it has set up against the de-
mands of the "revolutionary" or modern
radical party, namely : "Not reason or scientific
research, not the interests of the state, or the
interests of particular parties, or any other
matter, but Christ alone, our King, is the
center of our public life. His honor demands
that politics shall be under the direction of our
religion." This program has commended itself
for some time to the Dutch people, but now
seems to have met with a reverse. In the
opinion of a well-informed writer in the
Christliche Welt (Marburg), however, this re-
verse is temporary, not permanent. He says,
in substance:
It is more than evident that neither the party
nor its chief representative and exponent, Pro-
fessor Dr. Kuyper, the great Calvinistic theo-
logian of Holland, has disappeared from the hori-
zon. Kuyper himself has indeed reached the
limit, of years marked out by the Psalmist, but
such is his vigor, physical and mental, that he
has undertaken a vacation trip to the Orient,
"the cradle of mankind," for observation and
study. The party itself has not the slightest idea
of giving up its program, but regards its defeat
as only a temporary set-back. On the very even-
ing when the election returns showed its defeat,
its leaders, assembled in Rotterdam, buried their
sorrow, and amid prayers, united in sending out
a statement to the effect that this trial was only
intended by God to lead them to a more thorough
self-examination and to spur them on to greater
fidelity. They declared that "God rules," and that
"His work must be carried on in the world not-
withstanding the doings of men"; as also that
"His will will and must be realized in the political
sphere, even if not a single Christian remains in
the Parliament." They expressed the further
conviction that they had been "called to fight the
fight of faith by God," and to "instruct the people
from day to day, to awaken and strengthen in
them a Christian consciotfeness, and to show them
how to apply the principles of the Christian re-
ligion to politics."
There are manv signs which would seem to in-
dicate that the "Christian" party will soon be re-
called to political power in Holland. Several of
its special measures the present government has
not ventured to touch. The culmination of
the Kuyper regime was its school legislation,
which purposed to "Christianize" the entire edu-
cational system of the country, from the "Free
University," of which Kuyper was the rector, to
the average public school. The new liberal gov-
ernment has not changed these laws. Moreover,
it has openly declared that it will not touch the
"strike laws" instituted by Kuyper, and has even
publicly recognized the wonderful "working abil-
ity" of the veteran theologian and statesman.
Another factor that will, it is thought, help to
put the Christian party again in power, is the
growing strength of the Social Democrats. Be-
tween the years 1897 and 1905 this revolutionary
party increased its votes from 13,000 to 66,000 in
RELIGION AND ETHICS
293
HoHand, and the clearer it becomes that this
party is a party of radicals and free-thinkers —
the embodiment of all that is non-Christian and
tmchtirchly — ^the greater will be the power of at-
traction exercised by the Giristian party on the
conscnrative and thinking classes. The Socialists
have already declared that "they will sell their
lives as dearly as possible as soon as a ministry
needs them," meaning that they will join the Lib-
erals in effecting even moderate reforms in the
hope that sooner or later more radical measures
can be passed. This, too, it is thought, will drive
men into the camp of the Christian party. One
thing, however, it is evident, the Christian leaders
must learn, namely, to be a little more worldly-
wise in the methods by which they seek to build
up their party. Just how soon the problem of
Christian politics will again become a "burning
question," only a prophet or a prophet's son could
predict; but it seems certain that a second min-
istry of the party could be organized in the near
future only by Kuyper himself. As far as can
be seen, there are no other leaders upon whose
shoulders his mantle could worthily fall, and a
strong Christian movement is possible only under
the inspiration furnished by a gifted, enthusiastic
and inspiring personality. Such Kuyper has been
and is. The partv itself is as full of life as ever
and entirely confident that sooner or later the
spirit of the Nazarene will be the all-controlling
force in the public life and government of
Holland.
WHAT IS TO BE THE FUTURE OF CHRISTIAN THEOLOGY?
The Rev. Dr, R. Heber Newton, for many
years rector of All Soul's Church, New York,
and well known throughout the country as a
representative of "advanced" theology, has lately
ventured to formulate his idea of the future
of Christianity. He writes in perfect freedom
and independence, and expresses himself very
frankly. He thinks that the fundamental
Christian doctrines have already undergone,
and arc still undergoing, the most profound
changes; but that they will endure, in spite
of these changes — perhaps because of them.
This view is elaborated in an article in The
Hibhert Journal (London), from which we
quote:
"The theological movement of our own age is
away from all that is partial and narrow and arbi-
trao' and mechanical and exceptional and irra-
tional and unethical in theology, toward that
which is universal, njecessary, natural, orderly, ra-
tional, free, progressive, ethical, and spiritual. It
leads in a direction diametrically opposite to the
conception of Christianity as the one true religion,
miraculous in its birth, extra-natural in its insti-
tutions, infallible in its sacred books, fixed and
final in its creeds, imposing an external authority
from which no appeal can be taken to the courts
of reason and conscience. It heads straight for
the conception of Christianity which finds in it
one among the religions of humanity, although the
highest of them; the main stem of the religion
which roots in the spiritual nature of man and of
the cosmos, and which sucks up into itself the
ethical forces of man and of the universe; the
flowering forth of the one life of humanity, which
takes on differing forms in the varying types of
ethnic religions. It is away from the conception
of religion as a something separable from the rest
of human life, growing out of other faculties than
those which manifest themselves in the activities
of earth, creating a sphere for itself other than
that of the sacred secularities of society. It is
moving toward a conception which finds in re-
ligion the burgeoning and blossoming of all the
faculties of man; the life of the imagination, the
reason, the affections and the conscience at their
full; taking up into itself and expressing the
secrets of poetry and art and science and phi-
losophy and sociology, as knowledge grows trans-
figured into reverence, as beauty exhales in wor-
ship and goodness becomes the sacrament of the
indwelling Life of the cosmos."
More specifically Dr. Newton proceeds to
indicate the nature of that "reconstruction of
the supposedly fundamental principles under-
lying the theology of the churches,'^ which
he believes to be inevitable. Of hitherto
prevailing conceptions of the Bible as
"oracular and inerrant" and Of the church
as "miraculous and infallible," he says :
"These conceptions must pass away, are already
passing away, have even now nearly parsed com-
pletely away in Protestant circles. The book will
remain — ^the source of spiritual inspiration, the
expression of man's highest spiritual conscious-
ness, the record of the gradual ntvelation of God
in the growth of "a race, and in the evolution of
the universal religion in which that race-life
flowered; a real and true authority in matters of
religion, only not a spiritual czardom, but rather
the constitutional head in the republic of man.
The church will remain — an institution of human-
ity, the highest institute of humanity and the most
divine, since it is the institute of the spiritual life
of mankind; not the institute of the spiritual life
merely of a race or of a religion drawn around
that race, but the institute of that spiritual life
which has been one and the same through the
various races of mankind, whose sources lie far
back in the past, in the nature and constitution of
man; which in Paganism has developed one and
the same religious institutions in different lands
and in different ages, and thus, slowly, reared the
cathedral of Christendom, with its many ethnical
chapels growing around its sacred choir; an in-
stitute, therefore, having the greatly to be revered
authority which such a history claims, every pos-
294
CURRENT LITERATURE
THE REV. K. HEBER NEWTON, D.D.
He thinks that the fundamental Christian doctrines
have undergone, and are still uodergoingf, the most pro-
found changes; but that they will endure m spite of these
changes — perhaps because of them.
sible deference short of tlie abject submission of
the reason and conscience. Such a historic insti-
tute must be plastic, capable of growth, changing
ever with the changing needs of man, adapting
itself to the new conditions which new times are
creating ever.
"But the thought-forms which these two great
authorities of man have assumed in the past — the
thought of the Book and the Church, as excep-
tional and miraculous, infallible, fixed and final
— these will never again be found in the new
spaces of the heavens toward which the movement
of our mental world tends."
Inspiration, continues Dr. Newton, *'is com-
ing to be seen not as the monopoly of a race
or of a church, but as the experience
of mankind." The doctrine of the Atonement
"is growing out of the form in which it has
come down to us, as an act of one man, in one
moment of history, into the conception which
is already blossoming within the Christian
consciousness; the conception of the universal
law operative in all ages, among all men;
wherein the holy and elect souls of earth bear
the suffering and sorrow and shame of their
fellows and thus save them from their sins."
The doctrine of hell "is casting ofT those
abhorrent, immoral, impossible forms in which
it has come down to us, and is taking on a
rational aspect, as the symbol of the natural
law of retribution, acting in character, if with
the sternness yet with the sanity of Nature,
the justice of God." And the doctrine of the
Incarnation is seen to be an idea "as old as
man's philosophy, as widespread as his life on
earth," connoting "not alone an embodying
of the Divine Being in one individual, of one
epoch of history, but the symbol of a universal
process, whereby and wherein the universe it-
self is the body of the Infinite and Eternal
Spirit."
Of the future position of Christ, we read:
"The historic Personality who is at the heart
of the Catholic creeds will be recognised as more
truly a fact than our fathers ever dared to believe.
He will be found to have withstood the critical
processes which threatened to resolve His sacred
form into legend and myth, and, instead of issuing
as fable, to issue as fact, having the solidity of
history — the rock which thenceforth never more
can be shaken. The man Christ Jesus, in the
moral miracle of His perfect character, in the sac-
ramental mystery of His cosmic consciousness,
will stand forth forever as the sacred shrine of
man's hope and faith, the mercy seat of the lov-
ing God. In Him the human ideal will continue
to be reverently seen embodied, that ideal after
which our Iruman lives are to pattern themselves
in all loving loyalty. In His mirroring eyes com-
ing generations will read the secret of the uni-
verse, and see in the Power in which 'we live and
move and have our being* — 'Our Father which art
in Heaven.'" .
The two fundamental doctrines of the
Christian creed, the doctrine of God and the
doctrigje of immortality, will be recognized,
predicts Dr. Newton, not as the exclusive
possession of Christendom, but as the common
possession of mankind.
"It will be seen that every great religion has
issued in monotheism — the doctrine of the unity
of God, His spirituality, His character as a just
and beneficent being. It will also be seen that
every great religion has issued in the doctrine
of immortality, the belief in conscious, continued
life after death. Such exceptions as seem to pre-
sent themselves in history, notably in Judaism and
Buddhism, will be seen to be but temporary ex-
ceptions. Israel, as we now see, reached through
its stages of agnosticism concerning the hereafter,
and found the human faith in immortality com-
ing forth in Judaism before Jesus clear and
strong. The Nirvana of Buddhism is already
being recog^nised, not as annihilation, the loss of
personal being, but as the emergence of self-con-
sciousness into the cosmic consciousness and its
perfect bliss."
In brief, "the central faiths of Christendom
will be found to warrant themselves as the
universal faiths of man, standing plumb upon
the deep bed-rock of the human reason and
conscience, buttressing on our new knowledge
in science and philosophy and art and so-
ciology."
Science and Discovery
GENERAL DECLINE OF HUMAN FERTILITY IN
WESTERN NATIONS
Among the physical features of modern civ-
ilization none calls at present for more seri-
ous attention, asserts the London Times, than
the fact, gradually revealed and clearly estab-
lished by official records, that the birth-rate
is progressively declining in all Western na-
tions for which regirtration exists. "It seems,"
sa)rs our contemporary, "to be one of those
vast, slow, silent movements which pass almost
nnpcrceived at the time, but are more potent
to shape the destinies of mankind than war
or policies which look so much more impor-
tant to a near vision." Deserving cf particular
notice, therefore, it thinks, are the proceedings
of the Royal Statistical Society, which has
been devoting a recent series of London meet-
ings to the topic. One of the most valuable
contributions yet made to the elucidation of the
problem is a paper on "the decline of human
fertility in the United Kingdom and other
countries as shown by ccA'ected birth-rates,"
the authors being Dn Arthur Newsholme and
Dr. T. H. C. Stevenson. This paper is a con-
tmuation of others by the same authors pub-
lished in The Journal of Hygiene (London).
"But statistical studies," says the British paper,
"are repellant to all except statisticians, unless
they can be used as political missiles or piquant
tit-bits of promiscuous information, which is
very seldom the c?ise with genuine work ; and
these elaborate calculations are not likely to
receive the attention they deserve." For the
information of the general public it is neces-
sary to extract the pith of them and present
it in a simple form, which the London Times
essays to do as follows:
"About the main facts no dispute exists. For
some thirty years or so a general and progressive
diminution of natality— that is, the number of
children born in proportion to population — has
been recorded in all Western nations for which
records are available. It is by no means evenly
distributed or proceeding everywhere at the same
rate, nor is it shared by every locality; but every
country as a whole e>diibits the same change in
some degree. The following figures, showing the
fall in the 'birth-rate/ which means the number
of births to i,ooo of the population, between 1876
and 1901, will sufficiently illustrate the movement :
— ^United Kingdom, from 34.8 to 28.0; England
and Wales, 36.3 to 28.5; German Empire, 40.9 to
357; Prussia, 40.7 to 36.2; Sweden, 30.8 to 2^.8;
Switzerland, 33.0 to 29.1; Austria, 40.0 to 36.9;
France, 26.2 to 22.0. The fall appears ^o have set
in as a general and progressive movement about
the year 1876, which forms the high-water mark
of recorded birth-rates in most European coun-
tries. That it was a real high-water mark of na-
tality cannot be positively affirmed, as defective
registration in earlier years may be a source of
error. It is, however, certain that, whereas the
birth-rates had previously fluctuated in an irreg-
ular manner, from that time onward they have
been falling generally, progressively and with
singular steadiness. Fewer and fewer children in
proportion to population are being born almost
from year to year. The difficulty is to determine
the causes of this remarkable movement and to
estimate their respective shares of influence. The
difficulty is increased by the failure of many stu-
dents of the subject — ^a failure conspicuously il-
lustrated at the Royal Statistical Society— to dis-
tinguish between two sets of causes, the direct and
the indirect, which are usually jumbled up to-
gether. The birth of children is a physical fact
which depends directly upon physical conditions
and upon them only; other conditions act indi-
rectly through them, and unless the distinction is
realized the question cannot be treated in a log-
ical or scientific manner. The physical conditions
governing natality are, in the first place, age,
sex, and conjugal state. In other words, children
can only be born to women of a certain age, and
the number of children must depend on the num-
ber of such women in any population. Marriage,
of course, is not physically necessary, but actually
it is; the proportion of illegitimate children is so
small as to be negligible in the large problem;
and, as a matter of fact, they have declined even
more rapidly than the legitimate. Age, sex, and
conjugal state are conveniently classed together,
because they are the subject of statistical records
and can be ascertained with considerable accuracy.
A second set of physical conditions stands on a
different footing. The capacity to bear children
depends not only upon age, but upon other less
obvious physiological factors, which may vary in-
definitely both by nature and by art. There are
degrees of natural fertility or sterility, and there
is also an artificial sterility. With the exception
of age and sex, which are chiefly determined by
chance or forces beyond our knowledge and con-
trol, all these physical conditions directly govern-
ing natality are themselves affected by other sec-
ondary and ascertainable conditions. Marriage,
for instance, is affected by economic and moral
influences, by war and emigration; fertility is
affected by habits of life and possibly by educa-
296
CURRENT LITERATURE
tion and occupation. All these become indirect
influences acting through the direct ones."
It is obvious from these considerations that
the problem of causation is intricate and must
be handled methodically if it is to be lifted out
of the slough of conjecture, impression and
prejudice. This is the service that Dr. News-
holme and Dr. Stevenson, in the opinion of the
London Times, have rendered. By a laborious
piece of statistical work they have eliminated
the age, sex and marriage factors for a large
number of countries and particular communi-
ties over a period of twenty years, and have
separated out the true fertility from a variety
of disturbing factors. The point is that hypo-
thetically changes in the age, sex and conjugal
constitution of the populations might be suffi-
cient to account for the diminishing birth-rates
and that the latter might hypothetically be
wholly due to a diminishing proportion of mar-
ried women of fertile age. There have, in fact,
been material changes in that direction in
some populations through postponemeht of
marriage and prolongation of mature life ac-
companied by a constantly high infantile
mortality. In some countries emigration has
appreciably diminished the productive popu-
lation. But it has now been shown that such
changes are quite inadequate to account for
the falling birth-rates. Indeed, in some com-
munities where a rapid fall has taken place
the constitution of the population is more
favorable to productivity than it wa . The cal-
culations leading to this conclusion are, like
all other statistics, open to criticism. They
give only approximately accurate results
which cannot be used for minute comparisons :
"But read broadly, with a due margin for error,
they prove the existence of a real and general
decline in fertility. Ireland is the only excep-
tion; there the fertility increased between 1881
and 1901, though the natality diminished.
Further, the authors reach the conclusion that
this progressive sterility is due not to natural but
to artificial causes; it is deliberately practised in
order to secure ease, and is associated with a
rising standard of comfort. This agrees with the
results of investigation and with the conclusions
of others; but it has not previously been estab-
lished on the same statistical basis. The ultimate
bearing of the movement may be a matter of
opinion. Some «4pplaud it, as Mr. Montague
Crackanthorpe has recently shown. But the
doctrine of small families and quality versus
quantity is very superficial. It ignores the whole
moral side of the question, and on the physical
side it rests upon a more than dubious assumption.
It is not given to parents to arrange the quality
of the selected offspring they choose to have out
of a potential number ; nor are they conspicuously
successful in rearing very small families. The
most wholesome environment for children is
plenty of brothers and sisters. In truth, the real
motive is selfishness, not concern for non-existent
children. So the bachelor, intent on his own
comfort, pretends regard for the wife he has not
got. But Nature is not mocked; the misuse or
perversion of natural appetites, which is the es-
sence of vice, brings its own penalty, and Nature's
answer to those who flout her laws is to wipe
them out. That process is already in operation in
many communities both in the Old World and in
the New, where more people die annually than are
born."
THE PRESENT POSITION OF THE CANCER PROBLEM
Cancer is now proved to be neither con-
tagious nor hereditary and to be the result of
neither bacillus nor germ, if we may accept a
summary of the labors of the scientists inves-
tigating the problem in the Royal College of
Science and the University of Liverpool. The
summary has been prepared by Mr. H. B. Mar-
riott Watson, eminent as a man of letters and
at the same time a competent student of bi-
ological problems. Mr. W^atson was authorized
by the experts in cancer research, Professor
Farmer and Messrs. Moore and Walker, to
give some outlines of the results of their dis-
coveries in the London Mail. As an introduc-
tion to the topic as a whole, Mr. Watson's sum-
mary reminds us that every living organism,
whether plant or animal, begins as a single cell.
This original mother cell divides into two, then
each of the resulting cells divides, and this
process continues until the whole body of the
organism is built up. But the process of the
division is by no means simple. When the
original mother cell is going to divide, a certain
number of little bodies appears within it. Each
of these little bodies, which are called chromo-
somes, divides into two equal halves, and when
the whole mass of the mother cell separates
into two daughter cells, half of each chromo-
some is absorbed into each daughter cell. This
process is repeated in each succeeding cell di-
vision and thus the number of chromosomes
in the cells of the same body remains the same
as it was in the original mother cell. The
number of chromosomes in the cells forming
SCIENCE AND DISCOVERY
297
the human body is thirty-two, and this number
remains constant — ^with a single exception:
"The exception is the group of cells that is to
undertake the future function of reproduction.
Observation has shown that in these cells the num-
ber of chromosomes is always reduced to one-
half, in the human being therefore to sixteen.
Now here comes in the remarkable discovery
which sheds a wholly new light on the nature of
cancer. The collaborators have found that in
cancerous tissue the same process takes place.
The exact sequence of events is this. Certain cells
of the blood, known as leucocytes, given a suit-
able stimulus, become active. They unite with
the ordinary healthy cells of the tissue, and the
result is the first stage of cancerous growth. The
development and divisions of the cells then pro-
ceed in a manner similar to that occurring in the
production of the reproductive cells referred to.
**It is interesting to note that it has for some
time been known to science that reproductive tis-
sac does, in the case of some plants, normally
act in a manner similar to cancer, that is to say,
it invades the tissue forming the body of the
parent organism.
"The collaborators, in discovering the similarity
that exists between cancer and reproductive tis-
sue, have incidentally shown that certain bodies
that have been constantly taken for the parasite
causing cancer are really only a normal part of
reproductive fells. These bodies, commonly
known as Thmmer's' or 'Cancer* bodies, had
hitherto been supposed to exist only in the cells
foraiing cancerous tissue. They are now proved
to constitute a normal and constant part of re-
productive cells. Thus the resemblance between
the two tissues is carried a step further and made
more striking, to say nothing of the fact that the
numerous speculations as to the nature and origin
of these supposed parasites are at last put to
rest"
Equipped with this preliminary exposition,
it is easier to master Dr. R. T. Hewlett's analy-
sis of the cancer research results published in
Tondon Nature. From this it seems that re-
cent research holds out as yet little prospect
of the discovery of a curative agent. At the
moment, almost the only hope of cure lies in
early and radical operation. In superficial
cancers the X-rays and radium emanations
seem to effect a cure by causing a retrogression
(»r a necrosis of the cancer elements. Cancer
in mice occasionally undergoes retrogression
and cure, and the same thing occurs, although
rarely, in human cancer. It has been found
that the blood serum of the mice in which
this spontaneous cure had occurred exerted a
marked curative action on other mice suffering
from the disease. This suggests the possibility
that work of a similar nature may eventually
lead to the discovery of a means of treating
human cancer, but the probability is small in
Dr. Hewitt's opinion. It is extremely unlikely
thaPthc ser im of any animal would have any
effect on the human being. A spontaneously
cured human being would almost certainly have
to provide the serum. Further:
"The cancer of one animal is inoculable only
into another animal of the same species, and
human cancer, therefore, cannot be transmitted to
the lower animals. All attempts to isolate ^
micro-parasite have proved failures, m spite of ^
the vast amount of work done in this direction. Jj
The alleged organisms of cancer, such, for ex-
ample, as certain yeast fungi, have, it is true, been
found to produce tumor-like growths, but these
have, on critical examination, been proved to be
of the nature of granulomatous growths, and not
true cancer. A point of which a good deal has
been made by the supporters of the par sitic
theory is that the so-called 'cancer bodies,' the
alleged parasites, are present onlv in malignant
growths, and not in normal or pathological tissue
nor in benign tumors. But the deduction from
this fact, that these bodies are therefore parasitic,
has little to support it when it is considered that
cancer is a unique tissue, and might obviously
contain structures not found elsewhere and not
necessarily parasitic."
Nor can it be said that the discovery, or
alleged discovery, of the microbe of cancer has
been taken seriously by the medical press of
Europe. That eminent French surgeon, Dr.
Doyen, has pronounced the microbe called "wi-
crococcus neo'formans" to be that of cancer.
Professor Metchnikoff, of the Pasteur Insti-
tute, is quoted in Paris Cosmos as saying that
in a series of tubes in which were placed frag-
ments of cancerous growth, he had obtained a
microbe identical with that described by Dr.
Doyen. Professor Metchnikoff adds that all
of the tubes — there were several — did not give
this result, but it was important to note that
two specimens of cancerous growth obtained
from quite another source did yield pure cul-
tures of the Doyen microbe. And Professor
Metchnikoff says that he has had opportunities
of observing a considerable number of persons
suffering from cancer who have been benefited
by injections of the Doyen serum. The report
of a committee of scientists, as summarized in
the Revue Scientifiquc (Paris), is not decisive
in favor of the Doyen "discovery." The Brit-
ish Medical Journal comments :
"We are still, therefore, on Professor Metchni- \
koff's own showing, a long way from the final |
elucidation of the mystery of cancer. We are
compelled to add that with every wish to believe
that a cure for this terrible scourge has been dis-
covered, the evidence, so far as it has been dis-
closed, appears to us inadequate to warrant any
confident hope that Dr. Doyen's serum will prove
to have any more lasting effec than the various
serums, toxin extracts and other remedies having
some kind of scientific basis, which have in recent '
years been tried and found wanting."
398
CURRENT LITERATURE
THE DOOM OF THE ATOM
Among the many and fruitful lines of re-
search which have been developed during the
last quarter of a century, asserts that able
British physicist, Prof. C. Cuthbertson,
none possesses so great a fascination or so
profound an interest as the study of radium,
not only on account of the great delicacy of the
experimental methods which have been elabo-
rated to deal with it, and the ingenuity, skill
and originality displayed by those who are
engaged in the investigation, but also on ac-
count«of the far-reaching effect of its conclu-
sions on our conception of the nature of matter.
To appreciate the beauty of the investigation,
it is necessary, in Professor Cuthbertson's
opinion, to possess a technical equipment which
is, unfortunately, not common. But to under-
stand the significance of the results obtained is
comparatively a simple matter.
The first great advance mide by chemistry
during the seventeenth century was the dis-
covery that substances which had appeared to
be simple were really compounds of different
materials. The second great advance, which
occupied the whole of the eighteenth and the
early part of the nineteenth centuries, was the
analysis of such compounds and the study of
the properties of the materials of which they
were composed and the proportions in which
they were combined. Professor Cuthbertson
continues (in the London Outlook) :
"Out of the great mass of work done on this
subject there emerged the conviction that the
atomic theory propounded by Dalton was a true
representation of the facts of Nature, and that
the universe was built up from a number (about
seventy) of different sorts of matter, which were
called elements. No one had ever succeeded in
changing one sort of matter into another, and
the doctrine that such a change was beyond the
bounds of possibilty was, until lately, the most
deeply rooted conviction in the minds of chemists.
But during the last twenty years evidence has
been accumulating which has shaken this belief to
its foundations, if, indeed, it has not displaced it
for ever. The first important step was taken by
Professor J. J. Thomson, of the Cavendish
Laboratory, when, in a brilliant series of re-
searches, he demonstrated the existence of por-
tions of matter of much smaller size than that
which has been assigned to the atom as the re-
sult of several different methods of calculation.
Guided and supported by Professor Thomson's
results, the scientific world was gradually taught
to consider seriously the possibility that even the
atom was in reality not the perfectly hard, elastic
sphere of the early part of the nineteenth century,
but a complicated system built up from lesser
units. Not only was this theory attractive in
itself, from its boldness and originality, but it
bore in its train the possible corollary that the
various kinds of matter might be found to consist
ultimately of a. single primitive material, and that
the difference in the properties of the elements
might be due to differences of arrangement of the
material within the unit we call an atom, just
as houses of very different appearance can be
constructed out of similar bricks, but differently-
arranged."
The possibility of such an explanation of
the facts of chemistry has never been absent
from the minds of philosophic chemists since
the days of Prout at the beginning of the
nineteenth century. But for want of experi-
mental confirmation it has never gained serious
credence. In the hands of Professor Thomson
it took a new lease of life and developed from
a mere hypothesis to a theory which has hith-
erto withstood all attempts to break it down.
To quote again:
"While matters were in this position came the
astonishing discovery of radium, thorium, actini-
um, and polonium, supplemented by the theory of
Professor Rutherford that we have in the atoms
of these substances arrangements of the primitive
material which are not stable, and which are con-
sequently breaking down before our very eyes.
The triumphant verification of this theory by
means of researches which have perhaps never
been surpassed in brilliancy has given to the
name of Professor Rutherford a high place among
English scientific men ; and Professor Soddy, who
had the good fortune to collaborate with him,
shares in the credit of an achievement of which
our country may be proud. Briefly, the conclu-
sions towards which our present knowledge points
are as follows: The notion that the various
elements — e.g. hydrogen, oxygen, iron, phos-
phorus— consist of indivisible and immutable par-
ticles differing fundamentally from each other is
now relegated for ever to the lumber-room of
scfence. Instead, we must conceive the universe
to have consisted originally of myriads of entities,
infinitesimal in size even in comparison with the
infinitesimal atom, and possessing only one known
quality, that of carrying, or perhaps being iden-
tical with, a charge of negative electricity."
As temperature decreases, or other condi-
tions, of which we have no knowledge, change,
these ultimate particles or electrons, as they
are called, move about . under the influence
of two sets of forces, one tending to bring them
together, the other to keep them apart. A de-
crease in the latter set would result in the
formation of collocations of electrons of every
conceivable shape, size and arrangement— just
as we may conceive, in the stellar tmiverse, the
evolution of an infinite number of possible solar
systems. But not all these collocations would
SCIENCE AND DISCOVERY
299
be permanent, for all are subject to the clash
of opposing forces and to the disintegrating
effects of rapid motion. The necessary result
would be that, of all possible configurations,
only a few would survive for an appreciable
length of time. Those of which the bulk was
too large, of which the energy was too great,
or in which the conservative and the destruc-
tive forces were too nearly balanced, would
inevitably break up:
"Only a few forms would survive, and these
would represent remarkably stable arrangements.
This is exactly what we find, and in the elements,
as we sec them now, we must undoubted V recog-
nise the surviving patterns in the great struggle
for life which is thus seen to pervade the inorganic
as well as the organic world. But this is not all.
If such a hypothesis were true, we ought to ex-
pect to find that a few of the different species
of atoms at present known to us are in an unstable
condition, and threaten to become extinct. Such
elements we actually find in radium, thorium and
actinimn. So nicely are the forces balanced within
their atoms that only a very small percentage of
ihc atoms break down per second. The best esti-
mate at present is that a given weight of radium
would diminish to half its size in about twelve
hundred years. But, slow or fast, the reality of
the process is one which is hardly doubted in the
scientific world. ...
'it may be inquired whether there is any ex-
perimental evidence to show that the process of
disintegration is actually going on, though at a
slower rate, among those forms of matter, such
as the commoner elements, which are compara-
tively stable. Such evidence does exist in the case
of elements so widely distributed as zinc, sodium
and potassitun; and though the experiments re-
quired to detect it are of extreme delicacy, it
needs no optimist to feel confident ^at within
a very few years it will have been demonstrated
with as great certainty as is now felt with regard
to the radio-active elements."
Those who think most deeply will l?e the
first to confess, concludes Professor Cuthbert-
son, how profound an effect on human thought
must be accomplished by this new conception
of matter. Indeed, to our authority, there are
but two or three events in the history of man-
kind, such as the discovery of America and
the establishment of the Copernican system,
which are worthy to rank with it in im-
portance. Not only does it bring within the
field of practical chemistry the dream of the
alchemist in the transmutation of the elements,
but it opens up the possibility of drawing upon
sources of energy, locked up in the atom, a
million times more potent than any with which
we have hitherto been acquainted and a mil-
lion times more valuable than the gold or other
dross which might result as by-products of the
process.
THEXWILL AS A MEANS OF PROLONGING LIFE
The properly used forces of our mind may
render us important services with regard to
the prolongation of our lives, writes Prof.
Jean Finot in The Contemporary Review
(London). There is no doubt, adds this dis-
tinguished savant, that ill-directed mental sug-
gestion shortens life. Arrived at a certain age,
we poison ourselves with the notion of an ap-
proaching end. We lose faith in our own
strength and our strength leaves us. On the
pretext that age is weighing heavily on our
shoulders, we take to sedentary habits and
cease to pursue our occupations with vigor.
Little by little, our blood, vitiated by idleness,
and our feebly renewed tissues open the door to
all sorts of maladies. Precocious old age lays
siege to us. We succumb earlier than we need
have done as a result of injurious auto-sug-
gestion.
Now, asks Professor Finot, why should we
not endeavor to live by auto-suggestion in-
stead of*dying by it? The power of auto-sug-
gestion is limitless within its sphere. We
quote :
"The action on the body of our psychic life
manifests itself thus in all forms. The discovery
of the vaso-motor nerves, made by Claude Ber-
nard, has enabled us to introduce a little order
amongst the numerous and complicated effects
provoked by suggestion both fro without and
from within (auto-suggestion). We now know
the controlling action of the brain, which by
means of the vaso-motor nerves has an effect on
all our organs. The beating of the heart may be-
come slower, quicker, or may even cease, under
the stress of emotions such as anger or fear. A
very great fright may even cause death through
syncope.
"Intense attention, concentrated on any portion
of our body, provokes manifest changes there.
Thus redness or paleness may be induced in the
face, or swellings on different parts of the body.
Certain monks were found with the red marks
of flagellation or with the signs of Christ's suf-
fering, as the result of too prolonged or too often
repeated hours of ecstasy. Charcot relates nu-
merous cases of the phenomena of burns or ecchy-
moses appearing on the bodies of people as a con-
sequence of suggestion directed to that end.
300
CURRENT LITERATURE
"By the aid of simple suggestion we can thus
diagnose functional troubles, organic injuries and
hemorrhages as well as curative vaso-constric-
tion. The cases of cure by suggestion of the
expectoration of blood, and especially of bleeding
from the nose (epistaxis), are exceedingly fre-
quent. This has been noticed chiefly i connec-
tion with loss of blood caused by wounds. Punc-
tures, however deep, in the hypnotic state are
never accompanied by a flow of blood."
If, next, we consider the cases of nonage-
narians or centenarians, we realize that it is
the suggestion of force, the innate conviction
that resistance is possible, together with the
absence of depressing ideas, which has chiefly
contributed to the preservation of their health
and their prolonged life. Hence we can see
how important it is to shut the door of one's
heart, or rather of one's brain, to all injurious
ideas as to limits of life. Nature, who cre-
ated poisons, also created their antidotes.
What,* for instance, can be more painful to
almost all mortals than the mere thought of
inevitable old age ? Nearly as many tears have
been shed over this necessity as over that of
death. We think too much of the diseases of
our organs, of the using up of our tissue and
of fatal decrepitude. We distrust our physical
and intellectual forces, our memory, our con-
versational gifts and powers of work. The re-
proach of having a mind or a consciousness
which is either senile or worn out creates in
us a feeling of revolt. We cannot bear to
have anyone daring to doubt our strength or
our youth. Yet how many there are who
venture to animadvert on a sentence of se-
nility unjustly passed upon them ? Indeed, men
who have reached a certain age bow all the
more before such a reproach and do their best
to deserve it. Says M. Finot :
"Our superstitions also have a share of the
responsibility here as in all other things. Almost
all of us experience that of pseudo-senility. Thus
we imagine that at sixty years of age or even
earlier our hour of retirement has sounded. From
this moment we give up our occupations, our ex-
ercise, our pleasures. We withdraw from life
and it in turn withdraws from us. Now physi-
ology is there to demonstrate to us that our
organism may yet accomplish all the physiological
functions of the preceding periods. And if our
digestion or some other function is weak or par-
alysed, we have not our years* to thank, but the
bad use to which we have put them. For, what
is senility? It is the time of life at which a man,
who has only a worn-out organism at his service,
must die his natural death. Now this limit, which
might theoretically be put at 150 or 200 years,
exists even in reality much further off than we
venture to believe.
"For a proof of this I will take a series of
curious statistical tables of deaths from old age
in Paris during a period of eleven years, which
were drawn up by Dr. A. Block (Bulletin de la
Sociiti d'Anthropologie de Paris, 1896). The re-
sult shows that even in this city of Paris which
has such an unwholesome effect on people's health
and longevity, senility, such as we have just de-
fined it, appears frequently at the age of from 80
to 85, and even some years later.
"The critical period for an old man in Paris
therefore appears to be between 80 and 85, for
in these five years there are the most numerous
deaths from senility. The author, in comparing
all these facts, arrives at the apparently para-
doxical conclusion that from the age of 80 illness
has less power over an old man the older he be-
comes. In other words, after having passed this
critical age, man has more chance of dying of
a natural death — that is to say, of crossing the
threshold of his centenary. What is the reason
of this? It is very simple. It often takes a man
80 years of experience to know how to direct the
capacities of his organism with precision.
"The most important thing for us is that death
from pneumonia, heart disease and cerebral con-
gestion or hemorrhage, is hy no means so fre-
quent after the age of 60 as is ordinarily believed.
In other terms the respiratory apparatus, the cir-
culation and even the digestive organs continue
their functions, or rather they have no special
reason for not continuing their functions. In any
case, it is not senile decay, a natural cause, which
deprives us of their use, but all sorts of accidental
causes. Which of us has not met men who have
passed the age of 80 ^nd yet digest and breathe
very well and are still enjoying all their intel-
lectual faculties?
"Rational economy in the use of our organs
may preserve them for their work far beyond a
century. Often all that is required is that we
should be saturated from an early a^e with thi^
truth in order to enable all who are m love with
life to pass beyond this long stage of the journey."
But how are we to counteract the depressing
influences which lie in wait for us at '^very
moment of our lives ? Often it is quite enough
for someone to tell us something nice and
pleasant to produce a condition of peace and
serenity in our minds; and often in the grip
of analytical melancholy or of unlin«itcd de-
spair if we sit down to think over our case,
we find it by no means so exasperating as it
seemed and unhappy impressions fade away.
But those who feel incapable of putting this
comforting philosophy into practice may have
recourse to a surprisingly simple method.
What is required is auto-suggestion for each
given case. We quote again:
"Does not psycho herapeutics, the new depar-
ture in medicine, teach us that certain illnesses dis-
appear as if by enchantment as the result of con-
stantly repeated suggestions? Dr. F. Regnault
relates that in treating a hypochondriac he ad-
vised him to write on the wall every evenin-^ tlie
words T am happy,' and to go off t3 sleep in full
view of them. After a few weeks happiness be-
SCIENCE AND DISCOVERY
301
gan to steal into his spirit. Which of us, in
^»eaking of God, does not instinctively turn
towards the sky? Neither science nor reason can
prevail against the mechanical repetition of the
I^rase, which is yet so contrary to the most ele-
mentary notions of astronomy? *Our Father,
which art in Heaven.' In moments of distress,
astronomers themselves may be found seeking for
their God in some hidden corner of the universe !
*What endless resource is provided in this
way against the invading years! Let us accept
them with confidence and look on them with the
softness which befits men of wisdom. Let us ever
keep before our eyes comforting examples of
serene old age and probable longevity. Little by
little our optimistic visions will become a guard
of honour. They will be on the watch that poi-
sonous fears do not take possession of our con-
sciousness. Those who are not sensitive to this
surrounding atmosphere of reasoned thought may,
on the other hand, have recourse to direct and
repeated suggestion."
BITING APPARATUS OF THE MOSQUITO
Just how the mosquito bites a human being
is a matter of some controversy, but the latest
exposition is set forth by Dr. James Scott in
London Countryside, He agrees that the male
is not the offender. It is the female that stings
man. She has a long, straight
trunk, terminating in two lobes
or sucking lips. Within this
receptacle are five lancets, while
a slender one fits into a groove
or slit, which divides the whole
trunk lengthwise and permits
the complete set of lancets to be
withdrawn. When the mosquito
is about to set to work, she fits
the lips of the trunk against the
skin and literally bores a hole
into the flesh. In order to test
her ability fully. Dr. Scott
caught an insect and confined it
as a prisoner inside the glass-
topped lid from a circular box
tied firmly to his arm.
As the six lancets, combined
to form a single firm tool,' were
thrust deeper and deeper into
the arm, the trunk became bent
in a backward direction, vibrat-
ing like a gently waving leech
in its act of suction. The slit
was tightly closed meanwhile.
Its -two lips were firmly com-
pressed against the hole from
.which the blood was oozing, and
as the meal progressed it was
possible to see plainly, through
the thin membrane of the sides
of the abdomen, the insect swell-
ing to an abnormal extent and
turning a vivid crimson.
There remains the mystery of
the varying intensity of mos-
quito stings. In some countries — notably in
Egypt — the bite of the insect is transmitted to
human consciousness in one quick agony. In
the northern United States the pain, while in-
tense, grows only gradually acute.
London Countr)/*i(U.
THE MOSQUITO'S BITING APPARATUS
On the left is seen a much magnified picture of the mosquito'8 trunk,
.... . ^ ,. .
^r c pi* .- ,■
flesh and in the lower one the mosquito has thrust its sharp piercer right
in which are enclosed the piercers, place<
The top picture on the right shows^the
firmly against a human arm.
iercer partly embedded in the
down and is apparently enjoying its meal.
302
CURRENT LITERATURE
THE MYSTERY OF MAN'S CAPACITY TO ANSWER
A SIMPLE QUESTION
The exact course which those nervous im-
pulses with which speech, thought, reasoning,
deliberation, etc., are associated take in pass-
ing through the cerebral tissues is a mystery
which students of psychic phenomena are try-
ing to shed light upon. We do not know, for
example, the exact course taken by the nerv-
ous impulses concerned in the production of
a spoken answer to the simple spoken ques-
tion? "Do you think it will rain to-day?" So
says Dr. Byron Bramwell, lecturer on clinical
SPOKEN ANSWER TO
A SPOKfN QUESTION
/cc\
Unrelligence/
\wmy
@
^M"-^
\
^v
jj
'^
4
-«^
Vrom lb« London Lancet
FIGURE I
Diagrrammatic representation of the course which the
nervous impulses concerned in the production of a spoken
answer to a spoken question take. A.S.C., auditory
speech centre; l.a.c. and I'.a'.c'., lower auditory centres
on the left and right sides of the brain respectively. Vo.
S.C., vocal speech centre; l.vo.c. and T.vo'.c'., lower vocal
centres in the left and right sides of the brain respec-
tively. C.C, hypothetical centre representing the seat of
Consciousnes.s, intelligence, and the Will. The nervous
impulses concerned in a spoken answer to a spoken ques-
tion enter, so to speak, through the ear and pass to the
auditory speech centre (A.S.C), through the lower audi-
tory centres (l.a.c. and I'.a'.c'.); from the auditory .speech
centre they pass to the ideational centres in diflferent
parts of the cerebral cortex, in the diagram hypotheti-
cally represented as a special centre (C.C.) the seat of
Consciousness, Intelligence, and the Will. After a judg-
ment has been formed and the answer has been aeter-
mined upon, the nervous impulse passes from the higher
cerebral centres (C.C.) to the auditory speech centre,
where it is put into concrete speech form ; from the audi-
tory speech centre it passes to the vocal speech centre
(Vo.S.C.) and thence, through the lower vocal centres
(l.vo.c. and I'.vo'.c'.), to the larynx, tongue, lips, Ac,
where it is emitted as spoken sounds.
medicine in the school of the Royal Colleges
at Edinburgh and regarded as the highest liv-
ing authority on aphasia ?nd brain structure.
In a recent lecture to the Royal College of
Physicians, quoted in the London Lancet, he
goes at length into the riddle of man's ability
to answer the simplest question. We know,
declares Dr. Bramwell, that the sound vibra-
tions representing the spoken words, "Do you
think it will rain to-day ?" which enter through
the ear cause nerve vibrations, which ulti-
mately excite the function of the auditory
speech center (see Fig. i). We know that the
spoken answer, whatever it may happen to be,
is emitted' by the vocal speech center. But
we are not absolutely certain of the exact
course which the nervous impulses take (a)
in thfir passage from the ear to the auditory
speech center; (&) in their passage from the
vocal speech center to the lips, tongue, etc.
We are still more ignorant of the exact course
which the nervous impulses take in passing
through the higher parts of the cerebral mech-
anisms— ^that is, between their point of en-
trance to the auditory speech center and their
point of exit from the vocal speech center.
The question: "Do you think it will rain
to-day?" after reaching, so to speak, and stim-
ulating the auditory speech center, flows over
and through connecting fibers to numerous as-
sociated centers and may excite a vast series
of cerebral actions. A whole string of asso-
ciated memories, ideas and impulses may be
called up in the mind, a number of voluntary
actions may be produced and a number of new
ingoing nervous impulses may be generated.
Thus (to quote) :
"The person who is questioned may look at the
sky, at the barometer, at the weather report in
his daily paper, he may note the direction and
velocity of the wind, the temperature of the air
and its degree of moisture, and then, after get-
ting as much information as he can from the out-
side, he may fall back upon and compare the in-
formation derived in this way with his own
personal experience and with the information
(knowledge) which he has acquired (stored up
in the nerve cells of his cerebral cortex) from
other persons or from books. Then, after due de-
liberation, a judgment or conclusion is formed,
an answer is mentally determined upon, and,
finally, that answer is put into concrete speech
form (probably, so far as our present knowledge
enables us to judge, in most persons in the audi-
tory speech centre) and is emitted through the
SCIENCE AND DISCOVERY
303
vocal speech centre. In order that this process
of thought and reasoning may be carried out, a
vast series of cerebral mechanisms and actions,
throughout a large extent of the cerebral cortex
(diagrammatically represented in Fig. i as a cen-
tre--C.C), must be brought into play. Conscious-
ness» Intelligence, and the Will are actively en-
g^ged, the reasoning processes are called into play,
after due deliberation a judgment is formed, and
an answer is determined upon. All of these
psychical phenomena are, it is needless to say, as-
sociated with corresponding physical changes, with
definite changes of a physical kind in nerve (cell
and fibre) mechanisms in the different parts of
the cerebral tissue which are engaged and brought
into action. Finally, under the influence of the
will, of a fiat of the will, as it is termed, a motor
discharge, which is represented externally by the
spoken 'answer to the question, is emitted. £ven
the, comparatively speaking, elementary point —
the exact course which the nervous impulses take
in the final stage of the i>rocess after the answer
has been mentally determined upon — ^is ss yet un-
certain. We do not know, after a judgment has
been formed and an answer has been mentally de-
termined upon, whether the nervous impulses
which are necessary for the production of the dis-
charge of the vocal speech centre (the production
of the spoken answer to the question) must pass
(a) through the auditory speech centre, in order
to act upon the vocal speech centre (as is repre-
sented in Fig. i); or (b) whether the higher
parts of the cerebral mechanism (C.C.) in which
the judgment has been formed and the answer
determined upon can play directly upon the vocal
speech centre (Vo.S.C.) (i.e., without acting
through the auditory speech centre) . . . and,
if so, (c) what is the course which such nervous
impulses take."
It would appear, so far as our present knowl-
edge and information enable us to judge, that
in most normal individuals, at all events, the
action is through the auditory speech center
(Fig. i). This would appear to be the case
so far as the names of objects and many ac-
tions and attributes are concerned. -Whether
the same statement applies to the other parts
of speech is more doubtful in Dr. Bramwell's
opinion. Probably, he says, the auditory
speech center is first stimulated, and then,
under stimulation from the auditory speech
center, the vocal speech center is put into
action.
Again, the answer to a spoken question may
be emitted or discharged by the graphic speech
center. In this case it would appear that after
the answer has been mentally determined upon,
it is, as in the former case, first put into con-
crete speech form in the auditory speech cen-
ter, from which the nervous impulses pass to
the visual speech center (Fig. 2), where they
are translated into visual speech symbols ; and
then from the visual speech center they pass on
to and out by the graphic center. But there
WRITTEN ANSWER TO
ASPOKEN QUESTION
ccA
Vmrelligenoe/
J"
W^^
W©
"^
^ ^
From the London Xoneei
FIGURE IT
Diagrammatic representation of the course which ithe
nervous impulses concerned in the production of a writ-
ten answer to a spoken question take. A.S.C., auditory-
speech centre: l.a.c. and I'.a'.c*. lower auditory centres.
Vi.S.C, visual speech centre. G.S.C.j graphic speech
centre ; l.g.s. and T-fc'-s'., lower graphic centres on the
left and right sides of the brain respectively. The spoken
question passes in by the ear to the auditory speech centre
(A.S.C.)f t through the lower auditory centres 0-a*c. and
r.a'.c'.) ; from the auditory speech centre, nervous im-
pulses pass to the higher "ideational" centres, diagram-
matically represented as the centre C. C. After the answer
has been determined upon the nervous impulse passes
from C.C. to the auditory speech centre (A.S.C.)i where
it is put into concrete speech form ; from the auditory
speech centre (A.S.C.) it passes to the visual speech centre
(Vi.S.C), where it is translated into visual speech symbols;
from the visual speech centre (Vi.S.C.) it passes to the
graphic speech centre (G.S.C.), thence it is emitted
through the lower graphic centres (l.g.s. ^and tl'.g'.s'.)
either to the right or lert hand.j
is reason to suppose that in certain circum-
stances (probably in some normal radividuals
and certainly in some cases of disease) the
"ideational" centers (C.C.) can, as it were,
play directly upon the visual speech center (Vi.
S. C). In some cases, for example, in which
the auditory speech center is inactive or de-
stroyed the patient is still able to write spon-
taneously.
The same uncertainty applies to the course
of the nervous impulses which are concerned in
the production of a spoken and written answer
to a written question. It is not improbable
that a solution of this problem would carry
with it an explanation of the vagaries of
human testimony conveyed by word of mouth
and in writing.
304
CURRENT LITERATURE
A NEW METHOD OF TREATING RED NOSES
The permanent redness of a human nose is
due to pathologically enlarged blood-vessels
and may be consequent upon a variety of pre-
disposing circumstances, according to The
American Inventor (New York). Excessive
drinking, adds this paper, is far more seldom
the cause of the anomaly than most laymen
suspect. In fact, the redness is most commonly
produced by an extensive though very slight
freezing, resulting in a morbid sensitiveness of
the blood-vessels as to variations in tempera-
ture.
An efficient means of remedying abnormal
redness consists in-scarifying by scratching the
extremities of the small veins involved. This
process is, however, rather lengthy, and, more-
over, is liable to result in an even more serious
disfiguring of the nose than the original color
discrepancy occasioned. Treating the nose by
means of small pins is a process which may be
used to advantage, though its duration is quite
out of proportion to the object aimed at. Now
Professor Lassar, of Berlin, has esigned an
apparatus for this purpose:
"An electromotor is made to drive a concussor
(as used e.g. in filling teeth). The latter is pro-
vided with a stump working in a vertical direc-
tion and to the centrifugal end of which a bundle
of about 40 thin gilded platinum points has been
attached. This stamp can be inserted and rc-
Frora nu Amfrican Inwntor.
PRICKING DEVICE
moved by means of a convenient key and is dis-
infected carefully before each treatment. The
nose can be anaesthetized by chlorethyl spray,
though most patients readily endure the pricking
treatment. This is made by producing a very full
bleeding of the skin (cleaned carefully before-
hand) by a vertical application of the needles kept
on for some minutes. The bleeding is arrested in-
stantaneously by compression.
"Six to eight sittings (one or two per week) are
said to be sufficient in most cases to restore even
the most abnormal nose permanently to its normal
color, without leaving any scar, by the superficial
destruction of the excessive blood vessels.
"The rapidly-repeated pricking may be com-
bined with the use of galvano-caustical or elcc-
trolytical needles. Dermatologists have been
using the device with a marked degree of suc-
cess.
From The Amerlctm Jnrmtor.
RESTORING A RED NOSK TO ITS NORMAL COLOR BY DESTROYING THE. SUPERFICIAL
HLOOD- VESSELS
SCIENCE AND DISCOVERY
30s
ANALYTICAL CHEMISTRY OF MURDER
Many cases of poisoning go undetected sim-
ply because suspicion has never been aroused,
thinks that noted English chemist, Dr. Litton
Forbes, F. R. C. S. E. But, he adds, where
suspicion has once been aroused, and where the
case has gone to a point at which chemical
analysis has been invoked, the guilty prisoner
in the present day has very little chance of
escape. It is not too much to say that there is
now no known poison which, if administered
in a sufficient dose, cannot be detected after
death.
The analytical chemist in search of poison
in a suspicious case has, however, some pecul-
iar difficulties to encounter; The inherent
difficulty of some of these cases may best be
illustrated by an example long become classical
in the annals of poisoning. Dr, Forbes nar-
rates it as follows (in The Grand Magazine,
of London) :
**Onc afternoon in the month of March, 1882,
Dr. Lampson called on his brother-in-law, a
jouth then at school. He brought him some
cakes, and as the lad was not feeling well sug-
gested his taking a little medicine. He then
handed him a harmless-looking capsule, and
twenty minutes later took his departure. A quar-
ter of an hour after he had gone, the boy, whose
name was Malcolm John, became seriously un-
well. He complained of heartburn, of sickness
of the stomach, of difficulty of swallowing, and
eventually became delirious. He died within
three and a half hours, apparently of paralysis of
the heart!
"A post-mortem examination, as often happens,
revealed nothing in particular. The doctors were
at fault. The symptoms were not unlike those of
hydrophobia, and the immediate cause of death
seein«l to have been, as in that disease, paralysis
of the heart. But this supposition was untenable,
for the illness had come on with extreme sudden-
ness and had terminated in a very short space
of time. The only inference perrais *ble was
that poison had been administered. This being
assumed, the poison, it was clear, could only have
been a vegetable one, since it had caused so little
internal changes. It was probably an alkaloid,
because of the rapidity of its action. But certain
virulent alkaloids, such as strychnine, atropine
(belladonna), and morphia, were excluded, be-
cause there were neither violent spasms, dilation
of the pupils, nor a tendency to sleep. Such, then,
was the riddle which the chemists had to read.
"They went to work very systematically, very
patiently and very skilfully. They had practically
to pass in review the whole group of vegetable
poisons. Their first step in the analysis was to
plunge the stomach and its 'contents into spirits
of wine (alcohol), and leave it undisturbed there
for two days and nights. Then this spirit was
carefully poured off and filtered, and both it and
the residue so obtained were set aside for further
examination. This residue was next subjected to
the action of warm alcohol and tartaric acid, then
allowed to cool, and once more filtered. After
further treatment a clear solution was finally
obtained. This was now shaken up with ether
in order to remove various fatty and other mat-
ters. Then chloroform and ether were used, but
this time together. They would, it was known,
dissolve out all alkaloids present. On evaporation
a deposit was left This must now consist of one
or more alkaloids. It only remained to say what
the alkaloid was, and to give a reasonable esti-
mate of the quantity of the poison oiginally ad-
ministered.
"Now, some of the alkaloids are much more
easily recognised chemically than others. In a
few cases chemical tests are not wholly sufficient.
They must be supplemented but not replaced by
others, such as their taste, and especially their
known action on living animals. The chemical
tests in Lampson's case had now been exhaust'^d.
The residue above mentioned had been mixed
with a preparation of gold, and a further deposit
obtained. This had been weighed and then
burned, and the gold left had then been care-
fully weighed again. The percentage of precious
metal found remaining gave valuable information
indeed, but not all that was required.
''Recourse was next had to the so-called 'physi-
ological' tests on animals. A chemist must not
be too nice nor squeamish. The mysterious resi-
due had been tested. Though the quantity so
tried was infinitesimal it at once gave that peculiar
tingling sensation to the tongue which is abso-
lutely characteristic of aconite, and which, once
experienced, is never forgotten. There remained
one test more. The quantity available was very
small, and therefore very small animals had to
be employed. A portion injected under the skin
of a mouse caused symptoms of poisoning within
two minutes and death within thirty. On this evi-
dence, which, be it remarked, was absolutely con-
clusive when taken as a whole, and which could
be evidence of aconite only, Lampson was
hanged."
This case has been related in some detail by
Dr. Forbes because it exemplifies the methods
adopted, with slight variations, in the detection
of all vegetable poisons.
Aconite (the active principle in wolf's-bane)
belongs to the same class of vegetable poisons
as Atropine. Atropine is the active principle
of belladonna or the plant sometimes known as
the deadly nightshade. Criminal poisonings
by atropine ar& somewhat rare in civilized
lands, although relatively common in India.
Atropine impairs the mental faculties while
not destroying life. By centuries of practice
Hindu ; poisoners have gained a subtle and
deadly skill in its use. It is said that personal
enemies, political rivals and historical person-
ages have not, indeed, been killed outright by
3o6
CURRENT LITERATURE
it, but rendered idiotic and harmless by the in-
cessant administration of small doses.
Chemical tests for atropine are numerous,
but the physiological test is at once the most
delicate and the most characteristic. So subtle
and so potent is the influence of the drug on
the eye that the pupil will dilate if a solution
of only one part in 130,000 be applied under
the eyelid. The pupils of a rat's eyes will
slowly dilate if only the animal's forepaw be
placed in a solution of atropine. In man, a
solution of the strength of one in 48,000 parts
takes only about an hour to act. This reaction
effectively marks off belladonna and its alka-
loid from all other known poisons. It lasts
long after death and cannot be interfered with
by any other drug, except the alkaloid eserine.
This, however, is not sufficiently powerful to
interfere with it for long or completely to an-
tagonize it.
There are many other vegetable alkaloids
used as poisons, but the general way in which
they are dealt with is in all cases the same. A
solution of the internal organs is prepared by
soaking in alcohol and followed up by other
processes. Advantage is taken of the fact that
most, if not all, the vegetable poisonous alka-
loids are soluble in ether and chloroform; and
that they can be "thrown down" from this so-
lution by a gold or platinum "salt" or com-
pound. Once separated from the suspected
mixture they can then each be tested sepa-
rately. When thus tested, strychnine, for in-
stance, gives a peculiar reaction with chromate
of potash, a relatively common substance. If
a small particle of the chromate of potash be
placed in contact with the suspected strychnine
on a porcelain plate, and a drop of strong
sulphuric acid added, a rich blue color at. once
appears. More remarkable still, this color rap-
idly changes into purple and then red. This
reaction is incredibly delicate and will detect
strychnine with unfailing accuracy in any mix-
ture. It is remarkable, also, that strychnine,
unlike many other alkaloids, is a most stable
substance and has been discovered in a body
exhumed after 308 days. It is also recognized
by its peculiar and searching bitter taste. The
chief difficulty in its chemical analysis arises
from the small quantity in which strychnine is
generally used.
Of metallic poisons, by far the most inter-
esting and important is arsenic. In France,
out of a total of 793 accusations of poisoning-,
287 were of poisoning by arsenic. The small-
est fatal dose on record in a human subject was
two and one-half grains. The actual mode of
action of the drug is not known.
THE NEW ROCKEFELLER INSTITUTE OF MEDICAL RESEARCH, NEW YORK CITY.
Music and the Drama
RICHARD STRAUSS'S "SALOME"— THE MUSICAL SENSATION
OF THE WINTER
"At last Wagner has been surpassed/' ex-
claims an enthusiastic German critic. His
words are evoked by the extraordinary quali-
ties of Richard Strauss's new opera, "Salome,"
and find an echo in an article by a London
Times correspondent who speaks of "Salome"
as "epoch-making" and sets it above Wagner's
"Tristan and Isolde." Strauss's
opera is the sensation of the
musical year, and is exciting
world-wide controversy. For-
bidden by the censor in Vienna
and condemned by the German
Emperor, it was given its initial
performance in Dresden, a few
weeks ago, before an audience
of musicians, actors, managers
and critics from every civilized
country. The spirit of acclama-
tion in which it was received
is declared to have been un-
paralleled in the annals of the
theater. Tumultuous applause
greeted the appearance of the
composer and of Ernest von
Schuch, the conductor. "Dres-
den has gone wild over 'Sal-
ome/ " writes a correspondent
of The Musical Courier (New
York). The same writer adds
his conviction that the opera is
"an artistic achievement of the
most stupendous importance":
"In 'Salome' Strauss has suc-
reed«d splendidly in crystallizing
his maddest dreams and imagin-
ings. His characteristic tcchnic,
full of startling dynamics and
musical epigrams, his rhythms
hl>eratcd from scholastic bounds,
all are Oljrmpic. Strauss's great
strength is his pathos, his humor,
and the fantastic grandeur of his
exotic and erotic inspiration. His
treatment of the themes, their
miraculous structure and develop-
ment, his melodic vein, and his
orchestral painting bewilder the
listener and compel limitless ad-
miration for the composer's as-
tounding art"
The theme of "Salome" has tempted many
painters and writers. It inspired pictures by
Titian, Rubens, Diirer, Carlo Dolci, Roger
van der Weyden and Gustave Moreau.
Renan, in his "Life of Jesus," suggests a
Salome passionately in love with John the
Baptist and spurned by him. The idea is
RICHARD STRAUSS
Generally conceded to be the sreatest living composer. In " Salome,' he
has succeeded in " crystallizing his maddest dreams and imaginations."
3o8
CURRENT LITERATURE
SUGGESTION FOR A QUITE ORIGINAL OR-
CHESTRA FOk RICHARD STRAUSS'S
NEXT OPERA!
—Jugend (Munich).
elaborated in Flaubert's "Herodias" and Su-
dermann's "Johannes." It reaches supreme ex-
pression in Oscar Wilde's "Salome," written
some ten years ago, and performed recently in
New York (see Current Literature^ Janu-
ary). After witnessing a performance of
Wilde's drama in Berlin, Strauss was so deeply
impressed by the possibilities of the work from
an operatic point of view that he decided to
write an opera along the same lines. He has
followed Wilde's text faithfully. The opera
has but one act, which lasts an hour and forty
minutes and takes place on the terrace of
Herod's palace at Jerusalem. The story can
only be regarded as morbid in the extreme.
It is sultry with Oriental passion. All the
"objectionable" features of the drama are in-
corporated <*nd even emphasized. The un-
natural relations existing between Herod,
Ilerodias and Salome (such as Sophocles
drew and D'Annunzio delights in) and the
neurotip passion of the young princess for the
ascetic prophet are treated in the most vivid
fashion. The critics speak of "wild crashings,"
"dismal passages of great length," "a whirling
chaos of instrumentation," "dissonances"
whose only connection with what formerly,
at least, used to be considered music was that
they "came from musical instruments." Parts
of the opera re said to have filled vtie audi-
ence with horror, foreboding, and affright.
We read of outbursts that "tormented," "made
one sweat." Especially prominent in this
gruesome depiction is the scene in which
Salome sues for Johanaan's love, and is cursed
by him; Salome's dance, the wild music for
which is called "such as no musician has ever
yet •written" ; and the opera's end, where the
disordered Salome, after uttering her inco-
herent cries of passion, kneels and kisses the
mouth of Johanaan's severed head in the silver
charger on the floor (a scene that one critic
calls "the most disgusting ever put upon the
stage"). As with Wagner, at times, while
characters are on the stage, no action for quite
a while occurs — the play of thought and emo-
tion the sweep of the drama's development,
and the final outcome of the situation being
conveyed by the orchestra. The music, as a
whole, is so formless that a leading violinist,
after practising his part for more than three
months, confessed that he could not whistle
a single phrase of it from memory. The com-
plexity of "Salome," says th eminent Danish
critic, George Brandes, in the Illustrirte Zei-
tung (Leipsic), "has an intoxicating effect; it
bewilders, too, and deludes. It martyrs and
irritates, actually breaks in pieces; it bru-
talizes, and keeps on the stretch to exhaus-
tion. . . . Whether this collective work-
ing upon the nervous force of the hearers is
to last, must be left to further experiences."
Prof. Oskar Bie, of Charlottenburg, subjects
"Salome" to a lengthy analysis in the Neu
Freie Presse (Vienna). He says, in part:
"Every man has his Salome, and now Richard
Strauss has made one of his own, that perhaps
comes the nearest to the malevolent, voluptuous
character of Moreau's imagination.
"Before Oscar Wilde's text sits Strauss. He
is no dramatist, no lyric poet, no composer, no
opera maker, but an orchestra poet. The in-
struments entice him, stimulate him; they fill his
imagination with melodies. The wealth of the
material, the inner, tuneful, dynamic, rhythmic
conceptions press in upon him, ur^e him, in the
most extravagant manner, to form and to fashion
them. . . . More than in the semi-Wagnerian
'Guntram/ more than in the dry and somewhat
double-tongued Teuersnot,' it seems as if all the
latent powers of his nature rose up in one long,
mighty response. The jewel casket is thrown
open; it plays on his soul; and the sounds of the
harp come forth, the tones of the flute ring out,
the soft melodies of the stringed instruments
soothe the senses; the reeds lend their deep col-
oring; the instruments of brass call forth the
passions; the big kettledrums and the cymbals
convulse the world, and the chorus of horns finds
itself in a new romanicism centering around the
MUSIC AND THE DRAMA
309
ascetic splendor of John the Baptist. Is it still
the 'Salome' of Wilde? According to the text
she remains so, with a few unimportant abbrevia-
tions, but according to the character she has been
transplanted from Wilde to Strauss. And why
not? His 2^rathustra is not Nietszche; his
Salome, perhaps, not Wilde. Wilde only charms
hjm as Argenteuil on the Seine charmed Monet.
The one paints a picture of his enchantress, the
other embodies her in a musical composition. In
reality, however, Richard Strauss sets his own
soul to music, while Herod, John, Salome, sing
to him in the words of Wilde. It is the song
of songs of the Dionysus of the orchestra."
Dr. Paul Pfitzner, another German critic,
concedes the enormous power back of "Sa-
lome," but thinks it is power wasted and per-
verted. "The music," he says, "reveals the
greatest genius in those very episodes where it
concerns itself chiefly with the unnatural,
criminal elements of the story." He comments
further (in the Musikalischer Wochenblatt) :
"I feel impelled to point out that it is a sign of
the most dangerous decadence when such a work
(which is valuable chiefly as a psychological docu-
ment) is able to achieve a success so complete
and so unanimous. And also it seems safe to
assume that Strauss and his school have reached
the limit of their kind of music and are now at
the parting of the ways, where all further effort
in the same direction must end in the destruction
of all musical law and order, where tonal anarchy
reigns supreme, where the future looms black and
forbidding, where cacophony, ugliness and dis-
sonance become merely a matter of sport, and
the medium with which to cause astonishment or
shock — and where, on the other hand, everything
must be left behind that has ever been considered
beautiful, true, poetical, legitimate and artistically
satisfying and uplifting."
Amo Kleffel, a writer in the Allgemeine
Musik-Zeitung (Munich), comments in even
more caustic terms, branding the subject of
the opera as "vicious" and "rotten to its very
roots." He says:
"It was considered almost a certainty that the
intelligent #nd educated Dresden public, accus-
tomed as it is to the best in art, would protest
angrily and loudly at an opera whose story ex-
cels in gruesomeness and perverted degeneracy
anything that has ever been offered in a musical
work for the stage. These expectations were not
realized, for the opera had a thunderous, stormy
and unanimous success. At the close of the per-
formance the three chief singers [Frau Wittich,
Herr Burrian and Herr Perron] were called out
many times, but the public would not rest until
the composer and the officiating conductor had
also come out before the curtain and bowed their
thanks at least a dozen times. This proves, then,
that the most perverted vice, the most degrading
and revolting that was ever conceived by human
mind and put into an art form, can be presented
on the stage today, so long as the subject is new
RICHARD STRAUSS'S WIFE
Mme. Pauline Strauss-de Ahna was the heroine of
Strauss's first opera, and accompanied him on his recent
concert-tour of this country, interpreting his songs.
and excites the listeners with unfamiliar sensa-
tions. ...
"Are we to condemn an artist for following the
impulse of his time when we are able to see
all about us that on the stage— that truthful mir-
ror of our period and our customs — ^the public is
regaled with the most depraved pictures and its
senses stimulated with the lowest forms of de-
generacy? Strauss is the real child of his time.
It is certainly to be regretted that he, one of the
greatest minds we have ever known, and certainly
one of the greatest tone painters with an orches-
tra, allowed himself to be attracted and inspired
by such a vicious subject, rotten to its very
roots."
"Is Strauss played out?" asks a writer in
London Truth, perplexed by conflicting com-
ment on "Salome." He continues:
"As is usual in the case of Strauss's works,
one finds plentiful expressions of wonder and
amazement, but few which seem indicative of
real pleasure or genuine admiration. In other
words, there is too great a suggestion of mere
eccentricity and cleverness run mad about
all the comments which the work has so far
called forth to encourage the hope that Strauss'
has presented to the world in 'Salome' a work
really worthy of his powers — and this apart alto-
310
CURRENT LITERATURE
PAUL HERVIEU
The leadine contemporary French
new play, "X/e R^veil," has "intense*
quivering dramatic vitality."
plavwright. His
i, tnrobbing and
gether from the outrS and unpleasant subject of
its libretto. ... It is only unfortunate that
Strauss himself seems to strive so hard to in-
spire skepticism as to his real endowments by
following precisely that procedure in regard to
the choice and treatment of his themes which
would commend itself to one who, though enor-
mously clever, is conscious that real genius of the
highest kind has been denied him. . . . Mean-
while as regards 'Salome/ if it should prove that
the work is merely as the criticisms would seem
to stiggest, a success of eccentricity and tech-
nique, one can only regret it profoundly, for a
new opera of worth is badly wanted at the pres-
ent time."
The next presentation of "Salome" will
probably be given in Leipsic, and the third in
Turin. Mr. Conried is also reported to be ne-
gotiating for a production in New York.
Only six or seven opera-houses in the world
have the facilities for presenting it The
Dresden production is described as having
been well-nigh perfect ; the orchestra, of course
(in Dresden), was peerless. The orchestra
(to make more room for which a row of
orchestra-chairs and part of the side casings
of the proscenium-boxes were removed) num-
bered a hundred and twenty performers, and
contained a new instrument called the hackel-
phone (from its maker, Hackel, of Mannheim)
— a species of bassoon. German wits have
suggested that four locomotive whistles, a fog-
horn, two steam sirens, and a battery of how-
itzers be added.
THE PLAY OF THE YEAR IN PARIS
The theatrical season in Paris was brought
to a climax last month by the production of a
new play by Paul Hervieu entitled "Le
Reveil" (The Awakening). Ever since his
abandonment of novel-writing as a profession,
about twelve years ago, Hervieu has applied
himself chiefly to dramatic composition, and
/ has given us, on an average, a drama every
/ two years, carefully and thoughtfully studied
1 out. The Paris critics and the public eagerly
anticipate a new Hervieu play, and the
London Times sent its dramatic critic, the
friend and quondam collaborator of Bernard
Shaw, Mr. A. B. Walkley, to Paris to witness
and review the initial performance of **Le
Reveil." He has expressed himself with
wonderful enthusiasm for a critic as cautious
and conservative as he is known to be, calling
the play "a little masterpiece of its kind."
"You have in Hervieu," he rhapsodically ex-
claims, "the flower of a theatrical tradition
which has been the steady growth of centuries.
Because it is an axiom for him, as it were of
birthright, that the first and last duty of
drama is to be dramatic." Mr. Walkley con-
tinues :
"Hervieu has the master quality in the theatre/
— intense, throbbing and quivering dramatic vi-/
tality. The mere rapidity of *Le Reveir is extra-
ordinary. From the moment the curtain is up
you are plunged into a turmoil of emotion; for
a couple of hours you are whirled breathlessly
round in the vortex ; and, when the curtain comes
down again, you realize that the dramatist in
that brief time has hurried you through as much
life-history as would furnish forth a dozen aver-
age plays. This is Panhard or Mercedes drama :
drama which laughs at speed-limits."
The plot of "Le Reveil" as given by Mr.
Walkley in the London Times, may be con-
densed as follows:
The curtain rises upon a hurried conversation
between a couple whose names do not matter,
MUSIC AND THE DRAMA
3"
for we see them only for five minutes, and never
agiin. All that it imports us to know is that
they have made up their minds against a match
between their son and little Rose de M^^, be-
caase they suspect there is something wrong about
Rose's mother, Thercse. With this hint they de-
part (we are in the drawing-room of the' Countess
dc Megee, Rose's grandmother), and what is
wrong about Thercse leaks out in a conversation
between the countess herself and her son RaouL
He is miserable, and cannot conceal it. What is
tbe matter? He fears his wife no longer loves
him. Therese, we soon find, has ceased to care
for her rather wooden husband and has fallen in
love with the fascinating Prince Jean. But her
better instincts have saved her virtue, and she
is in the act of giving Prince Jean his final congi
when their conversation is interrupted by an un-
expected visitor, Jean's father. Prince Gr^goire —
who, it seems, has made a wild dash for Paris
from the Sylvanian frontier on business of the
,niost urgent importance.
What that business is he confides to his old
friend the Countess de Megee. The moment is
ripe for him to wrest the throne of his Sylvanian
ancestors from the assassin who now occupies it,
and he has come to Paris to stmimon the aid of
his son Jean — ^in whose favor, when once the
throne has been regained, he intends to abdicate.
But Jean flatly declines to follow his father, de-
claring that he has renounced all ambition for the
sake of a great love. The father, a stern, old war-
wol^ is incredulous. "Will you be the prince that
fails in his sworn duty," he says, '*the knave
prince, the coward prince?" In the upshot. Prince
Gregoire gives Jean two days to think it over,
and Jean tells Therese that the issue rests with
her. He will stay — as her accepted- lover — or will
depart to Sylvania — and almost certain assassina-
tion. Terror for her beloved's life gets the better
of Therese's scruples, and she makes a rendezvous
with him for the morrow.
Act ii. passes in the house appointed for the
meeting. But Prince Gregoire, suspectitig the
lovers, has reached there first, accompanied by
Keff, an emissary from the Sylvanian insurgents.
The pair withdraw into the next room, plotting
to catch the lovers in a trap. Enter Jean and
Therese, who start the first bars of a love duet.
There is a noise in the next room. Jean goes
to see what it means, raises a cry which is quickly
smothered as he is pulled in, and the door is
locked in Therese's face. She beats madly against
it, and, after an ominous silence, a man appears —
Keff. "Where is Jean?" "On the floor of the
next room, dead." Half dead with terror,
Therese totters out. When she is safely off the
premises, Jean, who has only been bound and
gagged, is let loose. "Where is Therese?" "Gone
back to her home, believing you dead." Jean
turns in a frenzy upon his father, and casts off
all allegiance.
Therese returns home in a terrible plight. She
has tried to drown herself in the Bois, been inter-
cepted and brought to her door more dead than
alive. Her hu^and (a worthy dullard) believes
her cock-and-bull story about a sudden fainting
fit, and will not T.'orry her for details, so glad is
he to have her home again. His display of honest
— ahnost canine— affection touches Therese. You
detect the beginning of a change in her mood, a
dawning feeling that she has escaped from com-
mitting a great wrong. But Jean is dead — let her
go to her darkened room and weep. Not so.
There is her daughter to think of. Absorbed in
her own passion for Jean she had seen nothing
of Rose's poor little affair of the heart. An out-
burst of grief from the child enlightens her. For-
tunately there is vet a chance of bringing off the
match; but for this it is necessary that Therese
should keep her old engagement to dine that
evening with the young man's parents. And so
the wretched woman, already put to the torture
of having her lover, as she thinks, killed a* nost
before her eyes, braces herself up for this further
martyrdom.
Therese then puts on her dinner dress — ^and is
confronted by Jean! He had hastened to her
home to assure her of his safety. He had half
feared she had committed suicide. Then he looks
at her dress and starts back astounded, while she
convulsively clutches her cloak around her bare
shoulders. "You had thought me dead," cries
Jean, "and you dress yourself — ^like thatl" A.nd
his bitter revulsion of feeling drives him to
taunts. She tells him he knows nothing of the
chain of events which have been acting upon
her. Poison has been thrown into the springs of
their love. They bandy to and fro their lost illu-
sions. In Therese Jean had pursued the Ideal, the
Absolute — ^and has suddenly found himself
brought up sharply against material limits. A
chill has fallen on his enthusiasm. Their great
love lies dead, and they bid one another farewell
as in a chamber of death, noiselessly, without a
gesture or a word. Thereupon enters Prince
Gregoire triumphant "I have given you, Jean,
the superhuman sensation of seeing how the com-
panion of your dreams would behave at your
ftmeral." Jean has nothing for it but to be off
for deeds of derring-do in Sylvania. His father
kisses his hand, murmuring "My kinglet," and
the curtain falls.
Not all of the writers on the play share Mr.
Walkley's enthusiasm. The very qualities
that stir his admiration are condemned as
faults by some of the French critics. Thus
Rene Doumic, writing in the Revue des Deux
Mondes, says:
"What strikes us first is the plethora of events
that follow each other in quick succession. The •'
complaint has already been made that a tragedy j
is too constrained in the space of twenty-four |
hours. In less than a day atid a half the multitude
of events in *Le Reveil* arise, evolve, and reach
their culmination. In truth she [ i herese de
Megee] has not a minute to lose. Not only
are the events numerous and hasty, but it is from
their combination that the entire drama results.
We are continually obliged to make all sorts of
concessions to the author, and to allow all the ^
arbitrary arrangements in which it has pleased '
his fancy to indulge, and without which the very /
action of the drama would become impossible."
Still more hostile is the criticism of Marcel
Mirtil, a writer in the Grand Revue, who
pretends not to know whether to call the
3"
CURRENT LITERATURE
play "a comedy, a drama bordering at times on
vaudeville, according to the romantic formula,
a piece with a sentimental theme, or a simple
melodrama." He concludes : " *Le Reveil' will
not add another jewel to the theatrical crown
of Paul Hervieu."
For all this adverse critcism, it is safe to
predict from the accounts of the wild en-
thusiasm with which the play was received by
the public, that it will continue for a long
time to be a favorite in Paris; and it is pos-
sible that Olga Nethersole will afford us an
opportunity to see it next year on the Amer-
ican stage.
ANDREYEV'S REVOLUTIONARY DRAMA, " TO THE STARS "
All the storm and stress of the last fourteen
months — the revolutionary struggle, the party
dissensions, the defeats of the radicals, the
danger of reaction — has been reflected by
Leonid Andreyev the young Russian writer of
short stories and impressionistic sketches, the
author of the unique tale "The Red Laugh-
ter," in a new play which he has just finished,
and which is described in the St. Petersburg
Molva. It is to be produced at Moscow — if
the dramatic censor and the police do not pro-
hibit it. The drama is essentially realistic, but
like everything the author has written, it is in
a sense symbolical. Like Gorky's last play,
it deals with the burning question of the rela-
tion between the "intellectuals" and the masses,
and deals with it largely in the same spirit,
though the treatment of the subject is quite
original. The plot is as follows:
A Russian scholar, a professor of astronomy,
Ternovsky, has had to leave Russia on account
of some political difficulty in which he was im-
plicated. Yet he is not a revolutionist, or practi-
cal agitator. Science is everything to him ; life —
very little. He has settled abroad somewhere, in
a secluded spot, in the hills, on the top of one
of which he has an observatory. With him are
his wife Nina, his son Pierre, and three assistants
— a Russian, a Jew and a German.
Another and elder son, Nicholas, has been with
him, as well as the latter's sweetheart, Mariusia,
an idealist, humanist and revolutionary. There
is, however, a revolution raging in the vicinity —
not the Russian revolution — and Nicholas is
there, fighting for freedom. Mariusia is with
him, risking her life. "It is not our revolution,"
says the Ternovsky family, but still a struggle for
liberty and justice.
The professor himself takes faint interest in
the agitation of his household or its cause. He
sees the earth, with her affairs and movements,
through the spectacles of eternity. Why should
man think about his own life or death and ex-
aggerate his importance? How little he matters
in the universe in infinite time and space!
News begins to reach the isolated family from
the center of the revolution — ^bad, alarming news.
Blood is flowing in torrents; heroic fighters arc
falling by thousands; the soldiers (hypnotized
victims, who are put into many-hued uniforms.
alienated from their own and induced savagely
to kill their fathers, brothers, sisters) are firing on
the revolutionists. A relative of the family, an
engineer, is brought in, horribly dianembered,
with both legs gone; a bomb had hit him. Other
revolutionists come in, wounded, weary, desperate.
The cause is lost; the government has triumphed
again, after awful slaughter.
Mariusia at last appears; she has brought the
revolutionary banner, concealed on her person,
but Nicholas is not with her. He had been taken
by the troops and put in prison. He was in the
thick of the fight and would not save himself.
It is necessary to rescue him. A plot is laid,
Mariusia must impersonate a countess, enter the
prison and effect the escape of her beloved.
The plot fails, and all hope is abandoned.
Nicholas loses his mind in confinement. Mariu-
sia is in despair. The people had bitterly disap-
pointed her. She thought they would storm the
prison, sacrifice themselves cheerfully to save their
leader and friend. But they are indifferent,
cowardly, selfish. Why live? The best perish,
the cause is defeated ; the masses are ignorant, de-
graded, hopeless. "But the masses have always
stoned their prophets," says the professor. "Then
how can we live among those who stone their
prophets?" asks the girl. Ternovsky answers that
life is full of such tragedies. Every second a
man dies — perhaps a world is destroyed every
second in the infinite universe. If we could know
what goes on in the universe, we might die of
terror or be consumed by ectasy. We are igno-
rant, but what we do know is that over all worlds
and systems there reigns an eternal spirit.
But Mariusia is of the earth, and the things of
the earth alone concern her. She refuses to be
reconciled. She is bitter, ironical, scornful. She
talks about building a new city, putting all the
traitors and murderers in it, causing the houses
to fall on them, ving it Judas for a ruler and
calling it "To the Stars."
Ternovsky says that only those who kill die,
while those who suffer for the ideal live eternally.
Mariusia finally recovers her faith and courage
and wishes to go out into the world and fight
again. The scientist says, approvingly: "Yes,
go ; give back to life what you took from it. You
will perish, as did Nicholas ; but in your death you
will achieve true immortality, as have those who,
happy in their devotion and sacrifice, have kept
the sacred fire burning."
And Mariusia goes, realizing that the road to
the stars is a hard and dangerous one, full of pit-
falls and obstacles, with victims and human
corpses lying in heaps all over it.
MUSIC AND THE DRAMA
313
"ALL THE WORLD'S A STAGE"
In the opinion of Richard Mansfield, the
distinguished actor, Shakespeare "expressed
the conviction of every intelligent student of
humanity" when he put into the mouth of one
of his characters the words:
"I hold the world but as the world, Gratiano,
A stag^e where every man must play a part."
The lines quoted serve as a text for an
informal and sprightly address on "Man and
the Actor," recently delivered by Mr. Mans-
field in Los Angeles and in Philadelphia,
and now printed verbatim in the Boston
Transcript, He observes:
"Shakespeare doesn't say 'ma/ play a part or
'can' play a part, but he says *must^ play a part;
and he has expressed the conviction of every
intelligent student of humanity then and there-
after, now and hereafter. The stage cannot be
held in contempt by mankind; because all man-
kind is acting and every human being is playing
a part The better a man plays his part the bet-
ter he succeeds. The more a man knows of the
art of acting the greater the man; for, from the
king on his throne to the beggar in the street,
every man is acting. There is no greater come-
dian or tragedian in the world than a great king.
The knowledge of the art of acting is indispen-
sable to a knowledge of mankind, and when you
are able to pierce the disguise in which every man
arrays himself^ or read the character which every
man assumes, you achieve an intimate knowledge
of your fellowmen, and you are able to cope with
the man, either as he is or as he oretends to be.
It was necessary for Shakespeare to be an actor
in order to know men. Without his knowledge
of the stage Shakespeare could never have been
the reader of men that he was."
Napoleon and Alexander, continues Mr.
Mansfield, were both great actors — "Napoleon
perhaps, the greatest actor the world has ever
seen." To quote further:
"Whether on the bridge of Lodi, or in his camp
at Tilsit; whether addressing his soldiers on the
plains of Egypt; whether throwing open his old
gray coat and saying, 'Children, will vou fire on
your general?*; whether bidding farewell to them
at Fontainebleau ; whether he was standing on
the deck of the Bellerophon or on the rocks of
St. Helena, he was always an actor. Napoleon
had studied the art of acting, and he knew its
value. If the power of the eye, the power of the
voice, the power of that all-commanding gesture of
the hand failed him when he faced the regiment
of veterans on his return from Elba, he was lost.
But he had proved and compelled his audience too
often for his art to fail him then. The levelled
guns felL The audience was his. Another crown
had fallen! By what? A trick of the stage!
Was he willing to die then? To be shot by his
old guard? Not he! Did he doubt for one mo-
ment his ability as an actor? Not he! If he had
he would have been lost. And that power to
control, that power to command, once 'tis pos-
sessed by a man, means that that man can play
his part anjrwhere and under all circumstances and
conditions. Unconsciously or consciously every
great man, every man who has played a great
part, has been an actor."
We are apt to say, "Be natural"; but, as
a matter of fact, asks Mr. Mansfield, is a
man ever natural? For instance, the brave
soldier — is he natural? Mr. Mansfield re-
plies, No. The bravest man is the man who,
knowing danger, is afraid and yet faces the
danger. He acts the part, in short, of a
brave man. If he were entirely natural,
he would run away. Or take the case of
Diogenes. He pretended to be absolutely
natural. Yet he elected to live in a tub.
where everybody came to look at him. It
would have been more natural to live in ap
ordinary, comfortable house. But Diogenes
in an ordinary house would not have been
Diogenes. "So universal is the habit of
acting," says Mr. Mansfield, "that when a man
ceases to act we cease to believe in him, and
the only creature who can be said to be
absolutely natural is a maniac." To quote
again :
"So fond are the people of this world of seeing
a man act that I have noted, and it would be im-
possible not to note, the grave disappointment if
any personage behaves as an ordinary everyday
child at any public function, where Le is not called
upon for the exercise of his profession. This fact
is well known probably to all men in public life,
and that is why they dare not indulge in the un-
veilment of themselves. I have no doubt that if
I had appeared before you today with a thick
black curl over my brow and the rest of my hair
floating over my collar, with a long pale face and
brooding eyes, with an absent-minded air as if
I were communing with the spirits of all the de-
parted poets, I should have made a much greater
impression upon you than I do in these clothes
which convention compels me to wear, and with
the expression on my face of a child that is badly
scared — ^which I am.
"If I had my way I would ask you to come
with me into the country, into some green field,
and be allowed to sit on a fence and dangle my
legs whilst I whittled a stick or pared an apple
and discussed these matters with you. And as
you would, as you probably now are, be soon
very tired of this, somebody might pipe a tune
and we could dance and sing and be children ; in-
stead of which I shall ^ walk home with terrific
dignity and grow old in my bones and stiff in
my joints and condemn myself to an early grave
by dint of acting not only on the stage but off."
It is just because everybody is acting in pri-
vate life, concludes Mr. Mansfield, that every-
314
CURRENT LITERATURE
one thinks he can act upon the stage. "There
is no profession that has so many critics " as
the actor's. But acting, we are reminded,
is a gift It cannot be taught "You can
teach people how to act acting, but you can-
not teach them to act. Acting is as much
an inspiration as the making of great poetry
and g^eat pictures. What is commonly called
acting is acting acting." Mr. Mansfield adds:
"Actors on the stage are scarce; actors off the
stage, as I have demonstrated, I hope, are plenti-
ful. Life insurance presidents — worthy presidents,
directors and trustees, have been so busy acting
their several parts in the past — ^and are in the
present so busy trying to unact them — ^men
are so occupied from their childhood with
the mighty dollar; the race for wealth is
so strenuous and. all entrancing, that imag-
ination is dying out; and imagination is
necessary to make a poet or an actor. The art
of acting is the crystallization of all arts. It is a
diamond in the facets of which is mirrored every
art It is, therefore, the most difficult of all arts.
The education of a king is barely sufficient for
the education of a comprehending and compre-
hensive actor. If he is to satisfy everyone he
should possess the commanding power of a Caesar,
the wisdom of Solomon, the eloquence of Demos-
thenes, the patience of Job, the face and form of
Antinous, and the strength and endurance of
Hercules."
HOW. TO WRITE SUCCESSFUL PLAYS
Mr. Channing Pollock, reader for the the-
atrical firm of Shubert, and Miss Elizabeth
Marbury, the well-known dramatic agent, have
been offering some useful advice to aspiring
playwrights. They seem to agree in feeling
that lack of technique is the main difficulty
with young dramatic writers, and the opinions
of both are reflected in Miss Marbury's state-
ment: "It is not that American playwrights
cannot master technique, but either they think
they have it as a gift needing no cultivation,
or that it is not worth while."
CHANNING POLLOCK
He is said to have more successful plays to his credit,
in proportion to his years, than any other American
writer for the stage.
Mr. Pollock admits that "it is very diffi-
cult to squeeze new situations from the man-
ners and moods out of which about a "hundred
dramas have been pressed every year during
the past half century," and that "it is especially
hard to devise original material in America,
where prudish restrictions hedge about the
theater, and anything which is deep and vital
in life is immediately set down as immoral."
But he adds: "Certainly it is true that this
great country is full of material waiting for
dramatization, and it must be equally true
that it is full of authors capable of accomplish-
ing the work."
In certain elemental features, says Mr. Pol-
lock, all plays must be alike. For example,
"every play must have what is known as the
'dramatic triangle,' which means that its plot
must be the story of two men and a woman,
or of two women and a man. Every play
must deal with that one great emotion — ^love."
Mr. Pollock continues (in Smith's MagajBtne) :
"There are a great number of things, however,
which are so hackneyed and conventional that it
is no longer possible for an author to attempt
them. I do not think any manager would buy
another play in which the crucial situation was
the concealment of the heroine in the apart-
ments of the hero or the villain. From time
immemorial this has been the stock episode for
the third-act climax in a four-act play, and au-
diences have begun to expect it, as they expect
supper after the last act. Personally, I am free
to confess that I would not recommend the pur-
chase of any drama in which the conclusion of
this third act did not bring a surprise calculated
to make an audience sit up and take notice. No
author of to-day would dare be^in his work with
a conversation between a maid and a butler.
Neither would he care to conceal one of his char-
MUSIC AND THE DRAMA
31S
acters behind a screen or to conclude his play
with the finding of a bundle of papers. The
cigarette is still the hero of the sode^ drama,
and it is still true on the stage that the happy
conclusion of the love affair between 'juvenile'
and ingenue is coincident with the same con-
clusion of the love-affair between 'leading man'
and 'leading woman,' We begin to have heroes
who are not too angelically good, however, and
villains who have motives more human than the
mere desire to be beastly and draw fifty dollars
a week for it. Very slowly and gradually, the
perfect man, the high-hatted knave, the wronged
girl, the funny Irishman, the naval lieutenant of
comic opera, the English butler, and their asso-
ciates are passing from our midst. Peace to their
ashes!"
If the American dramatist intends to keep
abreast with the times, suggests Mr. Pollock,
he must seek motifs for his plays in the ex-
traordinary mechanical development of the
country. "The telephone and the motor car,"
he says, "are speedily becoming bulwarks of
the stage in the United States." Furthermore:
"The possibility of giving subtle and original
treatment to familiar phases of life, together
with the attendant opportunity of revealing
human nature in the theatre holds forth the
chief promise along this line. Clever twisting
and turning will make a new episode from an
old one, as is best demonstrated in what Beau-
mont and Fletcher did with Lope de Vega
when they adapted *Sancho Ortez' into The
Custom of the Country,' and playwrights are
learning to turn little things to vital account
in the construction of their works. A glance
at a photograph nowadays is made to convey
all that was indicated in a five-minutes' talk be-
tween butler and maid ten years ago." Mr.
Pollock concludes:
"If I were a producing manager, I should keep
in touch with the men whose first efforts, like
those of Paul Armstrong and William C. DeMille,
indicate the possession of marked ability. I
would set them at work, not at the dramatic
tailor task of cutting plays to fit personalities,
but at realizing their ideals and their ideas. Cer-
tainly it is true that this great country is full of
material waiting for dramatization, and it must be
equally true that it is full of authors capable of
accomplishing the work. They will not be the
illiterate glory hunters who deluge theatrical
offices with their manuscripts, nor will they be
the celebrities whose brains have been pressed
dry. It were wise to look for them among the
people whose professions draw them into close
touch with the real world and the theater ; among
the newspaper men and the enthusiastic play-
lovers; among those who are trying even now
to know more about the writing and reading of
plays."
Miss Marbury thinks that Americans would
do well to follow more closely the methods of
MISS ELIZABETH MARBURY
She says : *' No man springs from heaven a full-born
playwright. He must serve his time, be it for one year
or for ten, according to his qualffications."
the French playwright. Rostand, she points
out, rewrites his plays six times; and she
commends the adage: "Plays are not written,
they are rewritten." She goes on to say (in
Harper's Weekly) :
"It is almost pathetic to see the people—poor,
struggling, inconsequential, sometimes . illiterate
who attempt to write plays. I have had
plays sent to me in four acts which would
not require over half an hour to present on the
stage, and again I have had manuscripts which
would take five or six hours to be acted. I have
seen plays where single speeches occupy pages
of typewriting. I have read plays — well, it is
fairly impossible to describe to the uninitiated
how impossible these pieces are. Under no cir-
cumstances could they be acted ; they are imprac-
tical. It is amazing the kind of people who write
plays — commercial travellers, trained nurses,
bricklayers, postmen, switchmen, engineers, actors
and actresses — by the dozen — chorus girls, law-
ycxs, college students, society women, ministers,
doctors, the rich and the poor, the literate and
the illiterate, the young and the old.
"No man springs from heaven a full-born play-
wright. He must serve his time, be it for one
year or for ten, according to his qualifications.
Me must learn the principles of the profession
he has chosen. He should study the technique
and constrftction, play upon the gamut of emo-
tion, master the limitations of the stage, and
recognize his inability in order that he may be-
come able. When he docs this — and he has al-
ready gone far along the highway — the American
playwright will come into his own — no one can
keep him from it."
3i6
CURRENT LITERATURE
TCHAIKOVSKY'S MELANCHOLY SELF-PORTRAYAL
Average men and women may find a certain
consolation in the knowledge that supreme
genius is almost always supremely unhappy.
The greatest men are the men who suffer the
most. Shelley and Wagner were tortured
spirits, and Nietzsche went mad. In all the
august company of genius there is no sadder
figure than that of Peter Ilich Tchaikovsky.
He was the greatest of Russian composers and
the master of an art that has bewitched and
fascinated the world. His musical reputation,
which is steadily growing, may be said to have
culminated in the extraordinary demonstra-
tions evoked in New York this winter by
Safonoff's interpretations of his works. As a
musician, Tchaikovsky scaled the heights; as
a man, he failed pitifully. His newly trans-
lated "Letters"* reveal a temperament tortured
by every kind of mental and physical ailment.
It seems as though the very living of life was
pain to him, and his words are often as poig-
nant as the strains of his own haunting "Pa-
thetic Symphony."
"A worm continually gnaws in secret at my
heart," he cries in one of his letters to his
friend, Frau von Meek; and the phrase gives
us the key to his life. Like Goethe, he might
have said that he never knew an hour of con-
tinuous happiness. His letters are burdened
with references to his "queer, morbid soul,"
his "restless spirit," his "wearying, maddening
depression." "But for music," he exclaims,
'T should undoubtedly have gone mad." Life
seemed to cheat him at every point, and each
experience left him with a sense of longing un-
fulfilled. When he was living in the city as a
young man, he craved the solitude of the coun-
try. He knew "no greater happiness than to
spend a few days quite alone in the country."
But when, in 1885, he was able to make his
home in the village of Maidanovo, he became
so tired of the country that he wrote to his
brother: "I will not conceal it; all the poetry
of country life and solitude has vanished. I do
not know why. Nowhere do I feel so mis-
erable as at home." The same sense of dis-
illusionment dogged his relation to humanity.
In one mood, he hungered for friendship and
sympathy ; in another, he drew back into him-
self and lived the life of a hermit. "I hate
mankind in the mass," he says, "and I should
be delighted to retire into some wilderness with
• The Life and Letters of Peter Iuch Tchai-
kovsky. Bv Modesto Tchaikovsky. Edited and
' translated by* Rosa Newmarch. John Lane Company.
very few inhabitants." A further expression
of his misanthropy appears in this passage :
"My whole life long I have been a martyr to
my enforced relations with society, by nature I
am a savage. Every new acquaintance, every
fresh contact with strangers, has been the source
of acute moral suffering. It is difficult to say
what is the nature of this suffering. Perhaps it
springs from a shyness which has become a mania,
perhaps from absolute indifference to the society
of my fellows, or perhaps the difficulty f saying,
without effort, things about oneself that one does
not really think (for social intercourse involves
this) — in short, I do not really know 'what it is.
So long as I was not in a position to avoid such
intercourse, I went into society, nret ended to
enjoy myself, played a certain part (since it is
absolutely indispensable to social existence), and
suffered horribly all the time."
Sentiments of love dominated the soul-life
of this solitary genius, but his love-affairs, like
all his other experiences, were unhappy.
"Often and often," he says, "have I striven to
render in music all the anguish and the bliss
of love." At the age of twenty-eight he was
strongly attracted to Desiree Artot, an opera-
singer who visited Moscow. He went to see
her often, and dedicated a romance for piano-
forte to her. But his friends told him he was
"too young" to marry her, and that if married
to a famous singer he would play the undesir-
able part of "husband to his wife." He halted
and vacillated, and finally she grew weary and
married somebody else. Tchaikovsky bore no
grudge against the faithless lady, and they re-
mained life-long friends.
Tchaikovsky's second love-affair was at once
more serious and more pitiable. He tells the
whole story to Frau von Meek with delicious
naivete :
"One day I received a letter from a girl whom
I had already seen and met. I learned from this
letter that for a long time past she had honored
me with her love. The letter was so warm and
sincere that I decided to answer it, which I had
always carefully avoided doing in other cases of
the kind. Without going into the details of this
correspondence, I will merely say that I ended by
accepting her invitation to visit her. Why did I
do this? Now it seems as if some hidden force
drew me to this girl. When we met I told her
that I could only offer gratitude and sympathy in
exchange for her love. But afterwards I began
to reflect upon the folly of my proceedings. If
I did not care for her, if I did not want to en-
courage her affections, why did I go to see her,
and where will this all end? From the letters
which followed, I came to the conclusion that,
having gone so far, I should make her really
unhappy and drive her to some tragic end were
MUSIC AND THE t>RAMA
317
I
I to bring about a sudden rupture. I found
myself confronted by a painful dilemma:
either I must keep my freedom at the ex-
pense of this woman's ruin (this is no
empty word, for she loved me intensely),
or I must marry. I could but choose the
!atter course. Therefore I went one even-
ing to my future wife and told her frankly
that I could not love her, but that I would
be a devoted and grateful friend; I de-
scribed to her in detail my character, my
irritability, my nervous temperament, my
misanthropy — finally, my pecuniary situ-
ation. Then I asked her if she would care
to be my wife. Her answer was, of course,
in the affirmative. The agonies I have en-
cured since that evening defy description.
It is very natural. To live thirty-seven
years with an innate antipathy to matri-
mony, and then, suddenly, by force of cir-
cumstances, to find oneself engaged to a
woman, with whom one is not in the least
in love — is very painful."
No miraculous power of imagination
is needed to predict the result of such
a union. More tragic than the destiny
of Balzac, who waited sixteen years for
a woman only to find at last that love had
turned to ashes in his hands, was that
of Tchaikovsky. He was married on
July 6, 1877. Twenty days later he
wrote to Frau von Meek : *T leave in an
hour's time. A few days longer, and I
swear I should have gone mad." In Oc-
tober of the same year he is declared to
have been in a condition actually border-
ing on insanity, and he parted from his
wife forever. He expressly declared,
however, that she had "always behaved
honorably and with sincerity," had never
consciously deceived him, and was "un-
wittingly and involuntarily" the cause of
his misery.
The most romantic episode in Tchaikovsky's
career was his friendship, extending over thir-
teen years, with Frau von Meek. She was the
wealthy widow of a railroad engineer, and the
mother of eleven children. Starting as an
ardent admirer of Tchaikovsky's musical com-
positions, she ended by offering him an annuity
of 6,000 rubles ($3,000) with the understand-
ing that they should never see one another.
The bargain was kept. They never met ex-
cept by accident, and then only as strangers.
More than once Frau von Meek opened her
home to Tchaikovsky and placed her servants
at his disposal, but on each occasion she with-
drew before his arrival. This remarkable
friendship was a potent influence in Tchaikov-
sky's life. That it was deeply colored by his
PETER^ILICH TCHAIKOVSKY
Whose compositions have been interpreted in New York
this winter, with sij<nal success, by Wassily Safonoff, the Rus-
sian conductor.
all
melancholy goes without saying. In one of
his first letters to his benefactress he finds the
chief bond between them in the fact that they
both suffer from the same malady. "This
malady," he says, "is misanthropy ; but a pecul-
iar form of misanthropy, which certainly does
not spring from hatred or contempt for man-
kind. People who sufTer from this complaint
do not fear the evil which others may bring
them, so much as the disillusionment, that crav-
ing for the ideal, which follows upon every in-
timacy." To Frau von Meek he dedicated his
fourth symphony. It was in large part inspired
by their friendship, and is the subject of copi-
ous comment in his letters. He explains to her
that the leading idea of the whole work is
Fate — "that inevitable force which checks our
aspirations towards happiness ere they reach
the goal, which watches jealously lest our
3i8
CURRENT LITERATURE
peace and bliss should be complete and cloud-
less— ^a force which, like the sword of
Damocles, hangs perpetually over our heads
and is always embittering the soul." These
words might be applied to the very friendship
that evoked them; for it ended in disaster.
Differences in regard to money matters arose;
there was mutual misunderstanding, and at
last a definite rupture.
The vein of pessimism that underlay all
Tchaikovsky's thought appears in his musical
judgments. In many cases they seem too petu-
lant and exaggerated to be taken seriously. To
Brahms he once referred as "a self-conscious
mediocrity"; Wagner "deteriorated after
'Lohengrin/ " and his "Parsifal" was "more
suited to a ballet than to an opera" ; Bach was
"no genius" ; Handel was "fourth-rate and not
even interesting"; while of Richa d Strauss
he says: "Such an astounding lack of talent,
united to such pretentiousness, never before
existed." Mozart, the "Raphael of music,"
alone has his unqualified admiration. "I
not only like Mozart," he says, " — I idolize
him. To me the most beautiful opera ever
written is 'Don Juan.'" Of Beethoven he
writes differently at different times. In one
letter he says that he "really hates Beethoven's
last period, especially the latest quartets. They
have only brilliancy, nothing more," Then
again he pays homage to Beethoven "as to a
god." He adds : "I think Michael Angelo has
a spiritual affinity with Beethoven. The same
breadth and power, the same daring courag^e,
which sometimes almost oversteps the limits
of the beautiful, the same dark and troubled
moods."
Music, in the largest sense, was the one
consoling and abiding influence in Tchaikov-
sky's life. "I am glad you apply the word
divine to the art to which I have dedicated my
life," he says in one of his letters to Frau
von Meek. In another letter he registers his
conviction :
"Music is indeed the most beautiful of all Heav-
en's gifts to humanity wandering in the darkness.
Alone it calms, enlightens and stil1« our souls.
It is not the straw to which the drowning man
clings; but a true friend, refuge and comforter,
for whose sake life is worth living. Perhaps
there will be no music in Heaven. Well, let us
give our mortal life to it as long as it lasts."
'A CANADIAN"— HEYSE'S LATEST DRAMA
Paul Heyse, the author of the play "Mary
ot Magdala," renowned in the New World as
well as the Old (it was successfully produced
here by Mrs. Fiske), is best known in Ger-
many as an exquisite writer of short stories,
some of which, notably "L'Arrabiatta," are
already regarded as classics. His latest drama
shows, as so much of European literature to-
day shows, the extent to which Nietszche's
doctrines are engrossing the mind in literary
and artistic circles. Heyse is a fierce opponent
of these doctrines and loses no opportunity to
combat them. This tendency to discredit
Nietszche's philosophy is to be seen in his
latest drama.
The hero of "A Canadian" is Anselm,
brother of the landowner, Joachim von Drie-
berg. He had sacrificed his own happiness
for the sake of his older brother, who, like
Miles Standish, was too timid to court the
girl whom he loved, and with whom Anselm
also was in love. Anselm did the courting
for him, but, unlike John Alden, failed to
speak for himself. After the marriage of his
brother Joachim with Luise, Ansc.m went to
America, where he lived a somewhat primitive
life in the tropics and in Canada, following
his favorite study of nature. Four years
afterward he returns to his brother'^ estate and
in the first private conversation with Joachim
the latter p^-urs out his gratitude for Anselni's
act of renunciation, and tells how happy he
is with his wife Luise. Everything indicates
a perfectly happy unibn. But this appearance
of felicity is suddenly dispelled in the following
conversation which Anselm has with Luise :
Anselm (to Luise) : Come, sit down for a while
if you are not too tired and do not wish to go to
bed yet. {Takes her to the sofa.) I would like
to chatter with you for a while and, above all, I
wish to tell you how thankful I am to you.
Luise {apathetically)'. Thankful to me?
Anselm: Yes, dear sister, because you have
made my brother as happy as he deserves to be,
and as I have always wished him to be. That
he is happy he has confessed o me with touching
pathos in the first talk I have had with him.
Luise {remains silent),
Anselm: I have now only one more desire —
to hear from you that you also are happy. You
can tell me that, I suppose, with perfect truth?
Luise {after a pause) : Such a question of con-
science! Why do you put it to me?
MUSIC AND THE DRAMA
31$
Anselm: Does that surprise you? Am I not
answerable for your happiness, since I was in-
strumental in maicing you the w'fe of Joachim?
L»ise (evasively): Such an old story! Don't
let us get back to it,
Anseim: Indeed, for perfect happiness there
is one thing still lacking which, to you women
who have the gift of motherhood, often seems the
main thing. But if you will let time take its
cx>urse
Luise (gloomily) : No amount of time can
make good again what has been poiled by one
single inconsiderate moment.
Anselm (frightened) : Luise, are you in ear-
nest?
Luise: Oh, yes. One does not joke in a
qiiestion of life and death. Happiness? I also
imagined once that there was such a thing when
I was yet a silly young child and knew life only
from novels. Now — but I don't want to spoil
rour first night at home. Sleep well, Anselm.
{Rises quickly.)
Anselm (holding her hack) : No, Luise, you
most stay. After such a conversation I could not
think of sleep anyway. Is it possible? Having a
husband who worships you, deifies you, who
would bring down the blue from the sky for
Luise (bitterly) : What I require for my hap-
piness cannot be brought down from heaven. I
luve sought it on earth and have not found it.
Anselm: And what was that?
Luise: Freedom for my soul, the permission,
as the old word says, to become happy or unhappy
in my own way.
Anselm: And in this Joachim has restrained
you?
Luise: Since we are on this subject now, I am
going to speak to you. You must know how I
lired like a prisoner in the house of my parents.
My father, a crushed, old, pensioned major,
treated me, his only daughter, as he once did his
soldiers; arid the meals on our table were not
much better than the food of the barracks. It is
true, I was permitted to dance at the balls in our
little town and to show my shoulders as far as
the Philistine mothers considered respectable. But
I did not catch a husband thereby; all the men
who danced with me knew that the pretty girl was
as poor as a church-mouse. And I had such a
desire to spread my wings and to fly off into the
large, large world, to see all, and enjoy all that
was beautiful and sweet and fascinating, and with
this longing I grew twenty-three years old, and
still I remained in my cage. Ihen you came to
me, Anselm, and said to me that the landowner
Von Drieberg was deadly in love with me. And
you praised your brother beyond all measure, and
told me that he would put all that he possesses
at my feet, and that I would be the mistress, and
enjoy unlimited freedom — ^and this word decided
my fate.
Anselm: But have I deceived you? Did he
ever tyrannize over you? Is he not the best of
men?
Luise : Yes, Anselm, but just that is the worst
tyranny. If he were not so kind and amiable
toward me I could muster up courage to stand
up against him and to carry through my own will.
Bat I saw that it would be impossible for him
to live elsewhere, that he is a countryman, body
and soul. So I renounced my own desires in
despair, and have languished away here at his
side for four endless years in constant danger of
choking in this dreary waste.
Anselm (after a pause) : He wrote to me that
he took a trip with you on the Rhine last fall,
and that every winter you spend three or four
months in the city.
Luise: In the city? You mean to say in the
nest where I but exchange one kind of boredom
for another, for he never takes me to Berlin, he
hates the cosmopolitan city. Oh, Anselm, why
did you not court for yourself at that time, since
you also loved me?
Anselm (moved) : How do you know it?
Luise: He told it to me himself when he
seemed to be unable to find words enough to
describe your great heart. You see, I should
have accepted you as well as him, although I
was no more in love with you than with him.
Because he was richer than you I would cer-
tainly not have preferred him. I would have
been happier with you, because you would have
taken me along on your travels, and shown me
the large world of which I get to see here no
more than of the starry sky when I look at it
through a smoked glass. (Presses her hand-
kerchief to her eyes,)
Anselm (after a pause) : That is very, very
sad. And suppose you were to have a child?
Luise: A child? Would that not be another
tyrant to whom I should have to sacrifice what-
ever liberty I still possess? I know, Anselm, you
do not understand me. Such a thing no man
understands. You all think that we must be
supremely fortunate if one of you,' especially if
he happen to be a good man, condescends to feed
us, to fondle us, and to pay our dressmaker's
bills. That one may feel oneself powerless and
fettered in -such an existence, and- never be
allowed to give free play to one's heart
Anselm (with emphasis) : Who of us men
may do so? Who is it that knows no limits
before which he must halt reverently and
acknowledge a higher law? At any rate, since
this summer "your house has not been so lone-
some. You have had some amusement. This
young man. Martens, whom Joachim has taken
in his charge, to try to make a man of him, if
at all possible, has so many accomplishments.
It is true he is a worthless fellow, and does not
deserve to be in a decent family, and if it were
not for his father, who is a particular friend of
Joachim
Luise (rises excitedly) : He? Good
night, Anselm. I am very tired. (Joachim
enters.)
Joachim: Are you together yet? Well,
brother, has she poured out her heart to you
about the old cripple, her husband? You are
so nervous, dear, you ought to qo to bed. Take
your orangeade and go. (Draws her to him
and wants to kiss her; she wards him off.)
Luise: Good night, Joachim. (Exit.)
Joachim (following her with his eyes) : The
dear angel! Did you notice, brother, that she
would not allow herself to be caressed even by
her own brother-in-law? It is now four
years that she has been my wife, and I still feel
as if it were a bride that I held in my arms.
320
CURRENT LITERATURE
Now, dear son, good night. Do you need any-
thing ?
Anselm {agitated) : Nothing.
Joachim: Dorte will light you up to your
room. Sleep well, and dream good dreams.
(Taps him good-naturedly on his back, and de-
parts,)
Anselm (to himself) : Good dreams, under this
roof!
A young man, Adalbert von Martens, lives
in the house of Joachim. He is a worthless
scamp and roue, who had been destined by his
father for a diplomatic career, but having
failed in his studies, he was, at the urgent re-
quest of his father, a close friend of Joachim,
taken into the house of the latter to study the
management of an estate. He is an accom-
plished musician and singer, and of a rather
attractive personality. All sorts of ill rumors
float about as to the relations between him and
Luise, partly due to the utterances of Adalbert
himself. These rumors reach the ears of An-
selm, who, of course, pays no attention to them
at first. By chance a picture of Luise, which
the servant has found in Adalbert's room, falls
into his hands. As he looks at it in surprise
Luise enters the room ;
Luise : Are you still here, brother ? You must
have looked around the garden and marveled how
everything has grown up?
Anselm : Yes, in four years a person is apt
to find some things grown up way above his
head.
Luise: I guess it must all seem to you small
and trivial in comparison to your gardens in the
tropics.
Anselm: Oh, I should miss nothing if I had
only found my old home here.
Luise (regards him with a searching look) :
What picture is this you look at so curiouslv?
Anselm (shows it to her) : I suppose it is not
altogether strange to you.
Luise (paling) : My picture? How did you
happen to get it? I missed it — it wao in my
album.
Anselm (heaving a breath of relief) : You
missed it? So *t was taken out without your
knowledge? The servant said at once that you
could not have given it tn him yourself.
Luise: Th servant?
Anselm : She found the door of his room open,
and walked in to clean it up a little. She found
the picture on his desk and brought it to me. Of
course he must have gotten it without your knowl-
edge, she said.
Luise (after a pause) : The servant is mis-
taken. I presented it to him.
Anselm: That — that man Martens? Excuse
me, sister, I have no right to reprimand you for
your doings, that is Joachim's place
Luise: He knows nothing about it.
Anselm: Then I take the liberty to tell you
that I do not find it quite in order that you should,
without the knowledge of your husband, give
your picture to a young man in his charge, and
who, unfortunately, cannot be depended upon not
to abuse a thing of that kind.
Luise (with hesitation) : A woman may well
give her picture to the man to whom she intends
to give herself.
Anselm (staggered): Luise!
Luise : Yes, Anselm, it is so. I know that you
will hate me now. But you shall not despise me.
That you would have the right to do if I had the
face to lie. Oh, I have had enough of lying! It
deprives us of the best that we possess, of our-
selves. That must cease. I want to regain my-
self, to do only what my heart tells me to do, to
be free, free, free (extending her arms) \ Oh, to
fly away from all the bonds, fetters and chains!
(Sinks down on the garden chair near which she
stood.)
Anselm (in a hollow voice) : I must have heard
wrong. This is what your heart tells you? To
go away from here, from him to whom you are
all and all, whom you make as poor as a beggar
if you leave him?
Luise : Have I ever belonged to him ? When I
promised that I would belong to him, did I know
what I was promising? In general, does one
out of a thousand know it who binds her life to
that of a husband? I told you yesterday why I
did it, and how terribly mistaken I was. But a
mistake must be corrected, and not allowed to
drag after us our whole life long, and debase
us by a lie.
Anselm: Debase ourselves? That we can
do, only by selfishness.
Luise: A big word, which is as false as it
sounds noble. But suppose it were true, would
it not also condemn Joadiim as well? Would it
not be selfishness to wish to keep me even if he
knows that thereby my soul js ruined ? I have
been his, now, for four years. He has at least
believed that I have made him happy in these four
years. Now it is my turn. I want to achieve
something like happiness. Am I demanding too
much?
Anselm : No, Luise, I would not begrudge you
that, if it were at all possible for you to be happy
after doing a thing of that kind. But you deceive
yourself on this point. You will not be happy.
The kind, true face of the man whose life you
will have ruined— for that you will have done
when you leave him — his hearty voice, all the love
and kindness that you have ever received from
him, will forever follow you, and embitter every
hour in which you hope to draw joy and pleasure
for yourself or for someone else.
Luise (gloomily) : Yes, that is h w it will be.
It is the punishment for having given him my
hand without having been able to give him my
heart. God knows how it grieves me to pain him !
I will at least do it sparing him as much as I can.
I will go to my mother, and from there I will ask
him to leave me alone for a while. I will tell
him that I am ill and that I must be left all alone,
that he should not try to see me and take me
back. And then, after some time has passed —
weeks— months— with all his love to me— he will
wean himself away from me — especially now.
Anselm : Now ?
Luise: Since he has you again. For you he
loves above everybody. It is because you are
here that I have resolved at last to leave him. It
is in vain to try to dissuade me.
MUSIC AND THE DRAMA
321
Anselm: And yet, Liiise, I will stake my all
to keep you from carrying out your purpose.
Luise {looking at him boldly) : Do you, also,
want to put yourself in the 'vay of my freedom,
bind me hands and feet and put ** gag over my
mouth, so that I cannot cry out aloud: "I must
go away from here?"
Anselm: If a perfect stranger entered upon
a road that led to a quagmire, and did not heed
my warning call I should take the liberty to seize
him by the collar and pull him back, much as I
might respect his liberty otherwise. He would
be thankful to me later when he came to his
senses. But you, Luise, whom I loved so dearly,
I am to allow to follow the road that will lead
to ruin and destruction without usin^ all the
means to keep you from it? And even if it were
not for my brother, whose whole future is at
stake, I should fight for your own with all the
weapons at the command of a firm will
Luise I What do you know about what will
make me happy or unhappy?
Anselm: I know the man to whom you want
to give yourself; that is enough.
Luise: You know him? Really? Since yester-
day? It may be that you do not understand how
he can be found amiable? I also have not fallen
in love with him blindly and madly in a day or
two. It began with a sentiment of pity almost
a motherly feeling, for I saw how heavily his
condition weighed upon him — at his age to have
to start again from the very bottom, in such a
se\'ere school. And then, when I came to know
him better
Anselm (bitterly) : His past a'«o?
Luise: Yes, his past alsol What do you men
understand about the power that your very weak-
nesses exercise over us? His have their origin
in this, that he is an artist, has an artistic tem-
perament, which his father ignored when he re-
fused to allow him to develop it.
Anselm : Poor Pegasus in the yoke ! And that
is why he had to lead a wild life, gamble and
incur debts? But, of course, you are of opinion
that you cannot demand that an artistic tem-
perament behave decently like Philistines such
as we.
Luise: Don't sneer. If you had heard him
sing you would believe in the nobility of his soul.
But whatever may he behind him, I know that I
can make a different man of him, have, in fact,
already done so, through my love. That love,
however, came upon me without any question as
to worth or worthiness. You are such a sensible
man, Anselm. Have you forgotten that love is
higher than reason, and do you want to preach
reason to me?
Anselm : Preach ? No, but act, and prevent the
unreasonable. If I looked on passively while this
person — don't be afraid, I am not going to tell
you in naked words what I think of him, how
far below you I regard him ; but it must not hap-
pen that I shall learn how, after a couple of years,
he has abandoned you to misery, and that you
have recognized too late that you gave up the
noblest, truest, largest-hearted man for a — for a
Martens.
Luise: And how do you propose to prevent
that? He has my word for it.. He will never
give it back to me, and I? Yes, there is a
way to keep me from my purpose. Take your
revolver, Anselm, and aim it at this breast Per-
haps you will do me a service by it. For no mat-
ter what happens I have great struggles before
me, and at times I am cowardly and wish that
it all may be spared me.
Anselm: Yes, you will be spared all that, but
not at such price. I still have* hopes to restore
your peace of mind at a lesser cost.
Luise {in alarm) : A duel?
Anselm: In order to make a noise and open
Joachim's eyes? No, Luise, you can rest assured
that I am past all such nonsense. But another
species of foolishness is too deeply rooted in my
nature for me to be able ever to free myself from
it: the passion to use certain precautions to pre-
vent calamity to persons whom I love. That
is the way I have acted with Joachim; it has not
been a very great success. Now comes your turn.
Believe me, if that supposed "artist" of yours
were a man to whom a woman's happiness could
be confidently entrusted, I would let you do what
you cannot help doing, without a murmur.
Joachim would have to bear his fate as thousands
of men do whose wives prefer others to them.
But, as it is, for such — such a man? Never I I
shall have to speak some Canadian to him.
Adieu, Luise 1 (Exit,)
Anselm exerts all his efforts to put Martens
out of the way. He even offers him half his
fortune if he will leave Germany and go to
America ; but all to no avail. Luise tells Mar-
tens that she will go to live with her mother,
wait until he establishes himself, and then
arrange to marry him. He is surprised at
this radical step, as he had never thought of
the matter in such a serious way; but he does
not deter her from her plan. Anselm finds
Martens in the forest, where he is waiting to
take his departure from Luise on her way to
her mother. He shoots him dead. He cannot
give himself up to justice, for then Joachim
would learn of ^the whole affair, so he invents
the story of having gone out hunting and killed
Martens accidentally. Luise comes upon the
scene just as the shooting occurs, and is later
brought home in a state of unconsciousness,
having fallen from her horse. Anselm
and Luise remain alone in the room.
Anselm {goes quickly to the sofa, takes Luise's
hand and speaks into her ear) : Luise, do you
hear me ? Luise ! ( H^ets her forehead,)
Luise {with closed eyes, makes a feeble move-
ment) : Oh I
Anselm : You are alive I Luise, wake up I
Luise {opens her eyes languidly and looks about
drowsily) : Where — where is he? I — ^want to go
to him! Is it you? Do not touch me I You are
— his murderer! {'Sinks back, closes her eyes
again.)
Anselm: Listen to me, Luise I Can you hear
me?
Luise {warding him off with her hands) : You
have — ^murdered him. Away from me! The
smell of blood emanates from you.
p^
CURRENT LITERATURE
4fr Anselm: Murdered? No — judged. That I did
it — was compelled to do it — let, that remain be-
tween me and the Eternal Judge. Does not even
earthly justice acquit a man who has committed
murder in self-defense? And self-defense it was
— who will attempt to deny it? But, by God,
the All-knowing, I did not follow him to shoot
a bullet in his heart, outright. I meant to speak
once more to his conscience before I broke the
staff over him. But then, as I saw you galloping
up, and knew that if I hesitated you would throw
yourself away on him, and that you would be lost,
and my brother lost, then I could not contain my-
self any longer. It came upon me, and I raised
my weapon and executed judgment. Who will
accuse me, unless you yourself, who must hate
me?
Luise (raising herself and sitting down on the
sofa): I? No, your own conscience. It is
written: "Judge not that ye be not judjged!"
Anselm (firmly) : The Eternal Judge will ac-
quit me. What I did, I did out of love — ^to you —
and to my brother!
Luise: Was it a capital crime that he loved
me, and wished to possess me, and to free me?
But go, go I I — I must go to see him — ^his last
breath — his last glance — (attempts to rise; he
holds her back),
Anselm: Stay here. You will come too late.
Don't throw your life away after him. You have
not strength enough. They have gone with the
wagon to bring him here. O, Luise, if Joachim
saw how you broke down at the sight of him
Luise : So much the better I Then there would
have been an end to my life, and the lie of my
life. But no, I feel it, the fall was not fatal, only
my senses left me, not my life. How shall I bear
this life hereafter? I cannot imagine it! I
know only one thing; if I should be condemned
always to look his murderer in the face, the
horror of it would stifle me, and burst my heart
asunder,
Anselm (gloomily) : Rest assured, that will be
spared you. I own up to what I have done, but
only before you and the Judge on high, not
before earthly justice. They woul^ not believe me
here if I said that I removed him from the world
because of hatred, since yesterday was the first
time I ever saw him. And if I told the real rea-
son, that I did it out of love, then everything
would have been done in vain, and Joachim would
find out what I wanted to keep from him. Oh,
my poor woman, believe me, there are conflicts
in which action and inaction are equally fateful;
that involve us in crime no matter what we
choose, and every crime is avenged on earth.
Mine drives me away from this place where the
smell of the blood that I shed ascends to heaven,
away from all that is dear to me, from my home,
for which I yearned so passionately; from my
brother; from you, upon whom I had to inflict
such great pain. I shall wander again through
the earth, no more a happy wayfarer as of old,
but a restless and discontented man, who flies
from the shadow of his past, like Cain the first
murderer of his brother — to die at last in a
strange land, without the touch of a dear hand.
(His voice breaks.)
Luise (moved) : Unhappy man! And there is
nothing, nothing to extenuate your lot!
Anselm: Yes, Luise, one thing, and that lies
within your power.
Luise: In mine?
Anselm: If, in my life-long exile, you give
me the consolation of knowing that the terrible,
unatonable act that I have perpetrated has not
been in vain; that it will redound to the good of
those for whom I did it! Remain with my
brother.
Luise: How can you demand it? Have you
forgotten
Anselm: That you no longer want to lie? O,
Luise, to simulate love to a man to whom we
owe gratitude is a lie that turns into a virtue, and,
finally, into truth. You, too, will live to see that.
Luise: What can I live to see that will ex-
tinguish the recollection of this hour? Can I
continue to believe in a divine justice, seeing that
it visits the punishment of death upon those who
follow the inclinations of their hearts?
Anselm : Ask your own heart. Will it acquit
you of all blame? Did you not desire to destroy
a life that was devoted wholly to you, contemn so
infinite a love as was rarely ever the share of
woman, and break the pledge given to the noblest
of men of fidelity unto death? O, Luise, if the
happiness that you supposed you would find has
been taken away from you, one thing remains as a
compensation: the consciousness of having ful-
filled a duty, an onerous duty, Luise, but one
which in time will turn into a blessing and heal
your life-wound. Can you persuade yourself to
assume this penance?
Luise (after a pause) : I — shall try!
Anselm : Thank you ! (Extends to her his
hand, which she does not take.) You are right.
You must have a horror of this hand.
(Enter Joachim,)
Anselm: She lives, brother; she will be pre-
served for you.
Joachim (drops on his knees before her, seising
her hand) : Is it true — ^you are alive — ^you are
going to live? Tell it to me yourself, my only,
my beloved wife!
Luise (bending down to him) : Stand up,
Joachim! Yes, I will try it — if God gives me
strength.
Joachim: Oh, my jewel, my greatest treasure,
am I worth it?
Luise: My poor friend, can you forgive me?
Joachim: You speak as in a fever. I forgive
you, because you went out horseback riding once
without my knowledge?
Luise: No, not that^— everything, everything in
which I ever failed you.
Joachim (to Anselm) : Do you know what she
means? What harm could she ever have done
me? My dear heart I that God has mercifully
averted this terrible accident — (bends down and
kisses her hair).
Anselm: Farewell, brother.
Joachim: Do you want to go away?
Anselm : I want to give myself up into the
hands of justice.
Joachim: They will let you go again soon.
Accidental manslaughter, regrettable as it is.
Poor young man ! And his unhappy father ! But
stay in the city until all is over, Anselm. It will
be painful for you to be here now.
Anselm: You are right, brother. I will stay
away until everything, everything is over. Fare-
well! (Turns to go, comes back once more and
embraces Joachim with profound emotion, then
goes out with an imploring look at Luise.)
Persons in the Foreground
MISS ALICE ROOSEVELT THAT WAS
Alice Roosevelt Is no more. Four years ago
she made her debut in Washington, and now,
at the age of twenty-two, she has dropped one
of the oldest and most honored names in
American history, left her girlhood forever be-
hind her, and become the helpmeet, not of a
titled foreigner, but of a young American who
has already begun to make a career for him-
self. Probably no other American girl ever
received such an amount of publicity in such a
short period. Most of it, of course, has been
due to the distinction of her father ; but much
of it has been due to her own personality and
the way in which she has carried herself in the
dazzling limelight. "The renown of this
young American girl," said a magazine writer
recently, "is such that one hears of her from
end to end of the civilized world, while the
names of English, German,
or Russian princesses are
mentioned only in connec-
tion with diplomatic events,
possible matches that may
concern them, or charity
bazaars that they may con-
sent to patronize." When
she traveled in Japan, a
postal card was issued in
Tokyo bearing her picture
and underneath it the in-
scription— "An American
Princess." When it was
rumored that she was going
to travel in Europe, a lead-
ing French paper began to
discuss the titled foreigner
she would be most lively to
marry, publishing her pic-
ture in the middle of a page
surrounded by pictures of
such eligible young princes
as Eitel Fritz, Adalbert of
Prussia, Prince George of
Greece, the Czar's brothers
and various other sprigs of
royalty, as if to say that
she could take her choice.
She did take her choice,
and she chose to marry no
Young America is good enough for
Coarte»y of Munacy't Magazine.
ALICE LEE ROOSEVELT
AGE OF TWO
title,
her.
Alice Lee Roosevelt was three days old
when her mother — Alice Lee, of Boston — died ;
three years old when her father married
again; eighteen when she made her debut.
She was born to social position and would
have had it if her father had never been made
President. "She might have met just as many
distinguished people," we are told by a writer
in Munsey's Magazine, "and she would have
danced just the same at Mrs. Astor's great
ball, given to mark the social debut of her
granddaughter, Helen Roosevelt, who is
Alice's distant cousin."
This same writer, Emma B. Kaufman, de-
scribes Alice as a debutante and her regard
both then and since for good clothes :
"The privileged ones
among us saw a young, slight
girl in white mousseline with
brown hair, a retrousse nose,
laughing eyes, and a mouth
whose curves inclined by na-
ture upward. The combina-
tion is excellent in any
woman, for it means amia-
bility, the capacity to get
where ambition leads, and
the desire to please. With-
out these externals, keynotes
to the interior, Alice Roose-
velt might have been careless
of the effect she makes upon
the public. STie might have
believed, as, judging from
their photographs, manv prin-
cesses believe, that any old
thing, without any hint of
slang in the phrase, would do
for the President's daughter.
There was discrimination, if
it lacked discretion, in M.
Balzac's remark: 'I have
never seen a badly dressed
woman who was agreeable
and good-humored.'
"Alice Roosevelt takes the
trouble to please the eye, and,
having taste, wears clothes
that are neither too plain nor
too gaudy. She has not the
vanity to believe that she
can wear anything. Once,
to her horror, she was
sketched in a hat that she
AT THE
324
CURRENT LITERATURE
WITH HER SISTER-IN-LAW
This photojfraph was taken when Miss Roosevelt was visiting: the
Longwortns at Cincinnati last summer. Her companion in the picture is
Mrs. Wallingford, Nicholas Longworth s sister.
considered old-fashioned. She grieved thereat
as the humblest woman might. 'Never, never,
never,' she cried, 'must that picture be published !'
"'But does it matter so much?' asked the
President, with the innocence of a mere man.
" 'Really, papa,' answered his daughter de-
murely, 'I should have believed you would never
question the importance of a proper hat in any
one's career'!"
She is even rated as at times "a leader" in
fashion. "She was the first woman," it is
said, "to set upon her head the big, broad-
brimmed, rough-and-ready straw sailor hat,
that has since become a vogue."
Her father is proud of her physical en-
ergy. He once said of her:
"She is a girl who does not stay-
in the house and sit in a rock-
ing-chair. She can walk as far
as I can, and she often takes
a tramp of several miles at the
pace I set for her. She cam
ride, drive, skate, and shoot,
though she doesn't care much
for the shooting. I don't mind
that. It isn't necessary for her
health, but the outdoor exercise
is, and she has plenty of it."
She is a true Roosevelt, too,
we are told by those who know,
in her love of adventure and her
courage. Before her father
took his trip in a submarine
boat she had accomplished the
feat without fear. Various in-
cidents are told of her coolness
in moments that might well
have been deemed perilous by a
young girl. The latest incident
is that of her climbing up a
rope-ladder last month to the
deck of the great ocean liner,,
the Kaiser Wilhelm der Grosse..
She had gone down the bay to*
meet her fiance's sister, the
Countess de Chambrun:
"The officers on the steamship
were apprised of Miss Roosevelt's
coming, and there was much ex-
citement among them. Prepara-
tions were at once made to lower
the gangway, a task requiring no
little time and trouble, but Miss
Roosevelt would have none of it.
Standing upon the revenue cut-
ter's deck and making a mega-
phone of her gloved hands she
shouted to the Kaiser's first offi-
cer: 'The ladder's all right.
Never mind anything else.' The
Manhattan nosed alongside the liner. Miss
Roosevelt awaiting the moment when she
could grasp the ladder's rungs. Congressman
Longworth stood beside her, protesting, but not
persuading. The instant she was able to reach
the ladder she drew herself up and started her
climb of some 25 feet. There was no great
danger about the undertaking, but it required
strength and coolness. Miss Roosevelt climbed
up steadily, rung by rung. When she reached
the rail and was lifted to the deck she was
cheered by the passengers."
This love of adventure, her friends assert,
is the real and only reason for her being on
the go so continually. "She wants to see, to
know, to do. She astounds by her capacity
PEkSONS IN THE FOkEGkOVND
iH
for life and living. This is the keynote of
her personality, a personality so impressive
that it cannot be displaced or overshadowed."
In a general way, it is known that her
Roosevelt ancestry has figured long and honor-
ably in American history. The details are
given by Dexter Marshall, in a recent news-
paper study of the family. Alice has behind
her eight generations of American Roosevelts.
The first of the line was Claes Martenzen
Van Rosenvelt, who came from Holland to
Xcw Amsterdam in 1649, one year before
the first Vanderbilt came here. The published
genealogy of the family now includes 1,600
numbered names, the President's being num-
bered 644. The New York Social Register
includes 4^ Roosevelts and only ?7 Vander-
bilts and eight Astors. It was in the fourth
generation that the prefix Van was dropped
and the name changed to Roosevelt — pro-
nounced almost as if the name were spelled
rosy-velt. There were Roosevelts who were
active in the Revolution. Jacobus served as
commissary of the Continental Army without
a cent of pay. Isaac was a member of the
Provincial Congress. Nicholas J., of the fifth
generation, was a very distinguished man. He
was the inventor of the "vertical paddle-
wheel*' that made Fulton's first steamboat a
success, and it was Nicholas Roosevelt who
in 181 1 took the first steamboat down the
Ohio River (from Pittsburg) and the Mis*
sissippi to New Orleans. He and his wife
were the only passengers and the trip was one
that made the country talk, and the excitement
of the natives along the banks of the Missis-
sippi as the boat came down belching fire and
steam has been described in history.
The grandfather of Alice, Theodore Roose-
velt the first, was one of the founders of the
Union League in New York City, and of the
Newsboys' Home, the Children's Aid Society,
the Y. M. C. Association, and the Ortho-
pedic Hospital. The love of outdoor sports
was as strong in him as in the President.
The family of Longworths, into which Alice
THE FUTURE HOME OF MRS. NICHOLAS LONGWORTH
'*The home of all the Longn^^orths is Rookwood. No matter what grand palaces they may build, or cottaRcs
they may rear by the seaside, Rookwood, the jfreat estate at Cincinnati, will be ' home.' For three generations
the jfreat, rambling srray structure has been the center of Cincinnati society, and Mrs. ' Nick ' Longworth will hold
frjci^l sway over the city as the women of the Longworth family have from the beginning."
326
CURRENT LITERATURE
THE BRIDEGROOM
It is embarrassing, says Mr. Longworth, to court a
girl with seventy million persons lookmg on. He is de-
scribed as having »' httle of the look of the multimillion-
aire and less the look of the society man. He is bald
headed and jolly, clever, and something of a reformer,
although mixed with Republican ring politics in Cincin-
nati for years."
Roosevelt marries, has long been well known
in southern Ohio, and stories of the wealth
and eccentricity of "Old Nick" Longworth,
grandfather of the present Congressman, have
been legends of the State for decades. One of
them tells of his sitting on a dry-goods box
on the sidewalk, in Cincinnati, looking so
poverty-stricken, because of his careless*attire,
that as he held his hat out with one hand,
while mopping his face with his handkerchief
in the other, a passer-by kindly dropped a coin
in the hat to relieve his supposed poverty.
Another of the legends tells of visitors to his
handsome home who, meeting inside the gate
a supposed working man, asked him to show
them the grounds, which he did so courteously
that he received (and pocketed) a quarter
or more for his pains. The working man, of
course, was "Old Nick."
In Cist's "Cincinnati in 185 1," Longworth
was said to be, next to Astor, of New York,
the largest taxpayer in the United States.
When he died, "Old Nick's" property, most
of it made in real estate, was estimated at
$15,000,000. The present "Young Nick,'
whom Miss Roosevelt marries, is, like his
bride, of Dutch Knickerbocker stock, his great
grandmother being Apphia Vanderpoel. He
is thirty-six years old, an A. B. of Harvard, a
lawyer, and, after several years' service in the
Ohio State legislature, has been twice elected
to the national House of Representatives,
"Rookwood," the new home of "Nick" Long^-
worth's bride, has for three generations been
the center of Cincinnati society. The Grandin
road, which leads to it, winds it way slong the
bluff overlooking the Ohio River, skirting
precipices and deepening into shady ravines.
The house is thus described by a recent writer :
"Rookwood stands almost in the center of
extensive, heavily wooded hilly grounds. The
house is massive in construction, the style ot
architecture being adapted from an old English
country h6me. It rambles over a great space of
ground, being but two stories high, with a heavy
square tower. The house faces east, with the
conservatories and greenhouse extending far back
towards the big stables. It is of brick and stone
and now is gray with age, and its wide porches
and porticos are heavily draped in ivy. The
windows are deep set and wide. At the front
is a porch extending almost the width of the
house itself, and the great double door? at the
entrance open into a wide hallway with huge,
high ceilinged parlors at either side. . . . The
trees around Rookwood stand as in the original
forest, and from a distance the estate appears
like an unbroken forest. The beeches and elms
and oaks stand as they did when the white men
first came to build a block house on the hillside
to the west. The carriage way, winding through
valleys and over hills, runs back from the
Grandin road through a grove of elms and oaks
to the clearing where the house stands among
its greeneries and gardens."
The house is noted for its collection of art
treasures — paintings by American, Dutch and
German artists (including those of Achen-'
bach, Van Dyck, Rembrandt and Knaus) and
a ceramic collection said to be the best private
collection in the United States and perhaps in
the world. It was "Nick" Longworth's aunt,
Mrs. Bellamy Storer, who established the now
famous pottery Rookwood, and it was she
who discovered the Rookwood methods of
glazing and tinting and first began the work.
Rookwood has been overhauled for its new
mistress, the living rooms redecorated and a
separate suite prepared for the bride. There
will be, it is said, fetes and festivities more
gay than the house has ever before witnessed.
The social renown of the family has from
the first rested on the women. From the time
of Nicholas the first, the Longworth men have
married brilliant and beautiful women, and
the new mistress will find a brilliant social
circle awaiting her advent.
PERSONS IN THE FOREGROUND
327
THE NEW FRENCH PRESIDENT
So one could be more devoted to billiards
than the gentleman who assumed the chief
magistracy of the French Republic last month.
It has been his "vice," as he puts it, for years,
and he regrets that official life interferes
vi-ith his propensity. But M. Clement Ar-
mand Fallieres, to give him his full name,
never smokes. In that one respect, he is a
contrast to his immediate predecessor, M.
Loubet, who smoked a pipe. In all other
ftersonal traits, the resemblance
Fallieres and Loubet is deemed striking.
Fallieres never omits his morning walk, which
sometimes lasts two hours. The object of so
much perambulation is to correct the tendency
to obesity, which has caused some alarm to
the family doctor. M. Fallieres is quite ab-
stemious in the use of wines. Nearly all the
alcoholic beverage of his consumption is the
President's own vintage. It
comes from the little estate
which makes up the President's
whole fortune, estimated to be
worth about $80,000, his prop-
erty being in real estate and
mortgages. One of the rules of
his life is to avoid the purchase
of stocks, bonds and government
securities. One in public life,
he has said, cannot always es-
cape being compromised by
speculative investment.
All this is but a tithe of the
detail to be gleaned from co-
pious sketches of Fallieres in the
Gaulois, Temps, Figaro, of Paris,
and the leading dailies of Eu-
rope. Not one unfriendly notice
of the man has been printed any-
where, unless we take into ac-
count the purely political ani-
madversions of those dailies
which deplore the mildness of
M. Falliercs's republicanism.
Paris is already regretting
that the new President cares
very little for the theater. He
seldom or never spends an even-
ing away from his own fireside.
His favorite companions are his
wife, a thoroughly domestic
woman to whom he was wed in
1871. his son Andre, a rising
barrister, and his daughter Mile.
Anne, an enthusiastic grower of roses and
heliotropes. This taste of the daughter is
shared by the President. One of the young
lady's diversions is to pelt her father with
azaleas as he reclines under the trees upon
his little property at Loupillon, a typical
French village community.
The character of the man is thought to be
most clearly revealed in certain phrases of his,
to which the Temps has been giving currency,
between ^ ** Noise,*' he is made to say, "docs not inter-
fere with achievement, but silence promotes
it." This suggests M. Loubet, with his fond-
ness for quiet ways and quiet • men. But
most of the aphorisms of Fallieres, like the
stories about the man, indicate that his
salient trait is sturdy good sense and straight-
forwardness. Yet he can be sly, after a
fashion. He has been known among his
THE QUIET PRESIDENT OF THE FRENCH REPUBLIC
M. Fallieres is inclined to get stout. He tries to keep his flesh down
bv lonjf two-hour walks in the streets of Paris. The officials of the
Elys^e are in dread of Anarchist assaults upon the new President unless
his exercise be restricted.
328
CURRENT LITERATURE
constituents for years as a man of the kindest
heart. A boy who had been convicted of
theft came to Fallieres for aid. ''I am
afraid," mused the statesman, "that you have
come to me too late. I might have done
something for you had you called earlier.
Now, suppose you had called earlier, that is,
before you had committed the theft. I should
have had an excellent piece of advice to give
you — don't. As it is, all I can say is that you
had better go to prison. Next time, you must
come to me before you steal." Other anec-
dotes are supplied by the London Telegraph:
"He has three nephews, whom he has practically -
NOT RICHARD HARDING DAVIS
But the second son of the German Emperor — Prince
Eitel — who is to marry the twenty -seven year old Grand-
Duchess Sophie. He is the most papular of the Em-
peror's sons.
brought up. One of them, yearning for the vio-
let ribbon of the Order of Public Instruction, ap-
plied himself to the Minister, who, perhaps, out
of consideration for the uncle, then President of
the Senate, duly promised the decoration. The
list of names came before M. Fallieres, who,
seeing his nephew's, called the young man, and
said, *So you asked for the violet ribbon, my boy,
and used my name to get it? I will not have it
said that I ask favors for my own people. I have
struck out your name from the list myself.'
"Not long ago one of his farm hands' was mar-
ried, and M. Fallieres sent four bottles of his own
cherished brandy, distilled from his own wine,
to the bridegroom. The servant was walking
round with the present when M. Fallieres stopped
him and told him to go first to the excise office
and pay the duty. The servant expostulated, and
thought that the President of the Senate need
hardly trouble to pay on four bottles; but he had
to pay when M. Fallieres said that if the Presi-
dent of the Senate cheated the exciseman, one
could not expect anyone else not to do so."
Down in the Lot-et-Garonne, the native soil
of M. Fallieres, stands the humble shanty
where the grandfather of the President
worked as a blacksmith. When this grand-
father died, he left a snug little sum to his
son, who, becoming a land surveyor, pros-
pered. But the new President was born in
an annex to the old blacksmith shop, which
he still owns, and where he resides at certain
seasons of the year. The village is called
Mezin. The permanent home of the family
of Fallieres is, however, at Loupillon, a few
miles from Mezin. It is an old country man-
sion which is thus described:
"At Loupillon, M. Fallieres has a rustic man-
sion, which, like the late Emile Zola's house at
Medan, outside Paris, was enlarged from the
small cottage of a peasant, originally bought bv
his grandfather. In this country mansion hos-
pitality is the rule. When M. and Madame Fal-
lieres are there in the summer they practically
keep open house. Loupillon is about an hour's
drive from Mezin, and is situated in the heart
of a pleasant country dotted with thatched farm-
houses, surrounded by fields full of oxen and
goats. The house of the President is simply fur-
nished, and contains few ornaments.
"In the ground-floor drawing-room there are
oil paintings, a few engravings, one showing
Rouget de Lisle singing the 'Marseillaise' before
the Mayor of Strasburg, and on the mantelpiece
there is a bust of Gambetta. The dining-room
has a table for twenty guests, and the kitchen is
of a thoroughly homelike sort, with its large rustic
chimney, its rows of settles or seats, and its well-
burnished copper pots and pans. The bed-rooms
have only the most ordinary furniture. A little
attempt at comfort, if not luxury, is visible in the
President's study, where he sits long over his
books and papers, and where he receives his
visitors. Over the desk is a black-and-white
drawing representing M. Fallieres sitting, clad
as a peasant, on a stone seat in his garden."
PERSONS IN THE FOREGROUND
3^9
EMPEROR WILLIAM'S FAMILY CIRCLE
Emperor William decided that on the twenty-
fifth anniversary of his own marriage, his
second son, Prince Eitel, should espouse a
German princess some years the senior of the
youth. His Majesty, according to foreign
papers reporting court gossip, thus shows that
after a quarter of a century of domestic life
he is still master in his own household.*
The household is reduced now to seven.
Prince Eitel goes with his new bride to make
a princely home of his .own. The Crown
Prince, whose name is William, has been mar-
ried some little time. There remain at home
wth their parents, Prince Adalbert, the widely
traveled; Prince August, a robust youth;
Prince Oscar, of whom one hears very little;
Prince Joachim, now nearly sixteen, and Prin-
cess Victoria, the Emperor's only daughter,
the idol of the German nation, although she is
but thirteen.* At any rate, one of the official
organs gives her the title of "idol," adding that
she is enshrined in every true German heart.
The Socialist organs take a different cue. The
Crown Prince not so long ago denounced
Sociahsts and Socialism, whereupon the party
organs declared that the imperial children are
being educated in an anti-Socialistic atmos-
phere.
They are really educated in a scientific at-
mosphere, according to the Paris Gaulois. The
Emperor is said to distrust certain tendencies
in German education. He thinks too much at-
tention is paid to the classics and to literature.
He has had his own children taught the sci-
ences, with some ambitious courses in the arts.
Thus, the Crown Prince, although trained as
a military man first of all, knows a good deal
about chemistry. Prince Eitel is a mathema-
tician. His younger brothers have been made
to acquire a knowledge of engineering. The
little princess takes to "domestic science."
The Emperor wants no dreaming Germans in
his family.
But the arts are by no means neglected.
William II deems himself an unusually com-
petent art critic — some Germans profess
amusement at his taste — and he has dabbled
with the brush. The Crown Prince does not
^ve much time to pictures, but he is pro-
nounced a fine performer on the violin.
Prince Eitel is something of a Wag^erite.
His brother Adalbert paints. Information re-
garding the tastes of the younger children
is not forthcoming. But the world is assured
that William II oversees their studies with
paternal solicitude. Every three months he
examines the princes as if he were their tutor.
He gives them subjects for essays, criticizing
the productions severely. The princess is left
to the supervision of her mother, the Empress.
The Empress, says the London Mail, is
first and foremost a housekeeper. Her
daughter supervises one of the linen closets in
the Neues Palais. Neither of these royalties
ENGAGED TO A MAN YOUNGER THAN HERSELF
She is the Duchess Sophie, daughter of the Grand
Duke of Oldenburg. The German Emperor's second
son.Vfour years her junior, has been accepted as her fu-
ture husband, in flat defiance of Shakespeare's " Let still
the woman take an elder than herself."
330
CURRENT LITERATURE
THE DIPLOMATIST
Prince Adalbert is sent
by William II on trips to
foreign countries when
international strains re-
()uire much social solv-
ing.
THE SAILOR PRINCE
Prince Joachim is now
nearly sixteen and some-
thing of a naval engineer.
THE FIRST BORN
He is to inherit the
two thrones of his father,
William II, King of Prus-
sia, German Emperor, if
he lives.
can be deemed beautiful, if the English daily
be not too ungallant. The Empress has beau-
tiful arms and shoulders, but her feet and
hands are too large. She gains flesh on the
least provocation and is rather unsuccessful in
her efforts to lose it. Her eyes are a bluish
gray, not particularly brilliant. Her Maj-
esty's brows and lashes incline to scantiness.
She has the misfortune to be unpopular with
the people of Berlin, who are said to consider
her Majesty "near" in pecuniary transactions.
The truth is, if we may accept the statements
POSSIBLE KING
This Youth is thought
of as a future King of
Hungary by Pan-Ger-
mans, say some gossips.
He is Pnnce Oscar, Em-
William ll's daughter
helps her mother with
the housekeeping.
SHE IS STOUTER NOW
The German Empress is unwilling to be photographed
in consequence. 'Hiis picture dates from 1902.
of the official German press, that the Empress,
as a model housekeeper, practises the thrifty
virtues. She is said by English observers to
be much in awe of her husband. In fact, the
entire royal family of Germany look up to
Emperor William as the supreme arbiter of
German destinies, their own included. Even
the Crown Prince did not dream, it is said, of
going to the Emperor's shooting-box called
Hubertusstock, to show the Crown Princess
over the place, without first securing his
Majesty's permission. When William H is
especially pleased with one of his sons, he
takes him out for a day's hunt.
THE HUNTER
Prince August finds his
greatest pleasure in pur-
suing with gun and knife
the big game on his fath-
er's "preserves."
PERSONS IN THE FOREGROUND
331
THE BEST MAYOR OF THE BEST GOVERNED CITY IN THE
UNITED STATES
The city is Cleveland, Ohio; the mayor is
Tom L. Johnson; the man who characterizes
him as the "best" mayor is Lincoln SteflFens.
As Tom Johnson began life in penury, became
a millionaire before he was thirty-five, has
been a Congressman, mayor of Cleveland sev-
eral times, candidate for governor of Ohio, and
is always mentioned in any list of possible
Democratic candidates for the presidency, the
sketch of the man which Louis F. Post, editor
of The Public (Chicago), draws of him in
that paper is of political as well as human
interest.
Tom Johnson is an American from "way
back." It was his grandfather's great grand-
father that began the family career here,
coming from England in 1714 to the colony of
Virginia. The line of lineage since then in-
cludes nearly all the old Virginia families
of Kentucky. By marriage or direct descent,
Tom is related to "all the Kentucky Johnsons
and some of the Johnstons, the Paynes and the
Floumoys, the Bu fords, the Colemans, the
Popes and the Qays, as well as the Sande-
fords and the Breckenridges." The list in-
cludes Richard M. Johnson, who (perhaps)
slew Tecumseh, and who was Vice-President
from 1837 to 1841. Tom's father was a cot-
ton planter with 100 slaves in Arkansas, and
served on the staffs of John C. Breckenridge
and Jubal A. Early in the Confederate army.
When the war closed, the family were in
Staunton, Va., "absolutely penniless." Tom
was but eleven, but he started in to retrieve
the family fortune. He knew a railroad
conductor — the railroad conductor, rather —
that had charge of the one and only train that
ran to Staunton in those days. Tom obtained
a complete monopoly of the sale of newspapers
on that train, and as there was "something
doing" in those troublous days, he charged 15
cents for dailies and 25 cents for picture
papers, reaping a harvest of real silver money
to the extent of $88 in five weeks. That took
the whole family to Louisville, where they
were able to borrow. Tom got a few years
schooling and his mother and father tutored
him when he couldn't go to school. He cared
nothing for literary studies, but came out
strong on mathematics, and to his aptitude in
figures he attributes in great measure his suc-
cess in life.
It was a cold day when he got his first
steady job. The day was cold because his
mother had "nothing fit to wear" on her head
but a crocheted hood, and she waited for a cold
day in order that she might wear that hood
when going with Tom to find the job. It was
found in a rolling-mill — the job, not the hood.
Four months later he embarked in the street-
railway business. He collected and counted
the money which the passengers dropped in
the box of the conductorless cars. He soon
became secretary of the company and his
father was made superintendent. A few years
later, when the father was made chief of
police of Louisville, the son was made super-
intendent of the road at about the age of
twenty. He kept on rising. He invented a
fare-box that has since netted him $30,000.
He borrowed money in 1876 to buy out the In-
dianapolis street-car system, selling it out
later at a personal profit of over half a million
dollars. He bought a small line in Cleveland,
made it a big line, and entered upon a glorious
running fight for years with Mark Hanna,
who was in control of the opposing system.
The fight was the sensation of Cleveland for a
time. Sometimes one side won, sometimes the
other, but the public got reduced fares as a
result. Two big consolidations were formed,
a truce was declared, and when Johnson later
disposed of his interests in the railways,
Hanna's company gobbled up the whole sys-
tem. His street-railway career contains other
interesting features, notably his unsuccessful
attempt, in connection with Governor Pingree,
of Michigan, to bring the street-car lines
of Detroit under municipal ownership and
operation, and his more or less successful
effort to reduce car fares in Cleveland to three
cents, in consequence whereof he has been
dubbed by the New York Sun in one of its
facetious moods "Three-Cent Tom."
Tom Johnson's entry into politics was
brought about by a book, a newsboy and a car
conductor. Mr. Post narrates as follows:
"While interested in street car systems, both in
Cleveland and Indianapolis, Johnson frequently
rode on the cars between those cities. On one of
these trips a newsboy asked him to buy a book
called 'Social Problems.' It was Henry George's
second book on the industrial question, but John-
son supposed it to be a work on the social evil.
Saying as much, and adding that he had no in-
332
CURRENT LITERATURE
terest in that subject, he refused to buy the book.
The train conductor, who happened to be within
hearing, happened also to be familiar with
George's teachings, and knowing Johnson well
he told him he was mistaken in the character of
the book. 'It will interest you more,' he assured
him, 'than any book you have ever read.' Upon
this assurance Johnson reluctantly invested half
a dollar in the book and read* it. A new world
was revealed to him, and he promotly bought and
read George's 'Progress and Poverty.' After
reading this, he challenged his lawyer, L. A. Rus-
sell, of Cleveland, and his partner, Arthur J.
Moxham, to show him any flaw in the argument.
Unable to comply, they objected to the premises.
But Johnson convinced them that the premises
were sound. The final result of their controversy
was the complete conversion of all three to
George's views."
Johnson soon sought out Henry George
and a warm friendship ensued. Mr. George
advised him to go into politics. "I can't make
a speech," said Johnson. "You have never
tried," said George ; "if you put your mind to
it, you can succeed at speaking as well as in
business." He put his mind to it and made
a timid speech five minutes long in Cooper
Union. He "probably could not have spoken
ten minutes more had his life been the forfeit,"
so Mr. Post tells us. But that was enough for
a start. He has never become an orator, in the
usual sense of the word; but he has learned to
say whjit he wants to say in a direct, forcible
and fetching way. He made a free-trade
campai]pi for Congress in a Republican dis-
trict in Ohio and was beaten. He tried again
and wen by 3,000 plurality. At Washington
he was "shelved" — so they thought — on the
District of Columbia Committee. He didn't
stay shelved. He instituted an investigation
into thi taxation system of the district, and
issued what the single taxers still call "a
classic document on the principles of taxation
practically applied." His feat during a second
term in Congress (1892) in getting "Progress
and Poverty" printed in The Congressional
Record is still famous. Under the "leave to
print" rules of Congress, he arranged with
six other free-traders, each of whom, secur-
ing the floor on one pretext or another, got
"leave to print" successive chapters of the
book. They were then put together in a public
document and franked through the mails free,
as a campaign document, to the extent of more
than a million copies.
As a business man, Johnson has been a
monopolist to such an extent that he once
came near being committed for contempt of
court because, when asked what his occupation
was, he insisted on answering, "A monopolist"
In politics he has been an active foe of
monopolies. Challenged on the floor of Con-
gress for inconsistency, he replied : "As a busi-
ness man I am willing to take advantage of ail
the monopoly laws you pass ; but as a member
of Congress, I will not help you to pass them
and I will try to force you t^ repeal them." He
supported Bryan, though he regarded "free
silver" as a mere "accidental slogan of a more
fundamental democracy." He supported Park-
er "as well as circumstances permitted." His
record as mayor is highly praised by Steffens,
and he has been elected three times.
According to Steffens, he closed the dives
and opened the parks to the people and made
playgrounds for the children. He "equalized"
taxation by raising the rates on railroads', par-
doned workhouse prisoners held for non-
payment of fines, and instructed subordinates
to run departments on business principles
regardless of politics. The legislature de-
prived him of most of his power of appoint-
ment, but he succeeded in getting his own
men elected when he could no longer appoint
them. In the following pen-picture Mr. Post
gives what he thinks suggests the secret of
his leadership:
"It is a picture of a low green-leather lounge,
faced and flanked with easy chairs and ottomans
and rambling in front of a cheerful hearth fire in
a room of mellowed light in the very center of
Mayor Johnson's home. Here he keeps 'open
house.* Not 'open house' for drinking, for John-
son neither drinks nor invites drinking. Nor a
politician's den where wires are pulled and com-
binations made. It is the family living room of
ilie mayor of an American city who takes his
official responsibilities seriously. In the house of
a rich man, this room is expensively as well as
comfortably furnished; yet the social atmosphere
is such that the poorest who join the circle there
forget all distinctions of wealth. Around this
fireside for the past five years the civic 'conditions
of Cleveland have been discussed — academically
to the roots and practically to the uttermost
branches — by those who are responsible officially
and by those who are interested only as citizens,
and by visitors also from other places."
Another of the secrets of his success is, we
are told, revealed in an incident of his baby-
hood:
"When he was a little fellow in frocks playing
Noah's ark with his baby cousin, a grown-up ac-
cidentally swept over the array of animals they
had set on the floor. The little cousin gave up in
despair. But the future mayor of Cleveland
caught sight of two undisturbed figures of their
Noachian array. A smile broke through the tears
that had come, and he exclaimed: 'Oh, mamma,
look! two of 'em are standing, and that's enough
to begin over again V "
Recent Poetry
From Victor Hugo's posthumous volume of
poetry and dramatic fragments, from which we
have already quoted in this department, we ex-
tract another poem, weird in conception and ter-
rible as a nightmare. Surely the idea of the
transmigration of souls was never put into more
striking form:
A ROYAL FUNERAL
By Victor Hugo
0 death! O judgment! chastisement 1 reward!
Bottomless deep whither all being tends,
Where all must go unaided and alone I
This man, but yesterday an emperor,
To-day lies dead.
The cannons' thunder and the brazen peal
Of funeral bells re-echo from the heavens.
The winds are sighing, He is dead! Alas!
The elect! the dread and sovereign majesty!
The ruler of all, the shadow of God himself!
The mighty and the strong is with the blest!
He was great in life, he is greater still in death I
And mourning crowds rush on in fevered haste.
And the great lanterns flare up in the streets,
And the royal convoy passes.
Twenty proud squadrons head the mournful line,
And heralded by trumpets there appears
A species of tomb — ^huge, dazzling and superb,
A grand sepulchral throne flooded with light,
A giant cenotaph with waving plumes
Rolling resplendent, shedding on the air
Odorous showers of myrrh and frankincense ;
A flare of gold, light purple and proud banners.
The royal hearse seems to th' amazed crowd
The height of htmian glory:
An imperial robe, a sceptre and a crown —
A corpse!
And the great city wails its widowhood;
While the whole country round, the hamlets,
towns,
Echo the sound of drum and martial tread.
But hark!
While yet the air is echoing to the shout:
"Hail King and Royal Master! sovereign Lord,
Whom God hath aided in his enterprise!"
The dread and sinister spirit suddenly wakes
In yon black horse yoked in the funeral team
That draws the car of triumph to the shadows.
Shuddering, he cries, "Where am I?" and re-
members.
He feels his corpse behind him hurrying on,
He sees the marble portals and the arch,
He hears the driver's voice urging him on.
Fain would he cry, " Tis I, the master of all !"
But death has bound him in its terrible knot.
He trembles in his new and frightful form;
And, while he traverses in thought his Louvre,
His Kremlin, Windsor or Escurial,
Blazoned with eagles or the fleur-de-lis —
Spain, Savoy, Austria, Lorraine, Bourgogne —
He feds the lash and draws his corpse along.
Wretch! he is prisoned in a lowly beast.
His immortal part shuddering in punishment.
His immortality drawing his corruption.
Horror on horror! while his far-flung fame.
Attested by his standards borne aloft,
Is flaunted from his walls and battlements;
While Saint- Denis, august and beautiful,
Opens its gates to the imperial pomp —
As to the sun the portals of the night —
A vast sarcophagus lit with a million stars.
As though the night had put on mourning robes,
While standards bow before the royal bier.
While Bossuet celebrates the heroic dead —
His virtues, glory, justice and world greatness —
His soul writhing beneath the driver's lash
Bears his anointed body to the worms.
"I would much rather," said Alfieri a hundred
years ago, "write, so to say, in a dead language
and for a dead people than write in those deaf
and stammering tongues, French and English,
notwithstanding they are the fashion, with their
rules and exercises." Dr. Douglas Hyde, presi-
dent of the Gaelic League, who has been making
a lecture tour in America telling us about the
"Celtic Revival," quotes this sentiment and makes
it his own in the preface to his book of poems,
"Ubbla de're Craoibh" ("Apples from the
Branch"). Fortunately there are some who know
the Gaelic and are not too averse to English to
turn some its poems into verse that all of us can
read, whether or not we can understand. Lady
Gregory in her volume of translations and studies
from the Irish ("Poets and Dreamers") devotes
a chapter to "Au Craoibhin's Poems," some of
which, in the original, she says, a friend of hers
has heard sung and repeated by country people in
many parts of Ireland. Here is one which she
thinks has "as distinct a quality as that of Villon
or Heine" :
THE DEVIL THAT IS CALLED LOVE
By Douglas Hyde
There are three fine devils eating my heart —
They left me, my grief! without a thing:
Sickness wrought, and Love wrought.
And an empty pocket, my ruin and my woe.
Poverty left me without a shirt,
Barefooted, barelegged, without any covering;
Sickness left me with my head weak
And my body miserable, an ugly thing.
Love left me like a coal upon the floor.
Like a half-burned sod, that is never put out.
Worse than the cough, worse than the fever
itself,
Worse than any curse at all under the sun.
Worse than the great poverty
Is the devil that is called "Love" by the people.
And if I were in my young youth again,
I would not take or give or ask for a kiss!
334
CURRENT LITERATURE
"It is better to be quarreling than to be lone-
some" is an Irish proverb that strikes us as de-
liciously Irish. The theme of lonesomeness is
common in Dr. Hyde's poems. Here is one that
breathes it in every line:
LONELINESS
By Douglas Hyde
Cold, sharp lamentation
In the cold, bitter winds
Ever blowing across the sky;
Oh, there was loneliness with me !
The loud sounding of the waves
Beating against the shore.
Their vast, rough, heavy outcry.
Oh, there was loneliness with me!
The light sea-gulls in the air,
Crying sharply through the harbors.
The cries and screams of the birds
With my own heart. Oh! that was
loneliness.
The voice of the winds and the tide,
And the long battle of the mighty war ;
The sea, the earth, the skies, the blow-
ing of the winds.
Oh, there was loneliness in all of them
together.
Here is a vision of a battlefield—after the bat-
tle. It weeps in every line of it:
AFTER THE BATTLE
By Douglas Hyde
The time I think of the cause of Ireland
My heart is torn within me.
The time I 4hink of the death of the people
Who protected Ireland bravely and faithfully.
They are stretched on the side of the mountain
Very low, one with another.
Hidden under grass, or under tall herbs,
Far from friends or help or friendship.
Not a child or a wife near them;
Not a priest to be found there or a friar;
But the mountain eagle and the white eagle
Moving overhead across the skies.
Without a defence against the sun in the da>'time;
Without a shelter against the skies at night.
It's many a good soldier, joyful and pleasant,
That has had his laughing mouth closed there.
There is many a voung breast with a hole through
it;
The little black hole that is death to a man.
There is many a brave man stripped there,
His body naked, without vest or shirt.
The young man that was proud and beautiful yes-
terday,
When the woman he loved left a kiss on his
mouth.
There is many a married woman, with the child
at her breast,
Without her comrade, without a father for her
child to-night.
There's many a castle without a lord, and many
a lord without a house;
And little forsaken cabins with no one in them.
I saw a fox leaving its den
Asking for a body to feed its hunger.
There's a fierce wolf at Carrig O'Neill ;
There is blood on his tongue and blood on his
mouth.
I saw them, and I heard the cries
Of kites and of black crows.
Ochone! Is not the only Son of God angry?
Ochone! The red blood that was poured out
yesterday !
Coming to less somber themes, we find in a
new volume of verse, entitled, "The Shoes That
Danced and Other Poems," the following that
appeals to us. The author has shown us beauty in
a rather vulgar spectacle, and that, we take it, is
an important part of the high mission of the
poet:
TO A NEW YORK SHOP-GIRL DRESSED
FOR SUNDAY
By Anna Hempstead Branch
To-day I saw the shop-girl go
Down gay Broadway to meet her beau.
Conspicuous, splendid, conscious, sweet,
She spread abroad and took the street.
And all that niceness would forbid,
Superb, she smiled upon and did.
Let other girls, whose happier days
Preserve the perfume of their ways,
Go modestly. The passing hour
Adds splendor to their opening flower.
But from this child too swift a doom
Must steal her prettiness and bloom,
Toil and weariness hide the grace
That pleads a moment from her face.
So blame her not if for -a day
She flaunts her glories while she may.
RECENT POETRY
335
She half perceives, half understands,
Snatching her gifts with both her hands.
The little strut beneath the skirt
That lags neglected in the dirt,
The indolent swagger down the street —
Who can condemn such happy feet? ^
Innocent! vulgar — ^that's the truth!
Yet with the darling wiles of youth !
The bright, self-conscious eyes that stare
With such hauteur, beneath such hair!
Perhaps the men will find me fair!
Giarming and charmed, flippant, arrayed,
Fluttered and foolish, proud, displayed.
Infinite pathos of parade!
The bangles and the narrowed waist —
The tinseled boa — forgive the taste!
Oh, the starved nights she gave for that,
And bartered bread to buy her hat!
She flows before the reproachful sage
And begs her woman's heritage.
Dear child, with the defiant eyes.
Insolent with the half surmise.
We do not quite admire, I know
How foresight frowns on this vain show!
And judgment, wearily sad, may see
Xo grace in such frivolity.
Yet which of us was ever bold
To worship Beauty, hungry and cold!
Scorn famine down, proudly expressed
Apostle to what things are best.
Let him who starves to buy the food
For his soul's comfort find her good,
Nor chide the frills and furbelows
That are the prettiest things she knows.
Poet and prophet in God's eyes
Make no more perfect sacrifice.
Who knows before what inner shrine
She eats with them the bread and wine?
Poor waif! One of the sacred few
That madly sought the best they knew!
Dear — let me lean my cheek to-night
Close, close to yours. Ah, that is right.
How warm and near! At last I see
One beauty shines for thee and me.
So let us love and understand —
Whose hearts are hidden in God's hand.
And we will cherish your brief Spring
And all its fragile flowering.
God loves all prettiness, and on this
Surely His angels lay their kiss.
Here is more of modernity done into rhyme.
The writer is sometimes obscure but never banal.
We reprint from McClure*s:
THE RAILWAY YARD
By Florence Wilkinson
Into the blackness they grind
With ever slackening speed,
And out to the widening light
With the thunder of valves that are freed.
Myriad headlights,
Green lights and red lights,
A tangle of sparks and of darks;
A thousand lives and a thousand souls
Poured out to the city's blend;
A thousand lives and a thousand souls
Sped forth to their journey's end.
Oh, neighbor, what is the end you seekf
There is none to reply, though the dead
should speak.
Click of a switch, a lever's turn.
The clang of the opened gate.
Has the hour struck? Will the train be late?
One prays to his God and one curses his fate.
The lover smiles as he touches her hand, —
And the outgoing passengers wait.
It is only two who thread the throng.
A thousand lives and a thousand souls '
Pass by and hurry along.
There are some who stand and never go
When the porter opens the gate;
"Good-by, good-by, come back to us soon !"
Their heart is sick with the merciless tune ;
Whoot, whoot, hough, hough, zig-zig and away,
To-morrow we follow but never to-day.
A thousand lives and a thousand souls
Who have cast their lot together;
And some set out for a whole new life
And some for a change of weather.
For a dance or for death.
Yet they sit and they sleep.
Or they stare at the engine's curling breath;
They sigh or they smile
At each vanishing mile.
Oh, soul, give your neighbor greeting!
But faces are clouds
Like the flashing trees
And the dizzy houses retreating.
They are running a race, though they know it
not.
With a thousand lives that have gone before ;
And a thousand souls with a thousand goals
Must press through a single door.
Oh neighbor, think, as the drive-wheel spins,
Of the gutted lamps and the torch-like sins,
Of the babes unborn and the yawning gins!
What is the Crozvn and IV ho is it that winsf
336
CURRENT LITERATURE
We like the simplicity of this serenade, which
we find in The American Illustrated Magazine:
A SERENADE.
By Charles Buxton Gojng
The winds of the South,
AH fragrant with blossom,
Shall fly to your mouth
And steal to your bosom;
The day songs of meadows
Around you shall leap.
And melt in cool shadows
To soothe you to sleep.
No song of the grove,
No birdling at nest.
So sweet as your love —
So soft as your breast.
No night-moth that flies.
No honey it sips,
So soft as your eyesy-
So sweet as your lips.
The winds of the West,
The stars without number.
Shall lull you to rest —
Shall soothe you to slumber,
The summer around you.
The sunshine above you,
With gladness surround you —
Dear heart ! how I love you !
Wallace Irwin is gradually working his way
up out of the rank of mere newspaper poets. He
is now a magazine poet, which doesn't mean very
much necessarily ; but he has a vein of originality,
a versatility and a facility that may carry him
high as they have already carried him far. This
also is from McClure's:
SONG FOR A CRACKED VOICE
By Wallace Irwin
When I was young and slender, a spender, a
lender.
What gentleman adventurer was prankier than
I,
Who lustier at passes with glasses — and lasses,
How pleasant was the look of 'em as I came
jaunting by!
(But now there's none to sigh at me as I come
creaking by.)
Then Pegasus went loping 'twixt hoping and
toping,
A song in every dicky-bird, a scent in every
rose;
What moons for lovelorn glances, romances, and
dances.
And how the spirit of the waltz went thrilling
to my toes!
(Egad, it's now a gouty pang goes thrilling to
my toes!)
Was I that lover frantic, romantic, and antic
Who found the lute in Molly's voice, the heaven
in her eyes.
Who, madder than a hatter, talked patter? No
matter.
Call not that little, youthful ghost, but leave it
where it lies!
(Dear, dear, how many winter snows have
drifted where she lies!)
But now I'm old and humble, why mumble and
grtamble
At all the posy-linked rout that hurries laugh-
ing by ?
Framed in my gold-rimmed glasses each lass is
who passes.
And Youth is still a-twinkling in the corner of
my eye.
(How strange you cannot see it in the cornrr
of my eye!)
There is a difficult meter well handled in the fol-
lowing poem which we find in The Independent :
DARBY AND JOAN
By Henry Austin
Do you remember
The red September,
When, like an ember from sunset skies,
The orchard olden
Shone rosy-golden
Thru violet haze, a vain disguise;
And I belield the earth's gay beauty,
Its autumn splendor, full and fruity.
Reflecting deep in hazel eyes?
Do you remember
The gray November,
When, brown and amber from hill to shore.
With pearl tints dimmer
Was all the shimmer
The languid land at sunset wore?
Yet then thru downcast lids Love beckoned,
And you, for one shy, sudden second,
Looked up, a woman — girl no more!
Do you remember
The white December,
The carven chamber, the hearth's faint beams.
Whereat I found you.
Soft fragrance 'round you.
Low singing to the weird gleams?
Then first I dared to stroke your tresses.
And you sighed back, amid caresses,
"Love, 'tis the Christmas of my dreams."
Now, red September
And gray November
And white December, a double score,
Gliding around us.
Like dreams have found us
Lovers ; yes, lovers more and more ;
With sweeter, deeper, holier blisses
In all our glances, all our kisses,
Than e'er we dreamed in youth of yore.
And we have pleasures
Past mortal measures.
Have hidden treasures in Faith's calm skies;
So might we care not.
Since here they are not,
RECENT POETRY
337
That Life no longer flows, but flies.
And I, whose day now dims to even.
Am glimpsing, nay, beholding. Heaven,
Reflected deep in hazel eyes.
It was a long time ago that Ella Wheeler, in
her country home, twelve miles from Madison,
Wis., began at the age of thirteen to write
for publication. She has not added to the world's
classics since that time, but she has held her popu-
larity and, in an age when poetry is rated a "drug
on the market," her poetry has a message to many
hearts that preserves it in unnumbered scrap-
books. The poem below, fjom Lippincott's, is a
ver>' characteristic specimen:
LOVE'S CONFESSIONS
By Ella Wheeler Wilcox
• I
How shall a maid make answer to a man
Who summons her, by love's supreme decree,
To open her whole heart, that he may see
The intricate strange ways that love began?
So many streams from that great fountain ran,
To feed the river that now rushes free :
So deep the heart, so full of mystery.
How shall a maid make answer to a man?
If I turn back each leaflet of my heart
And let your eyes scan all the records there,
Of dreams of love that came before I knew.
Though in those dreams you had no place or
part,
let, know that each emotion was a stair
\\Tiich led my ripening womanhood to you.
Nay, I was not insensate till you came;
I know man likes to think a woman clay.
Devoid of feeling till the warming ray
Sent from his heart, lights hers with sudden
flame.
You asked for truth; I answer without shame;
My human heart pulsed blood by night and day.
And I believed that love had come my way
Before he conquered with vour face and name.
I do not know when first I felt this fire
That lends such lustre to my hopes and fears.
And burns a pathway to you with each thought.
I think in that great hour when God's desire
For worlds to love flung forth a million spheres.
This miracle of love in me was wrought.
II
An open door, a moonlit sky,
A childlike maid with musing eye,
A manly footstep passing by.
Light as a dew-drop falls from space
Upon a rose-bud's folded grace,
A kiss fell on her girlish face.
"Good-night, Good-bye," and he was gone.
And so was childhood; it was dawn
In that yotmg heart the moon shone on.
His name? his face? Dim memories;
I only know in that first kiss ^
Was prophesied this later bliss.
The dreams within my bosom grew;
Nay, grieve not that my tale is true,
Since all those dreams led straight to you.
Ill
One time when autumn donned her robes of
splendor.
And rustled down the year's receding track.
As I passed dreaming by, a voice all tender
Hailed me with youth's soft call to linger back.
I turned and listened to a golden story,
A wondrous tale, half human, half divine —
A page from bright September's book of glory
To memorize and make forever mine.
Strange argosies from passion's unknown oceans
Cruised down my veins, a vague, elusive fleet.
With foreign cargoes of unnamed emotions.
While wafts of song blew shoreward, dim and
sweet.
And sleeping still (because unwaked by you)
I dreamed and dreamed, and thought my
visions true.
I woke when all the crimson color faded
And wanton Autumn's lips and cheeks were
pale;
And when the sorrowing year had slowly waded.
With failing footsteps, through the snow-filled
vale.
I woke and knew the glamour of a season
Had lent illusive lustre to a dream.
And, looking in the clear, calm eyes of Reason,
I smiled and said, "Farewell to things that
seem."
'Twas but a red leaf from a lush September
The wind of dreams across my pathway blew;
But oh! my love! the whole round year, remem-
ber,
With all its seasons, I bestow on you.
The red leaf perished in the first cold blast;
The full year's harvests at your feet I cast.
l'envoi
Absolve me, Prince; confession is all over.
But listen and take warning, oh, my lover.
You put to rout all dreams that may have been;
You won the day, but 'tis not all to win;
Guard well the fort, lest new dreams enter in.
We borrow from The Smart Set this little poem
in the minor strain :
MIGHT HAVE
By Edith M. Thomas
I have lived my life, and I face the end —
But that other life I might have led?
Where lay the road, and who was its friend;
And what was the goal, when the years were
fled?
Where lay the road? Did I miss the turn?
The friend unknown ? Our greetings unsaid ?
And the goal unsought? Shall I never learn
What was that life I might have led?
As the spring's last look, for one dear day
From skies autumnal on earth may bend,
So lures me that other life — ^but, nayl
I have lived my life, and I face the end.
Recent Fiction and the Critics
The dearth of new novels during the last few
months is a very striking fact, the significance of
which is a matter for discussion, l^ may mean
temporary decline in artistic im-
The Wheel pulse, or a satiety of the reading
of Life public/ or merely a business policy
on the part of publishers of hold-
ing back their wares for certain propitious seasons
of the year. Whatever the reason, Miss Ellen
Glasgow's new novel* is afforded an unusual
prominence thereby and receives an unusual
amount of attention. It is by general admission
the best thing she has done, a work of high aim
and strong execution. "As capably executed a
story as we have read in a long time," says The
Sun's critic. Mr. M. Gordon Pryor Rice, writing
in The Times, is again and again reminded of
"the simple convincing directness of Tolstoy." The
author belongs to the few writers, he thinks, who
succeed in representing goodness as not only the
right and beautiful thing, but the strongest and
manliest thing. "She has gone down into the
deep places, and the distinction, the lift that is
all its own is that in the last analysis it is the
Apotheosis of Goodness."
The story reminds one of "The House of
Mirth" in that the scenes are laid in New York,
and the "smart set" figure largely. The barren-
ness of the pursuit of pleasure for its own sake
is the underlying theme. The title is taken from
the sacred writings of the East and is meant to
indicate the stages through which the individual is
bound to pass. These are four, indicated by the
subtitles to the four parts into which the book
is divided, namely: Impulse, Illusion, Disen-
chantment, Reconciliation. For those who have
seen only the first three of these phases of Hfe
there remains the fourth, more beautiful even
than the second. Roger Adams, the hero, passes
through acute physical and mental anguish to
find this out at last, and Laura Wilde, the heroine,
passes through the valley of humiliation to reach
a realization of the same truth. And the author,
who has chosen this sort of a theme and handled
it with power, is a young lady barely over thirty!
The Argonaut, recalling this fact, wonders what
she will do when she has matured her art. It
says of this work:
"This remarkable novel deserves consideration
apart from its form and content and interest. It
♦ The Wheel of Life. By Ellen Glasgow. Double-
day, Page & Co.
is really an approach by Miss Glasgow to mascu-
line art — inspiration carried to completion. One
may criticise her style, resent her constant quali-
fication of the verbs 'to say,* 'to smile/ and *to
address.' Yet it has its effect. The style is cul-
minative and, however rough the method, it is
powerful."
The Independent's reviewer stands almost alone
in thinking the work inferior to Miss Glasgow's
previous works — "The Voice of the People," "The
Battle Ground," "The Deliverance" — and sighs
over the fact that "Life" is to our young women
novelists so sorry a business. Says this reviewer :
"We are unwilling witnesses at the death of
several souls and the birth of others, and which
is the more painful of the two it would be hard
to say. Perhaps the echoes of old loves and sins
never sounded more harshly thru the strains of
a pure love-idyl than in the crucial chapter of
Laura's heart-history; but the suffering seems
so useless and so hopeless, as the wheel of life
turns now up, now down, with its living burden,
and we sigh, as often before, for some fresh,
sweet and happy presentment of the actual joy
of living."
The Springfield Republican finds that Miss
Glasgow does the big things best. Her hand still
lacks the delicacy necessary for the finer touches,
and she is weak in the matter of reality: "one
gets but scantily the spontaneous conviction that
these are real people speaking in their natural
voices."
Another business novel comes to us, this time
from the pen' of Robert Barr. The hero of his
novel* is, in the first chapter, a young station-
master, and in the last chapter he
c ■ ^1 is on the way to wed the richest
Speculations . ^^ . . „ ^
of John ^eele ^o"^^" >o the world. Between
the two chapters he is taken
through many and thrilling experiences in the
pursuit of wealth and the contests with "the
octopus" of monopoly. His adventures in the
world of speculative finance are characterized by
the critics as "absorbing," "thrilling," etc., but
the feeling is pretty general that when Mr. Barr
undertakes to develop the sentimental side of
his hero he falls down wofully. This love story,
which, however, does not put in an appearance
until the eleventh hour, is, according to the Phil-
adelphia Ledger, "phenomenal in its silliness,"
and, according to the Brooklyn Eagle, "worse
everi than melodrama : it is 'yellow.' " But both
♦The Speculations of John Steele.
Barr. Frederick A. Stokes Company.
By Robert
RECENT FICTION AND THE CRITICS
339
critics admit that the main part of the story is
well worth reading. Says The Bookman :
"A well-known author has called the speculator
the pirate of commerce, and Mr. Barr's book is
a stoiy of adventures as interesting as those of
Captain Kidd, for it has been reserved for Amer-
ica to surround the business of money-getting
with the varied incidents that make a book of
this type as thrilling as a novel of adventure and
lifts the hustle of commercial life into the domain
of romance. John Steele is a type, not a char-
acter, and he is a fair example of that class of
hustler which may be called typically American,
m that no other country produces it."
.\ reviewer in The Record-Herald (Chicago)
is enthusiastic in praise of Mr. Barr*s style. For
instance :
"From a purely dramatic point of view 'The
Speculations of John Steele' is the most lively and
absorbing series of episodes that I have read for
some time. Not a line, not a word has the author
wasted. If Herbert Spencer had only met it be-
fore he wrote *The Philosophy of Style* he must
have set it down as a superb example of 'economy
of the reader's attention.' "
The Churchman (New York) is equally strong
in condemnatory phrases. It calls the book "a
fantastic tale of speculation and plunging," "a
cold-blooded, sordid piece of work," in which
"one finds nothing to respect."
The author of "Elizabeth and Her German
Garden" has given us a new novel,* which is an
extravaganza, but a most delightful one. The
princess, who is the heroine, hails
£« "«!*? from one of those kingdoms in
Fortnight *^^ ^^^ V^ot\6. which exist for
the sole benefit of novelists and
their readers. Her "fortnight" is spent incog,
in a rural district in England whither she flees
to escape the monotony of court life and marriage
with a prince she has not met. She takes with her
her maid and her father's old librarian, and the
way in which the inexperience of the three and
the beauty and charitable impulses of the prin-
cess disturb the simple life of the place is told
with humor and with a skill that convinces one
even of the most impossible things. When the
money gives out, Annalise, the maid, reveals the
whcrcalx)uts of the truants and the prince conies
to claim his own. It is, the Chicago Dial thinks,
"the most charming extravaganza imaginable,"
and the fortnight described is "all too brief for'
our enjoyment." The critic of the London
Academy confesses that he has been "enchanted"
against his reason. The author's qualities "lie
outside the realm of sober argument," and when-
*The Princess Priscilla*s Fortnight. By the au-
thor of "Elizabeth and Her Oerman Garden/' Charles
Scribner*s Sons.
ever the critic was torn from the book he "thought
with pleasure and impatience of getting back to
it." The London Athenaeum speaks in similar
vein of the author's "ready wit and light hand-
ling," of the "astonishing adventures" of the char-
acters, and sums the book up as "pure light-
hearted comedy occasionally over-stepping the
border-land of farce." Says the New York
Nation :
"The characters, though overdrawn, are full of
interest, especially the librarian, the princess, the
hopelessly adoring squire and his mother, and the
rescuing prince, while the description of the kind
old vicar is the best passage in the book. As a
travesty of the Simple Life the story is amusing
and timely, and no one will quarrel with the moral
as expressed towards the close."
A first book by a new writer is apt to receive
words of generous praise, if at all worthy. Mr.
Lawrence Mott is a new author, with a love for
wild life and with the means (be-
Jules of the ing the scion of a wealthy family)
Great Heart to gratify it. His first novel* has
received praise of the superlative
degree. It is compared favorably even with the
work of Jack London and Gilbert Parker. But
the dialect in which much of it is written has
given the critics some bad moments, being, in
the opinion of The Critic, the thorniest dialect he
(or she) has ever had to cope with. The story is
Canadian, the dialect a French- English patois.
The hero, Jules Verbaux, is a free trapper who
fights against the Hudson Bay monopoly, and be-
comes "a kind of cross between Robin Hood and
Leatherstocking." He is an outlaw, who eludes
his pursuers time and again. His mercy to his
enemies when he has them in his power wins him
the title of "Great Heart." Here is what The
Reader Magasine says of the hero:
"No other single character evolved for us out
of the vast silences, the forest twilight, the winter
storms, the fleeting summer beauty and the year-
round loneliness and mystery of the great Ca-
nadian wilderness knocks at our hearts so unerr-
ingly as he. The atmosphere of the stories excites
admiration ; it is as good as Gilbert Parker's best."
The Critic calls the tale "strong, imaginative
and picturesque," and Frederic Taber Cooper,
writing in The Bookman, says:
"The sense of the cold and loneliness of north-
ern forests, the pitiless cruehy of northern storms,
is given with the same sort of strength that gave
distinction to Jack London's early Alaska stories;
and there is in addition a warm human quality, a
suggestion of kindliness and sympathetic heart
beats, which is precisely the quality that has al-
ways been missing in the author of 'The Sea
Wolf.' "
♦ Jules of the Great Heart. By Lawrence Mott-
The Century Company.
The Story of the Lost Conscience
This allegorical little tale is by "the Juvenal of Russia"— M. I. Saltykov-Schedrin— and is
translated for Current Literature from the Russian. The writer is less well known than
some of his contemporaries outside Russia, but there he has created types some of which are
known popularly in much the same way as those created by Dickens are known here. His
literary activity began in the fifties. Toward the close of the eighties, the rigor of the censor
made it necessary for him to master the style in which one thing is said and another meant, and
his health broke under the strain. "Oh, this work of an author!" he exclaims. "It is not only
pain; it is hell. The blood of the writer trickles down drop. by drop. What have they not done
with my work I Cut it, distorted it, declared publicly that I am a dangerous character !"
Conscience had disappeared. The people crowd-
ed the streets and theaters as before; pursued
their occupations; enriched themselves; and no
one seemed to notice that anything was missing,
that one instrument in the concert of life had
grown silent. Many felt even more robust and
free, held their heads up higher, could now more
readily dig pitfalls for their fellows and were
better able to simulate, to flatter, to cringe, de-
ceive, slander and denounce. All remorse van-
ished as if blown away by the wind; no sad
reflections oppressed them; the present and the
future stood open before them. The loss of Con-
science was not at all felt.
It had disappeared quite suddenly. But yes-
terday, that boresome, importunate creature waS'
continually bobbing up before one's eyes, and
harrassing the heated imagination. Now it was
suddenly gone, and with it the moral unrest, the
worrying phantoms that always accompany the
ever-censuring and damning Conscience. It was
now possible to enjoy God's glorious world undis-
turbed, and the clever people recognized for the
first time that they were freed from the last hin-
drance in the way of their ambitions. Of course
they did not fail to make use of the opportunity
thus offered them. People went amuck, plunder-
ing and robbing went on, right and left, and there
was devastation everywhere.
Poor, bespattered, torn Conscience, meantime,
lay in the street trampled upon by every passer-by.
It was pushed aside like a useless rag, and those
who saw it wondered why such a nasty-looking
thing was tolerated on the most frequented street
of the city — Heaven knows how long it would
have lain there had not a drunken sot happened
along who, in his intoxication, did not think it
beneath his dignity to pick up this rag for which
he hoped he might, perhaps, get a glass of
whisky.
Straightway he felt something like an electric
current pass through his body. He looked with a
sad gaze before him; as the alcoholic vapors that
befogged his mind disappeared, the bitter recog-
nition of the reality gradually asserted itself.
At first he was seized with a dull sense of terror
that made him fearful of some impending danger ;
then his memory began to stir and his imagina-
tion became active. From out the darkness of
his sinful past his memory unsparingly dragged
forth the recollection of his misdeeds, his infi-
delity and his indolence. His imagination re-
animated this past, and the judge in him awoke.
His whole life now seemed to him like an un-
broken chain of crime. He could neither justify
nor defend himself. He was so greatly oppressed
by the overwhelming evidence of his depravity
that his voluntary self-condemnation was a more
painful punishment than any human court could
have imposed. He no longer solaced himself with
the thought that the greater part of this past
was chargeable not to himself, a poor, wretched
drunkard, but to some mysterious, nebulous power
at whose mercy he was, and by which he was
tossed about like a frail blade of grass in the
whirlwind. What, in fact, constituted his past?
What was it that had made it his own and not
someone else's ? Why did he live it thus and not
otherwise? What was he himself? Questions
without end came which he faced helplessly,
knowing no answer.
Alas! Awakened consciousness brought him
neither peace nor hope ; the tormenting Conscience
showed him but one outlet — that of fruitless self-
condemnation. Heretofore he had been sur-
rounded by darkness; that same darkness still
surrounded him, but now it was peopled with tor-
turing specters. Before, heavy chains had dangled
at his wrists; now they seemed to him doubly
heavy. Futile tears ran down his face, and people
stopped in front of him and said that the whisky
had squeezed them out.
"Help! I cannot bear it any longer!" ex-
claimed the poor inebriate, and the crowd laughed
and jeered. It did not know that the drunkard
had never before been so sober.
THE LOST CONSCIENCE
341
-It is impossible to bear. I must get rid of
it somewhere or I shall perish like a dog!"
tfacught the poor drunkard, and he was about to
throw Conscience away when he was hindered
by a clerk of the court who had just then come
along.
"WTiy, friend," he cried threateningly, "you
vant to spread about contaminated papers 1 Take
care, or you will be 'pinched' for it."
The drunkard hid his package and walked off
35 quickly as he could. He looked about him
carefully and edged up to the saloon of his old
friend Prokhorich. He looked carefully through
the window and when he saw the saloon-keeper
2II ak>ne napping behind the bar, he opened the
door, rushed in, and before Prokhorich knew it
the fateful package was in his hands.
The saloon-keeper stood for a while with eyes
wide open, then he began to perspire. It seemed
to him, now, as if he was running a speak-easy,
that he had no legal authority to keep a saloon ;
hut he immediately convinced himself that he
had the necessary license. Then he looked at the
object in his hands and recognized it.
"Ha !" he cried. "That is the very same sort of
thing that I had so much trouble in getting rid
of before arranging my payments for duty and ,
tor license!"
Xow it flashed upon him that he himself would
be compelled to bring about his own financial
ruin.
""It is an unpardonable meanness to drive this
drink devil down poor people's throats!" whis-
pered Conscience into his ear.
"Arina Ivanovna, wife!" he called, beside him-
s<.lf with fear.
Arina appeared, and as she perceived Con-
science she screamed at the top of her voice:
"Help! Robbers! Thieves!"
"Why must I now, on account of that drunken
scoundrel, suddenly lose everything that I have?"
thought Prokhorich.
Presently the saloon began to fill with people,
but Prokhorich, instead of serving his customers
with his usual amiability, not only hesitated to
give them whisky but tried his utmost to convince
them that drink is the source of the ruin of the
poor.
"If you drank but one little glass, that might
not be so bad," said he with tears in his eyes;
"but you would rather drink a whole gallonful.
And what is the consequence? You are dragged
to the police-station, stripped of your clothes and
given a whipping. Now, then, brother, think of
it; is it worth while to strive for a thing of that
kind, and pay me, an old fool, money for it, be-
sides?"
"What ails you, Prokhorich? You are clean
daft," the guests retorted in astonishment.
"If you had fared as I have you would have
lost your senses also. See here, what a treasure
I have!"
Prokhorich showed everybody the conscience
that so unexpectedly came into his possession and
asked whether anybody wanted to have it. But
when they saw the suspicious-looking thing no
one wanted to take it ; they turned away and drew
back.
"But what are you going to do about it, Prok-
horich?" asked the guests.
"There is nothing left for me to do but to
die. I can no longer deceive and cheat, and I
do not wish to drown the poor people in whisky.
Hence, I must die."
"Quite right!" responded the guests willi a
mocking laugh.
"I should like," continued Prokhorich, *to
break all the glasses and everything here, and
let the whisky run out. For he who has become
virtuous as myself can no longer bear the smell
of alcohol; it fills him with disgust."
Although Arina steadfastly refused to allow
him to break the glasses and let the whisky run
out, not a drop of spirits was sold on that day.
Toward the evening Prokhorich grew even
cheerful and said to his weeping wife:
"Well, my dear, although we have made no
money to-day, yet my heart feels lighter in the
possession of a conscience." And, in truth, he
did actually fall so fast asleep that he neither
dreamed nor snored, as was his custom when he
was making money.
But his wife was occupied with her thoughts.
She was of opinion that a conscience could only
result in loss and injury to a saloon-keeper. That
uninvited guest had, therefore, to be got rid of
at all hazards. With this purpose in her mind
she lay awake the entire night, and as the first
ray of daylight broke through the dust-covered
window-panes, she stole Conscience from her
sleeping husband and ran with it out into the
street.
It happened to be a market-day. The peasants
were coming with their carts from the villages.
Police-Officer Lovetz was just then on his way
to the market. When Arina saw him she was
suddenly struck by a happy idea. She ran after
the policeman and succeeded in slipping Con-
science into his overcoat pocket.
Lovetz was not the worst type of police officer,
THE LOST CONSCIENCE
shall not be able to make good in a whole year/'
he entreated.
His wife, too, saw that it was a matter of life
and death with her husband. She undressed him,
put him to bed, and gave him tea to drink. Then
she walked into the anteroom and thought that
she would search his overcoat pockets; per-
haps she would find a few pennies there. She
looked through his pockets and found in one
the empty purse; from the other she drew forth
the package. When she unwrapped it she was
dazed.
"So? These are the kind of things he occupies
himself with!" she whispered. "He carries Con-
science along with him in his pocket!"
Now she deliberated on how to get rid of
this thing in such a manner that it might not
cause too much pain and trouble to the recipient.
Finally she decided upon the former whisky rec-
tifier, and present financier and railway magnate,
and thought that that was the best place to dis-
pose of it.
"He has a strong neck, and even if it makes
him a little fidgety it will not hurt him."
She carefully put Conscience into an en-
velope, wrote the financier's address upon it and
placed it in the mail-box.
"Now, old man, you can be at rest and go to
the market again," she said, as he returned to
her husband.
The financier sat at the dinner- table sur-
rounded by his whole family. Near him sat his
ten-year-old son, occupied with the solution of
a financial problem.
On the other side of the financier sat a younger
son, seven years old, who also was computing
a problem. Then came two others who were
engaged in a dispute as to how much interest they
owed each other for borrowed bonbons. At the
other end of the table sat his beautiful wife with
her baby daughter at her breast, who instinctively
stretched out her little hands after mamma's
costly golden bracelet.
In short, the financier was a happy pater-
familias. He was just about to pour a delicate
sauce over his roast meat when his servant
brought him a letter on a silver tray.
He had scarcely laid his hand on it when a
fearful unrest came upon him. He turned and
twisted like an eel on burning coals.
"What is this? What do I want this thing
for?" he ejaculated, trembling all over.
The anguish that the financier underwent that
day baffles all description; but in spite of the
almost incredible torture he suffered, he could
not make up his mind to sacrifice even as much
as fifteen kopeks.
"It will not hurt me, it will pass! Only hold
me fast, Lizzie," he said to his wife, while he was
convulsed with desperate paroxysms, "and if I
ask for my purse, don't give it to me; let me
rather die!"
But as there is no position so difficult that
a way out of it cannot be found, there was
found one this time also. The financier remem-
bered that he had long ago promised a contribu-
tion to a charitable institution at the head of
which was a general of his acquaintance, but that
he had delayed the payment of it from one day
to the other. Now a favorable opportunity pre-
sented itself to carry out his old intention.
And so he did. He carefully opened the en-
velope he had received, took out Conscience
from it with a pair of pinchers, put it into an-
other envelope, added to it a check for a hun-
dred roubles, sealed it and went with it to his
friend, the general.
"Your Excellency, I want to contribute some-
thing to your institute," he said, and he laid the
envelope before the rejoiced general.
"That's fine, that's laudable," returned the gen-
eral. "I knew that you were a charitable man.
God be with you!"
The financier now hurried home as if on wings.
That same evening he had forgotten all the agony
he had gone through and concluded a financial
combine which, when it became known the next
day, called forth universal astonishment.
Thus, poor, despised Conscience went from one
man to the other, and came to thousands of peo-
ple; but no one wanted to keep it, and everyone
sought to get rid of it even through deceit and
trickery. Finally the poor thing grew too weary
of going among strangers and never finding a
permanent place of rest. Therefore it said to
its last possessor, a poor store-keeper who lived
in some obscure, dusty corner, and who never
came out into the open green field :
"Why do you torment me; why do you treat
me like a useless rag?"
"But what should I do with you if no one
wants to have you?" asked the poor store-keeper.
"I will tell you," replied Conscience. "Find some
little child, open its pure little heart and conceal
me within it. The innocent creature will guard
me, tend to me and cherish me; it will grow with
me, and even when it attains power and reputa-
tion it will not be ashamed of me."
And so it happened, indeed. The store-keeper
found a little child, opened its pure heart and
locked Conscience within it.
Now the little child is growing, and in it. Con-
science. When the child becomes a great
man, he will also have a large conscience. False-
hood, egoism, cunning and brute force will be
vanquished, for Conscience will then be respected
and powerful and in time will rule the world.
CURRENT LITERATURE FOR MARCH, 1906
The Prudential
Advances in Security and Public Confidence.
THIRTIETH ANNUAI. STATEMENT, JANUARY 1, 1906, SHOWS
Assets, over
Uabllities (includinsr Reserve $88,000,000) .
Surplus, over
Increase in Assets, over
Paid Policyholders durinsr 1905, over .
Total Payments to Policyholders to ow. 31, 1905. over
Cash Dividends and Other Concessions not Stipulated
in Original Contracts and Voluntarily Given to
Holders of Old Policies to Date, over •
Numlier of Policies in Force, nearly
Increase in Numlier of Policies in Force, over
Net Increase in Insurance in Force, over
107 Million
91 Million
16 Million
18 Million
14 Million
107 Million
6 Million
6>^
113 Million
Dollars
Dollars
Dollars
Dollars
Dollars
Dollars
Dollars
Million
Million
Dollars
Bringing Total Amount of Insurance in Force to over
One Billion One Hundred and
Seventy Million Dollars.
PRUDENTIAL t^-O
HAS TME /
STRENGTH OF
GIBRALTAR 'J
ECONOMICAL ADMINISTRATION.
LOWER EXPENSE RATE THAN EVER
BEFORE.
CAREFUL SELECTION OF RISKS.
FAVORABLE MORTALITY EXPERIENCE.
Dividends Paid to Policyholders
During 1905, Over
ONE MILLION DOLLARS
THE PRUDENTIAL INSURANCE CO.
OF AMERICA
Incorporated as a Stock Company by the State of New Jersey
JOHN F. DRYDEN, President. Home Office, NewarF
Write for Information of Policies, Dept 17
Please mention Current Literature when you write to advertisers
)<. O C CrvA^^i^
The Humor of Life
Scrappy : Do you call that thing on your head a hat ?
MRS. Scrappy : Do you call that thing in your hat a
head ? —Liff.
ACCORDING TO AGREEMENT
Hicks: "You don't mean to say you got thc»
better of Gabbie in an argument?"
Wicks: "Yes; I told him if he'd give me two
minutes to present my side, without interruption,
rd let him talk for an hour."
Hicks: "Well?"
Wicks : "Well, when I had talked through my
two minutes I jumped on a passing trolley car."
— Catholic Standard and Times.
HAIR RAISING
Husband — I feel in the mood for reading some-
thing sensational and startling — something that
will fairly make my hdr stand on end.
Wife — Well, here is my last dressmaker's bill.
— Washington Life.
WITH PLEASURE
Officer : "If you haven't a license you will have to
accompany mc."
Grinder: "All ri>?ht, sir— what will you sing?"
— Leslie's HWkiy.
SELF-KNOWLEDGE
First Speculator-: "What are you in the s.i'-ect
-a bull or a bear?"
Second Speculator: "Neither; I'm an ass.**
—Judge,
READY TO EXCHANGE
A man in Texas is anxious to exchange his
home and property down there for a residence
in New York State. We are his man, and he can
have ours whenever he can arrange matters. —
Star of Hope, published in Sing Sing.
POOR MAN
Mrs. Lectoor: "Do you know that you talk in
your sleep?"
Lectoor: "Well, it's the only chance I get"
— Lip pine otfs.
WHY NORAH WAS WORRIED
My maid Norah went to consult a fortune-
teller and returned
wailing dismally.
"Did she predict
some great trou-
ble?" I asked sym-
pathetically.
"Och, mem, sich
therrible news!"
moaned Norah,
rocking back and
forth wringing her
hands.
* * T e 1 1 me, I
said, wishing to
comfort the girl.
"She tould me
thot me father
wurks hard shov-
elin' coal an' 'tind-
in' foires fer a
livin'."
"But that's no
disgrace nor sor-
row," I said, a tri-
fle vexed at such affectation.
"Och, mem, me poor father!" sobbed Norah.
"He's bin dead these noine years!" — Judge,
A JAPANESE PRINT
—Puck.
'TESTIMONIAL
"I want to testify to the efficacy of Dr. Brown's
Elixir," writes a grateful correspondent. "My
rich uncle took one bottle and now I am his sole
hejr." — Washington Life.
GETTING EVEN
"I wouldn't wed the smartest man
That ever lived," said she.
"You couldn't, madam," he began;
"I'm married now," said he,
— Joe Cone in Judge.
$3.00 a Year
April 1900
Price 25 C«
urtem
Literature
EtttMl hr WiVWARD J. MmrWlMR
THE CVRRENT WTERATVRE PVBLISHING C«
34 "West 26th Street, NewYorK
Be Fair to Your Skin, and it will
be Fair to You — ^and to Others
yV BEAUTIFUL SKIN can only be secured tbrougk Nfature^s work. Gkafltly,
'^ "^ korrid imitations oi Beauty are made by cosmetics, balms, po'w^ders, and otker
injurious compounds. Tbey put a coat over the already clogged pores oi the skin,
and double tne injury.
Now tbat tne use or cosmetics is being mveigned against from tke very pulpits,
tbe importance or a pure soap becomes apparent. Tne constant use or Hand Sapolio
produces so Iresli and rejuvenated a condition of tbe skin tbat all incentive to tbe mse
oi cosmetics is lacking.
HAND SAPOLIO is
SO PURE tbat it can be Ireely used on a new-bom baby.
SO SIMPLE tbat it can be a part oi tbe invalids supply w^itb beneficial results.
SO EFFICACIOUS as to bring tbe small boy almost into a state oi ''surgical
cleanliness" and keep bim tbere.
The pen with
the Clip-Cap
For Easter-~-
Rejoice
Stop doing penance by unnecee-
•ary dipping into an ink-bottle.
Have pen and ink in band by uiing
Waterman* • Ideal Fountain Pen.
If you enjoy tbia relief yourtelf*
\«rby not make an appropriate
Easter Gift
€>i one of our Lily design pena to
some friend or relative wbo would
appreciate a like convenience.
Pena may be bad in attractive
Eaiter boxes on request.
Insist on tbe **Ideal'* pen witb tbe
spoon-feed. Tbe Clip-Cap i§ a
pocket convenience identified only
writb tbe genuine.
Pens purcbased anywbere may
be excbanged if unsatisfactory
at any of our addresses.
L. E. WATBIMAN CO.
173 Broadway New York ! ^
Baa iTraoclico. Chicago. Boitoa. MoatnaL
stereograph Copyright, 1900. Underwood Sl Underwood. New York.
THE SPOKESMAN OF THE ADMINISTRATION
A new picture of the Secretary of War, who has twice refused an appointment to the Supreme Court.
*'Tafc is a mighty hustler, but there is nothing * strenuous/ as that word has been defined in later days,
about him.
" He hustles calmly. He disposes of immense quantities of work with an air of beneficent leisure."
Ctiment Literature
TJL XL No 4 Edwafd J. Wheeler, Editor
^ Associate Editors: Leonard D. Abbott, Alexander Harvey
APRIL, i906
A Review of the WoWd'"'* ^' ""« */
r'4;
PR a "treasonable body" (see vari-
ous magazines for specifications) the
United States Senate has been behav-
ing very well of late. "It has done the Senate
good to be written up in the magazines/' re-
marks the Omaha World-Herald; "the critics
have had a tonic influence upon that ancient
and honorable body." Two bills the Senate
has recently disposed of in a way to elicit
almost unbroken approbation from the press of
the country. The passage of the Heyburn
pure food bill, by a vote of 63 to 4, comes
after a struggle of fifteen years or more, and
is in line with the recommendations of the
President. It is the first administration meas-
ure to run the gauntlet of the upper house
in safety. It prohibits the shipment of adul-
terated foods and liquors from State to State,
or between this country and any foreign coun-
try, and prohibits all traffic in such goods in
the Territories and the District of Columbia.
Further than this Congress has, probably, no
power to go. The bill will affect industries on
which, it is estimated, the people spend $400,-
000,000 a year, and the recent decision of the
Supreme Court denying to corporations the
privilege of refusing to furnish incriminating
evidence will doubtless make the pure food
bill, if passed also by the lower house, more
effective than anyone had heretofore dared to
hope. The passage of the bill by an almost
unanimous vote is regarded as a notable tri-
umph of public sentiment. Two magazines of
large circulation — Collier's Weekly and The
Ladie/ Home Journal — have been making a
crusade for this measure and have reason to
congratulate themselves.
THE second bill disposed of by the Senate in
apparent harmony with public opinion in
general is the statehood bill. On this bill the
Senate joined h§^ ^iffa the Administrati^ji,
<''DGE,
VIN^
and, strange to say, for once public sentiment
has supported the Senate and opposed the Ad-
ministration. By the small majority of two
votes, the bill as it had come from the lower
house was amended so as to eliminate Arizona
and New Mexico entirely. As it stands now,
the bill makes one State out of Oklahoma and
Indian Territory; but the lower house has
again to act on the amended bill, and Speaker
Cannon is reported to be in a belligerent mood
on the subject. We fail to find much support
in the press for any belligerent attitude that
the Speaker of the lower house may feel dis-
posed to take. The apparent desire of the in-
habitants of Arizona to remain in a territorial
condition rather than be yoked up with New
Mexico has had a determining effect upon the
views of the country at large as voiced in the
press, and the effort to attribute this popular
opposition in Arizona to corporate jobbery has
not been very effective. The action in amend-
ing the bill was a victory for justice, according
to the Boston Herald (Ind.) ; it was the right
way out, according to the Minneapolis Journal
(Ind. Rep.) ; the reasons for such action were
convincing, according to the Louisville Cou-
rier-Journal (Dem.) ; the Senate has acted
wisely, according to the Boston Transcript
(Rep.) and the New York Journal of Com-
merce (Financial).
ON TWO other bills, the action of the Sen-
ate arouses bitter condemnation. The
refusal of the Senate Committee on the Phil-
ippines, by a vote of eight to five, to report the
Philippine tariff bill either favorably or un-
favorably is not of necessity final, as the com-
mittee may change its attitude before the end
of the session or the Senate may possibly
order the bill reported. It is the general opin-
ion, however, that the bill is desd for this
session and the protest is general mS, atrt-
344
CURRENT LITERATURE
monious. The committee that has strangled
it did not divide on party lines. Five Repub-
licans and three Democrats voted to kill it
and three Republicans and two Democrats
voted to report it. The chief opposition to
the bill comes from the sugar and tobacco in-
terests, including planters, farmers and
cigarmakers. The bill, despite the hostility of
these interests, passed the lower house a few
weeks ago by 258 to 71. The New York Sun
thinks the defeat of the bill will make little
difference economically to the Filipinos:
"The day of judgment is not blotted from the
calendar. It is only shuffled a few months into
the future. The weary grind will hive to be
gone all over again. At another session a new
bill will go in, more witnesses will appear before
the committees with the same often repeated as-
sertions and figures. It is tedious business, but
the next time the machine gets into action it
should start from the only proper point of de-
parture. That would provide for free trade be-
tween the Philippine Islands and this country."
From stereogiapb, copyright 1006, by Underwood k. Underwood, ^. T.
SENATOR BY UNANIMOUS VOTE
John Tyler Morean, of Alabama, was a member of the
State convention tnat decreed secession for his State in
1861. He was a Confederate brijfadier. Is serving hisfifth
term as United States Senator, not a vote beinsr cast
ag^ainst him in the Alabama le{?islature in 2900. He has
been called "the father of the Panama Canal," but he
disowns his child. He is suspected of being a Democrat!
I N PASSING the ship subsidy bill, but under
1 a much more euphonious name than that,
the Senate has confirmed the charge of
subservience to corporate interests, in the
judgment of many, and, in the judgment of
many more, has done a wise deed of patriot-
ism. The bill was introduced as an act "to
promote the national defense, to create a force
of naval volunteers, to establish American
ocean mail lines to foreign markets, to pro-
mote commerce, and to provide revenue from
tonnage." It was passed by a majority of
eleven, party lines being pretty closely drawn
in the division. It contemplates an annual
expenditure running from three to eight
millions a year, and aggregating in ten years'
time about forty millions. It authorizes thir-
teen new contract mail lines, three to run from
Atlantic ports (to South America and South
Africa), six from ports on the Gulf of Mexico
(to Central America, Mexico, Panama, Brazil
and Cuba), four from Pacific ports (to Japan,
China, the Philippines and to Mexico, Cen-
tral America and Panama). The Democratic
press is loud in opposition, and most of the
independent papers stand with them. Both the
principle of the bill and its methods are con-
demned, and it is charged that the only public
sentiment in its favor has been worked up by
the Merchant Marine League of the United
States, with headquarters at Geveland. Mr.
Bryan's paper. The Commoner, says: "It is
plain that the ship subsidy schemers arc de-
termine^ tp rn^e a desperate effort to push
ADMINISTRATION MEASURES TN THE SENATE
345
, li^iti rJc.-ij..t :LH.t, bj: Lih*Ji:rwu4id 4£. CddfcJWiHj'J, ^<"* Y^ik.
MAlCmQ LAWS FOR EIGHTV SlILLIONS OF PEOPLE
This IB the Honim of Rep res*Diflt Ives Cu flessios, Speaker CMnnon in the chair.
the tnc^iiure through the house at this session,
indmtfn who, regardless of political prejudice,
have supported Mr. Roosevelt In the matter of
nilwajf rate legislation wiU regret to leam
tbt this oboDxious measure has his unquali-
M sttpfvort,"
The argutnetits for and against the bill have
been too often thrashed out in past years to
ciaJce it necessary to repeat them here at this
time. They go back pretty far and down
pretty deep into the theory of government
aisd political economy*
WHAT will the Setiatc do about railroad
rates? Thai, after all. is the question
jJait|tiE arouses the greatest amount of inter-
it conflicting answers are sent out
fchrnglon in quick succession. One
iWng Is rcasortably clear, that the Senate does
reilly wish to do much, if anything, and
ib^t keeps the proposed legislation
alive now is the infiucnce of the President
and the belief that his desires represent those
of the people. Senator Foraker, in one of
the most notable speeches yet made on the
subject, asserted that the demand for railroad
rate legislation had no place in campaign dis-
cussions in 1904, and * 'never commanded any
serious attention until the President mentioned
it in his annual message/' Then *'his popular-
ity was so great and he so thoroughly com-
manded the confidence of all classes of people
that there was an immediate and very general
acceptance of his recommendation/' This re-
fers not to rate regulation by States, which is
not new and the constitutionality of which is
not doubtful, but to rate regulation by Con-
gress. Whether Senator Foraker is right or
not, any action the Senate may take will have
a perfunctory appearance. The debate, so far,
has been rather lopsided. Senator*s Dol liver's
reply to Senator Foraker's legal argument
346
CURRENT LITERATURE
From stereograph, copyright 1900, by Underwood A Underwood, N. I.
HE HAS CHARGE OF THE RATE BILL IN THE
SENATE
This is a new picture of Senator Tillman, of whom the
Macon Telegraph says : " Whatever his errors in the past
or his mistakes in the future. Senator Tillman has more
genuine 'Rrit* than any other man now in American
public life."
against the Hepburn bill was wholly inade-
quate, and in general it must be admitted that
both in and out of the Senate the advocates
of the bill have failed adequately to sustain
their side of the case. An exception should
be made of Senator Raynor's speech in favor
of the bill, which was vigorous and effective.
ONE signal illustration of the fact that the
bill is one whose life depends almost
wholly upon the President's favor, is seen in
the article which President Hadley, of Yale,
contributes to the discussion. President Had-
ley is a specialist on the subject, having been
a professor of political science before he be-
came president. His article, which appeared
in the Boston Transcript, is a clear and can-
did argument against the bill and then an
equally clear and candid appeal for its passage !
He rehearses the experience in Great Britain
along this line and the attempt there, in 1873,
to regulate rates by means of a commission not
subject to court review except in a very lim-
ited degree. The attempt was abandoned "not
because it hurt the railroads, but because it
failed to benefit the shippers." The attempt
to prevent appeals to the courts proved "a
complete failure," and the shipper found that
the route to a final adjudication had simply
been rendered more circuitous. President
Hadley sums up his views of the Hepburn
bill as follows:
"The Hepburn bill does not appear likely to
accomplish its object. The history of English
railroad regulation shows that a similar measure
passed under closely analogous circtmistances
failed to do the good which its advocates ex-
pected. The same failure is likely to be repeated
in the .United States, when an act provides that
a commission shall be at once an advisory body,
a prosecuting body, and a judicial body. The
combination of these three functions in one office
is repugnant to the Constitution of the United
States, to common law, and to the American
sense of fair play. And the bill is subject to
this further criticism, that by investing the com-
mission with certain judicial duties and powers
which it cannot well assume, it incapacitates it
for the most important administrative functions
which properly belong to it. What the United
States needs is an act under which the commis-
sion will take part in the making of tariffs and
give effect to the public interest in the general
questions of railroad management, leaving the
specific cases of violation to be stopped or pun-
ished by the courts. The arguments, both his-
torical and economic, in favor of a bill to have a
commission do its own business instead of re-
lieving it of that duty in order that it may do
somebody's else's business, are very strong in-
deed."
II OW, then, holding such views, can Presi-
n dent Hadley advise the passage of the
bill? The answer is, in brief, because Presi-
dent Roosevelt favors it. We quote again :
"The country is today in the midst of a great
GETTING THERE
— Maybell in Brooklyn Jiag/e.
THE FIGHT FOR RATE REGULATION
347
wave of moral sentiment. This has been aroused
by the insurance inquiry, by the evidences of
political corruption in cities, and by various
abases of corporate power which have come to
light If the spirit of reform is allowed to have
its own way it will result in a good many wise
acts, and some foolish ones also; but the good
is pretty sure to outweigh the evil. If, on the
other hand, this sentiment is resisted, every case
of nnintelli^ent resistance will give rise to deep-
seated misunderstandings; will intensify the evils
aiui dangers incident to the movement; will make
radicals out of those who should have been con-
servatives; and will during the next time of
commercial crisis leave us face to face with the
danger of bitter class struggles.
"Of this movement of public sentiment Presi-
dent Roosevelt is the recognized leader. . . .
He represents a sentiment which under leader-
ship like his is most salutary; but which, should
it fall under the direction of other leaders, might
readily become hysterical or pernicious. .The
position of many of the senators and rq)resenta-
tives, that they will stand for a bill which has the
approval of the President and not for one which
fails to have his approval, is in my judgment a
wise one. And though I cannot concur with the
President in believing that the Interstate Com-
merce Commission is the proper body for judi-
cial determination of rates, I believe that it is
better to acquiesce in a measure that he approves
than to insist upon a compromise which would not
satisfy him or anyone else."
THE latest reports on the situation as we
go to press indicate that Senator Spoon-
er's provision for court review will be added
to the Hepburn bill and the bill then passed.
"The lawyers of the Senate who have been
taken into the confidence of Senator Spooncr,"
so a Washington correspondent states, "have
been completely won over to the plan by its
completeness and sagacity." It provides for a
RECOGNITION
— WashlnFrton Star,
Proro atcreograpb, copyright 1906. b\ (Judcrwood ft Uuderwood, N. Y.
THE MOST OUTSPOKEN FOE OF THE HEPBURN
RATE BILL
Of Senator Foraker's speech against the bill, it was
said : "That speech must be answered or the bill is dead."
He was bom on an Ohio farm, served through the Civil
War, being but nineteen when it ended, was twice Gov-
ernor of Ohio, and has a great reputation as an orator.
court review of the commission's decisions, but
requires that' a railway company that appeals
to the court must deposit a sum of money suf-
ficient to cover the difference in rates on all
traflfic affected by the decision. If the rate de-
creed by the commission is sustained by the
court, the shippers receive whatever part of
this deposit is necessary to reimburse them for
the loss by reason of the delay caused by the
appeal. The Spooner measure would require,
moreover, that railroad companies make a
monthly report to the Interstate Commerce
Commission of all goods shipped on their lines,
the names of shippers and the rates of ship-
ment But why, asks the Springfield Repub-
lican, all this perturbation over the court re-
view section of the bill? It calls attention to
a passage in the speech made by Senator Knox,
supposedly with the President's approval, in
Pittsburg last November. Senator Knox said :
"There is no order that can be made by any
commission or board now existing, or which it is
proposed to create, that can change a rate or
practice that is unreasonable or unjust without
its order being subject to review in a judicial pro-
ceeding in the United States circuit court upon
the ground of the unreasonableness of the order
of the commission, and there is no law that does
and probably no law could be enacted that could
prevent the court, if satisfied that injustice had
348
CURRENT LITERATURE
Kroni itcreograpb, copyright 1906, by Undertiood ft Underwood, N. T.
A STRONG SUPPORTER OF THE PRESIDENT IN
RATE REGULATION
Senator Dolliver's term of office expires next year,
but his views of rate regrulation are popular with his
Iowa constituents and will help him to a re-election. He
figures {prominently among the senatorial advocates of
the President's views.
been done the railroads, from staying the opera-
tion of the order upon terms until the court had
passed upon the merits of the controversy."
If that is the case, says The Republican,
why should conservative Senators fight the
Hepburn bill to the last ditch because it lacks
an explicit court review clause, and why, on
the other hand, should the more radical Sen-
ators oppose an amendment which merely
grants a power which the courts already
possess and of which they cannot be deprived
by act of Congress?
EFFORTS to curb the great corporations
go merrily forward, and the year 1906
promises to be a banner year in this re-
spect. The great insurance companies have
been reduced, for the time being at least, to
a realizing sense of their true relations to the
public, and there is a fair prospect that legis-
lation at Albany and elsewhere will make their
conversion lasting. From the seat of war in
Washington come reports of progress in the
enactment of legislation to put a bit. in the
mouths of the great railroad systems. Rail-
way rate legislation seems likely to pass in
some reasonable shape, and though it will not
be all that the most radical demand, it will
undoubtedly bring a very considerable degree
of wholesome restraint with it. But more
sweeping and perhaps more effective than the
proposed legislation either at Washington or
Albany is the recent action of the Supreme
Court of the United States. This body, which
political agitators a few years ago regarded
with the greatest hostility as a body of reac-
tionaries, has rendered a decision which the
late Democratic candidate for President, Judge
Parker, terms "one of the events of American
history."
SENATORIAL PERSUASION
— Donahey in Cleveland Plain DeaUr,
NOT railroad corporations alone, nor in-
surance corporations alone, but all cor-
porations, big and little, arc affected by the
decision of the court. It was delivered by
Judge Brown, whose early retirement from the
bench has been announced, and it is a worthy
valedictory. The cases before the court were
the tobacco trust and paper trust cases, in
which certain information had been refused on
the ground that it would tend to incriminate
the corporation. The decision is, in
effect, that the constitutional privilege
of refusing to g^ve self-incriminating
evidence is a personal, but not
a corporation privilege. Says Judge
Brown, in giving the court's decision :
"The individual may stand upon his
rights as a citizen, but the corporation
is a creature of the State. It is pre-
sumed to be incorporated for the benefit
of the public. It receives certain special
privileges and franchises and holds them
subject to the laws of the State and the
limitations of its charter. Its rights to
act as a corporation are only preserved
to it so long as it obeys the laws of its
creation. There is a reserved right in
the Legislature to investigate its con-
tract and find out whether it has ex-
ceeded its powers. It would be a strange
A NOTABLE SUPREME COURT DECISION
349
anomaly to hold tliat a State, having char-
tered a corporation to make use of certain
franchises, could not in the exercise of
its sovereignty inquire how those fran-
chises had been employed and whether they
had b€«n abused, and demand the produc-
twn of the corporate books and papers for
that purpose.
"The defense amounts to this: That an
officer of a corporation which is charged
with a criminal violation of the stat-
ntc may plead the criminality of such cor-
poration as a refusal to produce its books.
To state this proposition is to answer it.
While an individual may lawfully refuse to
answer incriminating questions, unless pro-
tected by an immunity statute, it does not
follow that a corporation vested with spe-
cial privileges and franchises may refuse to
show its hand when charged with an abuse
of such privileges."
THIS reasoning seems almost axio-
matic, but it has been promptly rec-
ognized as of the greatest importance.
Judge Parker calls the decision "one of
the most important and far-reaching that
have ever been delivered from the
bench." He says further:
"By this action the Supreme Court has
taken away the last loop hole through
which the trusts hoped to avoid the lime-
light of publicity being thrown upon their
unlawful methods of dealing with com-
petitors. It opens the way for a complete
examination of their affairs, which I have
no doubt will be immediately probed to the
bottom, if not in this administration at least
within the next few years. . . . This
decision means that their last resource to
avoid the law has been exhausted, and
nothing is left but for them to submit to
an examination which in most cases will no
doubt result in a prosecution under the Sherman
anti-trust law. This will generally mean a con-
viction, and the breaking up of these unlawful
combinations. Altogether I regard Monday's de-
cision as one of the greatest things that has hap-
pened for the welfare of the American people in
modem years."
The decision, says Senator Spooner, "is a
powerful weapon to put in the hands of the
Executive, and especially at this time when
inquiry into the affairs of corporations is be-
ing urged.
WANTS THOROUGH REFORM IN THE MUTUAL LIFE
SIMILAR views are expressed by Senators
Lodge, Cullom, Foraker, Tillman and
others, and the newspaper comment is pitched
on the same key. The Evening Post (New
York) regards the decision as a vindication
of Judge Parker's position in the campaign
two years ago when he made the assertion
Stuy vesant Fish resigned from a committee appointed by the
trustees and will head an international policy-holders com-
mittee. The subsequent fiRht by Harriman to oust him from
the presidency of the Illinois Central has aroused deep mterest.
His father was Grant's Secretary of State.
(disputed at the time by President Roosevelt)
that the common law, as applied by our courts,
already furnished a remedy against many of
the evils that attach to trusts and that it had
not been adequately evoked. The effect of the
decision now made is thus interpreted by The
Evening Post :
"What the decision upholds is, essentially, the
inquisitorial powers of grand juries. They may
make dragnet inquiries. With no specific
charge before them, they may summon the
officers and agents of corporations, and compel
them to produce their books and accounts, as also
to testify to matters within their knowledge, even
though the result be to show the corporation
guilty of acts in violation of the anti-Trust law
and other statutes of Congress. 'Of what use is
it,' asks the court, 'for the legislature to declare
these combinations unlawful, if the judicial power
may close the door of access to every available
source of information upon the subject?* The
Supreme Court opens the door. Of course, as the
3J0
CURRENT LITERATURE
THE "YELLOW DOG" FACING THE MUSIC
— W. A. Rogers in N. Y. Herald.
decision points out, corporations like individuals
are to be protected against 'unreasonable
searches'; but a search made by the officers of
the law, with the intent to show the commission
of a crime, cannot hereafter be frustrated by any-
hasty slipping on and off of masks.
"It is a wholesome thing thus to be rcmindeci
of the inherent powers of judicial process at a
time when the land is filled with the cries of the
panacea-peddlers. . . . Let the law against
combinations be rigorously enforced, in the way
pointed out by the Supreme Court, and nine-
tenths of the shifts proposed, with all of tHe
speeches made, would be seen to be useless."
This power of compelling the production of
evidence extends, as the New York Times
points out, to the State governments as well
as the Federal Government, and one of the
first results, it thinks, will be the enactment,
in the near future, of a g^eat many pure- food
bills and of bills protecting the public against
"shoddy" that is palmed off as American
woolen goods, and against other forms of in-
dustrial fraud; for "the manufacturer's books
and contracts will convict him if he continues
his career of vile adulteration."
WHAT is to be the fate of our vast
insurance societies? One person out
of every four in the United States is
directly interested in that question, and thou-
sands of policy-holders in every continent share
in that interest. In the capitals of the Old
World policy-holders* organizations have been
formed to look out for their members in the
midst of the turmoil that was precipitated less
than one year ago, and the recommendations
of the Armstrong Committee may be said,
therefore, to be almost an international affair.
The report of that committee would fill about
150 pages of this magazine. In addition to the
report, the committee has drawn up twenty-
five bills embodying the results of its delib-
erations, which are to be presented to the leg-
islature. Already Ohio and Pennsylvania pa-
pers are urging their legislatures to pass the
same bills. The period of agitation and sen-
sational revelations is apparently about over
and the period of reconstruction has begun in
earnest. • The latter is never so dramatic as the
former, but it is what really counts.
so DIFFERENT
— W- A. Rogers in N. Y. Herald.
THIS Armstrong Committee consists of
eight members of the State legislature
comparatively unknown to fame. Six of them
are up-State lawyers^ one of the others is a
Tammany politician who is in the real-estate
business, and another has no reported occupa-
tion. Not a likely lot of men, at first thought,
to frame a new structure for such vast inter-
ests as are represented in the insurance system.
And yet these men, with the assistance of
^
M
Cj ~ W JL C' 1^
e^S ^ * ^
sis^^
B *^ S £ S S *
352
CURRENT LITERATURE
three other law'yers — Charles E. Hughes and
his two associates — and an actuary, Mr. Daw-
son, who is admitted to stand high but is
charged with a fondpess for "impracticable
theories," have evolved a report and a series
of recommendations which have elicited a cho-
rus of applause from conservatives and radicals
alike, such as no other similar document has
perhaps ever elicited. Of course, there are
criticisms, especially from insurance officials;
but even they almost uniformly treat the report
with respect, and are careful to avert any im-
pression that they are opposed to it as a whole.
The New York Times, as it peruses the report,
finds reason for renewing its confidence in
popular government. It says:
"No one can read the report of the Armstrong
Committee, or contemplate the transformation
which the insurance business in this city has un-
dergone during the past year, without reaching
the deep conviction that in this country there
are no great wrongs that public opinion cannot
right, that no dangers threaten the people against
which they have not in their own hands ample
powers of defense. The immediate consequence
of the differences that arose between Mr. Alex-
ander and Mr. Hyde a little over a year ago was
the disclosure of unsound and dangerous condi-
tions, of unlawful practices, and of gross abuses
of trust in the great insurance companies. For
the cure of these evils no new and untried reme-
dies were administered. The aid of no swashbuck-
ling crusader in the work of reform was invoked.
There was nothing unusual, nothing at all out of
the ordinary in the methods resorted to to root
out evil and restore wholesome condiitions in
the life insurance business. . . . These re-
forms have been wrought by public opinion made
effective through use of the ordinary machinery
by which the interests of the Commonwealth are
safeguarded."
TPHE above is from a conservative paper.
* But the radical and conservative press
are at one in commending the report. The
World (New York) trains with the radicals,
and it insists that "the Armstrong bills should
not be amended to the extent of a punctuation
mark without the consent of the committee and
Charles E. Hughes, whom the people trust."
Another paper of a distinctly radical character
is the Philadelphia North American. It says:
"The report of the legislative committee which
investigated the three corrupt life insurance com-
panies in New York is a great document, which,
not improbably, marks the beginning of the re-
moval of all the abuses from which American
life insurance business generally has suffered.
. . . It is quite safe, we think, to say that all
the things which this report declares should be
forbidden to life insurance companies in New
York State should be prohibited to life insurance
companies everywhere. The law in each State
should narrow down their opportunties for wrong-
doing, just as It has done in the cases of savings
funds and ordinary trust funds."
Nothing less than the superlative degree
contents the New York Sun in speaking of the
report and of the debt of gratitude which the
public owes to Charles E. Hughes. It remarks :
"In thoroughness, impartiality, and generally
in fearlessness in the statement of facts ascer-
tained and the conclusions therefrom, the report
submitted yesterday to the Legislature will rank
at the head of all similar documents in the liter-
ature of investigation. Perhaps nothing of the
sort ever published before contains so much mat-
ter of vital interest to so many people."
And The Tribune (New York) speaks with
almost equal enthusiasm:
"The all but universal acceptance by public
opinion of the suggestions of the Armstrong com-
mittee is an impressive testimonial not merely to
the zeal and ability with which the investigation
was conducted, but to the conservative wisdom
with which remedies have been advised. Senator
Armstrong, Mr. Hughes, Mr. McKeen and their
coworkers have done what even the most san-
guine would not have dared to predict six months
ago. They have solved the problem of reforming
abuses without disturbing properties ; of satisfying
a critical and perhaps somewhat hysterical public
of the thoroughness and sufficiency of their
measures and at the same time commending them-
selves to the good opinion of the judicious. The
most radical are satisfied and the most conserva-
tive find little or nothing of which they can justly
complain."
"It is conceded," says the Boston Herald, "to
be one of the ablest, most comprehensive and
courageous documents that ever emanated
from an investigating committee in this coun-
try. There is not a streak of whitewash in
it."
HOSTILE criticism of the report as a whole
is almost entirely lacking; but there are
numerous criticisms of specific recommenda-
tions. One of these recommendations, if en-
acted into law, will make it illegal for any
society hereafter doing business in New York
State to write more than $150,000,000 of new
insurance in any one year. This would mean
probably a positive decline in the size of the
largest companies. In the three largest com-
panies in 1904 the amount of insurance that
expired from death, lapses, maturity of con-
tracts, etc., was an average for each of $175,-
000,000. If the new business were, therefore,
limited to $150,000,000, the amount of the out-
standing insurance of these companies would
contract each year — ^an event which was prob-
ably foreseen and desired by the committee.
RECONSTRUCTING THE LIFE INSURANCE COMPANIES
353
This provision, together with other provisions
recommended by the ' committee, to abolish
Ixmuses to agents and prizes for new busi-
ness and renewal commissions after a certain
period, and to keep expenses for getting new
business within the amount of the total load-
ings upon the premiums, will, it is thought,
hit a large number of the agents very hard and
drive many out of the business. Two com-
panies, the Mutual Life and the Equitable, have
5,000 agents each and the New York Life has
considerably more. On this subject of agents,
a British expert, Charles D. Higham, ex-presi-
dent of the Institute of Actuaries, had some
interesting things to say recently in an inter-
view:
"Fd stop hunting for new business if I were
at the head of your big companies. Fd adopt the
method we follow in this office. If a man wants
to be insured in our company he comes here and
tells us so, and we examine him carefully to see
whether we shall take him in as a partner in our
mutual company. We do not pay anybody a
farthing to get us new business — not a farthing.
I would establish that same rule in the New
York company.
*Tt's of no advantage to one of those great com-
(»anies to get in millions on millions of new busi-
ness— ^if the company is to be managed in the in-
terests of the policy holders. The very best thing
that could happen to any one of the companies
which has been going wrong would be to have
its management announce it had no further use
for agents, and would sell its insurance over its
own counter, and be extremely careful to whom
it sold it."
mitted to hold corporation stocks which
carry the control of banks, trust companies
and railroads, so long will they be involved in
the exploits of the Street, and the interests of
their policy-holders may be sacrificed to the
ambitions of captains of industry and com-
merce."
ANOTHER recommendation
made by the Armstrong
Committee is to deprive insur-
ance companies of the right to
invest their funds in stocks of
any kind, and requiring them to
dispose of all that they now
have by the end of five years.
The main purpose of this is to
check the tendency to make use
of the big insurance companies
and their vast surplus funds to
gain control of other corpora-
tions, such as railroads and
trust companies, by obtaining
possession of the stock. This
recommendation, according to
the New York Tribune, "goes to
the heart of all speculation in
insurance funds and the misuse
of those funds to serve ulterior
purposes. ... So long as
insurance companies are per-
A THIRD recommendation which the com-
mittee makes is the abolition of the de-
ferred dividend policies, a recommendation so
important, in the opinion of the Toledo Blade,
that even if all the other recommendations are
rejected and this one alone enacted into law,
"the result will be well worth the committee's
efforts and a monument to its sound judgment"
Other provisions embodied in the committee's
report are for the standardization of policies,
for prohibiting campaign contributions, for a
much greater degree of publicity in the affairs
of the companies, for the mutualization of the
stock companies and a clean sweep of all trus-
tees now holding office, policy-holders to elect
entire new boards November 15 next. Two
defects the Springfield Republican finds in
the report: it would achieve nothing directly
and certainly in the way of reducing the cost
of insurance to where it ought to be; and "in
confessing an utter inability to meet the par-
ticularly crying evil involved in so-called indus-
trial insurance, the committee is inferentially
obliged to admit a failure to rise to the full
demands of this whole great life insurance
problem."
DOES IT PAY?
— Philadelphia NQr$h American,
354
CURRENT LITERATURE
HE WILL SPRINT IN THE OLYMPIC GAMES
Archie Hahn, of Milwaukee, is the world's amateur
champion for one hundred yards.
OTHER events in the insurance world of
interest secondary to that of the Arm-
strong Committee's report alone, are: the in-
dictment of the chief officials of the Mutual
Reserve Life for larceny and forgery; the
death of John A. McCall, ex-president of the
New York Life; the return from Europe
of "Judge" Andrew Hamilton, his friend and
the chief disperser of the "yellow dog fund"
used by the large insurance societies to influ-
ence legislation; the retirement of Stuyvesant
Fish from the investigating committee ap-
pointed by the trustees of the Mutual Life, on
the ground that the management refused to
co-operate in making the investigation as thor-
ough and complete as he thought desirable.
The first-named of these events — the indict-
ment of the chief officials of the Mutual Re-
serve— is thought likely to herald a long line
of such indictments that may result in placing
behind bars some of the men who have been
responsible for the giving of trust funds to
campaign committees, and committed other of-
fenses of a flagrant sort. Jerome has been
fiercely assailed of late by the more sensational
journals, such as The Evening Journal and The
World, for his apparent failure to act in the
direction of criminal prosecutions. If he has
simply been making thorough preparations for
a crusade on this line, it is quite possible that
the most dramatic events in the insurance rev-
elations are yet to come. Hamilton's return
at this time set all the guessers to guess-
ing. By some it was thought that Jerome had
secured his return in order to obtain him as
a witness ; by some it was thought that he had
come back to resume his service to the com-
panies in the usual way by defeating the
Armstrong Committee's bills. By some it was
thought that McCall's dying expression of con-
fidence in Hamilton and his belief that the lat-
ter would return and vindicate his (McCall's)
name have brought him back. The latter sur-
mise seems to be warranted by his appearance
before the Armstrong Committee a few days
after his return and his fierce denunciation of
the trustees of the New York Life as "curs"
and "traitors." He asserted that they all knew
of his work and his vouchers had passed
through the successive auditing committees
without protest. Further statements are prom-
ised by him.
NOTHING in the way of athletic devel-
opments has for many years equalled
in interest the attempt being made to
revive the old Olympic games of Greece and
make them truly international in their charac-
ter. The attempt is not entirely new, but it
is assuming a degree of success this year that
is unprecedented. King George is the honor-
ary president of the games and the Crown
Prince of Greece has had active charge of the
arrangements. All the leading countries will
have official representatives present this year,
secured through the negotiations of the Greek
diplomatic representatives. In this country,
for instance, the Greek embassy persuaded
President Roosevelt to accept the honorary
WILL SWIM IN THE WORLD'S CONTEST IN
ATHENS
C. M' PanletSf of New York, is the champioq aoiateur
gwlmmer of the world.
AMERtCA'S PART IN THE OLYMPIC GAMES
3SS
presidency of the American committee, and
be has selected James £. Sullivan to act as
his representative at Athens. The sum of
$14,000 has been subscribed and paid for ex-
penses to be incurred in sending American
contestants, and twenty-nine men have been
selected from all sections. They are expected
to arrive at Athens April 16, and one week
later the games will begin. Emperor William
and King Edward are expected to be present
as guests. Our delegation of athletes, ama-
teurs all of them, is said to be the largest that
any nation will send, and they are expected
to give a good account of themselves. Our
runners especially, so experts say, seem to be
far ahead of those of any other coimtry, and
as six of the fifteen contests will be run-
ning, we may hope that the Stars and Stripes
will fly high. There are to be races for 100
meters, 400 meters, 800 meters, 1,500 meters,
5 miles and 42 kilometers (from Marathon
to Athens). There are to be contests also in
standing broad jump, running broad jump,
high jump and hop, skip and jump. Our ath-
letes will be represented in all these, and also
in the swimming contest, the pole vault, the
putting of weights and the pentathlon.
SPEAKING of athletics, the evolution of
the game of football is going forward with
some favorable signs, though not sufficiently
favorable, as yet, to secure any expressions of
confidence from men like Presidents Eliot and
WILL LEAP FOR FAME AT ATHENS.
Ray Bwry wUl be America's contestant in the standing
broad and high jump.
THE DISK-THROWER WE SEND TO THE GREEK.
GAMES
Martin J. Sheridan is an Irish-American and the cham-
pion disk-thrower of the world.
Butler. The Rules Committee has agreed upon
numerous changes that look well on paper and
will, it is hoped, produce the "open game" that
is so eagerly sought for. The ten-yard rule
has been adopted, meaning that the side having
the ball must hereafter gain ten yards (instead
of five) in three downs, or forfeit the ball.
Various devices have been adopted to weaken
the defense and make the ten-yard gain possi-
ble. One of these devices is the "forward
pass" which used to add so greatly to the spec-
tacular interest of the game. Tackling below
the knees is forbidden except for the four men
in the center of the defensive line. Measures
are also adopted that are designed to eliminate
mass-plays. "As matters stand now/' says the
3S6
CURRENT LITERATURE
THE OLYMPIC RACE FROM MARATHON TO ATHENS
This picture shows the Stadion. in Athens, Greece, where the Olympic
Games are to be held April aa to May a, in which the United Sutes will
have many contestants. The picture above represents the scene at the close
of the last race from Marathon to Athens (more than ao miles), when the
winner was ending his run, coming down the track between the two lines
of cheering athletes at a good pace. The Stadion will seat 60,000 and is
built of white marble, on the site of the an
Lykourgos.
I ancient theater built 330 B. C. by
New York Sun, commenting on the niles,
"there is not the least doubt that football will
be played next fall nearly as usual; that new
rules and new government will enable the re-
modelled game to-^'make good/ and that then
people will begin to wonder — as many have
wondered all the time — what all the fuss was
about, anyway."
In addition to the new rules, most of the in-
stitutions prominent in the game, both East
and West, and including Yale, Harvard and
Princeton, have agreed to bar from their uni-
versity teams hereafter all freshmen and all
students in graduate and professional schools.
There seems to be no difference of opinion as
to the advisability of this action. This step,
remarks the Cleveland Plain Dealer, "will
work reform in two directions where it
is sadly needed. It will put an end to, or at
least discourage, the practice of recruiting
from preparatory schools, and also put out of
business, literally speaking, the mature and
experienced athlete who so often turns in in
a graduate or professional school and takes
his departure therefrom after the season's
schedule has been completed.''
EVERAL events during
the last few weeks have
combined to force the
race question again to the front.
By a striking coincidence, Gen.
J. Warren Keifer, of Springfield,
Ohio, introduced in Congress a
bill to provide for the reduction
of the representation in Con-
gress of eleven Southern States
which have disfranchised most
of their negro population, on the
same day that a mob in his own
city began to attack the resi-
dence district of the negroes in
the endeavor to burn down their
dwellings and to drive the occu-
pants from the city. This double
incident, the one in Washington
and the other in Ohio, brought
into comparison the status of
the negro SoiJth and North, and
has quickened the ceaseless dis-
cussion on a problem which Carl
Schurz, after more than thirty
years of study, pronounces ap-
parently "insoluble," and which
gives rise to what the paper
founded by that stem old aboli-
tionist, Horace Greeley, is now
calling "a new irrepressible con-
flict." In addition to these two events, agita-
tion of an intense sort has been aroused by
Thomas Dixon, author of the novel and the
drama entitled "The Qansman," who has been
addressing audiences on the subject of his play
and eliciting heated replies from many sources.
CIVIUZATION IS ONLY SKIN DEEP
^Jamieson in Pittsburg Dispatch,
LIGHTS AND SHADOWS IN THE RACE QUESTION
357
OHIO was the first State west of the Alle-
ghenies to establish an outright abolition
paper. The most famous line of "under-
ground railway" during the period of slavery
ran from the Ohio River to Lake Erie, pass-
ing, if not through Springfield, within a few
miles of that city. Springfield itself, a city
of 40,000 inhabitants, is a college town, and
has one church, it is said, ' for about every
thousand inhabitants. Two years ago a fierce
outbreak against the negro element occurred,
that resulted in the lynching of a black who
had killed an officer of the law and the de-
struction of considerable property, most of it
used for low negro dives. No penalties to
amount to anything were inflicted by the
courts afterward. The recent outbreak was
occasioned by the shooting of a white man,
a brakeman, by two negroes. The riot that
ensued resuhed in the burning of a number
of shacks in what is called the "Jungle," the
whole loss amounting to only about $15,000.
But the danger of more extensive damage was
only averted by the speedy despatch to the
scene of turmoil of eight companies of militia.
Quick trials by jury resulted in convictions of
a number of the rioters, and nowhere. North
or South, is any defense of the riot itself made
audible. "The Odessa of Ohio" is the way in
which the Cleveland Plain Dealer speaks of
the city in which the riot occurred. "If mis-
sionaries shall be forced to fly from China,"
says the same paper, "they can find an ample
fidd for their endeavors in the 'Jm^&^e* of
darkest Ohio." And another Ohio daily, the
Toledo Blade, asserts that a spirit of lawless-
THE CRADLE OP CRIME
— McCutcheon in Chicago Tribune.
AN AMERICAN NEGRO OF DISTINCTION
Prof. W. E. B. DuBois, of Atlanta University, and a
Ph.D. of Harvard, protests bitterly against the treat-
ment of his race in Georgia, " He has done more to give
scientific accuracy and method to the study of the race
Suestion than any other American who has essayed to
eal with it," says 7hf Voice of the Negro. He is gen-
eral secretary of the "Niagara Movement/* a new organ-
ization of negroes.
ness is daily gaining strength in that State:
"Mayors wantonly ignore their sworn duties,
chiefs of police shut their eyes to crime and
every man in the guise of personal liberty is
assuming to be a law unto himself." The
Pittsburg Dispatch calls attention to the fact
that the Urbana lynching a number of years
ago was in the next county to Springfield and
that race riots have also occurred in Oxford
and Washington Court-House, in the same
section of the State. "What is there in this
section," it asks, "that starts the mob to burn
and slay?" The answer to this question, as
made in Springfield itself, at a meeting of the
Commercial Club, was: "The present condi-
tions are due to politicians catering to negroes
and low whites, and to the lax police and court
methods."
SIMILAR causes, remarks the New York
Evening Post, are the reason for nine-
tenths of the racial outbreaks the country
over. It calls attention also to the conclusion
reached by Professor Royce, of Harvard, after
studying the negro question in Jamaica, which
was that nine-tenths or more of the whole
negro problem is simply a question of the ad-
ministration of government. Southern papers
35t
CURRENT LITERATURE
Photo by.Vtndcr Weydc
HB BELIEVES IN HARD WORK AS THE NEGRO'S
SALVATION
Booker T. Washington is a Harvard A.M., a Dartmouth
LL.D., and the foremost leader of his race to-day. He was
bom in slavery.
have some interesting remarks to make. Thus
The Advertiser, of Montgomery, Ala., things
and says (seriously, not satirically) that some-
thing should be done to secure better protec-
tion of the negroes in the North: "They are
safe nowhere, it seems, north of Mason and
Dixon's line, and are apparently regarded as
outlaws, who have no civil rights and are en-
titled to no protection." The New Orleans
Times-Democrat remarks that "the advent
of any large proportion of negroes to a North-
cm town leads to the same result; and the
emigration of Southern negroes to the North,
from which much was expected in the way of
the relief of negro congestion, brings only
riot and disorder to the towns where the
blacks make their homes.** The Louisville
Courier- Journal calls attention to an alleged
difFerence between race riots North and South ;
'*Jn the North, as demonstrated twice at
Springfield, and in numerous other
places, it is not so much an ebullition of
temper against the individual negro as a
racial outbreak. In the South, however
great the provocation, the violence is
usually limited to the guilty party, while
other colored people not implicated in the
crime are not molested.** The Northern
press is more savage. The Philadelphia
Ledger says, for instance, referring to
General Keifer's bill : "It would be amus-
ing, but not impertinent, if the Southern
members of Congress should now intro-
duce a resolution of inquiry into the state
of civilization in Ohio and the fitness of
the electorate at Springfield to send mem-
bers to Congress.*' And the Times (New
York) says: "It appears that Springfield
in particular and Ohio in general are,
in an important particular of civilization,
not entitled to call themselves civilized
communities." The New York Tribune
thinks that neither Pennsylvania, nor
New York, nor various other Northern
States that it names, can gracefully ad-
monish Ohio on this subject, but admits
that "the Southern States, on the con-
trary, and especially the States in the
*black belt,' may naturally be tempted to
point to Northern race riots as a suflS-
cient reply to Northern criticisms of
Southern outrages of a similar char-
acter." It goes on to say :
"The not infrequent disclosure, under
similar circumstances, of the same attitude
North and South toward the colored race
must not be taken as an excuse for mob
law in any section, state or city of the Union.
In the words of Lincoln, There is no griev-
ance that is a fit object of redress by mob
law.' Society and civilization itself are founded
upon the respect of the individual for law. Once
allow that respect to be diminished, or, worse still,
to be disregarded, in th^ case of the negro, and
it is only a natural and logical step to disregard
it in the case of the Chinaman and the Japanese,
of different nationalities of the white race, and
finally of individuals, thus resolving society into
its elements, with chaos as the result."
ALL THIS does not bring us much closer
to a solution of the race problem. Prac-
tically the same things have been said over
and over again in the last few years, though
there is this time less sectional animosity than
usual in the comments made. Nor does the
remedy which is being championed by General
Keifer nor that agitated by Mr. Dixon seem
to inspire much hope. General Keifer's bill
THOMAS ^iXOhl'S '^WAV OUT''
3S9
to reduce the congressional representation of
Sonthern States is, of course, based upon the
mandatory provision in the Fourteenth
Amendment to the Constitution (Section II),
and is apparently in direct line with the latest
national platform of the Republican party; yet
the bill has called forth almost no sup-
fK>rt in the press outside New England, and
but little there. The Boston Transcript and
the Lewiston Journal bring out anew the dis-
crepancies in the voting strength represented
by Congressmen in some Southern and some
Northern districts; but they both seem to
admit that it will take something more than
the present conjunction of circumstances to
move either Congress or the country on the
line proposed by General Keifer. "If a Bour-
bon President," says the Lewiston paper,
"should ever be elected because of the South-
cm mutiny against the Federal Constitution,
something more radical than evolution might
be invoked." And The Transcript observes:
"Let a tariff law injurious to the industrial
North and West be enacted by the represent-
atives of the disfranchising South as the
dominating element of a Democratic majority,
and we may see the North and West institute
an inquiry as to how their withers came to
be so painfully wrung." The Washington
Post insists that the first thing to do to vin-
dicate the Fourteenth Amendment is to as-
certain judicially that it has been outraged.
"Let the Southern constitutions be fetched be-
fore the Supreme Court before we jump at
conclusions about the Fourteenth Amend-
ment" In other words, there seems to be a
general disposition to "let sleeping dogs lie,"
OF THE NEGRO, BY THE NEGRO, FOR THE
NEGRO
Provident Hospital and Training School, Chicaj^o, is
the first Institution of the kind established in this country
by the colored people for their own race. Its founder is
Dr. D. H. Williams, and one hundred graduates have
Blrtady been provided with diplomas.
THE WIFE OF BOOKER T. WASHINGTON
She was Maggie J. Murray and she became Mrs. Wash-
ington in 1893.
NOR HAS Thomas Dixon's "way out"
caused any considerable body of citi-
zens to rise up and call him blessed. His
play "The Clansman" has elicited press con-
demnation in the South as well as the North,
though it has drawn large audiences in both
sections. Mr. Dixon's remedy, however, is
not contained in his play. That is a vindica-
tion of the Ku Klux Klan, and it applies to
conditions that prevailed a generation ago.
As for the present and the future, the solu-
tion he offers is the one Bishop Turner and
a few other blacks have been urging for years
— transportation. "We must remove the negro,
or we will have to fight him," says Mr. Dixon.
Bishop Turner has in mind deportation to
Liberia or some adjacent part of Africa, and
Mr. Dixon's eye seems to be on the same coun-
try, though he has not been lavish with de-
tails of the proposed deportation scheme. He
sees the negroes in this country numbering, in
half a century, sixty millions instead of ten, as
36o
CURRENT LITERATURE
now. "When he smashes into your drawing-
room some time in the future with a repeating-
rifle in his hand," says the gentleman from
North Carolina, "you will make good on your
protestations of equality or he will know the
reason why," Further:
"We are educating the negro, and are placing
in his hands the most dangerous of all weapons —
a trained intellect. But, in every essential, he
remains a negro still. If we keep on and make
him our equal — ^what then? Time has demon-
strated that the white and the black races cannot
amalgamate. The conflict between them shows
no sign of abating. Are we wise, then, as white
men, to arm our natural enemies against us?"
These utterances, and especially another to
the effect that there are no outrages commit-
ted upon negro women by white men for the
simple reason that negro women do not know
what virtue means, have elicited passionate
rejoinders, especially from negro speakers.
At a largely attended meeting in Cooper
Union, held under the auspices of the newly
formed Constitutional League, Prof. Kelly
Miller, of Howard University, Washington,
referred to Mr. Dixon as follows:
"Now comes Thomas Dixon, Jr., that frenzied
apostle of an evil propaganda, who would deprive
the negro of his rights by holding up the grotesque
and repugnant side of his life with hideous por-
trayal. This shameless apostate priest of God,
with undisguised daring, is doing the work of the
devil. With satanic glee he stirs the fire of race
wrath and inflames the evil passions of men."
UTTERANCES less impassioned, but voic-
ing much the same sentiment, are ex-
pressed in many directions. Incendiary
speeches like Mr. Dixon's, says the Toledo
Blade, cause more trouble than even the
lynching bees of the South. " The Clansman*
should be suppressed," says the Indianapolis
Sentinel, "and the sooner the better." The
New York Sun quotes "a distinguished statis-
tician"— Prof. Walter F. Wilcox — to show
that the negroes, instead of numbering sixty
millions in fifty years, are not likely to num-
ber even twenty-five millions in another cen-
tury. It continues:
"The solution of the negro question need not
be forced, and cannot be forced arbitrarily. It
will come of itself. The now relatively thinly
peopled South at no very distant period will
draw to it so great an accession to its white popu-
lation, invited by universal opportunities of pros-
perity, that proportionately the negro race will
become of insignificance, or at least cease to be
a cause of alarm in the most timid soul. Just
now, instead of discussing means of getting rid
of the negroes, the South needs them and all
the other labor it can get in order to develop the
wonderfully rich natural resources with which it
is endowed. If Mr. Thomas Dixon should go
down into some Southern State where the negroes
are numerous and start a scheme to take them
away and send them elsewhere by wholesale, he
would be likely to wear a coat of tar and feath-
ers before he had gone very far.
Other papers quote approvingly Booker T.
Washington's recent assertion: "One point
about the negro may be considered as settled.
We are through experimenting as to where the
10,000,000 of black people are to live. We
have reached the unalterable determination
that we are going to remain here in America,
and the greater part of us are going to remain
for all time in the Southern States."
aUICK alternations of light and shade ap-
^ pear in the picture presented by the
country at large of the condition of the ne-
groes and of their prospects as a race. The
gloomiest predictions and the most positive in-
dications of retrogression come at present from
the North. On the subject of lynching, how-
ever, a distinct improvement is indicated by
such statistics as are available. The record for
1905 is the most encouraging one for the last
twenty years. In 1892 there were 235 lynch-
ings, the highest figure ever reached. In 1901
there were 135, and since then there has been
a steady decline to 66 last year — ^the lowest fig-
ure since 1885. Says the Springfield Repub-
lican :
"The persons lynched the past year were, as
in the previous years, for the most part negroes,
65 of the 66 being of the colored race. Yet only
15 lynchings in 1905 are charged up to the unmen-
tionable crime, 34 being for simple murder and
15 for 'miscellaneous' reasons. In 1904, 39 lynch-
ings were for assaults on women and 36 for
murder. The colored race, consequently, the past
year furnished far less of that special provoca-
tion which the whites have always presented as
their justification for the resort to mob law and
savagery. From the viewpoint of both races, the
decreasing number of lynchings must be a source
of deep and unmitigated satisfaction. It may be
fairly argued that both races are gaining in self-
control. In the case of the whites, this result is
doubtless due to the creation in recent years of
a powerful public sentiment against the lynching
evil rather than to such legislation as has been at-
tempted in a number of states. In the develop-
ment of the sentiment the best people of the
South have been potent, and the gradually en-
larging triumph over the terrible scourge of law-
lessness is peculiarly their triumph. The whole
South is to be heartily congratulated upon its
success in making such visible headway against
the worst crime of American civilization."
In Alabama last year there was not one as-
sault by a negro upon a white woman reported
THE CONDITION OP THE NEGRO TO-DAY
361
(according to the Columbus, S. C, State),
and no lynching for that crime in South Caro-
lina.
AS FOR the color line in industrial occu-
pations, it is less visible, according to the
Southern press, in the Soiith than in the North.
Says the Macon (Ga.) Telegraph:
"At the recent meeting of the Southern Cotton
Association there was present a delegation of
negro cotton growers from Hinds county, Miss.,
and in explanation of their presence the secre-
tary of the Mississippi division said: 'We do not
have any separate organization for the negroes
of our state. We must have every negro farmer
enrolled under our banner and we want co-opera-
tion such that separate associations for negroes
would not answer our purpose. Therefore the
negro branches have all been discontinued and
the white and colored farmers belong to the same
organizations.' That's Mississippi, mind you I
... It is another demonstration of the fact
that here in the South negroes have every prop-
erty right and that they have as much opportunity
to gain wealth as the white man."
The Advertiser, of Montgomery, Ala., says
there is hardly an industry in that city in
which negroes and whites are not working
peacefully side by side, and the Richmond
Times-Dispatch says that that is the condi-
tion also in that city. The president of Fisk
University gave recently a sweeping testimony
to the good behavior of the negro graduates
of that institution. He said: "Fisk university
has e^ablished a thousand foci of civilization.
A map starred with the location of its alumni
reveals points of illumination from the state of
Washington to Florida, and from Boston to
San Antonio. I defy you to point out a loafer
among them. Criminality is practically un-
known in their ranks. They are property own-
ers, home makers, leaders in their community."
The same sort of thing is said of the alumni
of Tnskegee, Hampton, and Atlanta Universi-
ties.
WRITING in The Outlook recently, Booker
T. Washington tells of the progress of
his race in one county of the South — Glouces-
ter, Virginia, one of the counties that has been
longest under the influence of Hampton Uni-
versity. The blacks number a little over one-
half of the population of this county, which
has a total of 12,832. Here are some of the
statistics Mr. Washington gives:
"According to the public records, the total as-
sessed value of the land in Gloucester County is
$66^132.33. Of the toUl value of the land, the
colored people own $87,953.55. The buildings in
the county have an assessed valuation of $466,-
127.05. The colored people pay taxes upon $79.-
387 of this amount To state it differently: the
negroes of Gloucester County, beginning about
forty years ago in poverty, have reached the point
where they now own and pay taxes upon one-sixth
of the real estate in this county. This prosperity
is very largely in the shape of small farms, vary-
ing in size from ten to one hundred and fifty acres.
A large proportion of the farms contain alx>ut ten
acres."
There is, Mr. Washington goes on to state,
little evidence of immoral relations between
the two races, and there was but one case of
bastardy, in 1904, within a radius of ten miles
of the court-house. In the same year there
were but fifteen arrests for misdemeanors, but
one of them of a negro, and seven arrests for
felonies, five of these being of negroes. And
this most optimistic of all the negro leaders
concludes by saying: "In the great majority of
counties in the South the conditions as to edu-
cation, economic life, and morality are very,
very far below Gloucester County, but what
has been done in this county can be equaled
or surpassed in the near future if all of us.
North and South, black and white, will do our
whole duty."
IN SHARP contrast with this come the ut-
terances of others of Mr. Washington's
race. His note of optimism is not just now the
prevailing note with the blacks. An organiza-
tion called the Georgia Equal Rights Associa-
tion has recently been formed by negroes at a
convention in which every congressional dis-
trict of the State was represented. It issues
an address signed by many of the best known
colored leaders, including Bishop Turner,
Prof. W. E. B. DuBois, and many others. It
charges against the whites unjust discrimina-
tion against the blacks, not only politically, but
educationally and economically. While the
school population is divided nearly equally, it
is asserted, between black and white children,
four-fifths of the public money for education
goes to the white children. The negro farm-
ers have received but $264,000 out of the
more than $1,000,000 which is contributed to
the State by the Federal Government for agri-
cultural training. The address says further;
"The laws that govern our economic life and
the rules of their administration are cunning with
injustice toward us. Especially true is this in
the freedom of labor contracts; so much so that
farm labor is almost reduced to slavery in many
parts of the state. The ignorant laborer is held
in a network of debt and petty crime, compelled
3^^
CVkRENT LifERATURS,
to work like a slave, unable to leave his master
or to demand decent wages.
Even in cities and in the more enlightened parts
of the state the effort is continually making to
force down the wages of black laborers, bar them
out of all but a few trades, and to give to no
black man, however competent or deserving, any
work or wages that the meanest white man may
demand. . . .
"We do not desire association with any one
who does not wish our company, but we do ex-
pect, in a Christian civilized land, to live under
a system of law and order, to be secure in life
and limb and property, to travel in comfort and
decency and to receive a just equivalent for our
money; and yet we are the victims of the most
unreasoning sorts of caste legislation; we pay
first-class railway fares for second-class accommo-
dations; we are denied access to first-class cars
and to sleeping cars; we are segregated, mis-
treated and harassed on street cars; and in all
cases not only is a separation contrary to common
sense enforced, but the law is interpreted and ad-
ministered so as to let white men go where they
please and do as they please, and so as to restrict
colored people to the most uncomfortable places."
STILL a difTerent note is sounded by another
negro, the Rev. T. W. Thurston, the su-
perintendent of the Ashley-Bailey silk mills,
at Fayetteville, N. C, which employs more
than 600 negroes. He also speaks in a somber
tone, but it is the negro himself, not the
Southern white man, that makes him serious.
He sees the negro youth rapidly "sinking to
the depths of uselessness, insolence and vi-
ciousness," and he goes on to address his peo-
pie as follows :
"The best people of the whole Southland looked
upon our progress with pleasure and pride. They
share our sorrow in our suffering, but the stub-
born facts still face us. There are millions who
are practically dead to every sense of usefulness
in their community, their county or their State.
Indolence and idleness can no more survive the
industrial awakening than night can outlive sun-
shine. For one to continually call attention to
grievances, real or imaginary, past or present, will
not give strength for life's struggles. Remember
that every lawful thing is a step somewhere in
the stairway up to greatness and to God. That
spirit of kindness, loyalty and devotion that en-
throned-the mothers and fathers in the hearts of
many of the noblest sons and daughters of this
mighty Southland will at least make for us
friends. The great majority of the race
will never be able to do more than to go
hand in hand with the sturdy army of bread-win-
ners, acquire a modest home and surround them-
selves with simple comforts; and not that if the
opportunity that is now before them is not seen,
seized and improved. To the moles and bats
with this ceaseless agitation of the separate cars
and the late constitutional amendment. They are
not the most important things that hinder our
backward race. We have got to start our struc-
tures where our civilization finds us, and build
from the granite upward, and make ourselves the
people wanted upon the farms and in the homes,
the shops and factories of the South. Rest you
assured the people who do the most and the best
for the least, will get the most to do, whether they
be negro, Italian or any other class of the human
family."
WILLIAM H's imperial Chancellor.
Prince Btilow, told some Reichstag
leaders in the strictest confidence a
month back that Germany would be justified
if she began a tariff war against the United
States. She had threatened one for some little
time; but, as all the world knows, she yielded
when the ist of March was drawing near.
The event was far less important to this coun-
try than Billow's subsequent explanation of it,
as some European dailies interpret that ex-
planation. What Germany most needs at pres-
ent, said Prince Biilow, according to the sev-
eral versions of his remarks, Is the support of
President Roosevelt in world politics. If the
President's support is not to be had all the
time his benevolent neutrality must not, at any
rate, be forfeited. "We wish," Prince Bulow
is quoted in the Kolnische Volkszeitung as
having said, "to avoid a splendid isolation. We
want President Roosevelt's republic as a rear-
guard whenever Great Britain and France
unite for an assault upon us. Hence the inter-
change of professors arranged through the
German Emperor between American universi-
ties and German universities. Hence, also,
the amiability of the Emperor to the United
States. Hence, as well, our compliance with
the wish of ihe United States Government that
the provisional tariff be extended until next
year." In commenting upon the remarks at-
tributed to the imperial Chancellor, a writer
in the organ of the Lutheran denomination in
Germany admits that the time may come when
the empire will need the American friendship
for which the Emperor strives. "A menace
to Canada on the part of the United States,"
we read, "would then be as serviceable to us
Germans as the march of ten thousand South-
west Africans on Cape Town. Great Britain
can be struck only at her periphery," So
much for the Bulow diplomacy.
NOTHING is gained by the assertion that
the Chancellor's confidential lecture on
the Emperor's American policy has been inac-
curately reported, declares the London Post,
Somebody has let the cat out of the bag, and
it does not doubt that Btilow indulged in these
confidences. "The German people mu^ be kept
WHY GERMANY IS COURTING AMERICAN FAVOR
363
in touch with the thoughts of the statesmen
who control their destinies." Yet so little docs
Bulow now control those destinies, according
to the Socialist Vorwdrts (Berlin), that this
indiscretion of his may cost him his post. In
any event he is not the imperial chancellor he
ought to be. The prince's own idea of what
an imperial chancellor ought to be was im-
parted to the Reichstag in a burst of frank-
ness when the American tariff was under con-
sideration. No chancellor, declared the prince,
should dream of curtailing the Emperor's right
of personal initiative, a right but for which
a tariff war would even now be raging be-
tween our republic and William's realm. The
German people, Btilow assured the deputies,
desire not a shadow but a man of flesh and
blood for an emperor. An imperial chancellor
who deserves the name and who is not an
old woman will not countersign anything for
which he cannot conscientiously answer. It
docs not, however, follow that the imperial
chancellor should resign the moment, in any
affair whatsoever, he differs in view from his
sovereign. If that were the case, said the
prince, his predecessors would have resigned
on more than one occasion. "The first qual-
ity which an imperial chancellor must possess
is judgment." He can then distinguish be-
tween great political questions like that in-
volved in a tariff war and affairs of less im-
portance. Btilow, as imperial Chancellor, is
not, he himself thinks, a purely executive
organ, a mere instrument. That would be a
conception of his office adequate neither to
the interests of the nation nor to the wishes
of the Emperor himself. "I wish you were as
little prejudiced as his Majesty," concluded the
prince, amid the laughter of his hearers.
IN SUCH rich tints did Prince Biilow paint a
full-length portrait of his official self. He
manifested, in his interpretation of the Em-
peror's American policy, all that old-time prej-
udice in favor of studio half-lights which is
so characteristic of his well-known taste in
French and Italian art Thus a caustic critic
in the Independance Beige (Brussels). Ger-
man criticisms of the prince's self-portraiture
•suggest the work of those marine artists whose
tempests are a little too appalling and whose
shipwrecks are a little too theatrical. Surely,
says the Kreuz Zeitung, the nation which de-
feated the French at Sedan need not have
been wiped out by a tariff war with America.
Moreover, as one newspaper organ in Berlin
has repeatedly declared, the Reichstag, in the
tariff controversy with America, is yielding
less to Roosevelt than to a Chancellor who does
not understand the vital conditions of a par-
liamentary organism, a Chancellor who is seri-
ously deficient in the knowledge essential to
negotiation with a democratic government.
His previous long career in the diplomatic
service, we are told, and his want of oppor-
tunity to behold the inner workings of a par-
liamentary organism render his conduct of
the dispute with Mr. Roosevelt amateurish.
True to the instincts of a diplomatist, he re-
fuses to see that in domestic politics involv-
ing tariff disputes — ^and American politics is
all tariff — it is essential for success to show
one's colors. The Americans do not under-
stand a tariff dispute when approached from
the Btilow standpoint of pure diplomacy. Re-
fusing to sit upon any particular chair, con-
cludes this candid critic, Btilow landed upon
the floor.
IN REALITY, Btilow won a great success,
viewing the matter from the official press
standpoint, when he averted the tariff war
with this country. The prince is believed to
be now high in favor with the Washington
Government. Talk of his dismissal by Em-
peror William must always be nonsensical as
long as he retains that favor. The idea of
exchanging university professors between the
two nations was really his. Biilow will, there-
fore, continue indefinitely as imperial Chancel-
lor, to resolve all debate in the Reichstag, be
its subject what it may, into a series of quota-
tion from the poets — tariff wars, Polish unrest,
Monroe doctrine, what you will. He has
transformed Germany into a land of govern-
ment by classical allusion in a sense far more
literal than that indulged in when France was
termed a despotism tempered by epigrams.
Nor did the prince drag Schiller, Goethe,
Homer or Shakespeare in by the neck and
heels when he discussed the tariff. He caused
them to rise as gracefully from a commercial
treaty as did Venus from the sea. No other
living statesman thus assuages "the insolence
of office" — German Socialists pronounce that
insolence flagrant in the prince's case — by
charging the atmosphere of a representative
body with the world's best literature.
I N HIS equipment for this exquisite labor
*^ the prince would come well out of a com-
parison with the courtliest bookworms of
Queen Elizabeth's prime. English he speaks
fluently, as the London journalists to whose
364
CURRENT LITERATURE
THE WIT WHO SWAYS THE REICHSTAG
Prince BQlow persuaded a reluctant German Reichstaflr
to avert a tariff war with America, and then explained
his course in a confidential talk that has made a diplo-
matic sensation.
interviews he has been submitting so urbanely
• of late testify. Shakespeare seems almost as
dear to him as Goethe, and Goethe is perhaps
the poet he quoted most frequently in the
Reichstag during the tariff debate. Bulow's
fluency in French goes without saying, since
he was trained for the diplomatic service. The
six years he spent in Paris on the staff of the
German ambassador there are understood to
have enabled him to gain that peculiarly inti-
mate knowledge of French institutions which
he exploited to such advantage when he drove
the Foreign Minister of the Republic — Del-
casse — from his office and brought about a Mo-
rocco conference in spite of the real wish of
France. But Italy, next to his native Ger-
many, seems to be the land which has done
most for Prince Biilow in the diplomatic sense
during the last few months. He and his Ital-
ian wife — she was a Countess Donhoff, bom
Princess of Camporeale, and daughter of that
Donna Laura Minghetti who was so celebrated
in Roman society years ago — have in common
a passion for Italy. It was to Italy, according
to his own official organ, that the prince
looked for most effective support of German
policy at Algeciras. It was not forthcoming,
say the French dailies. The German dailies
say it was. The Rome Tribuna says Italy
sent the Marquis Visconti-Venosta to Alge-
ciras to keep her from taking sides. However,
it is to Italy once more that Prince Biilow is
going for his spring vacation. He is to see
the Italian Minister of Foreign Affairs. When
he abandoned the Roman embassy to take
charge of the Ministry of Foreign Affairs in
Berlin, he felt, said Biilow at the time, like
Ulysses. When he reaches Rome this year,
remarks the Berlin Vorwdrts, he ought to
feel like Sancho Panza.
WILLIAM IPs real opinion of this poet-
ical cast of statesmanship is now a
matter of keener speculation than ever. The
way the Morocco conference has gone brings
no credit to Biilow. When the prettiness of
the prince's metaphors grows fly-blown, when
the play of his sarcasm, sporting with the
ideals which German socialism would fain
pluck from the pale-faced moon — this expres-
sion is the prince's own — ^precipitated the
scolding match of the last month in the Reich-
stag, the Emperor is surmised to have won-
dered what wisdom there may have been in
all that wit. But from what precise feature
of the present situation is born the rumor of
the prince's possible retirement in the near
future no one knows. The rumor has re-
WILLIAM II'S GREATEST MILITARY MAGNATE
Lieutenant-General von Moltke, son of the grreat field-
marshal, has recently been made chief of the general
staff in Berlin. This is the highest distinction open to a
member of the military profession in Germany. The
general staff is admitted by experts to be the most finely
eouipped bureau of military intelligence, of strategy and
ot tactics that has ever existed.
THE DUEL OF POWERS AT ALGECIRAS
365
curred periodically. To one report of the
kind his Majesty himself gave the lie direct,
not in words, to be sure, but in deeds. He
went with the Empress to the chancellery
and dined there with the prince. William II.
often invites himself to dine with those among
his ministers who chance to enjoy his special
favor. But never before had the. Empress ac-
companied him on such an occasion. The
truth seems to be that Biilow has a powerful
ally at court in William IPs liking for a chan-
cellor who has nothing in common with Riche-
lieu save a taste for poetry. The Emperor,
like Napoleon, has no use for any genius that
dwarfs his own. His spirit could not brook
a Bismarckian Chancellor riding the German
world as if it were not William IPs own horse.
*
* *
'T^HAT duel between Emperor William
I and republican France which has been
fought so furiously at Algeciras be-
neath the minuet-like formalities of a Mo-
rocco conference has just left the figures of
the combatants in a state of readiness to leap
forward or to withdraw. France fenced to
^eat disadvantage until she had maneuvered
Emperor William's chief delegate, Herr von
Radowitz, into a discussion of his master's
plans before the full conference. That hap-
pened in the second week of March, when
EMPEROR WILLIAM'S "OBSTRUCTOR"
HeiT von Radowitz, German delegate at Alfifeciras, is
accused of havingr "held up** the Morocco conference for
six weeks. When that no longer served the purpose,
says the parte TempSy Von Radowitz be^an to "bluff.**
THE SPHINX OP THE MOROCCO CONFERENCE
"The impenetrable features of the Berlin sphinx," says
the London Times correspondent, " remain as inscrutable
as ever."
"As to the attitude of Germany, it is not even a fog,"
says the Paris Matin^ "it it* a Chmese wall that faces us
in darkness."
Berlin laid aside the affectation of regarding
Morocco as a clean slate upon which France
had no more right to lay a pencil than Bel-
gium, Sweden or Holland had. When the
Emperor allowed Herr von Radowitz, Ger-
many's most brilliant diplomatist, to consent
to a Franco-Spanish soldiery in the Moroccan
dominions, Europe's press declared that the
Hohenzollern's sword arm had been struck.
But it turned out that William H had merely
guided away the edge of his adversary's weap-
366
CURRENT LITERATURE
From ■tereograpb, copy right 1908,^ by Underwood A Underwood.
A REVIEW OF THE ARMED FORCES OF THE SULTAN OP MOROCCO
This is averred to be a mobilization of the country's entire armv, but it must be pointed out that nei' her artillery
nor cavalry is in evidence, unless, indeed, those arms of tne service are concealed behind the infantry.
on. His purpose was to secure a German foot-
ing in Morocco through the "open door." Now,
what is an open door? A thing with a latch,
replies the Frankfurter Zeitung in an article
palpably inspired by the German Imperial
Chancellor, Prince Biilow. And the latch
of any door in Morocco, we are told next, will
be held by the regiments policing that inde-
pendent nation. Those regiments must be
inspected. The inspector must be neutral —
neither French, Spanish, German nor British.
Thus the conference sinks from a dispute over
a principle to one over technicalities.
AN IMPENDING ACCIDENT
' Hold firm! We'll get it together again."
—Berlin Kdidderaaafs^H
IT IS now a conference that has ceased
to exist for any practical purpose. So or-
gans of the highest authority in Europe tell
us and they speculate anxiously as to what
will happen next. The London Spectator
fears that Emperor William will proceed to
strengthen his influence over Sultan Abdul-
Aziz. What the German autocrat is alleged
to have been for ten years in Constantinople
— a fisher in troubled waters and a fomenter of
discord — that, we are told, will he become at
Fez. Abdul-Aziz is to be assured that he can
safely try the patience of the French, if not
openly defy them. The result of such inter-
ference will be that the whole Moroccan coun-
try will relapse into anarchy. Attacks upon
the foreign population, riots in the coast towns
and general insecurity of trade will almost
necessarily involve intervention by some power
aggn"ieved. That power is as likely as not to
be France herself, for her long frontier
toward Algeria makes her the Mohammedan's
neighbor. In that probable event Germany
may forbid French intervention and tell France
once again, as she in effect told her last sum-
mer, that if the French troops move across the
Algerian frontier, German troops will have
to move across the Rhine. Thus, infers the
Spectator, while the failure of the conference
does not mean immediate war, it does mean
that the condition of Europe has become one
of unstable equilibrium.
IF WAR WERE TO ENSUE BETWEEN GERMANY AND FRANCE 367
MOROCCO had nothing to do with the re-
cent minute to the German Emperor
from the general staff in Berlin, apprising his
Majesty that Germany can mobilize ahead of
any other power, defeat any force on her fron-
tier before an enemy's concentration is com-
plete and capture every accessible fortress in
a few hours. This minute was a secret official
document, it seems, prepared as a matter of
routine by the new chief of the general staff,
Lieutenant-General von Moltke. This Count
Moltke is the son of the great field-marshal,
and upon him would devolve the real leader-
ship of the forces in the event of that war
with France over Morocco which the Alge-
ciras conference has postponed. Now, Count
Moltke must have known, says the military ex-
pert of the London Times, that if hostilities
had come, the French armies would have been
ready fully forty-eight hours before their
neighbors across the Vosges. Germany could
have relied upon the arrival of some 500
troop trains a day on the left bank of the
Rhine in the probable zone of strategic con-
centration. If Emperor William had sent a
million and a half of men to the front for the
first onset, some 4,000 trains would have been
required, taking at least eight days' time ex-
clusive of that taken for mobilization. The
belief in France is that a general advance
could not begin before the twelfth day at the
earliest. The French armies would, if all
went well, be concentrated on the frontier as
soon, if not sooner, nor would they be inferior
in numbers. Germany has not, just now, ac-
cording to British military experts, any marked
superiority in numbers of trained men or in
facilities for their assembly. She is even said
to be inferior to the French in means for rapid
concentration* She is certainly inferior in
field artillery. Only war itself could prove,
concludes the London expert, whether France
possesses superiority in command, in efficiency
and in prowess. Colonel Picquart in the
Aurore, General Canonge and General Zur-
linden in the Gaulois and General Langlois
in the Temps agree that the third republic
can place 4,000,000 trained men under arms
to meet any attack. Paris dailies no longer
contemplate war in a spirit of panic.
ROUVIER'S anticlerical ministry came to
an end last month in France just
three weeks after separation of church
and state had been condemned in principle and
in practice by Pius X. The pontifical anathema
THE WINNER OF THE GREATEST VICTORy AT
ALGECIRAS
Sir Arthur Nicolson represents Great Brirain in the
Morocco conference. His task was not only to support
the demands of France but to prevent William II from
acquiring a port on the Atlantic.
AMERICA AT THE MOROCCO CONFERENCE
Teddy rides his Monroe doctrine horse all around the
table at Algeciras without breaking a dish.
—Berlin ICiadderadatsch
368
CURRENT LITERATURE
rightful place to religion, that supreme rule
and sovereign mistress in all that pertains to
the rights and duties of men. Hence the
Roman pontiffs, adds the Pope, have never
ceased to refute and to condemn the doctrine
of separation of church and state.
PIUS X
The Roman pontiff declares, in the course of an encyc-
lical to the French nation, that the Popes have always
condemned separation of church and state. The present
occupant of the chair of St Peter condemns it as well.
was thundered against the third French re-
public in a spirit described by the Paris Temps
as Platonic. Separation of church and state,
declared the Pope, is not merely absolutely
false in principle; it is a pernicious error,
based upon the view that the state should not
recognize any religious cult. The affront to
the Deity involved therein is pronounced very
gp"ave. Man owes to the Deity not only pri-
vate worship but public worship likewise. And
the principle of separation of church and state
is to the Pope a clear negation of the super-
natural order of things. It restricts the ac-
tivity of the state to the mere pursuit of the
public prosperity during this life. That eternal
happiness reserved for mankind when the
brief period of earthly existence has termi-
nated is thus completely ignored by the gov-
ernment. Separation of church and state fur-
ther overturns the order of things very wisely
ordained by God in the world — an order re-
quiring harmony between civil society and re-
ligious society. Finally, separation of church
and state inflicts serious injury upon civil so-
ciety itself. Civil society can neither prosper
nor long endure when it does not give its
ANTICLERICAL France, drilling for a bat-
tle at the polls now only a few weeks
away, immediately equipped its electoral ar-
tillery with ammunition supplied by this pon-
tifical outburst. "Victory," says the Paris
Lanterne, hater of all hierarchies, "has been
won for us by the Vatican !" But the Vatican
gave no thought to pending elections, it would
appear from well-informed dailies like the
Temps, The ostentatious authoritativeness of
the pontifical encyclical was only a form of
reproof addressed to those of the faithful
whose defiance of the police had littered the
floors of sanctuaries with smashed umbrellas
and crushed hats. Pious Roman Catholics
have been warned by many pastors and some
prelates to obey the law. Other clerics pre-
ferred, instead, to rise in bloody insurrection
against the constituted authorities engaged in
making lists of church effects. It was with
poignant distress, says the Matin, that Pius X
received bulletins from the seat of war. Forays
of the faithful from a besieged church upon
advance-guards of police and cavalry did not
commend themselves to the sovereign pontiff
as Christian tactics. Still less was he edified
by news that troops were arriving in front of
sacred edifices at a gallop, and that as a last
resort the firemen had been appealed to. Pow-
erful jets of water were directed against all
ranks of the faithful — counts, vicomtes, dukes,
persons of the highest consequence on the Fau-
bourg St. Antoine. "The effect," asserts the
anticlerical Action, "was splendid." All in
front, drenched to the skin, turned to flee.
The serried ranks in the rear held firm. Water
was accordingly turned upon the remoter units
of the mob. In a very few moments the only
demonstrators left were those whose injuries
made it impossible for them to rise and flee.
PIUS X at once intervened with his encyc-
lical. There is an eloquent severity in the
whole composition, sustained throughout by
the stateliness of the diction, which proves
how displeased the Pope is with the militant
faithful who brought the soldiers to the sanc-
tuary. The Journal des Dihats thinks so, at
any rate. The Scriptures teach us and the tra-
dition of the fathers confirms the fact, ob-
THE CHANGE OF MINISTRY IN FRANCE
Ptratogrspb by Underwood it Uudenrood.
CONSECRATION OF FOURTEEN FRENCH BISHOPS IN THE VATICAN
The Pope himself officiated at the ceremonies. They resulted in the filling of fourteen sees long vacant in the
French Republic owing to disputes between Paris and the Vatican. Separation of church and state left the Pope
free to appoint whomsoever he pleased, so far, at least, as the French Government is concerned.
serves the Pope, that the church is the mysti-
cal body of Christ. This body is ruled by pas-
tors. We thus find a human society of which
the heads have full and absolute power to
govern, teach and judge. It results that the
church of Christ is essentially an unequal so-
ciety. It is a society, that is to say, compris-
ing two sorts of persons. There are first of
all the pastors, those who occupy some rank in
the various grades of the hierarchy. After
them come the multitude of the faithful. Now
so greatly do these two sorts of persons differ,
proceeds the Pope, that in the pastoral body
alone resides any authority. As for the mul-
titude, they have no other duty, says the en-
cyclical, than that of letting themselves be led.
Like a docile flock, they are to follow their
pastors. To the Paris Temps this "bit," as
it calls it, is very interesting from a literary
point of view. "One would suppose oneself
reading the anathema of a medieval council
against some heresy." But the pontifical rhet-
oric, as it flows along the theme of separation,
resounds rather, thinks the Journal des Dihats,
with the clang of fire-engines as the hose is
turned upon French counts. Refusing to fol-
low their pastors, the flocks got wet By order
of the Cardinal Archbishop of Paris, the mis-
erere was chanted on all available altars as a
penitential expiation of the impiety of the
ministry. But the ministry had already expi-
ated, by its unexpected defeat in the Chamber,
Rouvier's absolute failure to inspire confidence
in clericals and anticlericals alike.
IF THE first ballots in the French general
election were not to take place in a very
few weeks, it is almost a certainty that Jean
Sarrien would not, last month, have been made
Premier of the republic. Anticlericalism got
rid of Rouvier on the eve of the voting from
the motive prompting Shakespeare to let Shy-
lock disappear at the end of the fourth act —
the harmony of the grand conclusion must be
absolute. So the leaders of the several Re-
publican groups looked on indifferently when,
through a casual combination of Socialists
with the clerically inclined, Rouvier fell into
an abyss deeply excavated to receive him. The
psychological moment at Algeciras had passed.
The struggle at the polls is to come. And in
France everything depends upon who "makes
the elections," as they say in Paris idiom.
Sarrien, the Radical representative of the sec-
370
CURRENT LITERATURE
THE WORLD GENIUS OF THE SOCIALIST
MOVEMENT
J[ean Jaurfes deserves this appellation, according to a
writer m the Berlin VorwHrts. He has great eloquence,
ability to orfi^anize, and parliamentary skill of the highest
order. He is leading the fight of French Socialism.
ond "circonscription" of Charolles — in the
Saone - et - Loire — assumed the premiership
solely to make the elections as comfortless to
A CONCILIATOR BETWEEN THE VATICAN AND
THE REPUBLIC •
M. Ribot leads the moderate element in the French
national political contest. He deprecates the violence
of anticlericalism and favors a return to the.'policy of
the concordat.
out-and-out Socialists as elections can be.
About 2,500 candidates have come forward to
contest the 600 or so seats in the Chamber
of Deputies. The opponents of the ministry
say, in the Paris Gaulois, that Sarrien will not
get credit for having separated church and
state among the supporters of that step. The
clericals, none the less, will hold him respon-
sible for all of it. It was to escape the perils
of this situation that Bourgeois, the most influ-
ential politician in France to-day; Qemenceau,
the most eloquent and the wittiest of anticleri-
cals; and Poincare, who detests socialism of
the Jean Jaures type, resolved to stand or fall
with Sarrien. Atheism, as one sarcastic cleri-
cal organ says, thinks it can dispense with the
aid of revolutionary socialism in making a
mockery of God.
MAKES TWO BLADES OF GRASS GROW WHERE
ONE GREW BEFORE
^M. Ruau is such a srood Minister of Agjicultnre that
he has been taken over by the new French ministry from
he old. t
MORE than 11,300,000 voters are entitled
to pass judgment upon the great issue
raised in France by the struggle with the Vat-
ican. It is not likely, however, that much over
9,000,000 of these will take the trouble to go
to the urns. The Sarrien ministry rests upon
the support of political groups controlling in
all fully 5,000,000 votes in the country at large.
That is why the antiministerial Republicans,
the extreme Socialists, the Nationalists and the
MEN AND ISSUES IN THE FRENCH ELECTION
371
HIS MOTTO IS: "FRANCE MUST BE
DECLERICALIZED I"
This is the cry of M. Doumereue, the Minister of
Commerce in the new French ministry. He played a
leading part in having cmcifixes and images removed
from courts of law and public places throughout France.
HE IS REGARDED AS THE PILLAR OF AN
"ATHEIST" GOVERNMENT
When the Pope learned that this statesman, Senator
CKmenceau, was to be in the new French ministry, his
Holiness is said to have exclaimed, " Then Heaven help
the church ! "
reactionaries will fail to dislodge Sarrien and
his anticlericalism. So run the arguments
of Bourgeois organs. Qerical dailies reply
that the voting will be exceptionally heavy.
For the first time in years the citizens of the
republic will have a perfectly clear issue placed
before them. The interest they showed at the
beginning of the year in seeing that their
names were put on the register has been taken
by the London Times as an indication that on
this occasion the number of abstentions will be
relatively small. The people, it is hoped, will
speak out, and decisively. The situation has
been explained and discussed before them from
every point of view with a thoroughness rare
in French electoral contests. They have to
decide "y^" or "no" for or against a ministry
which stands before their eyes as a symbol of
the state separated from the church, and as
an embodiment of that hostility to collectivism,
pure and simple, for which Bourgeois more
particularly stands.
PERHAPS not more than one-third of the
Chamber, and certainly not more than
two-thirds, will be definitely chosen at the first
ballots. The real trial of strength may not
come until the series of second contests, when
the candidates often emerge in an order very
different from that in which they stood on the
earlier scrutiny. The weaklings, the faddists
and the fancy candidates are eliminated, ex-
KNOWN AS "THE POLITEST MAN IN PARIS"
Paul Deschanel is nevertheless a sincere mait, now
playing a conspicuous part in the warm political cam-
paign throughout France.
372
CURRENT LITERATURE
plains the London Times, compromises and
combinations are effected and the battle is
fought out between the two or three politicians
in each constituency who have serious claims
of one sort or another upon the suffrages of
the people. Accordingly it by no means fol-
lows that parties in the new Chamber will
muster in the proportions suggested by their
mere numerical strength. A great deal will
depend upon the second ballots. Where reac-
tionaries retire in favor of Nationalists, or
Nationalists retire in favor of reactionaries,
most of the supporters of the retiring candi-
date may be trusted to vote against the Sar-
rien ministry even if they cannot vote for the
man of their choice. This principle cannot be
applied with equal confidence to the supporters
of rival Republicans of different shades. It
is very much less certain, for instance, to the
London Times that a Moderate will vote for
a Radical or for a Ministerial Socialist of the
Bourgeois school of human solidarity. At the
second ballots a certain number of electors
who voted for their own man on the first bal-
lots will abstain. On the other hand, a certain
number who stood aloof during the confused
fighting of the first struggle come to the poll
to decide at the second a definite issue between
two candidates which they know a narrow
majority may settle.
OBVIOUSLY, much depends in these deli-
cate adjustments upon who' "makes the
elections." Rouvier, as Premier, was not
trusted by those anticlericals who look to
Bourgeois and now fight behind Sarrien. Rou-
vier would have swung the official influence
toward the Vatican; Bourgeois would die be-
fore doing that. And yet the London Outlook
vouches for his horror of what is known as
Combesism— the extreme radical theories of the
now disintegrated combination that separated
church from state. Bourgeois claims that
radicalism is really a hindrance to collectivism
and provides a defense of the principle of pri-
vate property. It should be stated that such
radical Socialists as support Bourgeois do not
form a unit in the regular Socialist organiza-
tion. Bourgeois's followers are of a consider-
ably less advanced school than are the follow-
ers of Jean Jaures. A solution of the present
crisis, says Bourgeois, can be found only in a
union of all the democratic forces against Vat-
icanism and reaction. A majority for Sarrien
is not more important than the prevention of a
split in that majority. Otherwise there can
only be noisy and useless manifestations in
the Chamber when it convenes after the elec-
tions, the upshot being postponement of all
practical and genuine improvement in the con-
dition of France. So soundly does Bourgeois
interpret the situation, think German dailies
of the liberal type, that unless Sarrien's min-
istry is strongly sustained at every stage of
the voting, the separation of church and state
may be undone, if not legislatively then ad-
ministratively.
ALL independent constituencies have been
thrown into a state of ferment, writes the
well-informed correspondent of the London
Times in Paris, by the attitude of what may
be called the left wing of the Socialist party.
Ever since anticlericalism gained control of
the Government, the Socialists proper have
been standing shoulder to shoulder with the
Radicals. It was this combination which went
by the name of the "block." It was due to
this discipline that Nationalist and Moderate
Republican opposition to the bill separating
church and state was stultified. Throughout
this period, the Socialist leaders in the Cham-
ber, and especially Jaures, voted with Radicals
of all republican shades. The collapse of the
stalwart clericalism of former Premier Combes
released the party of Jaures from pledges
which the pressure of doctrinaire leaders of
international socialism — ^the Bebels and the
Guesdes, who have to be reckoned with — ^had
rendered compromising. In view of the ap-
proaching elections, Jaur^ and his supporters
convinced themselves that their political inter-
ests required their separation from the "block."
They have adopted for the campaign certain
tactics, which consist in putting forward in a
great number of constituencies candidates so
thoroughly Socialist that Radical groups repre-
sented in the Sarrien ministry will be unable
to vote for them. Socialist votes, on the
other hand, will in many cases be diverted
from candidates supporting the ministry of
Sarrien. The outcome can only be beneficial
to those who have fought separation of church
and state. The general disorder in the polit-
ical world renders almost any surprise a possi-
bility. From a Vatican point of view, the
Pope's denunciation of the bill separating
church and State was happily timed.
THROUGHOUT the six weeks that have
elapsed since the troops of Francis
Joseph dissolved the Hungarian Parlia-
ment at the point of the bayonet, the city of
THE DEADLOCK IN AUSTRIA-HUNGARY
373-
Budapest has been transformed into the capi-
tal of an absolute despot. Treaties with for-
eign powers were last month made effective
in defiance of explicit provisions of the law.
Recruits who, advised by lawyers, refused to
present themselves for enrolment in the array,
were dragged from their homes by the troops
of him whom they repudiate as their King.
High sheriffs, coming from Budapest with the
commission of Francis Joseph, have broken
open the doors of court-houses closed against
them. Passive resistance and the boycott, or-
ganized by the coalition of political leaders
who insist that Francis Joseph ceased last
month to reign constitutionally in Hungary,
provided various counties of the land with
two sets of officials whose authority is rec-
ognized only by their partizans. Count Al-
bert Apponyi, whose aspiring ambitions are
held answerable for everything by Austrian
organs, insists that the dual monarchy of
Austria-Hungary has given up its constitu-
tional ghost. If Francis Kossuth, leader of
the Hungarian coalition, refrains this month
from disorganizing that ill-assorted combina-
tion, Francis Joseph will be met by an open
resistance with which his Austrian troops,
according to the Independance Beige (Brus-
sels), will be wholly unable to cope.
CRANCIS JOSEPH remained in his Aus-
» trian capital during the month's Hunga-
rian turbulence and reiterated his innumerable
refusals to allow German words of command
to be replaced by Magyar words of com-
mand in the regiments recruited from Hun-
gary. And that is the issue out of which this
initial phase of civil war has evolved. In
contrast with the Magyar repudiation of an
Austrian empire supposed to contain Hungary
comes last month's declaration in the Vienna
Neue Freie Presse that when Francis Joseph
was crowned as King in Budapest he made a
pact with the Parliament there and has ob-
served that pact The Budapest Parliament
agreed to recognize and to confirm Francis
Joseph in his exercise of military prerogatives.
They were the same prerogatives which as
uncrowned but hereditary King of Hungary
and as Austrian Emperor he had exercised,
without providing Magyar patriots with polit-
ical grievances. The prerogatives left him
free to arrange the command and inner organ-
ization of the whole Austro-Hungarian army.
Of that army the Hungarian army, as the
Magyar politicians term it, forms but a part.
The Hungarian army, as Francis Joseph de-
fined it last month in his official rescript, means
merely those regiments of the Austro-Hun-
garian army which draw their recruits from
Hungary. At his coronation, the King's con-
stitutional right to organize the army as he
wished was recognized by Parliament in ses-
sion at Budapest. Not once was it called in
question until the coalition of Magyar politi-
cians was formed. Francis Joseph declares
that he asked this coalition to take office last
March. The coalition told him that if he
would grant the Magyar language of com-
mand for "the Hungarian army," Kossuth,
Andrassy and the rest would undertake the
government of the kingdom. This condition,
Francis Joseph now tells the world, was a
violation of the pact between himself and the
nation. The result is this open breach be-
tween the great units of the dual monarchy,
assuming aspects so serious as fully to account,
as many great European dailies declare, for
Emperor William's expeditious modification of
policy at Algeciras. If the House of Haps-
burg is going into liquidation, the House of
Hohenzollern will be represented at the meet-
ing of creditors in the capacity of assignee.
•
WITTE spent the month in baffling a
St. Petersburg court conspiracy to
bring about a counter-revolution.
General Trepoff, the Czar's personal confidant,
and General Ignatieff, the mouthpiece of
grand ducal reaction, want Muscovite govern-
ment put back upon an autocratic basis. They
planned, accordingly, a popular upheaval.
This they meant to suppress with Cossack
whip and Maxim gun. Countless inconsistent
despatches from centers of disturbance in Rus-
sia indicate that within the past four months
(i) the Czar has granted a constituent assem-
bly with universal suffrage; (2) he has done
nothing of the kind; (3) he is going to; (4)
never. The elections for what is now styled
a national assembly have been fixed and put
off five times. This body is to convene about
May 10, unless one more of bureaucracy's in-
numerable changes of plan be made at the last
moment. The censorship has been disorgan-
ized, says the London Post, although "relaxed"
is Witte's word. The Novoye Vremya com-
plains of "unbridled license" on the part of
sheets which it considers incendiary. This lan-
guage is construed to hint at a restor-
ation of censorship in certain disturbed por-
tions of the empire. Bureaucracy seems to
hav^ come together for a crusade against for-
374
CURRENT LITERATURE
eign newspaper correspondents. It is alleged
to be impossible to telegraph beyond the fron-
tier a truthful account of the horrors of
repression. If Moscow ever rose in bloody
insurrection against the Czar and holy Rus-
sia, as the bureaucratic jargon runs, official
St. Petersburg must be in a poppy dream, for
all it professes to know is that there were some
disturbances in the Kremlin which were ex-
aggerated. Orderly municipal life was inter-
rupted only by irresponsible mobs easily dis-
persed. Nicholas II, who has always been a
sort of poet, is devoting himself to versifi-
cation !
SO tangled a skein cannot be woven into
any orderly pattern by European dailies.
The Kreu3 Zeitung is reminded of sensational
despatches emanating from this country of
ours when orderly government in the United
States was made to seem at an end and the
American Republic had collapsed. The Ber-
lin daily conjectures that autocracy in Russia
knows its mujiks and its hooligans and needs
no Western newspaper advice in managing
them. The old order has gone for good in the
realm of the Romanoffs, but we must not
impetuously decide that collapse has come.
Official Russia is understood to be more con-
cerned, for the moment, with foreign than do-
mestic affairs. Count Cassini was sent into
the Morocco conference to help France. If
the count succeeds at Algeciras, the dual
alliance will be rehabilitated, and Russia's
prestige as a great power will revive.
#
WHITELAW REID declined to put on
court costume for the state openings
of Parliament in London. The ac-
tion of the American ambassador has been
noted in the British press, but not in a spirit
of criticism. Ambassador Reid, attired in or-
dinary dress suit, with white shirt, white col-
lar and white cuffs, sat on the right of the
royal dais in the House of Lords. He was be-
side Viscount Hayashi. The contrast between
Mr. Reid and the diplomatists who had ar-
rayed themselves in green sashes, crimson
coats or gold belts was pointed out in all the
London dailies. Some of them had understood
that the American ambassador was to wear a
uniform of gold and blue brought by himself
from the United States for the very purpose.
As things turned out, only black silk knee-
breeches distinguished Mr. Reid's garb from
that of the wearer of evening dress in this
country. The concession involved buckle
shoes necessarily. All around him Whitelaw
Reid was outshone by peeresses, even though
they wore the black commanded by his Maj-
esty. The King was in mourning, as was his
absent Queen, for the death of the late King
of Denmark.
TWO WARRIORS WHO HAVE GONE TO REST
Gen. John M. Schofield was the last of the Union officers
who had command of an independent army.
Miss Susan B. Anthony was, next to Mrs. Stanton, the
foremost champion of equal rights for women.
Persons in the Foreground
THE BUSIEST MAN OF A BUSY GOVERNMENT
The story is not new, but it keeps going the
rounds, of the exchange of cablegrams once
upon a time between Taft and Root. It was
when Taft was Governor-General of the Phil-
ippines and Root was head of the War De-
partment.
"Rode forty miles on horseback. Feeling
£ne." So cabled Taft.
"Glad you are feeling fine," was Root's re-
sponse ; "how is the horse !"
The story is illustrative, for the first thing
one notes in William Howard Taft is his size,
and the next thing one notes is his activity.
"He walks erectly and sturdily," writes the
Washington correspondent of the New York
Times, "as little bothered by his great weight
as if he were a schoolgirl in a gymnasium."
Speaker Reed, when asked his weight by a
ctirious friend, replied that no true gentleman
would think of weighing more than two hun-
dred pounds. Secretary Taft says he has
amended that statement and made the limit
three hundred pounds. Rumor says, however,
that it is only within the last few weeks that
he could qualify as a "true gentleman" even
according to the amended standard. Here is
a further little pen picture of him:
"When Secretary Taft speaks, he speaks in a
sunshiny roar. When he laughs, the surrounding
furniture shakes and rumbles. When he goes
forth, the room trembles. Yet he is as light on
his feet as the frisky Bcveridge. You expect to
sec his horse sag in the middle when Taft mounts,
accompanied by his slender, lath-like companion.
Col. Edwards, but Taft sits erect as an arrow
and gallops around like a West Point graduate."
Secretary Taft's importance in the present
administration seems to be second to that of
the President alone, which is saying a g^reat
deal, considering that Elihu Root is also a
member of the administration. It was Taft
who "sat on the lid" when the President went
bear hunting. The measure closest to the
President's heart is, according to general re-
port, the regulation of railway rates. That
has nothing especial to do with the War De-
partment over which Taft presides. Yet, when
Senator Foraker opened the late Ohio State
campaign with an attack on the rate-regulation
program, it was Taft who was pent out there
to reply for the administration. He did it
effectively, and, in addition, with a side-sweep
of his huge hand, so to speak, incidentally
ended the political career of the Hamilton
County boss, George B. Cox. It was Taft,
again, who was made chiefly responsible for
the Philippine tariff bill, and who, to
achieve results, organized the congressional
trip to Manila that converted to his way of
thinking such unbending protectionists as
Grosvenor and Dalzell, changed Bourke Cock-
ran's views very materially as to the question
of independence, immediate and unconditional,
for the Filipinos, and gave young Longworth
a chance to bring matters to a definite and
delightful understanding with Alice Roosevelt.
And, again, it was Taft upon whom has been
loaded the biggest constructive work our Gov-
ernment has ever undertaken — ^the building of
the Panama Canal. Undaunted by distances
and tropical heat, his first move, when the
canal was turned over to him, was to transpose
his three hundred pounds of avoirdupois to
the scene of operations at Panama, to study
the problem on the ground. He is, in other
words, Secretary of War, Colonial Secretary,
and the President's political spokesman. Yet,
according to the same newspaper correspond-
ent already quoted, he never seems to be in
a hurry. "Taft is a mighty hustler, but there
is nothing 'strenuous,* as that word has been
defined in later days, about him. He hustles
calmly. He disposes of immense quantities of
work with an air of beneficent leisure. He
goes riding, and wears a riding costume even
more wonderful than his Chief's, but no one
prints pieces about it, although the spectacle
of his immense legs athwart a heroically re-
signed horse is really more worthy of preser-
vation than the black slouch hat and combina-
tion of statesman's coat and weird breeches
which distinguished the President."
The father of Secretary Taft was attorney-
general in President Grant's Cabinet. The
present Secretary of War was naturally, there-
fore, interested in political matters at an early
age. That goes without saying, indeed, when
we remember that he is an Ohio man. One of
the stories of his early activity is pf a thrasl^-
376
CURRENT LITERATURE
ing he administered to the editor of a sort of
Town Topics paper in Cincinnati for libeling
his father. Here is the story :
"When he was young he was a reporter. There
was an alleged society publication in the town of
Cincinnati whose principal function was to print
infamous libels on everybody who was prominent
in Cincinnati. There was no use in suing it for
libel, and the only remedy was to thrash the edi-
tor whenever he was to be reached. This remedy
had been tried by numerous aggrieved and mus-
cular citizens without producing the least effect.
Finally the sheet published a libel on Judge Al-
phonso Taft, the young reporter's father, who
had been a member of Grant's Cabinet. Taft, Jr.,
saw it and did not like it. He hunted up the edi-
tor and asked if he were the editor. That person
admitted it.
" 'My name is Taft,' said the large young re-
porter, *and my purpose is to whip you.* Where-
with he drubbed the libelous editor. That person
had been drubbed before, as already narrated ; but
the drubbing administered by Taft was so monu-
mental, cataclysmic, cosmic, and complete that on
the following day the editor suspended publica-
tion and took himself thence. Cincinnati saw him
no more.
"As for Taft, after thus purging the community,
he washed his hands, and went down to the City
Hall after an item for his paper."
There may be objections to this sort of sum-
mary proceeding as an established method of
action, but the regret seems to be widespread
that polite society in New York, Newport, etc.,
has not developed a few young fellows of like
robust temperament to teach a few lessons to
the editor of Town Topics.
Secretary Taft can strike as hard now as
when he was a young reporter just out of col-
lege. (He graduated from Yale in 1878,
standing second in a class of 121 members.)
His letter to Wallace accepting the latter's
resignation from the post of chief engi-
neer to the Panama Canal Commission, his
finding in the Bowen-Loomis controversy, his
answer to Poultney Bigelow's charges, all at-
test his hard-hitting ability. But, if the cor-
respondent of The Times is to be believed, he
does not get any enjoyment out of this sort
of thing. We quote that correspondent again:
"With all the swiftness and finality of Taft's
proceedings, the human side of him comes to the
front in Uiem more than it does with any other
man of his kind in public life. When he drove
Minister Bowen from the State Department, for
instance, his action was as remorseless and com-
plete as Roosevelt's. But having to do it grieved
him. He struck the blow with a sigh. He firmly
believed he was right, but the hardship of infiict-
ing pain, of terminating an honorable career, was
fully as present in Taft's mind as the necessity
of punishing a man who he believed deserved it
Of Roosevelt, with all his fine qualities, that
would be difficult to imagine.
"This human side of Taft is the one which en-
dears him most to those who meet him. It docs
not detract in any degree from the great respect
which is paid to his fine abilities and to his great
force of character. In Washington folks are
skeptical and cynical about public men, and even
those who are admired are admired with limita-
tions. Close contact rubs off a good deal of the
illusion. But there are no limitations as to Taft,
and with the respect that is accorded him by
all those who come in contact with him there is
mingled real affection."
That, coming from a leading Democratic
paper, does not arouse any suspicion that it
is published for political purposes. The col-
umns of The Congressional Record of late
show, indeed, more than one tribute of per-
sonal esteem which Democratic Senators and
Congressmen have paid to the Secretary in the
midst of warm debates on administration meas-
ures. Yet in doing this they are quite pos-
sibly adding to the popularity of a man who
may carry the banner in the opposing ranks in
the next presidential contest. While Taft has
declared in positive terms that he is not a
candidate for the presidential nomination, it
will take more than such a declaration to end
the talk about him in that connection. The
friends of other aspirants insist that the proper
line of promotion for Taft is to the Supreme
Court ; but the politically weather-wise foresee
in the next Republican national convention a
contest between conservatives, with Vice-Pres-
ident Fairbanks as their candidate, and pro-
gressives of the Roosevelt stripe, with Taft as
a candidate. "He stands four-square," it is
said, "on every plank of the Roosevelt plat-
form," representing much the same curious
compound of conservatism iatid radicalism as
that found in the President.
The retirement in the near future of Judge
Brown from the Supreme Court of the United
States, by reason of advanced age, has re-
vived the rumor that Mr. Taft is to be given
a seat on the highest bench of the land. Re-
ports from the Washington correspondents are
to the effect that the President has again posi-
tively offered him the seat, and that he is
now considering the acceptance of it. Even
if he should accept, that would not necessarily
remove him from the list of possible presiden-
tial candidates, though it would be likely to
make him a less probable candidate. And if
he goes on the bench it is accepted as "mani-
fest destiny" that he will be ihade Chief Jus-
tice when Judge Fuller, now in his seventy-
fourth year, retires.
PERSONS IN THE FOREGROUND
377
"THE ONLY SAINT AMERICA HAS PRODUCED"
This is the title that has been conferred by
John Bums, M.P., upon Jane Addams, of the
Hull House, Chicago. There is no need to
quarrel with it as extravagant and unfair, since
it was conferred by him in informal conver-
sation and represents, of course, not a criti-
cal judgment but a burst of glorious enthusi-
asm. The enthusiasm is not peculiar to Burns.
Wherever social reformers congregate the
name of Jane Addams elicits a feeling that
has a touch or something more than a touch
of the adoration which the devout Catholic
bestows upon the name of a saint.
It was a Spanish bull-fight that put the fin-
ishing touches to the process that evolved
Jane Addams as she is now known. That
bull-fight transformed her from a dreamer to
a doer. She tells about it and about other ex-
periences leading up to it in The Ladie/ Home
Journal.
It may be said that she began her social set-
tlement work, not fifteen years ago, as is gen-
erally said, but when she was only six years
old. Then she obtained her first sight of the
poor section of a town of ten thousand, and
her surprise at the fact that people were will-
ing to live in such horrid little houses led to
questions, and the questions led to a deter-
mination that when she was grown up she
would live in a handsome big house, but would
build it right in the midst of just such hor-
rid little houses. That little seed-thought fell
upon good ground, and she had a father whose
wise words from time to time helped it to
grow. She remembers his advice to her when
she was but eight that she refrain from wear-
ing her pretty new cloak to Sunday-school
because it would make the other little girls
w^ithout pretty cloaks feel so badly. She rumi-
nated over that idea, too, and got out of it a
wondering consciousness of the apparent in-
equalities of mankind. When she was twelve
she found her father with a paper in his hand
solemnly and sadly reflecting over the news
of the death of Mazzini. As she had never
heard of him and her father did not know
him personally, she was puzzled and asked
questions, receiving what she has ever since
regarded as a valuable possession, namely, "a
sense of the genuine relationship which may
exist between men yho share large hopes and
like desires, even thi> gh they differ in nation-
ality, language and cf, -d." She never thinks
of this little conversation about Mazzini with-
out recalling Mrs. Browning's lines :
"He wrapt his little daughter in his large
Man's doublet, careless did it fit or no."
But a more powerful experience came to
her as a young lady traveling in London. She
saw for the first time the overcrowded district
of a great city at midnight. Here is the pic-
ture as she tells it :
"On Mile End Road, from the top of an omni-
bus which paused at the end of a dingy street
lighted by only occasional flares of gas, we saw
two huge masses of ill-clad people clamoring
around two hucksters' carts. They were bidding
their farthings and ha'-pennies for a vegetable
held up by the auctioneer, which he at last scorn-
fully flung, with a gibe for its cheapness, to the
successful bidder. In the momentary pause only
one man detached himself from the groups. He
had bidden in a cabbage, and when it struck his
hand, he instantly sat down on the curb, tore it
with his teeth and hastily devoured it, unwashed
and uncooked as it was. He and his fellows were
types of the 'submerged tenth,' as our missionary
guide told us, with some little satisfaction in the
then new phrase, and he further added that so
many of them could scarcely be seen in one spot
save at this Saturday night auction, the desire for
cheap food being apparently the one thing which
could move them simultaneously. They were
huddled into ill-fitting, cast-off clothing, Ae
ragged finery which one sees only in East Lon-
don. Their pale faces were dominated by that
most unlovely of human expressions, the cun-
ning and shrewdness of the bargain-hunter who
starves if he cannot make a successful trade, and
yet the final impression was not of ragged, tawdry
clothing nor of pinched and sallow faces, but of
myriads of hands, empty, pathetic, nerveless and
workworn, showing white in the uncertain light
of the street, and clutching forward for food
which was already unfit to eat."
That picture of the myriad hands groping
upward always clutches at Miss Addams's
heart to this day whenever she sees a num-
ber of human hands held up, even if they
are the chubby hands of children raised in re-
sponse to a teacher's inquiry. One is reminded
by it, too, of the picture (see Current Lit-
erature for August, 1905) by Leempoels, enti-
tled "Destiny and Humanity."
At that time she was fresh from college and
more or less of an invalid. A spinal difficulty
had developed (interrupting a course in medi-
cine which she was taking), and to the nerv-
ous depression resulting she attributes in part
the "preposterous conclusions" which she drew
from this vision of squalor and sin. "It was,"
she says, "a most fragmentary and lurid view
378
CURRENT LITERATURE
THE ••ONLY SAINT" JOHN BURNS FOUND IN
AMERICA
The decisive experience in the life of Jane Addams,
of Hull House, ChicaRo, was the witnessing: ot a Spanish
bull-figrht, and the shame that came of her keen enjoy-
ment of_the^8pectacle.
of the poverty of East London, quite as unfair,
within its limits, as that recently presented by
Jack London in his 'Children of the Abyss/
I should have been told either less or more."
At the very moment when she witnessed this
spectacle she was reminded of De Quincey's
"Vision of Sudden Death," in which he tells
of seeing two absorbed lovers step out sud-
denly in the direct path of a huge mail-coach
on which he was riding. He tried to cry out
in warning, but could not make a sound be-
cause his mind became entangled at once in
an endeavor to recall the exact lines of the
Iliad in which Achilles alarmed all militant
Asia. Not until he could recall the lines was
the temporary paralysis of his will removed,
the shout given, the calamity averted. Some-
thing like this experience of De Quincey's
entered into Miss Addams's life at this point:
"For two years in the midst of my distress over
the poverty which, thus suddenly driven into my
consciousness, had become to me the 'fVelt-
schmers' as it were, there was mingled a sense of
futility, of misdirected energy, the belief that the
pursuit of cultivation would not in Uic wd bring
either solace or relief. I gradually reached a
conviction that the first generation of college
women had taken their learning too quickly, had
departed too suddenly from the active, emotional
life led by their grandmothers and great-grand-
mothers; that they had developed too exclusively
the power of acquiring knowledge and of merely
receiving impressions ; that somewhere in the pro-
cess of 'being educated' they had lost that simple
and almost automatic response to the human ap-
peal, that old healthful reaction which results in
activity from the mere presence of suffering or
of helplessness; that educators have neglected
what even the greatest modern apostle of culture
admitted, that 'Conduct and not culture is three*
fourths of human life.'"
The idea of a social settlement began then
to assume definite shape. She recalled the
lines of Tomlinson:
"Ye have read, ye have heard, ye have thought,
. . . give answer, — what ha' ye done?"
For five years she went about dreaming
about her plan, filling note-books with quota-
tions and conversations and reflections, but
doing nothing.
And then came that Spanish bull-fight:
"I was in Madrid with a little party of old
school friends, including Miss Ellen G. Starr.
We had been to see a bull-fight rendered in the
most magnificent Spanish style, where, greatly to
my surprise and horror, I found myself so swept
away in a spirit of adventure and contest that I
had seen five bulls and many more horses killed
with comparative indifference. The sense that
this was the last survival of all the glories of the
amphitheatre, the illusion that the riders on the
caparisoned horses might have been knights of
a tournament, or the slightly-armed matadore a
gladiator facing his martyrdom, and all the rest
of the obscure yet vivid association which an his-
toric survival always produces, had carried me
beyond the endurance of any of the rest of the
party. I finally met them in the foyer, stem and
pale with disapproval of my brutal endurance,
and but partially recovered from the faintness
and disgust which the spectacle itself had pro-
duced upon them. I had no defense to offer to
their reproaches save that I had not thought
much about the bloodshed ; but in the evening the
natural and inevitable reaction came, and in deep
chagrin I felt myself tried and condemned by the
whole situation as it had been revealed by this
disgusting experience. It was suddenly made
quite clear to me that I had lulled my conscience
for years by a dreamer's scheme, that a mere
paper reform had become a defense for continued
idleness, and that I had made it a raison d'etre for
going on indefinitely with study and travel. The
possession of this plan had given me. an excuse
to seek relief from the cathedrals and churches
in order to visit an occasiona'. hospital or orphan-
age. It had made it seem n 2cessary to study the
beginning of early Christi^in Charity, and the
changed attitude toward th.e slave and the poor
which that wonderful gr. jup of Early Roman
Christians represented, ^ i in reality it made an
e3??9llent excuse for cnj/^ng an archaeologist tg
PERSONS IN THE FOREGROUND
379
interpret the catacombs day after day, and it
afforded me an opportunity to travel to Ravenna
with the sense of an important commission. I
had persuaded myself that I was studying the
galleries in Italy and Germany to trace the inti-
mation of the coming social change as it was set
forth by Botticelli and Durer, their canvases sur-
charged with pity for the downtrodden, and with
longing for fuller human relations, while in real-
ity I enjoyed the picture-galleries for themselves
and for all they suggested. In short, I had be-
come a dupe of a deferred purpose of
"The will that cannot itself awaken,
From the promise the future can never keep.'
"I had fallen into the meanest type of self-de-
ception in making myself believe that all this was
in preparation of great things to come, and noth-
ing less than the moral reaction following the ex-
perience at a bull-fight had been able to reve;il to
mc that so far from following in the wake of a
chariot of philanthropic fire, I had been tied to the
tail of the veriest ox-cart of self-seeking. I re-
member repeating to myself the scathing words of
Fader,
" 'I use my love of others for a gilding
To make myself more fair.' "
The next January found her and Miss Starr
in Chicago searching for a building in which
to start their social settlement. For fifteen
years now Hull House has been a rendezvous
for those who do as well as dream, and a
beacon-light to the poor and oppressed who
would strive upward. Its object, as stated in
its articles of incorporation, is: "To provide
a center for a higher civic and social life; to
institute and maintain educational and philan-
thropic enterprises, and to investigate and
improve the conditions in the industrial dis-
tricts of Chicago."
THE SUNNY PERSONALITY OF ENRICO CARUSO
How strictly the parents of Caruso, the
greatest of living tenors, observed the deca-
logue we do not know; but it is certain that
they were zealous observers of another com-
mand that far outdates the ten command-
ments, that was, in fact, the first of all injunc-
tions laid upon mankind : "Be fruitful and mul-
tiply." There was a baker's dozen of young-
sters in the family ahead of Enrico, and ten
more came to share the ftm afterward, making
twenty-four in all. The family lived in or near
Naples and belonged to the peasant class.
They lived, for the most part, out in the sun-
shine, and the personality as well as the voice
of Enrico seems to have retained a sunny qual-
ity through all these thirty-two years of his
existence. He is full of jollity and dearly
loves to joke, and one of his entertainments
is the drawing of caricatures of his associates,
Conried, Blass, Scotti, Hertz, Planqon, and
the rest; and of many of his humorous car-
toons he is himself the subject
He sang at the age of ten, when playing
about the streets of Naples, as the birds sing,
because he couldn't help it. Nobody ever
thought much about his singing then except
his mother. She used to stop her work to
listen to him, and she was sure he would be
great. No musicians, so far as he knows,
were in the family before him, and his father
positively disliked music of all sorts; so the
mother's belief was laughed at, especially by
CARUSO AS A CARICATURIST
His sketches>f Alfred Hertz, the Wagnerian conductor, in full action.
38o
CURRENT LITERATURE
ONE OF A FAMILY OP TWENTY-FOUR
CHILDREN
'* If the time ever comes," says Enrico Caruso, the
S^reat tenor. ** when I am convinced that I am extraordi-
nary, it will be a danger sigrnal. My art will decline. I
will say to myself, ' Caruso can do no wrong,* and the
belief will be fatal."
the father, who doesn't believe, or professes
not to believe, even to this day, that his
son's voice is anything extraordinary, though,
Enrico says, "by sending him money I try to
prove it."
"I had no teacher," says Caruso; "I taught
myself. I sang as I breathed — I breathed as
I walked. Song was in the air about me."
When he was fifteen he had quite a local rep-
utation, gained from singing in the churches
of Naples; but he had to go to work as a
mechanic to help earn a living for the fam-
ily. He went into a factory where they made
chemical products, and instead of sulking and
mooning, he took a real interest in his work
and kept his job. Three years later he met
a distinguished baritone singer who reproached
him for not properly cultivating his voice and
took him to Maestro Vergine, who offered to
teach him for three years and take twenty-five
per cent, of his earnings for the first five years
after he made his debut. But friction came
almost at once between pupil and teacher be-
cause Caruso insisted on singing outside of
school to earn a little money. At twenty he
enlisted in the army, and his colonel became so
interested that he relieved Caruso from all
hard work and found him a teacher with whem
to study. After a year and a half, one of ^his
brothers became his substitute and Enrico was
exempted from further service that he might
go back to Vergine. Six months later, in 1894,
at the age of twenty-three, he made his debut
in Naples in "L'Amico Francesco." The debut
was a brilliant success. Speaking of it, in
Munsey's Magazine, Emma B. Kaufman says :
"The father remembers the day of his son's
first public appearance. So does half of Na-
ples. It was in the Teatro Nuovo, and — won-
der of wonders ! — ^young Caruso was to receive
forty francs a month for singing — ^just for
singing I All day long the father went about
chuckling to himself. They were going to
pay Enrico to sing ! He was to sing in 'Amico
Francesco,' an opera by Signor Morelli, and
people would give up lire to hear him !" Now
Enrico receives $1,200 a night, and he has to
spend 10,000 francs in a single season on the
clothes which he wears when off the stage be-
cause, he says complainingly, they tell him
he must dress better in order to be appreci-
ated.
Dignity does not weigh very heavily upon
the great tenor. He is said to turn hand-
springs occasionally behind the scenes, and he
loves to trifle with his more dignified asso-
ciates. Here, for instance, is a story Miss
Kaufman tells of a practical joke played by
Caruso upon another Italian opera-singer,
Giraldoni :
"Caruso is singing divinely one of his most fa-
mous parts — Enso in T-a Gioconda.' His friend
Giraldoni meets him in the center of the stage.
They bow with dignity, they shake hands with
empressement. So it appears to the splendid, ex-
pensive audience that fills the auditorium; but
Giraldoni feels something in his hand, something
soft and smooth. He clutches it while Caruso
whispers 'Beware!* Furtively Giraldoni looks
down. He has in his hand an tgg. 'Beware, be-
ware!' He tries to give the egg to the chorus,
but the men of the chorus adore Caruso, and will
not spoil his joke. For the rest of that scene
Giraldoni breathes forth melody gesticulating
with one clenched hand in which he clutches an
Here is another little incident as related by
Caruso to Miss Kaufman of a joke played by
Caruso upon Conried :
"At mention of his comrades, Signor Caruso's
face is wreathed in reminiscent smiles. 'Wait,
wait !' he cries, and flies from the room in a most
un-tenor-like way. He. rushes up-stairs, two steps
at a time. He returns breathless, his arms full
of caricatures, his eyes twinkling at the prospect
of showing them.
"'Here — ^here is Conried as a type of your
America !'
PERSONS IN THE FOREGROUND
381
"He turas a paper on wnich he has caricatured
the herr direktor with a telephone pressed to his
ear. 'That is the way you find him — busy al-
ways—eternally busy, even when he is resting.
This is the way he gives us his attention. I seek
him fall of trouble. He declares himself at my
disposal Instantly the telephone clangs. Some
one at the other end of the wire claims one ear —
only one is left to me. I determine to have both.
I whisper. That night is the premiere of *"La
Favorita." Instantly Conried drops the telephone.
He is alarmed— excited.
'''"What is it?" he cries. "Are you hoarse?
Caruso, speak 1"
'* The telephone rings in vain now. I have not
only his two ears, but also his two eyes. I keep
him in suspense, still whispering.
" * "Are you hoarse?" he cries again.
" 'At last I answer. I whisper :
" * "I do not know, because I have not tried to
speak aloud." ' "
Caruso has his little superstitions. "Let
me meet hay in the street," he says, ''a bale of
hay, and I will dare any high note ever
reached for by a tenor. Hay represents in-
fallible good fortune, just as passing under a
rope or a scaffolding foretells sure disaster."
Physically, he is five feet nine inches high,
but his rounded shoulders and thick neck give
him a short, stocky appearance. His chest
girth, in repose, measures forty-nine inches,
and he can expand it to fifty-four inches.
"His face is as unlined as a boy's and his
cheeks glow with health." He has no con-
cern with the scientific study of music, and his
first attempt to sing in anything but Italian
was his recent essay of the title role in
"Faust," in French. He refuses to worship
himself, and he says: "Extraordinary people
are uncomfortable, are they not? I am not
of their class. If the time ever comes when
I am convinced that I am extraordinary, it
will be a danger signal. My art will decline.
I shall say to myself: 'Caruso can do no
wrong,' and the belief will be fatal."
THE LOVE STORY OF A FAMOUS STATESMAN TOLD
BY HIS FAMOUS SON
No more romantic career has been seen in
British politics since the days of Canning than
that of Lord Ran-
dolph Churchill, who,
famous at thirty and
the virtual leader of
his party at thirty-
seven, was a broken
and dying man at
forty. He was espe-
cially familiar to
Americans as the
Briton who, by mar-
rying Miss Jennie
Jerome, of New York,
practically inaugu-
rated that series
of trans-A 1 1 a n t i c
matches which is now
said to be modifying
the tone of the House
of Lords. Now the
son of Lord Randolph
Churchill, the Win-
ston Churchill who is
himself so conspicu-
ous a figure in the
Commons, has writ-
11 AcmtllAn Co.
KTON
Lord Randolph Churchill
gave his parents much food
for thoufifnt "by his peculiar-
itietat tSdft time.
ten a life of his father* and in doing so, has
revealed, as the London Post thinks, what
manner of man he is
himself.
For it is thought
not improbable that
the lesson of his
father's life has sunk
deeply into the son's
mind and that the
tragedy and failure of
it led Winston
Churchill to abandon
the Conservatives and
go over to Sir Henry
Campbell-Bannerman,
who has just be-
stowed office upon
him. Be that as it
may, the son is cen-
sured by the London
Telegraph for telling
the story of his fa-
ther's courtship with copyright by The MacmnknCo.
OXFORD
♦Lord Randolph Chur- His studies were not se-
CHILL. By Winston vere, but Lord Randolph
Spencer Churchill, M.P. stuck to them, complaining
In two volumes. The in after years, that tney did
Macmillan Company. not stick to him.
382
CURRENT LITERATURE
Ck>pyrtght by the MBcmlllan Co.
THE MOST BRILLIANT FAILURE IN ENGLISH
POLITICS
Lord Randolph Churchill, whose resignation from the
Salisbury ministry was accepted to make room, it is said,
for Arthur Balfour in political life.
"a freedom from reserve" not common in
England. The human interest of the nar-
rative at this point is certainly intense and
the young American girl most concerned was
beautiful enough to warrant an even greater
wealth of detail. Here is how the son offends
against good taste in the opinion of a great
British newspaper:
"In August of 1873 Lord Randolph went to
Cowes upon what proved to him a memorable
visit. In honor of the arrival of the Czarevitch
and the Czarevna the officers of the cruiser
Ariadne, then lying as guard ship in the Roads,
gave a ball, to which all the pleasure seekers who
frequent the Solent at this season of the year
made haste to go in boats and launches from the
shore and from the pleasure fleet. Here, for the
first time, he met Miss Jerome, an American girl
whose singular beauty and gifted vivacity had
excited general attention. He was presented to
her by a common friend. Waltzing made him
giddy and he detested dancing of all kinds; so
that after a formal quadrille they sat and talked.
She was living with her mother and eldest sister
at Rosetta Cottage, a small house which thev had
taken for the summer, with a tiny garden facing
.the sea. Thither the next night, duly bidden, he
repaired to dine. The dinner was good, the
company gay and attractive and with the two
yotmg ladies chatting and playine duets at the
piano the evening passed very pleasantly. She
was nineteen and he scarcely twenty-four; and
if Montaigne is to be believed, this period of
extreme youth is love's golden moment. That
very night Miss Jerome told her laughing and
incredulous sister that their new friend was the
man she would marry; and Lord Randolph con-
fided to Colonel Edgecumbe, who was of the
party, that he admired the two sisters and meant,
if he could, to make the *dark one' his wife.
"Next day they met again *by accident' — so runs
the account I have received — and went for a
walk. That evening he was once more a guest
at Rosetta Cottage. Thai night — ^the third of
their acquaintance — ^was a beautiful night, warm
and still, with the lights of the yachts shining on
the water and the sky bright with stars. After
dinner they found themselves alone together in
the garden and — ^brief courtship notwithstanding —
he proposed and was accepted.
"So far as the principals were concerned, every-
thing was thus easily and swiftly settled, and the
matter having become so earnest all further meet-
ings were suspended until the' Duke of Marl-
borough and Mr. Jerome, who was in America,
had been consulted. Lord Randolph returned to
Blenheim (seat of the Duke, his father) shaken
by alternating emotions of joy and despondency.
He had never been in love before and the force
and volume of the tide swept him altogether off
his feet. At one moment he could scarcely be-
lieve that one so unworthy as he could have been
preferred ; the next he trembled lest all his hopes
should be shattered by circumstances unforeseen."
Nor, indeed, was his anxiety without reason.
Many and serious obstacles had to be en-
countered. The duke could not understand
how so deep an attachment could spring up be-
tween young people after an acquaintance
begun but three days previously. Mr. Jerome,
from the remoteness of New York, was not
very approachable on the subject of marriage
settlements. Lord Randolph Churchill angrily
declared that he would take Miss Jerome
without settlements of any kind. Mr. Jerome
at last made settlements that were handsome
enough, and the match was made. It proved
very happy.
Had Lord Randolph consulted his wife, he
would certainly have avoided the fatal mistake
of his career. That much seems clear from
the narrative of his son. Lord Randolph was
a man with whom it was very hard to "get
along." He was not adapted for team work.
Brilliant, eloquent, widely read, generous,
there was that fatal imperiousness in his
nature which made him chafe under tutelage.
So, at the climax of his political career, he
threw up his office of Chancellor of the Ex-
chequer in a pet. English dailies reviewing
this biography take occasion to compare the
son and the father. Winston is told that he
PERSONS IN THE FOREGROUND
383
possesses his father's impatience and im-
perioasness and he is warned against those
fatal qualities. Here is a paragraph from the
biography which, we are assured, may turn
out prophecy if this biographer of his famous
father does not beware:
"Lord Randolph seemed at this time (ifi
to have been separated only by a single step from
a career of dazzling prosperity and fame. With
a swiftness which in modem parliamentary his-
tory had been excelled only by the younger Pitt,
he had risen by no man's leave or monarch's favor
from the station of a private gentleman to almost
ihc first position under the crown. Upon the con-
tinent he was already regarded as the tuture mas-
ter of Elnglish politics. His popularity among the
people was unsurpassed. He was steadily gain-
ing the confidence of the sovereign and the re-
spect and admiration of the most serious and en-
lightened men of his day. His natural gifts were
still ripening and his mind expanding. TTie House
of Gumnons had responded instinctively to the
leadership of 'a great man of Parliament'
Alike in the glare and clatter of the platform and
in the silent diligence of a public department he
was found equal to all the varied tasks which are
laid upon an English Minister. If he were thus
armed and equipped at thirty-seven, what would
he be at fifty ? Who could have guessed that ruin,
utter and irretrievable, was marching swiftly upon
this triumphant figure ; that the great party which
had followed his lead so blithely would, in a few
brief months, turn upon him in abiding dis-
pleasure; and that the Parliament which had as-
sembled to find him so powerful and to accept
his guidance would watch him creep away in sad-
ness and alone?"
Queen Victoria was among those who re-
garded Lord Randolph at this time with keen
displeasure. True, he had received from her
Majesty the most complimentary of personal
letters not long before his sensational resigna-
tion ; but after that event she conveyed to him,
through her secretary, the knowledge that
Copyiighi by the Macmllian Co.
THE FASCINATING MISS JEROME
She received a proposal from Lord Randolph after a
three days' acquaintance and accepted bim.
he had fallen into disgrace with her. What
he did was to tell the London Times of his
resignation before he had informed the Queen,
or, to be more accurate, before the Prime
Minister had been given an opportunity to
transmit the news. Her Majesty seems not
to have had the remotest notion that Lord
Randolph had quitted the ministry until she
saw the announcement in the great London
daily.
THE MOST FAMOUS OF LIVING IRISHMEN
John Edward Redmond embodies in his own
person the antithesis of all the qualities com-
monly associated with the English idea of a
home-ruler, says the London Mail, The Mail
is Mr. Redmond's inveterate enemy politically,
but it makes no secret of its liking and admira-
tion of the Irish leader in his human aspect.
That aspect, says the London daily, is simply
delightful. In demeanor, it is true, Mr. John
Edward Redmond — not to be confused with
his brother Will — is as solemn and as grandly
dignified as a foreign ambassador in court cos-
tume. He dresses like a member of the royal
family, but his head betokens an intellect sug-
gesting Aristotle's. Then there is that melo-
dious voice. There is something in the plain-
tiveness of it that makes women weep when-
ever Mr. Redmond describes an Irish eviction.
There is a buoyancy in the man's laughter at
unionism that is contagious. Mr. Redmond is
the only member of the House of Commons
known to have made Arthur Balfour laugh
384
CURRENT LITERATURE
THE SUCCESSOR OF PARNELL
John Edward Redmond was one of the minority which
siaed with Parnell when that uncrowned Kingf of Ireland
lost his grip upon the Home Rule party.
heartily. With no trace of Hibernian accent,
^Mr. Redmond has so rare an elocutionary gift
that labor members have begun to study his
oratorical style in the house. He is the best
speaker there to-day; but that is not saying
much for him, adds The Mail. Many of the
best speakers lost their seats in the recent
landslide.
Mr. Redmond is noted for a facial resem-
blance to one or two great men in the past —
Napoleon especially. He is of the middle
height, with a short, thick neck encircled with
the old-fashioned collar. The rotundity of the
figure, now that he has attained the age of
fifty, is increasing visibly. Further:
"Mr. John Redmond is the son of an Irish
member; he was a barrister in England before
he was called to the bar in Ireland, and he was a
clerk at the vote office of the House of Commons,
aged twenty-five, when Mr. Parnell 'discovered'
him. He created a record the first day he was a
member of Parliament. Hurrying from his con-
stituency of New Ross to Westminster, he took
his seat, made his maiden speech, got up *a scene,'
and was suspended before the clock struck twelve.
"That achievement stood him in good stead, for
it saved him from going to prison for a certificate
of character. His brother 'Willie' goes to prison
occasionally, and the glory of it is shared by the
family. Mr. Redmond has a superb gift of si-
lence; 'Willie' is vocal on the slightest provoca-
tion. Mr. Redmond is dignified in the highest
degree; 'Willie' plays the buffoon with zest and
WIFE OF THE IRISH HOME RULE LEADER
Mrs. John E. Redmond is admired for the tact with
which* she dispenses the hospitality of her London resi-
dence to Home Ruler and Unionist alike.
a frank impudence that make him a general
favourite."
If fault may be hinted at, Mr. John — ^unlike
Willie again — ^never can free himself from a
tendency to pomposity. He tries hard, but he
fails. The pomposity, however, is not offen-
sive. Indeed, it delights his friends, and op-
ponents make allowance for it. It actually
completes the man and gives his leadership
tone. To conclude:
"He possesses undoubted ability and consider-
able parliamentary talent. If he were a member
of an English party he would perhaps receive a
minor Cabinet office. In the full flight of his
oration his importance and his figure seem to
swell out and overshadow the clamorous throng
at his feet The eagle eye beams at the ringing
cheers, or becomes stern and fierce as he hurls
anathema at Mr. Wyndham. The tragic manner
of Roscius alternates with the soul-thrilling de-
meanour of the thunder-compelling Jove, and
the right hand slips into the close-buttoned frock
coat, bringing the shadow of Napoleon into the
picture.
"It is all very splendid, very imposing, and it is
highly gratifying to the gentlemen from Ireland
to feel that they possess the best orator on the
Opposition side. If Mr. Healy is absent, Mr.
Redmond is safe. If Mr. Healy is present, he
feels as if a mine of satire were ready to explode
at his feet. Mr. Healy does not like Mr. Red-
mond, and makes game of this enemy of landlords
for being a landlord himself and selling his farms
at twenty-one years' purchase. That is a sore
point, which Mr. Healy never tires of nibbing."
Literature and Art
A ROMANCE IN THE LIFE OF CHARLES DICKENS
The London Tribune, a new English daily
founded under Liberal auspices, has recently
printed a series of letters, hitherto unpub-
lished, which illuminate, in a peculiarly inti-
mate way, the emotion and temperament of
Charles Dickens, the famous English novelist.
It appears from these letters, which have
caused a sensation in the literary world and
have evoked a spirited protest from the novel-
ist's son, Mr. Henry F. Dickens, that there
was a Weller in real life — a woman, not a man
— ^who deeply influenced the author of the im-
mortal "Pickwick Papers."
In February, 1844, Charles Dickens went to
Liverpool to give an address at the Mechanics'
Institution. He was then thirty-two and in
the full flush of his fame. He had been eight
years married, and had three children. His
marriage, as his intimate friends were aware,
was not entirely happy, and later he and his
wife separated, but "without a breath of seri-
ous scandal on either side."
At Liverpool he was lionized, and after the
address a musical entertainment followed. A
Miss Christiana Weller played on the piano-
forte and elicited tremendous applause. When
the creator of Samuel Weller was introduced
to Miss Weller there was "considerable mer-
riment."
It is evident that Miss Weller was the girl
to whom the owner of the letters now refers
as "a yoiuig creature who, though in her
early teens, was already a fine musician, whom
Thalberg's praise had half persuaded to think
of music as a possible profession." During the
evening, it seems, Dickens could hardly take
his eyes from her face. He was introduced,
and he asked permission to call on her, which
he did. He wrote to her impetuously :
"Let me congratulate you with my whole heart
on your brilliant achievements last night Noth-
ing could have been more successful, graceful,
charming — ^triumphant in every particular. I felt
a pride in you which I cannot express. I do not
write to you therefore with the view of express-
ing it, or giving language to my great delight;
but merely to say that I can't do either."
Here was plainly a case of romantic friend-
ship— ^"that ambiguous force in the lives of
all men of genius." The second letter con-
tained verses and was followed by a gift of
Tennyson's poems — a presentation copy to
Dickens from the poet himself. But he gave
her more than this — and now comes the
strangest part of the story. He introduced to
her a friend who had come from London to
hear his address, and who promptly fell in love
with her I Dickens found himself in a strange
conflict of emotion. From Birmingham he
wrote to his friend: "Good God! What a
madman I should seem if the incredible feel-
ing I have conceived for that girl could be
made plain to anyone." Later he expressed
himself with even greater intensity:
"My Dear,
"I swear that when I opened and read your
letter this morning (I laid down my pen to
break the seal, being just shut up in my own
room) I felt the blood go from my face to I
don't know where, and my very lips turn white.
I never in my life was so surprised, or had die
whole current of my life so stopped, for the in-
stant, as when I felt, at a glance, what your letter
said, which I did correctly. For when I came to
read it attentively, and several dmes over, I
found nothing new in it. This was not because
it contained a word to astonish me, but because
I never had imagined your remaining in Liver-
pool; or seriously admiring her. ... I ex-
pected you in town any day — ^and have often won-
dered within myself whether you would still have
an interest in recalling, with me, her uncommon
character and wonderful endowments. I know
that in many points I am an excitable and head-
strong man. and ride — Oh, God, what prancing
hobbies!— and although I knew that the impres-
sion she had made on me was a true, deep, honest,
pure-spirited thing. I thought my nature might
have been prepared to receive it, and to exagger-
ate it unconsciously, and to keep it green long
after such a fancy as I deemed it probable you
might have conceived, had withered. So much for
my injustice, which I must release myself of, in
the first instance.
"You ask me to write, and I think you want
me to write freely. I will tell you what I would
do myself if I were in your case, and I will
tell you without the least reserve.
"If I had all your independent means, and
twenty times my own reputation and fame — and
felt as irresistibly impelled toward her as I should
if I were in your place, and as you do — I would
not hesitate, or do that slight to the resolution
of my own heart which hesitation would imply;
but would win her if I could. I would answer
it to myself, if any world's breath whispered me
that I had known her but a few days, that hours
of hers are years in the lives of common women.
386
CURRENT LITERATURE
A NEW DICKENS TABLET
Erected on the side of Bleak House, Broadstairs, Lon-
don. Dickens lived in Bleak House many years and
wrote some of his greatest works there.
That it is in such a face and such a spirit, as a
part of its high nature, to do at once what less
ethereal creatures must be long in doing. That
as no man ever saw a soul or caught it in its
flight, no man can measure it by rule and rod.
And that it has a right, in such lofty development,
to pitch all forms laid down by bodies to the
Devil — ^the only Being, as far as I know, who was
never in love himself, or inspired it in others.
"And to the father I would point out, in very
tenderness and sorrow for this gentle creature,
who otherwise is lost to this sad world, which
needs another. Heaven knows, to set it right —
lost in her youth, as surely as she lives — ^that the
course to which he is devoting her should not
be called her life, but Death: for its speedy end
is certain. I saw an angel's message in her face
that day, that smote me to the heart. He may
not know this, being always with her; it is very
likely he does not; and I would tell it him. Re-
pose, change, a mind at rest, a foreign climate,
would be, in a springtime like hers, the dawning
of a new existence. I believe, I do believe and
hope, that this would save her; and that many
happy years hence she would be strong and hardy.
But at the worst, contemplating the chance, the
distant chance in such a case, of what is so dread-
ful, I could say in solemn and religious earnest-
ness that I could bear better her passing from
my arms to Heaven, than I could endure the
thought of coldly turning off into the world again
to see her no more. . . .
"As I live, I write the Truth, and feel it.
"So many ideas spring up within me, of the
quiet happiness we might enjoy abroad, all of
us together, in some delicious nook, where we
should make merry over all this that I don't
know whether to be glad or sorry at my own
hopefulness. Such Italian castles, bright in sunny
days, and pale in moonlight nights, as I am build-
ing in the air! . . .
"I never was more in earnest, my dear , in
my life. — Always faithfully your friend,
"CHARLES DICKENS.
"P.S. — I don't seem to have said half enough/*
In two succeeding letters Dickens encour-
aged the suit of this rather diffident aspirant
for the lady's hand. "At the father," he says,
"I snap my fingers. I would leap over the
head of the tallest father in Europe if his
daughter's heart lay on the other side and were
worth having." Then, in the next letter: "I
congratulate you with all my heart and soul
a million times. It is a noble prize you have
won." A third letter, addressed to the young
lady herself, tells its own story. We quote :
"To my amazement I have found one friend of
mine very much the worse for a visit to your
town. Something comes over the paper like the
light of a blush from you; I don't know what
is the cause of the effect, but it is very red. I
mention it on account of its singularity — and
losing the thread of my discourse in doing so (it
is so very slight that it is hard to find) I must
turn over leaf and look back.
"Oh ! My friend I I recollect. Yes. He went
to Liverpool, and fell desperately, madly, irre-
trievably in Love there, which was so perfectly
natural (the circumstances of his case being quite
uncommon, and his provocation enormous) that I
could not find it in my heart to remonstrate with
him for his folly. Indeed, I rather encouraged
him in it than otherwise: for. I had that amount
of sympathy with his condition, which — ^but that
I am beyond the reach, the lawful reach, of the
Wings that fanned his fire — ^would have ren-
dered it the greatest happiness and pleasure of
my life to have run him through the body. In
no poetical or tender sense, I assure you, but with
good sharp steel. He fell in Love, this man, and
after divers misgivings and hesitations and de-
liberations, and all that, mentioned the fact —
first to the winds, and to the gentle airs that
blow in Mr. Radley's bedchamber; and after-
wards to — ^to Her. Well. He thought he was
getting on hopefully, gently, reasonably, smoothly,
and wrote as much to me in London. I immedi-
ately threw up a small cap (sky blue), which I
keep on a peg in my study for such joyful occa-
sions as very seldom happen; and remained for
some days perpetually casting it into the air and
catching it again, in a transport of delight.
"In the midst of this enthusiasm I was sum-
moned down here (he visits hereabouts) to at-
tend a funeral; and at this funeral I found him,
to my great amazement, acting as chief mourner
to his own hopes, and attending them to an early
grave with the longest hatband and usefulest
pocket handkerchief I ever saw in my life. At
this I was very much surprised, and very sorry, as
you will believe; and the sky blue cap (still in the
air) fell down upon my head with the weight and
velocity of a cannon-ball.
"For I found out. when I came to talk to him,
that the one wretchedness coming upon the head
LITERATURE AND ART
387
of another — ^thcy always make a
p>Tamid ; God knows why — he had
heard, in the very height of an-
other distress, from her; and she
had told him that he had been a
Utile premature — and that there
were other footprints in the field
—and so forth.
^'But by little and little, I got
the cap up again — not very high,
but up — and there it is now, over
rny head, as I write. For I told
him that as to other footmarks be-
ing in that course, there might be
a host, and yet the best flowers
might grow up at last in the steps
of the last man, if he were True,
Unselfish, Manly, Honourable, Pa-
tient, and Deserving. I told him
that I bad faith in such strong
qualities never being inspired in
a man's heart for failing pur-
p'Dses — that I had a Faith in his
p3ssessing them, and carrying
them gallantly into his attachment
— and that I had as high and con-
fident a Faith (oh. Heaven! what
a boundless Faith it is!) in Her."
The sequel was idyllic, says
the unnamed hpldder of the let-
ters. It was a love story that
Dickens might have "put in a
book." The girl gave her heart
to the friend who had so good a second in
this duel of the affections. Further:
•'These letters remain to show the glowing
heart of a man of letters with a genius for friend-
ship. How far the lady felt the secondary influ-
ence one can only guess; but her marriage with
THE DICKENS STATUE IN PHILADELPHIA
This was the first statue to Dickens erected in America. The novelist is
shown looking down at a figure of Little Nell.
the principal, which was celebrated after a delay
of some years, proved to be of the happiest, and
the couple had two children whose careers, had
Dickens lived to follow them, might have re-
warded him afresh for the generous pains and
risks of a third person's intervention in an affair
of the heart."
THE FIFTIETH ANNIVERSARY OF HEINE'S DEATH
"You men and women who wish to deal a
death-blow to the Philistines, gather yourselves
together: an example is to be set; a crime is
to be removed; a deed is to be done.
"A universal singer must be greeted; a sol-
dier must be honored; a laughter must be
crowned.
"On this seventeenth of February, half a
century ago, he died in pain.
"He has a burial monument in Paris. He
has a monument in New York. He has a
monument in Corcyra or Corfu. He has no
monument in Germany."
With these ringing words, Alfred Kerr, in
an article in Der Floh (Vienna), summons the
German admirers of one of the greatest poets
of the world to right the wrong which official
Germany has for decades persisted in heaping
upon Heine. "Let it become a monument of
spite !" he continues. "It will pay the dead his
due, and bring good cheer to many a living
one. ... I shall not rest until the veil
has fallen and the marble picture stands in
the sun ! . . . Onward against the Philis-
tines !"
This call has found a friendly response even
in the conservative press of Germany; while
the liberal organs, such as the Jugend, Sim-
plicissimus and Der Floh, devote one or more
whole numbers profusely illustrated to the com-
memoration of the semicentenary of the poet
"Will it find an echo also among the German
people?" asks the editor of Die Neue Besells-
chaft, "Would it were sol For thereby it
388
CURRENT LITERATURE
HEINRICH HEINE
Prom a sketch by Richard Pfeiflfer in Munich Jugend.)
Heine's "unique and unparalleled position in the
world's literature" is being celebrated in many coun-
tries at this time.
would set up a monument not only to the poet
but also to itself."
This official enmity to Heine is considered
the more astonishing because of the fact that
he is probably the most widely read, as well as
the most widely sung, of German poets, and
that his popularity in this regard seems to be
ever on the increase. (See article in Current
Literature, March.) This attitude toward
Heine is an indirect tribute to the enduring
power o£ his satire, for which he brought
down upon himself the hatred of contemporary
Philistines — a hatred which seems so have
been so deep-set as to have been transmitted
as an instinct to their modern successors. All
the admirers of Heine pay their disrespect to
"the Philistines." "Heine would not be
Heine," says Franz Mehring in Die Neue Zeit,
"if the Philistines had not endless fault to find
with him. Nor will this ever change so long
as there are Philistines in the world." Com-
menting further on the causes of this hostility,
the same writer remarks:
"All in all, posterity still owes the genius of
Heine everything for which his contemporaries
remained indebted to him, and posterity has not
so much to excuse it as had the contemporary
world of Heine. The cause of this lies in the
fact that Heine occupies quite a unique and un-
paralleled position in the world's literature; there
is no other poet in whose works the colors and
forms of the three great conceptions of the uni-
verse that developed in the course of a century
play so harmoniously into one another, bound to-
gether in the unity of his artistic individuality-
Heine called himself the last fabulous kin^
of romanticism; but he also prided himself
upon being a fighter for the ideas of bourgeois
liberty, and he took not a little credit to himself
as having discovered communism in its corporeal
reality and as having been its prophet. Nor was
he one thing after the other, but everything at
the same time, and he who regards him only from
one of these points of view, from the romantic
or from the bourgeois or from the proletarian,
will always find him full of shortcomings and
contradictions."
Of course Max Nordau has a word to say
on this' subject, and he says it in his character-
istically forceful manner in the London Out-
look, Heine's world-wide reputation, he says,
appears to be taken as a personal insult by the
German Antisemites :
"Let them rant ! It is not in the power of such
to detract the veriest atom from his undying
fame ; does not their impotent rage beating against
that rocky eminence in the Rhine echo back in
tumults of reverberating scorn to the haunting
metre of the wondrous 'Lorelei'? Heine's mild
and kingly 'revenge' has been his marvelous and
unconquerable dominion over the spirit of all the
German-speaking people. What German youth
or maiden can tell the first throbs of their quick-
ening love but in the simple eloquence of words
Heine has given them? What German, when his
heart is brimming with emotion, but will find the
surest vent for his pent-up feelings in Heine's
verses — nay, we might even say that no German
can now write poetry without some faint rever-
beration of Heinrich Heine's incomparable music-
clinging to it in form or rhyme. Heine has
stamped his own individuality upon Germany's
lyric poetry. His touch is not to be lightly
brushed aside. She still speaks the language he
taught her, now more than two generations since ;
the 'Jewish taint,' if such it is, is therefore, it will
be seen, ineradicable, and even the poets must
'come to heel' would they express themselves in
verse."
Continuing, Nordau points out that, with the
exception of Goethe and Schiller, "no other
has done a tithe of what Heine has done to-
ward spreading the knowledge of Germany's
literature beyond her frontiers. His position
indeed is that of a German ambassador to the
nations of foreign lands, yet his own country
disowns him I Not the people, be it said : they
read him, buy him, laud him as no other poet
has been lauded; but 'official* Germany — ^that
gang so incurably smitten with folie de grand-
eur — which, swarming here, there and every-
where, penetrates into the universities and
lecture-rooms and permeates the press, the his-
tories of literature, the very encyclopaedia,"
LITERATURE AND. ART
389
It is to these fanatic elements that Nordau
attributes the fact that Germany has thus far
failed to put up a monument to his name.
Seven Greek towns, he reminds us, dispute to
this day the honor of having been the birth-
place of Homer ; and now some seven German
cities — ^among them Berlin, Diisseldorf, Col-
ogne and Frankfort-on-the-Main — ^are each
\Ting for the honor of being known as the one
that has refused to permit the erection of a
statue within her walls to the memory of
Heinrich Heine, although his admirers have
promised to furnish the site.
England, France, America and almost every
civilized country joins in celebrating the anni-
versary of Heine. The London Bookman has
issued a "Heine number" with portraits and
articles. The popularity of Heine is deemed
particularly astounding when we come to
consider the marked individualistic style of
his poetry, which renders it exceptionally dif-
ficult of translation — a style so full of subtle
beauty and meaning that it defies analysis, and
therefore is impossible to reproduce. It is
conceded that the best translation of the poems
of Heine is that by an American, Charles
Leland, of "Hans Breitmann's Ballads" fame.
Paul Bourget, the eminent French novelist,
pays higli tribute to Heine. He recalls his
lonely "mattress-grave," and the witty remark
with which he received Berlioz: "You visit
me? You are always original!" Among his
intimate friends in Paris were Th6ophile
Gautier and Honor^ de Balzac. Bourget men-
tions Gautier's touching account of Heine's
burial in the cemetery of the Montmartre:
"The weather was gloomy and cold. Only a
few men followed the hearse, and a short time
afterward the only French poet who could be
compared with Heine, for his thrilling passion,
eloquence and irony, for his graceful, glowing and
mad imagination — Alfred de Musset — was also
to follow him without honors, almost without
friends. Where is there a more touching pic-
ture to be found of human detachment and es-
trangement than that connected with these two
geniuses of absolute honesty even in the midst
of their most brilliant fame!"
Dr. Isidor Singer, managing editor of the
Jewish Encyclopaedia, recently published in
this country, gives (in the New York Sun)
the following striking passage from Heine's
will which, if authentic, reveals the poet in a
more evenly religious mood than those who
know Heine are wont to credit him with even
in the most solemn moments :
"For four years past I have abdicated every
sort of philosophical pride and have returned to
religious ideas and feelings. I die believing in
the One and Eternal God, Creator of the world,
whose mercy I beseech for my immortal soul.
I regret having sometimes spoken in my writings
of sacred things without the reverence which is
their due, but I was drawn aside rather by the
spirit of my epoch than by my individual leaning.
If, unknown to me, I have offended against right-
eous custom and morality, which is the true es-
sence of all monotheistic beliefs, I ask pardon
therefor of God and mankind."
The Clericals
HEINE AS HE APPEARS TO—
The Sentimental Girl
The German Censor
-^D^r Floh (Vienna.
390
CURRENT LITERATURE
NEW YORK'S ARTISTIC CUSTOM-HOUSE
The Custom-House now in process of con-
struction in New York city is probably the
most beautiful of its kind in the world. Archi-
tecturally, it is the creation of Mr. Cass Gil-
bert, one of the designers of the St. Louis
Exposition ; artistically, it affords a setting for
the combined efforts of a dozen of our leading
sculptors. Mr. Charles de Kay, who writes
at length of the new building in The Century
(March), pronounces it "a credit to the city,"
and expresses gratification that "at least some-
thing has been done to blunt the reproof that
New York, a city by the sea, great through
the ocean and our magnificent waterways,
rarely remembers the sources of her wealth
and greatness." Mr. De Kay reminds us of
the significance of the Custom-House as "one
of the edifices of our cities which betokens the
centralization that took place when, after a
world of bickering and provincial meanness,
the several colonies agreed to surrender many
of their old powers for the good of the nation
at large." He speaks feelingly, also, of the
experiences which the incoming traveler is
compelled to undergo at the hands of Uncle
Sam in these edifices, and further regrets that
the architect has not seen fit to express these
harrowing experiences in the sculptural deco-
rations, as the workmen in the cathedrals of the
Old World at times expressed their not always
flattering opinions of the ecclesiastics.
The new building is to be seven stories hig^h.
Elegance is not here, says Mr. de Kay, nor
delicacy; but power. And in such a building^,
surrounded by towering shapes, the note of
power is not at all out of place. Further:
"The front of nearly two hundred feet from
Whitehall on the east to the Battery Park on the
west looks down on the old space before the old
fort where once the citizens met for sport or
angry town riots, but where now the trolleys
grind along on their elliptical orbits. And an
imposing front it is: walls of granite from the
Penobscot, with deep embrasures for the win-
dows and ranges of columns before three of the
stories, girders and beams of steel instead of
should last forever. Deep it goes, seven feet
wood, floors of terra-cotta and concrete unassail-
able by fire; beetling cornice; mansard roof, with
copper and red slate rising behind a French
Renaissance balustrade — ^here is an edifice that
below high- water level, where the concrete floor-
ing of the cellar is braced downward against the
lifting force of the tide. Its massive form and
THE NEW CUSTOM-HOUSE BEING ERECTED IN NEW YORK
Re^rarded as ^the mostCbeautiful Custom-House in the world. Architecturally, it is the creation o< Mr. Cass
Gilbert; artistically, it atfords a setting for the combined efforts of a dozen of our leading sculptors.
"ROME"
By Frank Edwin Elwell
One of twelve striking sculptural fibres set above the cornice of the main front of the new Custom -
Honse and representing countries and maritime centres.
392
CURRENT LITERATURE
"ENGLAND"
By Charles Grafly
comparatively low roof-tree contrast with the
sky-scrapers that tower about the Bowling
Green."
Proceeding to a description of the remark-
able sculptural features of the building, Mr.
de Kay says:
"The granite capitals of the columns contain
a head of Mercury and the winged wheel, for
commerce and transportation respectively. Over
the arch of the entrance presides a head of Co-
lumbia by Alfano. To right artd left, over the
arch, are heads of panthers, to represent the most
important among the wild beasts found by the
colonists. The keystones of the flat arches in
the windows of the main story, which light the
offices of the collector of the port, are carved
with masks of races. There is the Caucasian,
with accessories of oak branches, the Hindu with
the lotus, the Latin and the Celt with grapes, the
Mongol with poppy-heads, the Eskimo in his hood
of fur, the coureur de hois with pine-cones. These
are the work of Alfano, after the designs of the
architect. Other decorations of a minor sort are
dolphin masks grotesquely treated, forms gener-
alized from kelp, with a nautilus, the classic rud-
der and the trident, or the conventionalized wave
— ^things that suggest the sea without being literal
or realistic. The caduceus of Mercury also ap-
pears. Under the arch of the main entrance are
the arms of the city by O'Connor, with an eagle
superposed and winged figures in somewhat 'An-
glo-Saxon' attitudes for supporters, instead of
the sailor and Indian usually seen in that posi-
tion."
Most notable of all are the sculptural groups
by Daniel C. French on four rectangular piers
in advance of the building, and the row of
twelve single figures by various sculptors in
the attic above the cornice. To quote again :
"In accordance with the disposition of the col-
umns below, of which they form the embellish-
ment and crown, these twelve statues are ar-
ranged in four couples and four separate figures.
These, corresponding with the two outer col-
umns on the east, are figures of Greece and Rome
by Elwell, while the two columns on the west
are indicated or finished above by figures repre-
senting France and England, designed by Grafly.
The two column's to the left of the main entrance
have high above them figures of Venice and Spain
"GENOA"
By Henry Augustus Lukeman.
LITERATURE AND ART
393
br Tcwjefti, while tho^ on I he right have figures
lolland and Porttigal by Louis Saint Gau-
Thesc four hist 'mentioned countries are
: i hr figwres of remarkable richness,
iTimn those thjit crown the single col-
^'"' tight together in puir& — Phcenieia
Genoa by I*tJikeman, the Scandi-
i^, **^-. ..,-.-,,,Mni& hy Gelert. and Germany by
Jaegers. Thus, while the attic above the entab-
httsre — if one can use such classical terms in a
' ng th^it is far from coldly classic — is en-
d by statues in the round, an attempt has
ba^ made to marshal them with the idea of
^itVfK^g the richest, most embellished statues near
liter
■7 four groups by French represent as many
-^ On one side of the entrance is E«-
("? other America, Europe is in armor;
'm4. . .r are prows of ships, and she holds the
^ere of etnpire. Amenca represents commerce:
slie has variotis products at her feet* and behind
hcT stands^ an Indian* The group at the eastern
end is Asia> seated hke a Buddha and attended
by a tiger. That at the western end is Africa, a
veiled figure whose attending form is the sphinx,
'The most salient slattiary, that wliicb catches
the eye at first embodies the chief divisions of
Tt: ' ' ^nd the races and peoples which have
to further a knowledge of those divi-
he enterprise of their 4Jscoverers, ad-
-I'-TL's, and traderst from the Phcenicians in
"' iann of history to tile Germans, last to seek
coioQies and become a sea power, pouring out
'* DENMARK"
By Jotumoes Gelert*
*^ VENICE
By Fraii?m« Michel L. Tonetti.
their treasure in the endeavor to obtain more of
ihe earth's surface for their teeming millions, and
angry with their emigrants because they prefer
the security of an established country where their
vote counts, to thi^ uncertainties of a colony ter-
rorised by soldiers and officials/'
And finally, says Mr. de Kay, the tiew Cus-
tom-House is not only beautiful but practical
The old Custom-House on Wall Street, with
its domical interior, its deep and gloomy porch,
its row of twelve monolithic columns, is full
of concessions to the fashions of the day in
which it was erected; but like many buildings
in New York, it was not adapted to the nar-
row street on which it raises its gloomy ^ pri-
son-like walls. The new building shows a
belter adaptation. Though sky-scrapers sur-
round it yet they cannot shut out the light
nor intefere with the view, and the changes
made will be found conducive to comfort and
the prompt despatch of business.
394
CURRENT LITERATURE
THE WEIRD AND SOLITARY GENIUS OF WIERTZ
In a neglected garden in the suburbs of
Brussels stands a building of rude timber and
bare plaster known as the Wiertz Museum. It
is visited daily by tourists from all parts of
the world, and shelters one of the most remark-
able collections of pictures ever exhibited. "A
pictorial pandemonium, a Vatican of eccen-
tricity," Christian Brinton, the American art
critic, calls it. "On the walls," he says, "rages
an eternal conflict between good and evil, be-
tween beauty and horror. The majestic and
the trivial are here grouped side by side just
as they sprung from their creator's seething,
incongruous fancy. Visions of relentless, com-
pelling power are succeeded by cheap devices
and panoptical tricks scarcely worthy of the
rudimentary imagination of a child. Senti-
mentality of the sugary, Raphael-Bouguereau
brand is offset by dramatic vivisections and
deliberate diablery from which the most cal-
lous visitor shrinks in spontaneous terror and
disgust. All periods from the classic to the
ultra-modern and morbid, all episodes from
the 'Education of the Virgin' to a *Scene in
Hell,' throng this curious graphic cosmos."
'THE REVOLT OF HELL AGAINST HEAVEN"
A lurid masterpiece by Antoiae Wiertz, showinsr
** masses of writhing^demons and avalanches of riven
rock."
It. is just a hundred years since the birth of
Antoine Wiertz, the Belgian painter whose
pictures are thus exhibited; and the anniver-
sary has been made the occasion of celebrations
and of articles on his life and work. Mr.
Brinton, who tells the story of Wiertz's career
in the New York Bookman, finds in all the his-
tory of art, so rich in extraordinary personali-
ties, no figure comparable to that of Wiertz.
He says :
"Wiertz, through the sheer power of abnor-
mality, forced himself into the company of the
great, unforgettable masters' of his own and of
former days. He was not a Rubens, nor a Michel-
angelo, as he fondly supposed, but bv measuring
himself against such spirits during a lifetime of
exalted endeavor he has succeeded in being re-
membered along with them. Ambition, however
colossal, is an insufficient asset, yet when that am-
bition is expressed in transcendent manifestations
of misguided genius, the result is formidable. No
one can look at Wiertz's tortured canvases, or
trace the story of his titanic and pitiful life strug-
gle, without feeling the spell of an abounding in-
dividuality. He seizes upon you like a nightmare,
conjuring up visions repulsive and beseeching.
Instinctively you believe that there lurks some-
where within the man and his work a baffled
beauty, a sublimity which, by the merest mis-
chance, became grotesque stupidity or tragic in-
completion."
Wiertz's father was a soldier, a man of
"noble and virile soul," who exercised great
influence over his son. Aside from a consum-
ing passion for fame and success he tried to
impress on the boy's character two cardinal
qualities — a stoical indifference to mortal
trouble and an enduring contempt for pecuni-
ary reward. His own martial spirit became
in the son an unquenchable thirst for artistic
fame. "My brushes," Antoine would often
declare, "are my lances, a canvas is my bat-
tle-field." Playing beside his mother he one
day exclaimed that he wished to become a
king. "Why?" she asked, thinking that his
mind was centered on the pomp and ceremony
of regal pageantry. "So that I might become
a great painter," the boy replied reverently.
Young Wiertz never for an instant doubted
his destiny, and he believed that he was
nightly visited by the luminous apparition of a
tall figure, wrapped in a flaming mantle and
wearing a Spanish hat, in whose hands was
borne aloft a banner on which gleamed in
letters of fire the word "Anvers." It was the
spirit of Rubens, he said, summoning him to
Antwerp, and to Antwerp he proceeded at
LITERATURE AND ART
395
the age of fourteen. At this point we quote
from Mr. Brinton's narrative:
"Possessing nothing save his pension of loo
florins a year, the young enthusiast desired little
be\-ond *bread, colors and sunlight/ though often,
indeed, he was forced to do without all three.
He worked at the Academy under Herreyns and
Van Bree and lived in a miserable attic room
too low for him to stand upright in and almost
too short to accommodate him when lying down.
Though only fourteen, he was tall and fully de-
veloped physically, having the stature of a grown
man, his pale, mobile features being already cov-
ered with a luxuriant black beard. In his pitiful
cell was neither stove nor fireplace, and through
the battered casement used to blow at will bitter
winds or puffs of snow. The room was a chaotic
jumble of books, papers, anatomical studies, mu-
sical instruments and the various paraphernalia
necessary to the practice of sculpture, painting
and engraving. At times it grew so cold that
the zealous student was forced to take to his bed,
and more than once fell asleep with crayon in
one hand and scalpel in the other. It was a
gruesome retreat; against the bare wall dangled
a skeleton, and opposite the door grinned a clev-*
erly painted death's head. Few visitors, however,
ever crossed the threshold, for Wiertz was even
then regarded as an eccentric, and between him-
self and the world was slowly erecting an impreg-
nable barrier. His fellow-pupils openly sneered
at the strange recluse of the Rue du Pont-Saint-
Bernard whose gods were Rubens, Michelango,
Comeille and Mozart and whose only goddess
was — Glory. He was a phenomenally gifted mu-
sician, playing numerous instruments, and would
often divert his fancy in this way, while below
on the street passers-by would pause and listen
to those wild, haunting strains floating on the
midnight air. Although he lived for years in ab-
ject poverty, he did so partially from principle.
Outside of a few portraits he never made the
slightest attempt to sell his work. A wealthy
connoisseur once called and offered an excellent
figure for a certain sketch. 'Keep your gold,'
cried Wiertz imperiously; 'it is the death of the
artist !' "
In his twenty-sixth year Wiertz went to
Rome, and consecrated himself to the produc-
tion of a masterpiece. It was his ambition to
fasten on heroic canvas the great poetry of
the Homeric period. He was steeped in the
Iliad, and kept it under his pillow. "It is sin-
gular how the reading of Homer frenzies me,"
he said; "I think continually of the struggle
between Ajax and Hector. It is they who
transport me most when I think of producing
a great work. They inspire me with a sort
of heroism, and the desire to combat the great-
est masters. I dare challenge the greatest
colorists; I want to measure myself with Ru-
bens and Michaelangelo !" The result of
his eilforts, "The Greeks and Trojans Con-
tending for the Body of Patroclus," was
WIERTZS PORTRAIT OF HIMSELF
^This celebrated Belgian painter was bom just a hun-
dred years ago. His gallery in Brussels, bequeathed to
the Slate and preserved as he left it, has been termed
" a pictorial pandemonium, a Vatican of eccentricity."
worthy of his travail. When exhibited in
Rome, the picture created a profound sensa-
tion. Thorwaldsen, greatly impressed, said:
*This young man is a giant." "Ouida," the
famous novelist, wrote of the painting:
"The canvas seems to breathe the very soul of
Homer. The Menelaus with his eyes aflame and
his beard blown by the fierce breaths of war; the
beautiful, nude body stretched amidst them, dis-
sected as by a troop of lions and a pack of
wolves; the young son of Panthus, who falls be-
neath the steel, like a young olive-tree beneath
the axe; the perfection of the anatomy; the life
and haste and majestic ferocity of the conflict;
the innumerable tones given in the palpitating
flesh of the living warriors, and the bruised pallor
of the fallen dead; the whole conception of the
composition, into which a passionate love and
instinct for the Homeric age has been poured in
a flood of heroic feeling; all these together form
a work upon which, surely, none can look without
emotion and by which Wiertz may be said, with-
out presumption or arrogance, to have realized
the ambition of his life— to 'rival Rubens.'
Those who go to it fresh from that cathedral [in
Antwerp] where Rubens in his two masterpieces
fills the whole temple with his glory, will not
find the 'Patroclus' either poor or pale. That
the majestic strength of Rubens can ever find
396
CURRENT LITERATURE
"THE MAN OP THE FUTURE REGARDING THE THINGS OF THE PAST"
In this picture Wiertz portrays a man of the coming generations — a giant as compared with those who live to-
day—looking with curiosity, amusement and a certain contempt on the cannon, the thrones, the sceptres, the 2>attle
flags of our time.
its full equal in any, or his lustre of color in
any, is still to be doubted; but that, of modern
painters, Wiertz does, in strength of execution
and power of hue, come, the nighest to his master,
can hardly be disputed."
Flushed with success, the young artist took
his picture to Belgium, where it was placed on
free exhibition and won many tributes. Then
he turned to Paris, the city that, most of all,
he longed to conquer; but now he met with
defeat and disaster. After interminable de-
lays the picture was hung in the Salon d'Hon-
neur of the Louvre, but was skied so cruelly
as to be barely distinguishable. It was ignored
by press and public alike. Wiertz turned
away, heart-broken. It was a blow from
which he never recovered.
Next he went to Liege, where he settled
down with his old mother and obtained from
the town the privilege of stretching an enor-
mous canvas in an abandoned church which
became his studio. Here he created the fan-
tastic "Revolt of Hell against Heaven," with
masses of writhing demons and avalanches of
riven rocks. The death of his mother drove
him to Brussels, where, housed in a deserted
factory, he completed "The Triumph of
Christ," which shares with "Patroclus" the
honor of being his best work. It was this
picture which induced the Belgian Government
to realize his life-dream and to provide him
with a studio which should contain all his
pictures and revert to the state upon his
death. The record is filled out by Mr. Brin-
ton:
"Apart from the pictures he had previously
painted it took the artist just fifteen years to fill
the remaining space at his disposal. A portion
of this time was passed in writing his 'Flemish
School of Painting* and numerous other bro-
chures, pamphlets and tractates as well as in
modelling, for sculpture was . also one of his
minor passions. During many baffling months
he devoted his energies to the study of chemis-
try with a view to perfecting his peinture mate,
a combination of fresco and oil painting having
more fluency of handling than the former and
possessing none of the latter's often irritating re-
flective quality. It was, of course, necessary for
him to continue painting portraits 'pour la soupe,*
as he would say, and during his less exalted
moments he perpetrated various 'petites bam-
boches,' or serio-comic platitudes utterly without
interest or distinction. He lived a rigidly isolated
life, rarely venturing out, though adjoining the
LITERATURE AND ART
397
studio he devised a miniature *jardin geo-
graphiqae,' in which he used to promenade, fancy-
rag himself in different parts of the world. He
labored ceaselessly, it being his hope some day
to enlarge his museum to three times its actual
size and paint a continuous epic of civilisation of
which the portion already completed was merely
a preface. Yet this grandiose dream was not
to be realized. Death, who had long since gazed
fixedly upon him from the walls of his narrow
Antwerp mansarde, at last claimed him for that
dim kingdom which is alf dreams, all phantoms."
It is useless to pretend that the art of
Wiertz possesses any particular esthetic sig-
nificance, says Mr. Brinton, in conclusion.
He "occupies a decidedly rickety seat in the
Pantheon of the masters," we are told, and
"entered not by day between wide, lofty por-
tals, but one stormy night through the back
door and up dingy, crooked stairs." Though
at the outset he may have had some hint of
the plastic fervor of Michelangelo, some echo
of the chromatic fire of his revered Rubens,
"these gifts were quickly swallowed up in a
boundless sea of personal vanity and vaunting,
arrogant ambition." If "a gleam of the spirit-
ual evocation of Blake" now and then shone
forth, it was only to be rendered dull and lus-
tcrless by the heavy pomposity of a Hayden.
"Not the least of Wiertz's shortcomings is that
he was a perpetual borrower. His particular di-
vinities he constantly laid under contribution and,
not satisfied with them, he often looked else-
where. Upon 'Happy Times' has settled the Ver-
gilian quietude of Poussin. Back of Two Young
Women or the Beautiful Rosine' looms the elo-
quent and occasionally voluptuous fantasy of
Delacroix. The single original note Wiertz
sounded lies in a series of social studies which
includes 'Orphans,' 'Premature Burial,' 'Hun-
ger, Madness and Crime,' 'The Last Cannon' and
Thoughts and Visions of a Severed Head.' Each
is a sermon with scant attempt at disguising the
text — one pleads for charity, one for cremation,
one against war, and another against capital pun-
ishment. It is obvious that more restraint and
less crapulous horror, less of the stench of the
charnal house, would have heightened the efficacy
of these appeals.
"Wiertz fancied himself a soldier of advanced
thought, a 'chasseur d'id^es.' In distorted meas-
ure he possessed the brain of a philosopher, the
imagination of a poet and the fervor of a pa-
triot. Endowed with acute organic susceptibility,
he seemed destined from the first for martyrdom.
He was tragically out of sympathy with his age
and time. He lived the life of a lost Titan, al-
ways alone, always harassed. His invincible de-
votion to his career, his austere vows of poverty
and o! celibacy — vows which were never for-
sworn— did not, in the end, constitute Wiertz one
of the gods or redeemers of art. Through rea-
sons beyond the control of his troubled spirit he
descended from Olympus into the recesses of
dark Avernus."
Cvurtny ox Tw€ -w^o******.
*THE GREEKS AND TROJANS CONTENDING FOR THE BODY OP PATROCLUS
This painting, after the style of Rubens, is regarded as Wiertz's masterpiece.
398
CURRENT LITERATURE
THE ANARCHIST SPIRIT IN MODERN LITERATURE
It is somewhat startling to be told that most
of the greatest literature of the present day is
dominated by the anarchist spirit. Mr. Will-
iam Bailie, who sustains this contention in the
foreword to his new monograph on Josiah
Warren,* defines anarchism so broadly, how-
ever, as to make his statement less disquieting
than it would at first appear. According to
his definition, anarchism is about the same as
revolt, for it is the tendency which "questions
the supremacy of the State, the infallibility of
statute laws, and the divine right of all au-
thority, spiritual or temporal." Of this tend-
ency he is himself a champion, and proudly,,
not apologetically, he analyzes and defines the
forces and influences which he finds grouped
under the definition. From his standpoint there
is nothing unworthy or immoral in the philos-
ophy of anarchisnl, for among its apostles are
some of the world's greatest teachers. The
popularly conceived anarchist, "that moral
monstrosity, the yellow journalist anarchist,
with bombs in his hands and murder in his
heart," is not of the same species. "It is not
♦Josiah Warren. The First American Anarchist.
William Bailie. Small. Maynard & Co.
By
favorable to the spread of exact knowledge
that this lurid creation should represent the
only conception of anarchism familiar to an
uncritical public." Instead we are pointed to
the anarchism of literature, where "an essay
of Spencer, a story of Tolstoy, a novel of
Zola, a drama of Ibsen, a poem of Whitman,
add more force to the anarchist tendency in
one year than opposing power can suppress in
a century." This literary anarchism is fur-
ther described as being "not a cult, nor a party,
nor an organization, neither is it a new idea,
nor a reform movement, nor a system of phi-
losophy," but solely a tendency which has its
place in the life of our times, a social force
making for the completer unfolding of human
character. "Like the ocean's action on the
oldest rocks, literature is a solvent ever work-
ing on men's minds. It dissolves outgrown
conceptions, breaks down the ancient strata of
ignorance and prejudice, and at the same time
begins to build up new ideas, hopes and as-
pirations."
Ibsen is presented as a marked example of
the anarchist spirit in literature. The work
of this great dramatist is permeated by a
"PREMATURE BURIAL"
One of Wiertz's most gruesome studies.
LITERATURE AMD ART
399
^AtllSKl M Th* »«-*
SCENE IN HELL"
- poTtxays Napoleon conf related by ** de sol Ate widows acid orphans ^itid parente bereaved of tbeir
in tlicif hnnds ttie r««kiBg members c»f their beloved dead onoa ; phantoms ciiriing htm ti> his f^e
blta to drink a streaming cup of lilood/*
^Tparjy {Hirpose. *"His great illutninating idea
intiividual should be free to act in
I Ltoental social relations unfettered by
iuikc ideals, mistaken sense of duty, or the
tvranny of public ofjinion. Moral courage en-
r ' iirig the individual to dare to be free, men*
tally and morally free, from superstition, prej-
udice qnr! habit^ Ibsen shows lo be the rarest
s/' Preachers of the same gospel
hc greatest of living dramatists, all
tnorc or less influenced by this master, are
Siidcrmannt Maeterlinck* Hauptmann, Mir-
hcau and Bernard Shaw, Zola is the outstand-
-rz anarchist of modern French literature,
' i Ic in Germany ''the existing order— Intel-
kctual, mora! and governmental — has not yet
r?t:overed from Nietzsche*s masterly attack/'
The trifluence of this '*bril!iant genius and ag-
gr-rs^iivc anarchist/' vi^e are reminded, h grow-
iog both at home and abroad.
Ttiming to English literature in the search
for mcfi whose writings record "the aspiration
for individual freedom untrammelled by the
social codes of the past," Mr. Barlie names
George Meredith, Thomas Hardy and George
Gissing. The last-named, he thinks, "ex-
hibited in a marked degree the influence of
the intellectual awakening against institutions
and ideas that had outlived thetr usefulness/*
Whitman is cited as one of two Americans
pre-eminent as poets of individual libert>^ and
democracy, "His sturdy individualism, his
glorification of the average man and woman,
hts scorn of mere statute nioralhy," are win-
ning him more and more followers. The other
American is also one of increasing influence—
Thoreau; and of all influences in American
literature his is asserted to be the most posi-
tiveiy anarchistic. "Thoreau was, par excel-
Ivnce, the anarchist."
From these and other examples of the an-
archist spirit In literature* Mr, Bailie con-
cludes that "a social force that calls forth such
mi.*n has a purpose to accomplish in the future."
400
CURRENT LITERATURE
THE CHIEF SINGER OF THE NEGRO RACE
Paul Laurence Dunbar, the negro poet who
died recently in Dayton, Ohio, at the compara-
tively early age of thirty-four, is generally
accepted as the highest exemplification that
his race has yet provided of its spiritual and
esthetic potentialities. Himself a full-blooded
negro, says the St. Louis Mirror, he has dem-
onstrated that "the negro has a creative, ar-
tistic mind, and is capable of a high ideality
and spirituality ; that he can appreciate beauty ;
that he can and does work for noble ends out-
side of himself ; that he
is capable of all the
evolution that is possi-
ble, in time, to every
human soul." Mr. W.
D. Howells, who "dis-
covered" Dunbar more
than ten years ago, said
of him : "He is the only
man of pure African
blood and of American
civilization to feel the
negro life esthetically
and express it lyric-
ally."
Dunbar was the son
of fugitive slaves, and
from early boyhood had
to struggle against
great obstacles. He
got but a common-
school education, and
ran an elevator in a
Dayton business house
even after he had pub-
lished his first volume
of verse, "Oak and
Ivy." For several years
Courtmy of Dodd. Me«d * Co.
PAUL LAURENCE DUNBAR
' the only
Characterized by William Dean Howells as . _
uZ ,..«« ^«,^irv,.^^ :^ 4.u^ ^^^ of pure African blood and of American civilization
ne was employed in the to feel the negro life esthetically and express it lyrically.'
cause he was moved to write. His poetry was>
an expression of his own spirit. And Paul Dun-
bar was a black man. His metrical grace anci
power could not be credited to any mixture o£
white blood. He was, perhaps, the most con-
spicuous exemplification that his race has given
to this country of the negro's possibilities along^
the line of spiritual expression and development.
Moreover, he wrote as the negro feels and the
negro talks. He has given value and permanence
to the folklore of the race in this country. He
won recognition and public applause, not simply
because his work was creditable to a black man,
but because it would
have been creditable to
any one."
Dunbar wrote both
in pure English and in
negro dialect. Some of
his quaint dialect
verses, such as, "Who*s
Dat Said Chicken in
Dis Crowd ?" are known
all over the country.
His most popular poem
is said to be "When
Malindy Sings." Of
his* more ambitious
poems one of the best
is. "The Meadow
Lark," with its lyrical
moral :
Though the winds be dark.
And the sky be sober,
And the grrieving day
In a mantle firray
Hath let her waiting maiden
robe her —
All the fields along
I can;hear the song
Of the meadow lark.
As she flits and Gutters
And laughs at the thun-
der when it mutters.
Library of Congress,
but in 1899 the sale of his verses and the roy-
alties on his books enabled him to return to
Ohio. Seventeen volumes of verse and prose,
stand to his credit, among which may be men-
tioned: "Majors and Minors," "Lyrics of
Lowly Life," "Folks from Dixie," "Poems of
Cabin and Field," "The Uncalled" and "The
Sport of the Gods." On his literary achieve-
ment the Boston Transcript comments:
"The death of Paul Laurence Dunbar is a
loss to American letters. He was not, perhaps,
a great poet, but he was a real one. His verse
was genuine, serious and sweet. He wrote be-
Oh, happy bird, of heart most
gay
To sing when skies are gray!
Dunbar's last days witnessed a pitiful strug-
gle against inevitable destiny. He suflFered
from consumption and knew that he must die,
but, like Robert Louis Stevenson, he worked
bravely on until the end. Last December he
published in a Philadelphia magazine these
verses :
Because I had loved so deeply,
Because I had loved so long,
God in His great compassion
Gave me the gift of song.
Because I had loved so vainly.
And sung with such faltering breath,
The Master In infinite mercy
Offers the boon of Dc^tn.
Music and the Drama
STEPHEN PHILLIPS'S PICTURE OF AN "AESTHETIC" NERO
As an artist rather than as a monster, as
a poet and only incidentally as a dabbler in
human blood, the Roman emperor, Nero, is
presented in Stephen Phillips's latest drama.
The conception is possibly justified by Nero's
famous exclamation, "Qualis artifex pereo!"
(What an artist perishes in me!) and is de-
fended by the author in a newspaper inter-
view :
*^ero, as I conceive him, was, above all things,
a dreamer and a poet ' Nero was possessed
throughout his life with what the ancients called
a 'daimon' — the 'daimon' of art. As soon as he
assumed the purple his very first act was to sum-
mon to the Imperial Court the singer Terpnus,
and thenceforth he devoted himself to music,
painting, sculpture, and the composition of verse.
By a caprice of fortune the world's destinies
were now suddenly placed in the hands of the
great dreamer of tilings fantastic and monstrous,
and to Nero everything became subordinate to
his love for art. The passion for art colored
every thought and action of his Hfe. Even when
he committed a murder he considered the artis-
tic possibilities the tragedy would afford. Take,
for instance, the attempt on the life of his mother,
Agrippina, amidst the beautiful scenery of the
Gulf of Baiae, when, as Tacitus tells us, all the
stars came out to look upon the awful deed. Nero
had cbncdved the whole scene beforehand — ^he
had stage-managed his mother's murder!
"The drama of Nero's life, as I see it, lies in
the struggle between the son and the mother.
Whatever faults Agrippina may be reproached
with, there is no doubt that she had a genuine,
although impetuous and fierce, love for her child.
The emperor, on his side, was bound to her not
only by affection, but by gratitude. He was
finally driven to matricide by urgent {political rea-
sons» and also by the lures of his mistress,
Poppaea, who, aspiring to rule the world with him,
was bent upon the ruin of Agrippina. The young,
all powerful tyrant was therefore the target for
the burning but conflicting passions of three
women: the tigerish maternal love of Agrippina;
the interested attachment of Poppsea, £e beau-
tiful and ambitious courtezan; and, lastly, the
tender, pathetic devotion of the slave Acte, who
remained faithful to Nero even after his death."
The dramatic embodiment of this concep-
tion has taken the London theatrical world by
storm. Mr. Beerbohm Tree, England's great-
est living actor, impersonates the degenerate
emperor, and has staged the play with a lav-
ishness worthy of Nero himself. "One of the
finest spectacular productions that the London
stage has ever seen," is what the London
Sphere calls it; and Mr. A. B. Walkley, of
the London Times, says: "It blends the fra-
grance of rose-leaves with the scent of blood.
It sates the eye with splendid pictures and the
ear with voluptuous music of both verse and
orchestra. At the end of it all one gasps and
is a little dizzy. In short, a tremendous pro-
duction."
The action of the play takes place partly at
Rome and partly at the pleasure resort, Baiae.
There is a sumptuous banquet scene, and a tab-
leau showing Nero's triumphal entry into Rome.
The most thrilling scene is that in which Nero
is shown in his villa at Baiae on the evening
on which his mother is murdered across the
bay. According to the London Daily Tele-
graph:
"Agrippina is in a vessel, and the roof of her
state caoin is to descend upon her head in mid-
ocean. Then comes the sudden intelligence that,
though the roof has fallen, 'the Augusta' herself
has escaped by swimming to the shore. What is
to happen now? Anisetus is ready with another
plot. She is to be pursued by a body of armed
men and murdered in the villa in which she has
taken refuge. If the trumpet blows once, it
means that she has escaped to Rome; if it blows
twice, the signification is that her hiding-place has
been found; but if the trumpet blows thrice, the
tragedy has been finished by her death. The
poignancy of the situation, as we hear the first
blast and the second and then the third and final
one across the bay, constitutes a theatrical
moment of such intensity as is rarely witnessed
on the boards."
The play ends not with Nero's death but
with a dazzling picture of the burning of
Rome. At the climax the emperor is shown
mounted on the battlements singing a wild
hymn to the destroyer. He regards the con-
flagration as the vengeance of Agrippina.
"Mr. Phillips has shown a true dramatic in-
stinct," comments the London Spectator, "in
letting the curtain go down on the culminating
point of Nero's madness rather than upon his
death. The moment of tragedy is the passing
of the soul, and not of the body."
"Nero" is written in blank verse and con-
tains many lines of high poetic value. At the
402
CURRENT LITERATURE
BEERBOHM TREE AS NERO
In Stephen Phillips's new poetic drama. His imperso-
nation of the degenerate emperor has taken the London
theatrical world by storm.
very beginning, the words of Seneca epitom-
ize the character of the emperor:
The harp, the song,
The theatre, delight this dreamer ; tiue.
He lives but in imaginations; yet
Suppose this aesthete made omnipotent,
Feeling there is no bar he cannot break,
Knowing there is no bound he cannot pass.
Might he not then despise the written page,
A pett^ music, and a puny scene ?
Conceive;a spectacle not witnessed yet.
When he, an artist in omnipotence,
Uses for color this red blood of ours,
Composes music out of dreadful cries.
His orchestra our human agonies,
His rhythms lamentations of the ruined.
His poet's fire not circumscribed by words,
But now translated into burning cities ;
His scenes the lives of men, their deaths a drama.
His dream the desolation of mankind,
And all this pulsing world his theatre !
There is this beautiful reference to Helen
of Troy:
Yet hath none fairer strayed into the world
Since she who drew the dreaming keels of Greece
After her over the Ionian foam.
And Poppaea is thus described by Acte:
A woman without pity, beautiful.
She makes the eartn we tread on false, the heaven
A merest mist— a vapor. Yet her face
Is as the face of a child uplifted, pure :
But plead with lightning rather than those eyes,
Or earthquake rather than that gentle bosom
Rising and falling near thy heart. Her voice
Comes running on the ear as a rivulet :
Yet if you hearken you shall hear behind
The breaking of a sea whose waves are souls
That break upon a human-crying beach.
Ever she smileth, yet hath never smiled,
And in her lovely laughter is no joy.
Nero's paean over burning Rome is full of
intensity :
Or art thou madness visible,
Insanity seizing the rolling heavens?
Thou, Thou, didst create the world
In the stars innumerably smiling !
Thou art light — thou art God-thou art I !
Mother ! mother !
This is thy deed.
Hist ! Hist ! Can you not see her
Stealing with lighted torch ?
She makes no sound, bhe hath a spirit's tread.
Hast thou sated thy vengeance yet ?
Art thou appeased ? . . .
Now let the wailmg cease from thy tomb,
Here is a mightier wail !
Now let the haunting trumpet be dumb !
Blaze ! Rage ! Hlaze !
For now am I free of thy blood —
I have appeased and atoned,
Have atoned with cries, with crashings, and with flaxning^.
Thy blood is no more on my head.
I am purged. I am cleansed !
I have given thee flaming Rome for the bed of thy death !
O Agrippina !
In spite of the poetic beauty of the play, it
seems to have made a deeper impression as a
spectacle than as a drama. Some of the
critics, indeed, go so far as to deny it the name
of drama at all. Mr. Charles Whibley, of
the London Outlook, characterizes it as "a
panorama interrupted by blank verse" — ^"an
imperial pantomime trapped in purple and ac-
companied with soft touches on the lute." In
the same spirit, Harold Hodge, of the London
Saturday Review, calls it "a tremendous
show," with "ballet, blood and thunder, sigh-
ing sea, slow music;" but Intimates that it
cannot be taken seriously as drama.
The London Spectator, on the other hand,
sets a high estimate on the dramatic qualities
of the play :
"Mr. Stephen Phillips has made a clear advance
in knowledge of stagecraft. In many respects
'Nero' contains less poetry than 'Herod' or
'Ulysses,' but it is incomparably better drama.
There is a keener perception of character, a
firmer grasp on life, and a general subordination
of other interests to the dramatic effect. Mr.
Phillips is not merely making phrases or com-
posing beautiful speeches ; he is trying to develop
against a dazzling background the complex trag-
edy of a human soul. To be sure, we still
have much incidental fine writing, sometimes too
full of Miltonic and Wordsworthian echoes to be
quite satisfactory, sometimes really imaginative
and original, as in the wonderful description of
the listless Navy in the beginning of Act III.
But his characters no longer say: 'Lo! let us
make a speech,' and proceed to some euphuistic
soliloquy. They are swept along in the full tide
of action, component parts of a great tragic move-
ment, and not isolated rhapsodists. Much, of
course, is due to the nature of the subject. The
story of Nero has the dramatic completeness, the
swift hurrying to a destined end, which makes
it the finest material for tragedy. The very mon-
strousness of the acts, and the greatness of the
actors, claim the attention from the start There
is no halt in the relentless speed with which Nem-
esis follows upon sin and folly. The tale has,
indeed, all the qualities which Aristotle sought for
in tragic drama. The protagonists are more
than human in their V fipi^y and more than
human is the fate which overtakes them. On the
whole, Mr. Phillips has risen to the height of
his great argument, and his daring has been jus-
tified."
MUSIC AND THE DRAMA
403
MR. PINERO'S LATEST TRIUMPH
"To other authors we may turn for brilliant
pamphlets or exquisite fairy-tales, but for
great drama we have still to go to Mr. Pinero."
Such is the judgment of one of the most com-
petent of English dramatic critics, Mr. William
Archer. This expression of opinion is evoked
in connection with Mr. Pinero's new drama,
"His House in Order," which has scored a
great success in London and is likely to be
given in this country in the near future. It
is "most indubitably a Pinero play of the finest
and most typical quality," says the London
Daily Chronicle; adding: "It is not a soul-
satisfying play on the one hand; it is not a
mere piece of mechanical trickery on the other.
It is just a masterpiece of open dramatic
sleight-of-hand, perfectly balanced, dexterous,
neat, genuine, and ingenious — a simple thing
evolved with the most elaborate and subtle
care. Moreover, it has the quality of grip
in a greater measure than any play of Mr.
Pinero's since The Gay Lord Quex.' " The
London Daily Mail regards "His House in
Order" as Mr. Pinero's greatest play.
The play shows the revolt of a bright, girl-
ish, jocund nature against the joyless formal-
ism to which it has been subject, and by which
it has been almost crushed. As the London
Athenceum puts it:
"Nina, its heroine, is the second wife of a Puri-
tan legislator whose rigidly Calvinistic moral code
has not prevented him, even in the lifetime of
his wife, from making love to the governess of
her son. The subsequent marriage with the part-
ner in his offence has been a mistake. A bright-
eyed, careless, rather madcap little minx, Nina
shocks all the proprieties, and it is as much with
a view of keeping her in order as the house that
Filmcr Jesson, her husband, brings into the place
as housekeeper his deceased wife's sister, Ger-
aldine Ridgeley. It is apparently in a mood of
penitence, and as an attempt at expiation for his
breach of conjugal faith, that Filmer presents to
the adjacent borough, for which he is member of
Parliament, a public park as a species of sou-
venir of his deceased wife. The occasion is to
be commemorated by a kind of funereal pomp.
To honor it the house includes as visitors the
dead wife's father. Sir Daniel Ridgeley; Lady
Ridgeley, her mother, and their detestable son,
Pryce Ridgeley ; Hilary Jesson, the host's brother,
the minister to one of the South American re-
publics; and a Major Maurewarde, a friend and
tame or half-tamed cat of the family. In order
to complete the dramatis personx we must in-
clude the dead wife in whose honor the ftmction
is held, and who, though unseen, is felt to 'ani-
mate the whole/ Every species of insult and
oppression is exercised upon Nina by her bus-
ted and the relatives of the dead woman. Hil-
ary and Major Maurewarde feel for licr, though
their advocacy is powerless, and the former con-
stitutes himself the young girl's adviser and
friend.
"Two acts are thus passed, when hey! presto!
as with a conjurer's wand the state of affairs is
reversed. An accident, improbable in itself,' but
ingeniously contrived, puts the heroine in pos-
session o fsome terribly compromising letters ad-
dressed to her pedecessor. From these it is
but too clear that the supposed saint was a wan-
ton, and had long been the mistress of Major
Maurewarde, who is, in fact, the father of the
boy passing as the son of the house. Armed with
this weapon, Nina is indeed, as Hilary calls her,
'the upper dog* and contemplates an exemplary
ARTHUR WING PINERO
Mr. Pinero's latest play, " His House in Order," is pro-
nounced the greatest that he has yet written.
revenge. The lessons of Hilary, nevertheless,
bear fruit. The oppressed woman sets a noble
example of forgiveness and self-abnegation; the
incriminating documents are burnt by ncr; and
the miserable Ridgeleys are left in ignorance of
their shame. It has been necessary, however, to
bring the letters to the knowledge of the husband,
who is able to contrast the nobility of his second
wife with the treachery of the first, and who not
too speedily clears the offensive Ridgeleys out
of the house."
Not all of the London critics are as enthu-
siastic as those above quoted. Mr. Charles
Whibley, of The Outlook, concedes that the
play is "an almost perfect machine," but re-
fuses to accord to its style the praise which
404
CURRENT LITERATURE
he willingly gives to its construction. "It is
interesting and apprehensive," he says, "but it
is not literature. In other words, it is not the
ultimate masterpiece of the British drama."
The majority of the critics, however, ex-
press themselves in glowing terms. A writer
in The Sphere thinks that Mr. Pinero's achieve-
ment is nothing less than a triumph. "His
House in Order," he says, is "the best play of
English manufacture which we have had for
some years." Mr. A. B. Walkley, of The
Times, comments:
"When Mr. Pinero is at his best we reckon
ourselves as close upon the high water-mark of
theatrical enjoyment. In *His House in Order*
he is at his very best. His master quality, by
which we mean the quality specifically called
'dramatic,' is here seen at its maximum of
energy. This or that playwright may show more
'heart' than Mr. Pinero or a more delicate sub-
tlety, a third may easily outclass him in intellec-
tual gymnastics, but in his command of the re-
sources of the stage for the legitimate purposes of
the stage he is without a rival. As it was said
of Euripides that he was the most tragic of the
tragic writers, as it might be said of Moliere tha^
he was the" most comic of comic writers, so it-
may be said of Mr. Pinero that of all our dram-
atists to-day he is the most 'dramatic' The art^
of drama is, quintessentially, the art of story-tell-
ing, as tlie sculptors say, 'in the round.' Mr.
Pinero is supreme as a story-teller of that sort
We are always keenly interested in what hx»
people are doing at the moment; we always have
the liveliest curiosity about what they arc goingr
to do a moment later. He knows it is the dram-
atist's main business to 'get along,* and he gets
along in 'His House in Order* at a 'record' pace.
. . . Take it for all in all, 'His House in
Order* is a very choice specimen of Pinero-work ;
in other words, a play yielding the highest pos-
sible measure of delight."
The two principal parts in the London pro-
duction are taken by George Alexander and
Irene Vanbrugh, and the acting, as a whole,
is described as superb. • "Miss Irene Van-
brugh," says the critic of The Academy, "be-
comes, I have no hesitation in saying, the
greatest actress on the English stage."
THE GREATEST OF AMERICAN COMPOSERS
"The most poignant tragedy is that of catas-
trophe in the hour of triumph." This thought
it was that inspired MacDowell's first piano
sonata, the "Tragica," published thirteen
years ago ; and this is the thought that is irre-
sistibly suggested by recent events in the com-
poser's own life. In the composition of his
sonata he wished "to heighten the darkness of
tragedy by making it follow closely on the
heels of triumph," and wrote a last movement
of "steadily progressive triumph, which, at its
climax, is utterly broken and shattered." In
the light of subsequent events, this sonata
takes on the nature of premonition and of
prophecy. At the height of his own fame,
with a world-wide and undisputed reputation
as the greatest of American composers, Mac-
Dowell has been fatally stricken. "So far as
his mind is concerned," says his friend, Mr.
Henry T. Finck, of the New York Evening
Post, "he is no longer among the living, and
his body is fast losing its strength, too. He
can no longer leave his bed, and often fails to
recognize those about him, except, perhaps, by
a bright glance of the eyes, which have not yet
quite lost that look peculiar to men of genius."
The career thus tragically passing to its
close has been one of singular individuality
and distinction. It is surely not without sig-
nificance that right in the midst of our feverish
commercial life has lived and worked a poet
of the purest type, an exquisite musician, a
dreamer of ethereal dreams. During a period
of waning romanticism in music, it has de-
volved upon an American to furnish what Mr.
Lawrence Gilman, of Harper's Weekly, calls
"the authentic spirit of romance.*' Elaborat-
ing this thought in a new biographical study
of MacDowell,* Mr. Gilman says:
'The significant work of the most considerable
musicians of our time — of Strauss, Debussy,
Elgar, Loeffler — ^has few essentially romantic
characteristics. Strauss — the later and represent-
ative Strauss — is exposing, one need scarcely
note, quite other impulses and tendencies. De-
bussy— the 'tres exceptionnel, tres curieux, tres
solitaire M. Claude Debussy,' as Bruneau has
called him: Debussy, the subtlest temperament in
European music, — is employing his exotic and
luminous art in the weaving of a sensuous mys-
ticism into designs of impalpable and iridescent
beauty. Sir Edward Elgar is a musical pietist,
a visionary of the austerer sort, who has found
in Cardinal Newman's ecstatic and elevated poem,
'The Dream of Gerontius,' the motive for a^ work
charged at many points with a lofty and poignant
beauty; or who gives us sheer tonalized theology
in his 'Apostles'; or landscape and atmosphere in
his orchestral rhapsody, 'In the South,' or deli-
cate meditations in his 'Dream Children.' Charles
* Edward Mac Do WELL. By Lawrence Gilman. John
I Lane Company.
MUSIC AND THE DRAMA
405
Martin Loeffler, an Americanized Alsatian and
a music-maker of the first order, is, like Debussy,
an essential mystic, a tonal Maeterlinck. The
older men — Saint-Saens and Massenet in France,
Bnich and Goldmark in Germany, Grieg in Nor-
way, Rimsky-Korsakoff in Russia, Parry, Stanford
and Mackenzie in England, Paine and Chadwick
and Foote in America — are, so far as the content
of their art is concerned, and apart from the ex-
tremely diverse character of its embodiment,
survivals of a musical past. . . .
•*But if the romantic impulse has very nearly
passed out of modern music, the noting of its
<iisappearance must be. qualified by a recognition
of a body of contemporary tone-ooetry in which
the authentic spirit of romance has an exquisite
life — which, indeed, owes its final and particular
distinction to that impulse: I mean the work of
the most eminent of American composers, Ed-
ward MacDowell."
MacDowell, continues Mr. Gilman, presents
throughout the entire body of his work the
noteworthy spectacle of "a radical without ex-
travagance, a musician at once in accord with,
and detached from, the dominant artistic
movement of his day." His standpoint, we are
told further, "is, in the last analysis, that of
the poet rather than of the typical musician;
the standpoint of the poet intent mainly upon
a vivid embodiment of the quintessence of
personal vision and emotion, who has elected
to utter that truth and that emotion in terms
of musical beauty.'* Moreover:
"If he is, in a singularly complete sense, the poet
of the natural world, he is no less the instrument
of purely human emotion. He responds with a
quick sensitiveness to the lure of those beautiful
natural presences which the Celt in him finds un-
ceasingly persuasive. His music is redolent of the
breath and odor of woodland places, of lanes and
moors and gardens; or it is saturated with salt
spray; or it communicates the incommunicable
in its voicing of that indefinable enchantment of
association which clings about certain aspects,
certain phases, of the visible world — that subtle
emotion of things past and irrecoverable which
may inhabit a field at night, or a quiet street at
dusk, or a sudden intimation of spring in the scent
of lilacs. But, although such themes as he loves
to dwell upon in his celebration of the magic of
the natural wQfld are very precious to his imag-
ination, the human spectacle has held for him,
from the first, an emotion scarcely less swift and
abundant."
Proceeding to an analysis of the specifically
musical traits through whose exefcise Mac-
Dowell exhibits the tendencies and preferences
which underlie his art, Mr. Gilman notes, first
of all, "a certain clarity and directness which
is apparent no less in moments of great stress
and complexity of emotion than in pasages of
simpler and slighter content." He continues:
"The range of his expressional gamut is aston-
ishing. One is at a loss to say whether he is
EDWARD MACDOWELL
*' His power of forceful utterance," says Lawrence
Gilman, •' • • -
not 1
thine \
namic impulse and sweep of line."
nis power or lorceiui utterance, says L.awrence
man, "is surpassed by no composer now living";
Richard Strauss, not (Tlndy, not Elg^ar has done any-
QK which excels his best work in " sneer virility, dy-
happier in emotional moments of weighty signifi-
cance— as in many pages of the sonatas and some
of the *Sea Pieces,' — or in such cameo-Hke
achievements as the 'Woodland Sketches,' certain
of the 'Marionettes,' and the exquisite song-group,
'From an Old Garden,' in which he attains an or-
der of delicate eloquence difficult to relate to the
mind which shaped the heroic ardors of the
two later sonatas into designs of majestic power
and amplitude. His command of the accents of
tragedy and dramatic crisis is sure and unfalter-
ing— his power of forceful utterance is surpassed
by no composer now living; not Richard Strauss,
not d'Indy, not Elgar has done anything which
excels in sheer virility, dynamic impulse, and
sweep of line, the opening of the 'Keltic' sonata.
But his felicity in miniature is not less striking
and admirable. He has, moreover, a remarkable
gift for extremely compact expression. Time
and again he amazes one by his ability to charge
a composition of the briefest span with an emo-
tional or dramatic content of large and far-reach-
ing significance."
Mr. Oilman's work deals with MacDowell's
music rather than his life, and, in reviewing
the book, Philip Hale, the distinguished Boston
critic, expresses regret that more space is not
devoted to the composer's personal traits. He
says (in the Boston Herald) :
"Surely Mr. Gilman might have said much
about Mr. MacDowell's many and rare qualities
without any sacrifice to taste. For few men have
been as worthy of respect and affection as this
composer. The strength, purity and tenderness
of his nature, his simplicity and modesty, his ap-
preciation of all that is pure and beautiful and
4o6
CURRENT LITERATURE
noble in art and in life, his righteous indignation
at the thought of meanness, his contempt for
cringers, crawlers and intriguers; his courage in
maintaining his own opinions as, to duty even
when he stood almost alone; his generosity
toward those who needed help, even when this
generosity robbed him of hours of needed rest
and taxed sorely his vitality; the originality and
force of his views concerning all that pertained
to art and the conduct of life; his love of outdoor
life and his keen interest in all manly sports, his
playfulness and humor, the wealth of affection he
lavished on those that were nearest to him — do
not these characteristics deserve at least a few
pages ?"
The majority of MacDowell's compositions
are for piano or for voice. His most ambi-
tious orchestral works are an Indian suite and
four symphonic poems: "Hamlet and Ophe-
lia," "Launcelot and Elaine/' "The Saracens
and Lovely Alda," and "In October." For the
purpose of "studying, faithfully interpreting
and promulgating the tendencies and ideals
embodied in the compositions and known es-
thetic convictions of MacDowell," a MacDow-
ell Club has been recently organized in Nevr
York by influential musicians, painters, sculp-
tors and literary men.
For eight years MacDowell held the chair
of Music at Columbia University. His sum-
mers he has been wont to spend in Peterboro,
N. H., working in a cabin in the woods — "a
house of dreams untold," which "looks out
over the whispering tree-tops" and "faces
the setting sun." "It was in that log-
cabin," says Mr. Finck in the Boston Musician
(March), "that many of MacDowell's best
works were written. Those 'dreams untold*
will, alas ! remain untold. Ten or twenty more
years of them — what a difference they would
have made to American music!"
A NEW FRENCH DRAMA ON DIVORCE
A number of new plays have been pre-
sented in Paris this season, but few have
aroused as much interest and discussion as the
"purpose drama" by the brothers Paul and Vic-
tor Margueritte, the authors of jpowerful
semi-historical novels dealing with the Franco-
Prussian War and the Commune, and of other
novels with social themes and propagan-
dist purposes. The brothers Margueritte
have paid special attention to the subject of
divorce — to the injustice, one-sidedness and
iniquity of the laws governing the relations
between husband and wife. They have been
earnest champions of reform in the interest
of "oppressed woman." Their recent novel,
"Les Deux Vies" (Two Lives) shows how the
old and new generation cannot view marriage
and divorce from the same angle, and how the
modern wife revolts and acts where her
mother suffered and endured in resigned
silence.
Their drama, "Le Coeur et la Loi" ("The
Heart and the Law"), which the critics pro-
nounce moving, strong, interesting in itself as
a picture of modern life, is designed appar-
ently to point another moral with regard to
the law of divorce. In this instance the fea-
ture attacked is that of "reconciliation" after
suit for divorce has been instituted, and its
effect on the status of the woman. The case
supposed by the playwrights is an extreme
one, and the critics think this fact weakens the
implied plea. What, they ask, does an ex-
ceptional situation prove? Under what law
or social institution is hardship or injustice
not possible?
The story unfolded in the drama is thus
summarized in the Paris Journal:
Francine Le Hagre, a charming and high-
spirited woman, is married to a very dishonor-
able, mean, hateful person, who had not even
loved her before the marriage, but who had
badly needed her fortune. He is not even faith-
ful to her. His infidelity at last becomes no-
torious, and she is in a position, under the law,
to apply for a divorce. The decree, if granted,
will also give her the guardianship of her young
daughter, Josette, to whom she is passionately
attached.
Suit is begun, and Francine impatiently awaits
the trial of the case and her deliverance. Un-
fortunately, something happens during the pend-
ency of the suit that enables the unscrupulous^
sordid and despicable Le Hagre to place an ob-
stacle in her way which subsequently proves in-
surmountable and defeats justice.
Josette, who occasionally visits the father, falls
and sustains a severe injury on the stairway of
his house. Naturally, she remains there, to be
treated by physicians and surgeons. The alarmed
and deeply concerned mother, hearing of the ac-
cident, forgets herself and her troubles and takes
upon herself the nursing of the child.
Le Hagre, knowing that reconcihation is a bar
to a divorce decree, even if the reconciliation is
impulsive and temporary, takes advantage of his
wife's presence in the house and sets up the claim
of reconciliation. He bribes the servants to
testify that Francine had voluntarily resumed her
marital duties and, in addition, invokes the im-
MUSIC AND THE DRAMA
407
proper aid, with the judges, of an influential
magistrate who is related to him.
When the trial is reached, this conspiracy
completely deceives the court.' Francinc's ve-
hement denials are of no avail; the weight of
the evidence is against her, and she loses.
She ^>peals and is defeated again. Under the
law she must return to her husband and live with
him; she may be compelled to do so, resistance
exposing her to heavy penalties. The child can
be taken by the husband at any moment. The
situation is desperate ; what is the poor, distracted
woman to do?
An adventurous explorer, Epavi^, is in love
with her. He advises immediate flight to some
distant, obscure comer of the world. Her
mother argues against it on grounds of morality
and social convention. But Francine belongs to a
new generation. The law is unjust, hard, wrong,
and she will ignore it. She will follow her heart
and the man she honors and loves.
The play won a brilliant success. Whether
the audience believed that divorce ought to
be granted at the will of either party or merely
sympathized with Francine, without drawing
any conclusions, the critics do not claim to
know.
The critic of Ulntransigeant, A. Foureau,
says that the authors show in this, their first
play, a certain want of firmness and construct-
ive skill, not merely in details but in the fun-
damental treatment of the theme. The drama,
in reality, consists of two distinct parts — ^that
leading up to the failure of the divorce suit,
which is a plea for a more liberal law, for
freer divorce — ^and that which follows Fran-
cinc's defeat. Her flight with a lover, her kid-
naping of the child, present a very different
problem. There is no real cohesion between
the essential theme and the denouement. The
critic of Le Petit Journal, Leon Kerst, thinks
the authors intended to draw the moral that*
the law is capable of driving unhappy, out-
raged woman to extremes. He adds: "The
facts imagined support the precise, clear,
earnest pleading; theatricality is reduced to a
minimum, and one listens with avidity to the
exposition of the pros and cons of the ques-
tions so convincingly made by the respective
champions."
THE SEASON OF THE RUSSIAN PLAYERS
*To make suffering fashionable in America"
is the mission of Paul Orleneff, the great Rus-
sian actor. So, at least, he states in a recent
newspaper interview in which he gives some
account of his dramatic repertoire and of the
vicissitudes of his company during the past ten
months. Quite literally this mission has been
fulfilled. J. Pierpont Morgan, Andrew Car-
negie and Mrs. Harry Payne Whitney are
but three of a long list of patrons who have
lent prestige and financial assistance to a se-
ries of OrlenefTs gloomy productions in the
Criterion Theater, New York. And if any
actors can present suffering in realistic fash-
ion it should be these Russian players, whose
experience here, after escaping from the tyr-
anny of Russian censorship, has been in the
nature of one long, continuous struggle with
an even gammer tyrant — ^poverty. Their ef-
forts to maintain a theater of their own on the
East Side of New York wotdd undoubtedly
Have failed had it not been for the help of
the "uptown" patrons and the interest of such
influential literary men as Richard Watson
Gilder, Arthur Brisbane, James Huneker and
Ernest Crosby. With a fund of over $10,000
now collected; with the appreciation evinced
by press and public in New York and Chicago
even among people who do not know a word
of Russian; and, finally, with the aid and
management of Charles Frohman, the theatri-
cal magnate, the prospects of the much-tried
Orleneff company are far brighter than at
any other time since their arrival.
Of the earlier performances of the com-
pany, and of the personality of Orleneff and
that of his wife and leading lady, Madame
Alia Nasimoff, some account has already been
given in these pages (see Current Litera-
ture, July and August). Orleneff 's art has
great power, as well as exquisite skill, spon-
taneity, simplicity and a sort of divine infec-
tious inspiration. Madame Nasimoff's grace
and naturalness recall to many the work of
Eleanora Duse. "Her beauty, her individual-
ity," says Florence Brooks, in The Century,
"are as entire a contrast to the limpidity of
Orleneff as rich red wine is to sparkling
water." The acting of the company as a
whole shows a co-ordination which gives re-
markable unity— a quality which, as Mr. Cor-
bin, of the New York Sun, justly remarks,
this Russian playing has in common with all
the best European acting, but which is as yet
rare in this country.
The four plays given at the Criterion The-
4o8
CURRENT LITERATURE
ater were all a part of last year's repertoire.
They are: Ibsen's "Ghosts," which, it is gen-
erally conceded, has never before been given
in this country with such force and appalling
vividness; "The Chosen People," by Eugene
Chirikov (from which pasages were printed
in Current Literature, August) ; "The
Karamasoff Brothers," by Dostoyevsky; and
"The Son of Ivan the Terrible," by Count
Alexis Tolstoy. In their own little theater
east of the Bowery, started with much sacri-
fice by Emma Goldman and a few Elast Side
radicjils and now condemned on account of its
violation of the regulations of the New York
City Fire Department, four notable new plays
have been presented.
"The Family Zwee," a drama by Pinski,
translated into Russian for Orleneff from the
Yiddish, has a theme very similar to that of
Chirikov's "Chosen People." We have here,
as in Chirikov's drama, the Jewish massacres
as the background. The main theme, how-
ever, is rather the conflict that is at present
going on in the very fold of Israel between
the old and the new generations. All the
various tendencies of revolutionary Russia are
represented in the members of the Zwee fam-
ily— the father, a pious old Jew, mourning
because he knows that the old Mosaic Juda-
ism is doomed and will pass away; and his
three sons, one a Social Democrat, another an
ardent Zionist, and the third an advocate of
intermarriage with the Gentiles. The fall of
the old Judaism is symbolized by the old man's
death before the tabernacle, and the coming of
the new Judaism by the victory of the Social-
ists and the Zionists over their oppressors.
S. Naidyonov's four-act drama, "Vanyush-
in's Children," also hinges on the conflict be-
tween fathers and sons. It is not so broad in
scope as "The Chosen People" and "The
Family Zwee," and shows merely an outcome
of bad parental training. It is a criticism of
the false remote attitude that parents often
assume toward their children, and that some-
times results in complete estrangement be-
tween the older and younger generations. The
whole idea of the drama is pithily expressed in
this sentence addressed to the father by his
son Alexai — the principal figure in the drama
— impersonated by Orleneflf: "We have lived
upstairs and you have lived downstairs, and
thus we have grown up, and have come down-
stairs already full-grown, with our own tastes,
desires and requirements." The father finally
commits suicide, unable to bear any longer the
disgrace heaped upon him by his family.
Anton Chekhov's "Sea - Gull" is the story
of an actress's unhappy love. Nina, the hero-
ine of the piece, is the idol of Konstantin, a
young dramatist, but is herself in love with
another playwright, Trigorin. The fact that
Konstantin's mother, Irene, a great actress,
is already the mistress of Trigorin, cannot
stem Nina's infatuation. Konstantin one day-
shoots a sea-g^ll, and brings it to her, in de-
spair, telling her that soon he will shoot him-
self also. The dead bird suggests to Trigorin
the motive for a story. "I will write of a
young girl who lives by the sea-side," he says
to Nina, "and she shall love the sea like a sea-
gull and be happy and free like a bird — ^until
a man accidentally crosses her path and out
of ennui and for pastime ruins her life, as
Konstantin has ruined this bird." This little
drama is enacted in real life, for Nina, who
goes on the stage and for a while succeeds
in winning Trigorin's love, is finally aban-
doned by him. In melancholy letters to Kon-
stantin she calls herself the "sea-gull." Kon-
stantin has won fame as a poet, and loves her
more than ever. But Nina, though broken
down and deserted, declares that she loves
• Trigorin still. At last Konstantin commits
suicide.
Herman Bahr's "Star" is also concerned
with an actress's love. In this case the star
actress in a play is fascinated by its young, in-
nocent and inexperienced author. She is tired
of the loud life of an actress, she declares:
she wants rest, and the true love of an honest
man. So they decide to live together in se-
cret. But she is unreasonably jealous of
some of his family friends who have found out
where he lives; and they quarrel. She is only
an actress, after all, she now says; he will
leave her and marry a respectable lady. He
denies this vigorously, and says he wants to
acknowledge the union openly before the
world. Why does she insist on keeping their
relations a secret? he asks. She knows the
theatrical life will not suit him, but she finally
yields to his wishes. He grows jealous of
her, finds fault with her gay, Bohemian mode
of life, and after a final boisterous scene they
part.
In the role of "Zaza" Madame Nasimoff has
achieved notable success, as well as in the
part of "Hilda Wangel" in Ibsen's "Master-
Builder." These last-mentioned plays, together
with those above described, constitute the
striking and brilliant repertoire with which
Orleneflf has enriched the New York stage
during the present theatrical season.
^WSIC AND THE DRAMA
409
THE SECRET OF BARRIERS CHARM
Apart from the discussion aroused by Ber-
nard Shaw's plays, the most notable portent
of the winter in the New York dramatic world
is undoubtedly the popularity of J. M. Barrie's
"Alice-Sit-by-the-Fire'* and "Peter Pan." How
is Mr. Barriers astonishing success to be ac-
counted for, and what is the secret of his hold
on the theater-going public ? These questions
have engaged the attention of two gentlemen
eminently qualified to answer them — Charles
Frohman, the producer of the plays, and Will-
iam Dean Howells, the distinguished novelist.
They both express their opinions in Harper^ s
Weekly. Mr. Frohman says:
"I have been asked to account for the fast hold
which Barrie's 'Peter Pan' has taken upon the af-
fections of its audiences here and abroad. The in-
quiry assumes that the American people are want-
ing in imagination. The assumption is unwar-
ranted. The very success of such a play as
'Peter Pan' — so completely in a class by itself as
to defy comparison — ^proves that there exists in
the American people a pound of the imaginative
for every pound of the practical.
**The shrewd observers of our social conditions
point out as our impending peril not alone the
mania of money-getting, not the danger of over-
education and undercultivation, nor the bent of
the national mind solely towards national ends,
but the combination of all these towards the dead-
ening of our imaginative faculty. Life in the
big cities where huge buildings shut off from the
child all contemplation of the open sky, and where
duU gray streets have replaced green fields, where
the lesson of the day is 'getting on in the world'
rather than being a child and enjoying the dream-
while of pirates, fairies, and Indians — ^all these are
pointed out as tendencies towards early self-con-
sciousness and the stagnation of the imagination.
We are reminded that the whistling boy and the
little girl singing her own improvised airs — ^those
mirthful little Peter Pans and Wendys of yes-
terday— ^arc no longer with us. To-day they are
bent rather upon aping their elders. And it is
asserted that with their disappearance will go
that imaginative impulse which creates for a na-
tion its great songs and lyrics.
"As against these facts we know that men,
women, and children have sincerely appreciated
* Peter Pan' — ^a play which appeals to them because
they come of a people possessed of a healthy im-
agination. At every performance old hearts and
old brains live over again the thrills and sensa-
tions of romantic youth. Its appeal is universal.
There is joy in it for all classes and all ages. It
is simply a matter of light attracting light. The
pleasure taken by the audiences at Teter Pan'
has come, I think, from the fact that whatever is
human and healthful in thought or feeling in
them has been touched by Barrie's humanity.
Everybody who has been gripped by the charm
of * Peter Pan' has only to thank himself that he
has within him that to which the author has %vlo-
cessfully appealed. Neither the skill of Miss
Adams nor the power and genius of Barrie could
have availed but for the responsive hearts and
sj-mpathetic feeling of the audiences. It has
fallen to Barrie to evolve what, in all my experi-
ence, the American stage has only now afforded
— ^namely, an entertainment creative of pure fancy
in the city-bred child, and quickening to the im-
agination of the little people whose natural Fairy-
land we grown-ups have possessed — ^an illusion of
a night during which the mother or father and
child find abundant delights in common and real-
ize new joys in being complete chums."
Mr. Howells is impressed, first of all, by the
sivectness of the Barrie plays. "They have a
gentle irony," he says, "which is almost a
caress ; a sympathy with amusing innocence in
whatever form, with a confidential wink for
the more sophisticated witness; an endearing
kindliness, a charming domesticity, with a
trust of the spectator's intelligence and tem-
perament which is flattering to the best in
him." The second quality emphasized by Mr.
Howells is that of domesticity. He writes on
this point:
"There is no hint of love-making between Peter
Pan and Wendy, even when they are playing
father and mother to the Lost ^oys. She is just
the mother they have longed for, because mother-
ing is her instinct, as it is that of the young girl
(I forget her name) in 'Little Mary,' who adopts
all the children she can lay hands on. Motherli-
ness is what Mr. Barrie is always finding out in
women, who are supposed by most dramatists
to be mainly sweethearts and wives at the best,
and flirts and adultresses at the worst. He has
thus added a grace to comedy which has seemed
beyond or beside the reach of its art, and has
probably endeared himself to a much larger pub-
lic than would like to own it. Motherliness, hun-
gry and helpless enough, is the note of the homing
woman in *Alice-Sit-by-the-Fire' who returns to
the children separated almost their whole lives
from her by her exile in India, and who loves
them so much that she does not know how to
have them, and all but spoils her chance with
them. The piece is of course on its surface a
satire on romantic girlhood impassioned and mis-
led by the emotional drama. The well-grown-up
daughter of Alice has so often seen erring woman
'saved' by self-sacrificing friends, who opportunely
arrive at supreme moments to take the blame of
guilty appearances on themselves, that when she
imagines her pretty and still young mother in
love with a friend of the husband and father, she
desires nothing better than to conceal herself in
the young man's rooms, and to 'save' her mother
by claiming him for her own lover. The fact
that her father comes with her mother to the
wicked rendezvous does not affect her position.
To the very last she believes that she has 'saved'
her mother, and when, late at night after they
have all returned home, she hears her father
>^
410
CURRENT LITERATURE
storming at her mother for reminding him of the
depreciation of rupees, she steals upon them in
her night-gown, and joins their hands in a stage-
forgiveness. The whole affair is delicious comedy."
There is never anything so novel in the arts,
says Mr. Howells, as the truth; and "in these
pieces of Mr. Barrie's, especially the last, he
has divined something quite new in the poor
old world which often likes to put such a
wicked mask on over its simple and harmless
face." Mr. Howells concludes:
"In a very manly way it is optimism of the best
type. It is the same world which Mr. Pinero and
Mr. Jones, and that unhappy Oscar Wilde (ar-
tistically the peer of either), have shown in dif-
ferent and not less faithful phases; but now we
see that it is often not such a bad world; for the
most part it is a very fair world and even a very
good world. We owe much to all the modem
English dramatists, but Mr. Barrie seems likely
to make us most deeply his debtor, especially since
Mr. Gilbert, his only rival in fantasy, fantasies no
more. Even Mr. Gilbert at his best had not Mr.
Barrie's sweetness; that is so nearly all his own,
that I can think of but one other dramatist to be
named with him for it, and I am rather glad that
this was an American, the late James A. Heam."
HAUPTMANN'S NEW SYMBOLIC DRAMA
Gerhart Hauptmann's latest play, "As Pippa
Dances," was produced for the first time in
Berlin in January and has been received 'with
mixed feelings by the German public and crit-
ics. Like "The Sunken Bell," it is founded on
a popular myth, and is full of mystic symbol-
ism; so full, indeed, that Leo Ber^, writing
in the Neue Gesellschaft (Berlin), says that
as he listened to this play Goethe's second part
of "Faust" seemed as simple as an elementary
reader in comparison. Later, he continues, he
learned from Alfred Holzbock, "Hauptmann's
Boswell," that Hauptmann himself does not
understand it. Nevertheless, Hauptmann has
been able to give a very clear account of both
the drama and its purport, which we quote
from a translation made for the New York
Times:
"In the mountains of my Silesian home a Vene-
tian legend exists which announced that at one
time Venetians came to Silesia and here endeav-
ored to awaken the unknown treasures of the
mountains. The idea forming the basis of this
story has kept me busy for some time. Venetian
splendor and its magnificent glass industry united
in my imagination with the mountains and arts
of my home, and so out of love for my native
heath grew my new legendary drama. In *As
Pippa Dances' I endeavored to bring together the
beautiful, sensuous world of Venice with the seri-
ous rough world of the mountains. The name of
the chief character of my drama is Pippa. In-
voluntarily I thought of the most famous of all
dancers. Pepita (Pippa) is the daughter of an
Italian glassmaker. Although He is her father
she cannot love him. He came from Murano,
where Venetian glass is made, but settled in Sile-
sia. His daughter by her winning ways charms
every one. She has several admirers, among them
the manager of the local glassworks, a poor un-
couth glassblower named Huhn, and finally a
wandering artisan named Michel Hellriegel.
"Pippa's father is killed by some glassblowcrs,
whom he has robbed while gambling, and his
daughter is carried away by force by Huhn.
Michel liberates her, and during a storm they flee
through the mountains. The lovers obtain shel-
ter in the house of a hermit named Wanu, but
Huhn, who has followed them, kills Pippa.
Michel, who becomes blind, sees in his raving the
golden palaces of Venice.
'T endeavored to say in this play that in all
of us lies something for which our souls are
yearning; we all pursue something which is danc-
ing before our souls in beautiful colors and at-
tractive forms. This something may be called
Pippa. She is that beauty followed by all in
which the imagination has not entirely disap-
peared. The manager of the glassworks, who
wants to marry her, dreams of Titian; the old
Huhn is a brutal fellow with brutal instincts who
seeks only the forms of beauty, while the young
lover Michel is the symbol of that which lives in
the German * Volksseele' ; he is the youth free of
materialism, the youth of naivete and simple
humor, full of hope and desire, the youth who
with humor gives himself up to the tragic fate,
but who does not lose his illusions.
"Although brutal strength conquers in *As
Pippa Dances,' as it does so often in life, Michel
lives a true exponent of our nation. He will fol-
low after the ideals of beauty as of yore; but
beauty, just as Pippa does before the mob, must
dance and dance. Beauty is killed by the masses
like Pippa by the old man of brutal strength —
Huhn. And Wanu, whom I have portrayed as a
mystical personage, is a venerable old man, devot-
ing his life in the mountains to science. He looks
in a philosophical way to the people, shelters
youth and beauty, and endeavors to protect them,
but cannot save them as brutal strength drives
beauty to death."
Although the critics are not satisfied with
this new experiment of Hauptmann's, which
they declare falls far short of "The Sunken
Bell," yet his ability to produce further great
works is not questioned. No one has as yet
said of Hauptmann what has often been said
of Sudermann — that he has exhausted himself
MUSIC AND THE DRAMA
411
HAUPTMANN AS HE WAS—
and has no more to give. The complaint is a
diflferent one. Hauptmann is now blamed for
writing too much. It is pointed out that even
the greatest writers of our time feel impelled
to write too rapidly in order to get their wares
into the market in time. "Goethe gave sixty
years to the development of his Taust !' " ex-
AND AS HE IS!
—Der Fhh (Vienna).
claims one writer. "This is the difference be-
tween an epoch in which art was lived, and
ours, which capitalizes it. . . . During late
years Hauptmann has, to a certain extent, be-
come the exploiter of his own talent which,
being overstrained, finally winds up in fail-
ure."
A CRITIQUE OF PURE MUSIC
Music is of the core of life, says Professor
Santayana in his new book,* for its essence
is vitality. A hope, a passion, a crime, he
tells us, is a flash of vitality. Music is the ex-
pression of these, as it is the true language
of the inexpressible in life. That which can-
not be translated into words is no less real
than that which is possible of speech. Much
of music radiates from primary functions
which, though their operation is half known,
have only base or pitiful associations in hu-
man life — the unclaimed Hinterland of life.
When music, either by verbal indications or
by sensuous affinities, or by both at once, suc-
ceeds in tapping this fund of suppressed feel-
ing, it accordingly supplies a great need. "It
makes the dumb speak and plucks from the
animal iieart potentialities of expression
which might render it perhaps even more than
human. ... It is the singular privilege
of this art to give form to what is naturally
♦Thb Life of Reason : Reason in Art. By George
Santayana. Charles Scribner's Sons.
inarticulate, and express those depths of
human nature which can speak in no language
current in the world."
Music and life have this common base, that
emotion is the soul of both. . "There is per-
haps no emotion incident to human life that
music cannot render in its abstract medium
by suggesting the pang of it . . . We
dance, pray and mourn to music, and the more
inadequate words or external acts are to the
situation, the more grateful music is."
Professor Santayana likens music unto those
branches of a tree which are put forth close
to the ground beneath the point where the
boughs separate, having nothing in common
with the tree itself save the roots, which are
the parent of both. "Somewhat in this fashion
music diverts into an abstract sphere a part
of those forces which abound beneath the
point at which the human understanding
grows articulate."
Music, like life, is a development. Primi-
tive music, we are told, is a wail and parturi-
412
CURRENT LITERATURE
tion. Music was long used before it was
loved or people took pains to refine it. But
when men discovered that song could be util-
ized to keep in unison the efforts of many
men, as when soldiers keep in time to martial
strains, or sailors sing as they heave, music
became a more intimate part of life. To-day
we know that music has not only this material
power, but in the realm of the imagination
and the emotions it is as directly potent as
fighting or love. At the same time music is
purer than life, for "spirit is clogged by what
it flows through, but at its springs it is both
limpid and abundant." Music is a flexible
measure. Its rhythms can explicate all emo-
tions, through all degrees of complexity and
volume. It is this infinite capacity of music
for expression that opens up a vista greater
than life at its present stage can comprehend.
Professor Santayana does not accept the
Tolstoyan theory that the greatest art, or the
greatest music, must be universally appre-
ciated to be great. He maintains that a
musical education is necessary for musical
judgment. "What most people relish is hardly
music; it is a drowsy revery relieved by nerv-
ous thrills." Popular music must needs be
simple because it must appeal to the simplest
or the most primal emotions in men, not to
the emotions of the intellect, which are the
results of education and refinement. "When
elaborate music is the fashion among people
to whom all music is a voluptuous mystery,
we may be sure that what they love is
voluptuousness or fashion, and not music it-
self." Elaborate music has an intellectual es-
sence. An appreciation of intricate music im-
plies an understanding born of cultivation.
Such music as has been elaborated into intri-
cate forms and compositions which appeal not
to the emotions alone but to the intellect as
well, is compared by Mr. Santayana to mathe-
matics and arabesques:
"A moving arabesque that has a vital dimen-
sion, as audible mathematics, adding sense to form
and a versification that, since it has no subject
matter, cannot do violence to it bjr its complex
artifices — ^these are types of pure livmg, altogether
joyful and delightful things. They combine life
with order, precision with spontaneity; the flux
in them has become rythmical and its freedom
has passed into a rational choice, since it has
come in sight of the eternal it would embody.
The musician, like an architect or goldsmith,
working in sound, but freer than they from ma-
terial trammels, can expand forever his yielding
labyrinth; every step opens up new vistas, every
decision — ^how unlike those made in real life! —
multiplies opportunities and widens the horizon
before him without preventing him from going
back at will to begin afresh at any point, to trace
the other possible paths leading thence, througli
various magic landscapes."
The limitations of music are to be sought.
Professor Santayana maintains, not in music
but in men. "The degree to which music
should be elaborated depends on the capacity
possessed by those it addresses. There are
limits to every man's synthetic powers, and to
stretch those powers to their limits is ex-
hausting. Excitement then becomes a de-
bauch; it leaves the soul less capable of habit-
ual harmony. . . . As we all survey two
notes and their interval in one sensation, so a
trained mind might survey a whole composi-
tion." The comparison is made between an-
cient and modern music which shows that
"barbaric musicians, singing and playing to-
gether more or less at random, are too much
carried away by their performance to con-
ceive its effect; they cry far too loud and too
unceasingly to listen; a contagious tradition
carries them along and controls them in a way
as they improvise; the assembly is hardly an
audience; all are performers, and the crowd
is only a stimulus that keeps every one danc-
ing and howling in emulation. This uncon-
sidered flow of early art remains present more
or less to the end. Instead of vague custom
we have schools, and instead of swaying mul-
titudes we have academic example; but many
a discord and mannerism survive simply be-
cause the musician is so suggestible or so
lost in the tumult of production as never to
consider what he does, or to perceive his
wastefulness."
An interesting thesis is evolved by Mr. San-
tayana, unconsciously perhaps, on the radi-
calism of music. As life advances, it tends
toward inherent radicalism, restrained by the
development of artistic sense and fineness.
"The artist being a born lover of the good is
a natural breeder of perfections. ... As
the standard of perfection is internal and is
measured by the satisfaction felt in releasing
it, every artist has tasted in his activity what
activity essentially is." The artistic qualities
of music deepen with its development. Like-
wise with all radicalism. But as music knows
not the trammeling influences which surround
and harass life, it is enabled to make greater
progress. To quote Professor Santayana in
conclusion :
"In life the ordinary routine of destiny beats
so emphatic a measure that it does not allow
free play to feeling; we cannot linger on any-
thing long enough to exhaust its meaning nor can
we wander far from the beaten path to catch new
MUSIC AND THE DRAMA
413
impressions; but in music there are no mortal
obligations, no imperious needs calling us back
to reality. Here nothing beautiful is extrava-
gant, nothing delightful unworthy. Musical re-
finement finds no limit but its own instinct, so
that a thousand shades of what, .in our blunder-
ing words, we must call sadness or mirth, find
in music their distinct expression. . . . There is
... in music a sort of Christian piety, in that it
comes not to call the just but sinners to repent-
ance, and understands the spiritual possibilities
in outcasts upon the respectable world. If we
look at things absolutely enough and from their
own point of view, there can be no doubt that
each has its own ideal and does not question its
ow^n justification. Lust and frenzy, r every or
despair, fatal as they may be to a creature that
has general ulterior interests, are not perverse
in themselves : each searches for its own affinities,
and has a kind of inertia which tends to main-
tain it in being, and to attach or draw in what-
ever is propitious to it. Feelings are blameless
as so many forms of vegetation; they can be
poisonous only to a different life. They all are
primordial motions, eddies which the universal
flux makes for no reason, since its habit of falling
into such attitudes is the ground- work and ex-
emplar for nature and logic alike! . . . Moral
judgments and conflicts are possible only in the
mind that represents many interests synthetically;
in nature, where primary impulses collide, all con-
flict is physical and all will innocent. Imagine
some ingredient of humanity loosed from its
present environment in human economy; it would
at once vegetate and flower into some ideal form,
such as we see exuberantly displayed in nature.
If we can only suspend for a moment the con-
gested traffic in the brain, these initial movements
will begin to traverse it playfully and show their
paces, and we shall live m one of those plausible
worlds which the actual world has made impos-
sible."
THE TWISTING OF THE ROPE— A CELTIC PLAY
This is "the first Irish play ever given in a
Dublin theater," according to Lady Gregory, who
has translated it from Irish into English. The
play was written by Dr. Douglas Hyde, who also
acted in it in the first production. It has been
acted many times in the last few years in many
parts of Ireland and in London as well, and ''has
always given great delight." The presence in this
country during the last few weeks of two of the
Celtic revivalists — Dr. Douglas Hyde himself
and Anatole le Braz, of Brittany — seems to us to
render this play of peculiar and timely interest.
Lady Gregory's translation, which we use, is pub-
lished in a volume entitled, "Poets and Dreamers"
(Scribner's).
The play has five characters : Hanrahan, a wan-
dering poet (who also figures as one of Mr.
Yeats's heroes) ; Sheamus O'Heran ; Oona, who
is engaged to Sheamus; Maurya, the woman of
the house ; Sheela, a neighbor. The scene is laid in
a farmer's house in Munster, where a dance is
being held. In the opening, Hanrahan is discov-
ered talking to Oona. Another man comes up
and extends his hand to Oona as if to lead her
oflF in the next dance, about to begin. She pushes
him away:
Oona : Don't be bothering me now ; don't you
sec I'm listening to what he is saying? (To Han-
rahan) Go on with what you were saying just
now.
Hanrahan : What did that fellow want of you ?
Oona : He wanted the next dance with me, but
I wouldn't give it to him.
Hanrahan : And why would you give it to him ?
Do you think I'd let you dance with anyone but
myself, and I here? I had no comfort or satis-
faction this long time until I came here to-night,
and till I saw yourself.
Oona: What comfort am I to you?
Hanrahan : When a stick is half burned in the
fire, does it not get comfort when water is poured
on it?
Oona: But, sure, you are not half burned.
Hanrahan: 1 am; and three-quarters of my
heart is burned, and scorched and consumed,
struggling with the world, and the world strug-
gling with me.
Oona : You don't look that bad.
Hanrahan : O, Oona ni Regaun, you have not
knowledge of the life of a poor bard, without
house or home or havings, but he going and ever
going a drifting through the wide world, without
a person with him but himself. There is not a
morning in the week when I rise up that I do
not say to myself that it would be better to be in
the grave than to be wandering. There is nothing
standing to me but the gift I got from God, my
share of songs; when I begin upon them, my
grief and my trouble go from me; I forget my
persecution and my ill luck ; and now since I saw
you, Oona, I see there is something that is bet-
ter even than the songs.
Oona: Poetry is a wonderful gift from God;^
and as long as you have that, you are richer than
the people of stock and store, the people of cows
and cattle.
Hanrahan: Ah, Oona, it is a great blessing,
but it is a great curse as well for a man, he to be
a poet. Look at me: have I a friend in this
world? Is there a man alive that has a wish for
me? is there the love of anyone at all on me? I
am going like a poor lonely barnacle goose
throughout the world; like Oisin after the Feni-
ans; every person hates me: you do not hate me,
Oona?
Oona: Do not say a thing like that; it is im-
possible that anyone would hate you.
414
CURRENT LITERATURE
Hanrahan: Come and we will sit in the cor-
ner of the room together; and I will tell you the
little song I made for you; it is for you I made
it.
(They go to a corner and sit down together.
Sheela comes in at the door.)
Sheela: I came to you as quick as I could.
Maurya: And a hundred welcomes to you.
Sheela : What have you going on now ?
Maurya: Beginning we are; we had one jig,
and now the piper is drinking a glass. They'll
begin dancing again in a minute when the piper
is ready.
Sheela : There are a good many people gather-
ing in to you to-night. We will have a fine dance.
Maurya : Maybe so, Sheela ; but there's a man
of them there, and Td sooner him out than in.
Sheela: It's about the long red man you are
talking, isn't it — the man that is in close talk with
Oona in the corner? Where is he from, and who
is he himself?
Maurya: That's the greatest vagabond ever
came into Ireland ; Tumaus Hanrahan they call
him; but it's Hanrahan the rogue he ought to
have been christened by right. Aurah, wasn't
there the misfortune on me, him to come in to us
at all to-night?
Sheela: What sort of a person is he? Isn't
he a man that makes songs, out of Connacht? I
heard talk of him before; and they say there is
not another dancer in Ireland so good as him. I
would like to see him dance.
Maurya: Bad luck to the vagabond I It is
well I know what sort he is; because there was
a kind of friendship between himself and the first
husband I had ; and it is often I heard from poor
Diarmuid — ^the Lord have mercy on him I — ^what
sort of person he was. He was a schoolmaster
down in Connacht; but he used to have every
trick worse than another; ever making songs he
used to be, and drinking whiskey and setting
quarrels afoot among the neighbors with his
share of talk. They say there isn't a woman in
the five provinces that he wouldn't deceive. He
is worse than Donal na Greina long ago. But
the end of the story is that the priest routed him
out of the parish altogether ; he got another place
then, and followed on at the same tricks until he
was routed out again, and another again with it.
Now he has neither place nor house nor anything,
but he to be going the country, making songs and
getting a night's lodging from the people; nobody
will refuse him, because they are afraid of him.
He's a great poet, and maybe he'd make a rann
on you that would stick to you for ever, if you
were to anger him.
Sheela: God preserve us; but what brought
him in to-night?
Maurya: He was travelling the country and
he heard there was to be a dance here and he
came in because he knew us; he was rather great
with my first husband. It is wonderful how he
is making out his way of life at all, and he with
nothing but his share of songs. They say there is
no place that he'll go to, that the women don't love
him, and that the men don't hate him.
Sheela (catching Maurya by the shoulder) :
Turn your head, Maurya; look at him now, him-
self and your daughter, and their heads together;
he's whispering in her ear; he's after making a
poem for her and he's whispering it in her car.
Oh, the villain, he'll be putting his spells on her
now.
Maurya: Ohone, go deo! isn't it a misfortune
that he came? He's talking every moment with
Oona since he came in three hours ago. I did my
best to separate them from one another, but it
failed me. Poor Oona is given up to every sort
of old songs and old made-up stories; and she
thinks it sweet to be listening to him. The mar-
riage is settled between herself and Sheamus
O'Heran there, a quarter from to-day. Look at
poor Sheamus at the door, and he watching them.
There is grief and hanging of the head on him ;
it's easy to see that he'd like to choke the vaga-
bond this minute. I am greatly afraid that the
head will be turned on Oona with his share of
blathering. As sure as I am alive there will come
evil out of this night.
Sheela: And couldn't you put him out?
Maurya: I could. There's no person here to
help him unless there would be a woman or two ;
but he is a great poet, and he has a curse that
would split the trees, and that would burst the
stones. They say the seed will rot in the ground
and the milk go from the cows when a poet like
him makes a curse, if a person routed him out of
the house; but if he was once out, I'll go bail I
wouldn't let him in again.
Sheela: If himself were to go out willingly,
there would be no virtue in his curse then.
Maurya: There would not, but he will not go
out willingly, and I cannot rout him out myself
for fear of his curse.
Sheela: Look at poor Sheamus. He is going
over to her. (Sheamus gets up and goes over to
her.)
Sheamus: Will you dance this reel with me,
Oona, as soon as the piper is ready?
Hanrahan (rising up) : I am Tumaus Hanra*
han, and I am speaking now to Oona ni Regaun:
and as she is willing to be talking to me, I will
allow no living person to come between us.
Sheamus (without heeding Hanrahan) : Will
you not dance with me, Oona?
Hanrahan (savagely) : Didn't I tell you now
that it was to me Oona ni Regaun was talking?
Leave that on the spot, you clown, and do not
raise a disturbance here.
Sheamus : Oona
Hanrahan (shouting): Leave that! (Sheamus
goes arvay, and comes over to the two old
women.)
Sheamus: Maurya Regaun, I am asking leave
of you to throw that ill-mannerly, drunken vaga-
bond out of the house. Myself and my two
brothers will put him out if you will allow us;
and when he's outside I'll settle with him.
Maurya : Sheamus, do not ; I am afraid of him.
That man has a curse they say that would split
the trees.
Sheamus: I don't care if he had a curse that
would overthrow the heavens; it is on me it will
fall, and I defy him I If he were to kill me on the
moment, I will not allow him to put his spells on
Oona. Give me leave, Maurya.
Sheela: Do not, Sheamus. I have a better
advice than that.
Sheamus: What advice is that?
Sheela: I have a way in my head to put him
MUSIC AND THE DRAMA
415
out. If you follow my advice, he will go out
himself as quiet as a lamb; and when you get
him out» slap the door on him, and never let him
in a^ain.
Maurya: Luck from God on you, Sheela, and
tell us what's in your head.
Sheela: We will do it as nice and easy as you
ever saw. We will put him to twist a hay-rope
till he is outside, and then we will shut the door
on him.
Sheamusi It's easy to say, but not easy to do.
He will say to you, "Make a hay-rope yourself."
Sheela : We will say then that no one ever saw
a hay-rope made, that there is no one at all in
the house to make the beginning of it.
Sheamusi But will he believe that we never
saw a hay-rope?
Sheela: He believe it, is it? He'd believe any-
thing; he'd believe that himself is ^king over
Ireland when he has a glass taken, as he has now.
Sheamus: But what excuse can we make for
saying we want a hay-rope?
Maurya: Can't you think of something your-
self, Sheamus?
Sheamus: Sure, I can say the wind is rising,
and I must bind the thatch, or it will be off the
house.
Sheela : But he'll know the wind is not rising
if he does but listen at the door. You must think
of some other excuse, Sheamus.
Sheamus: Wait, I have a good idea now; say
there is a coach upset at the bottom of the hill,
and that they are asking for a hay- rope to mend
it with. He can't see as far as that from the door,
and he won't know it's not true it is.
Maurya: That's the story, Sheela. Now,
Sheamus, go among the people and tell them the
secret. Tell them what they have to say, that no
one at all in this country ever saw a hay-rope,
and put a good skin on the lie yourself. (Shea-
mus goes from person to person whispering to
them, and some of them begin laughing. The
piper has began playing. Three or four couples
rise up.)
Hanrahan (after looking at them for a couple
of minutes). Whist! Let ye sit down! Do ye
call that dragging, dancing? You are tramping
the floor like so many cattle. You are as heavy
as bullocks, as awkward as asses. May my throat
be choked if I would not sooner be looking at as
many lame ducks hopping on one leg through the
house. Leave the floor to Oona ni Regaun and
to me.
(One of the men going to dance) : And for
what would we leave the floor to you?
Hanrahan: The swan of the brink of the
waves, the royal phoenix, the pearl of the white
breast, the Venus amongst the women, Oona ni
Regaun, is standing up with me, and any place
she rises up, the sun and the moon bow to her,
and so shall ye yet. She is too handsome, too
sky-like for any other woman to be near her. But
wait a while! Before I'll show you how the
Connacht boy can dance, I will give you the
poem I made on the star of the province of Mun-
ster, on Oona ni Regaun. Get uo, O sun among
women, and we will sing the sone together, verse
about, and then we'll show them what right
dancing is! (Oona rises.)
She is white Oona of the yellow hair.
The Coolin that was destroying my heart inside
me;
She is my secret love and my lasting affection;
I care not for ever for any woman but her.
Oona :.
0 bard of the black eye, it is you
Who have found victory in the world and fame;
1 call on yourself and I praise your mouth;
You have set my heart in my breast astray.
Hanrahan :
0 fair Oona of the golden hair.
My desire, my affection, my love and my store.
Herself will go with her bard afar;
She has hurt his heart in his breast greatly.
Oona:
1 would not think the night long nor the day,
Listening to your fine discourse;
More melodious is your mouth than the singing
of the birds ;
From my heart in my breast you have found love.
Hanrahan :
I walked myself the entire world,
England, Ireland, France, and Spain;
I never saw at home or afar
Any girl under the sun like fair Oona.
Oona:
I have heard the melodious harp
On the streets of Cork playing to us;
More melodious by far I thought your voice,
More melodious by far your mouth than that.
Hanrahan :
I was myself one time a poor barnacle goose;
The night was not plain to me more than the dav
Till I got sight of her ; she is the love of my heart
That banished from me my grief and my misery.
Oona :
I was myself on the morning of yesterday
Walking beside the wood at the break of day;
There was a bird there was singing sweetly,
How I love love, and is it not beautiful?
(A shout and a noise, and Sheamus O'Heran
rushes in.)
Sheamus: Ububu! Ohone-y-o, go deo! The
big coach is overthrown at the foot of the hill!
The bag in which the letters of the country are
is bursted ; and there is neither tie, nor cord, nor
rope, nor anything to bind it up. They are calling
out now for a hay sugaun — whatever kind of thing
that is; the letters and the coach will be lost for
want of a hay sugaun to bind them.
Hanrahan: Do not be bothering us; we have
our poem done, and we are going to dance. The
coach does not come this way at all.
Sheamus : The coach does come this way now ;
but sure you're a stranger, and you don't know.
Doesn't the coach come over the hill now, neigh-
bors?
All: It does, it docs, surely.
Hanrahan: I don't care whether it does come
or whether it doesn't. I would sooner twenty
coaches to be overthrown on the road than the
pearl of the white breast to be stopped from danc-
ing to us. Tell the coachman to twist a rope for
himself.
Sheamus : Oh ! murder ! he can't. There's that
much vigor, and fire, and activity and courage in
the horses that my poor coachman must take
them by the heads; it's on the pinch of his life
he's able to control them; he's afraid of his soul
4i6
CURRENT LITERATURE
they'll go from him of a rout. They are neighing
like anything; you never saw the like of them
for wild horses.
Hanrahan: Are there no other people in the
coach that will make a rope, if the coachman
has to be at the horses' heads? Leave that, and
let us dance.
Sheamus: There are three others in it; but as
to one of them, he is one-handed, and another man
of them, he's shaking and trembling with the
fright he got; it's not in him now to stand up on
his two feet with the fear that's on him; and as
for the third man, there isn't a person in this
countiy would speak to him about a rope at all,
for his own father was hanged with a rope last
year l:or stealing sheep.
Hanrahan : Then let one of yourselves twist a
rope so, and leave the floor to us. (To Oona,)
Now, O star of women, show me how Juno goes
among the gods, or Helen for whom Troy was
destroyed. By my word, since Deirdre died, for
whom Naoise son of Usnech, was put to death,
her heir is not in Ireland to-day but yourself. Let
us begin.
Sheamus : Do not begin until we have a rope ;
we are not able to twist a rope; there's nobody
here can twist a rope.
Hanrahan : There's nobody here is able to
twist a rope?
All: Nobody at all.
Sheela: And that's true; nobody in this place
ever made a hay sugaun. I don't believe there's a
person in this house who ever saw one itself but
me. It's well I remember when I was a little
girsha that I saw one of them on a goat that my
grandfather brought with him out of Connacht.
All the people used to be saying: "Aurah, what
sort of a thing is that at all?" And he said that
it was a sugaun that was in it; and that people
used to make the like of that down in Connacht.
He said that one man would go holding the hay,
and another man twisting it. I'll hold the hay
now; and you'll go twisting it.
Sheamus: I'll bring in a lock of hay. (He
goes out.) . . .
Sheamus (coming back) : Here's the hay now.
Hanrahan: Give it here to mc; I'll show ye
what the well-learned, hardy, honest, clever, sen-
sible Connachtman will do, that has activity and
full deftness in his hands, and sense in his head,
and courage in his heart; but that the misfortune
and the great trouble of the world directed him
among the lehidins of the province of Munster,
without honor, without nobility, without knowl-
edge of the swan beyond the duck, or of the gold
beyond the brass, or of the lily beyond the thistle,
or of the star of young w^omen, and the pearl of
the white breast, beyond their own share of sluts
and slatterns. Give me a kippeen. (A man hands
him a stick; he puts a ttnsp of hay around it, and
begins twisting it; and Sheela giving him out the
hay.)
Hanrahan :
There is a pearl of a woman giving light to us;
She is my love; she is my desire;
She is fair Oona, the gentle queen-woman.
And the Munstermen do not understand half her
courtesy.
These Munstermen are blinded by God;
They do not recognise the swan beyond the gray
duck;
But she will come with me, my fine Helen,
Where her person and her beauty shall be praised
for ever.
Arrah, wisha, wisha, wishal isn't this the fine
village? isn't this the exceeding village? The vil-
lage where there be that many rogues hanged
that the people have no want of ropes with all
the ropes that they steal from the hangman!
The sensible Connachtman makes
A rope for himself;
But the Munsterman steals it
From the hangman;
That I may see a fine rope,
A rope of hemp yet,
A stretching on the throats
Of every person here !
On account of one woman only the Greeks de-
parted, and they never stopped, and they never
greatly stayed, till they destroyed Troy; and on
account of one woman only this village shall be
damned; go deo, ma neoir, and to the womb of
judgment, by God of the graces, eternally and
everlastingly, because they did not understand
that Oona ni Regaun is the second Helen, who
was born in their midst, and that she overcame
in beauty Deirdre and Venus, and all that came
before or that will come after her!
But she will come with me, my pearl of a woman.
To the province of Connacht of the fine people ;
She will receive feasts, wine, and meat,
High dances, sport, and music!
Oh, wisha, wisha! that the sun may never rise
upon this village; and that the stars may never
shine on it; and that (He is by this time
outside the door. All the men make a rush at the
door and shut it. Oona runs towards the door,
but the women seise her. Sheamus goes over to
her.)
Oona: Oh! oh! oh! do not put him out; let
him back; tha{ is Tumaus Hanrahan — he is a
poet — he is a bard — he is a wonderful man. O,
let him back ; do not do that to him !
Sheamus: O Oona bdn acushla dilis, let him
be; he is gone now, and his share of spells with
him ! He will be gone out of your head to-mor-
row ; and you will be gone out of his head. Don't
you know that I like you better than a hundred
thousand Deirdres, and that you are my one pearl
of a woman in the world?
Hanrahan: (outside, beating on the door).
Open, open, open ; let me in ! Oh, my seven hun-
dred thousand curses on you — ^the curse of the
weak and of the strong — ^the curse of the poets
and of the bards upon you! The curse of the
priests on you and the friars! The curse of the
bishops upon you, and the Pope! The curse of
the widows on you, and the children! Open!
(He beats on the door again and again.')
Sheamus : I am thankful to ye, neighbours ; and
Oona will be thankful to ye to-morrow. Beat
away, you vagabond! Do your dancing out there
with yourself now! Isn't it a fine thing for a
man to be listening to the storm outside, and him-
self quiet and easy beside the fire? Beat away,
beat away! Where's Connacht now?
Religion and .Ethics
THE MORALITY OF THE FUTURE
li, as is so often alleged, a large part of
humanity is gradually forsaking the religion in
which it has lived for nearly twenty centuries,
what will happen to morality? To the fur-
nishing of a satisfactory answer to this ques-
tion many of the best minds of our time are
devoting themselves. The distinguished essay-
ist and playwright, Maurice Maeterlinck, is
convinced that, morally speaking, we have ar-
rived at an almost unprecedented stage in
human evolution, and he embodies his reflec-
tions on "Our Anxious. Morality" in a series
of twenty-two closely reasoned paragraphs in
a recent issue of The Atlantic Monthly. "For
a religion to become extinct," he asserts," is
no new thing. . . . But, until now, men
passed from a crumbling temple into one that
was building; they left one religion to enter
another; whereas we are abandoning ours to
go nowhere." It is true that at least two men
of genius — Tolstoy and Nietzsche — have prom-
ulgated ethical systems for the guidance of
humanity, but, in Maeterlinck's view, "the real
drama of the modern conscience is not enacted
at either of these two extreme points." It is
also true that other and conservative thinkers
predict moral chaos as the inevitable result of
religious decay ; but Maeterlinck argues : "Man
is so essentially, so necessarily, a moral being
that, when he denies the existence of all moral-
ity, that very denial already becomes the foun-
dation of a new morality." He says further:
"If, to-morrow, a religion were revealed to us,
proving, scientifically and with absolute certainty,
that every act of goodness, of self-sacrifice, of
heroism, of inward nobility, would bring us, im-
mediately after our death, an indubitable and un-
imaginable reward, I doubt whether the propor-
tion of good and evil, of virtues and vices, amid
which we live, would undergo an appreciable
change. Would you have a convincing example?
In the Middle Ages, there were moments when
faith was absolute and obtruded itself with a cer-
tainty that corresponds exactly with our scientific
certainties^ The rewards promised for well-
doing, the punishments threatening evil, were, in
the thoughts of the men of that time, as tangible,
so to speak, as would be those of the revelation
of which I spoke above. Nevertheless, we do not
sec that the level of goodness was raised. A few
saints sacrificed themselves for their brothers,
carried certain virtues, picked from among the
more contestable, to the pitch of heroism ; but the
bulk of men continued to deceive one another, to
lie, to fornicate, to steal, to be guilty of envy, to
commit murder. The mean of the vices was no
lower than that of to-day. On the contrary, life
was incomparably harsher, more cruel, and more
unjust, because the low-water mark of the gen-
eral intelligence was less high."
The morality that determines the life of
the inner man, says Maeterlinck, should be
clearly distinguished from that which springs
from mere expediency, or from custom and
fashion. True morality "presupposes a state
of soul or of heart rather than a code of
strictly formulated precepts. What consti-
tutes its essence is the sincere and strong wish
to form within ourselves a powerful idea of
justice and love which always rises above that
formed by the cleverest and most generous
portions of our intelligence." More specifical-
ly, Maeterlinck says:
"There is in us, above the reasoning portion of
our reason, a whole region which answers to
something different, which is preparing for the
surprises of the future, which is awaiting the
events of the unknown. This part of our intelli-
gence, which I will call imagination or mystic
reason, in times when, so to speak, we knew noth-
ing of the laws of nature, came before us, went
ahead of our imperfect attainments, and made
us live, morally, socially and sentimentally, on a
level very much superior to that of those attain-
ments.
"At the present time, when we have made the
latter take a few steps forward in the darkness,
and when, in the hundred years that have just
elapsed, we have unraveled more chaos than in
a thousand previous centuries, — at the present
time, when our material life seems on the point
of becoming fixed and assured, is this a reason
why these two faculties should cease to go ahead
of us, or should retrocede toward good sense?
Are there not, on the contrary, very serious rea-
sons for urging them forward, so as to restore
the normal distances and their traditional lead?
Is it right that we should lose confidence in them?
Is it possible to say that they have hindered any
form of human progress? Perhaps they have
deceived us more than once; but their fruitful
errors, by forcing us to march onward, have re-
vealed to us, in the straying, more truths than our
over-timed good sense would ever have come
upon by marking time. The fairest discoveries,
in biology, in chemistry, in medicine, in physics,
almost all had their starting-point in an hypothe-
sis supplied by imagination or mystic reason, an
hypothesis which the experiments of good sense
4i8
CURRENT LITERATURE
have confirmed, but which the latter, given to
narrow methods, would never have foreseen."
To rationalists who cherish no higher ideal
than that of the conquest of matter and of "a
regular, assured, measured, exactly weighed
state of well-being," Maeterlinck addresses
this word:
"Be it so: they have charge of this kind of
happiness. But let them not pretend that, in
order to attain it, it is necessary to fling into the
sea, as a dangerous load, all that hitherto formed
the heroic, cloud-topped, indefatigable, venture-
some energy of our conscience. Leave us a few
fancy virtues. Allow a little space for our fra-
ternal sentiments. It is very possible that these
virtues and these sentiments, which are not
strictly indispensable to the just man of to-day,
are the roots of all that will blossom when man
shall have accomplished the hardest stage of 'the
struggle for life.' Also, we must keep a few
sumptuary virtues in reserve, in order to replace
those which we abandon as useless; for our con-
science has need of exercise and nourishment.
Already we have thrown off a number of con-
straints which were assuredly hurtful, but which
at least kept up the activity of our inner life. We
are no longer chaste, since we have recogfnized
that the work of the flesh, cursed for twenty cen-
turies, is natural and lawful. We no longer go
out in search of resignation, of mortification, of
sacrifice ; we are no longer lowly in heart or poor
in spirit. All this is very lawful, seeing that
these virtues depended on a religion which is
retiring; but it is not well that their place should
remain empty. Our ideal no longer asks to create
saints, virgins, martyrs; but even though it take
another road, the spiritual road that animated the
latter must remain intact, and is still necessary
to the man who wishes to go farther than simple
justice. It is beyond that simple justice that the
morality begins of those who hope in the future."
Finally, Maeterlinck dismisses the fears of
those who dread lest the old and time-honored
virtues disappear under new religious condi-
tions :
"Those who assure us that the old moral ideal
must disappear because the religions are disap-
pearing are strangely mistaken. It was not the
religions that formed this ideal, but the ideal that
gave birth to the religions. Now that these last
have weakened or disappeared, their sources sur-
vive and seek another channel. When all is said,
with the exception of certain factitious and para-
sitic virtues which we naturally abandon at the
turn of the majority of religions, there is nothing
as yet to be changed in our old Aryan ideal of
justice, conscientiousness, courage, kindness, and
honor. We have only to draw nearer to it, to
clasp it more closely, to realize it more effectively ;
and, before going beyond it, we have still a long
and noble road to travel beneath the stars."
AN ITALIAN NOVELIST'S PLEA FOR CATHOLIC REFORM
The literary sensation of the day in Italy is
a novel entitled "The Saint,"* by the distin-
guished author, Antonio Fogazzaro. During
the past few months twenty thousand copies of
the book have been sold, dozens of lectures
concerning it have been delivered, and many
hundred reviews pro and con have been writ-
ten. Yet it makes no appeal to sensation-
mongers; rather, it premises in the minds of
its readers a clear understanding of Italian con-
ditions, of the present status of Roman Cathol-
icism, and of the religious tendencies of our
times. The "Saint" of the title is a modern
John the Baptist who arises in Italy to voice
the demands of the people, and who interviews
the Pope at Rome in their behalf. In its lit-
erary form the book is characterized as
"neither a romance nor an essay, but a mix-
ture of the epic, the lyric, the didactic and the
mystic." Says Albert Zacher, a Roman corre-
spondent of the Berlin Nation :
"Taken as a whole, 'The Saint' is a contem-
♦IL Santo. By Antonio Fogazzaro. Baldwin, Castoldi
ft Co., Milan.
porary document of the highest rank, ... for
it is another proof of the fluid state of Catholic
feeling at this changeful period, wherein a Pius X
strives vainly, by a sic volo, sic jubeo, to rescue
the oldtime authority and discipline. To many a
one who is unconscious of the movement of ideas
in the air about us, it may seem strange that The
Saint' should have appeared almost simultane-
ously with Frenssen's *Hilligenlei' [a plea for
Protestant reform; see article in this issue of
Current Literature], and should be in effect its
Catholic parallel. Not so strange, but much more
characteristic, is the fact that Fogazzaro's book
begins with a reference to Maeterlinck's *L*In-
truse.* "
"The Saint" is the third volume of a series of
which the first ("The Little Ancient World")
is generally regarded as the most notable from
an artistic standpoint. The underlying thought
of the book is clearly revealed in the second
chapter, where a theological and philosophical
publicist, Selva, invites a number of learned
clergymen to meet in his country-house near
Subiaco — the seat of the Benedictine order
— for the purpose of forming a reform party.
Selva opens the meeting with these words:
"We represent a host of Catholics both in
RELIGION AND ETHICS
419
and out of Italy, clergy and laity, who long
for the reform of the church. We wish for
it not as the result of rebellion, but as the off-
spring of legitimate authority. We want re-
forms in religious instruction, in matters of
worship, in the discipline of the clergy, aye,
even in the supreme direction of the church."
During the di$cussion an old and learned
monk says:
"The times demand some action after the
example of Saint Francis. Yet I fail to find
any trace of it ; I see only hoary orders of men
'who have no longer the power to influence
our prematurely aged mankind. I see only a
Christian Democracy, which is striving after
political place and power, but has no love for
the spirit of Saint Francis or for poverty."
The Abb^ Garnier, of Geneva, "an exqui-
sitely drawn portrait from life," answers in
a vein of fine irony:
"This is a beautiful idea, but it is not logical.
You want to found a Catholic freemasonry
and yet you have only negative ideas in com-
mon. You hope to go unharmed, like little
fishes that prudently swim deep down in the
water, and forget that the piercing eye of the
fisher or vice-fisher will speedily espy you.
Don't forget either that though the great Fish-
erman of Galilee gathers the fish into the nets,
it is the great fisherman of Rome who cooks
them. . . . Reforms will come some day,
because ideas are mightier than mere men;
but if you marshal your reforms in battle
array and march forth battalion-wise, you will
be exposing them to a terrific fusillade which
they will not be able to stand for long. It is the
individuals, the Messiah-seekers, who really
advance science and religion. Is there a
saint among you? Do you know where to
find one ? If so, choose him to go before I He
will need burning speech, ardent love of his
fellow-men, two or three little miracles. Then
inspire in him what he has to say and your
Messiah will do more than all of you put to-
gether! . . . However, I am well aware
that you have no such saint. If you had he
would have been cautioned and persecuted by
the police, or transferred to China by the
church."
This irony offends the others, but, as is
shown in the course of the narrative, the
ironical abbe was right. The persecution of
the reformers begins at once, and the ban is
put upon them.
The layman who becomes the hero-saint of
the work is the repentant sinner of Fogazzaro's
preceding work, "The Little Modern World,"
by name Piero Maironi. He is converted by
his wife on her deathbed, breaks with his adul-
terous love, Jeanne Dessalle, and, warned by
God in a vision, disappears from all his old-
time haunts. The new volume opens with the
eager search of Jeanne, now set free by death
from her former bonds, for her lost lover.
She finds him at last wearing the habit of a
lay member of the Benedictine order, be-
stowed on him by the same Don Qemente with
whom he has lived for three years as a gar-
dener. In the famous Church of the Holy
Grotto (San Speco) they meet, and in a mys-
tical scene he persuades his temptress that he
belongs altogether to God, but promises her
that if she, too, will turn to God he will sum-
mon her to his side "at a certain solemn hour,*'
meaning thereby his last on earth. Thereupon
he disappears to lead a life of preparation in
the desert. Here the author's descriptive tal-
ents are shown in his portrayal of the strange
country and inhabitants of the upper valleys
of the Anio. Like another John the Baptist,
Piero is followed by the super^itious peasant
folk, until again driven forth, stripped of his
monkish garb by the pharisaical "Confratres," *
who report the "scandal" of this anachronistic
Voice crying in the Wilderness to the authori-
ties at Rome. Thither, after much suffering,
he manages to make his way. In this part of
the narrative the writer displays his intimate
knowledge of the conflicting influences at
work in the Eternal City — ^governmental and
ultramontane intrigues; Christian Democratic
and Socialist agitations; feminine religious
movements ; and over all the Vatican courtiers.
When Jeanne Dessalle exclaims in astonish-
ment, "How can these things be?" she is an-
swered, "You have no idea of all that certain
intransigenti in cassocks can and do do!"
The most talked of episode in the book is
Piero's interview with the Pope — of course a
portrait of Pius X.
The "Saint" says: "Holy Father, the Church
is sick. Four evil spirits have taken possession
of her body to drive therefrom the Holy Ghost.
The first is the Spirit of Falsehood. Our su-
periors, clinging to the dead letter, would give
to adults naught but food for babes." He
goes on to scourge, in the words of the famous
living reformer. Bishop Bonomelli of Cre-
mona, the increase of outward religious show
and form in the church at the expense of in-
ward devotion. The second evil spirit Mai-
roni calls the "Ambition of the Clergy"; the
third the "Spirit of Avarice"; the fourth the
"Spirit of Immobility." Finally, referring, of
420
CURRENT LITERATURE
course, to Saint Catherine of Siena, he ex-
claims: "Even as a woman was once able to
persuade a Pope to go to Rome, so I, too,
would persuade your Holiness to leave the
Vatican." The Pope's reply is remarkable
for its mildness : "God bless you ! Follow the
Lx>rd's promptings. I, however, must take ac-
count of my surroundings. . . . I am a
poor schoolmaster who has seventy scholars,
of whom twenty are less than middling, forty
only middling, and only ten are really capable.
As the schoolmaster cannot regulate his school
solely in the interest of his ten bright pupils,
so I, too, cannot rule the church in consonance
with the views of you and yours."
On his deathbed the "Saint" constitutes his
aforetime mistress — now disciple — ^his spiritual
heir. Hence we may expect a sequel.
Fogazzaro, it should be added, is a believing
Catholic, and this fact lends special weight to
his words. He is a Rosminian, and evidently
a thorn in the side of the Ultramohtanes — so
much so that the Vatican clerical party has
demanded that he be placed on the Index.
And yet, says Zacher, "much that Piero
preaches is contained in the program Pius X.
put forth in his *Omnia Instaurare in Christo/
as well as in the Jubilee Pastoral of that most
reverend Prince of the Church, the Archbishop
of Capua, Cardinal Capocelatro."
RELIGIOUS INDIFFERENTISM OF THE JAPANESE
Less than a generation ago the prediction
was often made by sanguine friends of the
cause of Christian missions that it would be
a matter of a few decades befofe Japan be-
came practically a Christian nation. Recent
developments have in many cases^ changed
these hopes into fears ; and those who are ac-
quainted with the condition of religious
thought in Japan to-day are practically of one
mind in ascribing the slow growth of Chris-
tianity there to the gatural indifference of
the Japanese, and especially of the educated
Japanese, toward all religion. The new at-
titude of equality assumed by Japan toward the
Christian nations of the West lends special in-
terest to a discussion of Japanese religion which
has just appeared in the pages of the Japanese
Methodist organ, Gokyo, published in Tokyo.
The editor. Dr. Takagi, addressed to twelve
prominent Japanese laymen these questions:
(i) Is the alleged indifferentism of the
Japanese a national trait? (2) If so, what is
the explanation of this unique phenomenon?
It is significant that ten positively declare
that this indifference is a fact. The reasons
assigned for it form a severe indictment of the
Christian churches as they are known to the
Japanese, but this indictment Dr. Takagi ad-
mits to be extravagant and one-sided. It is of
interest, none the less, and shows that even on
the mission field the churches are encounter-
ing formidable opposition due to science and
to "advanced" theology.
M. Minokami, one of the most thoughtful
contributors to the symposium, finds that the
chief cause for the indifference of the educated
Japanese to the claims of religion is the fact
that the church no longer holds the place of
leadership in thought and life that it held
down to a dozen years ago, in politics, litera-
ture, philosophy and education. In order to
progress and achieve permanence, he says,
organizations must change their methods and
principles in accord with the spirit of the
age; but the church has failed to do this.
Theology, dogma, and the articles of faith as
held by the church of to-day are behind the
demands of modern times. They leave no
room for the free spirit of research, and hence
no life is to be found in them. Many pfeachers
know this to be the case, yet they have not
the courage of their convictions, and pro-
gressive thought finds no echo in their ser-
mons. The Japanese church of to-day, con-
tinues M. Minokami, is merely the organ of
the European and American mission societies,
and lacks entirely the clement of adaptability
to the natural trend of the Japanese mind. As
remedies for the evils named, M. Minokami
makes the following suggestions: (i) Send
promising young Japanese pastors into foreign
countries, to continue their studies at the
universities there: (2) Establish a literary
department, in which the workers will have
the recognition accorded to evangelists; (3)
Increase pastors' salaries to two or three
times what they are now; (4) Give new form
to cultus and prayer; (5) Do not hinder free
and independent thought; (6) Appoint a
committee to prepare the way for the future
independence of the church in Japan.
N. Kinoshita, another contributor to the
RELIGION AND ETHICS
421
discussion, also attributes the religious in-
differentism of the Japanese to the fact that
the church is not up to date. Yoimg men
who have become acquainted with Christianity
through its literature, he declares, are keenly
disappointed when they enter a church. Unless
the church becomes more aggressive, it will be
discarded by the Japanese altogether or be-
come merely the breeder of superstition.
Dr. K. Hirayama, a jurist, thinks that the
retrogression of the Christian church in Japan
is due to: (i) The weakness and emptiness of
the current theology of the church; (2) The
impossibility of a real defense of the doctrines
and articles of faith held by the church; (3)
The hypocrisy of many of the preachers and
teachers, who are filled with doubt yet pre-
tend that they have none; (4) The lack of
sympathy, on the part of religious leaders, with
honest doubters in their flocks; (5) The
prompt condemnation and ostracism of all
who profess new or "heretical" views; (6) The
widespread dissatisfaction with the present
organization of the church, and with the cus-
toms of the church; (7) The failure of the
laity to make their influence felt in the synods
and conferences ; (8) The absence of independ-
ence, and the absolute dependence of the
church of Japan on foreign help; (9) The
lack of solemnity in public worship; and (10)
The division of the church into sects and
the crusades for converts.
Dr. Takagi, in summing up the net results
of the symposium, states that he has so far
published only the views of the laity, because
laymen are chiefly concerned in the matters
discussed and because they are known to have
been 'the dissatisfied element in the churches.
He observes that their criticisms are evidently
not directed against religion as such so much
as against the church in its present form and
spirit. It is very clear, he adds, that Jap-
anese Christians will not submit to the dic-
tatorship of foreign mission societies or other
organizations. The demands for a revision of
faith will not down, but the exact nature of
this revision cannot be determined. The
solution of the problem necessarily depends
upon the attitude of the societies upon whom
the Japanese churches are financially depend-
ent. The editor concludes with the state-
ment that the views of the writers given
are extravagant, and that the voices of its
pastors should now be heard in reference to
the reformation seemingly demanded by the
laity.
A "NEW GOSPEL" IN A GERMAN NOVEL
When a religious novel brings to its author
in a few months* time the sum, in royalties,
of 200,000 marks ($40,000), the inference is
either that the novel is a wonderfully brilliant
piece of work or that the subject with which
it deals is very close to the popular thought and
feeling of the day. Gustav Frenssen's Ger-
man novel, "J^m Uhl," written five years ago,
has since materialized into a handsome estate
for its author; but it is his new work, "Hillig-
enlei" (Holy Land), that is breaking the
record, in a pecuniary sense, for all recent
German works of fiction.
The novel is an attempt to create a "new
gospel*' on the basis of the higher criticism.
This gospel leaves out of the life of Jesus and
out of the Scriptures the supernatural and
miraculous element. The attempt invites com-
parison with the novel "II Santo," by the Ital-
ian writer Fogazzaro (see article in this num-
ber), the latter designing to secure a readjust-
ment in Roman Catholicism somewhat similar
to that aimed at by Frenssen in Protestant-
ism. As a literary product Frenssen^s novel
is criticized as too diffuse and verbose; but
despite its faults it has received respectful
treatment both for its literary form and its con-
tent.
The little town of Hilligenlei, which must
be taken as symbolic of the whole world, has
a prophecy hanging over it that some day a
child will be born in it who shall become its re-
deemer and make Hilligenlei a real "Holy
Land." The book starts out with the birth of
a number of children, and it soon becomes evi-
dent that of all these it is Kai Jans who will
grow up to be another Savior of Mankind.
Each child strives for a certain high aim
which he has set himself to accomplish, each
one searches for his Hilligenlei; but there is
something in Kai Jans which from his child-
hood has marked him out as different from all
the rest. He is simple, unpractical, dreamy
and weird, and he tells wonderful stories that
set his hearers into ecstasies. He goes out
into the world as an ordinary sailor, but in
422
CURRENT LITERATURE
reality he is only in search of a "holy land."
His hand is crushed in an accident and he
begins to study theology in Berlin; but as he
is about to enter the church he finds that his
scientific studies have left him without faith.
He begins in Berlin to investigate the social
conditions of the people and their needs, and,
returning to his native town, again develops
from the experiences of his life and his re-
flections a new Gospel of Christ. He talks
over his theories with Heinke, who is in love
with him ; but she is betrothed to another:, and
when Kai Jans learns of this he goes to Africa,
leaving Heinke his manuscript of the Life of
Christ.
This biography of Christ forms the culmi-
nation of Kai Jans's life-work and in it he ex-
pounds his theory of the New Christianity. It
is founded on the investigations of modern
higher criticism and denies all supernatural
attributes to Christ. His conclusions are sum-
marized as follows:
"Christ was a man. There is evidence enough
for this. First, he said it himself; second, in
his mode of thought he was a child of his age;
third, he was a marked and peculiar individuality ;
fourth, he underwent a certain development ; fifth,
his nature was not altogether free from evil ;
sixth, he erred, especially in that he did not come
again, and that his promise of a coming kingdom
of God was not fulfilled. He was a man, howso-
ever wondrous, good, wise and courageous; in
no deed and in no thought did he transcend the
measure of man. He was the grandest, the fairest
of the sons of men,
"And he has brought us this gift from out his
wonderful and beautiful soul: Faith in high di-
vine worth and in the worth of every human soul,
and, as a corollary of this faith, faith in the un-
recognized eternal power, which in turn yields,
even as the rich soil yields heavy, beautiful fruit,
faith in the weighty, beautiful tasks of mankind
and in their wonderful, lofty aim, the kingdom of
God ! And thereby he has brought forth into the
light the sense and worth of human life and en-
dowed it with eternal nobility."
After having thus divested the New Testa-
ment of all supernatural authority, Kai Jans
proceeds to justify the faith that he still leaves
intact :
"This faith is ours, not because he who first had
it is an eternal miraculous being, or possesses any
other authority for us. Wha' care I for authority
in these questions? How is it possible in these
matters for one soul to give warrant for another ?
The soul stands quite alone and rests on itself.
This faith is ours because it corresponds to what
is best in my soul. . . .
"Rejoice! The church fought against Reason,
God-given Reason, and fought against the noble
joy in life. Behold, here is a faith that laughs and
rejoices in every victory of science, leaning to
noble Hellenism. . , .
"This simple hero and his faith China, Japan
and India will accept. If they have souls like
unto ourselves they will come to this faith. For
it is the faith corresponding to the human heart;
the heart needs it and opens up to it."
This evangel does not seem to be particu-
larly new or novel, but it is received with en-
thusiastic welcome by the secular press of
Germany. "By means of this intermezzo,"
says Karl Stridker in the Tdgliche Rundschau,
referring to the hero's life of Christ, "the
novel receives a significance far beyond any-
thing in the belletristic and imaginative litera-
ture of our time. It is a war call, and a rousing
cO^» ^ good weapon of defense and attack in
the war of the spirits, a banner which, raised
on high with its luminous folds waving in the
wind of the twentieth century, seems to call:
'Gather ye here! Here is earnestness and
love spoken to us by one who is called, and
who deserves to be heard.' " Writing in the
Allgenteine Zeitung (Beil), Oscar BuUe speaks
much in the same vein: "This novel, with all
its many faults of composition, is like a worthy
war poem, a rousing call to thousands to whom
it preaches a return to nature, to the inherent
race spirit, to the home of the soil, to simple
true humanity."
Karl Korn, a writer in the Socialist Neue
Zeit (Stuttgart), renders a less favorable
verdict. "For the modernization of the life
of Jesus," he declares, "the attempt of Frens-
sen lacks the most essential qualification,
the establishment of a social substratum upon
which to rest the person of Jesus, his propa-
ganda and its fate, and the decipherment of
the social palimpsest of the books of the Gos-
pel; it lacks even the insight into the purely
human tragedy of the Christ of the Evangels,
that tragedy which is so touch ingly expressed
in the death cry of the Crucified. There he
is, hanging and waiting from hour to hour, for
now must be fulfilled that whereon he has built
up his whole life-work, and its final execution;
his Heavenly Father will now descend in all
splendor and glory and will save him and crown
him. But the Father comes not ; not even the
great ecstasy comes now when he most needs
it, to give him the psychological proof of him-
self. These great pioneers have, indeed, no
other proof for themselves and their works
than their great hours, their inner glow. . . .
Was ever the bankruptcy of a life and en-
deavor expressed more bitterly than in this
despairing cry to heaven: 'My God, my God,
why hast thou forsaken me ?' "
RELIGION AND ETHICS
423
CHRISTIANITY AS A FACTOR IN AMERICAN POLITICS
Is outspoken Christianity a hindrance to a
man in public life? asks the Hon. Henry B. F.
Macfarland, Commissioner of the District of
Columbia. The question has come to him as
one of vital importance, and he thinks it can-
not be answered "Yes" or "No." An avowed
atheist, he says, would not get very far in
American political life, although more than
one such man has been prominent in the
House of Commons. Nor could a conspicu-
ously bad man, whatever his beliefs, gain high
office in this country. "Whatever the rougher
and tougher elements of our politics may think
about the character of candidates for political
offices of any sort," asserts Mr. Macfarland,
"a great majority of the voters, and the vast
majority of the women, who largely govern
the voters in the States where they have not
the suffrage themselves, would not support
either a blatant infidel or a notorious evil-doer.
The American voter may be deceived by hy-
pocrisy in one form or another, but he means
to have men who believe in God and who live
honestly and decently as public servants." Mr.
Macfarland says further (in The Christian
Endeavor World) :
"All of the Presidents, from George Washing-
ton down, and including Thomas Jefferson, who
was what we now call a Unitarian, although some
of the Federalist clergy of New England called
him an infidel, have been sincere believers in God
and in the general teachings of the Christian re-
ligion. All of them have shown outward respect
for the church, have attended its services, have
observed the Christian rest-day, and in times of
great personal or national distress or rejoicing, if
not habitually, have prated like other men.
"President Roosevelt, m his frank and expres-
sive way, shows more plainly than most of his
predecessors what is in his heart in this, as in
less important thinffs. Every one now knows
what President McKinley thought and lived, and
how he died triumphant in the Christian faidi;
and Mr. Bryan, devout Presbsrterian as he is, is
a man of the same religious stamp. In the last
presidential campaign all of the four principal
candidates were recognized church-members — Mr.
Roosevelt of the Dutch Reformed, Mr. Fairbanks
of the Methodist, Mr. Parker of the Episcopalian,
and Mr. Davis of the Presbyterian Church."
But in no case, continues Mr. Macfarland,
has a man been elected or appointed to any
high office in the United States chiefly because
he was a Christian, or chiefly because of his
Christian character. Thomas Jefferson's ques-
tions, "Is he honest? Is he capable? Is he
faithful to the Constitution?" furnish the
practical standard of most men who do not
first ask, "Is he loyal to the party?" and, "Will
he be useful to me or to my interests?" For
instance :
"The Tammany machine may nominate a good
Episcopalian, like Mayor McClellan, or the Phil-
adelphia machine may nominate a good Baptist,
like Mayor Weaver; but neither they nor the
voters are supporting McClellan as an Episco-
palian, or Weaver as a Baptist, or either as a
Christian. It might make some difference for
what would be called practical political reasons
what church a candidate belonged to ; but it would
not make any difference that he did not belong to
any church, provided he had a good reputation
and did not attack religion. Indeed, he might be
privately an agnostic or even an atheist without
losing anything in public life by it."
Theoretically, says Mr. Macfarland, politics
ought to be in the best sense religious. "Poli-
tics was religion, although not in the best
sense always, in Jerusalem, Athens and Rome,
and in the so-called theocracies of the Puri-
tans in England and New England." But ac-
tually, to-day, politics and religion "will never
be married, but, on the contrary, will always
be separated," for politicians, while they may
believe in the natural virtues, like honesty, as
necessary in politics, "do not think that re-
ligion, or its distinctive beliefs or require-
ments, has a necessary place there." To con-
tinue the argument:
"The active and aggressive Christian is not
wanted in politics, and is not popular in that
field. His idealism, in so far as it works to make
him unworldly, is regarded as unfitting him for
a life which is very much of this present world,
and takes very little practical account of any
other. He is felt to be different, even thou?h it
may be only in personal or social habits; and the
desire to have conformity condemns reasons any
one of which makes a man so different from his
fellows. Almost inevitably he is regarded by
those who do not see what he sees, or serve as he
serves, as so different as to be an insoluble and
rather uncomfortable problem to them. How-
ever sincere he may be, they are almost certain
to say, and even to think honestly, that he is
more or less of a hypocrite, if for no other reason,
because he shows the inconsistency of human liv-
ing, and chiefly because they cannot believe in
sincere Christian living of the actual sort.
"The stricter the man's habits, the more sus-
picious, or at least the more resentful, they be-
come. If he does not drink, or play cards for
money, or do any of the things which are called
convivial, they do not like him, and they say,
'He has no small vices; so he must have large
ones.'
"As a general rule a man cannot get on in pub-
424
CURRENT LITERATURE
-^H
£^
1
!
1 ^
i
1
WILHELM OSTWALD
Professor of Physical Chemistry at Leipsig University,
and the latest lecturer in the IngrersoU course at Harvard
on the " Immortality of Man."
lie life unless he is emphatically what is known
as a man of the world. Almost any man in pub-
lic life would tell you that it would not do in
politics to be a puritan, or a precisian, or any of
the things that may be called by those names,
however fine and however true to Christ's teach-
ings those things may be. He must have the
common virtues, like courage and honesty, but
he must not be distinctly and aggressively Chris-
tian."
A few, but a very few, men in high places,
says Mr. Macfarland, in concluding, have al-
ways been known as active Christians. They
"have been respected, though seldom loved."
There was a time when the term "Christian
statesman" was held in ridicule, and "unfor-
tunately there are always men to justify the
suspicions of those who do not want Chris-
tians in public life." Yet "the true Christian
character does command respect, and even
support, in politics as elsewhere. It would be
easy to mention men of the Supreme Court,
the Cabinet, the Senate, the House, as well
as the White House, whose Christian virtues
have conquered even prejudice, and have com-
manded general admiration." Mr. Macfar-
land thinks it is well that hypocrisy should not
be encouraged by "making a profession of re-
ligion a passport to political preferments,"
He adds:
"There is, of course, a real success in the ser-
vice of the people which true servants of God
may enjoy to the full, even though they never
receive even a nomination to office. With their
citizenship in heaven they can combine a citizen-
ship on earth of the greatest value to their coun-
try, and neither contempt nor scoffing, nor any
persecution can prevent them from high achieve-
ment."
AN EMINENT SCIENTIST'S VIEWS ON IMMORTALITY
The administrators of the Ingersoll Fund
at Harvard University, which provides for an
annual lecture on the "Immortality of Man,"
have been subjected to somewhat hostile criti-
cism lately on account of their choice of lec-
turers. Dr. William Osier, the distinguished
physician, who spoke on "Science and Im-
mortality" two years ago, assumed an agnostic
attitude; and the latest lecturer. Dr. Wilhelm
Ostwald, Professor of Physical Chemistry at
the University of Leipzig, has handled the
subject, "Individuality and Immortality,"* in
the same spirit. He refuses to affirm personal
immortality. The only real immortality, he
argues, is that we achieve when we leave an
impress upon the life and work of the world.
♦ Individuality and Immortality. By Wilhelm Ost-
wald. Houghton, Mifflin & Company.
He goes further, and says : "Death is not only
not an evil, but it is a necessary factor in the
existence of the race. And looking into my
own mind with all the frankness and subjec-
tiveness which I can apply to this most per-
sonal question, I find no horror connected with
the idea of my own death."
A fundamental law of the universe, as in-
terpreted by this scientist, and the law upon
which he chiefly depends for his argument, is
that which makes for diffusion. If we take
two different masses and combine them, he
points out, the resulting mass will behave like
the sum of the two single masses. But
though the two masses retain their quantity,
they lose their individuality. If we take two
glasses of water and pour them together into
one basin the sum of the two quantities is
RELIGION AND ETHICS
425
obtained. But there is no means known in
earth or heaven of finding out which part of
the water came from one glass and which from
the other. "It is a strange thing, indeed,"
comments Professor Ostwald, "that by merely
being associated with another thing of the
»me kind identity is lost. And still more
strange is the fact that every being of this
kind seems driven by an irresistible imptdse
to seek every occasion for losing its identity.
Every known physical fact leads to the con-
clusion that diffusion, or a homogeneous dis-
tribution, of energy is the general aim of all
happenings." Furthermore :
"The property which has been described as an
irresistible tendency toward diffusion may also be
observed in certain cases in man. In conscious
beings such natufal tendencies are accompanied
by a certain feeling which we call will, and we
are happy when we are allowed to act according
to these tendencies or according to our will.
Now, if we recall the happiest moments of our
lives, they will be found in every case to be con-
nected with a curious loss of personality. In the
happiness of love this fact will be at once dis-
covered, and if you are enjojring intensely a work
of art, a symphony of Beethoven's, for example,
you find yourself relieved of the burden of per-
sonality and carried away by the stream of music
as a drop is carried away by a wave. The same
feeling comes with the grand impressions nature
gives us. Even when I am sitting quietly sketdi-
ing in the open there comes to me in a happy
moment a sweet feeling of being united with
the nattu-e about me, which is distinctly char-
acterized by complete forget fulness of my poor
self. We may conclude from this that individ-
uality means limitations and unhappiness, or is
at least closely connected with them."
Interrogating experience, the professor finds
the same law of diffusion at work, though
there is an apparent desire to defeat it in
man's response to inherited instincts. Such,
for instance, is the instinctive desire of man
to leave behind him after death marked im-
pressions of his individuality. There is the
general desire for the propagation of one's
personal influence which is closely connected
with the desire for the propagation of one's
flesh and blood. By the operation of these
factors a prolongation of every individual ex-
istence in a greater or less degree is secured.
But
■ "Such a prolongation is not immortality in its
strictest sense. For we observe that such influ-
ences, though they outlive the term of bodily life
in the majority of cases, gradually cease to act,
and die out as3rmptotically, just as any isolated
physical existencie does, by diffusing into the
great mass of general existence and losing indi-
viduality and the possibility of being distin-
guished.
"This is true primarily in the course of a se-
quence of generations. In order that a family
may be continued, the son marries a wife from
another family, and his son does the san\e. As
a result the continuance of the family is secured,
but at the cost of its individuality. By these nec-
essary connections with other families, diffusion
into the general mass of the world takes place,
and the very means of continuing its existence
resuhs in this inevitable diffusion. And finally
a family like mankind in general is subject to
the possibility of ultimate destruction by some
cosmic accident.
"And other things left by an individual man at
death take the same course. Consider the best
case, where we often use the word immortal, that
of a great poet or scientist. We say that Homer
and Goethe, Aristotle and Darwin, are inunortal,
because their work is lasting, and will persist for
scores of centuries, and their personal influence
has proven independent of their bodily existence.
Even the fact Uiat death prevented them from
doing more work of the kind they gave to us
during their lives is not so important as it would
seem at the first glance. When a man grows old
his creative power, both bodily and mental, often
dies, long before the ordinary functions of life
have ceased. If a man lives his natural time out,
he will probably do all the work that he is able
to do well, and his death is then not a matter
of importance. Only when death is premature
do we feel that something has been lost, and only
in such cases can we feel that death is cruel and
unjust."
The only lasting kind of life that the lec-
turer is able to discover in the realm of experi-
ence is that "quite independent of individual
life or death," to wit, the more or less limited
effectiveness of the work a man has accom-
plished. He says:
"How long it will remain effective is entirely
d^endent on the degree to which the work has
suited the wants of the race. Work of no value
to these wants will be wiped out as soon as pos-
sible, while useful work will be retained so long
as it is seen to be useful. The examples I have
given show how very long the influence of a
great and useful worker may persist, but there is
no doubt that by this very influence the indi-
viduality of his work disappears, however slowly.
It becomes more and more a part of the general
mental equipment of his clan, his nation, his race.
It will then exist as long as these exist, no longer
as a distinct idea or work of art, but as a com-
mon possession. Here again the general law
of di^usion already met with is at work, and
duration and individuality are linked as are re-
ciprocal numbers: the one increases as the other
diminishes."
Instead of feeling that we sweep away the
foundation of all our ethics when we banish
the idea of a personal future life in which vice
shall be punished and virtue rewarded, Pro-
fessor Ostwald thinks that not only is ethics
possible without this idea, but that "this con-
426
CURRENT LITERATURE
dition involves a very refined and exalted state
of ethical development." "The more each
individual is filled with the consciousness that
he belongs to the great collective organism of
htmianity, the less will he be able to separate
his own aims and interests from those of hu-
manity. A reconciliation between duty to the
race and personal happiness is the result, as
well as an unmistakable standard by which to
judge our own actions and those of our fel-
low men." He concludes :
"In fact, we find the interests of humanity in
the very center of our ethical consciousness. To
frighten people into ethical action by threatening
them with eternal punishment is a poor and in-
efficacious way of influencing them. The nat-
ural way is to develop a consciousness of the all-
pervading relation between the several individu-
als which make up humanity, and this to such
a degree that the corresponding actions become
not only a duty but a habit, and at last an in-
stinct, directing all our doings quite spontane-
ously for the interest of humanity. And every
mental and moral advance which we make for
ourselves by our constant efforts at self-educa-
tion will be at the same time a gain for humanity,
since it will be transmitted to oiir children, our
friends, and our pupils, and will be to them easier
than it was to us, according to the general law
of memory. Beside the fact of inherited taint there
exists the fact of inherited perfection, and every
advance which we, by the sweat of our brows,
may succeed in making towards our perfection, is
so much gain for our children and our children's
children forever. I must confess that I can think
of no grander perspective of immortality than
this."
CAN WE HAVE RELIGION WITHOUT GOD ?
It is a noteworthy fact in connection with
the development of modern religious thought
that the effort is constantly being made to di-
vest religion of its supernatural attributes and
to show that the idea of God is not a neces-
sary element in religion. Works have ap-
peared in Germany and elsewhere in recent
times which declare that religion can be as-
cribed to animals; and Professor Haeckel, of
Jena, the leading defender of monism and
atheistic Darwinism in the Fatherland, has
only lately spoken of "the religion of the ants."
There can be no doubt that the real purpose
behind the new propaganda is to show that
religion can be grasped entirely independently
of the conception of divinity, that it is a purely
natural and human product — conclusions in
the highest degree distasteful to conservative
theologians. In a new apologetic journal, pub-
lished in Germany and entitled, Glaubcn und
IVissen, the veteran Prof. Edward Koe-
nig, of the University of Bonn, formulates a
number of reasons for rejecting this non-theo-
logical conception of religion.
One reason, he says, is that, speaking his-
torically, religion, both by its nature and its
etymological derivation, demands that the idea
of a higher being be included in its constitu-
tion, and that nothing be termed a religion
which does not include this concept. The fa-
mous explanations given of the word by Cicero
("De Natura Deorum," II, 28), and by the
"Christian Cicero," the theologian Lactantius,
differ no doubt in detail, but both of them
imply the subordination of man to a superior
being, and the essence of both explanations lies
in bringing man into closer relation to God.
Again, the deterioration of the conception of
religion according to the new definition pro-
vides its own condemnation. Religion be-
comes not only a phenomenon of inferior char-
acter and development in man's world of
thought ; it is degraded to the brute world, and
is even, according to Haeckel, an attribute of
the plant and the mineral kingdom. In his
latest work, "Die Lebenswunde," the Jena zo-
ologist has transferred the idea of personality
to the mineral kingdom, and claims that stones
have a personality. Religion, defined from
this point of view, is emptied of that which
fundamentally constitutes its very essence.
The new propagandists, continues Professor
Koenig, cannot be acquitted of a charge of
dishonesty in the use of thought and language.
They are ptitting the stamp of a fixed mean-
ing on a new substitute that has essentially
nothing in common with what the world has
for ages been calling religion. Why call this
new thing a religion, unless the purpose is to
deceive people by using a historic term?
From a material standpoint, says the Ger-
man writer, in conclusion, the condemnation
of the new use of the term must be equally
strong. What these new thinkers call religion
is really only a vague system of ordinary hu-
man ethics or morality. From their standpoint,
what possible use is there for a religion apart
from this morality or ethics? Honesty should
compel them to drop the term religion as they
have discarded all that the word really means.
RELIGION AND ETHICS
427
DISTURBING SCHOLARSHIP IN THE AMERICAN CHURCH
Two university professors, Nathaniel
Schmidt, of Cornell, and George Burman Fos-
ter, of the University of Chicago, both still
holding their membership in Baptist churches,
have just published volumes that are inevitably
distressing to defenders of the orthodox faith.
Professor Schmidt's work is entitled "The
Prophet of Nazareth"; Professor Foster's,
"The Finality of the Christian Religion."
Both works deal with the fundamentals of
Christianity, and both
belong to the "radical"
school of criticism.
"The Prophet of
Nazareth"* has evoked
estimates so varied and
contradictory as to be
bewildering. The New
York Independent re-
fers to it as "the most
notable work on the
life of Jesus ever writ-
ten by an American
scholar"; adding: "For
insight and penetration
into the character of
the Nazarene no life of
Christ in the English
language, save possibly
*Ecce Homo,' is at all
comparable with it."
On the other hand, the
Boston Congregational-
ist dismisses the book
with a short paragraph
and the statement :
"The reader can hardly
restrain himself from
becoming as critical of
this book as its author
is of the literature from
which he essays to
construct a history." Professor Schmidt illus-
trates the radicalism of his position by saying
that if his researches had led him to believe
that no such person as Jesus ever lived, he
would have frankly stated this conclusion and
the train of reasoning that led up to it; and it
was "with a deep satisfaction the author found
himself borne along by the force of what
seemed to him incontrovertible facts to the
conviction that Jesus of Nazareth actually ex-
• The Prophet of Nazareth.
The Macmillan Company.
isted, that some of the events of his life may
be known to us, that some of his words may
be recovered and that his personality imper-
fectly as we may know it and widely as it
differed from the estimate of the church, is
as sublime and potent for good as ever."
According to this new interpreter, Jesus
was the son of Joseph and Mary, born of
ordinary wedlock. Most of the miracles of
Jesus he rejects, while others, such as those
connected with the
healing of the sick, he
ascribes to Christ's
* 'stronger and holier
spirit, firmness of will,
power of suggestion."
He also rejects the ac-
count of the triumphal
entry into Jerusalem,
and argues that Jesus
was crucified by the
Jews, not by the Ro-
mans. "Misunderstood
and abandoned by his
diciples," writes Pro-
fessor Schmidt, "dis-
trusted and feared by
the common people
whose cause he had es-
poused, scorned and
hated by the represen-
tatives of every popu-
lar form of religion,
and condemned as a
blasphemer by the
highest court of his na-
GEORGB BURMAN FOSTER tion, he paid the pen-
Profeasor of the Philosoohy of Religion in the University alty for Spiritual inde-
o! Chicago. pendence by a cruel
In his new work, ** The Finality of the Christian Re- ^nA io-nnminir\iie
ligion," he repudiates " authority -religion " and all that ^"^ ignominious
purports to be " miraculously supernatural.' death." From that
martyr death there was
no resurrection. Professor Schmidt takes
the view that the conviction of the resurrec-
tion "was engendered by faith in the prophetic
word and in its application to Jesus. It was
probably in Galilee that the disciples began
to proclaim their earnest conviction that Jesus
had risen from the dead according to the Scrip-
tures and would soon return to them. The
expectation of such a return of a dead ruler
or teacher is not an uncommon phenomenon
in history." Yet, in spite of all this destructive
criticism. Professor Schmidt's attitude toward
By Nathaniel Schmidt.
428
CURRENT LITERATURE
Jesus is almost that of a worshipper. "To
have come under his spell is to be his forever.
To know him is to love him." And finally:
"The thought of Jesus may, in numerous di-
rections, become a stronger force in the life of
the world than it has yet been."
"The Finality of the Christian Religion"*
is a book written in much the same spirit. The
writer declares in a preface his belief that "a
multitude of thoughtful men and women are
passing through an experience similar to his
own," and that "a greater multitude will travel,
with bleeding feet, the same via dolorosa
to-morrow and the day after." The argument
is rationlistic throughout. With Sabatier,
Professor Foster repudiates all "authority-re-
ligion" and all that purports to be "miracu-
lously supernatural." One of the most radical
passages in the book is this: "Miraculous nar-
ratives, like the biblical, originating from no
observer who possessed sufficient knowledge
of the relations and laws of nature to have a
right to pronounce upon such matters, have
no scientific importance. And the orthodox
exaction of 'faith' in stories out of relation
with everything we know must forever be no
less antagonistic to the higher activities of
faith than it is to science and common-sense.
An intelligent man who now affirms his faith
in such stories as actual facts can hardly
know what intellectual honesty means. '
Later on he says: "A human Christ who does
no more and no less than interpret to us the
eternal relation of God in human nature, and
opens our eyes to see it, is no less adapted to
reconcile us and lead tis into sonship than
the superhuman entity of the church which,
with his epiphany and his performances, has
no place in the pale of the natural life of hu-
manity." The resurrection of Jesus is dis-
posed of in this fashion:
"While war has long been waged against mir-
acle ; while in the consciousness of humanity faith
in miracles has been increasingly shaken; while
miracle has come to be a burden instead of a
support to religion, it is yet still true that it is
more difficult for Christianity to detadi itself
from miracle than it is for any other religion
whatsoever. This is mainly because the doctrine
of the bodily resurrection of Jesus has been prop-
agated into the very center of Christian convic-
tion, has so fixed its stamp upon this religion that
the latter seems to many to stand or fall with
the historicity of that event. *If Christ be not
risen, our faith is vain, we are yet in our sins,'
writes Paul. Is it not well to ask ourselves
whether we are in a position to participate experi-
* The Finality of the Christian Religion. By
George Burman Foster. University of Chicago Press,
entially in this Pauline proposition? We are
dependent upon the narratives of the gospels and
the witness of Paul, to form an idea of what
occurred after the death of Jesus. But these
are by no means so consistent as to render as-
sent to the actuality of the occurrences a require-
ment of conscience. This importance attached to
the bodily resurrection is far out of proportion to
the evidence therefor. The narratives yield a
fltictuating image which eludes all assured evalu-
ation. Shall we base our highest and holiest, our
whole religious life, on an occurrence of which
no one can make a perfectly distinct picture?
And is it, indeed, necessary that we build our
salvation on this occurrence?
The Baptist papers are greatly disturbed by
the radical conclusions of these two scholars.
The Chicago Standard pleads for tolerance,
but the New York Examiner evidently feels
that what is needed is plain speaking from the
conservative view-point. "All the fine things
that are said about Jesus as a man and
teacher," comments The Examiner, "cannot
atone for the denial of that which crowned and
sealed his mission of salvation. An unrisen
Christ means a dead faith, a dead hope, a
world left lying in the wicked one." The
same paper comments further :
"'When the foundations are destroyed,' cried
the Psalmist in despair, beholding the social dis-
order then prevailing, 'what can the righteous
do?' So might we say to-day, as we observe the
destructive work attempted, not by alien hands,
but by men of our own household of faith, against
the most fundamental tenets of our holy religion
— only we believe in the power of the living God
to guard his Word, and in the certainty of his
interposition in the present and the future, as
in the past, for its preservation from , every as-
sault."
The Chicago Interior (Presbyterian) treats
the "heretical" views of Professors Schmidt
and Foster in lighter vein. This new gospel,
it remarks, is "merely Ritschl done over —
'sartor resartus' — with a lot of new frills to
make it somewhat more so." It continues:
"We are not going to have hydrophobia over
all this. It is a distinct gain in the area and su-
premacy of religion that men who don't accept
the miracles have found a way by which they can
adhere to Jesus for the life of their spirits. In
the old times they would have been infidels out-
right; now many of them are devout, religious-
hearted men. It is another great instance in
which the Galilean has conquered. But the
thing which does greatly try us is that the Rit-
schlians can't see that Ritschlianism is just the
way for them; that the rest of us haven't the
difficulty which requires it. Thejr come and camp
just over the line in the Christian religion, and
then begin to exploit their location as the center
and capital of the whole realm. Professor Foster
could scarcely pen a sentence which would more
completely convict him of narrow Brahmanic
REUGtON AND ETHICS
4^9
ignorance of the men of his times than this
which the papers quote : 'An intelligent man who
DOW affirms his faith in the miracle stories as
actual facts can hardly know what intellectual
honesty means.' His own disability he stupidly
attributes to everybody else. How little investi-
gation would have taught him better 1 The pro-
fessor needs only to go round the comer to the
first church he comes to, and he'll find plenty of
people to whom believing in God is equivalent
to believing in the possibility of miracles — that is,
in the free hand of a Sovereign in his own king-
dom. Of course, they are not people whose brains
spin gossamer mesh, but they think— in that
common-sense style which helps most in a com-
mon-sense world. These folks don't need Rit-
schlianism. Let the professor save his medicine
for desperate cases of his own skepticism; he is
much misguided in setting it out as food for
healthy people,"
Unity, a weekly journal published in Chi-
cago and devoted to the unification of all re-
ligion, frankly welcomes the new views. It
says:
"Professors Schmidt and Foster have only
dared to state in scholarly terms the conclusions
of modem thinking on high subjects. They have
justified by philosophy and historical investiga-
tion the working creed of most intelligent men
and women. It is too late in the day to raise the
cry of 'destroyers of the faith'; 'underminers of
conviction,' etc. This work is done. There is no
gainsaying the fact that the working religion, the
practical faith of the well-informed as well as
the high-intentioned men and women in all the
churches, at least outside of the Catholic church,
is based on the natural rather than on the super-
natural; rejoices in the human Jesus rather than
. in the superhuman Christ. The Trinity abides as
a worldng force only when mystically interpreted
in a way that denudes the old credal definite-
ness of all working potency. . . . Instead of
being pilloried as enemies of faith these men and
their associates should be haloed as prophets of
faith who come none too early to the tasks of
re-enforcing morals and religion, renewing trust
and replacing the cracked and crumbling super-
natural foundations of religious trust and enthu-
siasm with the solid masonry of natural law and
universal experience."
A MINISTER'S SYMPOSIUM ON TWENTIETH CENTURY
RELIGION
In celebrating its ninetieth biithda^y anni-
versary recently, the well-known religious
weekly, the Boston Congregationalistj invited
representatives of five leading denominiitions
— Baptist, Congregational, Episcopalian, Meth-
odist and Presbyterian — ^to forecast "the re-
ligion of the next ninety years." The seven
ministers who responded to the invitation are
the Rev. Dr. Frank W. Gunsaulus, of Chicago ;
Prof. Henry S. Nash, of Cambridge, Mass.;
Chancellor James R. Day, of Syracuse Uni-
versity; Prof. William N. Clarke, of Colgate
University ; the Rev. Dr. Charles E. Jefferson,
of New York; the Rev. Dr. George A, Gor-
don, of Boston; and the Rev. Dr. Robert F.
Coyle, of Denver. "Recognized prophets" in
their respective denominations. The Congre-
gationalist terms these men; their words, it
thinks, are "as divinely prophetic as those of
the Old Testament."
It is intere;>l:ng to note that there is a sur-
prising unanimity of opinion in the forecasts,
and that three points are underscored by all
the contributors to the symposium, namely :
(i) The need of a greater emphasis on Christ;
(2) The need of a wider religious tolerance;
and (3) The need of a larger recognition of
social questions and social work.
The "one thing essential," according to Dr.
Jefferson, is "God's revelation of himself in
Christ." The "ideal expression of the moral
life of God in Jesus Christ" also appeals to
Dr. Gordon as something which will be "a
deeper insight for our successors and a more
precious possession." In the same spirit
Chancellor Day writes:
"As Newton uncovered the law of gravitation,
and as that law is becoming more practical in
thousands of forms as men become more in-
telligent, and the only changes of it are changes
of application, so our Lord revealed to men a
law of love and life, foreshadowed by the proph-
ets and sometimes hinted by others, whidi has
become the law of human regeneration and the
force of moral action. It has been called by Paul
'the law of the spirit of life.' It leaves no room
for any other because it fills and meets every
need. It will endure as long as human nature is
what it is. It never can be supplemented, as there
is nothing left to be done when its work is
completed.
"It was revealed in one who was what it is. It
was not declared by him simply as Newton re-
vealed gravitation. It was he. He was what he
taught. There therefore can be no one to come
into his place, nor any cult to supplant his teach-
ings. He was yesterday. He is to-day. He will
be forever."
But while doctrine is bound to remain an
430
CURRENT LITERATURE
FRANK W. GUNSAULUS, D.D.
President of the Armour Institute of Tochnologry.
He predicts that the note of the future will be reli«rious,
not ecclesiastical, and that conduct, rather than theolog^y,
will be emphasized.
impottant part of church life, the tendency is
ever toward a greater toleration. The note
of the future, predicts Dr. Gunsaulus, will be
religious, in the true sense, but not ecclesias-
tical. "The instrumentalities of the church,"
he says, "more especially the pulpit, will not
be sharpened for an intellectual achievement
in a theological form so much as for the cul-
tivating of the life whose juices are to the
plant what the ehiotions and volitions are to
character. The serious question asked by the
charioteer will be this, *Is thy heart right?'"
Chancellor Day thinks that "no Christian
church has had all of the truth. Every such
church has had some of it The sum of all,
the consensus of the saving faith as held by
the bodies of believers, will be the religion
that will endure." And Dr. Coyle says:
"The stress will be laid upon fundamental
agreements and not upon small and unimportant
differences. Faith will be the thing and not the
creedal forms of expressing it. The divine fire
and not the ecclesiastical candlestick will be ac-
centuated. Not the machine but the Master; not
the sect but the Saviour will be lifted up. De-
nominationalisms will grow less, the Christ of God
more. Smaller lights will pale before the rising
of the Sun of Righteousness. The rubbish will be
JAMBS KOSCOE DAY, D.D., LL.D.
Chancellor of Syracuse University.
. '' No Christian church has had all of the truth," he says.
" The consensus of the saving: faith, as held by the bod-
ies of believers, will be the religion that win endure.'*
brushed from the Rock that the people may see
it, and build their house there.
"There will be a shortening of creeds. Only
the great, broad, necessary things will be held on
to. A few articles of faith will suffice. Power
will be increased by concentration. The drift will
be away from complexity to simplicity. The ef-
fect of a ton of crude iron ore upon the macr-
netic needle is said to be less than the effect of
the ten or twenty pounds of pure iron which it
contains. Much of the subtle force of the metal
is lost in finding its way through the enveloping
rock. So men will learn in the next ninety years
that the short creed, the creed reduced to the
smallest possible compass, will be far more ef-
fective than the most elaborate confession. Only
the pure ore of revealed truth will be cast in
creedal molds. Christian beliefs which all fol-
lowers of Jesus can accept will be framed into
a brief, irenic, common standard for working
purposes."
"Social questions are fast getting to be the
burning questions with us all," thinks Pro-
fessor Nash; and Dr. Jefferson prophesies;
"Religion will be increasingly altruistic. The
importance of environment as a factor in the
growth of souls is bringing to religious men
a new sense of responsibility, and out of this
awakened social conscience will come move-
ments for the redemption of our cities on a
RELIGION AND ETHICS
431
ROBERT P. COYLE, D.D.
Ex-Moderator of Presbyterian General Assembly.
He savs : *' Denominational! sms will grow less, the
Chrtst ot God more. Smaller lights will pale before the
rising of the Sun of Righteousness."
scale vaster than any which the nineteenth
century attempted . . .' There will be a
Christian Socialism, the full dimensions of
which we cannot now conjecture." This
change of emphasis, says Dr. Coyle, "will be
manifest in gospel propagandism. The tides
of evangelism will rise, but it will be evangel-
ism supplemented by greatly augmented ef-
forts to promote social righteousness. The re-
generation of the individual will be sought
with increasing earnestness, not simply, how-
ever, that his soul may be saved and that
he may go to heaven, but quite as much that
he may save and serve society and produce a
little more of heaven on earth. Men will think
more of the kingdom and labor more for its
coming in all the relations of this mundane
life than for the salvation of a remnant, or of
the elect They will prove that their own call-
ing and election are sure by their compassion
for the multitudes." Professor Clarke adds:
"The Christianity of the twentieth century must
be a working Christianity, devoting its intelli-
gence and religious power to the vast and com-
plex present problem of humanity. This is the
coming test of the faith in its large forms and
operations — whatever lays hold of the problem
CHARLES E. JEPFERSON, D.D.
Pastor of Broadway Tabernacle, New York.
Who looks for an increase of ''altruistic religion,*'
and thinks '' there will be a Christian Socialism, the full
dimensions of which we cannot now conjecture."
of humanity, or any part of it, in the spirit of
Christ is Christian, and whatever does not is
not. And the spirit of Christ in men will prove
itself larg^e and strong enough to take hold of
the problem of humanity, and the coming time
will be a period of Christian power."
Who the working representatives of God
in Christ will be, continues Professor Clarke,
will not be determined by names and pro-
fessions. ''It is not to be assumed that the so-
called Christian people are the ones. That will
be as it may be." The professor concludes :
" 'Not he that nameth the name, but he that
doeth the will,' is the Lord's man. In such a
time denominational questions of the old kind
are nil, and the question, 'Who is on the Lord's
side?' is paramount. Churches will be left behind
if they do not discern the will that is to be done,
and men who do not bear the name will take
their crown. Yet there is high hope for the
Christian people in the fact that they are begin-
ning to see what it is to work together, and to
substitute the power of a common cause for the
zest of their specialties. What they most need
is a deeper sense of the few supreme divine real-
ities. The more swiftly they learn the lesson of
a simple and spiritual theology, a Christlike re-
ligion of love and help and a call from God to
deal with the present problem of the world, the
larger will be their share in the saving work of
the twentieth century."
432 CURRENT LITERATURE
PROVIDENCE— AN APOLOGUE BY VICTOR HUGO
The Other evening I was a little late in going down to dinner, and this was the rea-
son: I noticed a number of dead bees lying on the floor of the lookout where I am ac-
customed to work — a sight that I encoimter every spring. The poor things had come
in through the open window. When the windows were closed they found themselves
prisoners. Unable to see the transparent obstacle, they had hurled themselves against
the glass panes on all sides, east, north, south and west, until at last they fell to the
floor exhausted, and died. But, yesterday, I noticed, among the bees, a great drone,
much stronger than the bees, who was far from being dead, the fine fellow; who, in fact,-
was very much alive and was dashing himself against the panes with all his might, like
the great beast that he was. "Ah! my fine friend," said I, *' it would have been an evil
day for you had I not come to the rescue. You wotild have been done for, my fine;^ fel-
low; before nightfall you would be lying dead, and on coming up-stairs, in the evening
with my lamp, I would have found your poor little corpse among those of the other
bees. Come, now, like the Emperor Titus I shall mark the day by a good deed: let us
save the insect's life. Perhaps in the eyes of God a drone is as valuable as a man, and
without any doubt it is more valuable than a prince.
I threw open the window, and, by means of a napkin, began chasing the insect
toward it; but the drone persisted in flying in the opposite direction. I then tried to
capture it by throwing the napkin over it. When the drone saw that I wished to cap-
ture it, it lost its head completely ; it botmded furiously against the glass panes, as though
it would smash them, took a fresh start, and dashed itself again and again against the
glass. Finally it flew the whole length of the apartment, maddened and desperate.
**Ah, you tryant!*' it buzzed. "Despot! you would deprive me of liberty! Cruel
executioner, why do you not leave me alone? I am happy, and why do you persecute
me?"
After trying very hard, I brought it down and, in seizing it with the napkin, I in-
voluntarily hurt it. Oh, how it tried to avenge itself! It darted out its sting; its little
nervous body, contracted by my fingers, strained itdelf with all its strength in an at-
tempt to sting me. But I ignored its protestations, and, stretching my hand out the
window, opened the napkin. For a moment the drone seemed stunned, astonished;
then it calmly took flight out into the infinite.
Well, you see how I saved the drone. I was its Providence. But (and here is the
moral of my story) do we not, stupid drones that we are, conduct ourselves in the same
manner toward the providence of God? We have our petty and absurd projects, otir
small and narrow views, our rash designs, whose accomplishment is either impossible
or injurious to ourselves. Seeing no farther than our noses and with our eyes fixed on
our immediate aim, we plunge ahead in our blind infatuation, like madmen. We would
succeed, we would triumph ; that is to say, we would break our heads against an invisi-
ble obstacle.
And when God, who sees all and who wishes to save us, upsets our designs, we
stupidly complain against Him, we accuse his Providence. We do not comprehend
that in punishing us, in overturning our plans and catising us suffering. He is doing all
this to deliver us, to open the Infinite to us. — Translated for Current Literature from
Victor Hugo's posthumous work, **La Dernibre Gerbe,**
Science and Invention
AN ONTOLOGICAL INDICTMENT OF THE HUMAN FEMALE
Woman, as the imaginative concept in the
non-scientific mind, is to be carefully differen-
tiated from the human female in the biologi-
cal sense. In laying stress upon this point,
a young, but celebrated Vienna biological psy-
chologist. Dr. Otto Weininger, now deceased,
makes it the basis of his thesis that the human
female is too low in the scale of existence to
be pronounced immoral. She is non-moral —
incapable, from the very nature of things, of
a moral aspiration, a moral idea, or a moral
action of her own. Developing that thought
in his work newly issued in this country,* Dr.
Weininger adduces, as decisive proof of the
emptiness and nullity of the human female,
the alleged fact that she never succeeds in
cognizing the problem of her own life. The
explanation is that the human female is un-
able to realize the higher life of personality.
In other words, asserts Dr. Weininger,
women have no existence and no essence.
"They are not; they are nothing." Mankind
occurs, asserts the Vienna scientist, as male
and as female; that is to say, something and
nothing. The fundamental fact is that woman
has no share in ontological reality, she is
without any relation to what in philosophy is
known as "the thing in itself," and in theology
is known as God. Man, the human male, in his
highest form, the genius, has such a relation.
Woman sustains no relation to an idea. She
neither affirms nor denies it. She is neither
moral nor antimoral. Mathematically speak-
ing, she has no sign. She is purposeless —
neither good nor bad; neither angel nor devil.
She is non-logicaL She is non-ethicaL Yet
all existence is moral and logical existence.
So woman — ^speaking in the metaphysical
sense and differentiating from the human fe-
male in the biological sense — has no existence.
It all sounds, at first, as if the German scien-
tist had turned humorist, and were amusing
himself with a caricature. But, on the con-
trary, he is tremendously serious. Whoever
else may be amused, he is not. That eminent
biological socialist, Benjamin Kidd, takes
Weininger seriously, too, pronouncing his
work an important contribution to thought.
•Sex and Character. By Otto Weininger. G. P. Put-
nam's Sons.
Dr. Emil Reich deems Weininger a genius.
To resume our quotation :
"Woman is untruthful. An animal has just
as little metaphysical reality as the actual woman,
but it cannot speak and consequently it does not
lie. In order to speak the truth one must be
something. Truth is dependent on an existence,
and only that can have a relation to an existence
which is in itself something. Man desires truth
all the time; that is to say, he all along desires
only to be something. The cognition-impulse is
in the end identical with the desire for immor-
tality. Anyone who objects to a statement with-
out ever having realized it; anyone who gives
outward acquiescence without the inner affirma-
tion such persons, like woman, have no real
existence and must of necessity lie. So that
woman always lies."
No one, declares Dr. Weininger, misunder-
stands so thoroughly what a woman wants as
he who tries to find out what is passing within
her, endeavoring to share her feelings and
hopes, her experiences and her real nature.
The human female does not wish to be treated
as an active agent She wants to remain al-
ways and throughout — this is just her woman-
hood— purely passive, to feel herself under an-
other's will. She demands only to be taken
possession of, like a property. And just as
mere sensation only attains reality when it is
apprehended, so a woman is brought to a
sense of her existence only by her husband or
children. Woman is the material on which
man acts. Man as the microcosm is com-
pounded of the lower and higher life. Woman
is matter, is nothing. This knowledge gives
us the keystone in the arch of Dr. Weininger's
structure, and makes everything clear, he
thinks, that was before indistinct regarding
the human female. It is vastly significant, too,
that the keenest sense in the human female,
the only one she has in higher development
than that of the male of her genus, is the sense
of touch. The eye and the ear lead to the
unlimited and give glimpses of infinity. The
sense of touch necessitates physical limita-
tions to our own actions. Touch is the emi-
nently sordid sense and suited to the physical
requirements of an earth-botmd being. We
quote again:
"Man is form, woman is matter. If that is so,
434
CURRENT LITERATURE
it must find expression in the relations between
their respective psychic experiences.
"The summing up of the connected nature of
man's mental life, as opposed to the inarticulate
and chaotic condition of woman's, illustrates the
above antithesis of form and matter.
"Matter needs to be formed; and thus woman
demands that man should clear her confusion of
thought, give meaning to her henid [unclarified]
ideas. Women are matter, which can assume
any shape. Those experiments which ascribe to
girls a better memory for learning by rote than
boys are explained in this way: they are due to
the nullity and inanity of women, who can be
saturated with anything and everything, whilst
man only retains what has an interest for him,
forgetting all else.
"This accounts for what has been called
woman's submissiveness, the way she is influ-
enced by the opinions of others, her suggestibility,
the way in which man moulds her formless na-
ture. Woman is nothing; therefore and only
therefore she can become everything, whilst man
can only remain what he is. A man can make
what he Hkcs of a woman: the most a woman
can do is to help a man to achieve what he wants.
"A man's real nature is never altered by educa-
tion: woman, on the other hand, by external in-
fluences, can be taught to suppress her most char-
acteristic self. . . .
therefore can not be classified in one compre-
"Woman can appear everything and deny
everything, but in reaHty she is never anything.
"Women have neither this nor that character-
istic; their peculiarity consists in having no char-
acteristics at all; Ihe complexity and terrible
mystery about women comes to this; it is this
which makes them above and beyond man's un-
derstanding— ^man, who always wants to get to
the heart of things."
At this point Dr. Weininger turns to a con-
sideration of what the human male is. So far,
the argument from ontology does not indicate
what man really is. Has he any special male
characteristics, like match-making and want
of character in woman ? Is there a definite
idea of what man is, as there is of what
woman is, and can this idea of the human male
be formulated as is the idea of the human
female? Here is Dr. Weininger's answer:
"The idea of maleness consists in the fact of
an individuality, of an essential monad, and is
covered by it. Each monad, however, is as dif-
ferent as possible from every other monad, and
hensive idea common to many other monads.
Man is the microcosm; he contains all kinds of
possibilities. This must not be confused with the
universal susceptibility of woman, who becomes
all without being anything, whilst man is all,
as much or as little, according to his gifts, as
he will. Man contains woman, for he contains
matter, and he can allow this part of his nature
to develop itself ». e., to thrive and enervate him ;
or he can recognize and fight against it — ^so that
he, and he alone, can get at the truth about
woman. But woman can not develop except
through man. . . .
"Woman's deepest desire is to be formed by
man and so to receive her being. Woman de-
sires that man should impart opinions to her
quite different to those she held before, she is
content to let herself be turned by him from
what she had till then thought right. She wishes
to be taken to pieces as a whole so that he may
build her up again.
"Woman is first created by man's will — ^he
dominates her and changes her whole being (hjT>-
notism). Here is the explanation of the rela-
tion of the psychical to the physical in man and
woman. Man assumes a reciprocal action of body
and mind, in the sense rather that the dom-
inant mind creates the body than that the mind
merely projects itself on phenomena, whilst the
woman accepts both mental and physical phe-
nomena empirically. None the less, even in the
woman there is some reciprocal action. How-
ever, whilst in the man, as Schopenhauer truly
taught, the human being is his own creation, his
own will makes and re-makes the body, the
woman is bodily influenced and changed by an
alien will (suggestion).
"Man not only forms himself but woman also
— a far easier matter. The myths of the book of
Genesis and other cosmogonies, which teach that
woman was created out of man, are nearer the
truth than the biological theories of descent, ac-
cording to which males have been evolved from
females."
Dr. Weininger now comes to the question of
how woman, who is herself without soul or
will, is yet able to realize to what extent a
man may be endowed with them. He an-
swers it from his ontological point of view.
Of this much we may be certain, he avers, that
what a woman notices, or rather what the hu-
man female notices, that for which she has a
sense, is not the special nature of man, but
only the general fact, and possibly the grade,
of his maleness. It is quite erroneous to sup-
pose that woman has an rnnate capacity to
understand the individuality of a man. The
lover, who is so easily misled by the uncon-
scious simulation of a deeper comprehension
on the part of his sweetheart, may believe that
he understands himself through a girl. But
those who are less easily satisfied cannot help
seeing that women only possess a sense of the
fact, not of the individuality, of the soul. In
order to perceive and apperceive the special
form, matter must not itself be formless.
Woman's relation to man, however, is noth-
ing but that of matter to form, and her com-
prehension of him nothing but willingness to
be as much formed as possible by him — ^the
instinct of those without existence for exist-
ence. Furthermore, this comprehension is
not theoretical, it is not sympathetic; it is
only a desire to be sympathetic. It is impor-
tunate and egoistical. Woman has no rela-
SCIENCE AND DISCOVERY
435
tion to man and no sense of man, but only for
maleness. If she is to be considered as more
sexual than man, this greater claim is noth-
ing but the intense desire for the fullest and
nK>st definite formation. It is the demand for
the greatest possible quantity of existence.
It is now necessary to consider Dr. Weinin-
ger's law of sexual attraction. It presup-
poses that a human female is not necessarily
all woman and that a human male is not nec-
essarily all man. Nevertheless, for true union
it is necessary that there come together a
complete male (M) and a complete female
(F). Now if we take m, any individual re-
garded in the ordinary way as a male, and de-
note his real sexual constitution as Mm, so
many parts really male, plus Wm, so many
parts really female; if we also take f, any in-
dividual regarded in the ordinary way as a
female, and denote her real sexual constitu-
tion as V/f, so many parts really female, plus
M/, so many parts really male — ^then, if there
be complete sexual affinity:
(i) Mm (the truly male part in the "male")
plus M/ (the truly male part in the "female")
will equal a constant quantity, M, the ideal male;
and
(2) Wm plus Wf (the ideal female parts in
respectively the "male" and the "female") will
equal a second constant quantity, W, the ideal
female.
This statement must not be misunderstood.
Both formulas refer to one case, says Dr.
Weininger, to a single sexual relation, the sec-
ond following directly from the first and add-
ing nothing to it. Dr. Weininger has in mind
an individual possessing exactly as much fe-
maleness as he lacks maleness — Mm plus Mf,
that is, M. Were he completely male, his
requisite complement would be a complete fe-
male. If, however, he is composed of a defi-
nite inheritance of maleness, and also an in-
heritance of femaleness, then, to complete the
individual, his maleness must be completed to
make a unit; but so also must his femaleness
be completed. If, for instance, an individual
be composed thus :
then the best sexual complement of that indi-
vidual will be another compound, as follows:
It is only the male element in emancipated
women that craves for emancipation. There is,
then, a stronger reason than has been generally
supposed for the familiar assumption of male
pseudonyms by women writers. Their choice
is a mode of giving expression to the inher-
ent maleness they feel. Yet this inherent
maleness has its limitations. There is not one
woman in the whole history of thought, not
even the most manlike, who can be compared
with men of fifth or sixth- rate genius, for in-
stance, with Riickert as a poet, with Van Dyck
as a painter or Schleiermacher as a philoso-
pher. Real desire for emancipation and real
fitness for it are the outcome of a woman's
maleness. The vast majority of women have
never paid special attention to art or science
and regard such occupations as higher branches
of manual labor; or if they profess a certain
devotion to such subjects it is chiefly as a mode
of attracting a particular person or group of
persons of the opposite sex. Apart from these
instances, a close investigation shows that
women really interested in intellectual matters
are sexually intermediate forms. If it be the
case that the desire for freedom and equality
with man occurs only in masculine women, the
inductive conclusion follows that the female
principle — ^the human female from the point
of view of ontology — is not conscious of a
necessity for emancipation. How could she
be when she thinks always more or less in
"henids." "Henid" is the designation proposed
by Dr. Weininger for an abstract conception.
"The very idea of a henid forbids its descrip-
tion. It is merely a something. Later on iden-
tification will come with the complete articu-
lation of the contents of the henid; but the
henid is not the whole of this detailed content."
While the female is thinking in henids, sim-
ply because she is a human female, the human
male, in so far as he is male, thinks in more or
less detailed presentations. With the woman
thinking and feeling are identical. For man
thinking and feeling are in opposition. The
human female has many of her mental experi-
ences as henids, while in man these have
passed through a process of clarification.
Woman is sentimental and knows emotion,
but not mental excitement.
Dr. Weininger*s work was first published
in Germany several years ago, and has run
through six editions. The author was not,
at the time of its publication, quite twenty-two
years of age. At the age of twenty-three he
blew his brains out in Vienna. He was a
Jew, but had espoused Protestantism.
436
CURRENT LITERATURE
THE REVOLUTION IN BATTLE-SHIPS AS EXEMPLIFIED IN
THE DREADNOUGHT
Every other fighting ship in every navy of
the world became obsolete when the British
battle-ship Dreadnought took the water last
February, says the naval expert of the London
Outlook. The revolution in battle-ship con-
struction exemplified by this 18,500-ton type —
which is to be completed within a year — ^has
only incidental reference to speed. It is true
that the Dreadnought, the first war-ship of
anything like her size to be turbine driven, is
expected to attain twepty-one knots as com-
pared with eighteen knots for a like distance,
which is the utmost that can be got out of the
best and newest battle-ships in the king's navy.
But the high speed of the Dreadnought, im-
portant as that is, has no such importance as
that which attaches to the total suppression of
what is called by experts "the secondary arma-
ment." Sir William White, one of the most
celebrated of naval constructors, has grave
doubts of the soundness of this idea. The sup-
pression of the secondary armament, argues
Sir William, adds to the difficulties of the
man behind the gun by rendering continuous
sighting impossible. That is, the aim is in-
terfered with. Again, he declares, the concen-
tration of many huge guns on one ship may-
interfere with the tactical mobility of a squad-
ron of Dreadnoughts. But expert opinion on
the whole is against Sir William White. The
great revolution he decries is the bestowal
upon the Dreadnought of ten twelve-inch guns
and the disappearance of anything between the
main armament and the counter-torpedo bat-
tery. To him the naval expert of the London
Tribune replies that enormous gun power is
as much a necessity in the battle-ship as i^
adequate protection by armor, or high speed,
or protection against the torpedo. These must
be combined on a displacement that can be
Illustrated Lundon Sitct.
THE UNEQUALLED GUNPOWER OF THE " DREADNOUGHT "—THE POSITIONS
OF THE TEN 12-IN. GUNS
The " Dreadaoufs^ht " has no fewer than eight turrets. At the bow and stem they carry two la-in. guns each
and there are also (and this constitutes the unique strength of the " Dreadnought ") two broadside batteries of three
turrets carrying six 12-in. guns. The 12-in. guns are marked A. The guns lettered B are twelve 12-pr. quick firers
for expelling the attack of torpedo craft at close quarters. The semi -circles show the radius of gunfire from the
la-in. guns.
SCIENCE AND DISCOVERY
437
docked in existing docks. In the Dreadnought
these conditions have been met. She will use
her gun power to the full at ten thousand
yards.
In other words, thinks this authority, the
uniform armament of the Dreadnought,
coupled, of course, with the superiority in
speed that she will have over all other exist-
ing battle-ships, will enable her to engage her
enemy at a range where she can utilize her
armament to its full, while she herself is to a
large extent immune from her enemy's at-
tack. Every shot that hits from the 12-inch
has much greater damaging power than the
most powerful guns of less caliber. The uni-
formity of the Dreadnought's armament,
moreover, simplifies the questions of maga-
zines, ammunition, supplies and the carrying
of extra parts. Lastly, the Dreadnought
brings into the fighting line a gun power so
enormously in excess of the armament of any
battle-ships afloat that a fighting line of four
Dreadnoughts would be equal to a fighting line
of eight of the finest battle-ships of the United
States Navy. The naval expert of the Lon-
don Times comments:
"The salient feature of the design of the Dread-
nought is the total suppression of the so-called
'secondary armament.' It is not easy to justify
this appellation, since it has hitherto been held
by many high authorities that the conflict of
tattle-ships would probably be largely decided
by the armament so designated, and until quite
lately the target practice of war-ships would seem
to have been organized on this hypothesis. Fur-
thermore, in his study of the lessons of the war
in the Far East, M. de Lanessan, the eminent
French statesman and ex-Mini ster of Marine,
based many of his conclusions on the assumption
that this hypothesis was justified by the experi-
ence of the battle of Tsu Shima. M. Charles
Bos, on the other hand, who has probably had
access to later and more authentic sources of
information, states distinctly in his report on the
French Navy Estimates for 1906 that the en-
gagement in which the Rurik was sunk, 'like
the fighting off Port Arthur on the 9th of Febru-
ary, the action of the loth of August, and the
crowning victory of Tsu Shima, was a heavy gun
battle,' and he draws from these instances the
inference that the Japanese 'must have practised
their men at long-range firing for a considerable
time before the war* as well as the general con-
clusion 'that medium artillery ought to disappear
from the armament of battle-ships.' It is true
that this opinion is not shared by Sir William
White, whose high authority no one will ques-
tion. Nevertheless it seems certain that the fire
of a I2in. gun remains for all practical pur-
poses effective at a range at which all guns of
lesser calibre would be practically out of action
not so much for positive lack of range as for
lack of destructive momentum or smashing power
at the range so determined. This critical range
which disables the secondary armament of all
existing battle-ships — ^whether it is composed of
6in., 7.5in., or 9.2in. guns — ^may be put at about
10,000 yards or five nautical miles, equivalent to
some sH statute miles. From a height of 19ft.
above the sea the visible horizon is distant just
five nautical miles, so that the gun-layer and
sight-setter of any gun mounted 19ft. or more
above the water line would have the whole of
an enemy's ship in sight while taking aim at her
at a range of 10,000 yards.
It is true, concedes this expert, that to hit
an object even as big as an enemy's battle-
ship at a range of 10,000 yards is no easy
matter. But both combatants will be precisely
on an equality in this respect — equality of skill
being presupposed — ^the difference being that
the Dreadnought will have eight guns to hit
or miss while her adversary has only four.
The paramount consideration is that the gun-
ners be trained. With all respect to the high
authority of Sir William White, the naval ex-
pert of the London Times cannot but think that
the concentration of so heavy and so large
an armament in a single ship must make a
line of ten Dreadnoughts something like the
equivalent of twenty existing first-class battle-
ships. The result of an action between ten
Dreadnoughts and twenty of the finest battle-
ships afloat can hardly be in much greater
doubt than the result of an action between one
Dreadnought and one first-class battle-ship of
the type now afloat. Indeed, it might, thinks
our authority, be in less doubt. In a single ship
action, one lucky hit might give the weal&r
ship so great an advantage as to place her
more powerful antagonist almost at her mercy.
In a fleet action, on the other hand, such lucky
chances are much more likely to be evenly dis-
tributed between the two sides. Great battles
are not won by chance.
Other important results of the new de-
parture in battle-ships must include the dis-
appearance of the ram, so the British expert
argues. A ship which is to fight at 10,000
yards has manifestly no use for a weapon
that can be effective only at close quarters.
M. Lockroy, formerly Minister of Marine in
France, has said in the Paris Temps that the
torpedo should disappear as an element in the
armament of a battle-ship. His argument is
in some measure vitiated, replies the naval ex-
pert of the London Times, by the fact that
M. Lockroy attributes to the torpedo an effect-
ive range of little more than five hundred
yards, whereas the effective range of the best
modem torpedoes is not less than 2,000 yards.
438
CURRENT LITERATURE
AN AUTOMOBILE SKATE
An automobile skate driven by a small gas-
oline motor, recently invented in Paris and
practically utilized there, is described at some
length in both Paris Cosmos and the New
York Scientific American. The American
weekly agrees with the French weekly that
the device is successful. The new skate con-
sists of a foot-plate mounted upon four rub-
ber-tired wheels, the motor occupying the mid-
dle space. Thus the apparatus can be adapted
to the foot like an ordinary roller-skate. The
automobile skate is already attaining popu-
larity in Paris and its use can, it seems, be
readily learned. The device consists of two
separate parts. There is first the pair of
skates proper. Then there is the belt. This
belt is worn by the operator around the waist
and contains a small, flat gasoline tank, which
is connected with the carbureter on each skate
by a rubber tube. Near the tank are valves
for controlling the gasoline supply At first
the apparatus was designed to carry on the
belt a small storage battery and spark coil for
the purpose of ignition; but in the latest type
of automobile skates the battery and spark
coil are placed in a small metal box with slid-
ing cover, which is fitted upon the back part
of the skate against the motor case. The box
adds but little to the size or weight of the
skate and lessens the number of connections
between it and the belt, which are now reduced
to the two tubes for the gasoline. Says The
Scientific American:
"The foot-plate is of light and strong steel and
is hinged in the middle for steering. Each skate
carries a small air-cooled gasoline motor of the
usual 4-cycle type such as is used at present on
motor bicycles, and it is designed so as to occupy
a very small space. Fixed on the motor is a
small carbureter; and under, the front of the
motor, which is mounted in an inclined position,
is the cylindrical muffler which a curved pipe
connects with the top of the motor cylinder.
. . . The rear driving wheels of the skate are
mounted direct upon the motor crank shaft and
thus the motor itself is made to serve as the main
support and frame of the skate. The steering^
wheels in front are mounted on a loose axle
which turns about a central pin, and the latter
is fixed in a bracket plate which is screwed to
the motor cylinder. The wheels carry solid rub-
ber tires which have a somewhat narrow tread
combined with a good radial thickness, as this is
found to be the best practice. The motor and
all the metal parts are nickel-plated, and the
skate has as a whole, a neat appearance.
"Steering is carried out by working the front
part of the plate by the foot. . . . The cur-
rent can be cut off by a switch. The operator
puts on the belt and connects the gasoline tube
and ignition cable to the skate. He then switches
on the current and opens the gasoline feed, push-
ing the skate with the foot, so as to start the
motor. He slows up when desired by shifting the
ignition, cutting the current, or lifting the rear
wheels from the ground. The skate can be used
on a floor or smooth ground, and even upon a
good piece of smooth road. A speed of 15 or
20 miles an hour is said to be attainable with it."
Courtes)' ot The Scientific American.
THE AUTOMOBILE SKATE
It isdriven by a gasoline motor, the footplate being mounted upon four rubber-tired wheels.
SCIENCE AND DISCOVERY
439
FOUR DIFFERENT WOMEN IN ONE BODY
There exists at this moment; in this country,
the living body of a young woman in whom
four separate and distinct persons have at-
tained identities of their own. This case of
what the scientists call dissociation of person-
ality is probably the most unusual one ever
submitted to the investigation of an expert.
The body is occupied by four personalities, ac-
cording to reports, each claiming that the body
is her own and each engaged at different times
in a desperate struggle with the other three for
possession of the tenement of clay. It is to Dr.
Morton Prince, Professor of Diseases of the
Nervous System at Tufts College Medical
School and physician for diseases of the nerv-
ous system in Boston City Hospital, that sci-
entists are indebted for the essential facts in
this unique case of dissociation.*
Miss Christine L. Beauchamp is the ficti-
tious name bestowed by Dr. Prince upon the
lady in whom the several personalities have
become developed. Miss Beauchamp may
change her personality from time to time —
often hourly. With each of these changes her
character becomes transformed, her memories
altered. There is first of all the real, original
or normal self, the Miss Beauchamp intended
by nature. Then there are three other differ-
ent individuals. Dr. Prince uses the word
"different" advisedly, because, as he explains,
each of the four ladies, although making use of
the same body, has, nevertheless, a distinctly
different character. The difference is mani-
fested by different trains of thought, different
views, different ideals, different temperaments,
acquisitions, tastes, habits, experiences and
recollections. Two of these personalities have
no knowledge of each other or of one of the
others, excepting such information as may be
obtained by inference or at second hand. In
the memory of two there are consequently
blanks corresponding to the periods when one
of the others is using the body. Says Dr.
Prince :
"Of a sudden, one or the other wakes up to
find herself she knows not where and ignorant
of what she had said or done a moment before.
Only one of the three has knowledge of the
lives of the others, and this one presents such
a bizarre character, so far removed from the
others in individuality, that the transformation
from one of the other personalities to herself is
♦THE Dissociation of a Person a litv. a Biograph-
ical Study in Abnormal Psychology. By Morton
prince, M.D. Longrmans, Green ^ Co.
one of the most striking and dramatic features
of the case. The personalities come and go in
kaleidoscopic succession, many changes often
being made in the course of twenty-four hours.
And so it happens that Miss Beauchamp. if I
may usd the name to designate several distinct
people, at one moment says and does and plans
and arranges something to which a short time
before she most strongly objected, indulges in
tastes which a moment before would have been
abhorrent to her ideals, and undoes or destroys
what she had just laboriously planned and ar-
ranged."
The kaleidoscopic character of this case
differentiates it from the type of dissociated
personality witnessed in the plight of Ansel
Bourne. This reverend gentleman — whose
case has been studied by Prof. William James
and Dr. Richard Hodgson — awoke one day to
find himself living under the name of Brown
in a country town in Pennsylvania, Here he
had been living two months, keeping a small
shop which he had opened. On coming to
himself, he did not know where he was or
how he had come there. It was proved that
two months previously a sudden change of
personality had occurred and that he had wan-
dered from his home in Rhode Island to this
town in Pennsylvania, where he had since
been living. His memory in his normal state
was a complete blank for this period of his
secondary personality.
Vastly different is the case of the four
young ladies known as one to their acquaint-
ance. Two of these young ladies will form a
hostile combination for possession of their
only body against the other pair. They fight
one another until the sole body is almost re-
duced to skin and bone. One of the person-
alities will hide the clothing of the body and
thus prevent the rest from going out. Just
now. Dr. Prince has succeeded in reducing
the chaos to something like order. He has
found the real Miss Beauchamp, who remains
for the moment in possession of the physique.
Here, again, reservations have to be made,
for dissociation recurs or tends to recur with
every physical or mental crisis. The case has
abnormalities thus set forth by Dr. Prince:
"Aside from the psychological interest of the
phenomena, the social complications and embar-
rassments resulting from this inconvenient mode
of living would furnish a multitude of plots for
the dramatist or sensational novelist. Consid-
ered simply as a biography, therefore, an account
of Miss Beauchamp's later life could scarcely fail
440
CURRENT LITERATURE
to interest if it were told divested of the details
which are necessary for the purpose of scientific
study.
"Miss Beauchamp is an example in actual life
of the imaginative creation of Stevenson, only,
I am happy to say, the allegorical representation
of the evil side of human nature finds no coun-
terpart in her makeup. The splitting of person-
ality is along intellectual and temperamental, not
along ethical lines of cleavage. For although the
characters of the personalities widely differ, the
variations are along the lines of moods, tempera-
ment and tastes. Each personality is incapable of
doing evil to others."
For purposes of identification, Dr. Prince
has been compelled to label the dififerent iden-
tities—B I, B II, B III and B IV. When
the case first came under his observation, Dr.
Prince thought B I was, or might be, the
real Miss Beauchamp. She is strongly indi-
vidualized by a saintliness much ridiculed by
one of the other personalities. B I prays, is
conscientious to a degree and invariably hor-
rified by the deportment of B III, when the
latter gains control of the body. B II was at
first a colorless personality, even a hypnotic
state, to which no attention was paid until it
transpired that she is the original or real
self. B III is by far the most interesting of
the personalities — ^bright, vivacious, youthful
in spirit, apparently the embodiment of per-
fect health even when the common body is
worn out. B IV is hot tempered, wilful, de-
termined to gain control of the physique.
There are, of course, innumerable traits and
circumstances marking off the personalities
one from another. Thus, should B IV enter
the field of consciousness in the common body,
she finds herself engaged in a conversation to
which she has no clue with persons who are
perhaps total strangers. She does not, how-
ever, betray any confusion. Judicious "fish-
ing" and non-committal words carry her
through the ordeal. But matters complicate
themselves when a reverend gentleman who
knows the personalities only as Miss Beau-
champ (B I) speaks to her and treats her as
morbidly conscientious and unhappy. She (B
IV) is not so at all and finds it difficult to
live up to any such part. She finds it as diffi-
cult to live up to the standard of this other self
as to come down to the standard of Sally (B
III). Then Miss Beauchamp's (B I) friends
bored her (B IV) as much as Sally's (B III)
offended her. B I had a lot of old lady friends
whom she liked to visit and to whom she was
very kind. They were "awfully stupid peo-
ple" and bored B IV. B III was disgusted by
the niggardliness of B IV. She (B III)
meant to have an allowance to spend as she
(B III) pleased. Whether or not B IV paid
her bills was na concern of hers. They were
not her (B III) bills, but B IV's, and she (B
III) had no responsibility for them. These
and other quarrels were fought out in the
office of Dr. Prince. Passing over the purely
technical aspect of the psychological phe-
nomena of B III as a subconsciousness, of B
IV as a type of disintegrated personality, of
B II as a synthesis of B I and B IV when the
two last were hypnotized and of B I as a frag-
ment of the field of consciousness, we come to
a contest between two of these personalities.
It is to be noted that the personalities could
not communicate with one another as the
word "communicate" is ordinarily understood.
One personality was in ignorance of the ex-
istence of one of the others, or rather knew of
it only from hearsay. B I knew nothing, for
instance, of two others. B IV knew appar-
ently something, but nothing directly beyond
scrappy isolated memories of B I and nothing
of B III. B III knew all about the acts of
B I and B IV, but the thoughts of B I only.
Later, however, B III became conscious of
B IV*s thoughts, B I received letters from
B III and B IV. Matters modified them-
selves later, but these details suffice to show
how intercourse between the four was ham-
pered. We come now to the stuggle between
B III and B IV:
"IV's resolution was taken. She would kill
(annihilate) Sally [B III]. Her other self [B
III] was no longer to be treated as a rational
person. It was nothing but a 'delirium' and as
such must be suppressed. I [Dr. Prince] was
entirely wrong, she [B IV] was convinced, in
my dealings with Sally [B III], whose claims
for recognition should receive no consideration
whatsoever. IV was now to show us how to
manage her case. She laid her plans with great
care. First, she wrote letters to Dr. Hodgson
and myself announcing her plan and notifying
us of her wish that we should not interfere. She
herself under no circumstances would come to
us for help. . . .
The next thing was to head off Miss Beau-
champ [B I] and prevent her from upsetting the
scheme by appealing for aid [that is, treatment
from Dr. Prince] as she was sure to do when the
fight began. To this end she [B IV] wrote B 1
a letter, using such arguments as she [B IV]
thought would appeal to her [B I]. She [B IV]
argued that I [Dr. Prince] was entirely wrong
in my views and treatment, that Sally [B III]
was a delirium and could be cured by a differ-
ent method. She [B IV] then explained her
plan, asked B Ts aid and gave her directions for
the part she was to play. After this she felt sat-
isfied there was nothing to fear from B I, A
letter was then despatched to Sally [B III]. Its
SCIENCE AND DISCOVERY'
441
temper was very different from that to B I.
A|>peals to Sally's reason, she [B IV) later ex-
plained to me, would have no effect. So she
sent a message that was sure to make her arch
enemy tremble. Freely translated it meant that
if Sally did not at once surrender and give up
all her habits, ways, tricks and annoyances and
pack herself off for good, bag and baggage, she
(B IV] would consign her to everlasting obliv-
ion."
For his own part, Dr. Prince thought it
would be of scientific interest to let B IV have
her way and to watch the fight :
"Hostilities opened at once. Sally took the
announcement contained in the letters as a dec-
laration of war, and evidently believed in the
military maxim of striking the enemy quickly be-
fore he has time to arm. B IV had left the note,
intended for me, in person at my door.
"On her return, immediately upon entering her
own room, she found it draped in black. [There
had been a brief interval after B IV wrote her
letters, B III had then captured the body and
made use of the opportunity]. The only white
object to be seen was a small plaster cast of a
devil known as Teddy. Teddy now grinned at
-her [B IV] from his perch above the window,
Tvhite and conspicuous against the black funereal
background. Artistically suspended to Teddy's
car was a three-cornered paper pouch cunningly
made. The pouch excited IV's curiosity. She
must see what it contained. The moment she
touched it a deluge of tiny pieces of paper fell
to the ground. A note addressed to her [B IV]
from Sally [B III] now became visible. She
opened it eagerly. Had Sally dared to defy her?
If IV had had any doubts the note dispelled them,
for it informed her that what she so boldly in-
sisted was only a 'delirium' had already seized
all the papers it could lay hands on, which meant
all that she possessed, including many valuable
pages of notes of lectures difficult, if not impossi-
ble, to replace. These were torn into little bits
and now littered the floor. Next she found that
the family ['family* designating the four ladies
in this body] purse had vanished.
"The black drapery of the room, she was able
to convince herself, was a hallucination, Sally's
handiwork, and, with everything else, was to be
ignored if Sally was to be crushed. So, reso-
lutely disregarding everything that had happened,
she began to change her clothes to go out again,"
While she was brushing her hair, a sensa-
tion of great fatigue came over B IV. Shd
finished, however. Suddenly she saw her own
feet at the opposite end of the room and at
once experienced all the agonies of amputation.
This, B IV told herself, was but another of the
tricks of B III, who treated the common body
with the utmost cruelty, pinching and striking
it until B I, B II and.B IV were literally
black and blue. Yet B III enjoyed perfect
health when the others were weak from this
ill-treatment. On this occasion the hallucina-
tion of the feet caused B IV, in spite of her
utmost efforts to dispel the chimera, to faint
away:
"The nights were made hideous for B IV. To
allow her to sleep was to give her a chance to
renew her strength and courage. . So Sally kept
her awake the greater part of the night Some-
times IV no sooner would get to bed than Sally
'coming,' would rise, throw the bedding on the
floor, pile heaps of furniture on the bed and turn
the room generally upside down. When satis-
fied that everything was sufficientlv lincom fort able
she would change herself back to IV again. This
would be repeated as often as IV got into bed.
Every day she would spring some new impish
invention upon her opponent. It would carry us
too far to narrate them here. Dressing was a
burden, for every article of dress was hidden or
damaged; meals repulsive, for she saw all sorts
of unpleasant things in her food, and every move-
ment painful, for she was bruised from head to
foot. But IV was game. I saw her from time
to time, but though exhausted from want of sleep
she was still defiant and wanted no help. She
was determined to conquer Sally. So I looked
on without interfering, and watched the battle
from afar. . . .
"The nightly visitations of Sally now took a
different form. One night IV awoke to find her-
self perched upon a shaky structure, composed of
a couch, two chairs and a dress suit case. She
was stark naked, and in an attitude as if posing
for a statue. Her limbs fixed, as if by some oc-
cult power, unable to move hand or foot, she was
entirely helpless save for the power of speech,
which would ill have served her under the circum-
stances. She could not call for help, for what a
spectacle she presented I Another night, it it was
very cold, an exposed position in the deep window
seat was selected as her niche; while the next
night, if the pose was a reclining one, the hard
surface of the top of the commode, measuring
three feet by two, offered a sufficiently comfort-
able and commodious couch. In this position she
was kept posing an hour at a time, 'until,* she
wrote, 'I would lose myself from anger, cold and
fatigue.*
"At first IV thought that Sally's intention in
all this posing was simply to tire her out,, but
presently the real meaning flashed upon her. It
was a punishment for her sins. She had been
reading a certain book on art which had inter-
ested her deeply. There was no harm in that —
how could there be, for a clergyman had loaned
it to her? But the book was highly objectionable
both to B I and Sally. They had even appealed
to me to forbid it. Now it was as plain as day
that the attitudes she was made to assume were
reproductions of the illustrations in the book "
Meanwhile, B I was suffering tortures, al-
though she was ignorant of the cause of her
physical crisis. B III made scratches on the
body with sharp instruments and bathed the
excoriations in alcohol. Or she cut the arms
of the "family" and rubbed lemon juice into
the wounds. B I felt these tortures as much as
B IV, although B I was not in the secret of
442
CURRENT LITERATURE
the conflict between B III and B IV. At last
B III won. B IV confessed dolefully that B III
must be a person and not a delirium. Then
B III and B IV entered into a combination
against B I. One of B Ill's grievances against
B IV was thart the latter refused to recognize
the former as a real person and regarded her
only as a "delirium." IV*s air of superiority
stung III to the quick. IV, being completely
worsted in the fight just recorded, now pro-
posed to III to recognize the latter as a real
person on certain conditions. On IV's part,
besides the recognition of B III as an equal,
with all the rights and privileges pertaining to
a sane being, she would concede to B III :
1. Half the "family" funds to spend as she
(B III) pleased.
2. Half the time. •
3. The right to employ her time in her own
way and after her own inclination.
4. A trip to Europe.
In return for this, III on her part was to:
1. Keep IV fully informed of everything
that took place while B III and B I were on
the scene.
2. Help IV in awkward situations when she
was pressed about maters of which she was
ignorant.
3. Prevent B II from giving the doctor any
information which IV did not wish him to
have, especially regarding the trip to Europe.
4. Combine with IV to get rid of B I by
suppressing her letters, preventing interviews
between her and the doctor and generally ter-
rorizing her by misinformation, threating let-
ters and the like.
5. Conceal the conspiracy itself from the
doctor.
All this fell in with the wishes of B III.
To have money of her own, to do just as she
pleased, to have the time of her life in Eu-
rope and to be treated as a person were temp-
tations not to be resisted. The bargain was
struck. When the conspirators began to act,
much light was thrown upon the phenomena
of dissociation on their physiological and psy-
chological sides:
"IV suddenly coming to herself would be ig-
norant of what had occurred a moment before
when she was Sally [B III]. If pressed by ques-
tions, there would be no time for Sally [B III]
to warn her [B IV]. Under this agreement Sally
devised a scheme to get over these awkward sit-
uations. On one occasion I witnessed an inter-
esting exhibition of this phenomenon, illustrative
of Sally's method of helping IV out in accordance
with this bargain. In reply to an objection which
I made to IV in regard to going to Europe, on
the ground that her ignorance of herself in her
other characters unfitted her for travel, she
claimed to know everything that she did as B I.
I at once challenged her to tell me what she as
B I had written in her last letter. Upon this she
at once fixed her eyes on vacancy, went into a
condition of abstraction or half way dreamy state
and repeated almost word for word the languag^e
of the letter. In this state she remained uncon-
scious of her surroundings. When she had fin-
ished, she went on talking as if nothing out of
the ordinary had happened. I challenged her to
repeat the act. She proceeded to do the same
thing over again. But after she had repeated a
few sentences, I gently slapped her face and
aroused her, thus preventing her from relapsingr
into the dreamy state, bhe was then unable to
repeat the letter. By going into the dreamy state
she was able to converse for the time being with
the complete knowledge which Sally possessed.
When she came again to herself she had no
knowledge of what she had said. It was to be
inferred that while in the dreamy state Sally
spoke through her tongue. The phenomenon was
automatic speaking, and, in principle, identical
with the automatic writing which Sally so often
performed. It was, therefore, a phenomenon of
dissociation and differed from the 'mind fixing*
memory, which was a phenomenon of synthesis
of the dissociated experiences of B I.
"Another scheme for helping IV out of her
difficulties was a code of signals arranged be-
tween her and Sally. When IV asked some ques-
tion about matters of which she was ignorant,
Sally would give her the clue by 'automaticallir*
stroking the palm of one hand with the forefinger
of the other. A stroke to the right meant Yes,
and a stroke to the left meant No. IV would
thus know whether to answer in the affirmative
or in the negative."
It is now time to point out that there were
traces of other Miss Beauchamps than the four
whose adventures were so exciting. There ex-
isted personalities that could be identified up to
B VII. But Dr. Prince did not permit them
to develop, as that would have complicated the
case and rendered cure — formation of one per-
manent person out of all the persons— difficult.
Stripped of technical terms, it may be stated
that the field of consciousness of the real Miss
Beauchamp had been split into fragments or
sections. Independent experiences, memories,
ideas and actions were synthesized into diflFer-
ent personalities, each one a piece of the same
puzzle. The" notion here may be modified by
conceiving B III as a "subconsciousness" lurk-
ing behind the other personalities; yet B III
became an alternating personality, too, and, as
has been seen, associated the motor centers of
the brain in the body with her own conscious-
ness. As for the minor or undeveloped
forms of personality, such as the vague B VII :
"They depend upon the one hand upon the dis-
sociation of the normal personal consciousness by
which certain memories and perceptions are lost,
SCIENCE AND DISCOVERY
443
and, on the other, on a rearrangement or new
sjrnthesis of the psychical factors (memories,
moods, etc.) which make up personality. The
new synthesis may have a very limited field of
consciousness, differing from the original per-
scmality rather hy what it has lost than by what
it has gained. It may have very little spontaneity
and power to originate action and so far as its
memories and mental reactions persist they may
show little variation from the personality out of
which it has been formed. Such a synthesis is
conveniently spoken of as a state, whether so-
called hypnotic or not. ^
"When the new ssmthesis is complex and em-
braces a wide field of consciousness, we have
what to all intents and purposes is a complete
personality. It may have its own groups of
memories, with amnesia for the original personal
synthesis and its own peculiar reactions to the
environment (moods), thus differing in memory
and moods from the original self. It is con-
veniently termed a second or third personality.
"Theoretically, a normal personal consciousness
may be disintegrated in all sorts of ways, so that
any group of memories, and even functions and
faculties, may be lost; and all sorts of combina-
tions of memories, functions and faculties may
be formed."
B II marks herself off, however, as a dis-
sociated group of conscious states. One of the
most difficult problems in the case is that of
B Ill's mind as a subconsciousness. When B
III disappears as an alternating personality
and becomes subconscious, does her mind in
the transformation lose something of its fac-
ulties and dwindle in the range of its mental
processes? This would mean conversely, says
Dr. Prince, that when B III (Sally) emerges
from her subconscious position and becomes
an alternating personality, by the very process
she robs the primary consciousness (the real
Miss Beauchamp) of a part of its mind and
to that extent acquires a wider field of con-
sciousness herself. It was necessary to get rid
of her. "With the resurrection of the real
self (B II) she (B III) 'goes back to where
she came from,' imprisoned, 'squeezed,' un-
able either to 'come' at will or be brought by
command." The real Miss Beauchamp is not,
however, permanent :
"She has the same emotional psychical makeup
which is so prominent a trait in B I and B IV^
and though it is not so intense as in the disin-
tegrated selves, still it is sufficient to be a dis-
turbing factor. Daily experiences which in or-
dinary people would be emotionally colorless are
accompanied by feelings of undue intensity. Even
memories of the past tend to revive all the orig-
inal feelings which accompanied them. The men-
tal cohesion of a person with such a temperament
necessarily yields to the disintegrating effects of
the strains of life. The circumstances of her Hfe
are such that it is impossible for her to have the
freedom from care, anxiety and responsibility, in
short, from mental and physical strain, that such
a nature should have. After continuous expo-
sure to such disintegrating agencies during vary-
ing periods, or after exposure to a sudden emo-
tional shock, her personality tends to disintegrate
once more."
The disintegration of the real Miss Beau-
champ into the four Miss Beauchamps was
the result of shock. This shock was emo-
tional. The circumstances cannot be defi-
nitely stated because they are too personal
The process of cure — it would be more ac-
curate to say the integration of the personality
— was through hypnotism. Dr. Prince found
that by4iypnotizing B I and B IV he got B II.
He did not then feel sure that B II was the
real Miss Beauchamp. Circumstances showed
him later that the real Miss Beauchamp
could be no other than B II. Her eccentrici-
ties were attributable to the interference of
B III. (B III was full of tricks of this kind.
She once tried to pass herself off as B IV).
Having secured B II, and finding her to be the
real Miss Beauchamp, it sufficed to expel B III
from the state of an alternate personality into
the state of subconscious existence. The pro-
cess required, among other things, h)rpnotism,
etherization, mental suggestion and therapeu-
tic psychology. B III having disappeared in
complete synthesis of B I and B IV, it was
merely necessary to preserve the health of the
resulting B II to insure the normal perman-
ence of the real Miss Beauchamp.
All current definitions of insanity are nec-
essarily modified by the collusions to which
this case points. One of the four Miss Beau-
champs was in the habit of threatening the
others with incarceration in a lunatic asylum.
There is little doubt that this threat could have
been put into effect. It is true that imprison-
ment of one of these young ladies would have
involved loss of liberty for all four, as there
was but one body among them. This circum-
stance did not deter the most conscientious of
the Miss Beauchamps from a step which she
deemed imperative through the irrational de-
portment of B III. Th^e conclusion is in-
evitable that alterations of personality are
indistinguishable to the lay mind from loss
of reason. There must be various alleged
lunatics whose only mental ailment is disin-
tegration of the field of consciousness. It is
also likely that innumerable victims of altera-
tion of personality keep the secret of their
suffering. Such persons are afraid of being
thought queer. Hence the phenomena have
seemed to be rarer than they really are.
444
CURRENT LITERATURE
PNEUMONIA, MICE AND THE COLD CURE
Weeks have elapsed since the establishment
of an open-air pneumonia ward on the roof of
the Presbyterian Hospital in New York City.
The results of this experiment, like the re-
sults of a similar experiment at Fordham Hos-
pital, are convincing evidence to some physi-
cians that the theory underlying the treatment
is sound. But the medical press of the coun-
try remains as yet non-committal, in some in-
stances openly skeptical. To expose a pneu-
monia patient to the open air and at a low
temperature involves, it is feared, too much
risk, even if exceptional cases point to a dif-
ferent conclusion. Thus argue various au-
thorities quoted in The Medical Neivs and
other organs of the profession. Yet the prin-
ciple involved in this cold-air treatment of
pneumonia is simple and convincing, accord-
ing to its professional advocates.
The pneumonia patient arrives for treat-
ment with high fever, rapid respiration and a
condition of the lungs more or less dangerous
according to the length of time the disease has
been permitted to run. In a closed room the
patient is obliged to breathe rapidly in order
to get the requisite amount of air. But out
of doors, with fresher, cooler air, the respira-
tion of the patient is markedly diminished and
the fever subsides rapidly. The cures effected
since the inauguration of this treatment at
two New York hospitals last November are
said to show about 95 per cent, of cures.
The value of a mode of treatment really ca-
pable of reducing the mortality from pneu-
monia is pointed out in The Medical Record,^
It is averred that pneumonia causes more
deaths in many parts of this country than are
due to pulmonary consumption. It is even de-
clared that correct diagnosis might prove
pneumonia to be more of a scourge than tuber-
culosis. Be this as it may, statistics published
in medical organs seem to show a progressive
diminution in tuberculosis cases accompanied
by a steady increase in cases of pneumonia. Dr.
Thomas Darlington, Commissioner of Health
in New York, appointed a commission more
than one year ago to make a special study of
pneumonia with results that were not convinc-
ing, so far as relates to the cause, prevention
and cure of the malady. Various novel sys-
tems of treatment were considered by the emi-
nent medical men who made up this investi-
gating committee. The negative nature of
the report submitted by these high authorities
has tended to abate professional confidence in
the cold-air treatment of pneumonia, so far,
at least, as the medical press is concerned.
Authorities practically agree that the dis-
ease in question is most prevalent in Decem-
ber, January, February and March. In the
last-named month it is peculiarly prevalent.
Does this circumstance confirm the theory of
those who attribute pneumonia partly to a de-
pressed physical condition? Dr. Palier does
not think so. Healthy children are quite as
liable to attacks of pneumonia as are the deli-
cate ones. His own conclusion (announced
in an article published in The Medical News)
is that the house mouse is the main cause of
the spread of pneumonia. He says :
"Let us consider how mice cause pneumonia.
In the months of December, January, February,
and March, there are usually many mice in the
houses, especially those whose pluml^ing is de-
fective, and which are in a general poor sanitary
condition. Mice, as is well known, work them-
selves through under sinks, and hence are mostly
abundant in houses where the plumbing is not
open, where there are many nooks and corners
around the sinks. In trying to obtain mice for
experiments I learned from many people that
mice are more abundant in the house in the
months referred to above than in the summer.
Young mice seem to be especially abundant in
the month of March. Now young mice are es-
pecially susceptible to the d. 1. b. c. [Dr. Palier's
suggested name for the bacteria in question —
diplo-lanceo-bacilli-cocci]. The young mice come
into the rooms to look for food; they can easily
get inoculated with human sputum. These mice,
either through their feces, or after their death
through their decomposing bodies, spread vir-
ulent d. 1. b. c, which may cause disease in man
either by inhalation or by inoculation through
some abraded surface.
"Now it is not easy to find dead mice for dis-
secting to see whether any of tliem actually have
died from d. 1. b. c. ; but the author was fortunate
enough in finding two young dead mice, which
showed many d. 1. b. c. in smear preparations
made from the blood. Mice, as is well known,
usually die in nooks and corners, and it i$ indeed
very hard to find them after they die. But the
fact that even one dead mouse showed in its
blood the d. 1. b. c. and the characteristic patho-
logical changes in its various organs, goes a
great deal to prove what has been said before.
"In poorly ventilated rooms the virulent d. 1. b. c.
emanating from the feces of infected mice
or from their decomposing bodies, become abun-
dant and the chances of contracting pneumonia
are great."
Dr. Palier refrains from committing himself
in any way as to the relation of his theory to
the effects attributed to the cold-air treatment
SCIENCE AND DISCOVERY
445
THERAPEUTIC CAPACITIES OF THE COLORS
When a beam of white light is passed
through a slit and caught upon a glass prism,
the rays, as we have all known since our
school days, are refracted in an unequal man-
ner, giving rise, if received on a screen, to
a rainbow-like band, called the spectrum, vary-
ing in color from red to violet. These rays
not only vary in refrangibility, becoming in-
creasingly refrangible from red to violet, but
also in wave-length, which increases from
violet to red.
Dr. George Pernet reminds us of these com-
monplace facts of science in his article on the
light treatment of disease in The Quarterly
Review, because he considers it necessary to
emphasize them if we are to grasp the prin-
ciples and methods underlying the medicinal
effects of the colors generally. He thinks
the world's acquaintance with the subject is
distorted and partial, due to sensational news-
paper accounts of the wonders wrought by
Finsen and his light in cases of smallpox and
lupus. The simple truths of exact science in
this domain show why Finsen — although a
great benefactor of humanity — wrought no
"wonder."
To return to the spectrum. The radiation
from the sun does not consist only of rays per-
ceived by the eye. There are rays of greater
wave-length than the red and others of less
wave-length than the violet rays. They form
the invisible spectrum, the regions beyond the
luminous band being called the infra-red and
the ultra-violet, respectively, the latter of
which can be brought out by photography.
This has led to a division of the solar spectrum
into three kinds of rays, the invisible heat
rays (red and infra-red), the luminous rays
(red to violet, that is, the whole of the visi-
ble spectrum), and the chemical or actinic
rays (violet and ultra-violet). This division
is not strictly correct, but will serve.
At present the bactericidal power of the
rays of the spectrum is beyond dispute. The
action of light on bacteria seems to some in-
vestigators to be mainly due to the chemical
or actinic portion of the spectrum. Generally
speaking, diffused daylight has little effect on
germs, but the direct solar rays are more or
less bactericidal. Says Dr. Pernet:
"During the last quarter of a century many in-
vestigations have been carried out with the view
of ascertaining the influence of light alone (the
factor heat being excluded), and also of finding
out the kind of radiation responsible for the re-
sults observed. Janowski experimented with the
Bacillus typhosus, the micro-organism which
causes typhoid or enteric fever. He subjected
cultures to monochromatic radiations, obtained
by passing light through solutions of bicliromate
of potash, Bismarck brown, and various aniline
dyes. He checked the results obtained in this
way by testing the various radiations by means
of photographic paper. The radiations which act
most powerfully on the paper, viz. the actinic or
chemical rays, also kill the Bacillus typhosus
most readily. Kotliar carried out similar ex-
periments with the Bacillus prodigiosus, which
in medieval times gave rise to the miraculous
blood-stained bread and sacred Host. The mi-
crobe grew as abundantly under the red rays as
it did in the dark; but the development was ex-
tremely slow when the inoculated tubes were
exposed to the actinic or violet rays.
"The foregoing experiments were made with
sunlight; but Geissler went a step further and
employed the electric arc-light as well, with simi-
lar results. Buchner again confirmed this, but
he used flat glass boxes (Petri's) for his cultures
instead of cylindrical test-tubes and spherical
flasks, thus doing away with any interference
with the rays due to the shape of the vessel.
"With regard to the microbe which gives rise
to diphtheria, Ledoux-Lebard found that the vio-
let rays killed this bacillus, the influence of the
red rays being nil. More recently Finsen and
Bie of Copenhagen have made further researches
in the same direction, but with a powerful elec-
tric arc-light. Bie worked with the red Bacillus
prodigiosus. The bactericidal action of the rays
of the spectrum was found to increase from the
red to the violet, the maximum effect being ob-
tained with the violet and ultra-violet, that is
the chemical or actinic rays. Bie estimated their
power at 96 per cent, as compared with 4 per
cent, for the other radiations. The same observer
made experiments with yeast and fungi. He
found that they resist light longer than bacteria,
and that the pigmented kinds resist far longer
than the non-pigmented.
"These experiments demonstrated the fact that
light has a bactericidal action, which depends on
the chemical rays, and that a positive effect can
be obtained if the light employed is sufficiently
strong and concentrated. Taken with the re-
sults obtained by Richardson, Marshall Ward,
and others, and also with the experiments of
Momont, who found that the bactericidal action
of light did not occur in vacuo, they give ground
for thinking that the process is one of oxidation,
both of the protoplasm of the micro-organisms
and of the nutrient media in which they grow.
It must not be lost sight of, however, that bacteria
in the natural state are not in the same condi-
tions as those cultivated artificially and subjected
to the action of light in laboratories. The influ-
ence of sunlight as a scavenger in a general way
must not be exaggerated."
Turning from the purely bactericidal action
of colors or light to the employment of the
446
CURRENT LITERATURE
rays of the spectrum in disease, attention is
arrested by the peculiar effects of red. Finsen
at the height of his career warned his pupils
against rash conclusions from their experience
in the treatment of maladies with the aid of
this color. In the treatment of smallpox, he
emphasized the importance of absolutely ex-
cluding the red rays. In an epidemic of vari-
ola at Lyons — where the light treatment was
declared inoperative for some obscure reason
— ^the peculiar effect of the red light treatment
on patients and nurses was remarked. The
patients were in a state of constant excite-
ment, and begged to be placed in ordinary day-
light. The nurses had to be supplied with blue
spectacles to induce them to remain on duty.
Mental excitability, at times very marked, has
also been observed among the workmen em-
ployed in the red rooms of a photographic firm
in Lyons. Cases of terrifying hallucinations
and delirium in hospital patients have been
traced to red light.
It is noteworthy that the rays which act
most markedly on micro-organisms and animal
tissues — ^the chemical blue, violet and ultra-
violet— are not good penetrators of the skirt,
while, on the other hand, the rays which <lo
not act to any g^eat extent on micro-organ-
isms and animal tissues — ^that is, the red, yel-
low and yellow-green — have a much greater
power of skin penetration. That the actinic
rays are bactericidal in the case of cultures
on artificial media is undoubted. Whether
these rays act in the same way on the dis-
eased tissues of the skin is quite another mat-
ter. At any rate, investigators have arrived
at the tentative conclusion that any vital
changes in the. skin due to light are caused by
the chemical rays of the spectrum and to the
chemical rays alone. For a healthy condition
of the retina and epidermis, it is necessary
that the ratio between the intensities of the ra-
diations in different parts of the spectrum
should remain nearly constant The injurious
effects produced by light from incandescent
gas or arc lamps cannot be attributed to the
presence of a greater intensity of ultra-violet
or violet light than is present in sunlight, but
to the total absence of red radiation, or its
equivalent.
EXTRACTION OF GASTRIC JUICE FROM THE LIVE HOG
Natural gastric juice is so essential to the
development of therapeutic science that the
supply of the fluid threatens to be inadequate
to meet the demand. In pulmonary tuber-
culosis the use of the natural gastric juice
from an extraneous source has been held a
condition precedent to cure. Without arguing
the point, Paris Nature observes that extrac-
tion of the gastric juice from the living hog
may henceforth prove an adequate source of
supply for all emergencies. Yet the problem
of extraction seemed for a time insoluble. Sev-
eral years were devoted to experiment before
the true operation was discovered. It was
imperative that the juice be secured in all its
purity. Now the stomach secretes the juice
during the period of digestion only. To ob-
tain the juice during that period, it was es-
sential to divert the meal from the stomach.
But the organ itself had to retain its posi-
tion in the animal economy. The French
surgeons investigating this matter had a whole
farm not far from Paris for their laboratory.
Innumerable live hogs were the subject-mat-
ter of experiment. The surgeons at last hit
upon the plan of severing the esophagus of
the hog above the cardia. The pneumoga^ric
nerves were preserved. The esophagus was
let down upon the duodenum. Then an open-
ing was made through the belly for the flow
of the secretion.
The result is that the provender of the hog
does not make a route for itself through the
stomach. The stomach, nevertheless, secretes
gastric juice when the animal eats. A little
tube is inserted into the perforated belly after
the hog has eaten and gastric juice flows in
considerable quantity along the path made for
it and into a receptacle held in position by an
attendant. Such gastric juice as the animal
requires for its own anatomical ends runs into
the duodenum through the pylorus. Notwith-
standing the serious and delicate nature of the
surgical operation the hog has undergone, it
thrives and fattens. The animals are boarded
and lodged luxuriously. They spend the day in
the open air. Their food is made up of pota-
toes, bran, buttermilk, flour, meat and the like.
They are washed regularly. Their health is
carefully looked after by a corps of doctors.
When gastric juice is to be extracted, the
hogs are raised into the air.
Recent Poetry
John Payne is introduced to the American pub-
lic as "one of the uncrowned kings of poetry." He
is a retired London solicitor, who is rather well
known for his translations of Hafiz and Villon
and Boccaccio and others, winning from Richard
Gamett the verdict that in the field of transla-
tion he is "literally without a rival." But he is,
furthermore, the author of more than thirty
thousand lines of original verse, and here also,
according to the London Academy, he "has proved
himself to be a master of his art." A volume en-
titled "Selections From the Poetry of John Payne"
has just been published by John Lane Company,
with an introduction by Lucy Robinson that
ought to make it "go" if anything could. But
it is evident at a glance that the poet has not
courted and is not likely to win wide popularity.
His poems, as his introducer admits, "make slow
headway against the hurry and discord of modern
existence," and require a long and intimate com-
munion on the part of a reader before yielding up
their true aroma. Aside from the sonnets, the
poems are nearly all of them of unpopular length,
and too long to go the rounds of newspaper and
magazine quotation.
The following is but an extract from a poem
entitled "The Pact of the Twin Gods." After
long warfare between them. Death and Life agree
to make "a thing that shall be for a covenant,"
something "that shall be sadder and more sweet
than Death, and gladder and more sweet than
Ufe."
THE PACT OF THE TWIN GODS
By John Payne
Then Life brought flowers and breezes and sun-
gold
And juices of the vine;
And Death brought silver of the moonlight cold
And the pale sad woodbine.
Life brought clear honey of the buxom bees
And fruits of autumn-time;
And Death brought amber from the murmuring
seas
And fretwork of the rime.
God Life did rob the jasmine of its balm,
Death the pale lil/s bells;
Life brought a handful of the summer-calm,
Death of the wind that swells.
And sighs about the winter-wearied hills;
Life the spring heaven's blue.
Death brought the gray, that in the autumn fills
The skies with its sad hue.
And with these things of mingling life and death
Did the twin gods upbuild
A golden shape, which drew the goodliest
breath
That ever bosom filled:
For it was lovesome as the risen sun
And pale as ended night.
Glad as the glance of an immortal one
And mild as the moon's light.
The form of it was white as is the snow
When the pale winter reigns.
And rosy-tinted as the even-glow
After the April rains.
The charm of day was in its violet eyes
And eke the spells of night;
Therein one read of the gold Orient skies
And the faint Spring's delight.
And for a voice Life lent it all the tune
That from lark-throats doth rise;
And pale Death added to it, for a' boon,
The sad sweet night-bird's sighs.
Its hands were warm as Life and soft as Death,
Rosy as flowers and white
As the pale lucent stone that covereth
The graves in the moon's sight.
Its hair was golden as the sheer sun's shine,
When the hot June rides far.
And tender-colored as the hyaline
Of the pale midnight star.
Red was its mouth as is the damask rose
And purple as night-shade,
Most glad and sad, fulfilled of lovesome woes
And joys that never fade.
Swift were its rosy golden-sandalled feet.
Yet lingering as the night.
And the soft wings that on the air did beat
Were of the windflower's white.
And on its head they set a double crown.
Golden and silver wrought,
Wherein sweet emeralds for hope were sown
And amethysts for thought.
Thus did the two gods make this lovesome thing,
To stand betwixt them twain;
And therewithal they crowned the fair shape king
O'er them and suzerain.
And from that time there hath no more been
strife *
'Twixt these two gods of might ;
For evermore betwixten Death and Life
That creature of delight
Hath gone about the weary worldly ways.
Holding them hand in hand,
So that Death never on a mortal lays
His finger, but there stand
448
CURRENT LITERATURE
Beside him Life and that sweet shape which they
Have for their master made;
And on hke guise, when dawn hath lit the day,
Death walketh in the shade,
Hard by the sun and all the gauds of life:
And by them, without cease.
The winged shape goes and orders all their strife
To harmony and peace.
And if one ask which god he cherisheth
His brother god above,
Methinks his heart beats franklier for Death;
For lo! his name is Love.
The tragic death of Laurence Hope, inflicted
by her own hand after the death of her husband,
has given an adventitious and painful interest to
the volume of "Last Poems" recently published
by John Lane Company. The title-page bears the
subtitle, "Translations from the Book of Indian
Love." Most of the poems are, to an Occidental
mind, decidedly erotic, but they have the delicacy
of touch and the glamour which most of the
decadent school manifest, and the eroticism, being
imported from the Far East, seems to be a little
more natural and simple and less offensive than
that which is found nearer home. We quote
three of the poems which are "void of offense":
SURFACE RIGHTS
By Laurence Hope
Drifting, drifting down the River,
Tawny current and foam-flecked tide.
Sorrowful songs of lonely boatmen.
Mournful forests on either side.
Thine are the outcrops* glittering blocks.
The quartz — where the rich pyrites gleam,
The golden treasure of unhewn rocks
And the loose gold in the stream.
But, — ^the dim vast forests along the shore.
That whisper wonderful things o' nights, —
These are things that I value more,
My beautiful "surface rights."
Drifting, drifting down the River, —
Stars a-tremble about the sky —
Ah, my lover, my heart is breaking,
Breaking, breaking, I know not why.
Why is Love such a sorrowful thing?
This I never could understand ;
Pain and passion are linked together.
Ever I find them hand in hand.
Loose thy hair in its soft profusion.
Let thy lashes caress thy cheek, —
These are the things that express thy spirit,
What is the need to explain or speak ?
Drifting, drifting along the River,
Under the light of a wan low moon.
Steady, the paddles; Boatmen, steady,—
Why should we reach the sea so soon?
See where the low spit cuts the water.
What is that misty wavering light?
Only the pale datura flowers
Blossoming through the silent night.
What is the fragrance in thy tresses?
Tis the scent of the champa's breath;
The meaning of champa bloom is passion —
And of datura — death!
Sweet are thy ways and thy strange caresses.
That sear as flame, and exult as wine.
But I care only for that wild moment
When my soul arises and reaches thine.
Wistful voices of wild birds calling —
Far, faint lightning towards the West, —
Twinkling lights of a tyah homestead, —
Ruddy glow on a girl's bare breast —
Drifting boats on a mournful River,
Shifting thoughts in a dreaming mind, —
We two, seeking the Sea, together, —
When we reach it, — ^what shall we find?
THE TOM-TOMS
By Laurence Hope
Dost thou hear the toms-toms throbbing.
Like a lonely lover sobbing
For the beauty that is robbing him of all his life's
delight?
Plaintive sounds, restrained, enthralling,
Seeking through the twilight falling
Something lost beyond recalling, in the darkness
of the night.
Oh, my little, loved Firoza,
Come and nestle to me closer.
Where the golden-balled Mimosa makes a can-
opy above.
For the day, so hot and burning,
Dies away, and night, returning,
Sets thy lover's spirit yearning for thy beauty
and thy love.
Soon will come the rosy warning
Of the bright relentless morning.
When thy soft caresses scorning, I shall leave thee
in the shade.
All the day my work must chain me,
And its weary bonds restrain me.
For I may not re-attain thee till the light begins
to fade.
But at length the long day endeth.
As the cool of night descendeth
His last strength thy lover spendeth in returning
to thy breast.
Where beneath the Babul nightly.
While the planets shimmer whitely,
And the fire-flies glimmer brightly, thou shalt
give him love and rest.
Far away, across the distance.
The quick-throbbing drums* persistence
Shall resound, with soft insistence, in the pauses
of delight.
Through the sequence of the hours,
While the starlight and the flowers
Consecrate this love of ours, in the Temple of
the Night.
RECENT POETRY
449
I SHALL FORGE'l
By Laurence Hope
Although my life, which thou hast scarred and
shaken,
Retains awhile some influence of thee,
As shells, by faithless waves long since forsaken,
Still murmur with the music of the Sea,
I shall forget. Not thine the haunting beauty,
Which, once beheld, for ever holds the heart,
Or, if resigned from stress of Fate or Duty,
Takes part of life away:— the dearer part.
I gave thee love; thou gavest but Desire.
Ah, the delusion of that summer night!
Thy soul vibrated at the rate of Fire;
Mine, with the rhythm of the waves of Light.
It is my love for thee that I regret.
Not thee, thyself, and hence,— I shall forget!
Our novelists all seem to long to achieve suc-
cess in a poetical way after they have gained
it in the way of fiction. Mr. Mighels, author of
"The Ultimate Passion," gives us this fine poem
in Harper's Magazine:
THE DESERT
By Philip Verrill Mighels
Now mark you, God made Him an Eden, of old.
And made Him a man and a maid;
He gave them to live in His garden of love,
To live with Him there unafraid.
They ate of the fruits and the honey.
They took of the knowledge and lust.
Then fled from the punishment bitter
And humbled themselves in the dust
To pray and beseech Him for mercy,
As all of the penitent must.
Then, mark you, God made Him a mountain,
And, mark you. He made Him a sea.
But life took its root on the topmost crag.
Where it seemed no life could be.
And life was aswarm in the deepmost cave
That the ocean could fill with His tears.
And the cries and prayers and moans arose
From it all, to seek His ears —
The cries and prayers and moans of things
Alive and filled with fears.
And God was beseeched from morn till night.
And beseeched from night until day
By things that plead to save their lives
The while they fought for prey;
And nowhere peace from the wails and moans
Could God in His anguish know
Till He made Him a place, a desolate place.
Where naught of Life may grow —
A desert as bare as the new-made air.
To which He may sometimes go.
Then hark you, beware of the desert
Where only God may bide —
God all alone, and nothing of Life
In that desolate region wide.
No insect, bird or snake is there,
No animal, grass, or stone.
And all of the man who ventured to cross
Is a whitened and crumbling bone;
For this is the desert that God has made
As a place to be alone!
When John Williamson Palmer passed away
last month, we lost one of the best balladists,
if not the best, America has produced. His
"Stonewall Jackson's Way" was probably the
most widely known of his ballads, but the one
below comes close behind it in popularity and we
think outranks it in dramatic power. All his
ballads might be counted on the fingers of one's
two hands, and were collected a few years ago in
a volume entitled, "For Charlie's Sake and Other
Lyrics and Ballads" (Funk & Wagnalls Co.).
All the ballads are full of energy, but the action
is so compressed, at times, in his stanzas as to
confuse the mind and blur the mental picture.
THE MARYLAND BATTALION IN THE
BATTLE OF LONG ISLAND
By John Williamson Palmer
Spruce Macaronis and pretty to see,
Tidy and dapper and gallant were we.
Blooded fine gentlemen, proper and tall.
Bold in a fox-hunt and gay at a ball.
Prancing soldados, so martial and bluff.
Billets for bullets, in scarlet and buff.
But our cockades were clasped with a mother's
low prayer.
And the sweethearts that braided the sword-
knots were fair.
There was grummer of drums humming hoarse in
the hills.
And the bugles sang fanfaron down by the mills.
By Flatbush the bagpipes were droning amain.
And keen cracked the rifles in Martense's lane.
For the Hessians were flecking the hedges with
red.
And the Grenadiers* tramp marked the roll of
the dead.
Three to one, flank and near, flashed the files of
St. George,
The fierce gleam of their steel as the glow of a
forge.
The brutal boom-boom of their swart cannoneers
Was sweet music compared with the taunt of
their cheers —
For the brunt of their onset, our crippled array.
And the light of God's leading gone out in the
fray!
Oh, the rout on the left and the tug on the right !
The mad plunge of the charge and the wreck
of the flight!
When the cohorts of Grant held stout Stirling at
strain.
450
CURRENT LITERATURE
And the mongrels of Hesse went tearing the
slain ;
When at Freeke's Mill the flumes and the sluices
ran red,
And the dead choked the dyke and the marsh
choked the dead!
"Oh, Stirling, good Stirling! How long must we
wait?
Shall the shout of your trumpet unleash us too
late?
Have you never a dash for brave Mordecai Gist,
With his heart in his throat, and his blade in his
fist?
Are we good for no more than to prance at a
ball,
When the drums beat the charge and the clari-
ons call?"
Tralara! Tralara! Now praise we the Lord,
For the clang of His call and the flash of His
sword !
Tralara! Tralara! Now forward to die.
For the banner, hurrah! and for sweethearts,
goodby !
"Four hundred wild lads!" Maybe so. I'll be
bound
'Twill be easy to count us, face up on the ground.
If we hold the road open, tho' Death take the
toll,
Well be missed on parade when the States call
the roll-
When the flags meet in peace and the guns are
at rest.
And fair Freedom is singing Sweet Home in the
West.
A spring poem not of the conventional type
is the following, which we take from The
National Magazine:
MARCH IN KANSAS
By a. a. B. Cavaness
March is a wondrous battle-ground
And wild the conflicts are —
O furiously the troopers ride
From North and Southern star!
And ever the March is come again,
Again from South and North
Swifter than ancient cavalry
Their warriors come forth.
Chill is the steel of Northern spears
And hot the Southern swords,
Yet never we know what angereth
The howling midnight hordes.
Last night the bivouac of the spears
The swords, a hurricane,
Oyt-shrieking fiends, the Northmen smote
And routed them amain.
Then resting from their giant toil
And dropt to slumbers sweet —
Sudden the hosts of Aeolus
Sweep back in mail of sleet, —
With banners crowning battlements
Daring the blades with scorn,
Till dipt in fire the sabres' ire
With glory flags the Morn.
Yet never the flash of sword or spear
Is seen on the bloodless fields,
But rings the shout of the battle's rout
And clash of the phantom shields.
Thus ever the deathless feud is fought
And March is lost and won,
Till the last campers yield the fight
To showers and the sun.
Mr. Markham, whose first published love poem,
"Virgilia," was reprinted in these pages a few
months ago, has published a sort of sequel. It
has the "singing tone," which is considered by
some the first requirement of all good poetry, and
a wealth of beautiful phrasing. But it does not
seize us as the first poem did, seeming to lack
something in the way of spontaneity. We reprint
from The Cosmopolitan:
THE HOMING HEART
By Edward Markham
It was ages ago in life's first wonder
I found you, Virgilia, wild sea-heart;
And 'twas ages ago that we went asunder.
Ages and worlds apart.
Your lightsome laugh and your hair's dark glory,
I knew them of old by an ocean-stream,
In a far, first world, now turned to story.
Now faded back to dream.
I saw you there with the sea-girls fleeing,
And I followed fast over rock and reef;
And you sent a sea-fire into my being,
The lure of the lyric grief.
One after one the stars were slipping.
Pearl after pearl to the bowl of night;
And down the west three moons were dipping
Into the waves, all white.
I know not now where the moons were misting.
On what lost sea in the milky track;
But I know that you swore to a lovers' trysting,
In those quick glances back.
I followed you fast through the white sea-splen-
dor,
On into the rush of a blown, black rain;
Drawn on by that mystery strangely tender,
The lure of the lyric pain.
As up round a headland the tides came hurling,
You sang one song from your wild sea-heart:
Then a mist swept in, and we two went whirling,
Ages and worlds apart.
RECENT POETRY
451
II
We are caught in the coil of a God's romances—
We come from old worlds and we go afar:
I have missed you again in the Earth's wild
chances —
Now to another star !
Perhaps we are led and our loves are fated,
And our steps are counted one by one ;
Perhaps we shall meet and our souls be mated.
After the burnt-out sun.
For over the world a dim hope hovers,
The hope at the heart of all our songs —
That the banded stars are in league with lovers,
And fight against their wrongs.
If this all is a dream, then perhaps our dreaming
Can touch life's height to a finer fire:
Who knows but the heavens and all their seeming
Were made by the heart's desire?
One thing shines clear in the heart's sweet reason,
One lightning over the chasm runs —
That to turn from love is the world's one treason
That treads down all the suns.
So I go to the long adventure, lifting
My face to the far, mysterious goals.
To the last assize, to the final sifting
Of gods and stars and souls.
Our ways go wide and I know not whither,
But my song will search through the worlds for
you,
Till the Seven Seas waste and the Seven Stars
wither.
And the dream of the heart comes true.
I am out to the roads and the long, long questing,
On dark tides driven, on great winds blown :
I pass the rims of the worlds unresting,
I sail to the unknown.
• III
There are more lives yet, there are more worlds
waiting,
For the way climbs up to the eldest sun.
Where the white ones go to their mystic mating,
And the Holy Will is done.
I will find you there where our low life height-
ens—
Where the door of the Wonder again unbars,
Where the old love lures and the old fire whitens,
In the Stars behind the stars.
Perhaps we will meet where the boughs for raft-
ers
Shelter a cliff by an ocean-stream,
As we met long ago in the light sea-laughters.
When over me went the dream.
, Perhaps we will meet in some field of faery,
Twined round by the sea and the scented vales,
To stray moon-charmed in a high-hung, airy
Dream- wood of nightingales.
We will hear some word of the final meaning,
As we meet at last by the love-loud trees.
Hushed with the wonder of life, and leaning
Over the marveling seas.
Ah, strangely then will the heart be shaken,
FoF something starry will touch the hour;
And the mystic wind of the worlds will waken.
Stirring the soul's tall flower.
As we go star-stilled in the mystic garden.
All the prose of this life run there to rhyme,
How eagerly will the poor heart pardon
All of these hurts of Time!
For 'twill all come back— the wasted splendor.
The heart's lost youth like a breaking flower.
The dauntless dare, and the wistful, tender
Touch of the April hour.
In that wondrous hour of our souls dream-driven,
In that high, white hour, O my wild sea-bride.
The tears and the years will be all forgiven,
And all be justified.
"Since Kipling's 'Recessional,' I have read no
single poem so beautiful," says a writer in The
Musical Leader, speaking of the verses below by
William Watson. The verses apply evidently to
Russia, but will be just as apt when the occa-
sion that elicits them has long passed by. This
poem was' first published in the London Daily
Chronicle :
KNIGHTS AND KING
By William Watson
The knights rode up with gifts for the king.
And one was a jeweled sword.
And one was a suit of golden mail.
And one was a golden Word.
He buckled the shining armor on.
And he girt the sword at his side ;
But he flung at his feet the golden Word,
And trampled it in his pride.
The armor is pierced with many spears,
And the sword is breaking in twain ;
But the Word hath risen in storm and fire
To vanquish and to reififn.
Wilfred Campbell, the Canadian poet, has col-
lected in one volume (Revell) all his verse, not
dramatic in form, which he cares to preserve.
We have room here for this little moral-picture
alone :
RODODACTULOS
By Wilfred Campbell
The night blows outward in a mist,
And all the world the sun has kissed.
Along the golden rim of sky
A thousand snow-piled vapors lie.
And by the wood and mist-clad stream
The Maiden Morn stands still to dream.
Success: A Story
Marguerite von Oertzen, the author of this bright little tale dialoguS, is one of the clever
German women writers of to-day. She was born at Heidelberg, in 1868, and was educated in a
convent. She is daughter of Georg Baron von Oertzen, who was at one time Bismark's attach^,
and who is favorably known as a poet. This translation is made from the German, for Current
Literature, by Newell Dunbar.
Small coffee-room of a fashionable "air-cure"
hotel in the Black Forest. The proprietor, Frau
Biihler, is smilingly listening to Herr Milkes,
who warmly remonstrates with her. He is a
very young, spare man, with curly hair, indica-
tions of a small mustache, and a gaudy necktie.
Milkes: As I said, if you'd permit, we make
no claims. The affair's wholly at our own risk.
I have here the program and a printed critique
(proudly) ; my first I
Frau BUhler (embarrassed) : Yes, you see,
Hcrr — ^Hcrr
Milkes (with a bow) : Milkes.
Frau BUhler: Herr Milkes, with our guests
anything of that sort usually meets with slight
encouragement. They all want to recover from
the season. They come mostly from Berlin,
where they have an opportunity of hearing
artists of the very first rank. Here, a peasant's
quartette or something out of the people's life
of the region draws best.
Milkes: If we'd known that, my wife would
have brought her rustic dress.
Frau BUhler (looking around): Your wife!
Milkes: Oh I she's waiting outside. She's so
timid. (Goes to the window and calls without.)
Leni, you may come in! (To Frau BUhler,
entreatingly.) I'm from the Stadttheater. That's
rather of the better sort. Only the pay
for chorus singers is so very small that one
can lay nothing by for the summer. Still
I've been mentioned in a critique. (Draws
from his pocket a well-thumbed copy of a news-
paper, and reads aloud:) "The little solo of Herr
Milkes pleasantly impressed us. He surprised us
with the softness and freshness of his genuinely
lyrical tenor." (Lays the paper aside.) That en-
couraged me to the study of songs.
Frau BUhler: That's very nice indeed, but I
really can't guarantee that my guests will appear
in full force. Whether it's worth your while
Milkes (with fire) : We're modest. If only
ten should come. (Leni enters. Graceful little
form; short dress; black ringlets, not put up; in
her ears are big, round, silver pearls.)
Milkes (proudly introducing) : My wife!
Frau BUhler (astonished) : She? Why, good
gracious! That's really still a child . . . she
wears short skirts indeed, and her hair is not
put up.
Milkes: She's already seventeen. We've been
married three months. We're saving up now for
a long dress; eh, Leni? We're always jolly —
all's one to us! She, too, you must know, be-
longs to the theater.
Frau BUhler (rather touched) : I couldn't so
much as give you a suitable bed. We're over-
crowded.
Milkes : Oh, we don't care for that ; eh, Leni ?
We'll sleep in the hayloft— or on the bowling-
alley. It's August, indeed.
Leni (beaming and snuggling up to him) : Oh,
yes!
Frau BUhler: So be it. I'll have the coach-
man's room prepared. The coachman can move
into the hay for the night
Milkes (jubilant) : Oh, you good, peerless
woman !
Leni (aside to him) : Look! Nobody, you see,
can resist you.
Frau BUhler: The program I'll set on the
tables at dinner to-day. And in the evening at
eight o'clock the concert can begin in the reading-
room. Do you need anything more for it?
Milkes: A soup plate, if you please. And a
white napkin and a small table. There Leni'll
sit and take in the money. Piano accompaniment
I'll do myself.
Leni (claps her hands) : And everyonc'U give
as much as he likes.
Milkes (dances around with her, singing) :
"How false thou art — ^now list!
Thou hast with others kissed!
Thou lov'st me now no more,
Wholly now no more."
Frau BUhler (laughing) : But, good people!
Milkes (letting Leni go) : Yes, look you, dear, *
good madam, if you could see the little one there,
how she saves and works and drudges. And now
SUCCESS
453
such a piece of good luck ! Perhaps we'll take in
twenty marks!
Lent (horrified) : Why, Pepi, so unreasonable !
Right away you always get megalomania I
Frau Biihler: Now Til really just venture to
see about a little breakfast. Til remark, how-
ever, at once, that in the coachman's room one
person can scarcely turn round I
Milkes: That suits us exactly. The narrower
the better.
Lent: But aren't you just the bad boy ! {Frau
Biihler leaves the room. A waiter begins with
scornful nonchalance to lay covers for two, dur-
ing which Leni regards him anxiously and ill at
ease.)
Leni (whispers to Milkes) : I say — look —
wine-glasses I
Milkes (squeezing her arm hard) : What luck !
Leni: Owl (The waiter serves several dishes
and then retires.)
Milkes: Art's nevertheless the finest thing in
the world.
Leni: I say, I wonder if I might take the
bones there in my fingers?
Milkes (glances furtively toward the door) :
Just fall to! Nobody's looking.
Leni (after she has eaten} : Always when I'm
so full, our first acquaintance occurs to me.
'Twas at rehearsal. You ate a slice of bread and
butter and all at once you gave me half.
Milkes: You see, you kept looking at the
bread with such big eyes I thought you were
hungry.
Leni: I was in love with you, and then de-
voured the bread from sheer fright. Your voice
stirred me through and through. (Very ear-
nestly.) Even to this day, you see, when you sing
I have to cry.
Milkes: I only hope you won't begin for us,
this evening, with your blubbering!
Leni: No, no, I'll be very careful.
Milkes (suddenly) : 1 say, suppose I should
become famous?
Leni (shuddering) : With a hundred and fifty
marks' salary . . .
Milkes: And a chimney-pot hat on my head
even in the forenoon, like our hero tenor!
Leni (low and ceremonious) : And I — with a
train !
Evening; in the reading-room, after the con-
cert. Milkes has but just finished Schubert's
"Doppelgdnger." Silence; then faint, sporadic
applause. All throng to the exit, past Leni, who
sits before the soup-plate filled with silver, while
great tears roll down her cheeks.
Milkes (goes up to her, importunately) : Still,
a few applauded, eh? And one man nodded — I
saw it distinctly — at the pianissimo, Leni, you're
blubbering again!
Leni (sobbing): Darling! You sang so won-
derfully! (In deepest agitation.) Your voice
would bring me to life if I lay dead under the
ground! (Rises and embraces him.) I don't
know how much there is in the plate. I haven't
counted it. And neither do I know whether it
pleased them, there, in the fine clothes. But me
it pleased! I am so proud of you!
Milkes (horrified) : Child, you're trembling,
indeed! If my singing excites you so, you really
cannot go along any more in future. And yet —
what do I care for the rest! I sing for you.
(He sits down and begins to count the money.
Leni idly stares at the door before her.)
Milkes (looking up) : Nearly everyone has
given a mark. Twenty-eight marks and fifty
pfennigs. Don't you hear, Leni?
Leni (fervently embraces him anew) : Oh, you
— you! They don't all comprehend you, indeed
they don't!
Ten years later. The same air-cure hotel in
the Black Forest. The hotel turnout stops be-
fore the entrance; Frau Biihler stands at the
open coach-door. Herr Milensky, very "swagger^*
man of thirty, with thick, curly hair, smooth, full
face, has already alighted.
Milensky: So, please, a very quiet room. My
wife is somewhat nervous.
Frau Biihler (regards him searchingly) : I've
a drawing-room with balcony
Voice from the carriage: Ask if there's a
dressing-room with bath-room near by.
Frau Biihler: Certainly. Exactly vis-a-vis
Milensky: Will you alight, Edith? (He as-
sists a very stout but strikingly beautiful blonde
out of the carriage. She wears a blue silk travel-
ing cloak and, in- spite of the July heat, a chin-
chilla stole.)
Frau Milensky: Arrange, too, at once about
the menu, Joseph. You know I can't eat every-
thing— especially roast venison. (To Frau
Biihler.) Have you an elevator?
Frau Biihler (at a loss) : No, that we haven't
here yet. But electric light
Frau Milensky (laughing) : I can't despatch
myself up the stairs on that. Let's get out,
though. You'll probably come on, Joseph, when
business is settled. (She follows the hall-porter
into the house.. A strong odor of violettes dc
Parma remains behind.)
Frau Biihler (leads Herr Milensky into her
454
CURRENT LITERATURE
oMce) : May I once more beg for the worthy
name — for the hotel-register?
Milensky (put out) : Is that necessary? One
is so much annoyed by the public. One is stared
at. Several families have already recognized me
— as I drove by.
Frau Buhler : If the name's not given, I should
be all the more besieged on all sides. People are
inquisitive. We had a prince here once who was
traveling incognito. Within half an hour they
had found out who he was.
Milensky (nervous) : And I had looked for
such a quiet place, just to escape from curi-
osity! I remembered the spot from former times.
Frau BUhler (cautiously) : It seems to me,
too, that I've already had the honor
Milensky (quickly) : Write then : Court opera-
singer Milensky, Frau Sarow-Milensky, royal
chamber-singer — from Berlin.
Frau BUhler (writing) : So, then, the fa-
mous
Milensky (interrupts her) : Please not. And
another thing : Say to your guests that neither my
wife nor I will sing a note here. Once over in
Carlstadt, it's past all belief what happened to
us. They asked me to treat them to a song in
the drawing-room; imagine my voice in the
drawing-room! I, naturally, left at once.
Frau BUhler (anxiously) : What lies in my
power I'll do.
Milensky: Neither do I ever talk about the
theater or about things that relate to the stage.
Say that to your guests.
Frau BUhler: But
Milensky (very decidedly) : The length of our
stay and our coming back will depend upon
whether regard is paid to these wishes.
Frau Buhler: What in me lies. Your lady
wife, too, has perhaps other wishes?
Milensky: Yes — we need a drawing-room and
two bedrooms. My wife is very nervous. (Pause.
Suddenly, in a wholly altered tone:) Frau Buhler
— is the coachman's room still furnished as it
was ten year's ago?
Frau Buhler (at first speechless, then crying
out in sudden recognition) : The coachman's
room! Oh, good gracious! You — ^you are
Milensky (quickly and softly, taking her hand) :
Do you know me yet? You good, peerless
woman
Frau Buhler (moved) : So then! So then
you've become such a great man! Yes, the
coachman's room is still — ^pardon me, I've grow^n
wholly stupid.
Milensky: Then I would greatly like to see
it. (Looks upon the Aoor.) But at once — and
— (lays his finger upon his mouth).
Frau BUhler (hesitating) : Oh, yes, I under-
stand. And — and
Milensky (very quietly) : I know what you
wish to ask. You're asking after the child-like
wife who then accompanied me. (He goes to the
window and, while continuing to speak, looks
out.) I had luck. I succeeded. That came at a
blow! And Leni still continued to cry when I
sang, as she sat in a box ... in a dress with
a train. But she could no more go along — into
the new relations, into the "being famous," as
she called it. She stayed behind, like a bird
whose wing does not suffice for flight. She wasn't
fitted for the new life. In all respects she re-
mained the old Leni. I could instil nothing into
her by education. There were painful moments.
And finally — she suffered with the fixed idea that
I must be ashamed of her
Frau BUhler: FoV heaven's sake!
Milensky: One day she left me. She went
back to her mother. When I wanted to take her
to me again, then I saw that I'd become a stranger
to her. It's one of those riddles that we could
never guess. She died soon after that; her lungs
were affected.
Frau Buhler: And how
Milensky: My present wife I took from the
stage, of which she is still a star.
Frau BUhler (softly) : Alas . . . poor Herr
Milkes! (Confused) I mean
Milensky: I understand quite well what you
mean. And I would like to see the coachman's
room where I kept house with Leni. It seems to
me — it seems to me, nevertheless, dear, good Frau
Biihler, that I was very happy then — with poor
little Leni. And it seems to me, too, that nobody
else has so listened to me as did she.
Frau Buhler (sympathetically) : Then come
quickly, before the table d'hote begins.
DustJDirt
and
are best re moved i
ing with a clj
tened with wal
Germs
>m floors by first sweep-
■covered broom mois-
containing just a little
Platmrhloridea.
The OdonessDisijaiistdaid,
A colorless liquid;
foul odors and dise^
hold use. Sold
rful, safe and economical. Instantly destroys
breeding matter. Specially prepared for house-
in quart bottles, by druggists everywhere.
An illustrated booklet with valuable sanitary
information mailed free. Address
Henry B. Piatt, 42 Cliff Street. N. Y.
EZ-S
An InftaBtMiw
fe£si»ssrtfw
Ik
■r. I
UK
.r"" ^ .: -■ i'v^'^
'*?S^'
Dusty or damp comers and cracks — nooks behind plumbing and all spots that can't be
reached by the scrubbing-brush, should be freely sprinkled with a mixture of one (1) part
Piatt's Chlorides and ten (10) parts of water, by means of a whisk-broom.
vose
HAVE BEEN ESTABLISHED
54 YEARS
and are receiying more fay-
orable comiMats t<Mlay from an art>
Iscio standpoint than all other makes combined.
WE CHALLENGE
COMPARISONS.
By our easy payment plan every family in moderate
chrcumstuoces can own a vose piano. We allow
a liberal price for old instruments in exchange, and
deliver the piano in your house free of expense.
You can deal with us at a distant point the same
as in Boston. Catalogue, books,
etc., giving full information
mailed free.
iVOSe & SONS PIANO co^
I Boylston St^ Bostoa, Mass.
lANOS
MENNEN'S
BORATED TALCUM
TGI LET^^POWD ER,
I
Pare as the LOy
■healthful and rcfrcsliir.c; th.it is why MEN.
. NS It .il.v,i)s usr.l ..III recommended by
phy-^i- lansan.l ll^r^cs. Its perfect purity and abso-
rurally have won for ituniversial esteem. In
^^,,, -fry it is supreme. unr,]ualled for ohnflnir,
netiie-raMii. chnpiiod hiinrtH. etc., it is so tiiinir,
waiury and l.ealit.tr. MEVNE.N'S t.ce on every l>ux— see
that ynu (fet the jjenuine. F^i* ^,i.'f n '»-i-n'A^rc 6>r *y mat.',
fjc. SamfU r^ff. MEN'NKN'S VIOLi: T (Uorated) TAL-
CUM ha-, l' i.tvilets.
6ERHAF
0.- NEWARK.N.J
i
"^ KBflNICH
pi.no advts. MM |||||.|l
are very sim- ^^ ■■ ■■ ■■ ■ ■
Uar— all claim *^ * W^FBB
superlative
merits, The ^% I B |^l ^^k
significance of this ^U I W^ H^f 1 1
announcement is ■ I KM I^H 1 1
to urge prospective ■ I B V I ■ ^0
purchasers to -^^■^^■^— ■— ~ ^^—
compare values before making a selection. To
this end we request that you send for our new
catalogue and the name of your nearest dealer.
Address
KRANICH & BACH,
233-45 East 23fd St.. Mew Yirt Cit;. [
The Absurd
Man
never changes.
It you are ** goins down *' a little — lack
power and vigor to **do things" — your
food does not properly supply the need.*
Change.'
Grape-Nuts
Furnish the things that the sys-
tem must have to make bone, muscle,
and the gray matter in brain and nerve
centres.
10 days* trial shows one that feeling
of reserve strength so essential to
success.
'< There*! a Reason.*'
Postum Cereal Co.. Battle Creek, Mich., U. S. A-
WVNKOOP MALLtNBfeCK CRAWFORD CO.. NEW YORK
$3.00 a Year
Mar 1906
Price 25 Cents
C ui* r e nt
Liter^dure
For Complete Table of Contents see inside pag^e
A Review cf the World
The Courts and the Country
Is the Exposure of Graft Beings Overdone ?
Politics and Municipal Ownership
The Earthquake in California
Persons in the Foreg^round
The Foremost Democrat in Washington
Stormy Career of Maksim Gorky
Tbf^e Tragic Loves of Parneirs Life
Strenuous Life of a Woman Reformer
Literature and Art
Carnegie's Spelling Reform Crusade
Re-discovery of some Turner Masterpieces
Whitman and His Contemporaries
Versatile Talent of Gutzon Borglum
Recent Poetry
Music and the Drama
Will the Drama Supplant the Novel ?
The Greatest of Living Composers
Where Barrie and Snaw Fail
The Poor Fool: Bahr's Latest Drama
Religion and Ethics
Was Jesus Really a Jew ?
The Lost Faith of Childhood
Solidarity the Key-note of Religion
The Present Moral Upheaval in America
Science and Discovery
Surprises of Heredity in Royal Families •
New Evidence of Man's Affinity with Apes
A New Despotism from Fixation of Nitrogen
The World's Greatest Astro-Physicist
Recent Fiction and the Critics
The Child: A Story by Jean Richepin
THE CURRENT LITERATURE PUBLISHING CO. |
34 West 26tli Street. New York '
Be Fair to Your Skin, and It Will
Be Fair to You— and to Others
A Beautiful Skin can only be secured through Nature's work. Ghastly, horrid imita-
tions of Beauty are made by cosmetics, balms, powders and other injurious compounds.
They put a coat over the already clogged pores of the skin, and double the injury.
Now that the use of cosmetics is being inveighed against from the very pulpits, the
importance of a pure soap becomes apparent. The constant use of HAND SAPOLIO
produces so fresh and rejuvenated a condition of the skin that all incentive to the use
of cosmetics is lacking.
HAND SAPOIIO is
C!Q PURR ^^^ ^^ ^° ^ freely used on a new-born baby or the skin of the most delicate
SO SIMPLE that it can be a part of the inyalid's supply with beneficial results.
GO iri?l?Tr** A l^iriTTQ AS to bring the snull boy almost into a state of " surgical clean-
i3VJ Mur r K\^A%^KyjMJi3 liness" and keep him there.
Intending parchiiscrs
of a sirictlyjirst-
class Piano
should
not fail
to exam-
inc the
merits of
THE WORLD RENOWNED
SOEMEH
It is the special favorite of the refined and
culttired musical public on account of its un-
surpassed tone-quality* unequaled durability,
elegance of design and finish. Catalogue
mailed on application.
THESOHMER-CECILIAN INSIDE PLAYER
suB>Asse^ All others
Favorable Terms to Responsible Parties
SOHMER d COMPANY
Wirerooms Cor. 5(h Atc. 22d Si.
NEW YORK
From itereograpb. copyrigbt 1908, Underwood ft Underwood, If. 1,
THE SENATOR FROM TEXAS]
When Joseph Welldon Bailey, age 42, made his four-hour speech on railroad rate legislation a few days 'ago,
nearly all the members of the House of Representatives filled the standing room in the Senate Chamber, and the
visitors' gallery was jammed until the doors had to be closed. He detests oratorical tricks, [speaking usually^in a
calm, even tone, preferring argument to rhetoric.
Current Literature
voL.iL,N(i.5 ^ ,♦ PH.*^'"'r''''J^!rS;^"AT A H
' Associate Editors: Leonard D. Abbott, Alexander Harvey
MAY, 1906
A Review of the World
But the ship sailed safely over the sea,
And the hunters came from the chase in glee ;
And the town that was builded upon a rock
Was swallowed up in the earthquake shock.
Bret Harte.
|ALF a century in building, half a
minute in falling — ^that is in brief
the story of San Francisco. The
earthquake shock which, followed
by an uncontrollable fire, has practically de-
stroyed the metropolis of our Pacific coast, was
just twenty-eight seconds in duration. It be-
gan, according to the records in Lake Chabol
observatory, Oakland, at 5:14:48, a. m., April
18, and ended at 5:15:16. It was followed by
other shocks later, but it was the first shock
that did the damage, and which started the
conflagration that completed the city's ruin.
With gas escaping everywhere from the broken
gas mains to aid in the quick spread of the
flames, and with the supply of water cut off by
reason of the broken water mains, the citizens
were next to helpless as the flames swept first
over the business section and then spread to
the residence section until, according to Gen-
eral Funston's estimate, 200,000 people were
rendered homeless in twenty-four hours.
HAD it not been that the full force of the
shock was limited to the business sec-
tion and came at an hour when that section
was comparatively deserted, San Francisco
might have furnished a loss of life equal to
that seen when Lisbon was destroyed by an
earthquake and sixty thousand persons were
killed. Had the stone walls of San Fran-
cisco's tall steel structures fallen a few hours
later into streets teeming with a busy throng,
had the big department stores collapsed when
filled with shoppers, there would have been
thousands of deaths where there were hun-
dreds. It was bad enough, Heaven knows,
as it was; but how much worse it might have
been! The city can be and will be rebuilt
and its beauty and glory may in the years to
come be really enhanced by the catastrophe.
Says the New York Times'.
"That there has been a lamentable disaster
admits of no doubt. But, apart from the irrepa-
rable loss of life, the great earthquake of San
Francisco of 1906 may be as much a blessing in
disguise as the great fire of Chicago in 1871. We
may be quite confident that the. new San Francisco
will bear as improved a relation to the old as that
which is no longer the new Chicago bears to the
temporary settlement on the swampy river which
was the site of Chicago before the fire."
FIRE and earthquake have, indeed, rendered
feasible for San Francisco a scheme for
her improvement and reconstruction upon
which many civic enthusiasts have expended
large sums to little purpose hitherto. The Cali-
fornian metropolis is a city of hills, or rather a
metropolis amid hills. Scarcely was it in ruins
when a plan to rear a new San Francisco was
well under way. Indeed, this very plan had
been formed months back. The earthquake
merely made it timely. There is to be a civic
center, which, according to an article in The
Overland Monthly, will be about where the
ruined City Hall stood, and from which the
restored streets will diverge as spokes from
the hub of a wheel. Here will be the City
Hall, a Custom-House, Federal buildings, with
such civic institutions as academies, an opera-
house and the library. All roads will lead to
this center as the pivot on which the newly
built city will turn and have its being. Steel-
framed structures will be necessary. The les-
son of the earthquake seems to be not that
tall buildings are dangerous, but that all those
which are not strongly skeletonized are liable
to collapse. This plan for the reconstruction
of San Francisco originated in the mind of
456
CURRENT LITERATURE
D. H. Burnham and his
associates, and has been
supported by an associa-
tion formed some time
ago to co-operate in se-
curing its adoption. San
Francisco has for months
past bestowed so much
thought upon the radical
reconstruction of her bus-
iness section and her
slums that the emergency
does not find her unpre-
pared so far as plans for
the future go. But in the
structures of the new San
Francisco, according to
the distinguished Ameri-
can geologist, Major Clar-
ence Edward Dutton, the
science of seismology will
have to be carefully con-
sidered, that a type of
building may be evolved
adapted to the elastic
wave-motion to which the
earth's crust in California
is prone. The Japanese
learned that lesson long
ago.
I T is the suddenness of
THE BUSINESS SECTION OP SAN FRANCISCO
This whole section is in ruins. The first shock of theTearthquake« the one that
did the damage, lasted less than half a minute. What it failed to do in the way
of destruction the confiafiri'ation completed.
a calamity of this kind
that gives it its most dreadful aspect and that
for the time being stuns the mind and par-
alyzes the will. Here is the account of one
of the eye-witnesses of the scenes after the
earthquake. It is written by a New York Sun
correspondent :
"Of the scenes which marked the transforma-
tion of this the gayest, most careless city on the
continent into a wreck and a hell it is harder to
write. That the day started with a blind, general
panic goes without saying. People woke with a
start to find themselves flung on the floor. In
such an earthquake as this it is the human in-
stinct to get out of doors, away from falling walls.
The people stumbled across the floors of their
heaving houses to find that even the good earth
upon which they placed their reliance was sway-
ing and rising and falling so that the sidewalks
cracked and great rents opened in the ground.
"The three minutes which followed were an
eternity of terror. Probably a dozen or more
persons died of pure fright in that three minutes,
when there seemed no help in earth or heaven.
There was a roar in the air like a great burst of
thunder and from all about came the crash of
falling walls. It died down at last, leaving the
earth quaking and quivering like jelly. Men
would run forward, stop as another shock, which
might be greater any moment, seemed to take the
earth from under their feet, and throw themselves
face downward on the ground in an agony of
fear."
Vesuvius gave warnings of its recent erup-
tion months before. But the earthquake in
California gave no warning. It struck with
the abruptness of a bolt of lightning and did
its worst work while a person might hold his
breath. Not in San Francisco alone, but in
Palo Alto (where the buildings of the Leland
Stanford University have been severely in-
jured), in Santa Rosa (where not a brick or
stone building was left standing) and in
numerous other towns and small cities the
damage has been proportionately as great as
in the city by the Golden Gate. The whole
country has been inexpressibly shocked and
measures for quick relief have been promptly
instituted. The exact loss of life will probably
never be known. The damage to property
runs into the hundreds of millions.
'THE MAN WITH THE MUCK-RAKE"'
457
THE AUTOGRAPH WRITTEN BY THE EARTHQUAKE
The waving line above tells the storyf in the unimpassioned way science has. of the great tragedy in San
Francisco. Tt is the line traced by the pencil of a seismograph in the office of the State geologist at Albany, \
N. Y., 3,000 miles from the scene of the tragedy.
HE "man with the muck-rake," as
he originally appears in "Pilgrim's
Progress," is merely a type of the
carnal-minded man, who could look
no way but downward, and "raked to himself
the straws, the small sticks and dust of the
floor" — that is to say, the riches of this world.
The expression has, however, been extensively
applied of late to writers in the papers and
the magazines who make a specialty of ex-
posing gjaft and corruption in corporate and
political life. There are protests from many
sources from those who think that this "liter-
ature of exposure" is being overdone. Senator
Lodge raised his voice in the Senate lately to
denounce reckless attacks upon public men.
District-Attorney Jerome, evidently stung by
the persistent criticism of his recent attitude
in regard to criminal prosecutions of insur-
ance officials, expressed himself caustically on
the "hysteria" which he discerns in the present
state of public sentiment. Ex-Goveritbr Black
has expressed the view that the idea has gone
almost wild in this country to-day that "the
only way to prove oneself simon-pure and
God's noblest work is not to have a dollar."
Into the midst of the discussion aroused by
these and other utterances has come President
Roosevelt's speech at the laying of the corner-
stone of the new office building for the House
of Representatives.
THE President was careful to distinguish
between those writers who are indis-
criminate in their assaults upon the character
of public men and those who remember that
an attack even upon an evil man is of use only
when free from hysterical exaggeration and
absolutely true. "Expose the crime and hunt
down the criminal," he said, "but remember
that even in the case of crime if it is attacked
in sensational, lurid and untruthful fashion.
it may do more damage to the public mind
than the crime itself." Worse even than hys-
terical excitement is "a sodden acquiescence in
evil," and the present unrest is therefore an
encouraging sign ; but if it is to result in per-
manent good, the emotion must be translated
into action that is marked by honesty, sanity
and self-restraint. "There is mighty little
good in a mere spasm of reform. The reform
that counts is that which comes through
steady, continuous growth. Violent emotion-
alism leads to exhaustion." The work of re-
form is not merely a long uphill pull. "There
is almost as much of breeching work as of
collar work; to depend only on traces means
that there will soon be a runaway and an
upset." Moreover :
"The Eighth Commandment reads, Thou shalt
not steal' It does not read, Thou shalt not steal
from the rich man.' It does not read, Thou
shalt not steal from the poor man/ It reads
simply and plainly, Thou shalt not steal.' No
good whatever will come from that warped and
mock morality which denounces the misdeeds of
men of wealth and forgets the misdeeds prac-
tised at their expense; which denounces bribery,
but blinds itself to blackmail; which foams with
rage if a corporation secures favors by improper
methods and merely leers with hideous mirth if
the corporation is itself wronged. The only pub-
lic servant who can be trusted honestly to pro-
tect the rights of the public against the misdeed
of a corporation is that public man who will just
as surely protect the corporation itself from
wrongful aggression. If a public man is willing
to yield to popular clamor and do wrong to the
men of wealth or to rich corporations, it may
be set down as certain that if the opportunity
comes he will secretly and furtively do wrong to
the public in the interest of a corporation."
Throughout the address the President
evinced fear of an injurious reaction in the
public mind, and he went so far as to point
out one case in which injury has already been
done to the public service. "One serious diffi-
458
CURRENT LITERATURE
THE WRITER OP "THE TREASON OF THE
SENATE »•
The above title of David Graham Phillips's series of
articles, placarded in large tyt)e on the bill-boards of
Washington, bad much to do, it is thought, with eliciting
the President's muck-rake speech.
culty," he said, "encountered in getting the
right type of men to dig the Panama Canal
is the certainty that they will be exposed both
without and, I am sorry to say, within Con-
gress to utterly reckless assaults on their
capacity and character. What the President
said on this subject has received general ap-
proval both from radicals and conservatives.
DISCUSSION of this subject, as already
stated, had reached a point of consider-
able intensity even before the President made
his speech. The campaign of exposure, said
Mr. Norman Hapgood, editor of Collier^ s, in
a speech in St. Louis, "has not gone half far
enough. ... It will not hurt us to know
all the facts about our communities. How is
it possible to be a self-governing community
unless we know everything of the political and
financial methods going on at the head of our
affairs?"
This question, says the Spring^eld Repub-
lican, is more theoretical than practical. Re-
formers must take the American people as
they are 'and they "will as surely tire of ex-
posures as of roller skates or bicycles." It
continues in words that have the greater
weight because of the keen and intelligent
sympathy which The Republican has steadily
shown in the purposes, if not always in the
methods, of even the most radical groups of
reformers :
"Believe us, there is nothing more to be gained
at present by piling np examples of corruption
either in political or business life. Worst of all
must be mere reiteration of what has already been
said, only in far more lurid and reckless form. It
is the overstraining for effect that impels the gal-
lery to mock the hero of melodrama, and in the
same way the overworking of the materials in
this chapter of exposure must produce the same
result. Reaction is generally caused by excess, or
satiety. And it is our observation that the public
to-day cannot be safely fed on warmed-over tales
of public scoundrelism. There is a positive dan-
ger to the reforms which all desire, in provoking
a reactionary spirit in the land. . . .
"The time, then, has come when all the ener-
gies of reform should be concentrated upon the
reaping of the fruits of the popular uprising. The
time for exposure has passed, notwithstanding
that Mr. Hapgood is right, perhaps, in thinking
that it has not gone *half far enough.' The quick-
ening of the public conscience, which has been
the splendid achievement of those who have laid
bare the anatomy of modern pelf, should now be
materialized into measures which will distinguish
the present period as one that scored an advance
no possible reaction could overcome."
ANOTHER SERIES OF MANHOLE EXPLOSIONS,
BUT JEROME DOESN'T MIND
— Macauley in N. Y. Worid.
A DEFENSE of the press in this relation
is ?idvanced by the conservative New York
Times. It admits that "the incendiaries of
the ten-cent weekly and monthly field" seem
to have discarded conscience and lost their
sense of responsibility, but we must remember
that even the magazines cannot make bricks
without straw. It continues:
"It is not surprising that the bricks they make
should partake of the hue of their material, and
no one will deny that the straw supplied to them
THE LITERATURE OF EXPOSURE''
4S9
during the past year has been very yellow in-
deed. The most reckless and sensational news-
paper cannot out of its own resources create
any harmful degree of public excitement. There
must be something to be excited about. The
frauds, the wrongs, the extortions, the breaches
of trust, the corruptions, and the 'graft' that
have come to light during the twelve-month have
been flagitious enough to stir any people to an-
ger. In the main the press has but reflected the
public temper. That the wrath of the people and
their excitement or hysteria have been raised to
a higher pitch through the exaggerations and the
reckless sensationalism of the press is doubtless
true, but the occasion and the substance of the re-
sentment were not of its making. For the most
part it has been true to its function of present-
ing the picture of the times."
A note of jubilant optimism comes from the
New Orleans Times-Democrat as it considers
the situation:
"From pulpit and university and press one
hears voices which have been stifled too long.
Through all the veins of the body politic there
thrills the vigor of fresh blood. Ideas long ac-
cepted as gospel truth are imperiously challenged.
Men long worshipped for their plutocratic for-
tunes are snatched from their pedestals. The
prophets of the new order have ceased to stand
in the pillory. In this mighty conflict nothing will
perish that ought to endure, nor will individual
or class be despoiled of aught that is held by
sound title; but we must look beneath the sur-
face, if we would reclaim our heritage and pos-
sess the substance of freedom once more. A
trumpet has sounded and it is a trumpet that
will never call retreat."
One of the most famous and discriminating
authors of the recent literature of exposure,
Mr. Lincoln Steflfens, in bringing his recent
series of articles on the Government at Wash-
ington to a close, has this to say on the general
subject of graft in America:
"My belief is that so far as our government is
bad, the evil thereof is chargeable, not to partic-
ular bad men, but to the good citizens; and that
not alone their neglect, but their (often uncon-
scious) participation in some form (often uni-
dentified) of graft, keeps them 'apathetic' Bank-
ers call themselves good citizens ; I know three or
four who are. I should like to have the others
ask themselves why they are leaving reform to
what they call 'Socialists.' Isn't it because they
are not only busy, but in on the graft some-
where ?"
|OMETHING very like a sensation
was created by the utterance made
by President Roosevelt, in his
"muck-rake" speech, in favor of a
progressive inheritance tax on large fortunes.
The utterance on this point was incidental and
brief, but it has overshadowed all the rest of
the speech so far as the newspaper comment
ifJ
HE HUNTS THE ADULTERATORS OF FOOD
Mr. Norman Hapj^ood, of Collier*Ss believes the cam-
Af^n of exposure has not yet gone half far enougfh.
e will keep on with his part of the campaign.
This is what he said on the
is concerned,
subject:
"As a matter of personal conviction, without
pretending to discuss the details or jronnulate
the system, I feel that we shall ultimately have
to consider the adoption of some such scheme as
that of a progressive tax on all fortunes beyond
a certain amount either given in life or devised
or bequeathed upon death to any individual— a
tax so framed as to put it out of the power of
the owner of one of these enormous fortunes to
hand on more than a certain amount to any one
individual — the tax, of course, to be imposed by
the national and not the State government. Such
ONLY "A FIT OF HYSTERIA"
—Rogers in N. Y. Herald.
/
JOHN D. ROCKEFELLER OF TO-DAY
'^*^rt oaoJr^*^ ^® ^^^ lately donned a wig and has been blessed with a new grandson lead some
facetlo***^^^*''"® to juggle with the phrases "nair-apparent" and "heir-apparent." If President Roose-
velfB ioperixance tax ever prevails, no one will be more affected by it than Mr. Rockefeller and his heir-
apparent. ^ ' ^
PRESIDENT ROOSEVELTS LATEST SENSATION
461
Lincoln Steffens's specialty is cor-
rnption in municipal and state poli-
tic*.
Miss Ida Tarbell is the historian of
Standard Oil and the biographer of
John D. Rockefeller.
Ray Stannard Baker makes a
specialty of railroad corporations,
bat does not limit himself to them.
THREE LEADING PRODUCERS OF "THE LITERATURE OF EXPOSURE"
taxation should, of course, be aimed merely at
the inheritance or transmission in their entirety
of fortunes swollen beyond all healthy limits.
"A monstrous proposition" is the way the
New York Times characterizes this suggestion :
"Mr. Roosevelt, we are ready to believe, did not
see its full meaning or the way in which it would
be taken. That does not change, it certainly does
not lessen, its baleful significance. If ownership
beyond a limit to be fixed by vote of Congress
is an offense, tlven all ownership is exposed to
punishment, since Congress can change the limit
from year to year. And in the long run the very
right of property becomes dependent on the view
the majority for the moment may happen to take ;
the fifty-acre farm, the two-story cottage, is no
safer than the palace of the millionaire. What
notion could be more directly adapted to in-
flame the passions of the multitude than the no-
tion that beyond a line they are themselves to set
possession is criminal? With possibly the best
of motives, with a pathetic endeavor to be mod-
erate and balanced, Mr. Roosevelt, the President
of the United States, has set a pace the wildest
Socialist cannot exceed toward a goal the Anar-
chist is seeking."
The New York World is unable to see any-
thing revolutionary in the suggestion:
"To tax fortunes 'given in life* might indeed
prove so diflScult as to compel in practice the
substitution of an income tax. But neither this
nor the proposed inheritance tax is revolutionary
or alarming. Both might be highly desirable
measures of taxation, especially if coupled with
a decided lightening of the excessive burdens of
the tariff upon consumers. Both are now col-
lected in most of the progressive European gov-
ernments, and both have been collected in this
country."
ACCORDING to The Sun's correspondent,
little else was discussed in Washington
by public men the next day but the President's
proposition. Some denounced it as rank social-
ism and pointed to the platform on which Eu-
gene Debs ran for the presidency in 1904,
pledging the party to "graduated taxation of
incomes, inheritances, franchises and land
values." Cable despatches from England rep-
resent a lively interest there in the President's
suggestion. The London Daily News thinks
public opinion will approve it. The London
Telegraph says the doctrine will not sound
very dreadful to Englishmen, who have long
had an income tax combined with the prin-
ciple of graduation. The London Express
says that the same suggestion has been made
by scores of political economists. Several of
our Western governors have indorsed the
President's views, among them Governor El-
rod, of South Dakota, and Governor Brooks
of Wyoming. Ex- Judge John F. Dillon, the
noted corporation lawyer, sums up his views
on the subject in the sentence: "The whole
of our prosperity rests in individual freedom,
the inviolability of private property, and the
sacredness of contracts." Such a measure as
the President proposes would. Judge Dillon
462
CURRENT LITERATURE
thinks, destroy the incentive to activity and the
mainspring to labor. The Philadelphia Press
regards it as *'the most radical proposition
ever made by a President of the United
States." The Chicago Tribune observes that
"if tlie genius of the President succeeds in
formulating a system, which he does not at
present pretend to do, he will have done more
to deprive anarchists and agitators of their
fuel for class hatred than could be done in any
other way."
HE center of the stage, in our
national affairs, during the last few
weeks, has been held by the courts,
especially the Federal courts. The
attention which was concentrated a short time
ago upon the Senate and its powers, and be-
fore that upon the President and his powers,
is now focused upon the judicial branch of the
Federal Government. Various events have
brought this to pass. The important decision
by the Supreme Court in the tobacco trust and
paper trust cases (noted by us last month)
has awakened wide and enthusiastic comment.
The decision of Judge Humphrey in the meat-
packers' case has caused disappointment, so
far at least as the press is concerned, equally
intense and widespread. The decision secured
by Attorney-General Hadley, of Missouri, re-
quiring answers to his questions on the part
of Standard Oil magnates has evoked many
expressions of editorial delight and of con-
gratulations for the young attorney-general.
SAFE!
— Macauley in N. Y. Wor/4/.
The lynching of a negro in Chattanooga, in
violation of a stay of execution granted by the
United States Supreme Court, is an event that
has unprecedented features and may have
some momentous consequences. The visit of
officials of the American Federation of Labor
to President Roosevelt to demand that the
right of Federal courts to issue writs of in-
junction in labor disputes be abolished and the
President's reply furnish more very interest-
ing material for discussion and political spec-
ulation. A new decision by the Supreme Court
on the subject of divorce, to the effect that no
divorce, if granted by a State in which birt
one party to the divorce is a resident, is en-
forceable in other States, may, it is thought,
render 20,000 children illegitimate and place
hundreds of women, some of high social po-
sition, in a very embarrassing position. And
finally the foremost issue up for debate in
Washington this year — ^that of railroad rate
regulation — has revolved, in late weeks, around
the relation of the Federal courts to Con-
gress and the extent of the right of the
latter to abridge the powers and jurisdic-
tion of the former. This series of events
has not yet produced any, articles in our ten-
cent magazines on "The Treason of the
Supreme Court," but it has elicited some sharp
criticism and some very jubilant commenda-
tion, and the magazines may be trusted to get
into the procession this month or next. The
first line of attack is probably indicated in the
remark by Mr. Bryan's paper. The Commoner,
that "one of the essential reforms of to-day
is the abolition pf the life-tenure federal
judiciary."
HAT is called "the meat-packers'
decision" has evolved a new phrase
for our dictionary-makers to take
note of. The phrase is "immunity
bath." Attorney-General Moody is respon-
sible for the phrase, but whether Commissioner
Garfield, or Judge Humphrey, of the United
States district court at Chicago, or Thomas
Jefferson, who drafted the Federal Constitu-
tion, is responsible for the thing itself is a
subject of dispute. The occasion that gave it
birth was the criminal prosecution of the
meat-packers — sixteen of them — for viola-
tions of the anti-trust law. They pleaded im-
munity from penalty under the provision in
the fifth amendment of the Constitution that
says no person "shall be compelled in any
criminal case to be a witness against himself."
MEAT'PACKERS AND ''IMMUNITY BATHS''
463
Their claim was that, under legal compulsion,
they had given evidence to Commissioner Gar-
field, of the bureau of corporations, in his
recent investigation; that this evidence had
been turned over to the judicial department
and formed in part the basis of the prosecu-
tion. The attorney-general scouted the plea
for immunity as absurd, and he pictured the
result if it prevailed. Washington would be-
come a health resort for all sorts of corpora-
tion magnates pursuing devious ways. 'T can
imagine them meeting," he said, "and saying:
'Good morning, good morning, Mr. Rocke-
feller, have you had your immunity bath this
morning?' Look at the absurdity of the
thing!"
Judge Humphrey looked, and then decided
that whether or not "the thing" was absurd,
it was according to law. He said in his
decision :
"Garfield came to the defendants and held up
before them the powers of his office. They did
not go to him and volunteer anything. Now,
since the defendants volunteered nothing, but
gfave only what was demanded by an officer, who
had the right to make the demand, and gave in
good faith under a sense of legal compulsion, I
am of the opinion that they were entitled to im-
munity."
This immunity extends not to the corpora-
tion itself but only to the individuals who con-
duct it Whereat a harsh and bitter laugh
has been heard throughout the land. For a
corporation cannot be imprisoned.
NOTHING less than a calamity has befallen
the country, according to Attorney-
General Moody's view — a calamity to "the
government, the people, the laws and the ad-
ministration of the laws." For apparently the
case cannot be appealed to a higher court,
and as it stands, it seems to put an effectual
end to the usefulness of the bureau of corpora-
tions. Such a conservative paper as The
Journal of Commerce (New York) has the
following to say concerning the decision:
*The more the ruling of Judge Humphrey in
the Chicago Packers' case is considered the more
extraordinary it appears, and it is hardly con-
ceivable that it can be sound judicial doctrine. It
seems as though some influence must have oper-
ated upon Uie judicial mind besides a desire to
see the law vindicated against the designs of its
willful violators."
This seems to the Topeka Capital unjust.
Judge Humphrey, it says, "has a specially
clean reputation," and was a judge in a thou-
sand to try the beef trust. The fault, it thinks,
is in the failure of law to keep abreast of the
times. Centuries ago, in the age of tortures,
it was necessary, in order to protect the inno-
cent, to exempt them from testifying against
themselves. That exemption now is the strong
defense of the guilty. But Judge Humphrey
is not responsible for the law as it exists. A
great many papers blame Commissioner Gar-
field. Says the Boston Herald:
"This breakdown of the government's criminal
prosecution was not due to any fault or lack in
the office of the attorney-general. It is charge-
able wholly to the heedless if not ignorant action
of Commissioner Garfield in prosecuting his in-
quiries for information with so little knowledge
and care as to release the men whom he subjected
to his legal 'force pump' from any personal lia-
bilities for their acts or for those of the corpora-
tions which they control and direct. . . . Had
a commissioner of greater legal knowledge and
experience, imbued with a desire to do thmgs in
the right way rather than to do them 'anyhow,'
been intrusted with the duty of prying into the
affairs of great corporations, this humiliating fail-
ure might have been spared the administration."
In a special message to Congress on the sub-
ject, President Roosevelt declares that Com-
missioner Garfield had only performed the duty
imposed on him by Congp*ess. He characterizes
the decision of the judge in strong terms which
have created another presidential sensation.
"Such interpretation of the law comes measur-
ably near making the law a farce," he says,
and to make the will of Congress "absolutely
abortive." He adds : "I can hardly believe that
the ruling of Judge Humphrey will be fol-
lowed by other judges." He urges the enact-
ment of new legislation declaring the will
of Congp*ess more explicitly.
The Law : Bagged, by Jingo !
The Onlooker : Only the bag, by Jingo !
— Warren in Boston Heraid.
464
CURRENT LITERATURE
HE cry against the courts because
of "government by injunction*' is
again heard. It was raised last
month in the White House in a
presentation of grievances made to the Presi-
,dent by leaders of the American Federation
of Labor, who claim to represent a member-
ship of two million wage-earners. At the end
of their presentation address these words were
used:
"As labor's representatives, we ask you to re-
dress these grievances, for it is in your power
to do so. Labor now appeals to you and we
trust that it may not be in vain. But if per-
chance you may not heed us, we shall appeal
to the conscience and the support of our fellow-
citizens."
If the press correctly interpret these words
and the subsequent action of the Federation's
executive council, they mean a new and dis-
tinct labor party in the near future. The pur-
pose of this party will be, as stated by the
council, to "elect men from our own ranks
to make new laws and administer them along
the lines laid down in the legislative demands
of the American Federation of Labor, and at
the same time secure an impartial judiciary
that will not govern us by arbitrary injunctions
of courts, nor act as the pliant tools of corpora-
tions." The petition presented to the Presi-
dent and later to Speaker Cannon contained a
number of grievances — the suspension of the
eight-hour law at Panama, the alleged relaxa-
tion in the administration of the Chinese ex-
clusion laws, the unsympathetic attitude of the
present Labor Committee in the House of
Representatives, the insufficient restrictions on
immigp*ation, and the competition of convict
labor; but the grievance that was evidently
regarded as the most important of all was
the one that relates to "government by in-
junction."
THE reply made by the President on the dif-
ferent subjects laid before him has re-
ceived fully as enthusiastic praise as anything
he has ever said. Speaking on the question of
injunctions, he regretted that the delegation
had not been more specific in its complaint. He
asserted that he was in favor of the bill now
before Congress to prevent certain abuses
of the writ of injunction, but that if the
bill was unsatisfactory to the Federation
they could probably kill it readily as the
capitalistic elements are also strongly opposed
to it. He declared that in the four and a half
years that he has been in the White House
the writ of injunction has not been invoked
once by the Federal Government against labor,
but has often been invoked against capitaL
And in conclusion he stated that labor could
not reasonably ask for immunity from injunc-
tion by the courts for acts that were wrong,
and that he would invoke it just as readily
against labor as against capital if the occasion
called for it. The entire response by the Presi-
dent was made, in the opinion of the Phila-
delphia Public Ledger, "with a candor, good
judgment, good temper and good taste that
must everywhere meet admiring recognition."
Whether the Federation leaders admired it we
do not know; but it does not seem to have
satisfied them. The declaration for inde-
pendent political action followed soon after.
THIS grievance of the Federation is the
subject of the leading editorial in a
recent number of The American Federation-
ist, written and signed by Samuel Gompers,
the head of the Federation. It is entitled "The
Injunction in Labor Disputes Must Go," and
begins: "What we have called Holdomism —
Holdom, of Chicago, a judge beloved of pluto-
cratic lawyers and rabid enemies of unionism
— the carrying of the injunction to unheard-of
extremes, is arousing the just and natural in-
dignation of honest, unprejudiced men." Mr.
Gompers refers approvingly to recent action
by the Chicago Typographical Union looking
to the formation of an anti -injunction league,
"the sole purpose of which shall be to compel
every candidate for office, without regard to
political affiliation, either national, state, or
municipal, to place himself on record as op-
posed to the injunction as applied to trade
unions," and also to the suggestion of a Kan-
sas labor-union that a national conference be
held "for the purpose of agreeing upon the
best plan for preventing further aggressions,
recovering lost ground, and securing such a
basis for law as will increase instead of de-
crease respect for the courts." Says Mr.
Gompers :
"It is not a question of particular individuals.
The whole system must be attacked. Judicial
candidates everywhere must be made to under-
stand that the working masses mean to assert
and defend their rights as citizens and free men
— ^the right to trial by jury, the right to free
speech and free association within the law, the
right of moral suasion, the right to induce men
to join unions, the right to use the streets and
highways peaceably and in an orderly manner.
All these rights, as we have repeatedly shown,
have been denied and invaded by the injunction
judges, and without a shadow of justification."
IS THERE TO BE A NEW LABOR PARTY?
465
MR. GOMPERS asserts that eminent law-
yers and impartial jurists recognize the
viciousness of the injunction proceedings. He
quotes from a recent address by Mr. S. S.
Gregory, ex-President of the Illinois Bar As-
sociation, who says:
"So far as I know, it was he [Judge Tuley, of
Chicago] who coined the phrase 'government by
injunction' which has gained such wide currency.
This expression not inaptly characterizes those
efforts now so common to commit to chancery
the enforcement of the criminal law under the
guise of protecting property rights. ... It
requires and is bound, sooner or later, to receive
legislative treatment as to matters of procedure,
which will render it impossible for courts of
equity to administer the ^enal code without any
limitation in respect of the constitutional rights
of the accused, under the form of proceedings in
contempt for violating an injunction. This mode
of procedure becomes peculiarly obnoxious and
hostile to liberty when it is resorted to by the
nation or state in respect of matters as to which
the sovereign has no property interest, and solely
and only for the purpose of procuring an injunc-
tion against criminal conduct already prohibited
by the law. The necessary effect of this course is,
if violation of an injunction thus obtained be al-
leged, to deprive the accused of his constitutional
right to trial by jury, on what is virtually a crim-
inal accusation."
WHAT Mr. Gompers has to say about in-
junctions does not elicit anything like
the amount of comment that is elicited by the
supposed threat to form a new labor party.
"Several so-called labor parties have figured
in the politics of the United States," observes
the St. Louis Globe-Democrat. "Not one of
those parties raised a ripple on the surface of
the current of politics. The real labor men,
the many millions of workers in all fields,
shunned those parties, as they will shun the
one which the federation wants to start, if it
should ever get started."
A number of journals find the inspiration
of this projected movement in the recent suc-
cess of the Labor party in Great Britain. Says
the Springfield Republican:
"It must be admitted that the English experi-
ence has already taught labor in America how
much more easily the desired legislation may be
secured from parties in power if only labor com-
mands a solid block of votes in the arena of par-
liamentary strife. The French experience teaches
the same lesson. And when such facts are so
manifest to eyes outside the unions, is it absurd
to suppose that the American labor leaders them-
selves are blind to them ?"
The Journal of Commerce (New York) de-
clares that the allegation that the writ of
injunction has been perverted so as to attack
ahd destroy personal freedom is "without a
shadow of foundation." It says further:
"There is a prevailing suspicion that the two
million enrolled members claimed by the Ameri-
can Federation of Labor are largely men in
fiction, and there is a tolerable certainty that not
more than a fraction of that number would be
governed in their action at the polls by the cut
and dried formulas of their leaders. But organ-
ized labor has, nevertheless, through the lobby it
maintains in Washington, succeeded in terroriz-
ing members of Congress to an extent out of all
proportion to its real strength. It would have an
extremely healthy influence on our politics and
legislation to require this supposititious body of
American citizens to stand up and be counted."
It is interesting to note, in this connection,
another editorial by Mr. Gompers, recounting
the fact that Mr. Hearst's papers have been of
late assailing the trade-unions and their lead-
ers, and that a recent visit of protest to Mr.
Hearst resulted in a mutual understanding
and a promise that the attacks by his papers
should cease.
S THE long and able debate in the
Senate on rate regulation nears its
close, it becomes more and more
obvious that the crux of the whole
matter is the question of judicial review.
All other features of the subject have al-
most dropped out of sight, and the discussion
has become one between lawyers, in which
such terms as "broad review," "limited re-
view," "equity jurisdiction," "judicial power
of the United States," are hurled by them at
one another with the ease and adroitness of
Titans hurling mountains at the high Olympic
gods. But the discussion, though a legal one,
has been far from uninteresting or obtuse.
Even a layman may follow it with avidity if
he has the time to read the speeches in full
and does not have to depend on the mere
skeleton reports in the news despatches. The
speeches by Foraker, Lodge, Spooner, Rayner,
Knox, Bailey, and others constitute, in the
opinion of the Philadelphia Ledger, "one of
the most remarkable series of speeches ever
delivered in the history of the Senate." And
the Boston Herald questions whether the Sen-
ate has ever, during the present generation,
shown in any discussion more of the qualities
of statesmanship than have been exhibited in
the last few weeks in this debate.
THREE groups of Senators have gradually
defined themselves. One group, led by
Senator Dolliver, wish the Hepburn bill passed
466
CURRENT LITERATURE
THE SENATOR FROM KANSAS
Chester I. Long is fifoiring prominently as an advocate
of rate regulation. He says: ** I object to any plan which
proposes to confer the rate-making power on the courts,
either directly or indirectly, for such power is confided
to Congress and not to the courts, and the courts should
not discharge the power even if it is attempted to be
conferred by statute."
substantially as it came from the lower house,
with its very brief and incidental reference
to review by the courts. The second, led by
Senators Spooner and Knox, wish an amend-
ment providing for full review by the courts
of the rates decreed by the commission, not
only as to their "lawfulness" and "constitu-
tionality," but as to their furnishing "just
compensation." The third group, led by Sen-
ator Bailey, wish judicial review, but do not
wish this review to extend to the power of set-
ting aside the rates by writs of injunction, is-
sued before a full hearing of both sides. At
this writing, it seems to be practically con-
ceded on all sides (i) that rates shall be reg-
ulated, and (2) that they shall be subject to
some kind of judicial review. The President's
utterances have been explicit in favor of a
court review. Congressman Hepburn admits
that there is no doubt that if his bill becomes
law the court will, under its provisions, "have
the right to enjoin a rate fixed by the com-
mission if it is unreasonably low," even if it
does not amount to practical confiscation. Sen-
ator Tillman admits that rate regulation with-
out review by the courts would be unconstitu-
tional. And Senator Bailey, when asked by
Senator Aldrich whether he is in favor of "a
full and fair judicial determination finally of
the question whether the rates fixed furnish
just compensation or not," replied in the fol-
lowing emphatic words:
"I am. I have never seen the hour, and I sin-
cerely trust I will never see the time, when I
can be clamored into closing the doors of the
courts against any person, natural or corporate.
The right to a trial is not only sacred under the
Constitution, but it was sacred before the Con-
stitution was adopted. If you could destroy the
Constitution, and if by burning its parchment
you could release us from our obligation to obey
its limitations, I should still stand here contend-
ing for the right of every man to have his day
in court. But, Mr. President, the right to a day
in court, the right to have a fair and an impar-
tial trial, does not embrace the right of allow-
ing an arbitrary Federal judge to set aside with-
out sufficient inquiry the deliberate judgment of
a competent and impartial board."
WHAT, then, is the real point of conten-
tion? It is indicated in the last few
words above. When a certain rate has been
ordered by the commission, shall that rate
prevail until a Federal court has, after a full
hearing, given its final decision, or may it be
set aside at once by a writ of injunction issued
by the court pending the full hearing? This is
an important matter to the shipper, as well as
the railroad and the public, for it might be
years before final adjudication was reached
DESIGN FOR A NEW COAT OF ARMS
^DeMar in Philadelphia Record,
A GREAT DEBATE IN THE SENATE
467
and the question whether the rate ordered by
the commission or the rate made by the rail-
road should prevail during these years evi-
dently involves the practical success or failure
of the whole scheme of rate regulation. The
Hepburn bill leaves this question undeter-
mined, though, according to Mr. Hepburn's
admission already quoted, he himself thinks
the court's right to enjoin would be undoubted
under his bill. Senators Knox and Spooner
maintain that if the Federal courts be author-
ized by Congress to review the rates at all,
that authority must extend to the issuing of
injunctions, and Senator Knox's bill provides
for this, but requires a bond to be supplied by
the railroad to cover the cost to the shipper
of the difference in rates caused by the in-
junction. Senator Bailey insists that the third
article of the Federal Constitution, which de-
clares that "the judicial Power of the United
States shall be vested in one supreme Court,
and in such inferior Courts as the Congress
may from time to time ordain and establish,"
makes all the Federal courts, except the
Supreme Court alone, the creatures of Con-
gress and subject to its unlimited restriction.
CASE after case is quoted by Senator
Bailey to prove this point. Here is a
sample quotation from the Supreme Court's
NO COMMON CARRIER
Uncle Sam — '*I don't know as it matters how I get there,
just so I arrive."
— Minneapolis Journal.
From it.rcograpb, copyright 1006, by Uiiderirood & Underwood, N. Y.
LA FOLLETTE AS A SENATOR
The two Senators from Wisconsin, Spooner and La
Pollette, thoug^h both Republican, are at swords' points
on most issues. Spooner is a conservative, La Follette
on many issues a raaical. They are one on the protective
tariff, however.
decision in the case of the United States
versus Hudson (7th Cranch). Said the Court:
"Of all the courts which the United States
may, under their general powers, constitute, one
only, the Supreme Court, possesses jurisdiction
derived immediately from the Constitution, and
of which the legislative power can not deprive
it. All other courts created by the General Gov-
ernment possess no jurisdiction but what is given
them by the power that creates them and can
be vested with none but what the power ceded
to the General Government will authorize them
to confer."
But, say Senators Spooner and Knox, Con-
gress cannot constitute a court of equity and
then deprive it of the inherent functions of
such a court; and "the power to grant an in-
junction, preliminary or final," is held to be
such a function. Says Senator Knox:
"Right here is the vital part of the controversy.
Bv the creation of these inferior courts Congress
does not also create the power with which they
are to be clothed. Congress merely applies the
power already created by the Constitution. If
it were otherwise, and Congress not only created
the courts but the judicial power as well, then
it would undoubtedly be true that Congress could
468
CURRENT LITERATURE
likewise deprive the courts of this power by
taking away one or more of their essential and
inherent subordinate powers, such as the right
to issue the writ of injunction. But that is not
the case. The judicial power exists inherently
by virtue of the Constitution, which instrument
likewise created Congress and prescribed that it
should establish the courts through which the
judicial power should operate. The office of
Congress is therefore to distribute and not to
create these powers."
Senator Knox's citations to prove this point
were taken from the "Cyclopedia of Law and
Procedure" (vol. xvi, p. 30), Beach on ** Mod-
ern Equity Jurisprudence" (section 5), Bis-
pham*s "Equity" (6th edition, p. 2), and Bates
on "Federal Equity Procedure" (sections 525,
526). Ah, says Senator Bailey, in effect, in
his notable reply four hours and ten minutes
long, the Senator's citations are from the text-
books on law, which discuss the law as it is;
but it is as it is simply because Congress has
heretofore so willed it. And he proceeded to
cite additional rulings by the courts to prove
that, if so disposed. Congress could to-day dis-
establish every one of the inferior Federal
courts ; and "the power to create and the power
to destroy must include the power to limit."
Senator Bailey's speech, according to the New
York Times (a determined opponent of rate
regulation), fairly routed Senators Spooner
THE WASHINGTON VESUVIUS
— Thomdlke in Philadelphia Press,
and Knox. Senator Hale rose to acknowledge
that he was entirely convinced by the argu-
ment, and, according to the New York Eve-
ning Post, the speech "has put a new face
upon the whole rate-bill situation." The
Washington correspondent of the Springfield
Republican said in his report of the speech :
"Gladstone was able to lend color to dry facts
and figures when introducing the English budget,
but Bailey to-day made of abstract law, of cita-
tions from a hundred cases with the law-books
piled around him like a barricade, a veritable
drama. Speaking with superb grace and dignity,
and with luminous clarity, even the galleries could
follow the thought as he developed it. But there
was little eloquence for mere eloquence's sake.
At the close of the speech the galleries, setting
Senate rules at defiance, broke into prolonged ap-
plause, while practically all the senators crowded
around Bailey to congratulate him. It was with
difficulty that the Senate could be again called to
order and it soon adjourned.
"Those who look ahead count Bailey's speech
as likely to be of historic importance, not only
because of its memorable eloquence, but because
they feel that this question of abridging the re-
straining powers of the courts is likely to recur.
In spite of their protests and the fact that they
have the votes to beat him, it seemed that many
of the republicans felt inwardly that Bailey had
proved his case. This being so, his speech will
be turned back to in the future."
HE defiance of the United States
Supreme Court which occurred in
Chattanooga, Tenn., several weeks
ago may have important develop-
ments in the future relations of the Federal
Government to lynching mobs. A negro, John-
son, had been convicted of assault upon a
white woman. The case had been appealed to
the Supreme Court of the United States and
a stay of execution of sentence had been
granted. A mob was thereupon hastily organ-
ized in Chattanooga, the jail was stormed and
the negro prisoner was hanged. Within forty-
eight hours after there was an uprising of
infuriated negroes and it took the combined
power of the police and military to prevent
them from destroying the city. The feature
of the case that distinguished it from all other
cases of lynching lies in the fact that it was
defiance not of State authorities only but of
the highest Federal court of the land as well.
All over the country this novel feature of the
case has excited discussion, and the steps to
be taken by the Federal Government to vindi-
cate the court may result in a new line of
precedents for the prosecution of lynchers
under Federal statutes. The Macon, Ga.,
THE SUPREME COURT AND THE TENNESSEE LYNCHING
469
FnHD ■tvreograph, ropytlgbt IQOO, by Underwootl t. Underwood, N. T.
TUSKEGEE INSTITUTE TO-DAY
It was started twenty-five years ago with an abandoned church, a hen-house and a blind mule. These are but a few
of the many buildings now owned by it, all of them erected by its negro students.
Telegraph fears "disastrous consequences." It
says:
"The ear of the American public is accustomed
by this time to the clamor from Democrats and
Republicans ahke for Federal control of many
things hitherto and by warrant of the constitu-
tion under the control of the states. It is there-
fore a favorable time for certain Northern agi-
tators to push their scheme of placing lynching
cases in the South under the auspices of the
Federal courts, thus giving the lowest of negro
criminals superior rights to those enjoyed by
white criminals who must look to the state gov-
ernment and state courts for protection. The
affair at Chattanooga, where for the first time
the lynchers of a negro came into conflict with
the supreme court of the United States, will be
used by the said agitators for all it is worth,
and there is no telHng what the ultimate conse-
quences may be in a period of insensate demand
for the extension of the powers of the Federal
government beyond the provisions of the consti-
tution."
ALL that the Supreme Court itself can do
in this matter is to punish for contempt
of court, which is a mere misdemeanor punish-
able by fine and imprisonment not to exceed
twelve months. But the Attorney-General of
the United States has directed the United
States district attorney at Knoxville to investi-
gate the case, with a view probably of prose-
cuting the lynchers for violation of the Federal
statutes (sections 5508-5509), which declare
that conspiring to deprive a citizen of rights
guaranteed to him by the Federal statutes is a
crime punishable by a fine not exceeding $5,000
and imprisonment not exceeding ten years.
Some of the Southern papers denounce the
Supreme Court for having interfered in the
case at all. The Atlanta News calls this inter-
ference "an outrage against justice," and the
Memphis News-Scimetar, while it admits that
the mob did wrong, declares that "the Federal
Court interfered without warrant or constitu-
tional right and all the blame for Chatta-
nooga's shame lies at their door." Other
Southern papers, notably the Chattanooga
Times, the Columbia State and the Richmond
Times-Dispatch are unsparing in their con-
demnation of the mob. The first-named paper,
published at the seat of the lynching, calls
upon the State authorities to employ every
agency available for bringing all the members
of the mob to justice; and it adds: "We do not
want the interference of federal authority in
our local affairs, but we cannot prevent it if
it shall be made to appear that we dare not or
will not enforce our own laws."
THE Chattanooga lynching "makes a case,"
says the New York Tribune, "if ever one
can be made, for testing the theory of Judge
Jones, of the United States District Court of
Alabama, that the Federal government can be
rendered an effective instrument for punishing
lynchers whom State governments will not
suppress or punish." It calls upon the Federal
authorities to punish the infraction of the Fed-
eral laws in this case whatever the State of
Tennessee may do about murder trials. The
Springfield Republican declares that "as re-
viewed by the Chattanooga papers after the
lynching, the evidence was too uncertain to
justify the slaughter of a dog." The Boston
Herald publishes a letter from E. M. Hewlett,
of Washington, the lawyer who pleaded John-
son's case before the Supreme Court. Speak-
ing of the trial in Tennessee at which Johnson
was convicted, Mr. Hewlett says:
"At the trial of the Johnson case in Tennessee,
one of the jurors arose in the box and demanded
of the young woman who had been attacked if
she was sure the defendant was the man who
470
CURRENT LITERATURE
From stereograph, ropyrif ht UW8, Underwood fc Uuderwood, N F.
THE MAN WHO MADE TUSKEGEE
One member of Mr. Washltigrton's family, the daugrhter, is
missinsT here. She is in Berlin studying music.
committed the act, and when she said she was
not willing to swear that he was, the juror de-
manded that she should swear that he was the
man and he would get down out of the box and
tear his heart oui. The presiding judge did not
even reprimand him. The counsel who defended
him were intimidated by the mob, and after
conviction the judge refused to let counsel file
a motion for a new trial. The lawyers who (by
appointment of the court) represented him at
the trial were the best white lawyers in the state.
They had to abandon the case on account of
threats from the mob. Many of the best citi-
zens contributed money to carry the case to the
supreme court. As Justice Harlan said, he was
tried by a mob and not by a court. The presid-
ing judge even went as far as to appoint a com-
mittee to wait on the lawyers and give them to
understand that if they attempted to further de-
fend Johnson, Johnson would be lynched at
once. . . . Mr. N. W. Parden is an attorney
from Tennessee and is a brave man, because he
took up the case after the mob had threatened
to burn his house down if he appeared for the
man."
•
TARTING twenty-five years ago
with an abandoned church, a hen-
house, and a blind mule, the Tus-
kegee Institute has now 83 build-
ings, 2,000 acres of land, and personal prop-
erty whose value is $831,895. Starting with
30 students and one teacher, it enrolled last
year 1,504 students studying thirty-seven dif-
ferent industries. Starting with an income of
$2,000 a year granted by the State of Ala-
bama, it has an endowment fund that on Jan-
uary I amounted to $1,275,664, and an income,
exclusive of special contributions, of about
$213,000, nearly one-half of it coming from
industrial products made in the school itself.
Six thousand negro students have gone out
from its halls, not one of whom, it is claimed,
has ever been convicted of a crime and less
than ten per cent, of whom have proved to he
failures at their chosen vocations. Under the
circumstances, it seems as though Tuskegee
had a good right to celebrate her twenty-fifth
anniversary last month and call on the coun-
try at large to increase her endowment to three
millions and her annual income to half a mil-
lion. Unlike Hampton Institute, Tuskegee is
manned entirely by negroes, and has been
from the beginning. Says the New York
Times of this feature of the school:
"One of the remarkable facts that this celebra-
tion has brought into prominence has been that a
great institution has been built up and developed
and great material resources have been adminis-
tered successfully by negroes. Through it have
been exhibited the great qualities of one negro,
at least, and the intelligence, devotion, and self-
control of many others who have tenaciously kept
to a high ideal. They have a right to congratu-
late themselves, in Mr. Washington's words,
that they have *put a new spirit into the people,
a spirit that makes them feel that they have
friends right about them, a spirit that has filled
them with the idea that they can make progress,
that they will make progress, and fulfill their
mission in this Republic.'"
MORE than one hundred persons, many oi
them of national reputation, went from
New York City in a special train to attend
the anniversary exercises. Among those on
the program were Secretary Taft, as a special
representative of President Roosevelt; Presi-
dent Eliot, of Harvard ; and Andrew Carnegie,
of the Spelling Reform Association and sev-
eral other things. The speech of the Secre-
tary of War was the only one that has
excited much newspaper comment. He spoke
of the political disqualifications of the negro
in the Southern States with a frankness that
has surprised many and oflFended few. If the
negro is to be disfranchised, it is better, he
thinks, for the South to do it by legal methods
than, as in the past, by illegal methods. Under
the laws as they now exist in most of the
Southern States he sees a chance for the
negroes as they develop educationally to in-
crease their political power gradually and
wholesomely, and by dividing their votes into
THE CELEBRATION AT TUSKEGEE
471
the diflfcrent parties into which the whites are
sure to divide, not on racial issues but issues
of general public concern, to make themselves
respected and courted in politics as other
voters are. "The suggestion of the Secre-
tary," says the Chicago Tribune, "might well
be followed as a possible solution of a great
national problem." But the profound and
statesmanlike word on this issue, the Boston
Herald thinks, was uttered by Booker T.
Washington, of whom it says: "Perhaps the
nation has no living citizen to whom it owes
a more profound obligation." What Mr.
Washington said was:
"If this country is to continue to be a repub-
lic its task will never be completed as long as
seven or eight millions of its people are in a large
degree regarded as aliens, and are without voice
or interest in the welfare of the government. Such
a course will not merely inflict great injustice
upon these millions of people, but the nation will
pay the price of finding the genius and form of its
government changed, not perhaps in name, but
certainly in reality, and because of this the world
will say that free government is a failure."
"These two illuminating sentences," says
the Boston paper, "should sink deep into the
hearts of all the citizens of the republic. It is
not mere compliment to say that they partake
of the terse, logical inevitableness of Abraham
Lincoln's habit of presenting a case."
• *
ESUVIUS has opened crater upon
crater throughout the last thirty
days with an explosiveness unpar-
alleled in over eighteen hundred
years. Every despatch from Naples since the
first week of April has read like a twentieth-
century amplification of the narrative in which
the younger Pliny recorded the last days of
Pompeii. There were perceptible shocks of
earthquake throughout the Neapolitan region
Fnmi iterw»fr«pb, copyrlgbt l«»» by Underwood ti. Underwood, N. Y,
A TUSKEGEE CLASS IN GEOGRAPHY
RiMDining the banks of a brook to understand how
rivers dlstribtite fi^avel and soil and affect agricultural
values.
From iterrogrnph, copyright 1908, by Underwood k. Underwood, N. Y.
A TUSKEGEE CLASS IN ARITHMETIC
It is making practical calculations in connection with
a new^ building. Every structure of the institute has
been planned and built by the students.
472
CURRENT LITERATURE
Prom rteieogiaph, copyright 1006, by Cndcrwood it Underwood, H. Y.
BOOKER T. WASHINGTON AND HIS FRIENDS
To the right of Mr. Wnshin^arton are Robert C. Ogden and George T. McEnery j to bis left are Andrew
Carnegie and President Charles W. Eliot : in the back row are Dr. Lyman Abbott, J. Phelps Stokes (to the
right of Dr. Abbott) and H. B. Prissell, of Hampton Institute. These were some of the visitors to Tuskegee
last month.
as far back as last March. A wide crevice then
opened in the side of the volcano itself. Lava
issued fitfully, wreaths of smoke ascended to a
height of a thousand feet and the principal
crater, long hidden in vapor, exploded. These
phenomena were but the more violent phases
of a disturbance that has been almost continr
uous during the past six months. But the suc-
cessive streams of lava from the edge of the
old crater did not begin to flow steadily until
three weeks ago. Then began also the ejec-
tion of incandescent stones, earthquakes of
increasing radius and an almost incessant sub-
terranean thunder. Seismic shocks were
powerful as far away as the island of Ustica,
some thirty-seven miles from Palermo. In one
more week Vesuvius was venting torrents oi
liquid fire toward the sky and currents of lava
in the direction of Naples. Panic now began
to rage through a region inhabited by hundi^eds
of thousands of the Italian proletariat.- A
dozen populous towns have disappeared only
less completely than Herculaneuni^ \.The
deaths are counted by hundreds and the home-
less would populate an American city of the
second class.
NUMEROUS seismic outbursts occurring
within the past three months in South
America and in Formosa, as well as the still
more recent disturbance in California (noted
on another page) have much to do with this
THE ERUPTION OF VESUVIUS
473
latest eruption of Vesuvius, says Professor
Belar, the eminent head of the Laubach Ob-
servatory. It was he who ascribed the French
mining disaster to atmospheric conditions, and
he now connects the volcanic outbreak with the
sudden general increase which has occurred
since March 20th in the activity visible on the
surface of the sun. The curious point is, he
notes, that this activity is apparent in all the
existing groups of sun-spots, and he predicts
that as long as the sun-spot activity continues
the seismic disturbances will be frequent This
is contrary, of course, to the view held by many
scientists that neither sun-spots, meteors,
aurorae nor planetary configurations sustain
any direct relation to seismic phenomena. On
the other hand, it is maintained that volcanic
eruptions, and especially earthquake shocks,
must, at least in part, be effects of meteor-
ological conditions, and these, in turn, cer-
tainly depend upon the sun. The connection
of the Vesuvian activity with last February's
earthquake in Colombia, entailing the loss of
some two thousand lives, is not to be ignored,
according to the expressed opinions of noted
seismologists. On the basis of their records,
the more violent phases of this eruption of
Vesuvius were predicted many weeks ago by
Professor Matteucci, the director of the ob-
servatory on that volcano, who has remained
at his post day after day despite the sulphur-
ous fumes and hot ashes.
AS AN industrial center, Naples is so im-
portant a unit in the economic structure
of Italy that the paralysis of the city may
lead to a financial crisis. The population of
the city and its suburbs is about 800,000. All
the wealthy people of southern Italy reside
there for a part of the year, and the social
season had not waned when the volcano mani-
fested its first furious activity. The devas-
tated region is fertile, yielding cheap food for
a population far beyond the range of the ruin
already wrought. Rents in and about Naples
are low, fuel almost superfluous and the
ordinary death-rate less than that of any other
Italian town. East from Naples is a vast
plain that presented, until a month ago, an
aspect of the highest cultivation, with no
dwellings save those of the peasants who till
the soil. It is not suitable for residential
purposes because disagreeable trades have
been established there, and it is close to the
most squalid part of the town. Here the
seiimic convulsion caused the most acute in-
dustrial paralysis. The area is intersected by
Copyright b> C. n. OraTci
INSIDE THE CRATER
The lava from this mouth is always of an acid tvpe.
Ferric chloride is said to form the crust un fhe lava
surface. ^
the railway lines that have been completely
blcvcked by falling ashes. Between the plain
and the sea are factories and ship-building
yards sufficiently remote from Vesuvius, it
was thought, to incur no risk.
IN THIS now smoking plain the Italian
Government recently established a free
zone to attract manufacturing capitalists from
northern Italy and abroad. Land was to be
Copyright by H. C. White Co.
LOOKING INTO VESUVIUS
This picture was taken at a point immediately over
the crater.
474
CURRENT LITERATURE
THE CRATER OP VESUVIUS
The eruption of this volcano during the past month differed from that which destroyed Pompeii and Hercu-
laneum in the fact that quantities of lava flowed down the side of the mountain. In the outburst of 79 A. D., on
the contrary, no lava was ejected.
sold at an almost nominal price, and factories
were to enjoy complete immunity from direct
taxation. By a law enacted in 1904, the in-
dustrials were to pay no income tax — which is
high elsewhere in Italy — no land or building
tax, no customs duties on imported plant —
machinery and tools and the like. The same
law allowed them to get salt at cost price in-
stead of at the rate charged by the govern-
ment monopoly — a highly important conces-
sion in the case of chemical works. The con-
struction of an eighth of the rolling-stock of
Italian railways was given out by contract to
Naples. The government also undertook to
supply motive power at the lowest rate and to
bring electric energy from the upper waters
of the Volturno. Such was the industrial
paradise, with a vast inland market, easy con-
dition^ of import and export, a practically
complete exemption from taxation, abundance
of efficient labor, a salubrious climate and ex-
cellent water, cheap motive power, abundance
of raw material and the easiest conditions
possible for exportation to North and South
America, Africa and the Far East, against
which the destructive energies of Vesuvius
have been so potent. At the present writing,
the activity of the volcano has markedly de-
creased, and the panic of the people in Naples,
who feared at one time the destruction of
their city, has subsided.
Ih^^fJ
pl^^2| UNICIPAL ownership is a slogan
that has been very much in the air
in the last twelve months. The
election of Mayor Dunne in Chi-
cago a year ago gave new potency to the
phrase and the vote for Mr. Hearst in New
York City last fall gave it an aspect almost
of terror to the more conservative. The
fears of its foes have now been somewhat al-
layed by the referendum vote taken on the
subject last month in Chicago. Although that
.vote is claimed as a victory for municipal own-
ership, it shows a decline not an increase in
the public sentiment in its favor. The situa-
tion in Chicago has aroused a continental in-
terest. The approaching expiration of the
franchises granted to most of the street-rail-
ways and the applications for renewal brought
the question acutely before the people in the
election a year ago. The unsatisfactory serv-
ice furnished by the railway companies inten-
sified public feeling to such an extent that all
parties adopted municipal ownership plat-
forms. The Democratic candidate added one
word to his platform — the word "immediate."
That word elected him by 20,000 plurality. At
the same time a direct vote was taken on the
question, "Shall the Council pass any ordi-
nance granting a franchise to any street rail-
way company?" The question was decided
in the negative by a vote of 152,135 to 59,213,
CHICAGO'S STRUGGLE OVER MUNICIPAL OWNERSHIP
475
NAPLES— "THE QUEEN OP THE MEDITERRANEAN"— AND VESUVIUS
Standing in its amptaithater of hills, "this most heavenly of the cities of Italy," as Garibaldi called it, rivals
Constantinople in the splendor of itA site. Prom the alleged tomb of Virgil, where the spectator is presumed by
this picture to stand, the view has the qualities that inspired the aphorism, "See Naples ana die."
WHEN the new mayor entered into office
the difficulties in the way of immediate
municipal ownership began to loom up. For
one thing, the railway companies insisted that
their rights had not expired, and the case they
made out had to be adjudicated. Then the
mayor's plans for procedure were not ap-
proved by the Council, which turned them
down one after another with some emphasis.
One of his plans, to construct a city railway
on 174 miles of available streets by contract
with a private corporation that should furnish
the money and take in return a twenty-year
franchise for operation of the road, alienated
the Municipal Ownership League. Some of
his supporters, conspicuously Joseph Medill
Patterson and Clarence Darrow, withdrew
their support because of their growing con-
viction that municipal ownership will prove
futile and that only outright socialism is worth
fighting for. But the most formidable of all
difficulties was the fact that Chicago had al-
ready borrowed up to her legal limit, or almost
so^and there was no money available for an
experiment in municipal ownership. As
month succeeded month, the word "immedi-
ate" was being stretched so much that it
was in danger of losing its elasticity. In the
meantime the whole country was watching the
situation with keen interest, for the same
movement is being advocated in many cities.
BUT Mayor Dunne kept busy, and things be-
gan to come his way. The legislature
passed the Mueller bill giving the city the
right to tK>rrow an additional sum of $75,000,-
000 on certificates the security for which is
to be not the property of the city in general,
but merely the railways which they are to en-
able the city to purchase. Then came a de-
cision of the United States Supreme Court to
the eflfect that while the charters of the pres-
ent railway companies were extended to nine-
ty-nine years by a law passed in 1865, the con-
tracts for their occupation of Chicago streets
were not so extended. Then, on April 4, came
a referendum vote on three propositions : Shall
the Council proceed without delay to secure
municipal ownership and operation? Shall the
Council be authorized to issue certificates to
the amount of $75,000,000 ? Shall the city oper-
ate as well as own the railways? The first
two questions received an affirmative majority
of less than 4,000. The third received a ma-
jority of about 10,000. Owing to the provi-
sions of the law, the third question had to
receive a three-fifths vote in the affirmative in
order to prevail. The result is that municipal
ownership is authorized, but municipal opera-
tion is not. This indecisive result gives each
side something to deplore and something to
rejoice in. Mayor Dunne claims a notable
victory achieved in the face of the opposition
476
CURRENT LITERATURE
of all the daily papers but Mr. Hearst's. Ex-
Mayor Harrison was also opposed to munic-
ipal ownership, and the saloon element, it is
said, was hostile because a high license law
was submitted at the same time and they saw
or thought they saw some relation between
municipal ownership and high license. The
Republican party, as an organization, was also
opposed. But the labor element turned out
strongly in favor, and "the victory, so far as
it was a victory," says the Boston Transcript,
"belongs largely to them."
BUT it is still a long step between the au-
thorization of municipal ownership and
the thing itself. In the first place the Coun-
cil must act before the Mueller certificates can
be issued. Whether the mayor will have less or
more trouble with the new Council than he
had with the old is a matter of uncertainty.
The Chicago Tribune says: "The new council
will be less friendly to the mayor than the
present one. With hardly an exception all
his *I. M. O.' friends for whom he worked the
hardest have been defeated." Counting all
the doubtful members of the Council in favor,
there is still a majority. The Tribune says,
against municipal ownership. Even after the
Council and the mayor shall reach an agree-
ment for the issuance of the certificates, the
constitutionality of the law authorizing them
remains to be determined by the courts. And,
that accomplished, the task remains of finding
a market for them — a task which the conserva-
tive press declares to be the most formidable
of all. Says the Cleveland Plain Dealer, a
paper of the same political faith as Mayor
Dunne, but opposed to his plans for municipal
ownership :
"There is behind these debt certificates noth-
ing in the shape of a tax levy, they being sup-
ported only by the general credit of a city which
has reached the legal limit of its bonded indebt-
edness and has been for several years on the
verge of bankruptcy. Holders of them will have
as their only tangible security the physical prop-
erties of a street railway system that is notori-
ously worn out. Who is to buy such securities?"
EVEN after the certificates are issued ,heir
legality determined and purchasers found,
the difficulties have not all been vanquished.
The Glasgow expert, Mr. Dalrymple, whom
Mayor Dunne summoned to Chicago last year
to make report on the practicability of munici-
pal operation (a report that has never b6en
published), says: "If the city insists on tak-
ing over all the lines at once, $75,000,000
would be only a starter. Enormous sums
would have to be spent to bring the lines up
to a state of efficiency." With all these obsta-
cles successfully overcome, another referen-
dum vote must then be taken and a three-fifths
majority obtained before municipal opera-
tion as well as ownership can be undertaken.
There is, therefore, a well-marked disposition
on the part of papers in many sections to
dwell upon the word "immediate" in this con-
nection in a sarcastic tone and to remind May-
or Dunne of his ante-election prediction that
two months after his election municipal own-
ership would be well on the way to accomplish-
ment. Says the Columbia (S. C.) State:
"The Chicago election must be regarded as
a severe blow at the municipal ownership and
operation idea. The conditions in the Windy
City were particularly propitious for the winning
of a decisive victory by the municipal ownership
voters. If Chicago, which may justly be said to
be the centre of political radicalism and unrest
in this country, rejects the municipal ownership
scheme, there cannot be much hope for that policy
in other more conservative American cities in
the immediate future."
"It is plain," comments the Louisville Cou-
rier-Journal, another Democratic paper, "that
the policy of municipal control has been badly
wounded in the house of its friends." But the
Omaha IV or Id-Herald, the Buffalo Times, and
other of the more radical papers, including
Mr. Hearst's, proclaim the result "another
notable victory for municipal ownership."
BUT NO pent-up Chicago confines the powers
of the municipal ownership idea. Mr.
William R. Hearst, of New York, is in the
saddle again, mounted upon a steed upon
whose trappings are the initials M. O. He is
after the governorship of New York State,
and nobody seems to consider his ambition
this time a laughing matter. Nor does the
country at large seem to consider it a matter
of importance to New York State alone. The
possibility of his election as governor, and the
formidable strength that such a success would
give him as a candidate for the presidential
nomination in the next national Democratic
convention, are making politicians all over the
country sit up and take notice. Here is the
way his new State organization, the Inde-
pendence League, sounds the "opening gtm" of
his campaign:
"Public officials in both of the great parties are
chosen not by the citizenship, but by organized
monopoly. They serve the power that nominates
them and not the people, whose voting has become
a mere travesty on popular government . . .
'THE APPARITION OF HEARST'
477
"The shameful revelations that have startled
the country and crystalhzed public indignation
during the past year have indicted the hired cor-
poration-owned bosses of both parties. Insurance
funds, the reliance of widows and children, were
stolen by Democrats and Republicans alike.
Bosses on both sides shared the plunder as a re-
ward for servility. The peoole of the State are
determined that these bosses shall be deprived of
their power. The Independence League is or-
ganized to give effect to this determination.''
That, of course, is talk ; but the vote for Mr,
Hearst as mayor of New York City last fall
shows that it is talk that has just now a great
deal of potency. And from Washington comes
the news of achievement The new chairman
of the Democratic congressional campaign
committee is James M. Griggs, an adherent of
Mr. Hearst, and an advocate, it is said, of Mr.
Hearst's leadership. This means, according
to the St, Louis Globe-Democrat, that "the
Democrats will put up a strong fight for Con-
gress in 1906" and "a Democratic victory in
the Congressional campaign this year would
be hailed as a Hearst victory."
CONFRONTED by this "apparition of
Hearst"— TA^ Sun's phrase— the con-
servative Democrats and independents show
signs of visible agitation. . Senator Gay, of
Georgia, warned his fellow Senators a few
days ago that if railway rate regulation were
defeated, we would have "a deluge of Hearst-
ism" in 1908. Judge Parker, the late Demo-
cratic candidate for President, makes refer-
ence to some demagog whose "baneful sinister
figure** we now see reflected "for the first time
in our history on the screen of the future" —
a reference that is understood to refer to Mr.
Hearst. Ex-Senator James M. Smith, of New
Jersey, writes to ex-President Cleveland that
"there is little hope of Democratic success
along conservative lines," for "this is a period
of radicalism," another utterance that is
understood to refer to Mr. Hearst. The Tam-
many Hall General Committee has come out
emphatically in opposition to the issue raised
by Mr. Hearst's followers, adopting resolu-
tions that read in part as follows:
"Every proposal that a municipality assume oper-
ation of all public utilities and reduce rates to per-
sons using them, regardless of what the service
may actually cost, is an attempt to force some men
to bear the expenses of others, because where the
outlay for operation exceeds earnings the deficit
must be made up by taxation, and this we de-
nounce as socialistic, and therefore hostile to jus-
tice, and subversive of democratic government."
De Lanccy Nicoll, who was vice-chairman
of the National Democratic Committee in the
campaign of 1904, at a recent meeting of the
Democratic Club, of New York City, de-
nounced Hearst as a "traitor" to the party in
that year, saying:
"Mr. Hearst and his man Ihmsen came to me
[at national headquarters] and asked for space to
open up quarters in our place. I told them we
would be only too glad to accommodate them, and
I gave them the best we had. They had the use
of all the campaigning facilities at the national
headquarters, and then, by — ^! afterward they
turned round and stuck the knife into the back of
the candidate of the Democratic party and tried
all they could to help to beat us. . . .
"I want for a moment to contrast the treacher-
ous behavior of Hearst and the record of Bryan.
My experiences of that campaign proved to me
that Bryan is a true Democrat while Hearst is a
false Democrat. So far as Mr. Bryan is con-
cerned, he undertook to support loyally and ear-
nestly and with all bis powers of eloquence the
candidate who had been selected by the Demo-
cratic national convention."
References to the "baleful evil" of socialism
and to "so-called Democrats" who are sow-
ing the seeds of "diseased thought" for the
sole purpose of "personal elevation," made in
Mayor McClellan's address at the recent Jef-
ferson dinner of the Democratic Club of New
York, were evidently aimed at Mr. Hearst
and his^ lieutenants. Mr. Hearst's organs re-
ply to these and all similar attacks in the fol-
lowing vein:
"The greater the number of corrupt or discred-
ited politicians who attack Mr. Hearst the better
he likes it. He hopes an alignment will speedily
be made between all corporations, their managers
and their tools on one side, and the decent citizen-
ship of the State on the other. The sooner that
alignment comes the sooner will occur the down-
fall of the collection of predatonr millionaires and
rotten politicians, in and out ot office, who have
got possession of the Government, city and State,
and whose only use for power is to hold up the
people and empty their pockets."
MR. HEARST has scored in another way in
Washington. Upon his complaint and
upon evidence furnished by him to the Attor-
ney-General, a Federal investigation has been
ordered into certain alleged "special arrange-
ments" between the American Sugar Refining
Company and numerous railroad systems run-
ning into New York City. Every trunk line
east of the Mississippi is involved, according
to The Evening lournal (New York), and in-
dictments are asked of H. O. Havemeyer, A.
J. Cassatt, W. H. Newman, W. H. Truesdale,
George F. Baer, Charles S. Mellen, and others.
According to The lournal, **the evidence lays
bare the most astounding favoritism, flagrant
478
CURRENT LITERATURE
ENCOURAGING
The Judge — "IVe led him, and Billy, there — he's led
him. Try him, colonel ; he may take a fancy to you!"
— Boston Herald.
(TudMre Parker advises that the next Democratic can-
didate oe taken from the South.)
rebates and vicious partiality. Letters, cir-
culars, private agreements, initialled memo-
randa of private understandings, special allow-
ances and private refunds are all in the hands
of the Government." The case grows out of
the competition between the beet-sugar inter-
ests and the Sugar Trust. To meet a cut in
prices in the West by the former, the latter, it
is charged, made special arrangements with
the railroads for a cut in rates for a limited
period. The Washington Star (Dem.) is not
an advocate of Hearst, but it remarks:
"He has performed a public service, and de-
serves to be complimented on it. His enemies
will probably charge that he is playing politics.
Let that be admitted, and yet we have something
from him which should assist in carrying forward
a policy now of general demand. He has large re-
sources, both in the way of money and agencies
for publicity, and as he is devoting them in local
as well as in national affairs to the anti-monopo-
listic movement he is entitled to praise without
regard to his political affiliations and aspirations.
Let his opponents do as well, or better, in the
same line. That is the proper reply to him, and
the only one that will impress the public"
The New York Evening Post (Ind.) is
alarmed over the Hearst danger. "The charm
of the Hearst movement," says its Albany cor-
respondent in accounting for the way in which
that movement is gaining ground in New York
State, '*is the duality of its appeal to light
heads and light pockets." The Evening Post
thinks that the Republican organization is en-
couraging Mr. Hearst's followers to capture
the Democratic State organization, and it says :
"The Hearst candidacy has now seriously to be
reckoned with. The clamor of it will fill the
State. Republicans are affrighted by it, and de-
cent Democrats know not where lo turn. A man
who, but for his money, which he pours out lav-
ishly in politics, would never be thought of, head-
ing a movement which, if not financed by him,
would attract but few with brains in stable equi-
librium, is raiding the chief office of the State,
and sober people are saying that there is no means
of beating him off. This is the political portent
now confronting the citizens of New York. About
it they will have to think, write, speak, act for
months to come."
ALL OUT OF TUNE
— Davenport in.N. \. Mail.
MORE interesting even than the Hearst
movement is the turning toward Bryan
on the part of conservative Democrats, who
see in him a possible savior from Hearst. Mr.
Nicoirs denunciation of Hearst and laudation
of Bryan's loyalty in 1904, already quoted, was
followed by a , unanimous vote of the Demo-
cratic Qub indorsing the speaker's views.
Since then all sorts of rumors have been gain-
ing credence of a movement Bryan-ward. So
decided is the present leaning of Cleveland
Democrats toward Bryan, says the Springfield
Republican, "that there is talk of getting up
a great reception to the 'peerless leader' on his
return from around the world, in which the
Belmonts and Ryans and Gormans and pos-
sibly even Cleveland himself, will figure prom-
inently."
The New York Tribune quotes a "prominent
member" of the Democratic Club as saying:
"Unless Hearst should run away with the or-
ganization before 1908, you'll see the conservative
Democrats of this city supporting Bryan for the
nomination two years from now. Bryan has be-
come less radical and could be counted on to
give a good administration if he should be elocted,
while, on the other hand, the conservative Dem-
ocrats, and, for that matter, Republicans, are will-
MR, BRYAN ON SOCIALISM
47 [
ing to go a good deal further along radical
lines than they were in 1896 or igoo. While
Hearst is a man of capital, he is too much
of a Socialist to suit the conservative Dem-
ocrats, and for that reason, more than for
any other, they will oppose him. Bryan,
on the other hand, while a good deal of a
radical, has been broadened by study and
travel and observation and could be trusted
by the men in the Democratic organiza-
tion who opposed him before to run things
sensibly if he should be elected President."
The New York Times and The World
rub their editorial eyes in amazement
at this turn in affairs, and recall Mr.
Bryan's past record, and ask what evi-
dence there is that he has altered his
views. Says the Times:
"Let Mr. William J. Bryan expressly re-
cant the free-silver heresy. Let him re-
cant the now Rooseveltian doctrine of con-
fiscating railway profits by administrative
act. Let him recant his formal declara-
tions made within the last two years for
municipal. State, and National ownership
of public 'utilities.* Let him recant his be-
lief in the expediency of packing the Fed-
eral Supreme Court with Justices to re-
verse the income tax decision. Then one
might believe the report that the New York
Democratic Club is sincerely converted to
Bryan as the next conservative standard
bearer of the party 'to stem the rising tide
of Socialism.'"
of
"It would be a spectacle for gods and
men," thinks the Springfield Republican,
"if the gold Democrats, who thought a
public hanging almost too good for him
in 1896, were to accept Bryan as their
candidate in 1908 — something unique
even in the extraordinary vicissitudes
American politics; but this would not result
from a lessened radicalism on his part. It
would grow out of a decided change in the
general attitude of the country regarding the
need of radical reforms in the industrial or-
ganization of society, a change which even
the most bourbonish of the 'plutocracy' are be-
ing forced to recognize."
Copyright 1900. by J. £. Purdy, Boston.
WILL HE BE THE NEXT GOVERNOR OF NEW YORK
STATE?
The candidacy of William R. Hearst, says the N. Y. Evening
Posty "has now seriously to be reconea with. The clamor of it
will fill the state- Republicans are affrijjhted by it and decent
Democrats know not where to turn. . . . This is the political
portent now confronting the citizens of New York."
MUCH of this turning toward Bryan has
been due to an article written by him
on "Individualism versus Socialism," and pub-
lished in the April Century. It is "a strong,
temperate, philosophical and truly American
statement of the case," according to one con-
servative paper (the Boston Herald), and ac-
cording to another (the New York Times),
it furnishes solid evidence that he "is rebuild-
ing his reputation."
Mr. Bryan, in this article, recognizes the
**moral passion" that renders socialism a sort
of religion and says that in the field of ethics
the first battle between individualism and
socialism must be fought. The individualist
who believes in competition can, we are told,
consistently advocate the extension of munici-
pal ownership, usury laws, factory laws, etc.,
because "it is not only consistent with indi-
vidualism, but is a necessary implication of it,
that the competing parties should be placed
on substantially equal footing," and these and
other similar laws are designed to make com-
petition real and effective, not to eliminate it.
In other words, the present abuses, under the
competitive system, are not an essential part
of that system, and in any fair comparison of
the two systems we must consider each at its
best. Man, as we find him, needs the spur
of competition. The socialist admits the ad-
480
CURRENT LITERATURE
vantage of rivalry, but would substitute altru-
istic for selfish motives. The individualist be-
lieves that altruism is a spiritual quality that
defies governmental definition, and it is diffi-
cult to conceive of a successful system, en-
forced by law, with altruism as the controlling
principle. "The attempt to unite Church and
State has never been helpful to either govern-
ment or religion, and it is not at all certain
that human nature can yet be trusted to use
the instrumentalities of government to enforce
religious ideas."
ANY system of government, continues Mr.
Bryan, must be administered by human
beings and will reflect the weaknesses of those
who control it. Will socialism purge the in-
dividual of selfishness or bring a nearer ap-
proach of justice? Mr. Bryan proceeds to
answer this question as follows:
"Justice requires that each individual shall re-
ceive from society a reward proportionate to
his contribution to society. Can the state, act-
ing through officials, make this apportionment bet-
ter than it can be made by competition ? At
present official favors are not distributed strictly
according to merit either in republics or in mon-
archies; is it certain that socialism would insure
a fairer division of rewards? If the government
operates all the factories, all the farms, and all
the stores, there must be superintendents as well
as workmen; there must be different kinds of
employment, some more pleasant, some less pleas-
ant. Is it likely that any set of men can distribute
the work* or fix the compensation to the satisfac-
tion of all, or even to the satisfaction of a major-
ity of the people? ^hen the government employs
comparatively few of the people, it must make
the terms and conditions inviting enough to draw
the persons needed from private employment ;
and if those employed in the public service become
dissatisfied, they can return to outside occupations.
But what will be the result if there is no private
employment? What outlet will there be for dis-
content if the government owns and operates all
the means of production and distribution?
"Under individualism a man's reward is de-
termined in the open market, and where compe-
tition is free he can hope to sell his services for
what they are worth. Will his chance for re-
ward be as good when he must do the work pre-
scribed for him on the terms fixed by those who
are in control of the government?"
As there is not in operation any such social-
istic system as is contended for, we must judge
what its results would be by our experience.
Individualism has been tested by centuries of
experience and under it we have made prog-
ress. The nearest approach to the socialistic
state in our experience is to be found in the
civil service. Mr. Bryan proceeds:
"If the civil service develops more unselfishness
and more altruistic devotion to the general wel-
fare than private employment does, the fact is
yet to be discovered. This is not offered as a
Prom Witkrt Jaccb rstutt^art). THE SICK MAN OF MOROCCO—]
RESULTS OF THE MOROCCO CONFERENCE
481
criticism of civil service in so far as civil service
may require examinations to ascertain fitness for
office, but it is simply a reference to a well-known
fact — viz., that a life position in the government
service, which separates one from the lot of the
average producer of wealth, has given no ex-
traordinary stimulus to higher development."
Mr. Bryan closes with a plea for the united
action of all honest socialists and honest in-
dividualists in opposition to the abuses of the
competitive system, and especially in opposi-
tion to the growth of monopoly.
IE Morocco conference terminated
its existence at Algeciras after the
employment, as sarcastic foreign
dailies hint, of an unconscionable
amount of leisure in expiring. The outcome
is "a German gambit" which "leaves France
in check and must ultimately force a move,"
says the dissatisfied London Outlook, and this
is a heavy price to pay, it thinks, for natives
as rank and file in the Sultan's police, for caids
as commanders, for French and Spanish in-
structors and a Swiss inspector-general.
William II saved the conference; German
dailies have little doubt of that. French dailies
are not less certain that the French delegate,
tactfully supported by Paris, rescued every-
thing and everybody. American dailies add
that it was Mr. White, inspired by the diplo-
macy of the President of the United States,
whom we must regard as the true savior of
the situation. President Roosevelt's analysis
is that the result diminishes chances of fric-
tion between opposing forces. "I hope and
believe," says the occupant of the White
House, "that the conference has resulted and
will result in rendering continually more
friendly the relations between the mighty
empire of Germany and the mighty republic
of France." It has not had such an effect
upon the mighty newspapers of those mighty
powers. The Kreuz Zeitung was never more
truculent and the Paris Temps could not be
more virtuously severe. Their editorials are
of that carefully worded sort which proclaims
official inspiration. There are detached allu-
sions to the military strength of republic and
empire, assurances that neither is in dread of
mobilization on any frontier and a tendency
to differ regarding the good faith of Great
Britain as an ally. The London Spectator
thinks it goes to the root of the matter, dis-
carding names for facts, when it says that
William II forced the Algeciras conference in
order to test the strength of the cordial under-
standing between London and Paris.
—AND HOW THEY CURED HIM
482
CURRENT LITERATURE
< Terrirorf
Moons h
Ttrriiorf
WHY WILLIAM II WANTED THAT ATLANTIC PORT
"An examination of the map will show how seriously the United States
is interested in the Morocco question," says the British naval expert,
H. W . Wilson, in The National Kevtew (London), from which the above map
is copied. **At Mogador or Casablanca Germany would be within easy
reach of South America. .The distances from the nearest point on the
Venezuelan and Brazilian seaboard are marked, and it can easily be
calculated that they are well within the radius of the modern German
battleships, while the German armoured cruisers are still better able to
accomplish such a voyage. Mogrador or Casablanca, in fact, would »rive
Germany just the 'jumpm?-off place' which she wants for enterprises
directed, not only ag^ainst £n{cland, but also against South America."
LONDON and Paris were never on better
terms. But between the view that France
has come out victor and the theory that Will-
iam II has gained one of the diplomatic
triumphs of his reign flows a current of
European newspaper debate as turbulent as the
eight points upon the Moroccan coast among
which the new police force will be distributed.
Foiled in his attempt to convert one of those
points into a naval station, William II, it is
predicted, is soon to make a demonstration
across the Atlantic. He will demand a confer-
ence of the powers nominally to settle some
question of Bolivian or Venezuelan finance,
but really to have the concert of Europe pass
judgment upon the scope and validity of the
Monroe doctrine. William II,
finding that there is no naval base
for him on the Sultan's coast,
means now to look for it on the
San Domingan shore. The Paris
Temps has asserted that Hohen-
zollern diplomacy was actively
behind one revolution in the
black republic. It is now hinted
that Berlin's Foreign Office, as
agent for certain European cred-
itors, has been considering inter-
vention somewhere in the Carib-
bean with a coaling station as
its own commission. This may
be gossip, but it finds it way into
European dailies with a regular-
ity portending either the burst-
ing of a diplomatic storm or the
activity of a press bureau bent
upon inciting the American mind
to suspicion of Hohenzollern dy-
nastic aims.
•• •
HE revolutionary nebu-
la that has been whirl-
ing for so many
months about the au-
tocratic center of the Russian
political system was being con-
centrated all last month into a
single organic mass — ^the Duma.
In the near future this body is
to become visible to the world,
and grand ducal influence is be-
ing exerted to the utmost to fix
its orbit within the autocratic
system of which Nicholas II is
the sun. In that capacity his im-
perial majesty is to rise with
a special splendor on the day the Duma meets,
and unless the red terror deters him at the
last moment, he means to render his recep-
tion of the delegates more pompous than the
abdication of Charles V, more solemn than the
death of Julian the Apostate and more histori-
cal than the reception of Columbus by Fer-
dinand and Isabella after the discoveiy of the
New World. Shocked by its own littleness,
the Duma will thereupon, if the Czar be well
advised, vote taxes for the support of the
grandeur it witnesses and without doing any-
thing else disperse until the autumn. Bureau-
cracy is tiding over the interval in accord-
ance with Calonne's maxim that when pressed
for funds one should spend lavishly, and the
4tnuoicpoli
.. Matn traOi routt^
THE ELECTIONS TO THE RUSSIAN DUMA
48
world, thinking such a show of assets a proof
of wealth, will lend its money freely. Russia,
or rather her government, is now asking for
$700,000,000.
ISOLATED by an indirect mode of election
from any genuine constituency, subject to
manipulation by bureaucratic ministers who
may bully it with impunity, subordinated by
decree to the will of Nicholas II whenever he
elects to adjourn it, and impotent if opposed
by an upper house specially packed to thwart
it, this new-born Russian Duma has become
a parliamentary curiosity to organs in St.
Petersburg of more or less liberal opinion
such as the Nasha Zhizn (defiant, as ever, of
the censor), the Rtiss (supposed to represent
western culture), the Strana (newly founded to
propagate advanced ideas), and the Sviet (an-
tagonizer of bureaucracy). The good old-
fashioned Novoye Vremya alone notes the
progress of the month's elections with content.
It is the one uproarious optimist of the Rus-
sian situation. It is apparently sure that a
quorum of the Duma will be got together in
time to organize this month in the unimposing
Tauride Palace. Some 476 seats are already
in place for the deputies, but what pro-
portion of that number had been elected by
the end of the third week in April no com-
petent authority pretends to know precisely.
The liberal and progressive elements make
claims of victories which the Krcus Zeitung
pronounces extravagant. The London Times
found it difficult to obtain, after an expendi-
ture of infinite pains, any complete or trust-
worthy account of the village elections in
Russia proper. Strangers, it reports, were
"eliminated" by local officials. But our London
contemporary's information is that the rural
police, in defiance of law, attended elections
and exerted direct pressure. Delegates chosen
by peasants in contravention of orders were
thrown into prison. In factory towns patrols
of Cossacks kept back wage-earners who ap-
peared to cast their votes. In the suburbs of
St. Petersburg this form of intimidation seems
to have been flagrant. Moscow's mill hands
were less molested. In St. Petersburg proper
the elections resulted in what appears to have
been a complete rout of bureaucracy.
IN FACT, wherever the forces of bureau-
cracy failed to deploy in armed force they
went to certain defeat against unshaken lines
of Constitutional Democrats. They elected
about 140 of their candidates, according to
THE BRAINS OF WILLIAM II'S NAVY
Admiral von Koster is in command of the German
battle squadron. This is perhaps the most powerful of
organized floating forces. The squadron is not as large
as the one which guards the channel for England. Naval
experts pronounce it none the less the most efficient of
all combative seagoing fleets.
a report in the Journal des DSbats, amid smok-
ing hecatombs of slaughtered voters. They
might have scored more heavily but for one
of the untimely disintegrations to which Rus-
(5ERMANY AND FRANCE AT ALGECIRAS
The new Columns of Hercules.
— Pasquino (Turin).
484
CURRENT LITERATURE
si an political groups are so prone. However,
the achievements of the Constitutional Dem-
ocratic body are so brilliant that Witte seems
to think they will manage to capture the or-
ganization of the Duma. In that event the
Nasha Zhisn's definition of the Duma as a
contrivance for the sole purpose of voting taxes
may require revision.
DURNOVO all but drove Witte from power
three weeks ago. So low had Witte
fallen that he had to issue an official denial
of his own words to a deputation that asked
him to enforce his decrees, and which met that
denial with documentary evidence to the con-
trary. Witte was likewise humiliated into ex-
plaining that the freedom of the press prom-
ised by himself to a delegation of journalists
had been based upon his own complete mis-
interpretation of an imperial rescript. Such
is the measure of Durnovo's new power. De-
spatches in London dailies are picturesque with
the doings of a Witte, new and strange, rush-
ing upon Tsarskoe-Selo to complain to the
Czar that Durnovo nullifies the acts * of his
nominal but official superior. Nicholas II
bestowed no consolation. What the Czar said
must be inferred from events. We read no
more of stormy scenes between Mr. Dumovo
and Mr. Witte. The disciplined Prime Min-
ister told his next deputation that Russia has
an ideal executive. In France, he explained,
the executive is dependent upon a parliamen-
tary vote. In England the executive is de-
pendent upon a popular vote. In Russia the
executive is dependent only upon himself. It
seems plain to the London Tribune that Witte
is kept in office only on account of the eflfect-
ive way he has with financiers. The Duma,
it prophesies from details supplied by an un-
usually well-informed correspondent, will
serve Witte's purpose by inducing foreign
bankers to float the coming huge loan. The
real ruler of the empire, practically under
'THE ISLE OF DEATH "—THE DUMA
— Wakre /tf^o*,lStuttgart.
WITTE*S CONTEST WITH DURNOVO
48s
martial law, was Durnovo, supported by a star
chamber in the imperial palace, over which
presides General Trepoff. Durnovo was sent
to the rear when the election returns came in.
But his resignation — if it be a resignation —
is understood to have been as formal as
Trepoff 's. If Witte is not yet permitted to
resign, it is merely because he has not yet
fulfilled his allotted function of piling a bank-
rupt treasury high with rubles.
LEAVING Witte to organize the ceremonial
pageant for what, to the London Tribune,
seems an idle festival of constitutionalism,
Durnovo spent the past four weeks in over-
populating every available prison. One of his
immediate subordinates is quoted in the Lon-
don Post as asking a colleague how the multi-
tudes of newly arrested could be accommo-
dated in cells already crowded. "Let five
thousand out," was the answer. "But which
five thousand?" "Any five thousand — one five
thousand will be as glad to get out as another
five thousand." That, says Hon. Maurice
Baring, with the conviction of a man studying
autocracy on the spot, is administrative Russia
functioning in its perfection. He finds the
native press too censored to comment upon a
condition of absolute chaos with any respect
for facts. No parliament, says the London
Spectator, shrewdest of organs in the inter-
pretation of Russia, has ever been exposed to
such pressure as the deputies of the Duma are
likely to experience. They are forbidden to
discuss what imperial rescripts call "the funda-
mental laws of the monarchy." Nor does the
British weekly take stock in the theory that
the people will be behind their deputies urging
them to assert their freedom. The Muscovite
masses are not enlightened enough for that.
Durnovo, il hints, has converted the court to
the view that Russia is unfitted for any form
of freedom. He was to have whipped the
foreign loans through the Duma and then got-
ten rid of it in a hurry. Now he is a tool of
autocracy rusting unused.
ON DURNOVO'S capacity to transmute
Russia's electoral molecules into gold for
the treasury the bureaucracy can no longer
fondly rely. The Paris Aurore characterizes
him as an empty upstart. Suave with deputa-
tions, he assures them that no party in the state
has his sympathy. He prides himself upon being
destitute of political principles. His enemies
accuse him of duplicity. He devised the enact-
ments now nullifying all over the empire the
"LAST OF THE NIHILISTS AND FATHER OF
THE.RUSSIAN REVOLUTION."
Nicholas Tchaykovsky was one of the first to fi^eet
Gorky upon the latter's arrival in New York. Tchay-
kovsky is here as a delegate of the Socialist Revolution-
ist partyt
Czar's guarantee of freedom of speech, free-
dom of the press, freedom of assembly and
freedom from arbitrary arrest and detention
without trial. He is, in truth, a bold and
avowed reactionary. Grand dukes of the tra-
ditional Muscovite school applaud him openly.
Durnovo has caused not less than 70,000 arrests
since he became Minister of the Interior. Lon-
don dailies even accuse him of causing nearly
10,000 progressive intellectuals, male and
female, to be shot without trial for merely
possessing certificates of membership in the
Social-Democratic party, for attending some
public meeting, or for reading a Liberal news-
paper. Witte, subjected to a deliberate
affront by his supplanter in authority, sent
his resignation to the Czar last month. Nich-
olas returned the communication in two days,
if our well-informed authority be accurate,
with a command to remain in office. That is
described as the one setback of Dumovo's san-
486
CURRENT LITERATURE
guinary career in an office from which Plehve
was expelled by assassination. Durnovo will
be expelled by the Duma, predict those foes
of his whose hopes are based upon what to
them seem the triumphs at the voting urns of
every progressive element.
«
Y SECURING a postponement of
that second peace conference at
The Hague for which the world
has been kept so long waiting, Sec-
retary Root is said to come out best in a diplo-
matic encounter with the house of Hohen-
zollern. The Kolnische Zeitung, it is true,
repudiates as malicious the insinuation that
Berlin strove to fix this conference for June.
Imperial policy, asserts this inspired organ, is
unconcerned at the delay until next autumn.
At no time did it enter the official mind of
Berlin to have The Hague conference used as
a diplomatic ecumenical council for the con-
demnation of such heresies as may find favor
with the Pan-American Congress of next July
at Rio Janeiro. But such German disclaimers
fail to impress those London and Paris organs
which profess to be aware of a certain distrust
in Washington inspired by all the Berlin
diplomacy that affects The Hague conference.
The Department of State is said to have taken
forty-eight hours to recover from the surprise
over its discovery of Berlin's veiled purpose
to set the date of The Hague conference for
early in June or July. That date, of course,
would have made it impossible for the Pan-
American Congress to submit suggestions of
great importance to The Hague. William II
is represented as the opponent of any such
suggestions — especially from lands in which
the names of Calvo and of Drago are esteemed.
He is desirous that The Hague conference
shall not commit itself to the doctrine that
European navies must refrain from collecting
debts after the fashion set by some of his own
cruisers.
MR. ROOT'S alleged eagerness to have The
Hague conference indorse what William
II is determined it shall not indorse indicates, if
European papers know their Roosevelt, a fresh
phase of the Monroe doctrine. It is a phase as-
sociated with the name of Calvo, whom the
Paris Temps dQcms an illustrious authority on
international law, and with the name of Dr.
Drago, that Argentine Minister of Foreign
Affairs who first became prominent when
Emperor William's cruiser was firing upon
Puerto Cabello. At that time John Hay, as
Secretary of State, caused a rejection of tlie
developed Calvo or Drago doctrine, so far as
Washington is concerned. This doctrine is in
effect that delay in the payment of a public
debt, where this is not due to bad faith, oug-ht
not to be and cannot be made a ground for
armed intervention in a South American
country by any European power. Argentina
a few years ago asked our Giovernment to join
in such a declaration. Mr. Hay set his face
against the proposition. It was thought Sig-
nificant then that Emperor William's ambas-
sador in Washington was very assiduous in
questioning Mr. Hay on the subject of Argen-
tina's suggestion. Argentina, observes the
London Times, "baited its proposal with a rec-
ognition of the Monroe Doctrine," a doctrine
which is undoubtedly to some extent an object
of suspicion in South American capitals.
Now, with the Pan-American Congress less
than eight weeks away, comes the announce-
ment that Secretary of State Root is to go in
official state to the Brazilian capital as a
champion of the very doctrine to which his
predecessor in office would not listen.
IF, THEREFORE, the Drago doctrine
1 emerges from the Pan-American confer-
ence officially indorsed, with the United States
concurring, a new situation, thinks the Lon-
don Post, will confront the * diplomacy of
Europe. "If Europe cannot, without challeng-
ing the United States, seize or occupy South
American territory, or may not employ force
to secure the payment of debts, South America
is beyond the reach of European punishment
and can with impunity defy its creditors."
Thus the British daily. Yet there are London
organs which recall that Great Britain has a
Calvo doctrine of her own. She tells her
financiers that their investments in South
America can never become the basis of naval
interventions and debt-collecting displays of
military power. But to Emperor William any
restriction of the might of the mailed fist in
this hemisphere is deemed hateful. That is
why, says rumor, he instigated the Czar's
government to hasten The Hague conference.
He wanted no Pan-Americanism there. His
Majesty, it is assumed, now feels that some
of the alleged influence he has acquired over
the Rooseveltian mind has been undermined
by Mr. Root. That he is going to Brazil as
an advocate of the Drago doctrine speaks vol-
umes to Europe for his influence with Roose-
velt.
Persons in the Foreground
THE FOREMOST DEMOCRAT IN WASHINGTON
With Qeveland out of politics and Bryan
out of the country, it may be said that the
foremost Democratic leader in America to-day
is Senator Joseph W. Bailey, of Texas. Sena-
tor Gorman is still the nominal leader of the
minority in the Senate; but Gorman is a sick
man and has, for the time being, practically
retired from the scene. Bailey is the man who
looms up on the Democratic side in the rate
discussion, although Tillman has charge of the
rate bill. But Tillman, in a position of that
kind, where the whole debate hinges upon
legal questions, is, with all his rugged hon-
esty, more or less of a joke. He has nothing
but what Senator Spooner calls "corn-field
law" in his equipment. Bailey is regarded, as
one of the ablest lawyers in the Senate, and
w^hen he speaks he commands the close atten-
tion even of Spooner. "It is sight worth see-
ing," says a Washington correspondent, "when
Spooner sits under the fall of Bailey's slow
drip of oratory, as deeply engrossed and pain-
fully attentive as a schoolgirl on the last lap
of the latest novel." Here is a pen-picture,
by the same correspondent, of Bailey deliver-
ing a speech:
"When Bailey arises to deliver one of these
speeches he usually stands with the tips of his
fingers touching his desk and lets his talk fall
with a slow, indolent, resistless drip. He often
parts his words in the middle, leaving a pause
between syllables. When he rises to an occa-
sional flight of eloquence it is not lugged in; it
belongs there and could not be left out. On such
occasions his slow voice rises and booms out like
a church organ; the fingers leave the desk and
the hands rise in gestures that are not of elocu-
tion schools like Fairbank^s or of imitation wrath
and excitement like Beveridge's, but of natural
grace. He despises the conventional oratorical
tricks, such as the rising inflection at the end of the
sentence; but he has one effective oratorical trick
of his own, which consists of bringing one of his
bursts of eloquence by slow degrees to its highest
point of voice and gesture and closing it by utter-
ing the last three or four words of the sentence in
a conversational tone. It is difficult to give an
idea of the effect of this in print, but when it hap-
pens persons who are amenable to such things
find little thrills running up and down their spines
and feel a desire to bite pieces out of the furni-
ture."
The above description is part of a very in-
teresting sketch of the man made by Mr.
Charles Willis Thompson, Washington cor-
respondent of the New York Times, and re-
cently embodied in book form* together with
numerous other vivid sketches of prominent
figures in Washington.
Bailey hailed originally from Copiah County,
Mississippi. He grew to manhood in a tavern,
with the atmosphere of a country grog-shop
about him, and in a rough and lawless environ-
ment. When he was barely twenty he took an
active part in suppressing, by illegal means,
the negro vote in the county. The fact has
not been lost sight of by his Republican foes,
and though more than twenty years have
elapsed since that youthful indiscretion, the
incident is still trotted out to discredit him.
His uncle, believing that Bailey could achieve
something away from his Copiah County envi-
ronment, sent him to Texas. His arrival there
was an event, says Mr. Thompson:
"One day there dawned upon Gainesville an
apparition which made that town sit up and rub
its eyes. It was a tall, lank young man with an
enormous slouch hat and enveloped in a tremen-
dous coat. His hair hung down on his shoulders
in a fashion to give pangs of envy to Buffalo Bill
and Col. John A. Joyce. He was not at all a
typical Southerner; he was the South intensified
and exaggerated a hundred times. He was the
stage Southerner done into real life.
"In Gainesville they were not used to such
sights. Bailey did not know there was anything
wrong with his appearance; his make-up was all
right for Copiah County. It had never attracted
any attention in those wilds.
"But Gainesville *did not get much chance to
laugh at Bailey. Raw boy as he was, queer and
countrified as his aspect was, and full of strange
affectations as he was, there was that in him
which compelled not only attention but respect
and could not be hidden or perverted by all the
eccentricities and crudenesses of youthful ego-
tism."
Almost at once he sprang into political lead-
ership. In a deadlocked congressional con-
vention, a compromise was suggested in the
nomination of the lanky young man with the
long hair. It swept the convention. But
Bailey was pledged to another candidate and
strove to stem the tide in his own favor. As
a last resource he sprang upon a chair and an-
♦Partv Leaders of the Time. By Charles Willis
Thompson. G. W. Dillingham Company.
488
CURRENT LITERATURE
nounced that he was not old enough to be
eligible as a Congressman, not being twenty-
five. That was true; but it was also true that
he would have been twenty-five by the time he
entered upon the duties of the office. This
fact he suppressed, and his candidate was
finally elected. Two years later, however, the
district insisted on Bailey and started him on
his way to national fame. "That lanky youth
with the black mane," says. Mr. Thompson,
"seems an impossibility now as one looks at
the Bailey of to-day; a full-faced, handsome,
stately man, moving with a lazy majesty and
commanding the strained attention of the na-
tion's Solons when his slow, sonorous voice
begins to roll out across the Senate chamber.
It is not merely to his ability that the senators
pay tribute. They pay it also to his character ;
to the tremendous sincerity of the man and to
his dead-level loyalty to his own convictions."
Bailey's weakness as a leader, we are fur-
ther told, is in his hot temper. The most
grievous mistake he has ever made was when,
a few years ago, he assaulted Beveridge in the
Senate chamber, after the latter had been har-
' rying and harassing him for several hours in
a running debate. But as Bailey grows older
(he is now but forty-two) he is getting better
control of his temper. "With that conquered,
no debits will be recorded on his standing as
a statesman." As a political strategist, how-
ever, he is said to be deficient:
"He never could be a party general as Gorman
was. He is not a manipulator and could not be-
come one. His leadership in the House of Repre-*
sentatives was unsuccessful for that reason. In
the sense of being a maneuverer, a strategist, a
political chess-player, Bailev can never be a leader
anywhere. But he is a leader on great public
questions. He stands head and shoulders above
the other Democrats of the Senate. He is a
commanding figure among his fellows. He can
lead them on questions of principle; never in
chess-playing.
"His full proportions are becoming known to
his countrymen, and he is unquestionably the fore-
most figure in the minority. He has been forging
resistlessly to the front for years and to-day there
is no dissent anywhere in the Senate from his
recognition as the strongest personality and ablest
man on the Democratic side.
"There is nothing of 1884 about Bailey. The
Southern politicians admire him and love him.
They regard him as a great leader. In the Senate
the Kepublicans respect him very much, fear him
a little, and like him a great deal. He is a big,
calm-fcyed man, slow of speech, tremendously pre-
pared on all questions senatorial. He does not
play tricks, and is hotly contemptuous and intol-
erant of them. He does not maneuver for little
petty points of party advantage, and is ferociously
wrathful when one seeks so to maneuvre at his
expense."
There is considerable talk about the Demo-
cratic party's choosing its next presidential
candidate from the South. If that policy were
to be adopted, the man whom the lightning
would be most apt to strike would be the Sen-
ator from Texas. Even in 1904 he was talked
of and some of his admirers waited upon him
to urge him to run. His grave reply was:
"Gentlemen, I thank you, but your suggestion
is impossible. On the wall of my office at
Gainesville there hangs a picture of Jefferson
Davis."
THE STORMY CAREER OF MAKSIM GORKY
"I know that life is hard, that at times it is
coarse and disgusting, and I detest it; I de-
test this order of things. I know that life is
a serious matter, although as yet not ordered,
. . . that I must exert all my powers and
abilities to help to bring it into order. And
with all the means of my soul I will seek to
live up to my inner driving impulse, to rush
into the thickest of life, mingle with it, mold
it now so, now so, step in the way of this one
and jump to the help of that other one. . . .
This — ^yes, this is the joy of life !"
These words, put in the mouth of an engine-
driver in one of Gorky's plays, represents the
actual course of the life of the author, who is
now visiting America in behalf of the Russian
revolutionists. First with his pen, then with
active work in the ranks of the extreme revo-
lutionists, the Social-Democratic party, Gorky
has always remained true to this ideal of the
"joy of life." He has introduced a new note
in Russian literature — a note which had not
been sounded since the reaction that set in
after the assassination of Alexander the Sec-
ond. So large a part of the more virile young
men of Russia were sent after that event to
languish in the prisons or in exile that Russian
literature became an instrument of weakness.
It lost the note of power. It still had its lit-
erary triumphs — Chekhov, for instance, who
MAKi^lM GORKY
ut^T^l^S^llu^ nfi'^"^* K^"^ ^H f^tii^'^ost ground of life, where Is naught but aludge and mnrk
I am the
p to bear wit-
490
CURRENT LITERATURE
GORKY IN A RUSSIAN JAIL
For his participation in the Revolution he has been
twice imprisoned, being finally released and ordered to
leave St. Petersburg.
drew wonderful pictures of real life; but it
was a life that represented weakness, helpless-
ness, despair. The only literature of that time
that carried a gospel with it was Tolstoy's and
his gospel was one of submissiveness and non-
resistance. Gorky came, and Russian litera-
ture was again transformed into a mighty,
aggressive, fighting force. Gorky's literary
characters, like himself, are filled with discon-
tent. Like himself they come from the lowest
depths of society, from the tramps and the
working men, those who were later to bring on
the Russian revolution which, from the very
first, is presaged in his stories. Their discon-
tent is not passive; it is active and ready for
attack. They have hate enough to overthrow
the old; they have love enough to erect the
new. They are all imbued with the "joy of
life." Gorky sounded the bugle call, and
around him gathered a number of the most
resolute minds of Russia — Andreyev, Chirikov,
Skitaletz, Kuprin. They work each in his own
way, but all in the same spirit; and thus, to-
gether with the more lowly workers of under-
ground Russia, they have helped to speed the
revolution that seems now to be rapidly
gathering force for its final triumphant con-
summation.
To read Gorky's works is in great part to
read his life. All his writings are artistic
representations of his experiences. What he
relates he has either lived through or has ob-
tained directly from companions he met in his
vagabond days. The use of the first person
in many of his stories is in his case no mere
literary device.
Alexey Maximovich Pieshkov (Gorky is a
pseudonym, meaning "bitter") was born in
Nizhni-Novgorod in 1869. His father, an up-
holsterer, died when Gorky was four years of
age. The mother married again soon after-
ward, and Gorky lived with his grandfather.
At the age of nine he lost his mother also.
His school career terminated after five months,
when he was taken ill with the smallpox. At
the age of nine he went to work as apprentice
in a shoe warehouse and, losing his position
there after two months, he was placed under
the charge of an engineer. Brutal treatment
caused him to run away, and he took up an
apprenticeship with a painter of sacred im-
ages. Finding his treatment here no better,
he escaped again and became a scullion on a
Volga steamer.
Here he met the cook Smury, who be-
friended the boy and became an important fac-
tor in his life by first introducing him to good
literature. "Here on the steamer," writes
Gorky, "the cook Smury had a great influence
on my education. He persuaded me to read
the lives of the saints, but he also made me
read Gogol, Gleb Uspensky, the elder Dumas,
and many books of the freemasons. Before
that I could not endure books and printed
paper in general, including the passport." He
had, however, previously read a good deal of
that kind of literature which Jack London
calls "Seaside Library novels."
The better class of literature fired him with
a desire to educate himself, and he went to
Kazan with the idea of taking up a course of
study there. "When I had reached the age of
fifteen I felt a fanatic desire to study ; for this
purpose I went to Kazan, taking it for granted
that here the sciences were taught gratis to
anybody that wanted to study. It turned out
that this was a mistaken idea, and so I went
to work in a bakery for three rubles a month.
That was the hardest work of any that I had
done." But his stay in Kazan proved a most
important period of his life. It gave him the
material for some of his best stories — "Twen-
ty-six and One" and "Konovalov." Here he
met students and took a lively interest in their
studies. He became acquainted with social-
istic literature, visited the dens of drunkards
and tramps, took to drinking himself, studied
the life and psychology • of the submerged
tenth and came to this conclusion: "The man
who battles with life, who is vanquished by
it and who suffers is a greater philosopher
PERSONS IN THE FOREGROUND
491
than Schopenhauer himself, because abstract
thought never assumes such definite and pre-
cise form as that which is pressed out of the
soul of a man through suffering."
Gorky had now ample opportunity, through
suffering, to become a great philosopher. He
went from job to job, worked in the harbor,
became a wood-sawyer, then a carrier, went
without lodging and sank to the lowest depths.
Finally he attempted suicide, but recovered
with a bullet wound in his lungs. Then be-
gan his wanderings again, with intervals of
work as line-keeper, fruit-seller, kvas-dealer.
He went to Odessa and labored in the salt-
• works, then he continued his peregrinations
through the Crimea, Kuban and the Caucasus.
In Tiflis he came in contact with a student
whom he describes somewhere under the name
of Alexander Kalushny and from whom he
apears to have learned much in the way of
technical composition. There also appeared
his first story, "Makar Chudra," in the Kav-
kas, in 1892.
In Nizhni-Novgorod he had worked as clerk
in the office of lawyer Lavin, a great Macaenas
of modern literature, who immediately discov-
ered the great talent of Gorky and did
much for his education. His "Wanderlust,"
however, had taken him away on another
tramp of several years, and when he returned
again to his native city he was introduced to
the eminent author Korolenko, editor of Rt^ss-
koye Bogatstvo, Korolenko encouraged the
young author, and in 1895, when "Chelkash"
appeared, Gorky immediately leaped into fame.
Gorky has come to America to work for the
Russian revolution. He desires by voice and
pen to expose the actual conditions in Russia,
of which he believes the Americans are still
largely ignorant. He wants to point out to
us that the Russian peasant is ripe for a
change; that, although he has for a long time
borne the oppression of the bureaucracy, he
now shows his discontent plainly. In this way
Gorky hopes to enlist the sympathy of the
American people and secure their financial
assistance for the revolutionists. Gorky's
adopted son, Nikolay Zavolsky Pieshkov, is
living in New York, and describes his adopted
father as "the mildest of men." "In all the
time that I was with him I never heard him
say a harsh or insulting word to anybody.
And he never commands. I don't remember
him ever giving me any orders. It is his prin-
ciple to let people alone, to let them do as they
please, and in his private life he acts on this
principle. He is a true gentleman; not your
THE FIRST PHOTOGRAPH MADE OF GORKY IN
AMERICA
The young man is Gorky's adopted son, who lives in
New York. The third member of the party is Mme.
Andreieva, whom Gorky publicly recognizes as his wife.
Doubt as to the legality of her wifehood, according to
Russian law, has caused scandal at the outset of. Gorky s
career here.
respectable gentleman with starched collar and
shirt and polished shoes, but a kind man, a
man whose every fiber quivers with love and
regard for his kind."
Gorky keeps his house open not only for his
friends but for all. "The whole day long the
bell keeps ringing," says Nikolay, and Gorky
is never "not at home." He receives them all.
He is loved by all the people in Nizhni-Nov-
gorod and wherever he is known, and they
come to him with all their troubles. They come
to him for advice, they come even for money
when they want to start in business, and they
come asking him to stand godfather to their
children. He helps many, and especially stu-
dents, many of whom he supports at home and
abroad. He also contributes largely to libra-
ries. The Nizhni-Novgorod library has about
three rooms full of books contributed by him."
Gorky is a free-thinker and a Social Demo-
crat who looks upon Socialism as a means
rather than a final end. The fact that he is
accompanied by Mme. Andreieva, a noted Rus-
sian actress, whom he publicly proclaims his
wife, though the Russian Church has refused
to grant him a divorce from his first wife, who
is still living, has come as a surprise to his
friends in America and has distracted public
attention from his real mission. Several hotels
in New York have refused to receive him un-
der the circumstances, and Gorky and his com-
panions, evidently dumbfounded at this treat-
ment, have at the time of this writing with-
drawn entirely from the public view.
492
CURRENT LITERATURE
THE STRENUOUS LIFE OF A WOMAN REFORMER
"Come quick ; let me take you to the cellar.'
It was an excited county sheriff of South Da-
kota who spoke, and he was excited because a
cyclone was about to break loose. "Never
mind," calmly said the lady to whom he spoke ;
"after my recent experiences a little thing like
a cyclone doesn't frighten me."
The lady was the late Miss Susan B. An-
thony, and her experiences as a reformer dur-
ing a period of more than fifty years were
full of dramatic and humorous incident. She
was frequently indignant, but there is no rec-
ord that she was ever frightened or daunted.
Courage was in the blood. Her brother, Col.
D. R. Anthony, who ran a daily newspaper
for many years in Leavenworth, Kansas, had
the same fighting blood, and the stories about
him have becbme an important part of the
State's traditions. The grandfather of Susan
B. was a soldier of the Revolution, and her
father was a Hicksite Quaker. But the latter
married outside his faith and was disciplined.
He wore an overcoat with a cape and also
wore a colored handkerchief around his neck,
and he was again disciplined. Finally he al-
lowed young people to dance in his house.
Then the Quakers gave him up. He was not
again disciplined; he was disowned.
This father was a wealthy man, but he be-
CouTteay ol The Independent,
MISS ANTHONY AT FIFTY
* Id all the details of the toilet, she was fastidious, and a rent, a frayed edge
or missing: button was looked upon as almost a sin."
lieved in the economic independence of women,
and Miss Susan, at the age of seventeen, began
the career of a teacher, earning the first winter
the dazzling sum of one dollar a week and
board. For fifteen years she continued in the
same vocation, refusing various offers of mar-
riage and growing at times indignant over
the injustice of receiving about one-fourth as
much pay as that which a man would receive
for the same work. At the end of this period
she attended a State Teachers* Convention,
and at the close of the second day, when a dis-
cussion was up on the quesion, "Why is not
the teacher's profession as much respected as
that of the doctor or lawyer?" she rose and
addressed the chair. The incident is thus nar-
rated in the Boston Transcript:
"*Mr. President.' We are told that a bomb-
shell would not have created greater commotion.
For the first time a woman's voice was heard in
a teachers' convention. Every neck was craned,
and a profound hush fell upon the assembly. At
length, recovering from the shock of beings
thus addressed by a woman, the presiding officer
leaned forward and asked with satirical polite-
ness, 'What will the lady have?' T wish to speak
to the question under discussion,' said Miss An-
thony, calmly, although her heart was beating a
tattoo. Turning to the few rows of men in front
of him, the back seats being occupied by women,
the presiding officer inquired : 'What is the pleas-
ure of the convention?* 'I
move she shall be heard,' said
one man; this was seconded by
another, and thus was precip-
itated a debate which lasted
half an hour, although the lady
had precisely the same right to
speak as had any man who was
taking part in the discussion.
During all this time Miss An-
thony remained standing, lest
she should lose the floor if she
sat down. At last a vote was
taken, men only voting, and
the motion was carried in the
affirmative by a small major-
ity. Miss Anthony then said :
*It seems to me you fail to
comprehend the cause of the
disrespect of which you com-
plain. Do you not see that, so
long as society says that wo-
man has not brains enough to
be a doctor, lawyer or minis-
ter, but has plenty to be a
teacher, every man of you who
condescends to teach, tacitly
admits before Israel and the
sun that he has no more
brains than a woman?' — and
sat down."
PERSONS IN THE FOREGROUND
493
Prior to the foregoing incident, however,
Miss Anthony had made her initial public
speech. Like the first public speech of Abraham
Lincoln and of Henry Ward Beecher, it was in
behalf of the temperance cause. The senti-
ment of the public at that time concerning
women on the platform is illustrated by the
remark made to her by the president of a con-
vention held in Troy which was addressed by
her on the subject of coeducation. After the
address he said to her: "Madam, that was a
splendid .production and well delivered; I could
not have asked for a single thing different in
matter. or manner; but I would rather have
followed my wife or daughter to Greenwood
Cemetery than have her stand here before this
promiscuous audience and deliver that ad-
dress r
It was not merely in the matter of public
speaking that the rights of women were wo-
fully ignored. Writing in The North Ameri-
can Review, Ida Husted Harper says concern-
ing this subject:
"Outside of teaching (for a beggarly pittance)
they could earn a living only at menial occupa-
tions. The first fight to be made was to secure
for them the right to speak in public, to ask for
the redress of their own wrongs. Everywhere
the English common law prevailed which had
been adopted by the colonies and never changed.
The wife had no legal existence, or, as Black-
stone expressed it, 'the very being, or existence, of
the woman is suspended during marriage.' She
could not own property, buy or sell, sue or be
sued, make a contract, testify in court or control
her own wages. The father could apprentice
young children without the mother's consent and
dispose of them by will at his death. There was
but one cause for divorce, and the husband,
though the guilty party, could retain the property
and the children."
Miss Anthony used to illustrate this condi-
tion of her sex in the following story :
"A farmer's wife in Illinois, who had all the
rights she wanted, had made for herself a full
set of false teeth. The dentist pronounced them
an admirable 'fit and she declared it gave her fits
to wear them. He sued her husband for the
money and the latter's counsel put the wife on
the stand to testify, but the judge ruled her off
saying, 'A married woman cannot be a witness
in matters of joint interest between herself and
her husband.' Think of it, ye good wives, the
teeth in your mouth are a joint interest with
your husband about which you are legally incom-
petent to speak!"
Since that time, of course, the legal and eco-
nomic status of women has been vastly im-
proved, and though Miss Anthony died in
disappointment at not being able to witness the
general political enfranchisement of women,
Coarteay of the RevUv qf Reviewt.
MISS ANTHONY AT THIRTY-SIX
At this age she stood forth as a leader of *'the most for-
lorn and hopel<%ss cause that ever called for recognition
and assistance."
she lived to see a large number of the changes
which she championed achieved.
Various stories are told of her skill in rep-
artee. "You are not married," said a well-
known abolitionist to her once; "you have no
business to be discussing marriage." "Well,
Mr. Mayo," she replied, "you are not a slave,
suppose you quit lecturing on slavery." At
another time an opponent quoted St. Paul's
"Wives, submit yourselves unto your hus-
bands." "Sir," she retorted, "no one objects
to the husband being the head of the wife as
Christ was the head of the Church — to crucify
himself; what we object to is his crucifying
his wife !"
Forty years ago Miss Anthony was de-
scribed in the papers as a sort of virago and
man-hater; but her friends have always in-
sisted that she was a woman of dignity, sweet-
ness and gracious womanliness. Writing
shortly before her death, in The Evening Post
(New York), Rheta Childe Dorr says of her
personal appearance:
"In those early days the newspapers paid a
great deal of attention to the clothes worn by the
suffragists. The motive probably was to frighten
women into the belief that brains and beauty
494
CURRENT LITERATURE
were incompatible. At
all events, the published
reports always made
Miss Anthony and her
friends out monsters of
such hideous mien, sar-
torially speaking, that
strong men shuddered at
the sight. The fact is,
except for a brief enthu-
siasm for the bloomer
costume, which, in the
era of hoopskirts must
have secretly allured
many anti-suffragists.
Miss Anthony has al-
ways dressed extremely
well. She was born a
Quaker and naturally
preferred a simple style.
But she was always a
very pink of neatness
and she has a natural
liking for dainty rai-
ment. In her old age
she is positively dressy.
She wears soft, black
gowns that trail on the
floor and are modishly
, built. She has a fondness for pliable satins and
soft silk fabrics, and her love for beautiful lace
is well known. At the Baltimore convention she
wore a satin gown with a great deal of white
point lace on the bodice and sleeves. Her hands
were ringless, but she wore a jeweled brooch and
Photograph by Vmider Wcyde.
A BAS RELIEF BY MISS USHER
"No one objects to the husband beinf? the head of
the wife as Chnst was the head of the Church — ^to
crucify himself. What we object to is his crucifying
his wife.'*
some very handsome
shell combs in her w^hite
hair. Her long coat was
lined with rich "wrhite
satin and her bonnet was
made by a clever inil-
liner. No one could ac-
cuse Miss Anthony at
eighty-six of being
dowdy."
Another writer, in
the Boston Transcript,
bears similar testi-
mony. "In all the de-
tails of the toilet," we
are assured, "she was
fastidious, and a rent,
a frayed edge or miss-
ing button was looked
upon as almost a sin."
When Miss Anthony
died a few weeks ag^o
the flags of the city of
Rochester were dis-
played at half-mast. Numerous meetings were
held in various cities to commemorate her
work, and in one of them, in New York city,
one of the speakers, Mrs. Catt, pronounced her
"the greatest woman that ever lived."
THE THREE TRAGIC LOVES OF CHARLES STEWART PARNELL
Love shaped the career of Charles Stewart
Parnell in three crucial phases of his man-
hood. To the elucidation of this fact the sister
of the once uncrowned king of Ireland has
devoted the most personal study of the man
that has ever appeared.* The sister would not
convey the idea that her illustrious brother
was a Don Juan. On the contrary, but infre-
quent traces of sensuality are discernible in
her portrait of him. Yet we are informed that
the coldness and aloofness of the great leader
developed from one love tragedy following
another until his being became wrapped i\\
shadow. Though always treating women with
an almost knight-errant chivalry and respect,
he never, declares Mrs. Dickinson, seemed to
desire either their friendship or their love,
though, like most men with an early romance,
he possessed a mysterious fascination for many
of the fair.
Here is the first of the three tragedies. The
• A Patriot's Mistake. Beings Personal Recollections
of the Parnell Family. By a Daughter of the House.
John l4ine Company.
heroine was the daughter of a farmer living
near Cambridge, where the young Parnell was
an undergraduate:
"Daisy was as innocent as the large-eyed flow-
ers from which she took her name, wholly uncon-
scious of her charms and therefore more charm-
ing. Her blue eyes and golden hair, with the
white dresses which she generally wore, made her
an entrancing picture, especially to the uncritical
eyes and susceptible heart of ^nineteen; and
Charles had no sooner seen her in the glow of a
summer evening than he resolved to make her
acquaintance. This he easily managed, as even
at that age he was developing some of the inge-
nuity of resource which afterwards served him in
worthier causes. The next day he arranged to
be at the same place at the hour when the fruit-
picking was in progress for the following da/s
market and was even more charmed by a closer
view of the delicate, rose-tinted face under the
white sun bonnet. Daisy, on her part, though ap-
parently more intent on the j^lum and pear trees
than ever, was for the first time blissfully aware
that the dark-haired young gentleman with the
inscrutable eyes, whom she had often noticed on
the river, preferred gazing at her to practicing
his strokes. She was not a vain girl, coming from
PERSONS IN THE FOREGROUND
495
an ancestry that had
covered their sweetest
faces with the Puritan
hoods as a protest
against the vanity and
worldliness of the Cava-
lier court and that were
distinctly religious in
their habits of thought,
though often grotesque
in their modes of ex-
pressing them. Her
knowledge of the world
was very small. Living
in a secluded district with
a few neighbors, love in
connection with herself
had hardly yet entered
her head. And she had
no mother. Little won-
der then that it was with
something of the won-
der and the thrill of a
first emotion that she re-
ceived the unspoken
homage of a handsome
youth whom she knew to
be a member of the
neighboring university
and far above her station
in life
"An acquaintance was
quickly made by means
of a fortunate accident
to Charles's oar and the
borrowing of some cord,
and he arranged to meet Daisy on future even-
ings, charging her to strict secrecy in fear of
his college authorities. The young girl willingly
promised. She was already captivated by his
fascination and understood the dreadful conse-
quences that would ensue if their new friendship
came even to her fathers' ears. No thought of
injuring a peaceful heart, still less of any wrong-
doing, had entered Charles's head. His artistic
sensibilities were kindled by the beauty of a
flower in, as he thought, an unfavorable soil, and
since leaving his family he had often yearned for
feminine society. He therefore magnanimously
resolved to give Daisy a good deal of his im-
proving society and help to advance her educa-
tion."
In the long evening walks, when the fruit
season was over, the acquaintance ripened into
a deep and trusting affection on the girl's part
and an equally strong, though less pure and
unselfish, passion on the boy's part. Charles
knew it was impracticable to marry Daisy,
lovely and innocent though she was. Mrs.
Dickinson proceeds:
"At nineteen one does not analyze one's emo-
tions nor does a youth know how to exercise the
self-discipline and restraint that come with later
years. They were lovers and happy in each
other's society until their paradise was spoiled
by an impulse of young passion, and, as is usual-
ly the case, the ebb tide, on one side at least, set
in from that hour. A coldness and estrangement
Coartcay ot the John Lftne Compaay.
PARNELL AT TWENTY
He had just passed through a tragedy of love which
made him, his sister ftays, a prey to agonies of remorse
foi the rest of hfs days.
gradually grew between
them and an increasing
wretchedness on the
girl's part, who was sen-
sitive and inexperi-
enced. Charles was with
her as frequently as
ever. Although their
meetings had lost their
first joy, he, to do him
justice, had no idea of
the misery the poor girl
suffered or that she con-
templated self-destruc-
tion. He was rudely
awakened. One morn-
ing, on coming along
the river bank, near the
place where Daisy and
he had first met, he
caught the sound of
many frightened voices.
On turning a bend in
the path, he suddenly
came on a group which
haunted him for years
after. A small crowd
of villagers was gath-
ered round a figure that
had just been dragged
from the river, now
swollen with heavy rain.
A woman held the head
that was covered with
dark masses of golden
hair, and the slender,
dripping form was that of a young girl. Push-
ing aside the crowd with a gasp of horror, Charles
recognized the body of his little wife, as he had
called Daisy. She was qui^e dead."
The next love scene painted by Parnell's
sister opens in New York in one of the 'fine
houses on Fifth avenue. The Irishman was
already habitually gloomy, his sadness having
become the note of his temperament. This
new episode shows how his entrance upon a
parliamentary career had its origin in his love
for a woman:
"Charles, a slender and very handsome, dark-
eyed young man of twenty-three, looking slighter
and handsomer than ever in evening clothes, was
engaged talking to his hostess, Mrs. Forbes, when
his attention was attracted by a strikingly beau-
tiful girl of superb and queenly carriage, dressed
with the taste which Americans alone possess.
"She was standing near, a ring of admirers
around her, all pleading for her favor and com-
peting for her smiles, whilst she conversed with
and entertained them with infinite tact and clever-
ness.
"Coil upon coil of rich masses of chestnut au-
burn hair, piled up on top of a small and shapely
head; large slumberous eyes of varying color,
now as dark as night and now of a golden hazel,
which scintillated and flashed with every change
of feeling which her expressive countenance in-
stantly betrayed; a skin beautifully fair and a
496
CURRENT LITERATURE
Bgure perfect in its grace
and its maturity of de-
velopment rendered her
a distraction from head
to foot. . . .
"Long before the con-
clusion of the partv,
Charles was completely
subjugated and his heart
had gone, never to re-
turn to its rightful own-
er again. . . . Before
many weeks had passed
he had proposed and
been accepted, and it
was soon known that
the attractive young
Irishman was engaged
to the late belle of New
York and heiress of the
rich Mr. H."
But the lady changed
her mind. One memorable day, as Mrs. Dick-
inson phrases it in her effective style, the idol
of his life coolly informed Mr. Pamell that
she would not marry him because he had no
name. He replied that he had the oldest name
in Ireland. The lady replied that Paraell had
never distinguished himself in any way. He
immediately vowed to do so. Back to Ireland
he went. In a very few years his name was
kn6wn wherever the name of England was
known. To quote:
"Pearl, that star for which Charles had sighed
for so long, was within his reach and he looked
forward to calling his beloved his own, his wife.
He Was on the point of starting for America,
where their nuptials were to be celebrated, when
— but how write about, how describe, the bolt
that fell with unrelenting force on Charles's head?
How portray the indescribable anguish, the sharp
agony, the despair contained in an innocent-look-
ing telegram, placed in Charles's hand by an
obsequious waiter on the eve of his departure?
We can but picture him in his acrony and passion,
in his mad despair. He had loved her with all
the strength of his strotig nature. This ill-omened
message announced the marriage of his inconstant
betrothed to another."
However, he never railed against women, as
a less noble nature might have been tempted to
do. He came forth strengthened and ennobled,
his sister says, by the trial through which he
had passed. But he never loved again. Mrs.
Dickinson is sure of that. This brings up the
"mistake," to use the sister's word, regarding
Mrs. O'Shea. That lady, we read, was con-
sidered very pretty and fascinating to a de-
gree. About ten years Charles's senior, she
was still in her prime when first they met.
With her it appears to have been a case of
love at first sight. In Mrs. Dickinson's own
words :
CoortMy of John Lane Company
AVONDALE
The Irish home of Charles Stewart Pamell
which he dispensed at one time a genial and con-
vivial hospitality.
"In her infatuation for
the attractive and distin-
guished young Irish
leader, who was gener-
ally regarded as unap-
proachable and indiffer-
ent to the blandishments
of the* fair sex, she
[Mrs. O'Shea] seems to
have forgotten all or-
dinary caution and to
have acted from the be-
ginning with tlie aban-
don of one who consid-
ers the world well lost
for love. At first and
for long, Charles was as
adamant to the fascina-
cions of the charmer.
Once he even placed the
ocean between himself
and temptation; but ad-
verse fate played into the
hands of the woman who so madly worshipped
him."
in
The rest is not silence, as Hamlet says, but
scandal, and the wrecking of a great career
on the eve of triumph both for himself and for
his country.
It was when the storm was bursting over
the head of Parnell that his' latent will power
revealed itself, according to this sister's chron-
icle, in a determination to remain Ireland's
uncrowned king— or die. He might have suc-
ceeded in winning back his power, she thinks,
had it not been that his health was so far
gone. The priests, we are told, pursued him
at this time with a hatred long felt and long
concealed.
As misfortune threatened to engulf him, he
overcame the tendency to proud reserve bred
of the remorse that never ceased to eat into
his soul because of Daisy's death. His sister
would have us believe that her memory was
with him to the end. Be that as it may, Par-
nell in his last days became a more magnetic
and winning leader than at any other stage
of his career. The priests warned their flocks
against him in vain. His voice, never before
musical, acquired in the last speech-making
tour of his life a melody which those who
heard it can never forget His gestures lost
their constraint, his manner assumed a new
expansiveness. Had he lived, says Mrs. Dick-
inson, Ireland would have been his once more.
Upon what basis was built the odd notion
that Parnell did not die but had been spirited
away and was to return to the scene of his
former triumphs, his sister professes herself
unable to imagine. Of his death there can be
no shade of doubt. The end was peaceful.
Literature and Art
ANDREW CARNEGIE'S "SPELLING REFORM" CRUSADE
"One of the greatest movements of the
times/' it is predicted, will grow out of the
new campaign inaugurated by the "Simplified
Spelling Board" and financially backed by An-
drew Carnegie. This statement is not unrea-
sonable, in view of the prominence and influ-
ence of the men who are actively supporting
the crusade. Commissioner W. T. Harris,
editor of the last edition of Webster's Dic-
tionary; Benjamin Gunter, editor of the Cen-
tury Dictionary; Charles P. G. Scott, editor
of the etymological department of the Cen-
tury Dictionary; and Dr. I. K. Funk, editor
of the Standard Dictionary, are all members
of the Simplified Spelling Board, as are also
Prof. Thomas R. Lounsbury, of Yale Univer-
sity; Prof. Francis A. March, of Lafayette;
Prof. Brander Matthews, of Columbia; Henry
Holt, the New York publisher; William
Hayes Ward, editor of The Independent;
Richard Watson Gilder, editor of The Cen-
tury; and Justice Brewer, of the United States
Supreme Court.
In a public statement,' issued from Hot
Springs, Va., and generally accepted as re-
flecting the aims of the members of the Board,
Mr. Carnegie says:
"The organized effort I have agreed to finance
is not revolutionary — far from it. Its action will
be conservative. Word after word it will en-
deavor to improve the spelling and the language
— slowly, of course, but hastening the pace if
possible. . . .
"Since our language has been constructed
through unceasing change, literary men should
welcome new words and new spellings with fa-
voring eye, since it is by these alone that further
improvement can come. Scholars denounced
'plow* for 'plough,' for instance. But 'plow' has
been accepted. So with many words that will
readily occur to readers.
"Our language is likely to prevail in the world,
and we may hope it is to become finally the
universal language, the most potent of all in-
struments for drawing the race together, insur-
ing peace and advancing civilization. The for-
eigner has the greatest difficulty in acquiring it
b^use of its spelling. This is, at least, his chief
obstacle; for its grammar is easy.
"Hundreds of scholarly men have agreed to use
improved spelling for twelve words. These words
are already well started in actual use. Other sim-
plifications will be suggested."
Mr. Carnegie here refers to the twelve "re-
formed" spellings recendy sanctioned by the
National Education Association, namely :
"Bizness," for business; "enuf," for enough;
"fether," for feather; "mesure," for measure;
"plesure," for pleasure; "red," for read; "ruf,"
for rough; "trauf," for trough; "thru," for
through; "tuf," for tough; "tung," for tongue;
"yung," for young.
Not content with these modifications, the
Simplified Spelling Board has submitted pro-
posals under twenty heads looking toward
further changes. The suggestions are as fol-
lows:
1. Words spelled with ae, cb, or^. Rule:
Choose e, as in anesthetic, esthetic, and medieval.
2. Words spelled with -dge-ment or -dg-ment.
Rule: Omit e, abridgment, acknowledgment,
judgment, and lodgment.
3. Words spelled with -ed or -t, the preceding
single consonant bein^ doubled before -ed
i'pped, -ssed) and left smgle before -t (-pt, -st).
Rule: Choose -/ in all cases, dipt, dript, dropt,
stept, blest, prest, distrest, blusht, husht, washt,
4. Words spelled with -ence or -ense (Latin
-ens-a). Rule: Choose -ense, defense, ofFense,
pretense.
5. Words spelled with -ette or -et. Rule: Omit
-te, coquet, epaulet, etiquet, omelet.
6. Words spelled with gh or f. Rule: Choose
-/, draft.
7. Words spelled with -gh or without, (i)
'Ough or 'Ow. Rule: Choose -ow, plow. (2)
'Ough or 'O. Rule: Choose -o, altho, tho, thoro,
-boro (in place names).
8. Words with the verb suffix, of Greek origin,
spelled 'ise or -ise. Rule : Choose -iee, catechise,
criticise, exorcize, legalise.
9. Words spelled with -ite or -it. Rule: Omit
e, deposit, preterit.
10. Words spelled with -// or -/ (-f7/ or -*/).
Rule : Choose /, distil, fulfil, instil.
11. Words spelled with -ll-ness or -l-ness.
Rule : Omit one /, dulness, fulness.
12. Words spelled with -mme or -w. Rule:
Omit -me, gram, program.
13. Words spelled with oe, «, or e. Rule:
(Hioose e, ecumenical, esophagus.
14. Words spelled with -our or -or. Rule:
Choose -or, favor, fervor, flavor, honor, labor,
rigor, rumor, tenor, tumor, valor, vapor, vigor.
15. Words spelled with ph or f. Rule: C5ioose
f, fantasm, fantasy, fantom, sulfate, sulfur.
16. Words spelled with -rr or -r. Rule: Omit
one r, bur, pur.
17. Words spelled with -re or er. Rule:
Choose -er, center, meter, miter, niter, sepul-
cher, theater.
18. Words spelled with j or * (in the root).
498
CURRENT LITERATURE
"PURSUED"
(By Gutzon Borglum)
A repreBentation of two Indian riders now in the possession
of the German Emperor.
Rule: Choose s, apprise, assize, comprise, raze,
surprise, teasel,
19. Words spelled with -s or sc. Rule: Omit
c, simitar, sithe.
20. Words spelled with or without silent -ue.
Rule:. Omit -ue, catalog, decalog, demagog, peda-
gogy prolog.
From across the Atlantic a cry of horror
has arisen at the very thought of these
changes. Algernon Swinburne regards the
proposition as "a barbarous, monstrous ab-
surdity," and Sir Arthur Conan Doyle says:
"Reformed spelling might become universal,
but it would cease to be the English lan-
guage." Rider Haggard bluntly declares:
"The language as written by the translators
of the Bible and by Shakespeare is good
enough, indeed too good, for me."
In this country the question of spelling re-
form is being debated as never before. Dur-
ing the past few weeks the daily and weekly
papers have teemed with comment and cor-
respondence on this subject. The New York
Evening Post takes a rather sympathetic at-
titude toward the campaign, and notes that
many of the forms proposed are already
in common use. "Others, which are but
rarely used," it says, "will make a pow-
erful appeal for universal suflfrance; and
still others are so strange to the eye that
they may not work their way into the
language for several generations, if in-
deed they ever succeed." The Columbia
(S. C.) State comments:
"This reform is unquestionably needed.
Our spelling is not only absurd, it is dis-
honest. It does not represent, it has never
fully represented, our spoken language. It
is even getting farther and father from the
sounds that we use. To keep up such a
farce is not worthy a sensible people-
Teachers have assured Mr. Carnegie that
'children would be saved more than a
year's instruction if our spelling were sim-
plified.' It has been demonstrated that
great economy would result in the printing
of books and papers; and it is clear that
the language would be far more easily ac-
quired, which is a great consideration rt
this time when we are teaching Englisli
with rapid-fire guns and expect the whole
world to speak our language at some remote
day.
"But can it be achieved? The Simplified
Spelling Board, which Mr. Carnegie has
'financed,' has adopted possibly the best
plan for launching the movement, that of
recommending a few obvious changes that
will not seem too radical a departure from
the forms to which we have grown accus-
tomed. But it must face and overcome a
prejudice that has its roots in the granite
of ignorance, which it takes to be pride in the
language and a lordly conservatism."
On the other hand, the Philadelphia Public
Ledger argues that the new movement is
bound to fail for the reason that it does not
take into account the "genius" of the Eng-
lish language:
"One thing is painfully manifest in the dis-
cussions which are excited by these revivals of
spelling reform, and that is that the reform move-
ment, as at present organized, takes no cogni-
zance of the 'genius' of a language which con-
tains one of the grandest literatures of the civ-
ilized world. However you may personify that
'genius,' it assuredly exists, it is assuredly a force,
and it will not down for any isolated attacks,
however financed, upon its existence. We care
nothing about the mere 'history* of words, about
which Mr. Carnegie talks, for there are many
words with a wonderfully interesting history
which do not carry it upon their face. We put
on one side any sentimental affection for old
forms in an old and dear literature. But we do
think and venture to say that the proposals of
spelling reforms are more likely to make 'con-
fusion worse confounded' than to clear up the
field of our language and make it more easy for
the foreigner to walk upon. The change of some
LITERATURE AND ART
499
dozen words, grinning like caricatures in
their new masks, will make but a poor
monument for finance and toil."
The humorists are busy exploiting this
theme. A correspondent of the New
York Times suggests that the "Bored
of Spelling' beg^n simplification with
their own names, thus: "Androo Kam-
age,** "Tomus Lownsbre," "Richud Wat-
sn Gildr," "Brandr Mathooz," etc.
Mark Twain is afraid that spelling
reform is unlikely; but if it does come,
he w^ants it to come not as a gradual
change but all at once. And he thinks
that, in case of sudden change, people
would get used to it just as they get
used to mixed bathing, women riding bi-
cycles, hoopskirts, smoking-rooms for
women, or anything else that is new.
He writes (in Harper's Weekly) :
''Suppose all the newspapers and period-
icals should suddenly adopt a Carnegian
system of phonetic spelling — what would
liappen? We all know quite well what
would happen. To begin with, the nation
would be in rage; it would break into
a storm of scoffs, jeers, sarcasms, cursings,
vituperations, and keep it up for months— but
it would have to read the papers ; it couldn't help
itself. . . .
"To what literature would we limit the change?
Naturally, and unavoidably, to literature written
after the change was established. It would not
occur to any one to disturb the 'associations.' No
book already existing would be put into the new
spelling. We do not guess at this; we have his-
tory for it. We do not profane Chaucer's spell-
ing by recasting it to conform to modem forms.
One of its quaintest and sweetest charms would
"RUSKIN''
"When I saw Ruskin at Windermere." saysGutzon Bor/(lttm,
" he had drawn into himself. He had full con6dence in his own
strength, but was sad. The most marvelous, mat^nificent, un-
appreciated genius the world has ever known."
be gone, it would not be Chaucer any more.
... All the old books would naturally and «
necessarily remain as they arc. Do we change
Marjorie Fleming's spelling? No. No one could
meditate a vandalism like that. . . .
"By a sudden and comprehensive rush the
present spelling could be entirely changed and
the substitute-spelling be accepted, all in the space
of a couple of years; and preferred in another
couple. But it won't happen, and I am as sorry as
a dog.
"For I do love revolutions and violence."
THE VERSATILE TALENT OF GUTZON BORGLUM
During his youth, Gutzon Borglum, the New
York sculptor and painter, lived for a while
in the Far West, among horses and cowboys;
and one of his earliest friends and admirers,
the wife of General Fremont, prophesied that
he would "ride to fame on horseback." Al-
most literally the prediction has been fulfilled.
His heroic half-circle of wild horses in Bronze,
"The Mares of Diomedes," has just been pre-
sented to the Metropolitan Museum of Art by
James Stillman, the banker, and his repre-
sentation of two Indian riders, "Pursued," was
purchased not long ago by the German Em-
peror. The first-named work, characterized
by Christian Brinton, the art critic, as "a
triumph of American sculpture" and repro-
duced herewith, elicits the following tribute
from Leila Mechlin, a writer in The Interna-
tional Studio (April) :
"Strength, brute strength, controlled by human
intelligence, makes to the manhood of this sculp-
tor direct appeal and few have given it as ade-
quate expression as he. His 'Mares of Diomedes'
shows a mad stampede directed and guided by
the will of a single man — ^the hero, Hercules, who
in bringing from Thrace the man-eating mares
of the King of the Bestones performed the eighth,
supposedly, impossible task imposed by Eurys-
theus. It is a brilliant work, original in concep-
tion and well composed — literally the embodiment
of energy and strength. There is wild confusion
and yet perfect order. The horses pile upon one
500
CURRENT LITERATURE
"NERO"
Gutzon Borglum's idea of Nero as the beast that
lurks in human form presents a dramatic contrast to
Stephen Phillips's new poetic portrayal of an **aesthetic"
Nero.
another in their frenzied haste, and so form a
solid mass, but they never lose their onward
spring. Hercules, reduced to diminutive size by
comparison to the great brutes, clings like a leech
to the forward mare, which is lurching into space,
ONE OF BORGLUM'S FANTASIES
and with his man's intellect guides the fearful
race. The animals are well modelled, and show,
on the part of the sculptor, an intimate knowl-
edge of anatomy; the story is well told; but it is
the conception of the group as a unit, togrether
with its masterly rendering, which places it
among the great works of art. ... Its force
is tremendous, and its strength well sustained,
and at no point does the sculptor seem to have
even momentarily lost his grip. It expresses sus-
pended action, but the feeling of motion is not
paralysed — the mares are aquiver with life. It is
dramatic, but not overstrained — vital, but not
Horses, however, were not the only subjects
that inspired Borglum's youthful imagination.
In the West he may be said to have imbibed
something of the free and independent spirit,
the versatility, which characterize all his work.
Born of stock that contains German, French,
and Danish, as well as American, elements,
pursuing his studies in Paris and London, as
well as in San Francisco and New York, he
has learned to express himself through many
mediums and in various forms. His talent
ranges from the grotesque, as evidenced by
his gargoyles, through phases of the terrible,
of which his "Nero" is an excellent example,
to the entire absence of the animal and the
prevalence of the spiritual, as shown in the
delicate and exquisite purity of his cherubs,
his angels ^nd his saints.
Mr. Borglum was brought up as a Roman
Catholic, and the religious influence in his
work is marked. He modeled the angels for
the Cathedral of St. John the Divine, in New
York, and the ensuing discussion in regard to
the sex of angels (see Current Lit-
erature^ December) is still fresh in
the public memory. Lately, how-
ever, he has been dominant ly swayed
by the idealism of Rodin and Whist-
ler. To this mood must be credited
three of his most notable works: "I
piped to you and ye have not
danced," "Ruskin" and "Nero."
"I piped to you and ye have not
danced" expresses pathetically a
feeling found in much of his work
that things so often come to us too
late, after the strong desire for them
is over.
The saddened face of the woman
— a face beautiful but no longer
young— has in it the thought of
the sculptor that our best endeav-
ors hardly compensate us; that if
success comes during life it too often
comes long after those whom we
LITERATURE AND ART
5or
"THB MARES OP DIOMBDES"
Recently purchased by James Stillman, the New York banker, and presented to the Metropolitan
Museum of Art. This is reg^arded as Gutzon Borglum's masterpiece.
wish to thank for the inspiration have gone
beyond the sound of the human voice; that
while they were here to listen the world re-
fused to dance.
In the same spirit he created his "Ruskin."
"When I saw Ruskin at Windermere/' says
Borglum, "he had drawn into himself. He
knew his worth. He had full confidence in
his own strength, but he was sad. The most
marvelous, magnificent, unappreciated genius
the world has ever known."
In regard to the idea of the terrible, best
revealed in his work through the medium of
his ''Nero," he has had this to say :
"Each of us puts something of his life in his
work. Something in my life made my Nero pos-
sible. It has passed. It has gone out of my life.
It would be impossible for me to create another
Nero or to shape a being at all like him.
"There arc some days when, absorbed in my
angels, my cherubs, my saints, I hate my Nero;
but if art is worth anything at all it must be real,
and he was real at the time. As a matter of fact
I found the firebrand reincarnated in a man here
in New York who had once been my friend."
Mr. Borglum has done nothing more re-
markable than his gargoyles for Princeton
University. Of this phase of his work he re-
cently said:
"When I was first asked to make some gar-
goyles, I confess I was somewhat at sea as to how
to begin. I could hardly comprehend the nature
of the motive. Nothing in life is without cause
and effect. Nothing is merely a shell. Every-
thing has some motive.
"I at len^h discovered that the gargoyle was
the expression of an ignorant, superstitious ar-
tisan who imagined the projections of buildings
to be the spirits he feared and who fashioned them
accordingly.
"The original idea of the ^rgoyle is a stick
that carries water; but the ignorant peasant —
the gargoyle was created in a most supersti-
tious age — turned them into distortions of nat-
ural things.
"There you have the key to the creation.
"I went to work with this precedent and made
my North Wind, a creature of distended nostril,
a wild-eyed thinp: with mouth hideously curved,
in the act of emitting the fury of the sometimes
death-dealing blast in the North and the West.
"I created my gargoyle Snout, my gargoyle
Bottom (a distortion of Shakespeare's), my Half-
Equipped, the bird with one arm, one leg, one
foot, but in spite of all, happy, for the reason
that the half-equipped are always happy.
502
CURRENT LITERATURE
THE FOUNDER OF THE SMITHSONIAN
INSTITUTION
(By Gutzon Borglum.)
A characteristic portrait of the eccentric Englishman
who bequeathed to the United States his entire fortune,
to be used for the " increase and diffusion of knowledge
among men."
"Take every sentiment of virtue and vice or
of fear, and symbolize it and you have the pos-
sibility of a gargoyle. Take the distorted face,
the mouth awry, the crooked nose, the chin
pushed sidewise, the hair blown wildly about, the
eyes half insane, and you have the face one fears
rhight peer suddenly out of the darkness — in other
words, the gargoyle.
*^Take the face of a friend suddenly converted
by temper, by fury, by passion, into the face of
a foe and there once more you have your gar-
goyle."
One of Borglum's best sculptural works
is a portrait of James Smithson, the eccen-
tric English scientist who bequeathed to the
United States his entire fortune to found the
Smithsonian Institution; and another is a
small equestrian figure entitled "The Boer,"
symbolizing a lost cause, which evoked Appre-
ciative comment when exhibited in London at
the time of the South African War.
In England Mr. Borglum's talents have al-
ways been at a premium. Three of his can-
vases were sent for by Queen Victoria to be
shown at Osborne. His "Pan" mural dec-
orations adorn the Queen's Hotel, in Leeds;
and he has only recently completed a painting,
"The Coming of Guinevere" and twelve pan-
els illustrating the "Midsummer Night's
Dream," for the Midland Hotel Concert Hall,
in Manchester.
Leila Mechlin, the International Studio
writer, sums up Borglum's position:
"He is one of the many-talented few, but even
he is not uniformly successful. He has done
well, but it is probable that he will do still better.
His paintings and his sculptures both show steady
progress; they are becoming more artistic and in
their significance more profound. He takes to his
task both enthusiasm and zealous purpose and he
is still looking beyond for something higher and
better. The reason for building any work of
art,' he says, 'can only be for the purpose of
fixing in some durable form a great emotion, or a
great idea, of the individual, or the people.' This
to a degree epitomises his object, but it, likewise,
measures his success. He has given to his work
definite meaning, and through it he has made
worthy contribution to the art of the present day."
ENEMIES AND HATERS OF BOOKS
There are many tragic chapters in the his-
tory of the writing and preservation of books,
and while at our stage of civilization there is
little danger of the recurrence of such trage-
dies, books still have enemies and still need
protection. This is the general conclusion
which has been reached in an exhaustive work
that has been written on this subject by a
French book-lover and expert, Albert Cim.
His work is entitled "Le Livre," and covers
ancient, medieval and modern history, includ-
ing our own time. It appears that the most an-
cient destroyer of books known was the Baby-
lonian king, Nabonassar, who, in the third
century B. C, destroyed all the records of the
reigns and rulers precedent to himself. In-
stances of such ruthless vandalism are by no
means rare in history. It is, however, an
error and historical injustice to charge the
Caliph Omar with the destruction in 640 of
the Alexandrian library. If Omar burned any-
thing, it was the mere insignificant remnant
LITERATURE AND ART
503
of a once magnificent library. The greater
part of this vast collection of books had been
destroyed by the troops of Julius Caesar, and
another substantial part by Bishop Theophile,
four hundred years later, who fought paganism
strenuously and regarded pagan literature as
worse than worthless.
Religious fanaticism and religious warfare
are, indeed, responsible, for the extermination
of countless literary treasures and collections.
The Romans consigned to the flames Jewish
and Christian books, the Jews treated pagan
and Christian books in the same way, and the
Christians pursued a similar policy. In Spain,
at and after the expulsion of the Moors, whole
libraries of the writings of Islam were sav-
agely dertroyed; the English Puritans exter-
minated many collections of books in the
monasteries, and even Cromwell burned the
Oxford library, then one of the best in Europe.
Red and white extremists have been equally
cruel to books ; the Spanish Inquisition and the
French Revolution were at one in this matter.
The Spanish discoverers and rulers of America
destroyed thousands of Mexican and Peruvian
records, and as a result a most important
part of the history of human progress has been
lost forever.
The crusaders were destroyers of what they
considered heretical books, and in Russia the
war of orthodoxy on sectarian dissent still
manifests itself, among other things, in the
destruction of the books of the non-conform-
ists.
There are, however, other methods than
burning or destroying books, and these still
survive. The collectors who tear out and pre-
serve only the title-pages of books do not
flourish now as they did in earlier centuries,
but at certain periods such collecting was the
rage. In England, in the eighteenth century,
John Bagford gathered together a hundred
bulky volumes of title-pages. Other collectors
used to tear out the illustrations and throw
the text away.
The author has some amusing pages on the
attitude of women toward books. It is a fact,
he says, that bibliophiles have no high opinion
of woman. She is regarded by them as a
natural enemy of their treasures. Who has
ever known a woman bibliophile? asks a
writer he quotes approvingly. The woman
of any home would rather have ornaments,
bric-a-brac, what not, than books. Besides, it
seems impossible for women to handle books
with loving care ; they show utter indifference
to the safety and integrity of books in every
possible way. One ardent book-lover has left
the dictum that no woman can be left alone
with a book.
The author deals with bookbinders, store-
keepers, autograph hunters, and so on, placing
them all in the various classes of book haters.
Finally, he reaches the last class — ^the writers
of books. Paradoxical as it may seem, authors
do not, he finds, necessarily love books— except
their own. Many positively dislike them, while
others are simply indifferent and neither buy
nor read books.
Rousseau did not hesitate to declare flatly
that he "hated books, as they teach people to
talk about things they do not understand."
Chauteaubriand had a profound contempt for
books, in which feeling his wife shared. He
had a secretary who consulted whatever au-
thorities he needed in his historical writings,
he himself avoiding all unnecessary reading.
In a letter to a friend his wife praised an
apartment they had taken, one of its merits be-
ing the impossibility of "finding room in it for
even a dozen books." Victor Hugo read very
little. Even for his historical novels and plays
he drew chiefly on his imagination. He had
no library, and Jules Simon wrote of him:
"There is hardly a book in Hugo's house, while
in mine there are 25,000 of them." Lamartine
cared little for books ; he read nothing till his
fiftieth year. Maupassant also avoided read-
ing. Books, he said, made one narrow; they
misrepresented life, indulged in deceptions
and gave the mind a false direction, he
thought. Zola had a small library and held
that only idlers read much. Who, he asked
in a letter, reads for genuine pleasure? As
for authors, they write that others may read,
as sausage-makers prepare their stuff for
others. Pierre Loti frankly declared that he
feared and distrusted books. They destroy
originality and sincerity, he said, and only a
man's own ideas and sentiments are of value.
Even among librarians, whose business it
is to care for books and encourage reading,
there are, according to the author, haters of
books. A great Paris librarian is quoted as
saying that it would give him keen pleasure
to see the whole collection in his charge de-
stroyed by fire. What is the use of all these
laden shelves? Who reads these hundreds of
thousands of volumes ? he asked.- If he had his
way, only about five hundred books would be
preserved, as they contained all that could be
properly called literature.
504
CURRENT LITERATURE
REDISCOVERY OF SOME OF TURNER'S MASTERPIECES
Twenty-one oil paintings by the famous
English artist, J. M. W. Turner, have come to
light in the cellars of the National Gallery of
British Art, and are being exhibited in Lon-
don. They formed part of the bequest made
to the nation by Turner fifty years ago, but,
for unaccountable reasons, were boxed and
hidden away. Now they are found to be mas-
terpieces, surpassing, in some instances, the
finest of Turner's work heretofore known. All
artistic London is agog with the discovery.
The remote Tate Gallery, in which the pic-
tures have been put on public view, is besieged
by visitors, and the general public has shown
as much interest as the art connoisseurs. A
London critic refers to the exhibition as "one
of the greatest and most genuine art sensations
that have occurred within years."
Several reasons have been given to explain
the treatment the paintings have received. One
is that they were simply forgotten, just as old
rubbish might be forgotten in some long closed
attic in one's own house; another, that their
"slightness of execution" and "more or less
wrecked condition" rendered them unfit for
exhibition. Both of these reasons, says a
London correspondent of the New York Eve-
ning Post, are equally unsatisfactory. "If a
case of mere forget fulness," he writes, "it is
unpardonable thkt men appointed, and paid a
large salary, to watch over the country's treas-
ures should not have remembered the existence
and the presence on their premises of the nota-
ble pictures of a distinguished painter. One
asks, in consternation, what Other fine and
beautiful things may be thrust out of sight in
the dust and dirt of the National cellars? . . .
On the other hand, it is incredible that the di-
rectors— all, I believe, artists — who have suc-
ceeded each other since the Turners were
placed under their charge, should have had
such a poor opinion of the merit and state of
preservation of the paintings in question."
The same writer continues:
"Curiously enough, they are in a great deal bet-
ter condition than many that have been for long
STORM OFF A ROCKY COAST
(By J. M. W. Turner.)
A RIVEli SCENE WITH CATTLE
<By J. M. W. Turner.)
A HfiGAtTA ON THE MEDWAY
(By J, M* W. Turn^rj
5o6
CURRENT LITERATURE
ROCKY BAY WITH CLASSIC FIGURES AND SHIPS
(By J. M. W. Turner.)
hanging in the Turner Room in Trafalgar Square.
They are not melancholy wrecks, in which you
have to imagine all the wonderful qualities Rus-
kin discovered in them and commanded the world
to see and admire with him. The color is pure
and fresh, the sun shines as it rises and sets — it
has not been eclipsed by the passing of time —
skies and mists are luminous. It may be that
Turner's worst experiments with varnish, which
these paintings seem to have escaped, were dead-
lier enemies to his work than the damp and squal-
or of his forlorn house in Queen Anne Street
and the dust and darkness of the National cel-
lars. However that may be, only the blind — or
the directors of the National Gallery— could have
found in the condition of the long- forgotten se-
ries an argument for their concealment."
The London Daily News also finds it "incon-
ceivable how any student of pictorial art can
have dismissed such an achievement as un-
worthy a place, not to say a high place, in our
national collections" ; and adds : "The heritage
is one of which the nation has reason to be
proud." In a similarly appreciative spirit, the
London Morning Post comments: "The first
glance round the room was sufficient to show
that one was in the presence of great art, not
the art of commonplace thought and uninspired
expression, but the art that reveals by sugges-
tion all the knowledge of a master craftsman,
and the infinite feeling of a mind sensitive to
the ever-varying moods of nature — a mind so
sensitive that it magnified each visual record
and made truth stronger and more beautiful.
But the revelation is nearly always more the
magnifying of physical grandeur than the
glorifying or explaining of spiritual beauty."
Two of the most striking pictures in the col-
lection are "A River Scene, with Cattle,"
showing Dutch influence, and "An Interior at
Petworth," which expresses a vision of bril-
liant, transfiguring sunshine streaming through
vast windows into a large and sumptuously
decorated room. The most beautiful of all, in
the judgment of several critics, are some com-
paratively small sketches of yacht racing on
the Solent. The larger paintings permit of
division into two series, a gray and a golden.
To the former series belongs "The Evening
Star," a favorite alike with the critics and the
public. Of this picture a London correspond-
ent of the New York Sun writes :
"The subject is very simple — a fisherman and
his dog on the shores of a tranquil, gray-blue sea ;
some spars rising up at the edge of the water; a
LITERATURE AND ART
507
sky paling in the twilight; a single star reflected
in the sea. The sentiment is exquisitely rendered.
It is expressed with a skill which is both mas-
terly and unobtrusive. There is a reticence which
one hardly associates with Turner, a grave and
tender beauty which is rare in his work. It is a
picture to be seen — one which does not lend itself
to reproduction or description."
The rest of the gray series are "Margate
from the Sea," "Breakers on a Flat Beach,"
"The Thames from above Waterloo Bridge,"
and "Storm off a Rocky Coast" The last is
pronounced "a magnificent effect."
Of the golden series the Sun writer says :
"Perhaps the most brilliant of the golden se-
ries is 'Sunrise, Norham Castle,' and the most
beautiful, *A Rocky Bay, with Classic Figures and
Ships,* though a more intimate charm pervades
the slighter 'Hastings,' a view of the south coast
watering place. 'Sunset, with Boat Between
Headlands,' 'Sunset, Bay of Baix,' and 'Sunrise,
with a Sea-Monster,' complete the list of the
larger canvases. Here, again, there is little to
be said that oould convey any adequate idea of
the individual pictures; but of them collectively
it may be said that Turner, by sheer force of
genius, presents in a more direct manner the bril-
liant effects of light which the French impres-
sionists are only able to attain in a somewhat
mechanical fashion."
Most of these pictures represent Turner's
latest period. During this "last phase" he was
lonely and friendless, yet in it he made fresh
conquests. As the French critic, Robert de la
Sizeranne, puts it: "He stands alone, as
little to be imitated in his own country as
elsewhere, belonging no more to one region
of the globe than a comet belongs to one re-
gion of the sky."
WHITMAN'S PLACE IN THE HEARTS OF HIS CONTEMPORARIES
Walt Whitman has been so persistently ig-
nored or belittled by some critics, and so bit-
terly attacked by others, that, not unnaturally,
he is often represented as having undergone
a kind of literary martyrdom. . But Horace
Traubel's newly published and most illuminat-
ing record* of the correspondence and conver-
sation of the Camden poet makes it clear that
Whitman was in constant and intimate touch
with some of the greatest minds of his time,
and that "Leaves of Grass" awakened not
merely critical interest but a spirit of personal
devotion and warm-hearted loyalty among a
large number of his most eminent literary con-
temporaries both in Europe and this country.
Emerson's now famous characterization of
"Leaves of Grass" as "the most extraordinary
piece of wit and wisdom that America has yet
contributed," and his further statement, ad-
dressed directly to Whitman, "I greet you at
the beginning of a great career," show con-
clusively that the one man whose judgment
Whitman must have valued most — for as a
youth he had saturated himself in Emerson's
thought — was not afraid to give him unstinted
praise. Whitman blazoned the words, it will
be remembered, on the cover of the second
edition of his poems, rather to Emerson's
mortification; but Traubel furnishes evidence
to show that Emerson never "went back" on
his glowing estimate.
•With Walt Whitman in Camden (March 2»— July
X4« x888). By Horace Traubel. Small, Maynard & Co.
John Ruskin treated Whitman better than
Whitman treated him ; for Whitman confessed
that he did not care for Ruskin akd could not
read him, whereas Ruskin wrote to William
Harrison Riley, a Socialist friend who had
sent him excerpts from "Leaves of Grass":
"These are quite glorious things you have
sent me. Who is Walt (Walter?) Whitman,
and is much of him like this ?" Tennyson cor-
, responded with Whitman, and addressed to
him, in 1887, a letter which the American
poet treasured as "correct, choipe, final." It
reads :
Dear Old Man:
I, the elder old man, have received yojur Arti-
cle in the Critic, and send you in return my thanks
and New Year's greeting on the wings of this
East wind, which, I trust, is blowing softlier and
warmlier on your good gray head than here,
where it is rocking the elms and ilexes of my
Isle of Wight garden.
Yours always,
Tennyson.
In some ways the most important of Whit-
man's friendships was that with John Ad-
dington Symonds. It is doubtful if literary
history can furnish a parallel to this remark-
able intimacy, which lasted for twenty years.
Symonds was a classical scholar of distinction,
an historian of the Italian Renaissance and a
biographer of Shelley and Michelangelo. His
attitude toward Whitman was that of rever-
ential discipleship. "Leaves of Grass," he
once said, had influenced him more than any
508
CURRENT LITERATURE
WALT WHITMAN
He has sometimes been treated as a literary outcast,
yet he numbered among his intimate friends Emerson,
Thoreau, John Burrouehs, John Addington Symonds,
W. M. Rossetti, Edmund Gosse and Edward Dowden.
Other book except the Bible; more than Plato
or Goethe. In a letter to Whitman, written
from Bristol, England, and dated February
7, 1872, he speaks again of what the poems
had meant to him:
"For many years I have been attempting to
explain in verse some of the forms of what in a
note to Democratic Vistas (as also in a blade of
Calamus) you call 'adhesiveness/ I have traced
passionate friendship through Greece, Rome, the
medieval and the modern world, and have now
a large body of poems written but not published.
In these I trust the spirit of the Past is faithfully
set forth as far as my abilities allow.
"It was while engaged upon this work (years
ago now) that I first read 'Leaves of Grass.' The
man who spoke to me from that book impressed
me in every way most profoundly — unalterably ;
but especially did I then learn confidently to be-
lieve that the comradeship which I conceived
as on a par with the sexual feeling for depth
and strength and purity and capability of all good,
was real — not j delusion of distorted passions, a
dream of the Past, a scholar's fancy — but a strong
and vital bond of man to man.
"Xet even.tjien how hard I found it — brought
up in.. English feudalism, educated at an aristo-
cratic' pliblic schooK '(Harrow) and an over-re-
fined university (Oxford) — to winnow from my
own' emotion and from my conception of the ideal
friend all husks of affectations and aberrations
and to be a simple human being! You cannot tell
quite how hard this was, and how you helped
me.
Whitman's influence over Symonds grew
stronger, not weaker, with the years. Sy-
monds had always been ambitious to write a
worthy interpretation of the "master." and he
put the fading strength of his last days into
"Walt Whitman: A Study." The book ap-
peared on the very day that Symonds died.
Dante Gabriel Rossetti was one of Whit-
man's earliest readers, and his brother, Will-
iam Mfchael Rossetti, wrote an introduction to
the first English edition of "Leaves of Grass."
The edition was expurgated, with W^hitman's
consent, but against his better judgment. He
said afterward:
"I have heard nothing but expurgate, expur-
gate, expurgate, from the day. I started. Every-
body wants to expurgate something — this, that,
or the other thing. If I accepted all the sugges-
tions, there wouldn't be one leaf of the Leaves
left — and if I accepted one, why shouldn't I ac-
cept all? Expurgate, expurgate, expurgate!
I've heard that till I'm deaf with it. Who didn't
say expurgate? Rossetti said expurgate and 1
yielded. Rossetti was honest. I was honest — we
both made a mistake. It is damnable and vulgar
— th^ mere suggestion is an outrage. Expurgation
is apology — yes, surrender — yes, an admission that
something or other was. wrong. Emerson said
expurgate — I said no, no. I have lived to regret
my Rossetti, yes — I have not lived to regret my
Emerson, no . . . Did the Rossetti book ever
do me any good? I am not sure of it: Rossetti's
kindness did me good — ^but as for the rest, I am
doubtful."
Such staid critics as Edmund (josse and
Edward Dowden fell completely under Whit-
man's spell. Probably both would modify now
the enthusiastic utterances of their youth, but
the earlier attitude is none the less significant.
Mr. Gosse visited Whitman in 1887. Years
before he had written him:
"The Leaves of Grass have become a part of my
every-day thought and experience. I have con-
sidered myself as the 'new person drawn toward'
you; I have taken your warning, I have weighed*
all the doubts and the dangers, and the result is
that I draw only closer and closer towards you.
"As I write this I consider how little it can mat-
ter to you in America how you are regarded by a
young man in England of whom you have never
heard. And yet I cannot believe that you, the poet
of comrades, will refuse the sympathy I lay at your
feet. In any case I can but thank you for all that
I have learned from you, all the beauty you have
taught me to see in the common life of healthy
men and women, and all the pleasure there is in
the mere humanity of other people. The sense of
all this was in me, but it was you, and vou alone,
who really gave it power to express itself. Often
LITERATURE AND ART
509
wh€n I have been alone in the company of one or
other of my dearest friends, in the very delicious-
ness of nearness and sympathy, it has seemed to
me that you were somewhere invisibly with us." .
I^rofessor Dowden, writing from Dublin in
1871, said:
"You have many readers in Ireland, and those
who read do not feel a qualified delight in your
poems— do not love them by degree, but with an
absolute, a personal love. We none of us ques-
tion that yours is the clearest, and sweetest, and
fullest American voice. We grant as true all that
you claim for yourself. And you gain steadily
among us new readers and lovers."
Thoreau was among the first to recognize "a
great big something" in "Leaves of Grass,"
and John Burroughs has always been one of
Whitman's stanchest friends and defenders.
Sidney Lanier, John Hay, Edmund Clarence
Stedman, Richard Watson Gilder, Joaquin
Miller are but a few of the distinguished
Americans who gave Whitman encouragement
at a time when his poems were almost univer-
sally misunderstood and execrated. Even be-
fore Jiis death Whitman had translators and
interpreters in Germany, France and Den-
mark. Well might he say (in 1872) that, on
the whole, he was "more than satisfied" with
his literary fortune. And many years later he
added : "I have been lucky in my friends, what-
ever may be said about my enemies. I get
more and more to feel that the Leaves do not
express only a personal life — they do that first
GEORGE GISSING
'*Of all the losses which literature • has lately en-
dured/' says C P. G. Mastermao, '*the death of Glssiiur
stands out as most exhibiting the ragged edge of tragedy."
of all — but that they in the end express the
corporate life — the universal life."
THE VICTIM OF A NINETEENTH CENTURY GRUB STREET
"Of all the losses which literature has lately
endured, the death of George Gissing stands
out as most exhibiting the ragged edge of
tragedy." So writes C. F. G. Masterman, lit-
erary editor of the London Daily News and
one of the new Liberal members of Parlia-
ment, in a recently published volume of es-
says.* Gissing's career, he continues, owed
its tragic elements to the fact that it repre-
sented genius crushed and thwarted by a nine-
teenth-century Grub Street; and he reveals
the fact that one of the latest (and best) of
Gissing's books — "The Private Papers of
Henry Ryecroft" — was, under the thin veil of
fiction, autobiographical. "For twenty years
he had lived by the pen," says Gissing of his
hero — that is, of' himself — in the preface to
these remarkable papers; "he was a struggling
^IN Peril of Change. By C. F. G. Masterman,
B. W. HnebKh, New York.
man beset by poverty and other circumstances
very unpropitious to work. . . . He did a
great deal of mere hack-work ; he reviewed, he
translated, he wrote articles. There were
times, I have no doubt, when bitterness took
hold upon him; not seldom he suffered in
health, and probably as much from moral as
from physical overstrain."
Shortly before his death, Gissing had ar-
rived at something like comfortable living.
"We hoped," he wrote of Ryecroft in words
strangely prophetic, "it would all last for many
a year; it seemed, indeed, as though he had
only need of rest and calm to become a hale
man. ... It had always been his wish to
die suddenly. ... He lay down upon the
sofa in his study, and there — as his calm face
declared — passed from slumber into the great
silence."
The tyranny of this nineteenth-century
5IO
CURRENT LITERATURE
Grub Street, writes Mr. Mastcrman, drove
his genius into a hard and narrow groove.
He might have developed into a great critic
—witness the promise of his essay on Dickens.
There was humor in him all unsuspected by
the public till the appearance of "The Town
Traveler"; and a keen eye for natural beauty,
and a power of description of the charm and
fascination of places. And a passionate love
of nature and of home were only made mani-
fest in "By the Ionian Sea'' and the last, most
kindly volume. But all this was sacrificed:
"Ht remains, and will remain, in literature as
the creator of one particular picture. Gissing is
the painter, with a cold and mordant accuracv, of
certain phases of city life, especially of the life of
London, in its cheerlessness and bleakness and
futility, during the years of rejoicing at the end
of the nineteenth century. If ever in the future
the long promise of the Ages be fulfilled, and
life becomes beautiful and passionate once again,
it is to his dolorous pictures that men will turn
for a vision of the ancient tragedies in a City of
Dreadful Night.
"Gissing rarely if ever described the actual
life of the slum. He left to others the natural
history of the denizens of 'John Street' and the
'Jago.* The enterprise, variety and adventurous
energy of those who led the existence of the beast
would have disturbed with a human vitalitv the
picture of his dead world. It was the classes
above these enemies of society, in their ambitions
and pitiful successes, which he made the subject
of his genius. He analyzes into its constituent
atoms the matrix of which is composed the char-
acteristic city population. With artistic power
and detachment he constructs his sombre picture,
till a sense of almost physical oppression comes
upon the reader, as in some strange and disor-
dered dream.
"There are but occasional vivid incidents; the
vitriol-throwing in The Nether World'; the
struggle of the Socialists in 'Demos,' as if against
the tentacles of some slimy and tmclean monster ;
the particular note of revolt sounded in 'New
Grub Street/ when the fog descends not merely
upon the multitude who acquiesce, but upon the
few who resist. But in general the picture is
merely of the changes of time hurrying the indi-
viduals through birth, marriage, and death, but
leaving the general resultant impression un-
changed. Vanitas vanitatum is written large over
an existence which has 'never known the sunshine
nor the glory that is brighter than the sun.' "
Gissing was an individualist, unsocial to a
fgult, living most of his forty-six years in Grub
Street without the joy of comradeship, grap-
pling with difficulties — ^personal and literary —
alone. Thinking of those early years in Lon-
don, he wrote, near the end of his short life :
"I see that alley hidden on the west side of Tot-
tenham Court Road, where, after living in a back
bedroom on the top floor, \ hn«I fo exchange it for
the front cellar; there was a difference, if I re-
member rightly, of sixpence a week, and sisc-
pence, in tfiose days, was a very great considera-
tion— ^why, it meant a couple of meals. (I once
found sixpence in the street, and had an exulta-
tion which is vivid in me at this moment.) The
front cellar was stone-floored; its furniture was
a table, a chair, a wash-stand, and a bed; the
window, which of course had never been cleaned
since it was put in, received light through a flat
grating in the alley above. Here I lived; here I
wrote. Yes, 'literary work* was done at that
filthy deal table, on which, by the bye, lay my
Homer, my Shakespeare, and the few other
books I then possessed. At night, as I lay in
bed, I used to hear the tramp, tramp of a posse
of policemen who passed along the alley on their
way to relieve guard; their heavy feet sometimes
sounded on the grating above my window.
"I recall a tragi-comical incident of life at the
British Museum. Once, on going down into the
lavatory to wash my hands, I became aware of a
notice newly set up above the' row of basins. It
ran somehow thus : 'Readers are requested to bear
in mind that these basins are to be used only for
casual ablutions.' Oh, the significance of that in-
scription! Had I not myself, more than once,
been glad to use this soap and water more largely
than the sense of the authorities contemplated?
And there were poor fellows working under the
great dome whose need, in this respect, was
greater than mine. I laughed heartily at the no-
tice, but it meant so much.
"Nature took revenge now and then. In winter
time I had fierce sore throats, sometimes accom-
panied by long and savage headaches. Doctoring,
of course, never occurred to me; I just locked
my door, and if I felt very bad indeed, went to
bed — ^to lie there, without food or drink, till I was
able to look after myself again.
"Would I live it over again, that life of the
garret and the cellar? Not with the assurance of
fifty years' contentment such as I now enjoy to
follow upon it! With man's infinitely pathetic
power of resignation, one sees the thing on its
better side, forgets all the worst of it, makes out
a case for the resolute optimist. Oh, but the
waste of energy, of zeal, of youth! In another
mood, I could shed tears over that spectacle of
rare vitality condemned to sordid strife. The pity
of it! And — if our conscience mean anything at
all — the bitter wrong!"
For skilled, artistic craftsmanship, Mr. Mas-
terman thinks that Gissing held the first place
in the ranks of the younger authors of to-day.
The later books seemed to open possibilities
of brilliant promise. The bitterness had be-
come softened. The general protest against
the sorry scheme of human things seemed to
be passing into a kind of pity for all that suf-
fers. The older indignation had yielded to
perplexity as of a suffering child. With some-
thing of that perplexity — ^with a new note of
wistfulness, the sudden breaking of the springs
of compassion — George Gissing passed from
a world of shadows which he found full of
uncertainty and pain.
LITERATURE AND ART
5"
THE ESSENTIAL HUMANITY OF CHARLES LAMB
The life of Charles Lamb, says Mr. E. V.
Lucas, who has recently published what is hailed
not only as "the book of the hour," but some-
thing better — ^a book for all time, "is the nar-
rative of one who was a man and brother
first, an East India clerk next, and a writer
afterwards." It is the story "rather of a
private individual who chanced to have liter-
ary genius than of a
man of letters in the
ordinary sense of the
term." It is this view
that illuminates the
two large volumes* de-
voted to all the simple
details of Lamb's life,
to his friendships, and
to an account of the
sister with whom his
own life story was so
inextricably woven.
Lamb is presented, es-
sentially, as a character
who chanced to make
use of a literary me-
dium to impress not
only his generation but
posterity by his human
traits. The anomaly
of Lamb's literary fame
is well indicated by
Mr. Lucas when he
says that the work of
Charles Lamb forms
no integral part in the
history of English lit-
erature; he is not in
the main current, he is
hardly in the side cur-
rent of the great
stream. "As that noble
river flows steadily on-
ward it brims here and
there into a clear and
peaceful bay. Of such
tributary backwaters,
which are of the stream yet not in it, Sir
Thomas Browne is one, Charles Lamb an-
other." Mr. Lucas adds:
"In other words, the 'Essays of Elia' are per-
haps as easily dispensed with as any work of
fancy and imagination in the language; and a
large number of persons not uninterested in £ng-
•Thb Lifb of Charles Lamb. By E. V. Lucas. G.
P. PutoAin's Sons.
CHARLES LAMB
''English literature has nothing that in its way is
better than 'Elia's* best.'* The blend of sanity, sweet
reasonableness, tender fancy, high imagination, sym-
pathetic understanding of human nature, and humor,
now wistful, now frolicsome, with literary skill of
unsurpassed delicacy, makes 'Elia' unique.
lish literature atuin to preat heights of ignorance
concerning them. Their 'facts' are not of the
utilitarian order ; their humor leads rarely to loud
laughter, rather to the quie,t smile; they are not
stories, they are not poems; they are not difficult
enotigh to suggest 'mental improvement' to those
who cotmt it loss unless they are puzzled, nor
simple enough for those who demand of their
authors no confounded nonsense.
"At the same time English literature has noth-
ing that in its way is
better than 'EHa*s' best.
The blend of sanity,
sweet reasonableness,
tender fancy, high imag-
ination, sympathetic un-
derstanding of human
nature, and hiunor, now
wistful, now frolic-
some, with literary skill
of unsurpassed delicacy,
makes 'Elia* unique."
If the "Essays . of
Elia" endure, continues
Mr. Lucas, it is because
they "describe with so
much sympathy most
of the normal failings
of mankind," because
Lamb "understands so
much, and is so cheer-
ing to the lowly, so
companionable to the
luckless. He is always
on the side of those
who need a friend. He
is *in love with the
green earth,' he never
soars out of reach,
never withholds his
tolerance for our weak-
nesses." Mr. Lucas
adopts as a suitable
characterization of the
"Essays" a definition
which has stood for a
proverb. They contain
"the wisdom of many
and the wit of one."
They offer the essen-
tials of experiences common to us all to each
reader "in terms peculiar to his own case."
To quote further ;
"It is by 'Elia' that Lamb stands where he does ;
and our prose literature probably contains no
work more steeped in personality. What Shake-
speare's essays would have been like we cannot
conjecture; what Lamb's plays were like we
512
CURRENT LITERATURE
know; and the two men technically are not com-
parable. But in tolerance, in the higher clear-
ness, in enjoyment of fun, in love of sweetness,
in pleasure in gentlemen, in whimsical humor,
Lamb and Shakespeare have much in common.
Lamb's criticisms of Shakespeare, though not
necessarily better than those of certain other
writers, always seem to me to come from one
peculiarly qualified to speak by reason of superior
intimacy or familiarity. He writes more as
Shakespeare's friend than any other."
Lamb "found the essay a comparatively
frigid thing" and "he left it warm and com-
panionable." He had no mind for exerting
such a thing as "influence." "Hazlitt, his most
illustrious contemporary in this form/' says
Mr. Lucas, "owed technically nothing to Lamb,
Lamb owed nothing to Hazlitt." The latter
essayist continued the traditions of Drydcn,
Addison, Steele and Goldsmith ; "Lamb played
many pranks, annihilated 'Progress/ in his own
words wrote 'for antiquity.'" By the same
token Mr. Lucas warns off any who think they
may be able to emulate his literary virtues.
"To try to write like Lamb is, perhaps, the
surest road to literary disaster; to try to write
like Hazlitt is one of the best things a youn^
man can do."
THE "SPLENDID ISOLATION" OF EMILY BRONTE
"The greatest book ever written by a wom-
an" is the deliberate judgment of Mr. Clement
K. Shorter upon "Wuthering Heights." Long
after "Jane Eyre" and "Shirley" have been
permanently consigned to the shelves of the
historically interesting, he avers,* "Wuther-
ing Heights" will be read. "No book has so
entirely won the suffrage of some of the best .
minds of each generation," he adds, and as if
to establish this opinion beyond all reach of
doubt or skeptic, he marshals the expressed
corroboration of a small but brilliant cloud of
witnesses.
Emily Bronte withered before the first rays
of appreciation fell upon her work. She
did not live long enough to know even of the
praise bestowed by Sidney Dobell, the first
critic to recognize its beauty and lasting worth.
Could she have lived a little' longer, she
might have heard Matthew Arnold voice
words of no mean praise, and later Mrs. Hum-
phry Ward and Maurice Maeterlinck. Mr.
Swinburne caught the true feeling of the
Bronte fellowship when he said of "Wuthering
Heights" : "It may be true that not many will
ever take it to their hearts; it is certain that
those who do like it will like nothing very
much better in the whole world of poetry or
prose."
Emily Bronte knew a brief and lonely life.
She died before she was thirty. *'Silent and
rather grim" she has been called, but it was
life that made her so. Too sensitive and
shrinking to partake in the church work in
Haworth which occupied her sisters, she was
content with the companionship of her dogs.
Roaming with them over the rolling moorlands
♦Charlotte BrontS. By Clement K. Shorter. Charles
Scnbner's Sons.
was the only happiness she knew. It is said
that she never had an intimate — ^no friend or
comrade of schoolgirl days, no confidante of
young womanhood, Charlotte knew her best,
perhaps, and so it is peculiarly fitting that her
tribute to "Wuthering Heights" should be pre-
served. "Wuthering Heights* was hewn in a
wild workshop," she tells us, "with simple tools
out of homely materials. The statuary found
a granite block on a solitary moor; gazing
thereon he saw how from the crag might be
elicited a head, savage, swart, sinister ; a form
molded with at least one element of grandeur
— ^power. He wrought with a rude chisel and
from no model but the vision of his medita-
tions. With time and labor the crag took
human shape; and there it stands, colossal,
dark and frowning, half-statue, half-rock; in
the former sense, terrible and goblin-like; in
the latter, almost beautiful, for ifs coloring is
of mellow grey, and moorland moss clothes it;
and heath, with its bloomy bells and balmy
fragrance, grows faithfully close to the giant's
foot."
"Wuthering Heights" was bom in sorrow
and its beauty remains a perpetual source of
inspiration to succeeding generations. To use
Mr. Shorter's words concerning the characters
in this book, "the whole group of tragic figures
are before us and we are moved as in the pres-
ence of a great tragedy." Mr. Shorter says
again : "Emily Bronte was quite a young wom-
an when she wrote this book. One almost
feels that it was necessary that she should die.
Any further work from her pen must almost
have been in the nature of an anti-climax. It
were better that 'Wuthering Heights* should
stand, as does its author, in splendid isolation.'*
Music and the Drama
THE GREATEST OF LIVING COMPOSERS
"Keep steadily on; I tell you, you have the
capability, and — do not let them intimidate
you !" Such was the fatherly advice of Franz
Liszt to Edvard Grieg when the latter, as a
young and trembling
composer, visited him
in Rome forty years
ago. For Grieg the
words had "an air of
sanctification" and the
promise of "a wonder-
ful power to uphold
him in days of adver-
sity"; and Liszt lived
long enough to realize
that his confidence had
been abundantly justi-
fied. Grieg has be-
come, perhaps, the
most universally known
and beloved of modern
composers. He is gen-
erally conceded to be
the greatest living com-
poser. As his distin-
guished fellow country-
man, Bjornson, puts it:
"Grieg has brought it
about that Norwegian
moods and Norwegian,
life have entered into
every music-room in
the whole world."
It was Hans von Biilow who called Grieg
EDVARD GRIEG
"He hAB brought it about/' says Bjomstjeme
Bjdmson, the distmgruished playwright and novelist,
'^hat Norwegian moods and Norwegian life have
entered into every music* room in the whole world."
the "Chopfti of the North." The characteriza-
t'on, as Henry T. Finck points out in a newly
published and stimulating critique,* is sugges-
tive, but not entirely accurate. Both com-
posers, it is true, show
great refinement of
style, rare melodic,
harmonic and rhythmic
originality, an abhor-
rence of the common-
place, and a certain
**exotic" nationalism ;
but Grieg departs from
the lines laid down by
Chopin and excels him
in his faculty for or-
chestral coloring and
in his gift to the world
of a hundred and twen-
ty-five songs which
only two or three mas-
ters have equaled.
Moreover, Chopin can
never be entirely disso-
ciated from the deca-
dent school. His music
has something of the
flavor of hothouse
flowers ; whereas
Grieg is primitive and
elemental. "One of
the most remarkable
• Edvard Grieg.
pany.
By H. T. Pinck. John Lane Com-
grieg's villa at troldhaugen on the
norwegian coast
ANOTHER VIEW OP GRfEG'S VILLA, SHOWING
ITS COMMANDING OUTLOOK
514
CURRENT LITERATURE
traits of Grieg," says Mr. Finck, "is that al-
though he had an invalid body nearly all
his life, his artist soul was always healthy;
there is not a trace, of the morbid or mawkish
in his music, but, on the contrary, a superb
virility and an exuberant joyousness such as
are supposed to be inseparable ^rom robust
health." An apter comparison than that be-
tween Grieg and Chopin would be one between
Grieg and the greatest American composer,
Edward MacDowell, who has essential and
fundamental traits in common with his Nor-
wegian contemporary, and, on reliable report,
^'simply worships him." Mrs. Finck, after vis-
iting Grieg with her husband in 1901, wrote
home: "In many ways Edvard Grieg re-
minded us of our Edward [MacDowell]."
The place of Grieg in world-music has not
been authoritatively determined, but one thing
is certain: his reputation is steadily growing.
It is sometimes charged that "Grieg, despite
'the many beauties in his works, writes in a
dialect quite as truly as did Burns," but Mr.
Finck makes the rejoinder that the composi-
tions of Grieg contain much more Grieg than
Norway. In even stronger language he de-
clares that "ninety-five hundredths of Grieg's
music is absolutely and in every detail his
own." To quote further:
"He has provided a large store-house of abso-
lutely new melodic material — a boon to countless
students and imitators; he has created the latest
harmonic atmosphere in music, having gone even
beyond Liszt and the most audacious Germans in
his innovations, and he has thus, like Schubert,
like Wagner, like Chopin, enlarged the world-
language of music. He has taught his new idioms
to some of the most prominent composers of his
time, among them Tchaikovsky, Paderewski,
D' Albert, MacDowell. A Viennese critic has
pointed out 'unmistakable analogies' between the
harmonic peculiarities of Grieg and those of Rich-
ard Strauss; and as Grieg had done most of his
work when Strauss began, he is, of course, the
originator and Strauss the disciple.
"From every point of view that interests the
music-lover Grieg is one of the most original
geniuses in the musical world of the present or
past. His songs are a mine of melody, surpassed
m wealth only by Schubert's, and that only be-
cause there are more of Schubert's. In originality
of harmony and modulation he has only six equals
— Bach, Schubert, Chopin, Schumann, Wagner
and Liszt. In every rhythmic invention and com-
bination he is inexhaustible, and as an orchestrator
he ranks among the most fascinating."
The story of Grieg's life has been, in the
main, uneventful. He jls of Scotch ancestry,
and happily married to a cousin who has both
inspired and interpreted his songs. In Chris-
tiania, Copenhagen, Leipsic, Rome, Paris and
London the Griegs have given song recitals.
"They were enjoyed as unique artistic events,"
says Mr. Fmck, "and while it was taken as a
matter of course that the composer should re-
veal new poetic deta.ls in the piano parts, every
one was surprised to find that an unheralded
singer should outshine most of the famous
professionals in her ability to stir the soul
with her interpretative art."
Grieg has been the life-long friend of
Bjornson and Ibsen. It was on the solicita-
tion of the latter that he wrote his famous
"Peer Gynt" suite. The play and accompany-
ing music were given for the first time at the
Christiania Theater in 1876. They have had
seventy subsequent performances in Chris-
tiania alone, and have been presented in Paris
and Berlin.
The most exciting incident in Grieg's career
occurred in 1903, when at the height of the
Dreyfus agitation, he was invited by the emi-
nent French conductor, M. Edouard Colonne,
to give a concert in Paris. Grieg had ex-
pressed sentiments offensive to the national-
ists, and public feeling was intense. At first
he refused the invitation, but later he con-
sented to appear. He was greeted by hisses
as well as by applause, and after the rendi-
tion of the first number on the program a
man arose in the parquet and shouted: "We
applaud only the artist and great musician.''
"Think of it," wrote Grieg in a private letter ;
"when I was about to enter my carriage
[after the concert], there was a triple cordon
around it. I felt as important as Cromwell
— at the very least.". On this occasion Raoul
Pugno, the pianist, played Grieg's A minor
concerto, a noble composition which he has
since done much to popularize throughout
Europe and the United States.
Grieg's home is a lonely villa at Troldhau-
gen, commanding a panorama of fiord and
woods. According to latest reports he is well
and hearty, and plans to visit London next
summer to take part in some conceits which
are being organized in his honor. Says a par-
agrapher in London Truth:
"Dr. Grieg is passing the winter at Christiania,
where a friend from England who recently saw
him^was rejoiced to notice the excellent health
and spirits which he appeared to be enjoying.
Every morning he leaves his hotel to visit the
establishment of Messrs. Hals, the leading piano
firm of Norway, where a magnificent music room
is placed at his exclusive disposal, while it is
pleasant to know that of late he has been able
to take up again his creative work."
a a
5 *%
MX.
o IJ3
if i
B :?
5i6
CURRENT LITERATURE
IN THE COUNTRY OF HAMLET
The eminent Danisfh aiiWior, George Brandes, '
"the Taine o{ the North," in his great work
on Shakespeare^ makes, th*^ remarkable asser-
tion that "Hamlet" has shed more renown upon
MONUMENT TO SHAKESPEARE AT ELSINORE,
DENMARK
Recently erected by popular subscription to commem-
orate the third centenary of the publication of *'Hamlet."
Denmark than that shed by all its previous,
history. Shakespeare, in singling out the little
northern state as the scene of his master-
piece, has encircled the name of Denmark with
an imperishable aureole. He has embalmed
it in fadeless romance. By a strange paradox,
this creation of the poet's brain has become
more real in Denmark than any of the kings
or vikings of Scandinavian history. The
Danes, an imaginative people, have been quick
to recognize their debt to Shakespeare, and
have even delighted to honor his memory. The
plays have been faithfully and ably translated
into Danish, and the finest biographical study
of the poet in recent times has been written
by the Danish scholar above named. At
Elsinore there was recently erected a magnifi-
cent statue to the poet, the cost being defrayed
by popular subscription. The Monde Illustre
(Paris) describes the event as follows:
"On the recent occasion of the third centenary
of the publication of 'Hamlet,* a number of rep-
resentative Danes determined to commemorate
the event by the erection of a monument to
Shakespeare. Great interest was shown in the
project, which was generally regarded as a fitting
act of homage to the great poet who had so
signally honored Denmank. Elsinore was chosen
as the site. The monument is the work of the
Danish sculptor Hasschiis. It represents Shake-
speare seated, pen in hand, conceiving and writing
the famous drama. The charming site which
has been chosen for the monument has a strong
appeal for visitors, suggestive as it is of the
dramatic incidents of 'Hamlet.'
"The passionate admiration now accorded tlie
great poet has amply avenged the neglect of his
own age and the oblivion which threatened his
memory in the succeeding century. These latest
honors to Shakespeare remind us of Victor
Hugo's words of homage: 'If a mountain of
stones were piled up in his honor, could they add
to his greatness? What memorial arch will out-
last these: "The Tempest," "The Winter's Tale,"
"The Merry Wives of Windsor," "The Two Gen-
tlemen of Verona," "Julius Caesar," "Coriolanus" ?
What monument more grandiose than "Lear,"
more sternly impassive than "The Merchant of
Venice," more brilliant than "Romeo and Juliet,"
more Dedalean than "Richard III"? What moon-
light so soft and mysterious as that which il-
lumines "The Midsummer Night's Dream"?
'TOMB OP HAMLET" AT ELSINORE
MUSIC AND THE DRAMA
517
What edifice of cedar or of oak shall last as long
as "Othello**? What monument of brass shall
endure as lon«r as "Hamlet"?'"
It is remarkable how little is generally
known of the vog^e of Shakespeare in the
country of Hamlet. Elsinore is steeped in
memories of the immortal poem. We all
know that moonlit scene with its g.iostly visi-
tant, its tragic associations. But how many
know that Elsinore is an actuality to-day, and
that the story of Hamlet and Ophelia is a
living tradition among its inhabitants?
The Elsinore of the present day, as we
learn from the French article, offers a rugged,
picturesque landscape in harmony with its
romantic traditions. A great tumulus on the
outskirts of the town, surmounted by an enor-
mous monolith, is reverenced as the "Tomb
of Hamlet." In the park of Marienlyst, a
suburb of Elsinore, there is a beautiful statue
of Hamlet, the work of the famous sculptor
Petersen. Near by is "Ophelia's Spring," a
clear stream of water purling from the rocks
and shaded by great trees. The whole country
is steeped in Shakespearean memories. The
immortal legend of the Danish prince ; the fate
of the ill-starred Ophelia; the fearful appari-
tion of the murdered king, are known to the
humblest inhabitant. Elsinore is a favorite
haunt for Shakespeare-lovers visiting Den-
mark. One may see them, book in hand, fol-
lowing the lines which allude to the
scenes before them. With the approach of
evening a profound melancholy, typical of
northern countries, seems to descend upon
Elsinore. It is then that the full significance
"OPHELIA'S SPRING" AT ELSINORE
of Shakespeare's masterpiece dawns upon the
visitor. Out of the deepening shadows
emerges the phantom monarch "revisiting the
glimpses of the moon." The "eternal blazon"
uttered to Hamlet by those fleshless lips echoes
through the mind, and "thoughts beyond the
reach of our souls" throng upon the tourist.
TWO NEW OPERAS BY FRENCH COMPOSERS
Operatic novelties have not been plentiful in
the music centers of Europe during the season
now drawing to a close. The Italian com-
posers have done little; the German and
French, not much more. Of the Gallic operas
that have attracted praise and won critical
commendation, the most important is doubt-
less that of Camille Saint-Saens. It is called
"L'Ancetre" (The Ancestor) and deals with a
typical episode from Corsican life. It had its
first production late in February at Monte
Carlo; Paris is to hear it soon. The most
notable feature of "The Ancestor," music-
ally speaking, is declared to be the vigor, the
freshness, the spontaneity of the composer's
ideas. It might be the work of a young man,
while Saint-Saens is seventy-one years of age.
The "book" is by a young poet, Ange de
Lassus, and is based on a poem entitled, "Ven-
detta," which tells the tragic story of a char-
acteristic Corsican "blood feud" extending over
the lifetime of more than two generations.
The "lyrical drama" presents the struggle be-
tween barbarism, tradition and fierce blood-
thirstiness on one hand, and the modern gospel
of peace and civilization and ethical religion
on the other, barbarism in the end asserting
the supremacy which it still commands in Cor-
sica. The plot of the opera is summarized in
Le Figaro substantially as follows :
5i8
CURRENT LITERATURE
CAMILLE SAINT-SAfiNS
His
The leadine contemporary French composer. Hi>
latest opera, •^L'Anc^tre/'tells the tragic story of a char-
acteristic Corsican " blood feud " extendinic over the life-
time of more than two generations.
In a mountainous and wild region there live,
almost side by side, two families — ^the Fabiani and
the Pietra-Nera. Between them there has ex-
isted a fatal feud for many decades. The grand-
fathers transmitted it to their sons, and these in
turn to their children. Already it has claimed
many victims, murder and violence being the
natural manifestations of the inextinguishable
hatred.
The Pietra-Nera family is represented by a
young military officer, Tebaldo. who is serving
in France and is visiting his home with full knowl-
edge of the peril to which he is exposing himself.
A pious hermit, who is the neighbor of both fami-
lies, has resolved to effect a lasting peace between
them. He has confided his hope to Tebaldo, who
approves of the effort and is for his part ready
to end the feud. A meeting of the two families
is at last arranged by the hermit, and the younger
members of the families are disposed to respond
to his appeals. They have had enough of blood,
tears and sorrow; they would welcome harmony
and good-will.
But Nunciata, the "ancestor," the grandmother
in the Fabiani family, who has stood apart, sullen
and stern, steps forward and with one word,
"No !" upsets the peace plans of the good hermit.
In her, past rancor and hate burn as fiercely
as ever, and the deadly enmity must continue.
Tebaldo, however, has fallen in love with Mar-
garita Fabiani, one of Nunciata's three grandchil-
dren, and she reciprocates his love. Vanina, Mar-
garita's sister, also loves Tebaldo, but this is her
secret, and no one suspects it. The law of the
feud must prevail and the affections of nature be
disregarded.
Leandri, Nunciata's grandson, entraps Tebaldo
and attempts to kill him. He fails and is killed
by his intended victim acting in pure self-defense.
Leandri is found dead and carried home, and the
old grandmother, in a frenzy of grief and ragre,
swears that this new crime of the Pietra-Nera
family must be avenged, Death, death to the
Pietra-Neras ! All must take the solemn oath;
but just as Vanina is about to do so a servant tells
her that Tebaldo is the slayer of her brother.
Tebaldo is making preparations to leave the
island and return to France. But first Margarita
and he must be made man and wife by the hermit
amid the Rowers and plants which surround the
little chapel. Unfortunately Vanina has followed
them and is cone aled near by, shotgun in hand.
She overhears the lovers, her jealousy is excited,
and a great conflict between duty and anger, on
the one hand, and her love for Tebaldo, on the
other, rages within her breast. She tries to shoot,
her heart fails her, and she drops the weapon.
Nunciata, however, is at her side; she tosses up
the rifle and aims it at Tebaldo. Vanina throws
herself upon her to protect the man she loves,
and the bullet is lodged in her breast instead. It
was to avenge the brother; it killed the sister.
The Saint- Saens score, writes Gabriel Faure,
the eminent composer and music critic, is
both dramatic and melodious. It has the finest
qualities of French musics-elegance, lucidity,
fluency, clearness in complexity; yet it is a
sober, strong, realistic score. It reflects the
natural and human environment of Corsica,
the composer having visited the island, not to
make use of actual folk-melodies or "local
color," but to saturate himself with the Cor-
sican atmosphere and give it indirect, subtle
expression in his themes and orchestration.
The themes are characteristic, some repre-
senting the beauty and sweetness of nature and
the love of the young Tebaldo and Margarita,
others the fatal shadow of the feud, the im-
pending doom, the tragic past of the two fami-
lies. There are many beautiful arias and con-
certed numbers in the opera, and the orches-
tral accompaniment is rich and full of coloi
and vigor.
Another interesting and notable operatic
novelty is "Sanga," by the Irish-French com-
poser, Isidore de Lara, whose "Messaline,"
produced last year, has given him a high repu-
tation in France. "Sanga" is described as a
"lyrical drama." The "book" was written by
Eugene Morand and Paul de Choudens, and
is composed in a style that may be regarded as
semi- Wagnerian. The "leading motive" is
freely employed to characterize persons, situa-
tions and moods, and, indeed, the whole score
is founded on a number of such themes. The
composer, however, allows himself more free-
dom than Wagnerian musical principles permit
in the combinations and development of these
MUSIC AND THE DRAMA
519
themes. The opera was produced at the Munic-
ipal Opera House in Nice, where, according
to the Figaro correspondent, little justice could
be done to its scenic and spectacular features,
which arc unusual and which would tax the
mechanical resources of the best-equipped
opera-houses of Europe, "Sanga," says the
reviewer in the paper named, shows decided
growth in De Lara's art and musical ability
of an exceptional order. To appreciate the
character and merit of the score it is necessary
to consider the strange and original plot of
the opera, which is thus indicated :
Master Vigord is a Savoy fanner who is as
miserly as he is hard and tyrannical. He is a
severe taskmaster, and even parental love he
understands only as an exercise of implacable au-
thority. He is feared by all his laborers, as well
as by his only son, Jean. This youth is in love
with Sanga, a girl of the highways, a wild, self-
willed, untrained creature of peculiar charm and
fascination. An accident has caused her to join
the farmer's harvesters. Vigord learns of his
son's infatuation, but he has other intentions with
regard to Jean's future. Jean is to marry his
cousin Lena, a gentle, submissive, domestic girl.
Vigord brutally dismisses Sanga, but she trusts
Jean, her devoted lover, and is sure that he will
defy his father and accompany her into the out-
side world. Jean does make an effort to abandon
father and home for his sweetheart, but, being a
timid and irresolute creature, he changes his mind,
and Sanga is obliged to depart alone. Before set-
ting out she invokes the wrath of Heaven on the
cruel old farmer and all those who inhabit the
spot where she has been scorned and betrayed.
Sanga retires into the Alps. A storm is threat-
ened. Sanga is recalling, in plaintive song, the
joys of her mountain life, and addressing invoca-
tions and prayers to the declining, fiery sun, the
wind which is steadily rising, the rain which is
turning into a flood, the thunder and lightning
which precede the terrible tempest. Darkness de-
scends upon the land ; the storm is carrying devas-
tation and desolation into the neighboring villages
and farms; the church bells are sounding alarm;
cries of despair and horror fill the air ; and Sanga
is almost directing the awful, sublime tempest;
it is almost her curses that have precipitated this
havoc and destruction.
The Vigord farm has suffered with the rest.
Everything is destroyed by the flood. Vigord,
Jean and Lena have had to save themselves by as-
cending to the barn attic. The only light seen
comes from the church in the vicinity, where the
panic-stricken villagers are gathered praying and
chanting. Vigord, the miser, seeing his complete
ruin,, loses his mind. He throws his gold pieces
into the raging waters ; he blasphemes and mocks
the worshippers.
Suddenly a boat is seen. It approaches the
Vigord refuge. Sanga is in it. She has come
to save Jean, her former lover. The barn, under-
mined, crumbles, and Vigord and Lena are
drowned; but Jean clings to floating timber, and
Sanga succeeds in rescuing him — in dragging him,
unconscious, into her boat.
But when he regains consciousness he bitterly
reproaches Sanga for having refused help to his
father and cousin. He will not accept life from
her hands ; he deliberately overturns the boat, and
both of its occupants are swept awav by the irre-
sistible torrent
The score attempts to give musical expres-
sion not only to the human emotions of the
opera but to the grand, terrible and over-
whelming manifestations of nature just de-
scribed. The composer has tried to follow
modern ideas in regard to the role of the or-
chestra, which is particularly important in
an opera of natural "stress and storm," with-
out sacrificing the older idea of flowing, set
melodies.
A SENSE OF THE INFINITE IN MUSIC
The supreme task of the artist, as inter-
preted by Schelling, the German philosopher,
is that of endeavoring to represent the infinite
under a finite form. Whoever succeeds in ac-
complishing this, he said, has risen to the
true idea of the beautiful. Beethoven and
Wagner, the master musicians, expressed
themselves in similar terms; and music, the
most ethereal and evanescent of the arts, lends
itself most readily to the exposition of this
thought.
" Tis by the world of the senses," said
Schelling in another place, "that we perceive,
as through an almost transparent cloud, that
land of fantasy toward which we are advanc-
ing." The words serve as a text for a brilliant
article in the Revista d* Italia (Rome) by one
of the foremost European critics in matters
esthetic. Professor Villanis, of Rome. He
begins :
"Athwart the positivism of the passing hour,
and all the more because of its rude handling of
idealistic tendencies, voices from the past insist
on making themselves heard; and such is their
fascination that our minds are bewitched as we
listen to them, and the actual moment seems to
be conscious of its kinship with bygone epochs.
Thus, though modern esthetics are daily eman-
cipating themselves from metaphysical fetters,
Schelling's transcendental idealism nevertheless
still wakes an echo in our souls when we make
bold to examine the luminous and indefinite
S20
CURRENT LITERATURE
world revealed to us in works of art and espe-
cially in musical works. Through that web and
woof, whereon the melodious design traces its
bizarre patterns, we catch glimpses of a throng
of symbols whereby our spirits' universe would
seem to be portrayed. Associations at first well-
nigh imperceptible, waxing by degrees more dis-
tinct, are welded together in an ever-growing
chain; the concordant alternation of rest and
movement; the ebb and flow of rhythmical
phrases, uplift, refresh, re-enliven the pulses of
our being; and to the first indefinite state of the
soul there succeeds a second, a third, a lengthy
train of emotional afiirmations, becoming ever
clearer, more precise.
"Thereupon a world of tenuous images, bocne
as on butterfly wings, flutter up from the depths
of our being, poise for an instant amid the soul's
shadowy places, then dart upward toward the
broadening light, the luminous brightness. It is
no longer an isolated artist, a stranger to us,
who is singing: it is present and past genera-
tions, it is the universal soul which is declaiming
the eternal poem of being. And however short-
lived that artistic sense may be within us, the
fleeting esthetic moment seems to hold in its
embrace an infinity of time and space. . . .
"Hence there are two elements in a work of
art The Unite is the natural element, the physi-
cal, material element, whereby the artistic crea-
tion is embodied, made concrete and rendered
perceptible to the senses; in the case of a page
of music it may be represented by the vehicle
of sound. The inHnite, on the contrary, is in
the consciousness of the artist creator, in whom
it sprang into life. Like the blessedness described
in Dante's 'Paradiso,' it reflects the infinity of
consciousness and universal life."
This idea seems to have been in the mind
of every musician the moment his reason has
attempted to penetrate the mystery of his own
work. The composer has ever been conscious
of the fact that his music represented detached
observations, stray, cloudy hints, imperfect
syntheses of a vision but barely glimpsed.
Scarcely had the art of music ceased to be a
simple ^>ort of rhythmical and harmonic sym-
metry, when this reflection of an infinity,
humanly speaking unutterable, shone forth
in the confessions of creative genius. Scarcely
had the time-spirit begun to influence the idea
of music and to let in a flood of new light on
the consciousness of mankind, when there
arose from the crucible of classicism that arch
rebel, Beethoven, in whom was this same
sense of infinity. Bettina von Amim, writing
to Goethe in 1810, reports the great symphonist
as saying:
"The human mind tends to a boundless uni-
versajity. where all in all go to make up,
as it wtre. a cradle for feeling, bom of some
simple mu::ical thought impossible to describe
outside of th's fusion. There you have the ori-
gin of harmony; there is all that my symphonies
tend to express; therein the various forms be-
come united. . . . Music is the onlv means
whereby we scale the higher world of intelli-
gence, that world which enfolds man, but which
man in his turn is unable to embrace. ... It
is the presentiment, the inspiration, of a celestial
science, and the sensations which the spirit re-
ceives from it constitute, in a way, the materiali-
zation of knowledge. . . . Music is a land
wherein the spirit lives and thinks and works.
... A thought, though it be but a stray idea,
contains in itself the character of generality, of
high spiritual community; hence every musi-
cal thought is an inseparable part of all harmony,
which represents that same unity."
It is seldom, as Professor Villanis points out,
that an artist with the intuitions of genius has
succeeded in defining with greater clearness a
concept which has floated beyond the philoso-
pher's ken. But Wagner, in endeavoring to
define the innovations of Beethoven in the
realm of musical creation, repeated the same
thought. Speaking of the creative dream
wherein Beethoven was wrapped, oblivious to
the disturbing voices of the world, Wagner
said:
"No longer sensible to earthly sounds, he pro-
jected his gaze toward those forms which the
inward spiritual light illuminated and which thus
became once more tangible to the spirit. Then
only the essence of things held converse with
him and gave him power to express his thought
in the light of beauty. He was able to compre-
hend the forest, the rivulets, the heath, the heav-
ens, the merry throngs, the fond lovers, the
nightingale's song, the scurrying clouds, the tem-
pest's rage, and that marvellous serenity which
for him had become the very essence of music,
permeates all he sees, is apparent in all his imajg-
mations. . . . Confronted with the infinite
tranquillity of such a man who observes the com-
edy of existence, all life's terrors vanish: Brah-
ma, creator of the world, laughs to himself be-
cause he has penetrated the illusions which have
held him ; and consciousness, freed again, scorns,
defies and overthrows its tormentors?'
And thus, says Professor Villanis, from the
finite period of musical creation emerges the
infinite poem of universal emotion. "Of afl
the arts, music is the clearest exponent of
movement. Sound does, indeed, reveal under
a sensible form its vibratory nature, and the
sonorous waves pass over us like thrilling vio-
lin bows, communicating their vibrations to
the very depths of our being. . . . Time,
and space enlarge their boundaries and become
lost in the immeasurable depths of vaster as-
pirations. The musical phenomenon, having
once risen to the dignity of a true work of art,
manifests itself as the symbol of an infinite
language wherein every soul finds a response
to its own yearnings."
MUSIC AND THE DRAMA
521
WILL THE DRAMA SUPPLANT THE NOVEL?
Novel writing is too easy to be wholly sat-
isfactory to an artist in literature. The true
artist is ever yearning for a grapple with stub-
bom resistance. In consequence, the drama,
with its more rigid form and exacting tech-
nique, is likely to attract the ablest minds of
the future. Such, in brief, is the argument
presented by Prof. Brander Matthews, of
Columbia University, to sustain his contention
that the novel, which has been dominant, not
to say domineering, in the second half of the
nineteenth century, may have to face an .acute
rivalry of the drama in the first half of the
twentieth century. He writes (in The North
American Review) :
"The novel is a loose form of hybrid ancestry;
it may be of any length ; and it may be told in any
manner, — ^in letters, as an autobiography or as a
narrative. It may gain praise by the possession
of the mere externals of literature, by sneer style.
It may seek to please by description of scenery,
or by dissection of motive. It may be empty of
action and filled with philosophy. It may be
humorously perverse in its license of digression, —
as it was in Sterne's hands, for example. It may
be all things to all men: it is a very chameleon-
weathercock. And it is too varied, too negligent,
too lax to spur its writer to his utmost enort, to
that stem stru^le with technic which is a true
artist's never-failing tonic.
"On the other hand, the drama is a rigid form,
limited to the three hours' traffic of the stage.
Just as the decorative artist has to fill the space
assigned to him and must respect the disposition
of the architect, so the pla3rwright must work
his will within the requirements of the theatre,
turm'ng to advantage the restrictions which he
should not evade. He must always appeal to the
eye as well as to the ear, never forgetting that
the drama, while it is in one aspect a department
of literature, in another is a branch of the show-
business. He must devise stage-settings at once
novd, ingenious and plausible; and he must in-
vent reasons for bringing together naturally the
personages of his play in the single place where
each of his acts passes. He must set his char-
acters firm on their feet, each speaking for himself
and revealing himself as he speaks ; for they need
to have internal vitality as they cannot be painted
from the outside. He must see his creatures as
well as hear them ; and he must know always what
they are doing and how they are looking when
they are spealang. . . .
"The art of the dramatist is not yet at its rich-
est ; but it bristles with difficulties such as a strong
man joys in overcoming. In this ^larper difficulty
is its most obvious advantage over the art of the
novelist; and here is its chief attraction for the
story-teller, weary of a method almost too easy
to be worth while."
Professor Matthews strengthens his posi-
tion by citing the cases of a number of emi-
nent novelists who have felt the lure of the
stage. To quote again :
"The dramatic form has always had a power-
ful fascination for the novelists, who are forever
casting longing eyes on the stage. Mr. James
himself has tried it, and Mr. Howells and Mark
Twain also. Balzac believed that he was destined
to make his fortune in the theatre; and one of
Thackeray's stories was made over out of a com-
edy, acted only by amateurs. Charles Reade
called himself a dramatist forced to be a novelist
by bad laws. Flaubert and the Goncourts, Zola
and Daudet, wrote original plays, without ever
adiieving the success which befell their efforts in
prose-fiction. And now, in the opening years of
the twentieth century, we see Mr. Barne in Lon-
don and M. Hervieu in Paris abandoning the
novel in which they have triumphed for the far
more precarious drama. Nor is it without sig-
nificance that the professional playwrights seem
to feel little or no temptation to turn story-tellers.
Apparently the dramatic form is the more at-
tractive and the more satisfactory, in spite of its
greater difficulty and its greater danger."
These remarks have provoked an interesting
rejoinder from Qyde Fitch, the distinguished
playwright. In an interview with a New York
Herald reporter, he expresses his conviction
that present-day playwrights are giving the
stage a much higher class of literature than
formerly. "No one can doubt it," he says,
"who looks over the field. Twenty years ago
there were but two American dramatists who
were writing seriously and earnestly for the
stage. To-day there are at least a dozen en-
gaged in that occupation." But he cannot at
all agree with Professor Matthews that the
dramatist of the next generation will in any
way menace the novelist. He declares :
"The man who can write a good play cannot
necessarily write a good novel, and vice versa.
. . . With very few exceptions have men who
are great as novel writers achieved greatness as
playwrights. That would seem to prove, would it
not, that the two talents are not at all similar?
As well claim, that a great sculptor could turn his
talent to painting and become a great artist. .Now
there is no one whose writing I admire more than
Henrv James, and yet his play was a failure.
Possibly he can write a successful play, but he
has not as yet. Much the same is true of William
Dean Howells, whom we all admit to be the fore-
most and vigorous champion of Americanism and
twentieth century ideas. He did a little something
in playwriting, but I doubt if he ever put him-
self seriously to the task. At any rate what he
did do was only of trifiing consequence. Of
course, the great exception is Mr. Barrie. His
novels were enormously successful and so were
his plays, and I believe of late years he is writing
more plays than novels. That only shows that
522
CURRENT LITERATURE
he had the talent and the technique for both kinds
of work, which is a very rare thing indeed."
In brief, says Mr. Fitch, the two kinds of
work are so entirely different that it is not fair
to compare them; and he points to the large
number of good plays and good novels pro-
duced during the last two decades as convinc-
ing evidence that "the interests of literature
and the drama are both on the increase and
both making for the better,"
THOMAS HARDY'S PANORAMIC DRAMA
Two years ago, Thomas Hardy, the eminent
English novelist, published the first part of a
drama, entitled "The Dynasts," and dealing
with the Napoleonic wars. The reception ac-
corded to the volume was of so extraordinary
a character as to challenge attention on both
sides of the Atlantic. Reviewers who had
been foremost in acclaiming Mr. Hardy's
genius as a writer of fiction looked askance
at his maiden effort in dramatic literature. In
the preface to the work Mr. Hardy explained
that the play was "intended simply for mental
performance, not for the stage," and suggested
the possibility of a future time when mental
performance might be the fate of "all drama,
other than that of contemporary or frivolous
life." •'This pronouncement brought him into
conflict with Mr. A. B. Walkley, the brilliant
dramatic critic of the London Times, and it
was generally felt that he was worsted in the
ensuing debate. The actual body of the work,
however, aroused even more comment than his
defense of the "unplayable play." On all sides
the opinion was expressed that Mr. Hardy had
made a serious mistake. Some were disposed
to treat the matter as a joke. Others insisted
that "The Dynasts" was neither poetry nor
drama. Even the more favorable critics con-
fessed themselves puzzled by the seeming lack
of form and of finish in the composition.
Now the second part* of "The Dynasts" has
been published, and a decided change in the
temper of the press is discernible. The critical
attitude, if not appreciative, has at least be-
come respectful. Mr. William Archer, writing
in the London Tribune, says :
"This Second Part carries us from the death
of Pitt to a little beyond the battle of Albuera.
The 'panoramic show,' as the author himself calls
it, discloses to us the battlefields of Jena and
Auerstadt, the meeting of the Emperors at Tilsit,
the battle of Vimiera, Sir John Moore's retreat,
Corunna. Wagram, Talavera. Walcheren, the di-
vorce of Josephine, the marriage of Napoleon and
♦The Dynasts : A Drama of the Napoleonic Wars in
Three Parts, Nineteen Acts and One Hundred and
Thirty Scenes. By Thomas Hardy. Part Second.
The Macmillan Company.
Marie Louise, the lines of Torres Vedras, the
birth of the King of Rome, Albuera, King
George's padded-room at Windsor, and a revel of
the Regency at Carlton House. Interstices arc
filled in with minor episodes and, as in the First
Part, a troop of 'Phantom IntelUgences' — Spirits
of the Pities. Spirits Sinister and Ironic, Spirits
of Rumour, Recording Angels, etc. — ^provide, in
italics, a running commentary on the spectacle.
"There can be no doubt that this is a grandi-
ose design which Mr. Hardy is patiently, indomi-
tably working out. Nor is it questionable that
the work bears the impress of an original and
powerful spirit. We may wonder whether Mr.
Hardy might not have been better employed than
in pulling the strings of these fitful puppet-shows
on 'this wide and universal theatre.' We may
question whether 'The Dynasts' will ultimately
take rank in English literature beside 'Jude the
Obscure' and 'Life's Little Ironies,' and 'Wesscx
Poems.' But, for the moment, at any rate, such
questionings are idle. We have to consider, not
what Mr. Hardy might, could, would, or should
have given us, but what he has actually given
us; and that is a fascinating series of dissolving
views, or glimpses of history seen through the
medium of a peculiar poetic temperament."
The success or failure of the play, it is con-
ceded, must ultimately be determined by two
tests, the test of philosophy and the test of
style ; and neither the philosophy nor the style
wins whole-hearted critical approval. Mr.
Hardy sees in the Napoleonic wars nothing but
a wrangle of "Dynasts," a "great historic
calamity, or clash of peoples, artificially
brought about"; and instead of trying to give
an account of the phenomenon in terms of
cause and effect, he has taken refuge in the
theory of a blindly mischievous Immanent Will.
The result, says Mr. Archer, is disastrous,
whether considered from the philosophical or
literary point of view. "A purely pessimistic
interpretation of the Napoleonic writer is ad-
missible enough," he thinks; "but there is a
querulousness in the pessimism of Mr. Hardy's
Intelligences which scarcely seems to make for
true enlightenment." This position is substan-
tially that of the critic of the London Outlook,
who says:
"If you call to mind any of the great dramas in
literature, 'Agamemnon,' '(Edipus,' 'Othello' or
MUSIC AND THE DRAMA
523
'Macbeth/ yon find yourself watching a great
sonl in conflict with destiny. Human thought
and action personified in one man of heroic mould,
and the inevitable consequences of human thought
and action personified for poetry as Zeus or as
Fate or perhaps as some other man — those are the
elements of the great dramas that we know, and
in their confiict/in the dark borderland of doubt
between a deed and its results, in what .^schylus
called the lurmixftiw oc^rw, the dusk between op-
posing spears,/lies the essence of dramatic in-
terest and suspense. The hero, be it Agamem-
non or Macbeth or whom you will, is resi>on8ible
for his own deeds, but the deed once done is ir-
revocable and its consequences will be what they
wiU be. That philosophy runs through all great
dramatic literature; in the choruses of the Aga-
memnon, for instance, it finds expression in a
thousand phrases of piteous or terrible import.
"But the philosophy on which Mr. Hardy sets
out to interpret the drama of the Napoleonic era
seems at first sight very different. With the
theory that all humtm thought and action is pre-
destined— the expression of an Immanent Will —
human responsibility seems to vanish, and with
it, as we were saying, the essence of dramatic
interest. In the First part, for instance. Napoleon
is presented setting on his head the iron crown
of Lombardy. The Spirit of the Pities, whom Mr.
Hardy himself describes as resembling the Chorus
or ideal spectator of Greek drama, shudders and
murmurs a warning in Napoleon's ear. He is at
once rebuked : —
Spirit of thb Years.
Offlciotts sprite,
Tlum'rt young, and dost not heed the Cause of things
Which some of us have inkled to thee here;
Else would'st thou not have hailed the Emperor,
Whose acts do but out*shape Its governing.
SPIRIT OF THE Pities.
I feeL Sire, as I must i This tale of Will
And Life's impulsion by Incognizance
I cannot take.
As humble, if not ideal, spectators we are inclined
to sympathise; and here as often elsewhere we
feel acutelv .that the problem raised by Mr.
Hardy's scheme is — ^how is any serious and sus-
tained dramatic interest compatible with the atti-
tude of mind demanded by the Immanent Will,
the Spirit of the Years, and the whole philosophic
purport of the play ?"
With a similar sense of disappointment the
London Times Literary Supplement criticizes
the poetical side of the play :
"Mr. Hardy is singularly devoid of the peeping
graces and adornments we are accustomed to
look for in a poet. Compare the blank verse of
*The Dynasts' even with the musical and prac-
tised blank verse of Mr. Stephen Phillips, verse
rich with a thousand associations; and it is in-
deed difficult at first to understand why a man
of immense talent like Mr. Hardy should have
chosen this particular medium of rhythm for what
is perhaps his greatest book. No one was ever,
apparently, more insensible to the natural magic,
the delist of purely poetic language. No one
has ever appeared less disposed to 'look upon fine
phrases like a lover.' Mr. Hardy tells us, indeed,
how
All give way
And regiments crash like trees at felling time.
He writes, with curiously Elizabethan imagery.
God grant his star less lurid rays than ours,
Or this too pregnant, hoarsely groaning day
Shall, ere its loud delivery be done,
Have twinned disasters to the fatherland
That fifty years will fail to sepulchre.
And again of Napoleon he muses —
Upon what dark star he may land himself
In his career through space.
But even such roughly-eloquent lines are isolated
examples. To find a poetic parallel to Mr.
Hardy's wilful and determined plainness of lan-
guage we should have to go back to Crabbe; or,
better still, to Wordsworth's 'noble plainness.*
Yet here, again, Mr. Hardy refuses to be classi-*
fied. For Crabbe had never an instance of that
lofty imagination, that power of visualizing the
'far Unapparent' which is so characteristic of Mr.
Hardy. And Mr. Hardy's verse never for one
moment ri^es to those clear heights of perfect
formt where Wordsworth often moves at ease."
In this country the new volume of "The
Dynasts" has been handled more roughly. Mr.
H. W. Boynton, writing in the New York
Times Saturday Review, says bluntly: "It
is not a great work, because its workmanship
is not great." The New York Evening Post
comments :
"If this attempt at poetic drama were at least
poetry, we should accept it with gratitude. It is
so only rarely. The strength of Mr. Hardy's
style appears rather in the passages of prose de-
scription, in which he is sometimes at his best.
Of his blank verse, the line
Is the Duke of Dalmatia yet at hand ?
is almost a fair example; and his lyric may be
represented by the following passage :
With Torrens, Perf^ison, and Pane,
And majors, captains, clerks in train,
And those grim needs that appertain —
The surgeons — ^not a few.
The Spirit of the Pities is made to exclaim:
Mock on, Shade, if thou wilt ! But others find
Poesy ever lurks where pit-pats poor mankind !
Certainly, if it lurks here, it lurks out of sight and
hearing. The play presents an interesting vari-
ety of rhythms, but they are used apparently with-
out sense of their expressional values. What can
be said of a writer's feeling for the metrical fitness
of things, when he chooses Sapphic stanzas (not
always quite regular, to be sure) for his descrip-
tion of the battle of Talavera, and terza rima for
his comment on the birth of Napoleon's son? It
would be hardly fair to leave Mr. Hardy's work,
however, without quoting from the best of his
all too rare successes in lyric rhythm — ^the Chorus
of the Pities after the battle of Albuera:
Friends, foemen, mingle, heap and heap. —
Hide their hacked bones, Barth ! — deep, deep, deep,
Where harmless worms caress and creep. . . .
What man can grieve? what woman weep ?
Better than waking is to sleep I Albuera f "
5M
CURRENT LITERATURE
WHERE BARRIE AND BERNARD SHAW FAIL
At first sight, Bernard Shaw and J. M.
Barrie seem to have nothing in common. But
James Huneker, the well-known dramatic and
musical critic, has found a point of contact
between them and he states it frankly, almost
brutally. They resemble one another, he says,
in the ephemeral quality of their work, in their
shortcomings, in their limitations. As yet,
both have failed to master the technics of the
theater; that is, "they cannot build a play
which has a beginning, a middle and an end."
Moreover, as essential Romantics, with all the
faults of the Romantic school, they have also
failed to grasp the principles of true and con-
vincing character creation. Elaborating this
train of thought in The Metropolitan Magazine
(April), Mr. Huneker says: ^
"Mr. Shaw, who is an intellectual anarc^, and
not the Socialist he so fondlv imagines himself,
has written plays which are, despite their modern
themes. Romantic in their essence. 'Like all the
Romantic writers, Shaw is incapable of character
creation. His theater is peopled by Shaws, by
various opinions of Shaw regarding the universe.
He could no more erect a play in architect fashion
as does Pinero than Pinero could handle the
multitude of ideas so ably assimilated and set
forth by Shaw. Nor can the Irishman conceive
and execute characters in action as does Paul
Hervieu. The truth is that Paul Hervieu is thrice
as modem as Shaw; that in 'Law of Man,' 'The
Nippers,' The Labyrinth' (the original, not the
English version) the French dramatist has
handled the most pressing questions of our fe-
verish life, and handled them as a dramatist, not
as a doctrinaire. Charming debates as are the
Shaw plays, they will not endure for the simple
reason that only true art endures ; ideas stale, but
art, never. A jellyfish is not more viscous than
the form — if it can be called form — of the Shaw
play. And, remember, this fact abates not a
jot of their entertaining quality. We are viewing
them now as drama — and they fail the critical
test.
''Shaw is a Romantic. He worships himself
romantically, and when he does not wnte of him-
self, he no longer interests. His is an interesting
personality. It quite overflows the picture of the
world made by his brain. Thus it is that the
characters in his plays are but various facets of
his own person. If he were a close observer of
life, as well as a superb satirist, he would be an
objective dramatist. He has, for example, por-
trayed several Americans. He believes he under-
stands the American character. He certainly
abuses it. But what an eye-opening experience
will be his when he comes to America and studies
its people! A Romantic, then, he is incapable of
depicting any character but his own, incapable
through lack of sympathy of projecting himself
into the normal feelings of average humanity.
This stamps him as a Romantic— the Romantics
who described themselves so admirably and with
much art, but could not paint the world about
them."
Barrie's romanticism, in contrast with that
of Bernard Shaw, has "more charm," but is
"on a lower intellectual level." Like Daudet,
he has the gift of pity and tears ; but "he slops
over so hopelessly on every occasion that one
soon feels that it is Barrie the man that is
weeping, not Barrie the artist." Mr. Huneker
says further :
"I faintly enjoyed the latest Barrie offering at
the Criterion. 'Alice-Sit-by-the-Fire' is like its
name — sweet and vermicular. It is what our
German brethren would call Bondwurm, In it
I saw Miss Ethel Barrymore endeavoring to sup-
press her adorable self, crusji the Ethel in her,
subdue the Barrymore of her. to fit a nice, lady-
like role, a mother who is misunderstood by her
children. It is all pleasing tomfoolery with as
much relation to life, to art, to the theater, as is
the pollywog. In despair I read 'Mrs. Warren's
Profession' after I left the playhouse to rid mv-
self of the sickly surf of Barrie's futile and braci-
ish ideas. And I assure you I do not care much
for this particular play. But any astringent for
the mental palate after the Barrie confitures,
"His 'Little Mary* marked the low- water mark
of dramatic formlessness. 'AUce,' etc., is a trifle
better. I do not include 'The Admirable Crichton/
as that clever piece was first written by Ludwig
Fulda, then adapted without adcnowledgment.
... I can go 'Peter Pan,* but no more Barrie
for me if it is to be of the 'Alice, where art thou?*
type."
Formless fantasies, whimsical fairy-tales,
clever anecdotage, fulminating satire — these
about sum up, for Mr. Huneker, the substance
of both Barrie's 'and Shaw's plays. He con-
fesses that he is "heartily tired of the play that
masquerades as a play but is not a play, only
a fable or a sermon"; and adds:
"We are weary of these opened flood-gates of
conversation, of dialogue that merges into the
monologue of the agitator. The same old human
stuff is scattered around us, and the dramatist,
wary of the wind of public favor, is gjoing back
to it Pinero's last success may be a sign of the
times. It was the fashion to flout such a strong
specimen of stage architecture as 'The Gay Lord
Quex,' yet what a solace it would be to-day in
the midst of all this shallow characterization, this
shaky drawing and melodramatic daubing! The
epigram play was revived \ff Oscar Wilde; it
bids fair to die with Mr. Shaw. Mr. Pinero,
whose beaver-shaped brow indicates hid beaver-
like proclivity for design and structure in his
dramas, will outlast a wilderness of the wits, sen-
timentalists and rhapsodists. No art is so narrow
in its formal scope, no art imposes so many re-
strictions upon its practitioners, as the art of the
theater."
MUSIC AND THE DRAMA
THE POOR FOOL— BAHR'S LATEST DRAMA
525
This latest work of Hermann Bahr, the cele-
brated author of "The Apostle/' is a one-act
problem play. The problem is: Which is the su-
perior kind of life — that of the respectable but
selfish type, of one who lives in a conventionally
moral way, is esteemed by society and never
comes into conflict with its established customs
and laws; or that of a restless, rebellious spirit,
which is impatient of conventional restraints,
breaks through all social .barriers to assert its
own individuality? This comparison is accentu-
ated in the drama by the contrasted lives of two
brothers. Vincenz Haisst is imperial councilor
and the sole proprietor of the old and rich busi-
ness of the family. He is a man reputable in every
respect; but he has crushed out of him all finer
emotion and is hard and selfish. His two
brothers have gone astray. One, Edward, has led
a fast life, and has been imprisoned by Vincenz's
business manager for embezzlement of money be-
longing to the house. For fifteen years he has
been living in disgrace with his eldest brother,
Vincenz, who has treated him with the utmost se-
verity and contempt. Another brother, Hugo, a
musician, a "genius" as his business brother sar-
castically calls him, has also led a life of excess
and has finally landed in an insane asylum.
We have thus the representatives of two ex-
treme systems of philosophy--the Puritanic and
the Nietszchean. And the triumph falls to the
representative of the latter philosophy, who,
though mad through his excesses, still maintains
a sort of spiritual ascendency over his conven-
tional brother, and forces the latter, on the eve
of death, to question the worth of his own life and
the wisdom of his long self-restraint. The play is
another of many evidences of the omnious extent
to which Nietzsche's anti-Christian views figure
in the current thought and literary product of
Europe.
The opening scene reveals Vincenz as ex-
tremely ill and expecting death. He has an only
daughter, Sophie, seventeen years old. By will-
ing his property to Huster, his head manager, he
sees a way of putting the old house in safe and
able hands; and at the same time, to retain it
within the family, he has provided for the mar-
riage of his daughter with Huster. But Huster
is a man fifty years of age, and Sophie has
nothing in common with him. She has always
been attracted by the adventurous and bold career
of her two wayward uncles, and detests Huster.
for his harsh treatment of Edward. Hard as
Vincenz is, he cannot but entertain some scruples
as to the terms of the intended will, which prac-
tically forces upon Sophie the marriage with
Huster, or leaves her with nothing but the small
share of property to which she is entitled by
law; and to appease his conscience he tries to
justify his conduct in a conversation with the
notary. In this conversation he reveals a feeling
of bitterness against his two brothers, mingled
with envy because of the general admiration for
the genius of Hugo, and a feeling of latent doubt
as to the preference of a career such as his own.
To the notary's remark that Hugo is said to be a
real genius he answers:
"Yes, since he is mad everybody finds it so. Of
course I cannot tell. This is a thing that these
lofty gentlemen settle among each other, and we
have to keep silent. But my child I want to guard.
You cannot blame me for that. I think we have
had enough of that in our family. The other
one, Edward, has also been a sort of little genius
all the time — the thief. I think we have had our
full of it now." And when the notary remarks
that Edward was a mere child when he commit-
ted his indiscretion, Vincenz flares up. "You
are so considerate!" he says. "Only decent peo-
ple get no consideration from anybody. We toil
and moil and keep ourselves constantly in re-
straint, and no one asks us the price we. pay for
it. . . . My father was a good man, but he
also thought that a young man must have his fling.
No, Mr. Regel, the evil only sinks in the deeper.
You don't know men. There is only one way:
Starve it out) It is hard, I know; I have been
through it myself. But it does the work. I am
glad that I have never yielded to myself, never.*
And now it shows, now we have the result Here
am I, and there are they. Starve it out; starve
out the evil that is in man, in every matt. Our
nature is evil, we cannot change it. There is only
one way: starve it out." .
When Sophie intercedes for Edward, whose
misdeeds she thinks have been expiated, he re^
plies: "That sort of thing, my child, is never
expiated. With' musicians it is perhaps other-
wise (sneeringly) , But we plain working people
who are nothing but respectable — we, my child,
never forget and never excuse it. We cannot
Otherwise who would be so foolish as to be re-
spectable? It is no pleasure. (After a pause,
calmly) Mark that, and think of it a little. You
have a drop of that kind in your blood also, the
evil drop. (Softly) God protect you I"
Sophie leaves and he again remains alone with
the notary:
Vincenz: When one lies awake in his bed the
526
CURRENT LITERATURE
whole black night and knows that in the comer
stands Death, a strange feeling comes over one,
and he passes everything over in his mind again
— how it all was, and how it should have been,
should have been. And who is right? Who is
right in the end? When death is staring you in
the face you want to know it: Who is right?
Because at such a time it is a matter of ^reat
importance to you. And I know it now {vigor-
ously) : / am right, /. Because I can die peace-
fully, without regret That is the beautiful thing
about it. {In a whisper) I, too, have often been
lured: "Forth, do not question; you are a fool;
see how they enjoy themselves." I, too, wanted
to enjoy myself once. And what would I have
for it now? Where would all that have come to
long ago? Look at Hugo. What has he? It
all passes and one is left a miserable wretch. No,
Mr. Regel, / am right. That will be my last
word in my last hour: / am right. Abstinence
and toil is man's, and he who takes it on
him is proof against death. I would not die like
a man of pleasure. No, / am right, it is only
now that I know it.
Regel: I thought that a man might be permit-
ted a little beauty now and then.
Vincem {shouting triumphantly) : But you sec
the end ! You see it ! Ruined, a miserable wreck,
scarcely forty, and nothing more is left of this
brilliant, dazzling man, nothing but a poor fool,
a poor whining fool. {Looks up stealthily at the
notary, then in a husky voice) I want to tell
you something. You thought when I asked you
to try to get the physician to bring Hugo here
that perhaps I did it out of pity? No, no,
it was not that. I am not sentimental. Life has
weaned -me from anything of that kind. No,
you might as well know it. Why should I be
ashamed? It is my right. {Slowly in an under-
tone, slyly) I want my proof. Do you under-
stand ? I want to sec them standing side by side,
his life and mine. Now, at last, put them side
by side and measure them. Let it come out, I
want my proof. Here let him stand, the luminous
one, right before me who always stinted myself.
Then we shall see it plain. I want the proof.
{Smiling) He was so proud of his beautiful life.
But the main point is a beautiful death. It is I
who can have that! There is where it shows.
We shall see. That's why, Mr. Regel.
Dr. Halma comes in, giving instructions as to
the manner in which Hugo is to be received.
Vincenz and Sophie remain in the room, Sophie
sitting at the sewing-machine a^ if at work, in
accordance with the order of the physician not
to appear to notice Hugo, as the presence of sev-
eral persons disturbs him. Enter Hugo. The
room is the same as he had known before, but
with a slight change in furniture.
{Hugo enters, small, slender, delicate; with
luxurious blond hair, large beaming blue eyes; at
first shy and uneasy, but later beaming forth as if
with the r/idianCe of the sun; walks in hesitatingly
without raising his eyes.)
Dr. Halma: Go ahead, friend.
{Hugo walks on obediently, then remains stand-
ing, stUl keeping his eyes down.)
h'r
Dr. Halma: Will you wait for me here until
I come back?
{Hugo nods.)
Ir. Halma: Take your hat and coat off.
{Hugo nods but does not move.)
Dr. Halma {takes off his hat and coat) : So.
It is very pleasant here, is it not ?
{Hugo nods mechanically.)
Dr. Halma: Don't you like it here? Look
around you.
Hugo {still hesitates a moment, then raises his
large, beaming eyes, looks first in front of him,
then on the right, sees a zither, but then im-
mediately turns to the physician, against whom
he threateningly points his right index finger,
smiling lightly) : No, no.
Dr. Halma: What is it?
Hugo {smiling) : I know. But Oh, ' no.
{The smile dies off, he covers his eyes with his
hand; in a tone of infinite sorrow) Oh, no.
Dr. Halma: What do you mean?
Hugo {taking his hand from his eyes and turn-
ing to the doctor in a tone of bitter hatred) : No,
you won't succeed. You cannot impose on me. No,
my friend. {Laughing contemptuously) It is a
capital imitation. The resemblance is close.
{Looks around the room.) So close one could
almost be duped. But — {heaves a heavy breath
with infinite melancholy) — ^but in reality it was
different. {Changing his tone to a mild reproach)
What is the use, doctor? You are forever want-
ing to try me. {Contemptuously) H'm, it is time
that you knew it. {Sits down. ) H'm, how many
times more? You travel about with me, and I
am to believe, but I notice at once, h'm, that it
is all an imitation {Fiolently, knocking his hand
on the table) And bad! False streets, false
houses, everything changed. I remember per-
fectly. Don't you think I can remember? You
will not destroy my beautiful world with your
cheap and bad imitations. Imitations! Nothing
but counterfeit. {In a tone of infinite melancholy)
My beautiful world! The beautiful, beaming
world ! {Suddenly tearing at his collar) You al-
ways give me such heavy things that it almost
chokes me. Why is everything so heavy? {Un-
buttons his coat.)
Dr. Halma: Now you will calmly wait for me,
won't you? {Exit, carefully locking the door be-
hind him.)
Hugo {pressing his hand against his forehead) :
What now? What was I going to say? Some-
thing is in my mind. I seem to But now
I can no longer think of it. I seem to think —
{pointing with two fingers at his forehead)
something must be torn there. It is just exactly
as if something were torn. {Breaks out into a
sudden laughter, while his face brightens) H'm.
{Rocking to and fro and as if listening, half sink-
ing) "Autumn looks adown the slope," h'm! Said
the keeper (very slowly) "Autumn looks adown
the slope." {Nods, beats time with his hand to
his inner melody, then, as if concluding rhyth-
mically, in spirit, with deep voice) "Adown the
slope Slope." {Stares before him with half-
closed eyes, smiling, then suddenly opens them
tvide, looks with astonishment a/ the wall across
the room, which he now recognizes; rises, turns
around slowly, and finally beholds Vincenz, to-
zvard whom he bends, nodding softly; smiling)
H'm. How is that?
MUSIC AND THE DRAMA
S'7
Vinceng (who has sat motionless all the time,
fairly devouring Hugo with his eyes) : Hugo !
Hugo (in a strange, clear and childish tone, as
if coming from a far distance) : Vinccnz, see.
(Involuntarily putting out his hand, which he
suddenly withdraws in terror) How is that?
Come, help me! (Shouting, while he clings to
the arm of his brother) Help me, Vincenz, do
you not see? (Sobbing) Do you not see how-; —
(Releases his grasp of Vincent's arm and points
at himself) Look at me! Is it not so? Is it not
so? Something must be torn there. Think. I
implore you, Vincenz, help me. Be good and —
and Are you still angry?
Vincenz (who has hitherto stared at him rigidly,
suddenly bursts forth in tears) : My poor— my
poor — Hugo! (Sinks on the sofa.)
Hugo (drazving back and shouting) : No, no! I
do not want to. I do not want to. Why don't
you let me go? It is all over now. (Drops on
the couch. After a long pause) "Autumn looks
adown the slope" (pause), "adown the slope." No.
And yet it is there, after all. (Shrewdly) Just
wait It is gone again. Yes Say, Vincenz.
Vincens: Well, Hugo?
Hugo: 1 am gone. Quite empty. They have
taken everything away from me. Can't be helped.
Gone! (With ecstasy) Do you remember? That
famous picture? The luminous one And
Marie was quite mad about the hat. (Seriously)
Tis no use. Does not illuminate any more. (In
an indifferent tone, as if he was going to say
something of no account) "Autumn looks adown
the slope." (Contemptuously) Bah! (With a
merry laugh) Yes, now we arc here again. That's
funny. Here it began, here it will end. And you
are not angry any more, are you?
Vincenz (greatly moved) : Why, no.
Hugo (in a reminiscent, satisded tone) : Be-
cause I always shocked you. (Proudly) I was
a bad fellow, all right. You know a man can't
help himself. He has to. And you couldn't
understand that, you see; you were always good.
(Laughs) H*m. (With good-natured mockery)
So good! But I had no respect (With great
zest) Oh, my, but didn't you get mad. though,
sometimes! I was a rogue, that's true. I knew
exactly how to take father, while you (Sud-
denly, in astonishment) Say, where is Edward?
Vincenz : Do you want to see him ?
Hugo: No, no. I and Edward! We will
cause each other too much pain. You are much
more clever. Perhaps — ^perhaps if I had followed
you, who knows ? But see, one really cannot help
it, he must. (Jovially, regarding him with a sin-
cere open expression) You are no longer angry?
Vincenz (still greatly moved): Why, Hugo!
Hugo: It is not so, now? Let me be here.
Here it began.
Vincenz: If you want to.
Hugo : There it is so horrible. (Stretches him-
self and leans back, then pulls down his hat.) You
were always so mad when I had my hat cocked
on one side. And because I said (imitating the
boastful voice' of a child), *A genius must do it!'
And father laughed. (Softly, with great affec-
tion) He loved me so dearly. (In a changed,
almost angry and contemptuous tone) And the
women, too. A lot of them. But that was differ-
ent. That wasn't the right thing any more. Beau-
tiful women! (Sighing) Beautiful! (With a
soft, affectionate voice) But this dear, good old
face of father (Rises slowly, recalls some-
thing and walks up to where the picture of his
father is hanging. He looks at it and strokes it,
half kneeling on the sofa.) I believe I get every-
thing from him (slowly passing his hand through
his /lair)— all this beauty and wonderful great-
ness. From him, most assuredly. God! why,
he never said anything, he was so remarkable in
his ways — so that we should not guess how much
he loved us! And yet he acted as if it was a
terrible thing to him when I took up music, and
sometimes it seemed to me as if he was afraid
and glad at the same time, as if when he was
young he had wanted it himself, but did not trust
himself. Hence this strange feeling toward me,
half anxious and yet proud. For instance, do
you recollect? At my first concert here?
(Laughs.) God! I have achieved the greatest
successes everywhere, but really, that was the
first time in my life when I would rather have
been away at the last moment, out of fear.
Then when the applause was still roaring outside,
father came very quietly into my room as I
was changing my clothes. And he only pressed
my hand. Not a word did he say. He could not
have done it. And then we went home and —
that had never yet happened— then he himself
fetched grandfather's old birthday wine from the
cellar. I see it yet before me — four stout bot-
tles of superior Franconian. Why, that was a
sacred relic— the last four bottles! We drank
three. (Laughs softly.) H'm!
Vincenz: There is still one left.
Hugo (joyously) : Oh !
Vincenz: There is still one down in the cel-
lar. (Looks inquiringly at Hugo.)
Hugo: That would really be a
Vincenz: Fetch the wine, Sophie.
Sophie: Yes, father. (Goes to the door.)
(Hu^o looks up, and now for the first time
sees Sophie; walks up to her and looks at her
curiously, at first with a very serious expression,
then grozving more and more bright and cheer-
ful, as if he had looked into and recognized her
very soul; he strokes her hair gently from her
forehead, and then kisses it tenderly; then he
looks affectionately at her again and beckons her
to go. Sophie walks out through the door.)
Vincenz: We will drink it together.
Hugo (who had folloived Sophie with his
eyes) : Is it not so? Now it shows in the end.
(his gestures become freer, his voice grows
clearer and his whole being radiates.)
Vincenz (noticing the change in him with anx-
ious astonishment) : Hugo!
Hugo (buried in thought and reminiscences,
beaming and smiling) : Yes.
Vincenz: What is it you feel all of a sudden?
Hugo: Glad. And do you know — soaring!
Everything soars upward again now. And the
other part, everything— human suffering, human
conflict — lies deep down underneath me. It sinks
and sinks away. But I, soaring and ever soaring,
keep ascending in glorious felicity. (Softly,
childishly) Now I am there again. (Bows his
head as if in devout prayer, with exaltation.) I.
Vincenz (in terror): Hugo!
Hugo (with the same exalted air) : I. (Sophie
enters, bringing the wine.)
Vincenz (hastily to Sophie) : Give it to me.
5*
CURRENT LITERATURE
(Pours the glasses full with a trembling hand; to
Sophie) Go.
(Hugo notices her again as she is about to go,
smiles kindly at her, takes her softly by the hand,
and leads her mysteriously to a chair at a table,
into which he presses her gently and sits down
opposite her,)
VinceuM (suddenly noticing her again) : What
arc you doing here still? Have I not told you
Hugo (putting his hand on his brothe/s arm) :
Leave her.
Vincens (Hying into a rage) : She
Hugo (with gentle force, bending mysteriously
toward his brother's ear, smiling strangely) :
Leave her, for she belongs to me.
Vincens: No, no!
Hugo: Leave her, I say. Poor Vincenzl
There are many things yet you do not laiow.
(Inclines mysteriously toward him, with an air
of haughtiness and cunning.) "Autumn looks
adown the slope." Take your Rrlass and (enclos-
ing the glass in both his hands)— 2ind let us praise
God the Lord ! (Raises the glass and empties it
with one draft.) Let us praise God the Lord!
Brother, he who cannot do that (In ecstasy)
lean! Yes, I!
Vinceng: We must yield humbly.
Hugo: No! Proudly! It is with pride he
wants to be praised. Proudly, boldly, rush into
life so that it spurts and splashes, and sink, ay,
sink and drown— underneath is the dear God,
at the bottom of the sea. Dive, dive, deep below—
(more slowly) I have dived down to God's
depth. (With mysterious fear) From this a
cold shiver sometimes passes through me. Life's
depth, the deep, hidden depth of God. Thence
I have hauled up the light for man. But if you
do not drown first you can know nothing. Poor
Vincenz! (Filling his glass again.) I want to
praise a little more. (Drinks quickly.)
VinceuM: Why do you call me poor?
Hugo (giving the glass from which he had
drunk to Sophie): Dear, dear girl, drink.
(Sophie takes the glass, and looks shyly at her
father.) Drink and drown! This is what you
must learn, dear girl. Drown. Then you shall
be blessed.
Vincenz (who had been buried in deep medita-
tion): Why "poor"? Tell me.
Hugo: Poor Vincenz!
VinceuM (pained, as if abjuring him) : Why do
you say that?
Hugo : Because you have no autumn. You see?
Vincenx: Autumn?
Hugo: "Autumn looks adown the slope." As
we were riding here in the carriage through the
large garden where the old trees are, the leaves
were already worn; the keeper said— he is a
Tjrrolean, a merry fellow who always has those
sayings, you know, and he pointed at a yellow
tree — it was all ablaze— and he said: "Autumn
looks adown the slope!" He said it merrily.
And, you see, it is not so with you. You have no
autumn. Because you (Laughs.) Of course.
Vincens: Because what?
Hugo: Because you were afraid. But I was
not. I rushed in with both my feet Into the
fire and burned myself. And smoke. And out
of the smoke I emerged a new man. And again I
walked in and again was burned. Burning with-
out end. And that is why I am so yellow now
with blessedness. Like the burning trees, every-
thing burns. Burning is life. Bum and get
burned. And I am so heavy with fruit; all over
me I am so laden with the ripe, blessed, blue
hours, and then everything opens. Everything
opens and is bestowed as a gift on the good sin-
ner. Everything then lays itself bare and dances
before me — all beings and all creations. And it is
only since then that I have known it I know it
I know since I have died that I cannot die. It
only turns around. Death and life, it is the same
wheel ; now it is on top, now it is at the bottom,
now it ascends and now it descends again. You
die every day, you live forever. And everything is
as you are, everywhere, upon all the suns. (Turns
suddenly to Sophie.) You, dear Rrirl, on you I
bestow this as a gift : Live yourself to death, it is
thus you praise God the Lord ! Then you shall be
able to do it. I praise Him because He has blessed
me. I praise Him. (Sophie looks up eagerly,
drinking in his words with avidity.)
Vincenz (throws himself violently forward, and
extends his right arm across the table as if to
protect Sophie) : No! Leave her! Do not destroy
my child!
Sophie: Father!
(Hugo rises, stretches himself to his full height,
and looks domineeringly at Vincenz.)
Hugo: What is it you want?
Vincenz (unable to bear his look) : My child !
(Stretches out his hand again for her involun-
tarily,)
Hugo (with unspeakable contempt) : You poor
fool!
Vincenz (clenches his fists, panting) : I? I?
Hugo : You slink off to your death ! You
Vincenz: No.
Hugo: You poor fool!
Vincenz (collecting all his power in a last ef-
fort, shouting and rushing at his brother) : Get
out! Away with you! Get out!
Sophie: Father, father!
(Dr. Halma enters quickly.)
(Vincenz tumbles back in fright on seeing the
doctor, still gazing with intense hatred at Hugo.)
Hugo (unmoved, with extreme calmness) :
And yet I shall stay. Wherever I am I remain
with you henceforth. I stand before you. For
now it has been shown. You and I. And hence-
forth it shall stand forever before you. And it
is now for the first time that you have cause for
your envy! Now more than ever.
Vincenz (breaks down and sinks on a chair) :
And a whole life of duty and rentmciationl
Hugo: Yes, you see, all this that you think,
all this is worth nothing. Your worth is only an
illusion; only in illusion is trdth (raising his in-
dex anger warningly). Upon life's depth, the
profound depth of God. (Goes slowly toward the
doctor, his finger still raised in warning,)
Vincenz: No, no!
Hugo (to the doctor in quite a different, timid
voice, like a baby afraid of punishment) : Yes,
doctor, directly. ( Turning to Sophie again, beam-
ing and with great tenderness.) You dear girl!
I bless you — from my blessed loneliness, allness,
and I wish it to you. Do not questioa Live!
Live ! Thus you praise God the Lord. (Blesses
her.)
Vincenz (moaning) : But wherefore, then?
Wherefore?
Religion and Ethics
THE LOST FAITH OF CHILDHOOD
"I crave for the faith of my boyhood days;
I have struggled for it; on my knees I have
begged and implored for it, but it has not
come." This impassioned cry from the heart
of a man who has thought and suffered deeply
may safely be accepted as the expression of a
not uncommon mood. It appears as the climax
of a letter which is printed, without signature,
in a recent issue of the New York Outlook,
and which has aroused unusual interest in the
religious world. The anonymous correspond-
ent writes:
"When I was a boy, I was quite religiously in-
clined. I believed everything in the Bible from
Genesis to Revelation. It was the source of all
my strength, comfort, and inspiration; and by
obeying the precepts and injunctions of it I ex-
pected to be justified and saved. Jesus Christ, to
me, was a living reality, a being whom I believed
had actually come from heaven, was crucified, and
rose from the dead, and who sat on the right
hand of Qod, making intercession for all his lol-
lowers here below. God was One to whom I
regularly prayed, and with whom I communed as
with a personal friend. When I sinned I fell
upon my knees and tremblingly begged his for-
giveness; a being, of human attributes, whom I
feared and loved, and who had the power to raise
me up or strike me dead. All these things were
not myths, nor even matters of faith alone. I be-
lieved in them as much as I believed in my own
existence. And from this faith came a joy, even
the memory of which is enough to make life
worth living. Whether my faith was false, or
whether from reaction, I became a blatant and
reviling infidef. Having an ear attuned to the
harmony and melody of beautiful language, and
especially of prose-poetry, I was attracted by the
rhetoric of Ingersoll. His sophistry did not influ-
ence me much, but it led me to other works which
did. Influenced more by form than substance, I
read and re-read the pompous and stately lan-
guage of the famous sixteenth and seventeenth
chapters of Gibbon's 'Roman Empire,' which
shook my faith in the authenticity of the Gospels.
From Gibbon I passed to Darwin, Huxley, Wal-
lace, Haeckel, and the materialists, whose con-
clusions, I foolishly believed, completely upset
and destroyed all reality in revelation, and took
away all my remaining faith in the Bible, Jesus
Christ, or God. I am glad to say, however, that
the faith of my younger days had left such an
imperious influence upon my soul that, while I
professed myself an infidel, I was still unsatis-
fied; and after groping in the dark for two or
three years, I finally became convinced that I
was wrong. I believe the Bible to be the Word
of God, but not with the warmth and feeling with
which I used to believe it I believe in Jesus
Christ, but he is to me merely a historical per-
sonage, who means but little more to me than
Plato or Aristotle. I believe in the existence of
God, but this belief is purely intellectual. It has
no more influence over my life than the belief in
the law of gravitation. He is a vague abstraction
whom I neither fear nor love. My mind, from
reading works of science, has become so analyti-
cal and dissecting, even in matters of faith, that
I even criticise the grammar and logic of pnyen.
All this I regard as a misfortime. I crave for
the faith of my boyhood days; I have struggled
for it; on my knees I have begged and implored
for it, but it has not come."
This "pathetic letter" has provoked a lengthy
editorial and much earnest correspondence in
The Outlook. According to the editorial judg-
ment, it expresses a longing that can never be
satisfied, and but echoes the old cry, "I would
I were a boy again." The Outlook comments
further :
"The faith of childhood once lost can never be
recovered. It is sometimes kept, but at too
great a sacrifice. For he who boasts of a child-
hood faith simply bears witness against himself
that, while he has ^rown in muscular strength,
in nerve power, in mtellecttial capaci^, in exec-
utive energy, he has not grown in his religious
experence. A childhood faith is beautiful in a
child; it is a dwarfed and stunted faculty in a
mature man or woman. The faith of childhood
is bom of the child's imagination. It is an un-
questioning and . therefore an unreasoning faith.
He makes no distinction in his own mind between
what he has seen and what he has imagined. The
perplexed mother need not be perplexed at his
nursery tales told with such serious assurance
that it is 'true, mamma.' To him what he has
imagined is 'true.' He is as ready to believe in
Santa Claus as in Jesus Christ, in the Arabian
Nights as in the miracles of the New Testament.
The reindeer and the sleigh-bells are as real to
him as the Wise Men and the Shepherds. Do
not undeceive him. Life will undeceive him in
due time.
"But do not envy him. Do not try to go back
and recapture that nursery experience. The faith
of manhood is of a different sort It is not an
unquestioning but a questioned faith. It is not
founded on reason; but it dares submit itself to
all the tests to which reason can subject it. The
crucible never yet created gold; but it tries the
gold and rejects the dross. Reason never yet
created faith; but it separates the true from the
false. After the crucible appears but little gold,
but it is pure. After the reason there appears a
shorter creed, but it is vital. Credulity has done
the world more harm than skepticism. The only
530
CURRENT LITERATURE
way to know anything is to dare to question
everything."
The Outlook's final advice to the troubled
inquirer is to "mingle in literature and in life
with men of faith" and to "obey such heavenly
vision as is afforded to him." "So doing," it
says, "he will find the light within him, which
neglect has dimmed but not wholly extin-
guished, gradually, and to him almost uncon-
sciously, reviving to re-illumine his life."
With this editorial pronouncement several
correspondents take issue. One reader de-
clares that a human soul hungering for bread
has been given a stone; adding: "The faith of
the devout heart at seventy-seven does not ma-
terially differ from that of a child of twelve,
save that, while more intelligent, it is also
deeper, stronger, more full of trust, love, joy."
Another correspondent says: "The writer of
that letter will best find his way to a real, a
manly faith, not merely by 'mingling in lit-
erature and in life with men of faith,' but by
looking constantly to God for guidance and
help in accordance with the promise, 'Draw
nigh unto God and he will draw nigh unto
thee.' *' A third correspondent comments :
"That which makes the child- faith so beauti-
ful is the simple, unquestioning acceptance of the
great fact of the Fatherhood of a Personal God,
whose great love is most perfectly revealed in
the Person of his Son Jesus Christ, who is the
Friend and Saviour of all those' who put their
trust in him and obey him. For such a faith as
this the heart cries out not less in mature life
or old age than in childhood and the loss of it
is one compared with which all other losses are
as nothing. And this faith can be retained. It
was in the joy of this faith that Mr. Drummond
endured serenely the years of illness that preceded
the close of his life. It was in the inspiration
of this faith that Tennyson, after the trials in-
numerable of a long and busy life, wrote before
he died,
I hope to see my Pilot face to face
when I have crossed the bar.
It was this faith that was the keynote of the
hymn of the Dean of Canterbury, 'Life's Answer,'
which ends.
Safe to the land, safe to the land.
The end is this,
And then go with Him hand in hand
Par into bliss.
It was in the strength of this faith that Phillips
Brooks wrote:
The Christ who in eternity opens the last concealment
and lays his comfort and life close to the deepest needs
of the poor, needy human heart is the same Christ that
first laid hands upon the blind eyes and made them see
the sky and flowers.
"When St. Paul says, 'When I became a man,
I put away childish things,' he does not mean
that the childlike faith is incompatible with the
maturity of mind that belongs to manhood and
womanhood. The man of fifty loves his mother
with a deeper reverence and veneration than the
heart of childhood can know, but it is the child
love still in the heart of the man who gives it. It
included the learned ones of his day as well as
His disciples when our Lord said to them, 'Ex-
cept ye be converted and become as little chil-
dren, ye shall not enter into the kingdom of
heaven.'.
"This is a faith worth having and keeping—-
worth fighting for, if need be, and, if lost, it
is worth while to lose all else in order that it may
be gained again. . . .
"The Christian life for its maintenance re-
quires a constant struggle with sin and tempta-
tion, and implicit obedience to the great Captain
of our salvation. Does one find his faith slipping
from him, or is it apparently entirety gone? Let
him, with all his might, set about righting what-
ever may be wrong in his life. Is there an out-
ward or inward sin to be relinquished? Let it
be given up now"
A fourth correspondent writes:
"You appear to take for granted and give out
the idea that all .mankind must of necessity pass
through these successive stages of erroneous child-
hood belief, then analysis and doubt, and with
perhaps a rare chance of again emerging into the
realization of the omnipresence of Grod. The
letter you are answering portrays, as you say,
*a common experience'; but, while deploring the
condition, why not find the solution of the diffi-
culty in the truthful education of children?
'Whosoever shall not receive the kingdom of
God as a little child, he shall not enter therein,*
are the words of the Christ. Cannot a child un-
derstand a measure of truth? Then why teach
children grotesque dreams of heaven and an an-
thropomorphic God which cannot stand the test
of reason? 'Life will undeceive him,' you say.
To me that is inexpressibly pathetic; yet you
omit any suggestion of regret that your inquirer
(lid not, when a boy, comprehend as a child might
that the unchanging God is Love. Your line of
demarcation is so strong between 'childhood
faith' and the faith of manhood yet it must be
the same faith differently expressed. Nothing
should be lost; nothing of good is lost. . . .
I used heartily to despise Emerson's essay on
Love, where he speaks of youthful passion, the
endearments, the avowals, as 'deciduous,' having
a prospective end, until I learned this truth that
nothing is really lost; and this is beautifully il-
lustrated in Olive Schreiner's Dream, The Lost
Joy: when Life and Love lost their first radiant
Joy, they would not give up to reclaim it that
dearer being, Sympathy, the Perfect Love.
"Through childlike — not childish — acceptance
of good will the despondent one come into 'the
kingdom' he fancies was childhood's possession
and lost."
In presenting this budget of dissentient
views. The Outlook suggests that neither its
own answer nor that of any one of its cor-
respondents is complete or final ; but that each
answer contains a germ of truth and will serve
to meet individual cases.
RELIGION AND ETHICS
531
WAS JEvSUS REALLY A JEW?
This question, "childish" though it may seem,
is far from being "a foregone conclusion/' con-
tends Prof. Julius Lippert, a di^inguished eth-
nologist and exegetical scholar, in the Berlin
Nation. His learned and lengthy argument,
continued through several numbers of this
publication, supports the theory that Jesus
was not, in the strict sense, a Jew at all. He
was a Galilean, probably of Syrian stock, we
are told, and so was John the Baptist.
Jesus, of course, was a native of Nazareth,
in Galilee. He lived there as a youth and must
have been brought into constant contact with
Galileans. But his disciples and interpreters,
says Dr. Lippert, were determined to show
that he was sprung from stock ethnically
purely Jewish. This they endeavored to do by
means of genealogies, and by "enshrining in
tradition certain narratives concerning his
circumcision and the happenings of his birth
which were all adapted — from a Jewish stand-
point— to set forth his Messiahship in har-
mony with popular preconceptions." To quote
further :
"Two genealogies have come down to us, one
in Matthew; the other in Luke. Neither agrees
with the other in anything save the final names.
Otherwise they do not coincide either in their
names or in the number of them. . . .
"The stories about the birth of Jesus inserted
in Luke's gospel fail to harmonize with the very
purpose of these genealogies. While the latter
seek to prove his descent from Jewish lineage
and especially from David, solely through Joseph,
as the real father of Jesus, the narrative of the
miraculous conception of Mary puts the Mes-
siahship of Jesus in a totally different light The
miraculous conception cannot be said to be up-
held by the genealogies, for they are both based
on Christ's descent from Joseph and not from
Mary. Only in later days did exegetical schol-
ars extricate themselves from this difficulty by
the assumption that Joseph and Mary were rela-
tives. In that case, however, the family record
must certainly have contained one more member
before Mary; otherwise we should be led to con-
clude that they were brother and sister."
It is small wonder, continues ' Dr. Lippert,
that Paul, a Jew born in the Diaspora and,
a disciple of the Pharisees, sound in his
knowledge of the Scriptures, held himself
proudly aloof from "genealogies and fables"
(I Tim. i, 4; iv, 7; Tit. iii, 9) and warned
his disciples time and again against such "un-
profitable" and "foolish" questionings. In
Paul's eyes, Jesus was both ethnically and in
his relationship to the "Law" a Jew, and for
this simple reason that he, Paul, had con-
vinced himself of Jesus' Messiahship, while ■
his scriptural studies provided him with am-
ple arguments to support his contentions. "To
the born Jew and Benjaminite," adds Dr.
Lippert, "Jesus must have been both ethnically
and religiously a Jew. A profane historical
critic, however, cannot overlook the point that
this testimony of Paul to Jesus' Jewish de-
scent is based, not on historical, but on psy-
chological considerations. In other words, it
belongs to theology."
Professor Lippert goes on to make a study
of the character of John the Baptist, eliminat-
ing the narrative of his childhood as given by
"the later Luke," and concludes from John's
own expressions of contempt for the Phari-
sees' pride in their ancestry, as well as from the
fact of his being delivered over to Herod An-
tipas, Tetrarch of Galilee, and not to the Jeru-
salem authorities, that the Forerunner was, like
Jesus, a Galilean.
With this the writer is, so to say, on his own
ground and his analysis of the ethnological
characteristics of the natives of Galilee is,
perhaps, the most instructive part of this
study. Far back in the days of the double
kingdom these people were reproached with
"limping between the two sides" (I Kings
xviii, 21) that is, between the Syrian Baalim
and the Jewish Elohim. Only a hundred and
odd years before Christ and after a long period
of Syrian rule, John Hyrcanus reconquered
the land and gave its inhabitants the alterna-
tive of being circumcised or banished. That
these were not Jews stands to reason, while
we know, furthermore, that the "few" Jews
left there had a short time previously been
transplanted to Judea by Simon (J Maccabees
v, 12 and 25). With the Roman conquest
(63 B. C.) Galilee became again a Syrian
province. Considering, under these circum-
stances, how difficult it must have been to de-
termine the precise racial and religious ances-
try of any family, Dr. Lippert thinks we
should examine each witness in turn. Peter, he
contends, was "certainly of Syrian stock, since
his very speech betrayed him." An analysis
of his reputed sayings and writings convinces
Dr. Lippert that the apostle who declared that
the "Law" was a "yoke which neither our
fathers nor we were able to bear" was rather
one in sympathy with the rebellious Galileans,
whom even Isaiah (ix, i) had styled heathens,
53^
CURRENT LITERATURE
than a Jewish devotee of ancient rights. The
genuine Jews justly accused him of partaking
with the uncircumcised of unclean food. That
long before this Jesus' disciples had held that
they were not bound by the ritualistic ablu-
tions and the strict Sabbatarian laws of the
Jews, we know from the gospels. Peter, like
Paul, disowns "wise fables" in his epistles,
and as the sole convincing proof appeals to
the transfiguration on the mountain, which,
though it was not Jerusalem, he calls "holy,"
quite as his master had answered the question
as to the comparative merit of Samaria and
the Temple as a place of prayer. All indices,
these, we are told, of the true liberal "Gali-
lee of the Nations."
Coming to the personality of Jesus himself,
the writer claims the same privilege accorded
to Paul and to Peter of disregarding all "gen-
ealogies and fables," and from this standpoint
presents Jesus as a native of Nazareth and a
bom Galilean to whom all that has been said
of Galilean liberal tendencies and question-
able ancestry applies fully. The land was filled
with Jewish schools established for the propa-
ganda of Hebraism. These were, doubtless,
open to him, with the exception of that at
Nazareth, where he was known as the carpen-
ter's son, the son of Mary and one of many
brothers and sisters. When he broke these
ties forever (Mark iii, 32 et seq.) it was to
dedicate himself to the new brotherhood of his
disciples. What manner of men the first of
' ^ these were we have seen in Peter. One of the
next to be called was a man employed in the
tax office , the son of Alpheus. He came from
a class of people the Jews branded as "unclean,"
on the ground that they belonged to a foreign
nation and religion. To the disgust of the
Jews, Jesus sat with such at table and ate of
"unclean" dishes. Furthermore, in the eyes
of the scribes he and his disciples were guilty
of Sabbath breaking. He pleaded guilty to
this charge, and defended his acts. His at-
titude toward fasting, ritualistic ablutions and
legal food, as well as his solemn compact with
his apostles, are characterized by Dr. Lippert
as being just as typical of the Galilean as they
are distinctly unhebraic. An analysis of
Christ's teachings, he holds, quite as conclu-
sively points to a non- Jewish source of their
ethical groundwork.
That Jesus' native tongue was the Syrian,
Professor Lippert believes is conceded by all
sides ; and he points out that "when left alone
with himself and his God on the cross, a
moment so intimately human, his tongue re-
verted to the childhood speech." Another
link in the argument is furnished by Mark's
gospel. After driving out the hucksters from
the Temple (another foreign trait, since all
true Jews had become accustomed to their
presence there), Jesus met the objections of
the scribes to his Messiahship that he must
needs be the son of David, by denying the va-
lidity of their argument. In language that
cannot be mistaken, he told them that he was
not David's son.
In conclusion the learned writer remarks:
"Of course we concede that our proofs and
arguments are not sufficient to settle so mo-
mentous a question; but it may be that they
will suffice to show that instead of being
'something everybody knows,' we are still
justified in raising the question: Was Jesus
a Jew?"
SOLIDARITY AS THE KEYNOTE OF TRUE RELIGION
Not from moral philosophy nor from sci-
ence, not from religion as ordinarily under-
stood, but from the growing sense of social
solidarity comes the new and true gospel for
humanity. So at lea^ avers Alessandro Grop-
pali, a vigorous and optimistic Italian thinker,
whose resonant word rings over and above the
pessimistic philosophies of our time like a
trumpet blast
Our modern conceptions of life, declares
this Italian writer, can all be ranged under one
of three categories — those of God, the individ-
ual and society. The theologian naturally re-
gards life primarily in religious terms and
Groppali grants that "as the religious concep-
tion of life's meaning was the first to arise, so
has it taken deepest root in man's soul." But
"sweet and puissant as it may be, with its
promise of immortality in a world beyond, this
conception does not satisfy those who rebel
at deferring all hopes until after death and are
struggling to solve the problem of life by its
own rules." The teaching of individualism,
he proceeds, is that "life's design should be
sought for in life itself; that "life ought to
be regarded from the happiest possible stand-
RELIGION AND ETHICS
533
point"; and that "man must make use of all
the treasures of his energy in the realization
of a joyful exaltation of his being, in the
afBrmation of his powers and in the conquest
of pleasures." To this doctrine of the Nietz-
schean school, Groppali objects: "The indi-
vidual, considered in and by himself, torn from
the soil of social energies which bred and
formed him so variously, is a mere figment of
man's mind, the product of our fancy. . . .
We ourselves, consciously or unconsciously,
bear within us a sum of impressions, of dispo-
sitions, of stratas of hereditary tendencies,
which consrtitute our character and personality.
. . . An indissoluble chain of solidarity, an
inextricable wheelwork of reciprocal obliga-
tions, fetter and entwine all individuals who,
while they live in a social order, must needs
transmit something one to another, like the
waves of the sea, continuing the movement of
human life." The writer says further (in
the Nuova Antologia) :
"A recognition of this fact will not mean the
extinction of individuality. On the contrary, it
will mean that man, in becoming a more zealous
fellow-worker in the great upbuilding and ad-
vancement of civilization, will become so much
the greater and nobler an individual In the
intunate consent of all mankind in a common
action, in the reciprocal exchange of help
and services, in the sharing of defeats and
victories, in the brotherhood of the same joys and
the same griefs, men's souls will be purged grad-
ually of the selfish sediment, so that they will re-
ceive and bear testimony to the leaven of ever
new and higher ideals. Once illuminated by this
new ray of light, enlightened by this new faith,
life appears under lovelier and more attractive
hues. Your ascetic, who, with f^ze fixed on
the vision of a faraway world which cannot be
ours, isolates himself from life by totally con-
secrating himself to the worship of his ideal, and
your "superman," who, by livmg solely in and
for himself, deludes himself with a drunken
dream of dominion, are seen to be one, at least in
so far as both concepts of life are but hallucina-
tioos of minds* either diseased or distraught."
As a striking proof of the benefits of this
rapidly growing sense of solidarity, the writer
cites the labor-union movement, which in its
beginnings caused so much alarm and excited
such deep suspicion, but which to-day, he
thinks, must be regarded as a really beneficient
factor in the progress of civilization, alike for
the working man ,the employer ,and society as
a whole. "Who ever could have imagined," he
asks, "that this movement, so generally con-
sidered as the most genuine product of class-
antagonism, as the principal fomenter of
strikes and of conflict between employers and
workers, was in the crucible of time to be
transmitted into a powerful instrument of tran>
quillity and peace ?" This beneficial outcome is
attributed to the new-bom sense of solidarity.
"By its organizations," says Groppali, "the
proletariat exercises a reflex action for good
on the industrial world, forcing the capitalist
to adopt improved technical systems, and
thereby intensifying production. Thus while,
under the pressure of this new force on the
one hand, production improves and is intensi-
fied, on the other the working classes, enabled
to obtain better nourishment and more leisure
to devote to their own improvement, are wax-
ing hardier, more supple, and apter to follow
the continual transformation of productive
processes.'' In the passage of humaner laws, in
charitable and philanthropic ideas based upon
the idea of the uplifting effect of work instead
of upon alms-giving, in international al-
liances of every scope, the Italian publicist also
sees encouraging signs of the growth of soli-
darity. He adds :
"Facts have modified the prophecy of Marx,
who thought that the poor must ever grow
poorer and the rich richer, until the increasing ex-
asperation of the masses, the revolutionary
fermentation of the proletariat, excluded from all
the joys of life, culminated in a deadly and de-
finitive struggle. In the first faint dawn of the
labor movement Marx could not either glimpse
the bright morn or foresee that this same prole-
tariat . . . was destined to exercise litUe by
little, by means of its own organizations and its
conquest of public powers, a conservative influ-
ence, and thus act as a curb upon the excesses of
capitalism.^
In concluding, Groppali expresses his con-
viction that a conception of life founded on
the solidarity of mankind has all the requisites
necessary to express the deeper aspirations of
our souls. He says:
"Face to face with the problem which has con-
stituted the dream and the despair of all living be-
ings, confronted with that fearsome question of
the worth and end of living, this conception is
clear and decided. It says that if we wish our
lives to pass by in an undying Spring ... we
must live in others and for others, with the se-
cure conviction that the good done by us will
be of advantage to ourselves likewise, by a nat-
ural and automatic repercussion. . . .
"This doctrine which nourishes the soul with
an immortality less ethereal but truer than that
which as children we learned from religion or
poetry, must not be regarded as a mere string of
abstract concepts, but as a combination of the
most vital and vibrant emotions and sentiments.
It must be accepted as our viaticum on life's
journey, as a rule of faith which we can live by
in all glad sincerity of soul, in the fullest fervor
of enthusiasm."
534
CURRENT LITERATURE
A PSYCHICAL EXPLANATION OFyTHE MIRACLES OF JESUS
The most notable document thus far pub-
lished in the crusade now being carried on in
Germany with a view to popularizing advanced
theology (see Current Literature, January)
is a cheaply issued work entitled "J^sus." Its
author, Professor Bousset of Gottingen, aims to
give in simple language the sum and substance
of modern critical opinion concerning the
founder of Christianity, and his temper is well
illustrated by his attitude toward the New
Testament miracles.
The gospels, as he points out, attach almost
as much importance to the miracles of Jesus
as to his teaching. "He taught and he healed."
It is significant that Jesus took into considera-
tion not only the spiritual interests, but also
the physical sufferings of his people. He was
not as hyperspi ritual as many of his followers
would have us believe. On the other hand,
he was no social reformer. On account of his
own condition, he scarcely regarded the pov-
erty and the self-denial around him as an evil ;
it was wealth that he felt to be the main evil.
But whenever he saw real suffering with his
own eyes he rendered assistance, and when-
ever he found sickness and misfortune he
healed.
We can call Jesus, says Professor Bousset,
an extraordinarily successful physician. The
skill of the physician in those days, at least
in that part of the world in which Jesus lived,
was of a very primitive character. People had
no conception as to what was possible or im-
possible through this art. The physician em-
ployed all kinds of medical devices, and, at
the same time, all the tricks of quackery, sym-
pathy, sorcery, prayer, and the use of the mys-
terious name of God. We can call Jesus a
physician who confined himself entirely to the
employment of religious and spiritual methods.
He spoke the healing word to the sick man,
took him by the hand, put his hand upon him.
This is all ; only rarely does tradition mention
that he made use of other means. We can call
his healing method the psychical. He set the
inner powers of man in motion so that they
found their realization externally in the bodily
life. He healed the sick and suffering through
his unshaken confidence in his heavenly Father
and the power that was active in him, by mak-
ing others feel a similar absolute confidence in
him as the messenger of God. In this way the
healing method of Jesus lies entirely within
the sphere of what can be psychologically un-
derstood. It is nothing absolutely unique or
peculiar to himself. We find analogies through-
out the history of religion, even down to our
own days. We need but think of the many
undeniable and amazing cures that have been
effected in connection with the pilgrimages to
Lourdes, or the hearing of prayers in the case
of Pastor Blumhardt. Modern science at-
tributes these successes to suggestion, auto-
suggestion, hypnotism, etc.
In view of these analogies, continues the
German writer, it will doubtless be wise to
draw the circle of possibilities as wide as
possible. We must take into considera-
tion the masterful impression made by
the personality of Jesus, the almost incalcu-
lable popular confidence in this successful phy-
sician, and the childlike naivete of people who
did not know how to mistrust that which was
regarded as miraculous. But with all this, the
limitations of Christ's activity are apparent, and
we find that there were psychological cpndi-
tions which made cures impossible. In places
where there was no faith Jesus failed to ef-
fect cures. His greatest successes were
achieved in connection with demoniacs.
Among these unfortunates we recognize with
absolute certainty the different types of lunacy,
such as madness (Mark, v, 2) ; lethargy (Matt
xii, 22) ; and epilepsy (Mark ix, 17). The pop-
ular opinion was that these sicknesses were the
direct result of the presence and activity of
evil spirits. Jesus, a child of his own times,
shared this view. He is represented as ex-
pelling demons from these sick persons. What
really resulted was psychological healing, due
to the quieting effect of his extraordinary soul
power. It is just such cases that have al-
ways responded most readily to psychological
and personal influence. Christ did not al-
ways secure permanent results. Many of his
cures were doubtless of only a temporary char-
acter.
Jesus himself laid great stress on his mira-
cles, concludes Professor Bousset, and the tra-
ditions of the gospels have made him a miracle-
worker in the extraordinary and absolute
sense. According to these reports, he was a
superhuman Son of God, who directly affected
the conditions of life and of mankind. He is
even reported to have raised the dead. But
upon closer examination all these supernatural
miracles can be explained on a psychological
basis.
RELIGION AND ETHICS
535
THE "GREAT MORAL UPHEAVAL" NOW TAKING PLACE
IN AMERICA
If it be true, as the New York Independent
observed not long ago, that "the chief danger
no'wr threatening American civilization is a
g^eneral deterioration of morals," we ought to
take comfort, as a nation, in two diagnoses of
our moral health recently made by English
writers. Both of these writers are in the
highest degree optimistic, and both intimate
that something like a moral revival is going
on in the United States at this moment.
The first of the two writers mentioned ex-
presses his views in Blackwood's Magazine
under the title, "American Morality on Its
Trial." Referring to the revulsion of feeling
created in this country by the life insurance
scandals, he says: "There is no precedent for
the wave of moral indignation that has swept
over the country"; adding: "The American
nation of to-day has left no room for doubt
as to the force and sincerity of its protest
against financial and political breach of trust/'
In the same article this writer says further:
"The mass of the American people are certain-
ly as honest as those of any other country. They
have quite as high a moral standard as our own.
and are equally successful in living up to it. There
is no simpler, purer or more rational life under
the sun than that of the middle class American
in his normal condition. Outside of the mael-
strom of 'machine* politics or Wall Street specu-
lation^^e twin curses of the country — ^he can
be high principled and honorable both in busi-
ness and in private life. The 70 per cent, of
Americans who live outside of the great cities
eat the bread of honest industry and have no
wish for any other. They know nothing of 'graft'
and 'tainted money' except what they read in
the newspapers. It they were inclined to be lax,
the American woman is there to brace them up.
She continues to be what she always has been —
a great moral power.
"So long as the American woman holds her
present position in her own household and in
society there need be little fear as to the ulti-
mate future of American morals. She is one
of the sheet anchors of the country in every
moral crisis, and her influence is again making
itself felt to-day. There are many varieties of
good women in the world: some passive and
others active; some subjective and others ag-
gressive. The good American woman is the most
active and ag^essive of her sex. She exercises
the strictest discipline over her own family. She
has the most decided convictions on social ques-
tions. In nine cases out of ten she is an anti-
drinker, anti-smoker and anti-gambler. However
much she may wish her children to succeed
in life, she would not have them be Twodlers' at
any price."
The second writer referred to, Admiral Sir
C A. G. Bridge, analyzes in The Nineteenth
Century what he calls "a great moral upheaval
in America." This ethical enthusiasm, he de-
clares, has revealed itself under various forms,
but the object is always the same — ^the pttri-
fication of public life. Its most conspicuous
'manifestation he finds in the revolt against the
boss and the political machine in many States
and cities. Another phase of the movement
is represented by the "investigation of the pro-
ceedings of the great insurance companies,
pushed on with almost relentless fervor." A
third aspect of the same moral intensity ap-
pears, according to Admiral Bridge, in the
movement against the laxity of the. divorce
laws of several States. While dealing with
this subject he indulges in the generalizations:
"It may be because the Puritan ideal is not yet
entirely extinct in the United States, or it miiy
be for reasons resting on a broader base, but
nothing is more offensive to Americans in gen-
eral than anything tending to the degradation
of the home. A much-reported scandal is not
regarded by them as a good subject for con-
versation. If mentioned at all, it is usually
mentioned with disgust: and the sayer of
smart things, who in other societies is almost
expected to exercise his wit upon such a mat-
ter, would, if he tried to do so in the United
States, be thought and probably be made to see
that he was thought stupid and vulgar." And,
finally, says the admiral, a curious manifesta-
tion of the wide front of the moral revival is
revealed in the many protests against the
brutality of football, as played in this country.
He goes on to comment:
"It is reasonable to ask why these several move-
ments or several phases of one great movement,
naving what was essentially a single aim, became
apparent in the year that has just closed. The
answer can be given easily. The immense num-
ber of persons scattered over the vast territory
of the United States who have been striving for
purity of life in all its phases did not come into
existence only in the second half of 1905. They
had existed, in full numerical proportion to the
total population, for many years. What they
wanted in order to co-ordmate their efforts and
give cohesion to their forces was a standard
around which they might assemble, and a stand-
ard-bearer who would lead them in the great
campaign on behalf of public and private morals
which they were ready, and indeed eager, to
fight. They have found that standard in the now
generally recognised character, and that leader in
the person, of President Theodore Roosevelt. No
536
CURRENT LITERATURE
Copyright, 1900, by Prank V. Du Mond.
CHRIST AND THE WOMAN TAKEN IN ADULTERY
^By Frank V. Du Mond.)
One of ten portrayals of Christ by American painters.
President since Washington has been so general-
ly popular or more thoroughly the President of
the whole people rather than the mere chosen
head of a party."
These 5"glish appreciations of our national
character have led to some interesting com-
ment in this country. The New York Outlook
shares the admiral's view that a very real
moral revival is taking place, but thinks that
its causes lie far too deep to be ascribed, in
^ny large degree, to Theodore Roosevelt's
leadership :
"The moral upheaval does not depend on any
one man, nor does it owe its increasing vigor and
its promise for the future to any single career. It
is the result of forces which have been at work
for years past, and of a growing sense of the
necessity of what Mr. Kidd calls 'civic self-sacri-
fice.' Americans have long been restive under
machine politics; of late years they have been
ashamed of their subservience; at last they have
become willing to pay the price of driving the
boss out of public hfe and of separating the gov-
ernment of the country from its business inter-
ests. More than one *boss' of large ability (and
it has happened many times that 'bosses' have
been lacking in moral insight and vigor rather
than in intellectual capacity) • has discerned of
late years th6 disastrous results of what Mr. Stef-
fens calls 'the systent* — ^that is to say, the steady
and growing seizure of the political life of the
country for commercial purposes — and has de-
plored the tendency as one of danger. This is at
the root of the greater part of oiu- moral dis-
orders in public and private life, .of the failure
of individuals and the inefficiency of the Govern-
ment; and it is against this corrupt combination
between business and government that the coun-
try has risen in revolt. It is weary of influence
and pulls and backstairs management; of having
Mr. Odell decide who shall be Governor of New
York, and Mr. Aldrich make up his mind in ad-
vance what legislation shall be permitted to go
through Congress. It has determined that the
men into whose hands as trustees and directors
great sums of money are placed shall not treat
their positions as if they were mere opportunities
for private speculaton and money-making; that
the men at the head of the party organizations
shall not parcel out important positions as the
spoils of politics without regard to public inter-
ests. In other words, it has determined that the
United States shall lead a decent moral life; that
the public shall manage its own affairs ; that legis-
lators shall regard its will and not the will of
irresponsible masters; that the men to whom
great interests are committed shall guard those
interests sacredly, or shall suffer definite punish-
ment if they are traitors to their trusts.
"The moral upheaval in America is the truest
and most beneficent kind of a revival of religion ;
for what is needed even more than the filling
of the churches and the swelling of gifts for re-
ligious purposes is honesty in dealing, man with
man; a deep and quick sense of responsibility
of the public servant to the public that trusts him ;
and a quickened conscience on the part of every
man who holds the relation of a trustee to a
group of men or to the community. It is the
social conscience which has been touched, and
the revival now in progress means, not primarily
the saving of individual men from their sins, but
the redemption of great communities and the rc-
invigoration of the moral life of States."
Turning to the definitely religious life of
the nation, The Outlook discovers many more
signs of moral activity. "To call this a com-
mercial nation," it says, "has been equivalent
to a severe judgment upon it;" but "as a mat-
ter of fact, there are many signs which indicate
that behind this immense development of in-
dustry, commerce, and finance there is a genu-
ine idealism." "This commercial period," it
adds, "has compassed the establishment and
growth of three of the most remarkable re-
ligious orders of all time — ^the Salvation
Army, the Young Men's Christian Associa-
tion, and the Young People's Society of
RELIGION AND ETHICS
537
Christian Endeavor. Of these three one
was planted and two have found most fertile soil
in this commercial nation." Moreover, "this
period and country have shown their char-
acter by responding to that severest of all tests
of religious idealism — the summons to engage
in foreign missions." Never, avers The Out-
look, was the response to this summons more
emphatic than at present; and in witness to
the truth of this statement it cites the recent
convention of the Student Volunteer move-
ment Of the history of this movement The
Outlook says:
"Twenty years ago Mr. D wight L. Moody in-
vited some college students to Northfield to spend
a few weeks in the study of the Bible. Out of the
gathering of two hundred and fifty students there
has come this movement. Originally simply an
unorganized body of men with a common purpose,
it is now an incorporated body. Those who make
this declaration, • *It is my purpose, if God per-
mit, to become a foreign missionary,' are known
as Student Volunteers. The organization does
not send out missionaries; the Volunteers all ro
out under their own denominational boards. Al-
lied with this purpose of enlisting recruits for
the service is that of promoting in the home
land an intelligent knowledge and interest con-
cerning the subject of foreign missions.
"Some conception of the extent of this move-
ment may be gathered from the following facts:
Up to the beginning of this year almost three
thousand volunteers had sailed for the foreign
field; one thousand of these have gone in the
last four years. Text-books on missions have
been prepared, and twelve thousand students in
our colleges in over one thousand groups are
studying the subject under highly qualified men.
It is safe to say that never before have so many
Copy light, 180C by WUl fl. Low.
♦' HE THAT IS WITHOUT SIN AMONG YOU, L^T
HIM FIRST CAST A STONE"
Will H. Low's treatment of this theme is softer, and
less dramatic, than that of Frank V. DuMond, shown on
the opposite page.
men gone forth from our colleges with so broad
a view of the forces working for and against the
regeneration of the world."
NEW PORTRAYALS OF CHRIST BY AMERICAN PAINTERS
A number of Cleveland business men
recently conceived the idea of collecting and
exhibiting ten portraits of Christ by represent-
ative American painters. They were doubt-
less guided and influenced by a somewhat
similaf religio-artistic undertaking in Ger-
many, a few years ago, which enlisted such
talented artists as Gabriel Max, KampfiF,
Stucke, and others. Organized under the title
"The Exhibition of American Arts Company,"
they invited ten well-known American painters
— among them John La.Farge, Kenyon Cox and
Will H. Low — to embody their conceptions of
Christ in life-size canvases. Each artist was
left free in the details of his composition, and
each was asked to contribute an interpreta-
tion of his own particular motif. The result-
ing pictures constitute a unique group, and are
now being exhibited in New York.
Probably the most notable painting in the
collection is that by Joseph Lauber, entitled:
"In Him was life: and the life was the light
of men." It shows a virile and impassioned
Christ, standing on a hill-top illumined by the
rays of the sinking sun. The artist declares
that his idea was "to create a visible embodi-
ment of an idea which is in the mind of every
Christian. I have not chosen," he says, "the
representation of my scene from His ministry
accompanied by accessory figures, nor the Man
of Sorrows, nor the traditional visionary figure
remote from man, surrounded by a nimbus;
what has impressed me most is the spiritual
power and quietness of Christ, the giving of
538
CURRENT LITERATURE
Cupyrlfbt* 1906 by Keiiron Cox.
"COME UNTO ME"
(By Kenyon Cox.)
self, and the love, mercy and charity He
brought into this life, especially for the op-
pressed and those whom the world scorns."
John La Farge has painted Christ the Com-
forter, following the text: "Yea, though I
walk through the valley of the shadow of
death, I will fear no evil, for Thou art with
me." The work is medieval, rather than mod-
ern, in spirit, and reminiscent of the early
Italian school. It owes much of its charni to
beautiful coloring and draperies. Mr. La
Farge's Christ, remarks the New York Times,
"has an expression steadfast and aloof. One
thinks of busts of Zeus marked by an Olym-
pian calm."
Kenyon Cox and Charles C. Curran have
both taken the text, "Come unto Me"; but the
treatments are widely different. The former
gives us a rich study in voluptuous reds; the
latter shows an ascetic Christ, clad in a single
white robe which leaves the neck and right
shoulder bare. Gari Melchers portrays Christ
as "The Man of Sorrows," with sad mien and
downcast eyes.
Will H. Low and Frank V. Du Mond have
both pictured the incident of Christ and the
woman taken in adultery. Mr. Low's picture
is graceful, rather than strong. He paints a
young Christ in profile, under an arbor, lean-
ing over a young woman who kneels at his
feet. Mr. Low says in comment:
"In essaying to portray the figure of Christ,
one is struck at the outset bv the complete omis-
sion throughout the New Testament narrative
of any reference to His physical appearance.
Hence it is but logical to presume that, coming^
as a Man to men, His figure and face were devoid
of aught that was visibly supernatural. On the
other hand, coming from whence we know not,
there has been evolved an accepted type which
in many and varied instances has served the art-
ist throughout the Christian era, and which to
all mankind is recognizable as a portrayal of
Christ. The splendid and majestic, the ethereally
spiritualized or the careworn and sorrow-laden
type of Christ offer, one and all, abundant op-
Copyrl«lit, 19f-6. by La Furg«
"YEA, THOUGH I WALK
THROUGH THE VALLEY OP
THE SHADOW OF DEATH, I
WILL FEAR NO EVIL, FOR
THOU ART WITH ME."
(By John La Farge.)
w
1
r
ILpm
r
^
i.
ir
^fliV\
IP
*
\
%W'
■»
M,
^
>^^^^^H
If
1
^
\
■»'
1/
V
*
ii '
■
I
^^H
i^ir
L
i^^^^^^^i^p*
^
.?
"IN HIM WAS LIFE: AND THE LIFE WAS THE LIGHT OF MEN"
This painting, bv Joseph Lauber, is probably the most notable of a group of Christ-portraits
now bein^ exhibited in New York. It shows a virile and impassioned figure standing on a hill-
top Illuminated by the rays of the sinking sun.
S40
CURRENT LITERATURE
portunity to the artist. But a more simple in-
terpretation has appealed to me. My endeavor
has been to depict, in so far as a picture may
translate the spoken word, His appeal to our
charity of thought and judgment, as being per-
haps more than any other of His utterances ap-
plicable to our everyday life. . . . Of the
type of Christ I can only say that I have sought
to express a man compassionate and just, gentle
yet strong, one whose thoughts have left a cer-
tain impression of nobility upon a face which
otherwise might pass unnoticed among the peo-
ple— where He might be, as indeed He was, known
as *the son of Joseph, the carpenter/ "
Mr. Dumond's treatment of the text, "He
that is without sin among you, let him, cast
a stone," is much more dramatic than Mr.
I^w's. It is strongly Oriental in feeling.
Christ stands with shrouded head and uplifted
hands in the door of the Temple, and^ Mag-
*dalen, stricken with shame and terror, writhes
before him.
Frederick S. Lamb's picture h^s a stained-
glass-window effect, and illustrates "The Old
and the New Jerusalem." He says:
"I have represented the Christ on the moun-
tain with the old city, Jerusalem, at his feet. The
time is late afternoon, and He is supposed to
, have gone to the mountain for meditation and
prayer. While intent upon the thought of the
saymg of the *01d Jerusalem* there comes to Him
the vision of the New. This is depicted in the
picture behind the head, and forms in the sky
* a cross, suggesting the sacrifice which He must
make in order to achieve redemption for the
world."
There remain George Hitchcock's "Christ,
the Preacher," and William H. Crane's "Thy
Will be Done." The first shows a sorrowful
figure against a sunny orchard, with radiant
flowers. The second is a picture of Christ in
. Gethsemane, praying in the dusk under a tree.
As a whole, the ten paintings are conceded
to be strikingly beautiful and impressive. They
will be shown for several weeks in New York,
and then exhibited in other cities.
A REVOLT AGAINST CHURCH 'AtJTHORITY IN GERAIANY
The spirit that prompted the separation of
church aud State in France seems to have^
spread to Germany, where all at once a num-
ber of movements have sprung up with the
one purpose of persuading the people to leave
the churches en masse. The unique feature
of this propaganda lies in the fact that it does
not emanate from governmental Sources, but
is rather directed against the government.
Moreover, the agitation is confined to the lib-
eral and radical sections of the church, and
is based on alleged favoritism shown by the
State to the conservative party.
Perhaps the most noteworthy expression of
this movement is thkt embodied in a widely
circulated, appeal recently issued by students
of the great Universities of Berlin and Leipsic,
asking the professors and the students to sever
their connection with the church on the ground
that the principles of the latter are antago-
nistic to the independence of research and
thought demanded by "academic freedom."
From this manifesto we quote the following
characteristic extracts :
The independence of German thought, secured
at so great a cost, is in danger. Our opponents
are determined and outspoken, and to a great ex-
tent have secured the ear and the influence of
those in authority in the State. University men,
both professors and studertts, are largely to
blame for the present deplorable condition of
a^irs. This .weakness of character in modern
univernty life will in the end poison the people
and ^oduce intellectual decay. University free-
dom implies absolute independence of anv author-
ity in' matters of thought and science, also in re^
ligio^is questions. For this reason a genuine uni-
•versilty man can never honestly accept any re-
ligious creed or confession. The vast majority
' of "German professors and students have as a
ftiajtter of fact already broken with the church ; and
all that is tiow asked of them is that they be hon-
est enough to discard their mask and to abandon
religiotis 'profession. Accordingly, we ask all of
the nott-tjieological professors to leave the church
;in a body and to insist upon the theological fac-
ulty being takfen out of the university teaching
corps, since what it teaches is in the nature of the
case i^nconsistent and incompatible with the canons
and spirit of modern independence of thought and
reseatch.
Academic Fellow-Citizens: The undersigned
have formally severed their connection with the
church and ask you to do the same. Only a gen-
eral exodus of the university men out of the
churches can free the people from confessional
control through the State.
Another appeal, but of a different kind, is
found in the Neue Gesellschaft, the socialistic
organ of former pastor Paul Goehre. It urges
all who believe in independence in religious
matters to leave the church, on the ground that
the new school law will put the schools and
thereby the education of the coming genera-
RELIGION AND ETHtcy
543
tion entirely in the hands of the clergy and
the church. The appeal, while directed
strongly against the church, claims to be issued
in the interest of true religion. The schools
and popular education, this document declares,
must be absolutely independent of church con-
trol and must be secular in character. The
public schools, it says further, have no busi-
ness to impart religious instructions, and if
tens or hundreds of thousands declare to the
government that they will sooner leave the
churches than submit to the new school law,
the State will take sober second thought and
make haste slowly.
By no means all of the advocates of liberal
religious thought recognize this "appeal" as
expressing their views. The Christliche Welt
(Marburg), the leading popular organ of ad-
vanced theology in Germany, moderately, yet
firmly, expresses its dissent from the Goehre
agitation.
Still different in character is a public appeal
issued by the authorities of the Free Religious
Congregation in Berlin. This document also
takes the new school law for a text, and urges
upon the liberal-minded people of Germany the
necessity of declaring officially the dissolution
of their connection with the church. In this
way, it says, they can rid themselves of the
church taxes which otherwise they will be com-
pelled to pay. It closes with the words: "He
■jS'
who h^
shour
his CG
appeal.
Christian
break away
those who are
attending such a
All these appCv
when it is remembet
and church are uniteo,
born into some religiouk
tinues to be regarded as a .
unless he formally and legah^
nection. This the Germans are .
to do, and even the propaganda w
Social Democrats has failed to dra\
number out of the churches. The
want to be, nominally at least, religioui^
A new organization, called "Mon
Verein," devoted to the advocacy of the r*
ical anti-Christian philosophy of Haeckel, o.
Jena, is in reality also directed against the
church, although nominally of a scientific
character. Haeckel, the alter ego of Darwin
in Germany, and author of "The Riddle of the
Universe," has been nothing if not a pro-
nounced enemy of the church, and the new
society, of which he is the president and lead-
ing spirit, is altogether at one with him in this
respect.
^aven and hell
ii^ioT the medie-
•^ Vage on earth.
<^ ^c!^' cnP ^^^ thought
'^.<^ ^\cJory oi hon-
^ J^\^pi fame for
vo*^ SP r the loss
^^^'Acs, rul-
"5^^?^ >rice as
'^^«'^se of
^States
^^. the
^self
in
of
t
THE SCHOOLS OF JERUSALEM
Jerusalem, the sacred city of the three great
monotheistic religions of the world, Christian-
ity, Judaism and Mohammedanism, has through
the agency of these religions become in recent
years a noteworthy educational center. In the
middle ages it was well supplied with prom-
inent Mohammedan schools. They were
found chiefly in the immediate surroundings
of the old Temple Place, the present Haram,
and attracted pupils and students from the
entire Mohammedan world. When in 1517 the
Turks gained possession of the Holy Land
these schools fell into decay. There was no
revival of the educational interests in the city
until the second half of the last century, when
various societies and churches of Protestant-
ism went vigorously to work to establish
schools. In a spirit of rivalry and imitation
the other religious communions followed their
example. As a result, an exceptionally large
number of schools have in recent years been
established in Jerusalem, and are exercising
great influence over the intellectual and spirit-
ual status of the city.
To the Bote aus Zion, a German quarterly
published in Jerusalem in the interest of the
great Syriac orphan homes established by the
late Pastor Schneller, we are indebted for the
above facts. The same paper makes it clear
that the Mohammedans, while at present the
dominant power in Palestine, are not in the
majority in Jerusalem, where they number only
about 6,000 souls and have only four schools.
Three of these are of the common grade, and
one is a higher institution of learning. In the
last mentioned there is an enrolment of 120
boys and youths, who, through the medium of
the Arabic language, are taught the Koran,
542
CURRENT LITERATURE
and in ariition study the Turkish and the
French inguages, mathematics, geography,
and his^ry. One of the common schools is
for girl', with 350 in attendance, and the other
two fo boys, with an enrolment of 480. In
these ilementary schools, too, the Koran is
the lasis for work done in reading, writing
and memorizing. Compulsory attendance is
the rule for the boys.
rlistorically, the Greek Orthodox Church
t^kes the precedence among the different
Christian communions represented in Jeru-
salem. In Palestine as a whole this church
reports some 90 schools with 4,500 pupils.
The Greeks in Jerusalem number about 5,000
souls, and have e^ablished five schools — two
/ higher academies preparing boys for entrance
into a priest's seminary — ^two day-schools of an
elementary character, and a school for small
children. The seminary itself is near Jeru-
salem with 70 students enrolled. The two day-
schools are attended by 250 boys and 120 girls.
The Roman Catholic Church has been estab-
lished in the Holy Land since the crusades,
and its adherents are generally known as the
Latin Christians. They report one theological
seminary with 30 students and three element-
ary schools for boys and four for girls, each in
charge of some special order or organization
of the church.
The best results have undoubtedly been ac-
complished by Protestants, and are closely
identified with the revered name of Bishop
Gobat, of Jerusalem. The Protestants have a
normal school in connection with a Syriac
orphan home, with 16 male students, and a
newly established girls' Normal School man-
aged by the Kaisers wert Deaconesses. The
boys' school of the Orphans' Home has an en-
rolment of 230, and the girls' school of 123.
Among these 15 are blind. In addition there
are four other Protestant day-schools and a
school for small children. English Protestant-
ism is very active in educational work. The
Church Mission Society has a high school and
an elementary school for boys and one for
girls, the last mentioned with an enrolment
of 300. The London Jewish Mission Society
also controls two such schools; and the strict
Episcopalians in the American colony sup-
port religious schools of their own.
Of the other Christian sects, only the Ar-
menians and the Russians have schools of their
own in the sacred city. The former maintain
a theological seminary with 75 students, and
boys' and girls' schools with 130 pupils; while
the Russians have only a single school, for
small children. The inactivity of the latter in
this regard is remarkable, especially in view
of the fact that the Orthodox Church is doing
so much for schools in other portions of
Palestine.
Jerusalem is rapidly again becoming a Jew-
ish city, and the Jews are doing much for the
education of their children, although it is al-
most impossible to secure reliable statistics on
the subject. Most of the Jewish schools are
of the Talmud type, and several prepare young
men for rabbinical positions. The best are
those controlled by the "Alliance Israelite,"
with which manual training is often connected.
Statistics show that about one out of every
six or seven of the inhabitants of Jerusalem is
attending school. Not a few of the pupils come
from outside the city or from abroad. In
Jerusalem itself, however, there are about
9,000 children between six and fourteen years,
and of a proper age to attend school. On this
basis the population of the city is doubtless
about 60,000.
THE NAIVE RELIGION OF THE GREEKS
"The Greeks are ever children," Herodotus
once said, and the words might serve as a text
for G. Lowes Dickinson's new and brilliant
study* of Greek life and thought. Children
of genius they may have been, with creative
powers that belong to maturity and not to
childhood, but children they nevertheless were,
facing the world and its problems with the
bright eyes and wondering gaze of childhood.
•The Greek View of Life.
McClure, Phillips & Co.
By G. Lowes Dickinson.
Nothing could be more naive than the Greek
idea of deity. Facing the mysterious mani-
festations of the natural world — the fire that
burns, the water that drowns, the tempest that
harries and destroys — and asking himself.
What is this persistent, obscure, unnamable
Thing? the Greek replied: "It is something
like myself." And so every power of nature
he presumed to be a spiritual being, imperson-
ating the sky as Zeus, the earth as Demeter,
the sea as Poseidon. Says Mr. Dickinson:
RELIGION AND ETHICS
543
"From generation to generation under his shap-
ing hands, the figures multiply and define them-
selves; character and story crystallise about what
at first were little more than names; till at last,
from the womb of the dark enigma that haunted
him in the beginning, there emerges into the
charmed light of a world of ideal grace a pan-
theon of fair and concrete personalities. Nature
has become a company of spirits; every cave
and fountain is haunted by a nymph ; in the ocean
dwell the Nereids, in the mountain the Oread,
the Dryad in the wood; and everywhere, in
groves and marshes, on the pastures or the rocky
heights, floating in the current of the streams or
traversing untrodden snows, in the day at the
chase and as evening closes in solitude fingering
his flute, seen and heard by shepherds, alone
or with his dancing train, is to be met the horned
and ffoat-footed, the sunny-smiling Pan.
"Thus conceived^, the world has become less
terrible because more familiar. All that was in-
comprehensible, all that was obscure and dark, has
now been seized and bodied forth in form, so that
everywhere man is confronted no longer with
blind and unintelligible force, but with spiritual
beings moved by like passions with himself. The
god^ it is true, were capricious and often hostile
to his good, but at least they had a nature akin
to his; if they were angry, they might be propiti-
ated; if they were jealous, they might be ap-
peased; the enmity of one might be compensated
by the friendship of another; dealings with them,
after all, were not so unlike dealings with men,
and at the worst there was always a chance for
courage, patience aiid wit"
The Greek view of death and a future life
was scarcely less naive. It partakes of the
ghostly imaginings of childhood. Greek re-
ligion taught the survival of the spirit after
death; but this survival, as described in the
Homeric poems, is merely that of a phantom
and a shade, a bloodless and colorless duplicate
of the man as he lived on earth. On no people
has the shadow of death fallen with more
horror than upon the Greeks. "The tenderest
of their songs of love close with a sob ; and it
is an autumn wind that rustles in their bowers
of spring." Quoting the account of Odysseus'
meeting with his mother's ghost — how he
sprang toward her and was minded to embrace
her, but she "flitted from his hands" with
cries and lamentation that "the sinews no more
bind together the flesh and the bones" — Mr.
Dickinson says:
"From such a conception of the life after death
little comfort could be drawn; nor does it appear
that any was sought So far as we can trace the
habitual attitude of the Greek he seems to have
occupied himself little with speculation, either for
good or evil, as to what might await him on the
other side of the tomb. He was told indeed in
his legends of a happy place for the souls of
heroes, and of torments reserved for great crim-
inals ; but these ideas do not seem to have haunted
his imagination. He was never obsessed by that
close and imminent vision of heaven and hell
which overshadowed and dwarfed, for the medie-
val mind, the brief space of pilgrimage on earth.
Rather he turned, by preference, from the thought
of death back to life, and in the memory of hon-
ourable deeds in the past and the hope of fame for
the future sought his compensation for the loss
of youth and love."
A -hierarchy of anthropomorphic deities, rul-
ing the world as much by whim and caprice as
by wisdom, left no room for either a sense of
sin or a sense of duty. Mr. Dickinson states
it as a distinguishing characteristic of the
Greek religion that "it did not concern itself
with the conscience at all; the conscience, in
fact, did not yet exist, to enact that drama of
the soul with God which is the main interest
of the Christian, or at least of the Protestant
faith." The Writer says further:
"To the Puritan, the inward relation of the soul
to God is everything; to the average Greek, one
may say broadly, it was nothing; it would have
been at variance with his whole conception of the
divine power. For the gods of Greece were be-
ings essentially like man, superior to him not in
spiritual nor even in moral attributes, but in out-
ward gifts, such as strength, beauty, and immor-
tality. And as a consequence of this his relations
to them were not inward and spiritual, but exter-
nal and mechanical. In the midst of a crowd of
deities, capricious and conflicting in their wills,
he had to find his way as best he could. There
was no knowing precisely what a god might want ;
there was no knowing what he might be going to
do. If a man fell into trouble, no doubt he had
offended somebody, but it was not so easy to say
whom or how ; if he neglected the proper observ-
ances no doubt he would be punished, but it was
not everyone who knew what the proper observ-
ances were. Altogether it was a diflicult thing to
ascertain or to move the will of the gods, and one
must help oneself as best one could. The Greek,
accordingly, helped himself b" an elaborate sys-
tem of sacrifice and prayer and divination, a sys-
tem which had no connection with an internal
spiritual life, but the object of which was simply
to discover and if possible to affect the divine pur-
poses."
Moral virtue the Greeks conceived not as
obedience to an external law, a sacrifice of the
natural man to a power that in a sense is alien
to himself, but rather as the tempering into
due proportion of the elements of which
human nature is composed. The good man
was the man who was beautiful — ^beautiful in
soul. "Virtue," says Plato, "will be a kind of
health and beauty and good habit of the soul ;
and vice will be a disease and deformity and
sickness of it." Such being the conception of
virtue among the Greeks, it follows that the
motive to pursue it can hardly have presented
itself to them in the form of what we call the
"sense of duty." As Mr. Dickinson puts it:
544
CURRENT LITERATURE
"Duty emphasises self- repression. Against the
desires of man it sets a law of prohibition, a law
which is not conceived as that of his own com-
plete nature, asserting against a partial or dis-
proportioned development the balance and totality
of the ideal, but rather as a rule imposed from
without b^ a power distinct from himself, for the
mortification, not the perfecting, of his natural
impulses and aims. Duty emphasises self- repres-
sion ; the Greek view emphasised self-development
That 'health and beauty and good habit of the
soul,' which is Plato's ideal, is as much its own
recommendation to the natural man as is the
health and beauty of the body. Vice, on this view,
is condemned because it is a frustration of nature,
virtue praised because it is her fulfillment; and
the motive throughout is simply that passion to
realise oneself which is commonly acknowledged
as sufficient in the case of physical development,
and which appeared sufficient to the Greeks in
the case of the development of the soul."
From such reasoning as this it appears
clearly enough that the Greek ideal was far
removed from asceticism; but it might be
argued, on the other hand, that it came dan-
gerously near to license. "Nothing, however,"
says Mr. Dickinson, "could be furthfer from
the case." That there were libertines among
the Greeks, as everywhere else, he argues,
goes without saying; but the conception that
the Greek view of life was to follow impulse
and abandon restraint is characterized as a
figment of would-be "Hellenists" of our own
time. "The word which best sums up the
ideal of the Greeks is 'temperance' " ; and
'^he self-realization to which they aspired
was not an anarchy of passion, but an or-
dered evolution of the natural faculties under
the strict control of a balanced mind." In
illustration of his point, Mr. Dickinson refers
to the treatment of pleasure in the philosophy
of Plato and of Aristotle :
"The practice of the libertine is to identify
pleasure and good in such a manner that he pur-
sues at any moment any pleasure that presents
itself, eschewing comparison and following the
flow of vivid and fresh sensations which he pos-
tulates as the end of life. The ideal of the
Greeks, on the contrary, as interpreted by their
two greatest thinkers, while on the one hand it is
so far opposed to asceticism that it requires
pleasure as an essential complement of Good, on
the other, is so far from identifying the two, that
it recognizes an ordered scale of pleasures, and
while rejecting altogether those at the lower
end, admits the rest, not as in themselves con-
stituting the Good, but rather as harmless addi-
tions or at most as necessary accompaniments of
its operation. Plato, in the Republic, distin-
guishes between the necessary and unnecessary
pleasures, defining the former as those derived
from the gratification of appetites 'which we can-
not get rid of and whose satisfaction does us
good' — such, for example, as the appetite for
wholesome food; and the latter as those which
belong to appetites 'which we can put away from
us by early training; and the presence of which,
besides, never does us anv good, and in some
cases does positive harm,— such, for example,
as the appetite for delicate and luxurious dishes.
The former he would admit, the latter he ex-
cludes from his ideal of happiness. . . . His
general contention that pleasures must be ranked
as higher and as lower, and that at the best
they are not to be identified with the Good,
is fully accepted by so typical a Greek as Aris-
totle, Aristotle, however, is careful not to
condenm any pleasure that is not definitely harm-
ful. Even 'unnecessary' pleasures, he admits,
may be desirable in themselves; even the deliber-
ate creation of desire with a view to the enjoy-
ment of satisfying it may be admissible if
it is not injurious. Still, there are lands of
pleasures which ought not to be pursued, and
occasions and methods of seeking it which are
improper and perverse. Therefore the Reason
must be always at hand to check and to control;
and the ultimate test of true worth in pleasure,
as in everything else, is the trained judgment of
the good and sensible man."
This elemental conception of life, beautiful,
as it was, both in itself and its fruitage, con-
tained the elements of its own dissolution.
"The eating of the tree of knowledge," says
Mr. Dickinson, "drove the Greeks from their
paradise." The harmony which was the dom-
inant feature in their consciousness and "the
distinguishing characteristic of their epoch in
the history of the world" was "nevertheless,
after all, but a transitory and imperfect at-
tempt to reconcile elements whose antagonism
was too strong for the solution thus proposed."
It depended on an assumption of anthropo-
morphic gods which was too childish to bear
the light of reason. It was a harmony for
life, but not for death. Mr. Dickinson con-
cludes :
"With the Greek civilisation beauty perished
from the world. Never again has it been possible
for a man to believe that harmony is in fact the
truth of all existence. The intellect and the moral
sense have developed imperative claims which can
be satisfied by no experience known to man. And
as a consequence of this the goal of desire which
the Greeks could place in the present, has been
transferred, for us, to a future infinitely remote,
which nevertheless is conceived as attainable. Dis-
satisfaction with the world in which we live and
determination to realise one that shall be better,
are the prevailing characteristics of the modern
spirit. The development is one into whose mean-
ing and end this is not the place to enter. It is
enough that we feel it to be inevitable; that the
harmony of the Greeks contained in itself the
factors of its own destruction; and that in spite
of the fascination which constantly fixes our gaze
on that fairest and happiest halting-place in the
secular march of man, it was not there, any more
than here, that he was destined to find the repose
of that ultimate reconciliation which was but im-
perfectly anticipated by the Greeks."
Science and Discovery
SURPRISES OF HEREDITY AS SHOWN IN ROYAL PEDIGREES
Nothing could be more unfounded, in view
of recent expert research, than the popular
idea of royalty as degenerate through inter-
marriages. Certain degenerations may be
notorious in certain royal families, but, says
Dr. Frederick Adams Woods, lecturer in the
biological department of the Massachusetts
Institute of Technology, the frequency of in-
termarriage is not the cause. It is not among
degenerate families only, like the royalties of
Spain and Portugal, that one finds wedlock
entered into by near kin, observes Dr. Woods
in his statistical study of royal heredity just
issued.* Such intermarriages are apparently
•Mental and Moral Heredity in Royalty. By
Frederick Adams Woods, M. D. Henry Holt & Co.
equally common in families which have given
us the highest mental and moral grades,
namely, Saxe-Coburg-Gotha, Hohenzollern
and Nassau-Dietz. The parents of Frederick
the Great and of his remarkable brothers and
sisters were own cousins. The great Queen
Isabella came from strongly inbred ancestry,
and Ernest the Pious is many times in the
pedigree of the excellent house of Saxe-
Coburg-Gotha. Furthermore, Dr. Woods
avers in his carefully compiled volume that
the Romanoff degeneracy and Swedish royal
eccentricities were neither caused nor per-
petuated by the close marriage of kin. All
this agrees with the generally accepted sci-
entific opinion of the present day, says Dr.
PROM THE BEST OF ROYAL PEDIGREES
They are Princess Victoria of Wales and her brothers
Albert and George. The house of Saxe-Coburg-Gotha,
declares Doctor woods, has the cleanest and best pedi-
gree to be found in all royalty.
TYPES OP POSSIBLE MENTAL UNBALANCE
Princess'tMarie of Greece and her daughters Nina and
Xenia. Their hereditary factors include wonderful in-
tellectual brilliance modified by tendency to psycho-
neurosis.
546
CURRENT LITERATURE
HEIRESS OF A DREAMING PROPENSITY
The German Emperor's only daughter, still a jfirl in
short dresses, should love poetry and art.
Woods, although he admits that popular
opinion is to the contrary.
Nor can any degeneration that may exist
in twentieth-century royalty be rightly as-
cribed to its exceptional and exalted position,
according to the many inferences drawn in
Dr. Woods's work. Degeneration has oc-
curred only in certain branches, he says. That
degeneration may always be accounted for
by pollution of the blood of the male line
through marriage with a family in which a
degeneration was then existing, or some con-
stant artificial selection of the worst types
rather than the best. While some branches
were deteriorating, others equally blue-blood-
ed (Prussia, Saxe-Coburg-Gotha, Nassau-
Dietz, Mecklenburg, Denmark, Austria and
modern Portugal) were holding their own or
actually rising in mental and moral tone.
It would be a simple matter to take any
royal child now living and mathematically
calculate its mental and moral future within
limits not too narrow to be practical. That
is made clear by Dr. Woods's coefficients of
correlation and his application of the law of
ancestral heredity, into the technical side of
which it is unnecessary to enter. At this
point it suffices to consider what Dr. Woods
deems a popular misconception concerning
the value of hereditary influence — a mistake,
he thinks very frequently made. Many peo-
ple argue that great geniuses, coming as they
frequently do from humble families — Frank-
lin and Lincoln, for instance — discount our
beliefs in miental heredity. But the cases of
such men should only strengthen our reliance
on this same force. We should consider the
thousands, indeed millions, of mediocrities
who have ,to be born from mediocrities be-
fore one mind of the type of Franklin's is
produced. That they rise superior to their
circumstances is a proof of the inborn nature
of their minds and characters. A man of
this sort represents a combination of the
best from many ancestors. "It would be pos-
sible in a g^eat many throws to cast a large
number of dice so that they would all fall
aces. But here, in certain regions of royalty,
as among the Montmorencys and Hohcnzol-
lerns, where the dice are loaded — such a re-
sult may be expected in a large percentage
of throws." That is, the ancestors of any
given generation had been selected with very
great care. The result vindicates the science
of heredity in the mental and moral sphere
as strikingly as the Hapsburg lip vindicates
heredity in the physiognomical sphere. Says
Dr. Woods:
"In tracing the facial peculiarities of the three
families of Spain, France and Austria, the great,
swollen underlip of the Hapsburgs offers such a
distinct feature that other traits of physiognomy
may as well be neglected. This swollen, pro-
PRINCES OF PROMISING PEDIGREE
Children of Prince Charles of Hesse, a house exertint?,
by its high qualities during many generations, an uplift-
ing influence on all the stocks with which it has blended
SCIENCE AND DISCOVERY
547
The family of the Crown
Prince of Portugral had been
decaying for some genera-
tions, but It has revived.
Prince Edward of Wales
has the best of royal blood in
him.
ArcMuke Carl Franz of
Austria shows the Hapsburpf
lip less _prominently than
does the King of Spain. ,
truding lip was in the sixteenth century, in its
original type, usdally combined with a long,
heavy under jaw, as one sees in the Emperor
Charles V. Later the jaw became more nearly
normal, though the lip still persisted and can
be traced, with its varying degrees of intensifi-
cation, through no less than eighteen genera-
tions, coming out in at least seventy of the vari-
ous descendants.
"Its first appearance, according to history, was
in Cymburga, who was born in the last part of
the fourteenth century and became the wife of
Ernest, the second patriarch of the house of
Hapsburg. In its latest manifestation it ap-
pears at the present day with diminished strength
and modified form in the young King of Spain.
This is a remarkable instance of the force of
heredity in perpetuating a physical trait and has
been thought to be an example of prepotency,
the male line being able to transmit a deeply
rooted peculiarity, the features from the mater-
nal side having no influence in counteracting it.
As an example of prepotency, the Hapsburg lip
was cited by Darwin."
Turning from physical to moral character-
istics, Dr. Woods finds the best pedigree in
all royalty to be possessed by the present King
of England, his son, the Prince of Wales, and
the children of the Prince of Wales. Or, to
use Dr. Woods's own more scientific language,
the family of Saxe-Coburg-Gotha (with the
death of Queen Victoria the House of Han-
over came to an end and Edward VII inau-
gurated the reign of the house of Saxe-Co-
burg-Gotha) shows that the assumption of
high rank and power and the consequent op-
portunity for ease and luxury do not in the
least tend to degeneracy of the stock. But
the good qualities of the royal breed must be
kept up with marriages to stocks of equal
value and no vicious elements must be intro-
duced. Dr. Woods adds:
"Albert, the lamented consort of Queen Vic-
toria, was, as everyone knows, a highly culti-
vated, earnest and noble man, a devoted hus-
band and an enthusiastic reformer in all affairs
related to the public good. Well versed in sci-
ence and literature, he was also an accomplished
musician. Did he come by. this character
through inheritance? It will be seen that traits
like Albert's are written all over his family ped-
igree. . . .
"This group is remarkable for its virtues and
bent towards literature, science and art. It is
not that the dukes in the male line have shown
such a tendency in a marked degree, but it is
that at each step going back the pedigree gives
us in many stems examples of idealists, poets and
dreamers. . . .
"We see that after two hundred and fifty years
the same traits exist because there has never
been a time when blood of another sort was
introduced to contaminate or dilute it."
It can be shown, from the pedigrees of
Princess Elizabeth of
Greece conies of a stock
noted for pious women.
This little Crown Prince
of Norway has in his veins
blood indicating in its pos-
sessor high ideality.
The Crown Prince of Sax-
ony ought to be romantic in
temperament.
548
CURRENT LITERATURE
all the royal children in Europe, if Dr.
Woods be correct in his conclusions, that no
royal family has been able to maintain itself
without degeneration unless it has taken a
good share of Saxe-Coburg blood. The good
qualities of royalty, if due to heredity at all,
in Austria, England, Germany, Belgium and
Bulgaria, are largely due to this strain of the
SaxerCoburg blood. It probably saved the
Bourbons in Portugal. Thus, says Dr. Woods,
in tracing the pedigree and in accounting for
the virtue of the consort of Queen Victoria
we find the theory of moral and mental he-
redity sustained in his case as well as in the
others. Inbreeding did not affect the result
except for good.
NEW EVIDENCE OF MAN'S AFFINITY WITH THE
ANTHROPOID APE
The close relation of man to the anthropoid
apes has lately raised in a remarkable degree
the market price of these creatures. Every
living specimen that reaches Europe is now
bid for through letter, cable and telegram, by
workers at medical problems in Paris, London
and Berlin. This information is supplied by
Dr. Saleeby in his remarkable study of evolu-
tion as "a cosmic generalization.'** The near-
est animals to man, explains Dr. Saleeby, are
the chimpanzee, the gorilla, the orang-outang
and the gibbon. They are the four existing
types of anthropoid ape. No amount of cor-
rection, complains our evolutionist, will ap-
parently destroy the popular error that man
is descended from one
or other of these apes.
This, we are reminded
by Dr. Saleeby, has
never been even sug-
gested by any biolo-
gist. What all biolo-
gists believe is that
man and certain of
these apes have a com-
mon ancestor. Both
Darwin and Huxley
thought the chimpan-
zee and the gorilla to
be the apes most near-
ly related to man. The
prevalent opinion in-
clines to give the pref-
erence, we read also,
to the chimpanzee.
♦EVOLUTION: THE MASTER
Key. a Discussion of the
Principle of Evolution as
Illustrated in Atoms, Stars,
Organic Species, Mind,
Society and Morals. By
C. W. Saleeby, M.D. Harper
& Brothers.
Coarte«y of Harper & Brothers.
THE LATEST INTERPRETER OF EVOLUTION
Dr. C. W. Saleeby insists in his new work, " Evolu-
tion, the Master-Key," that reliprious dogma is for-
ever exploded and that Spencer founded "the cosmic
generalization " upon which all truth reposes.
However, there is general agreement with the
conclusion of Darwin that man, the gorilla and
the chimpanzee are derived from a common
ancestor. That common ancestor is now ex-
tinct. What his characteristics were can only
be faintly guessed at. He may, thinks Dr.
Saleeby, have more nearly resembled tlie gib-
bon than any other existing form.
Now, the older evidence for man's relation
to the anthropoid ape is familiar to all. He
resembles them in physical structure to an
extent almost incredible. He shares with the
chimpanzee and with the gorilla some three
hundred structural features which are not
possessed even by any of the lowest order of
monkeys. Man's earli-
er stages of develop-
ment are quite indis-
tinguishable from those
of the anthropoid apes.
Very little was known
in the earlier days of
evolution regarding the
embryology of anthro-
poid apes. But re-
cently there have been
discovered two note-
worthy facts which
may prove of great
scientific importance
and which certainly
possesses incalculable
interest :
"In the first place, it
has recently been fotmd
that there is a whole
series of diseases which
are common to man and
the anthropoid apes, but
which attack no lower
animal. For long these
SCIENCE AND DISCOVERY
• 549
were thought to be peculiar to man alone, but
Metchnikoff and his fellow-workers at the Pas-
teur Institute have shown that certain of them can
be coimnunicated to the anthropoid ape and that
protective or curative sera can be produced in
this fashion. This fact clearly points to a pro-
found resemblance in the bodily chemistry — a
physiological similarity no less striking than the
anatomical resemblances so familiar — of man and
these creatures.
"The second recent discovery points in the
same direction. It has lately been shown that the
blood of each species of animal differs radically
from that of every other. Hitherto it has hardly
been possible for the expert, summoned to give
evidence in a trial for murder, let us say, to de-
cide whether or not specimens of blood submitted
to him are human or not. Mammalian blood
could be distinguished from, say, the blood of
birds, by means of the characteristic shape of
the blood corpuscles which is common to all
mammals save the camel; but to distinguish be-
tween the blood of man and a dog was often im-
possible. Now, however, it has lien shown that
when the blood of a given animal, say a dog, is
injected into the blood vessels of an animal of
another kind, such as a cat, the red corpuscles
of the cat are destroyed and disintegrated;
whereas, if the dog's blood be injected into an-
other dog, no such disintegration occurs. Hence,
in distinguishing between 3ie blood of a man and
a dog it is only necessary to make a sterile solu-
tion of the blood stain and inject it into a dog.
If 'haemolysis' occurs, the blood cannot be canine;
if it does not, the blood must certainly be canine.
Now the astonishing and even bizarre fact is
that the blood of the anthropoid ape gives the
characteristic human reaction, while the blood of
the lower monkeys does not. In other words,
the blood of man and of the anthopoid ape are
identical when judged by this, the most subtle and
delicate of all known tests.
"To the evidence of anatomy in favor of man's
intimate relationship with the anthropoid ape there
has, therefore, been added that of comparative
pathology, of embryology and of physiological
chemistry. Many other facts might be adduced,
such as the recent discovery that a function hith-
erto thought to be characteristic of the human
female is also displayed by the anthropoid ape."
THE GREATEST ASTRO-PHYSICIST OF THE AGE
The most responsible position, as well as
the highest honor that can be conferred in
this country upon a man of science was held.
The Popular Science Monthly is inclined to
think, by Samuel Pierpont Langley, the lately
deceased secretary of the Smithsonian Insti-
tution. Probably Langley's greatest work, says
our contemporary, is connected with the heat
of the sun and the infra-red rays of the spec-
trum. But perhaps his researches in aero-
dynamics are more generally known to the
newspaper-reading public. His theoretical
and experimental contributions to the sub-
ject of what popular parlance describes as
flying-machines is pronounced fundamentally
important likewise. In fact, writes Professor
Fisher in the London Mail, Langley, with
the aid of a huge swirling table, by means
of which he could test the lifting power of
a given aeroplane set at different angles and
driven at varying speeds, discovered the fun-
damental law of flight, which is called by his
name. Langley's law tells us that the faster
a flying-machine travels the less energy will
be*needed to keep it afloat.
But whatever Langley may have con-
tributed to the sum total of our knowledge
in other lines, declares Dr. William Hallock,
of Columbia University, in The New York
Times, the lately deceased scientist will be
best and most gratefully remembered by sci-
entific men as the inventor of the bolometer
and the ,pioneer investigator of the distribu-
tion of energy in the solar spectrum. That
is, on the whole, the verdict of London
Nature and of the French and German sci-
entific press, where he is pronounced a
physicist of world-wide reputation and per-
haps the most eminent American figure in the
domain of pure science. * The bolometer is
deemed his greatest single triumph. This
instrument is defined by The Scientific Ameri-
can as a thermometer of almost infinite tenu-
ity, measuring radiant heat with an accuracy
that has never been excelled. In its more re-
cent forms the instrument can detect differ-
ences of temperature amounting to no more
than the one-millionth part of a degree on an
ordinary thermometer. To quote:
"In the hands of Langley, the bolometer dem-
onstrated experimentally that the maximum heat
in the normal spectrum lies in the orange and
not in the infra-red spectrum, as commonly sup-
posed. Before the invention of the bolometer the
distribution of heat in the spectrum was almost
entirely unknown. In the course of three years'
patient work, however, Langley completed a map
of the principal lines of the heat spectrum and
thereby furnished new material for a study of
the interaction of solar heat and terrestrial at-
mosphere. What Kirchhoff did for the upper
550
CURRENT LITERATURE
rays of the spectrum
Langlcy accomplished
for the lower spectrum.
"One important re-
sult of all these bo-
lometric investigations
was the discovery that
the earth's atmosphere
acted with selective ab-
sorption to a remarkable
degree, keeping back an
immense proportion of
blue and green, so that
which was originally the
strongest became, when
it reached us, the weak-
est of all, and what was
originally weak became
relatively strong. The
action of the atmosphere
is just the converse of
that of an ordinary
sieve, or like that of a
sieve which should keep
back small particles an-
alogous to the short
wave lengths (blue and
green) and allow freely
to pass the larger ones
(the dark heat rays).
L a n g 1 e y , therefore,
proved that white is not
the sum of all radia-
tions as we used to be
taught, but that it re-
sembles pure original
sunlight less than the
electric beam which has
come to us through red-
dish-colored glasses re-
sembles the original
brightness."
So exquisite is the
bolometer that, as Langley himself said, "If
you look at it, a lai:ge deflection will result."
The heat of the observer's face would be reg-
istered, or at least traceable in the record. Dr.
William Hallock, a scientist who had all pos-
sible facilities for estimating Langley as
man and scientist, writes in The New York
Times, in a study already referred to:
"The temperature of the surface of the moon
and the phenomena transpiring upon the surface
of the sun were questions to whose answering he
contributed materially.
"Few know or realize that it is to him that we
primarily owe our present system of standard
time, as used by the railroads first, and now by
everybody. It was his bolometer and his careful
experimentation which showed that the despised
little fire-fly has a lighting plant which uses all
its energy for visible light, whereas most of the
lighting devices used by man waste at least 99
per cent, of the energy consumed.
"It is then in these domains of astrophysics that
his real services to science lie, where, following
the meagre and uncertain steps of Melloni, he
led physicists into a field which has been gleaned
Coortecy of The Sdtntific Amtriam.
OUR GREATEST SCIENTIST SINCE FRANKLIN
Samuel Pierpont Langlev, although popularly known
as a maker of nying machines, was a famous physicist.
by many since and
which has furnished the
most important contri-
butions to practical and
theoretical physics in
the past score of years."
Langley's first im-
portant contribution to
aeronautics was based
upon the observation
that birds keep them-
selves up by pressure
of the air on the under
surface of their wings,
kite like. Langley
showed that this up-
ward pressure might
be attained in two dif-
ferent ways. First (to
follow the article of
Prof. W. E. Garrett
Fisher in the London
Mail), the bird's wing
may strike down upon
the air, which happens
in what is known as
flapping flight. But,
secondly, the pressure
may be provided by
the internal work of
the wind itself, and in
this case we have
soaring flight. Exam-
ples of both kinds are
seen in the case of
the sea-gull. On rising
from the water, the gull flaps its wings
strongly, in order to lift itself the first few
difficult feet. But once up in the air, it
swings round in large circles and spirals, with
no apparent effort, its wings remaining almost
motionless, and only being inclined at varying
angles in order to meet the changing currents
of the wind. It is this soaring flight that all
the practical inventors of flying-machines have
set themselves to imitate in accordance with
Langley's law and the discoveries made by
Langley.
Langley was the one American scientist of
his day who possessed an international repu-
tation in the popular as well as in the ex-
pert sense. His name was as familiar to the
newspaper reader of Paris and London, of
Cairo and Tokyo, as it had become to those
who pore over the Sunday supplements of
American newspapers. Langley never com-
mitted himself to the fantastic theories of
much contemporary science.
SCIENCE AND DISCOVERY
551
THE QUEEN ANT AS A PSYCHOLOGICAL STUDY
It is unfortunate that mention of the queen
ant, thinks Dr. William Morton Wheeler, of
the American Museum of Natural History,
should suggest by association the idea of the
queen honey-bee. These two insects are, he
insists, diametrical opposites in certain very
important respects. The queen honey-bee is
a degenerate creature. She is unable to nour-
ish herself or her young. She cannot visit the
flowers, nor build nor store the comb. The
worker bee, apart from her infertility, still re-
tains intact all the true female attributes of
the ancestral solitary bees. In ants the very
reverse of this is the case. The queen ant is
the perfect exemplar and embodiment of the
species. She has lost none of the primitive
female attributes of independence and initia-
tive. These she shares with the female bumble-
bees, solitary and social wasps. The worker
ant, on the contrary, bears all the stigmata of
m incomplete and re-
tarded development.
"Although," declares
Dr. Wheeler in The
Popular Science
Monthly, from which
From Tu i^p^ *«^ mmiki,. this Study is extracted,
t,^^ .. M ^ "these differences be-
SOhouette of a Queen , ,
At/a stxdens in the act of tween the queen hon-
d^"i?i^ft of &". I?v: ey-bee and queen ant
S!SS.pU^^a"g"aUSI ^«d b^^^^" ^^« '^'
aons and saturated with a :$pective workers muSt
drop of fecal liquid. (Prom . ^ «^««^««4. 4.^ «.u^
as insuntaneous photo- be apparent to the
graph, after J. Huber.) ^ost superficial ob-
server, yet the fa-
miliar conception of the queen honey-bee as
little more than an egg-laying machine, so de-
generate that she cannot exist apart from the
workers, has been tactily expanded to embrace
the queen ant." It is time, thinks Dr. Wheeler,
that the reputation of this insect be viewed in
a more favorable light. The facts, he thinks,
have an important bearing on the views of
authors like Brooks and Geddes and Thomson,
who assume that male animals are more vari-
able than females. This hypothesis has been
transplanted by some scientists to the field of
biology and anthropology, resulting in some
quite mistaken assumptions. Dr. Wheeler,
who discovered the temporary social parasi-
tism of some of our American ants, since found
in some of the species of Europe — where he
predicted its occurrence — follows in this fash-
ion the eventful life history of the queen ant :
^#^-
"After more protracted larval and pupal stages
than those of the worker and male — more pro-
tracted in order that she may store up more food
and hence more energy in her body — she hatches
as a sensitive callow in a colony at the height of
its annual development. In other words, she is
born into a community teeming with queens,
workers and males, and the larvae and pupae of
these various forms at the season of their greatest
activity and growth. From all sides a shower of
stimuli must be constantly raining in upon her
delicate organization as she tarries for days or
even weeks in the dark galleries of the parental
nest, while her color gradually deepens and her
integument acquires its mature consistency. Dur-
ing this her prenuptial life, she may assist the
workers in carrying about, feeding and cleaning
the brood. She eats independently of the food
brought into the nest by the foraging workers.
She may occasionally join the workers in exca-
vating chambers and galleries. If she belongs to
a slave-making species she may even accompany
the workers on their cocoon-robbing expeditions.
Although she shows that she is able to perform
all these actions supposed to be peculiar to the
workers, she often does
so with a certain desul-
torv incoherency.
"When fully mature
she becomes impatient
for her marriage flight
and must often be for-
cibly detained in the .^
nest by the workers till '^ "* '^''^ *^ ^'*^«'-
the propitious hour ar- Silhouette of a Queen
rives when the males saturated tuft of mvceii-
and females from all um in the fungus garden,
the nests in the neigh- l^^'SJl /il^^^^ft?^^^^*
borhood rise high into ^ut^V ^ ' ^'
the air and celebrate
their nuptials. Then
the fertilized queen descends to the earth and at
once divests herself of her wings, either by pulling
them off with her legs and jaws or by rubbing
them off against the grass-blades, pebbles or soil.
This act of dealation is the signal for important
physiological and psychological changes. She is
now an isolated being, henceforth restricted to a
purely terrestrial existence, and has gone back to
the ancestral level of the solitary female Hymen-
opteron. During her life in the parental nest she
stored her body with food in the form of masses
of fat and bulky wing muscles."
With this physiological endowment and with
an elaborate inherited disposition, ordinarily
called instinct, the queen ant sets out alone,
declares Dr. Wheeler, to create a colony out
of her own substance. She begins by excavat-
ing a small burrow, either in the open soil,
under some stone or in rotten wood. She en-
larges the blind end of the burrow to form a
small chamber. She then completely closes the
opening. This labor of excavation often wears
away all her mandibular teeth, rubs the ha*r
552
CURRENT LITERATURE
from her body and mars her burnished or
sculptured armor. Thus are produced a num-
ber of mutilations which, though occurring
generation after generation in species that nest
in hard, stony soil, are never inherited.
In the cloistered seclusion of her chamber
the queen now passes days, weeks or even
months waiting for the eggs to mature. When
these eggs have reached their full volume at
the expense of her fat body and degenerating
wing muscles, they are fertilized and laid. The
queen nurses them in a little packet till they
hatch as minute larvae. These she feeds with
salivary secretion and the larvae grow slowly,
pupate prematurely and hatch as unusually
small but otherwise normal workers. In some
species, says Dr. Wheeler, it takes fully ten
months to bring such a brood of workers to
maturity. During all this time the queen takes
no nourishment. She merely draws on her re-
serve tissues. As soon as the workers mature
they break through th.e soil and thereby make
an entrance to the nest and establish a com-
munication with the outside world. They en-
large the original chamber and continue the
excavation in the form of galleries. They go
forth in search of food and they share it with
their exhausted mother. She now exhibits a
further and .final change in her behavior :
"She becomes so exceedingly timid and sensi-
tive to the li^ht that she hastens to conceal her-
self on the slightest disturbance to the nest. She
becomes utterly indifferent to the young, leaving
them entirely to the care of the workers, while
she limits her activities to laying eggs and imbib-
ing liquid food from the tongues of her attend-
ants. This copious nourishment soon restores her
depleted fat-body, but her disappearing wing-
muscles have left her thoracic cavity hollow and
filled with gases which cause her to float when
placed in water. With this circumbscribed activ-
ity she lives on, sometimes to an age of fifteen
years, as a mere egg-laying machine. The current
reputation of the ant queen is derived from such
old, abraded, toothless, timorous queens found in
well-established colonies. But it is neither chiv-
alrous nor scientific to dwell exclusively on the
limitations of these decrepit beldames without
calling to mind the charms and self-sacrifices of
their younger days.
"Now to bring up a family of even very small
children without eating anything and entirely on
substances abstracted from ones own tissues is
no trivial undertaking. Of the many thousands
of ant queens annually impelled to enter on this
ultra-strenuous life, very few survive to become
mothers of colonies. The vast majority, after
starting their shallow burrows, perish through
excessive drought, moisture or cold, the attacks
of parasitic fungi or subterranean insects, or start
out with an inadequate supply of food-tissue in
the first place. Only the very best endowed indi-
viduals live to preserve the species from extinc-
tion. I know of no better example of natural
selection through the survival of the fittest. . . .
"Unusually large queens are found in the genus
Atta, a group of American ants that raise fungi
for food, and are, so far as known, quite unable
to subsist on anything else. The female Atia oa
leaving the parental nest, is so well endowed
with food tissue, that she not only can raise a
brood of workers without taking nourishment,
but has energy to spare for the cultivation of a
garden kitchen. She carries the germ of this
garden from the parental nest in the form of a
pellet of fungus hyphae stowed away in her buc-
cal pocket, spits it out soon after completing her
chamber, manures with her excreta the rapidly
growing hyphae and carefully weeds them till her
firstling brood of workers hatches. These then
bring into the nest the pieces of leaves and the
vegetable detritus essential to the maintenance and
growth of the garden."
The discovery that the queen ant really
possesses, at least potentially, all the instincts
of the worker, besides others peculiar to her-
self, puts, contends Dr. Wheeler, a different
construction on a matter which has long been
puzzling some zoologists. It has been taken
for granted that worker ants are necessarily
sterile and that they possess morphological,
physiological and psychological characters not
represented in the queens of their species. But,
comments Dr. Wheeler:
"On such assumptions it is, of course, impos-
sible to understand how the workers can have
come by the obviously adaptive and exquisitely
correlated characters, which they are unable to
transmit. * It will be remembered that neo-Dar-
winians and neo-Lamarckians, in the persons of
Weismann and Herbert Spencer, locked horns
over this matter some years ago. Both in this
and in many similar discussions, the very prem-
ises which both parties accepted are unwar-
ranted. In the first place, it is now known that
workers readily become fertile when well fed and
that they can and often do produce normal young
from un fecundated eggs. Although these young
Are usually, if not always, males, it is evident
that these males, through the eggs which th^r
fertilize, can transmit the characters of their
worker mothers to succeeding generations of
queens and workers. Thus the congenital, and
perhaps even the acquired, characters of the
worker are not necessarily lost, but can t>e gath-
ered up into the germ-plasma of the species. In
the second place, most, if not all of the charac-
ters of the worker are not qualitatively but only
quantitatively different from those of the queen.
In other words, the worker does not differ from
the queen as a mutant, but as a fluctuating vari-
ation, which has been produced by imperfect or
irregular feeding during its larvaf stages. This
is true alike of morphological, physiological and
psychological characters. Even when the queen
fails to manifest the worker instincts, we are not
justified in doubting her ability to do so under
the proper conditions.
"The hitherto unsuspected capacity of the queen
ant is beautifully illustrated by another set of
SCIENCE AND DISCOVERY
553
€wts» whicli at the same tune show the doee ooo-
nection 1>etween adaptiTc befaavior and r^Kula-
tk», or regeneration. Under normal conditions
the queen, after rearing a brood of workers, no
longer takes part in the 'mudc and muddle of
child-raising' but seems to be as indifferent to
the young of her spedes as some women who
have brought up large families. If, however, the
firstling brood of workers be removed and the
queen isolated, she forthwith begins to bring up
another brood, precisely as in the first instance,
provided her body still contains sufficient food-
tissue. She thus regenerates the lost part of her
colony, just as a mutilated earthworm regener-
ates its lost segments. In the ant the absence
of workers acts as a stimulus to restore the col-
ony, just as the absence of segments leads die
earthworm to complete its body.**
It is evident to Dr. Wheeler, therefore, that
the variability of the female sex in ants is re-
maiicable, reaching clear expression and ex-
traordinary range. The fact has a most impor-
tant bearing on the views of scientists who
assume that male animals are more variable
than females and of those who, as was said in
the beginning, have transplanted this hypothe-
sis to sociology and anthropology. Astonish-
ing, however, to Dr. Wheeler is the atti-
tude of the biometricians, who, he asserts,
priding themselves on the accuracy of their
methods and repudiating mere observations
and speculation, proceed to an elaborate meas-
urement of the wings of honey-bees and ants
for the purpose of ascertaining whether males
are more variable than females. A glance at
a few ant colonies, according to Dr. Wheeler,
would convince the most skeptical that there
can be no such correlation between sex and
variability as that now so much assumed.
A NEW ECONOMIC DESPOTISM THROUGH THE FIXATION
OF NITROGEN
That radical reconstruction of society to
which so many revolutionists look forward —
whether that reconstruction be socialistic or
anarchical — ^will not be accomplished by force
of arms or passive resistance if the conclu-
sion to which Dr. Robert Kennedy Duncan
leads in his Harper's Magazine papers be a
sound one, but it will be accomplished through
the irresistible mi^t of chemistry. Dr. Dun-
can, whose work as Professor of Chemistry in
Washington and Jefferson College, as author
of text-books on the new aspects of the physi-
cal sciences and as special commissioner for
Harper's Magazine in the investigation of the
"new" science, has given him an international
reputation, says that a social revolution has
\iegaxk in Germany. . It is a social revolution
soon to spread throughout our globe. The so-
cialists have nothing to do with it. The revo-
lution is spreading silently because wealthy
men have a vested interest in concealing it.
"During the next five years," writes Dr. Dun-
can, "the small manufacturer who is swept out
of existence will often wonder why. He will
ascribe it to the economy of large scale opera-
tions, or business intrigues or what not, never
knowing that his disaster was due to the ap-
plication of pure science that the trust organi-
zations and large manufacturers already are
beginning to appreciate." The weapon in the
hands of these new Caesars of industry is the
fixation of nitrogen. The problem involved,
says Dr. Duncan in the second of his Har-
per's Magazine studies, is of immense impor-
tance to the human race, "We either must
solve this problem or starve." Our authority
introduces his theme thus :
"The romantic deportment of the nitrogen atom
is fascinatingly interesting to the student of chem-
istry. Wherever he looks he sees that the living,
moving, doing thing in the world is nitrogen; it
is at once the most restless and the most powerful
of the elements. When nitrogen enters into a
collocation of atoms we invariably expect the
collocation to do something active, whether good
or ill; for the nitrogen compounds have proper-
ties and qualities, £hey are never inert
"So it is that, entering into combination with a
few other atoms, it will yield us the most deli-
cate and delicious of perfumes, while it is equally
ready to join forces with others to produce sub-
stances whose smell of utter vileness has the
psychological effect of causing the experimenter
to 'wish he was dead.' In the aniline dyes it
enhances our clothing with a thousand beautiful
colors, and in still another thousand forms it
enters the chambers of the sick in the healing
guise of all the synthetic medicines. It lurks
in prussic add, the ptomaines, and a host of dead-
liest poisons; it drives our bullets in the form of
gunpowder; it explodes our mines as dynamite
and guncotton; it dissolves our metals as nitric
acid; it extracts our gold as cyanide; and in an
infinity of ways it menaces or ministers to man-
kind. Nitrogen-containing substances, then, are
active substances, and their activity seems to be
due to a certain 'temperamental nervousness* of
554
CURRENT LITERATURE
the nitrogen atom which sends it flying on the
slightest pretext from one atomic community to
another. On this account we call nitrogen a
'labile' element.
"But it is only when we consider nitrogen in
its relation to life that we see how truly momen-
tous is this fact of its lability. We have been
accustomed in the past to ascribe to carbon the
role of life-element paramount, but the more the
question is studied, the more does it appear evi-
dent that the carbon constituent of the body is
the mere.brfck and mortar of it, good enough to
constitute its physical substratum, and good
enough, too, to burn as fats and carbohydrates to
maintain its fires, but that the working, building,
'vital' thing, the thing that is the moving-spring
of protoplasm and that brings about the continu-
ous adjustment of internal to exemal conditions
that we call life, is the versatile, restless nitrogen.
"It looks as though the living being constituted
a vast unstable plasma in which the nitrogen
atom, with oxygen on the one hand and carbon
or hydrogen on the other, very much as it is in
nitroglycerin, swings the atoms of the living body
through all the multiplex atomic relations of
growth and decay. The lability of living sub-
stance is the lability of the nitrogen atom, and
we may say, with much more propriety than
*Ohne Phosphor kein Gcdanke,' 'Ohne StickstoflF
kcin Leben' — no life without nitrogen.
"And yet — and this is a most interesting thing
— ^this nitrogen, which when combined with ele-
ments of another kind is so energetic and so useful,
is, in its care- free, solitary condition, a stub-
born, lazy, inert gas. In this the elemental con-
dition it is one of the most abundant and pervad-
ing bodies on the face of the earth. It constitutes
four-fifths of the air that blows in our faces, and
so much of it there is that every square yard of
earth's surface has pressing down upon it nearly
seven tons of atmospheric nitrogen.
"Chemically speaking, it is all but unalterable,
though the 'all but' is vastly important to us,
"One of two metals, such as calcium and mag-
nesium and a few compounds of metals, may be
made to unite with it. We find, too, that certain
organisms, bacteria — 'nitrifying microbes' they
are called, — ^have within their little bodies labora-
tories for attaching nitrogen to other elements,
though the mechanism of this action no man un-
derstands.
"Still again we find that the lightning flash will
cause the nitrogen and oxygen of the air to com-
bine in the path of its streak to form nitrous add,
or that it will cause the nitrogen and water vapor
to react to form ammonia. Outside, however, of
the minute quantities which are extracted from the
air in these various ways, the whole great ocean
of atmospheric nitrogen under whidi we live
and move maintans in a chemical sense a listless,
useless lethargy."
Now, the nitrogen, proceeds Dr. Duncan,
which is united with other elements (it mat-
ters little which) and which is so tempera-
mentally nervous and active and useful we
call "fixed" nitrogen. Various have been re-
cent attempts to solve the problem of trans-
forming in large quantities the free and use-
less nitrogen into the fixed and useful kind.
This problem is of such importance to all man-
kind that failure to solve it would mean the
extermination of our race — ^perhaps within a
generation. That seems a sensational and
alarmist statement, admits Dr. Duncan. Yet
it is literally true. The invaluable "fixed"
nitrogen which we have within us and which
we are continually using up we must con-
tinually restore. In order to do this, we eat
it. We eat it in the form of animal food or of
certain plant products such as wheaten bread.
But plants and animals depend like ourselves
upon the soil for every trace of the nitrogen
they contain. The soil in its turn has won it
from the reluctant air through the slow ac-
cumulations of the washing rain, from the
lightnings of a million storms or through slow
transformations by billions of nitrifying or-
ganisms through what, so far as we are con-
cerned, is infinite time. Not only so, but the
valuable nitrogen-containing substances we
employ in our civilization are in the same po-
sition of dependence upon the soil.
But we filch this nitrogen from the soil im-
mensely faster than it is restored by natural
processes. The land grows sick and barren
and refuses to g^row our crops. Everybody
knows what we must do to cure the land — ^we
must use manure or fertilizer. That is, we
must mix with the soil substances containing
fixed nitrogen which the plant may utilize in
building up what we must and will have —
bread and meat. In the olden time, natural
manure was sufficient to meet the demand of
sparse populations. To-day the natural ma-
nure of the world is a mere drop in the bucket
of man's wants. This would be true even if
man could utilize the fixed nitrogen of the
sewage of his cities. As a matter of fact man
was long since forced to have recourse to three
fertilizers. The first was Peruvian guano.
We have practically eaten it up. The second
fertilizer is ammonium sulphate. The supply
is large but inadequate. The third fertilizer,
nitrate of soda or Chile saltpeter, seems more
promising. Yet by the year 1925 these beds
will have been exhausted.
In these facts we have the basis of the new
economic despotism. The result of experi-
mentation by Prof. Adolph Frank, of Char-
lottenburg, establishes that under certain con-
ditions calcium cyanamide is a better fertilizer
than the sulphate of ammonia from the gas
works, and practically equal to the saltpeter
from the mines — weight for weight of the ni-
trogen it contains. The new product was
SCIENCE AND DISCOVERY
555
elaborated by toilful experiment, performed in
the obscurity of laboratories. In another dec-
ade it will yield tribute from all the scientific
agriculture of the world:
'The world is now, thanks to Dr. Frank, in the
possession of a fertilizing material that is almost
ideal. The parent calcium carbide is made out
of lime and coke which arc everywhere cheap
and available, and the atmospheric nitrogen any-
body may use. The cheapness of the fertilizer is
thus dependent solely upon the price of electrical
energy. Even now, the fertilizer equivalent of an
electrical horse-power is superior to the living
horse. A living horse produces yearly some 21,-
250 pounds of manure, which contains about 126
pounds of nitr(»en, while the electrical horse in
the same time fixes no less than 550 pounds of
this same nitrogen in the form of calcium cyana-
mide.
•TJnder the name of 'KalkstickstoflF,' this cal-
cium cyanide is now in the markets of the
world. . . .
"In manufacturing the substance, they employ
the latest results of technical science. The atmos-
pheric nitrogen must be separated from the oxy-
gen with which it is mixed. They, therefore,
Dquefy the atmosphere and separate the two sub-
stances by fractional distillation. The oxygen
passes off to be used for other purposes, but the
nitrogen passes suddenly from the intense cold of
liquid air into the highest heat of the electric
furnace, where, through contact with a mixture
of coke and lime, it is caught and transformed into
KalkstickoflF."
Such, hints Dr. Duncan, is the chemical
foundation for an economic superstructure
within which the next great trust will make
its home, unless, indeed, a word to the wise
suffices.
HELIUM AND THE TRANSMUTATION OF ELEMENTS
The story of helium is pronotmced by Sir
William Ramsay, the famous Professor of
Chemistry at University College, London, to
be one of the most romantic in the history of
science. It is a story, he says, of which the last
chapters are still unwritten. Helium, orig-
inally seen as a spectrum line in the chromo-
sphere of the sun, was discovered on the
earth, or rather existing as a gas in the atmos-
phere, so recently as last year. And helium,
adds Sir William in a recent communication
to the London AthemBum, has provided the
first authentic case of transmutation — sl prob-
lem which has occupied ^the alchemists ever
since the sixth century of our era.
An eclipse was visible in India in 1868, ob-
serves Sir William in his exposition, and
among those who observed the phenomenon
was the celebrated French astronomer Jans-
sen, For the first time a spectroscope was
employed to analyze and trace to its sources
the light evolved by the edge or "limb" of
the sun. It appeared that enormous promi-
nences, moving at an almost incredible rate,
were due to hurricanes of hydrogen. That
the gas blown out beyond the shadow of the
moon was really hydrogen was revealed by
the red, blue-green and violet lines which
characterize its spectrum. Among these lines
was one occupying nearly the position of the
two lines characteristic of the spectrum of
glowing sodium. In October of 1868 Sir
Norman Lockyer declared that he had estab-
lished the existence of three bright lines in
the "chromosphere," or colored atmosphere
surrounding the sun. It was known that an
increase of pressure had the effect of broaden-
ing spectrum lines. Sir Norman Lockyer was
at first inclined to attribute this new line
to a broadening of the sodium lines owing to
a pressure of the uprush of gas causing the
hurricane. However, this hypothesis and a
subsequent one — ^that the new yellow line
might possibly be ascribed to hydrogen —
could not be maintained. Hence the line was
attributed to the existence of an element in the
sun unknown on the earth. The name
"helium" was chosen as an appropriate re-
minder of the habitat of the element. Sir Wil-
liam proceeds :
"Among the lines visible in the chromosphere,
ten are always observed. Of these, four may be
seen in the hydrogen spectrum, one is due to
calcium, and four to helium; there is still one
unidentified with the spectrum of any known ele-
ment; it has the wave-length 5316.87, and the
source has been named 'coronium.' It appears
at a great height in the solar atmosphere, and
it is conjectured that it must be lighter than
any known gas.
"Shortly after the discovery of argon in 1884,
the notice of one of the discoverers was drawn
to an account by Dr. Hillebrand, of the United
States Geological Survey, of the presence in
certain ores containing uranium of a gas which
could be extracted by an air-pump. Hillebrand
examined the spectrum of the gas, and supposed
it to be nitrogen. It is true that he saw in it
spectrum lines which could hardly be ascribed
to nitrogen; but on mentioning the fact to his
colleagues, he was bantered out of his quest, and
did not follow up the clue. Now in Uie spring
556
CURRENT LITERATURE
of 1895 attempts were being made to cause argon
to combine; and it was argued that conceivably
Hillebrand's gas might turn out to^ be argon, and
might give an indication to a possible compound.
Consequently, a specimen of clevite— one of the
minerals which Hillebrand had found to give
off the supposed nitrogen in largest quantity-
was purchased, and the gas was collected from
it. On purification, its spectrum showed the pres-
ence of a brilliant yellow line, almost identical
in position with the yellow lines of soditmi. It
was soon evident that the solar gas, helium, had
been discovered on the earth.
"The visible spectrum of helitun is compara-
tively simple, and many of its lines have been
identified among those of the solar chromosphere.
It is also to be detected in many of the fixed stars,
notably Capella, Arcturus, Pollux, Sirius, and
Vega. It is one of the lightest of gases, being
only twice as heav^ as hydrogen, but, unlike hy-
drogen, however, its molecules consist of single
atoms, whereas those of hydrogen consist of
paired atoms, which separate only when hydrogen
enters into combination with oxygen or other
elements. This peculiarity appears to render
liquefaction of helium almost impossible; for
while hydrogen has been liauefied, and boils at
422* FaJir. below zero, helium has been cooled
to 438* Fahr., and has been compressed to one-
sixtieth of its ordinary bulk, and yet has shown
no sign of liquefaction. Indeed, it is now the
only 'permanent' gas, for it has never been con-
densed into hquidf form.
"The minerals which contain helium have one
thing in common; they all contain uranium or
thorium, or lead, or a mixture of these. Minerals
of lead alone do not show the presence of helium ;
but it may be stated that helium is an invariable
constituent of ores of uranium and thorimn. It
was at first supposed that such minerals contain
helium in a state of combination; but this view
could not be substantiated, for the constituents
of these ores do not show any tendency towards
combination with helium."
Between this and what follows Sir William
sees a remarkable connection. Radium and
allied bodies are disintegrating — ^"their atoms
are spontaneously flying to bits." This is why
radium compounds are permanently at a tem-
perature above that of the atmosphere, and
why they are continually emitting corpuscles
of high velocity. Now, this view, although
new in its application to elements, has long
been- known, remarks Sir William, to hold
good for certain compounds. There -is a fear-
fully explosive compound of nitrogen with
chlorine which, on the least touch, resolves it-
self suddenly into its constituent elements. It
is true that here we have a molecule composed
of atoms "disintegrating" into atoms which
subsequently combine to form new molecules
of nitrogen and of chlorine. But in principle
an analogy may be drawn between the disrup-
tion of the molecules of an explosive com-
pound and the disintegration of an atom into
corpuscles. Professor Rniherford and Mr.
Soddy showed, however, that corpuscles which
have been proved by Prof. J. J. Thomson, of
Cambridge, to be exceedingly minute are not
the only products of disintegration of the ra-
dium atom. The proof was adduced that
among these products were atoms of a density
comparable with that of hydrogen and helium :
"This hypothesis evidently admitted of esqieri-
mental proof, and in conjunction with Mr. Soddy
I collected the 'emanation' or gas evolved from
salts of radium. We showed that this gas» pre-
sumably of high density, disintegrates in its turn,
and that perhaps 7 per cent of it changes into
heUum. What becomes of the remaining 93 per
cent is as yet undecided; still some hint may
be gained from the fact that a constant ratio
exists between the amount of helium obtainable
from a mineral and the weight of lead which
it contains. It may be that lead forms the ulti-
mate prc^uct, or, at least, one of the ultimate
products of the disintegration of the atom of
emanation. Another radio-active element, actin-
ium, has been shown by its discoverer Debieme
also to yield helium by the disintegration of the
emanation, or fsa, which it continually evolves.
"This disruptive change is attended by a great
evolution of heat; for the radio-active elements
are in a sense explosive; and explosions are
always accompanied b]r a rise of temperature.
But such atomic explosions surpass in degree, to
an almost inconceivable extent, the molecular ex-
plosions with which we are familiar. Could we
induce a fragment of radium to evolve all its
energy at once, the result would be terrific, for
in the energy with which it parts during its
change it surpasses in explosive power our most
potent guncotton by millions of times. It has
been suggested that to this or similar changes
are due 9ie continued hig^ temperature of the
sun and the presence of helium in its chromo-
sphere.
"Up^ to the present no further cases of trans-
mutation have been observed than those men-
tioned: radium and actinium into their emana-
tion, and these emanations into helium. But
proof is accumulating that many forms of matter
with which we are familiar are also undergoing
similar change, but at a vastly slower rate. The
mills of God grind slowl/ — so slowly that many
generations of men must come and go before
ocular proof is obtained of the products of such
possible transmutations."
It was Sir William Ramsay, as will be re-
called, through whom our knowledge of many
little known gases has been increased. But
while Sir William must be credited with the
first isolation of helium (in 1895), the spec-
troscopical discovery of the element itself
must be ascribed to Lockyer. Sir William
Ramsay's discoveries, in addition to the at-
mospheric gases, include neon, xenon and
krypton. His work on the discovery of gases
in our atmosphere is standard autiiority.
Recent Poetry
Spring brings us out-of-door poetry with a rush.
None of it is better than Bliss Carman's poem in
Appleton's Booklovers Magazine. Of all our
poets. Carman is the most delightfully pagan, and
he is at his best when consorting with animate
nature. He is always lured by the open road
and the mountain trail, and even his metrical feet
have the Wander-lust in them.
PAN IN APRIL
By Buss Cakman
If I were Pan upon a day in spring,
Some morning when the gold was in the sky,
In some remote ravine among the hills,
As slowly as the purple of the peaks
Dissolved before die footfall of the sun,
I would emerge and take on form and voice
And be myself the dreamer and the dream.
I would go down beside the brawling brooks
That leap from dizzy ledges in the air
And pla^ among the bowlders far below,
Filling the canyon with reverberant sound;
And in that rushing murmur I would hear
A hidden throb of music large and slow,
The rhythm whereto from chaos rose the world
To power and meaning and majestic form.
I would take heed of winds and budding leaves,
And of the sap that mounts to meet the sun
By the dark stairway in the tree's deep heart
All the sweet life of tasseled silver birch,
Basswood and red-keyed maple, would be mine.
And mine the hum of bees in willow blooms
Yellow and fragrant. I would taste the tang
Of black birch twigs; and on some sandy ground
Strewn with pine needles, patched with lingering
snow,
Find the first mayflower spilling on the air
Its scent of woodlands odorous and wild.
In all that life of rivers, trees, and flowers
From rim to rim beneath the airy dome
In ordered sequence I would feel myself
Grow with their growing, touch the bound and
poise
Of shape and symmetry in myriad ways.
Then in a marshy place beside a stream
With water seeping through the grassy tufts.
My ear would catdi the first small silver note
Of the shrill chorus which must soon awake.
When the green frogs take heart a^n to fill
Their reedy flutes with old impassioned joy.
Then in the woods with their unfolding green
Meshing and filtering the morning li^ht.
How I would listen tor the arriving birds
And note and know them by their rapturous calls !
With every ringing song I would be glad.
And mark each throat of fluttered gray or blue
Throbbing with ecstasy—- the pulse of life,
The beat and tremble of the soul of things.
In that wild music I would grow aware
Of a dumb longing poignant as my own.
Craving for utterance through the rift of sense.
Confronted with the law of rhythm and time.
Helped by the veiy hindrance to a pause
And modulation in its wayward rush;
Then finding vent in that melodious guise.
I would see, too, the foxes in their dens,
The noisy squirrel and the lumbering bear.
And all the moving creatures of the wood
Furtive and timorous, yet glad of life
And eager with resurgence of the spring.
All humans also would be in my ken.
Women at work, and men in their shirt sleeves
With clanking teams at troughs on disUnt farms.
And children straggling on their way to school
Then I would muse on what sustains the world.
This colored pageant passing like a dream.
That fleets between eternities unknown.
And without argument I would surmise
The excellence of instinct warm and keen
Which keeps us safe until the law be learned.
And must forever be one guide to good.
While restless soul puts forth unresting hands
To mold the world according to its will.
And thence comes beauty, substance made to wear
The form that best will serve the spirit's need
For growth and gladness up from change to
change.
The greening earth, the level changing sea.
The stable hills and the triumphant sun.
The tissue and fabric of the universe,
The veil that hides what men call mystery—
These for a robe of glory should be mine.
The outward semblance of a radiant life,
The fragrant floating garments of the spring.
There I would feel in that delightful world.
The earliest fulfillment of desire,
Beauty accomplished at the soul's behest
And loveliness made actual to meet
The need of loveliness— what more than that?
So it would be enough, perhaps, to live
The pure, unvexed existence of a god
In deep-eyed contemplation for a day.
Drenched with the beautv and the sense of spring
On the Aprilian earth — if I were Pan.
That is a land-lover's poem. The following is
a sea-lover's poem, with a Kiplingesque swing and
a Kiplingesque tang to it. We take it from The
Pall Mall Magazine :
THE CALL OF THE SEA
By W. Monro Anderson
When the farthest sea is charted, when my lights
are getting low.
You must lay me out on deck and head away
Where die clipper ships are tacking, and the great
long liners race.
And the smoky tramps go thrashing down the
bay;
558
CURRENT LITERATURE
With the scent of teak about me, and the smell
of tarry cables,
I shall watch the shore lights dropping out of
sight.
And the great green windy billows they will
drone a sea-dirge for me,
While I bid the swinging stars a long good-
night.
You must stitch me up in canvas, you must heave
me overboard.
With a firebar as a keepsake from the crew ;
Never mind the "Jack" or Bible — ^keep her en-
gines going hard.
For rd miss the muffled beating of the screw;
Somewhere in the North Pacific, where the loony
whales are spouting.
And the clean blue track is clear for miles and
miles,
I shall lie so still and quiet in the Port of Missing
Traders,
Where the ships of all the world make after-
whiles.
Ay, so very snug and quiet on^the rolling waste
of sands.
With no weeping women wailing for the dead,
Down among the long-oared galleys I shall watch
the traders pass,
And the great black-bellied liners overhead.
Overhead a ghostly white moon through the
broken cloud-gaps T2Lcing,
And the smoke-stacks spitting cinders at the
sky;
I shall hear the white gulls screeching and their
far-off pilot calling
Down the long line where the lagging strag-
glers fly.
It's a pleasant harbor, and it's full of masts and
soars.
And there's dancing and there's fiddling all day
long;
And you're always on full rations, and it's always
double rum.
And the hand who has to draw it draws it
strong;
Pay her off and get her going. Oh 1 you lazy sons
of Devon,
There's a hooker lying idle down below,
For another hand is wanted, and she's waiting,
and I'm readv.
And the sea is calling loud, and I must go.
Katherine Tynan— Mfrs. Hinkson— has "long
had a foremost place among living writers of
prose and poetry," according to Clement K.
Shorter in the London Sphere. A volume of
her verse has just been published in London
under the title, "Innocencies." From it we take
the following:
INTROIT
By Kathekinb Tynan
'Twere bliss to see one lark
Soar to the azure dark
Singing upon his high celestial road.
I have seen many hundreds soar, thank God!
To see one spring begin
In her first heavenly green
Were grace unmeet for any mortal clod.
I have seen many springs, thank God!
After the lark the swallow.
Blackbirds in hill and hollow,
Thrushes and nightingales, all roads I trod.
As though one bird were not enough, thank God !
Not one flower, but a rout.
All exquisite, are out ;
All white and golden every stretch of sod.
As though one flower were not enough, thank
God!
By way of contrast, we give next a poem in-
spired by the children who. do not know what it
is to see the larks or to behold spring's rout
of wild flowers. It is taken from Everybody's:
CITY CHILDREN
By Charles Hanson Towne
Pale flowers are you that scarce have known the
sun!
Your little faces like sad blossoms seem
Shut in some room, there helplessly to dream
Of distant glens wherethrough glad rivers run.
And winds at evening whisper. Daylight done.
You miss the tranquil moon's unfettered beam,
The wide, unsheltered earth, the starlight gleam.
All the old beauty meant for every one.
The clamor of the city streets you hear.
Not the rich silence of the April glade;
The sun-swept spaces which the good God made
You do not know ; white mornings keen and clear
Are not your portion through the golden year,
O little flowers that blossom but to fade 1
After that it is well to be reminded that one
may dwell in Arcady even though penned up be-
tween four walls. The following from Scribner's
is an effective reminder of that fact:
"ET IN ARCADIA EGO"
By Theodosia Garrison
A simple print upon my study wall,
I see you smile at it, my masters ^11,
So simple it could scarce indeed be less —
A shepherd and a little shepherdess
Who let their sheep go grazing truant-wise
To look a moment in each other's eves.
"A grav-haired man of sclence,'^^ thus your
looks,
"Why is this trifle here among his books?"
Ah well, my answer only this could be.
Because I too have been in Arcady.
My students give grave greeting as I pass.
Attentive following in talk or dass.
Keen-eyed, clear headed, eager for the truth ;
Yet if sometime among them sits a youtli
Who scrawls and stares and lets the lesson go
And puts my questions by unheeding so,
RECENT POETRY
559
I smile and leave his half-writ rhyme unvexed
Guessing the face between him and the text.
A foolish thing, so wise men might agree,
But I wrote verses once — ^in Arcady.
The little maid who dusts my book-strewn room —
Poor dingy slave of polish and of broom
Who breaks her singing at my footsteps'
sound.
She too her way to that lost land has found.
Last night, a moonlit night ana passing late,
Two shadows started as I neared the gate.
And then a whisper, poised twixt mirth and
awe,
"The old Professor. Mercy, if he saw!"
Ah child, my eyes had little need to see —
I too have kissed my ibve — ^in Arcady.
My mirror gives me back a sombre face —
A gray haired scholar, old and commonplace
Who goes on his sedate and dusty ways
With little thought of rosy yesterdays;
But they who know what eager joy must come
To one long exiled from a well-loved home
When comes some kinsman from the selfsame
land
To give him greeting, they may understand
How dear these little brethren needs must be
Because I too have lived in Arcady.
Miss Florence Wilkinson, we are glad to note,
is publishing a volume of her poems. She has
written novels and dramas, but she has never
achieved in prose quite the distinction she has
already achieved in verse. We are indebted to
The Outlook for this poem:
NIAGARA
By Florence Wilkinson
The water talked to the turbine
At the intake's couchant knee:
Brother, thy mouth is darkness
Devouring me.
I rush at the whirl of thy bidding;
I pour and spend
Through the wheel-pit's nether tempest.
Brother, the end?
Before fierce days of tent and javelin,
Before the cloudy kings of Ur,
Before the Breath upon the waters.
My splendors were.
Red hurricanes of roving worlds.
Huge wallow of the uncharted Sea,
The formless births of fluid stars.
Remember me.
A glacial dawn, the smoke of rainbows.
The swiftness of the canoned west,
The steadfast column of white volcanoes,
Leap from my breast.
But now, subterranean, mirthless,
I tug and strain,
Beating out a dance thou hast taught me
With penstock, cylinder, vane.
I am more delicate than moonlight,
Grave as the thunder's rocking brow ;
I am genesis, revelation,
Yet less than thou.
By this I adjure thee, brother.
Beware to offend!
For the least, the dumbfounded, the conquered,
Sliall judge in the end.
The turbine talked to the man
AT THE switchboard's CRYPTIC KEY I
Brother, thy touch is whirlwind
Consuming me.
I revolve at the pulse of thy finger.
. Millions of power I fiash
For the muted and ceaseless cables
And the engine's crash.
Like Samson, fettered, blindfolded,
I sweat at my craft;
But I build a temple I know not,
Driver and ring and shaft.
Wheat-field and tunnel and furnace,
They tremble and are aware.
But beyond thou compellest me, brother.
Beyond these, where?
Singing like sunrise on battle,
I travail as hills that bow;
I am wind and fire of prophecy.
Yet less than thou.
By this I adjure thee, brother.
Be slow to offend!
For the least, the blindfolded, the conquered,
Shall judge in the end.
The man strove with his maker
At the clang of the power-house door:
Lord, Lord, Thou art unsearchable,
Troubling me sore.
I have thrust my spade to the caverns;
I have yoked the cataract ;
I have counted the steps of the planets.
What thing have I lacked?
I am come to a goodly country.
Where, putting my hand to the plow,
I have not considered the lilies.
Am I less than Thou?
The maker spake with the man
At the terminal-house of the line :
For delight wouldst thou have desolation,
O brother mine.
And fiaunt on the highway of nations
A byword and sign?
Have I fashioned thee then in my image
And quickened thy spirit of old,
If thou spoil my garments of wonder
For a handful of gold ?
I wrought for thy glittering possession
The waterfall's glorious lust;
It is genesis, revelation, —
Wilt thou grind it to dust ?
Niagara, the genius of freedom,
A creature for base command!
Thy soul is the pottage thou sellest:
Withhold thy hand.
Or take him and bind him and make him
A magnificent slave if thou must —
But remember that beauty is treasure
And gold is dust.
560
CURRENT LITERATURE
Yea, thou, retumid to the fertile ground
In the humble days to be,
Shalt learn that he who slays a splendor
Has murdered Me.
By this I adjure thee, brother.
Beware to offend!
For the least, the extinguished, the conquered,
Shall judge in the end.
Miss Thomas has written few things better
than this prophecy of better days for Russia.
We take it from Poet Lore.
IN MUSCOVY
By Edith M. Thomas
I
Hear, if ye will, this borrowed line
From the old scholar Herbastein.
"In Muscovy no voice of bird
Through all the Winter Year is heard.—
Upon the instant everywhere,
In Muscovy, when comes the hour
Of winter's loosed and broken power.
In hedges, groves, and orchards bare —
Ere yet the flower, ere yet the leaf —
The birds are singing, free of grief;
So sing, with quivering, blissful throats,
Their maddest, sweetest summer notes.
In Muscovy!
"In Muscovy all unespied
Where through the Winter Year they hide
If hollow tree, if winding grot.
If delved mine where winds blow not,
Or, lapped on beds of rivers still,
Soft wing by wing, and bill by bill!
Where swallow, lark, and throstle stay
Through winter's teen, no soul can say;
Men only see their instant throng
And hear the sudden joyful song
In Muscovy!"
Thus far the scholar Herbastein;
The legend read anew, be mine!
In Muscovy a mighty Heart
Mid long snow-silence broods apart;
In Muscovy a mystic Soul
But looms through dreams that round it roll
(As when a traveller scarce is known
For wreathing breath his lips have blown).
That Heart, that Soul, but threads a trance,
With sight beneath the veilM glance!
It is a music in arrest, —
Tis folded song in winter-nest!
. . . But npw near waking is that Heart,
From wintry trance that Soul shall start;
Ay, yet, — and soon! — the birds shall sing
And all the land-locked land shall ring!
Vesna her banners shall outfling;
And all the world shall know %s Spring
In Muscovy!
II
In Muscovy, O brooding Heart,
No anarch snaps your bonds apart.
Though even now those bonds ye cast!
Your sun toward solstice mounts at last;
In fated fullness of long Time
To greatening Vernal I^y ye climb!
So, ever, on this turning sphere,
Each land shall greet its melting year!
Ye are the people of the bourne,
Lit by the Even and the Mom !
Wherefrom ye have the mystic Soul
Swayed by the tides that dual roll.
In you the East and West inhere;
Ye have the vision of the seer,
Whom, like a mantle, Thought enwraps —
Let not in dreams that vision lapse!
And unabated strength of thews
Have ye, — in World-emprise to use.
Be not that strength in wrath forespent
When, up the earth the shaft is sent.
To say that, close beneath your verge.
The new day strengthens to emerge ;
And yet — and soon — the birds shall sing
And make the land-locked Land to ring!
Vesna her banners shall outfling,
And all the World shall know 'tis Spring
In Muscovy!
In Book News is published (not for the first
time, we presume) the following beautiful and
sad little lyric by the late William Sharp, who was
also Fiona Macleod:
THE ISLE OF DREAMS
By William Sharp
There is an isle beyond our ken,
Haunted by Dreams of weary men,
Grey Hoi>es enshadow it with wings
Weary with burdens of old things :
There the insatiate water-springs
Rise with the tears of sdl who weep:
And deep within it, deep, oh, deep
The furtive voice of Sorrow sings.
There evermore,
Till Time be o'er,
Sad, oh, so sad, the Dreams of men
Another poem in the minor strain is the fol-
lowing from Appleton's Booklovers Magagine :
THE WATCH OF THE GODS
By Georgia Wood Pangborn
The melancholy of a driven leaf.
The patient journey of a long dead world ;
These are alike, when gods with steady eyes
Look down upon a universe unfurled.
Th(^ see the silt and scum of what has been.
The death in ice that was a birth in fire,
Old forests mute with snow that shall not
melt;
A world long done with sorrow and desire.
And, you that sigh to see a green leaf brown.
E'en so, perhaps, the gods with steady ^es.
Who watch dead worlds like autumn leaves
go by
Along the drift of gray eternities.
If the above has a tear in it the following has
a smile in it for most of us. It comes from The
National MagoMine:
RECENT POETRY
561
BALLADE OF THE INFANT ON MY
KNEE
By Frank Putnam
Time was, when in my boyhood's home
I dreamed both day and night (none knew)
Of long, straight roads where I ^ould roam
Free as the warm South wind that blew
Meadow and orchard idly through.
Other designs had Fate for me,
More to my taste, as time proved true:
Witness the infant on my knee.
Later I felt I was foreordained
(Touched by a Fairy at my first cry) —
The world well lost for a true love gained —
In red men's forays to fight or fly,
There mate and marry, there live and die.
Fate smiled behind her fan at me,
Never an Indian maid knew I:
Witness the infant on my nee.
Dreams and visions alike forgot,
Fame was the lure that led me long.
Wealth passed by and I knew it not ;
I staked my all on a vagrant song
That died unheard in the heedless throng.
Then Fate had pity, as all may see.
And made me amends for her great wrong:
Witness the infant on my knee,
. ENVOY
Prince, happy is he whom Fate befriends.
Or low or high though his lot may be;
When she It the last her best sift sends:
Witness the infant on my knee.
The Bibelot devotes all of its March number
to the lyrics of Margaret L. Woods. Mrs. Woods
is English and has published six volumes of fic-
tion and six volumes of lyric and dramatic poetry.
Fifteen of her lyrics are reprinted in The Bibelot
and they all have literary distinction. The one
below appeals to us most strongly:
GAUDEAMUS IGITUR.
By Mabgaset L. Woods
Come, no more of grief and dying!
Sing the time too swiftly flying.
Just an hour
Youth's in flower,
(Hve me roses to remember
In the shadow of December.
Fie on steeds with leaden paces!
Winds shall bear us on our races.
Speed, O speed,
Wind, my steed.
Beat the lightning for your master.
Yet my Fancy shall fly faster.
Give me music, give me rapture,
Youth that's fled can none recapture;
Not with thought
Wisdom's bought.
Out on pride and scorn and sadness!
Give me laughter, giye me gladness.
Sweetest Earth, I love and love thee.
Seas about thee, skies above thee,
Sun and storms.
Hues and forms
Of the clouds with floating shadows
On thy mountains and thy meadows.
Earth, there's none that can enslave thee,
Not thy lords it is that have thee;
Not for gold
Art thou sold.
But thy lovers at their pleasure
Take Uiy beauty and thy treasure.
While sweet fancies meet me singing,
While the April blood is springing
In my breast.
While a jest
And my youth thou yet must leave me,
Fortune, 'tis not thou canst grieve me.
When at length the grasses cover
Me, the world's unwearied lover.
If regret
Haunt me yet
It shall be for joys untasted.
Nature lent and folly wasted.
Youth and jests and siunmer weather,
Goods that kings and clowns togedier
Waste or use
As they choose.
These, the best, we miss pursuing
Sullen shades that mock our wooing.
Feigning Age will not delay it—
When the reckoning comes we'll pay it.
Own our mirth
Has been worth
All the forfeit light or heavy
Wintry Time and Fortune levy.
Feigning grief will not escape it.
What though ne'er so well you ape it —
Age and care
All must share.
All alike must pay hereafter.
Some for sighs and some for laughter.
Know, ye sons of Melancholy,
To be young and wise is folly.
'Tis the weak
Fear to wreak
On this clay of life their fancies,
Shaping battles, shaping dances.
While ye scorn our names unspoken,
Roses aead and garlands broken,
O ye wise.
We arise.
Out of failures, dreams, disasters,
We arise to be your masters.
Recent Fiction and the Critics
When Sienkiewicz writes a Polish historical
romance his pen has the sure touch of a master.
He has a talent for characterization that makes
one think of Shakespeare. He has a wealth of
incident and of stirring action that Scott did not
surpass. His men are tremendously masculine,
and his heroines are the very acme of feminine
charm. His humor is compelling, his dramatic
power is at times unsurpassed, and the tone of
his novels is always pure even in the midst of
revolting scenes- described with unsparing realisuL
After a silence of several years he has given us
what appears to be the second volume of a new
trilogy, of which "The Knights
Fleld.On the ^f ^1,^ Cross" was the first. About
of Qlory the only point the critics make
against the present volume* is
that the title is misleading and should be "On to
the Field of Glory." There is no warfare in the
story, except in anticipation. The time is one of
preparation for war, just prior to the second great
siege of Vienna by the Turks. The story ends
with the hero and his friends on the march to
meet the Turks. The third volume of the trilogy
will undoubtedly give us the siege.
But if there is no war, there is plenty of fight-
ing, some strenuous love-making and plenty of
humor. The reviewer of The Sun does not find
the lack of war any deprivation. He remarks:
"We have found ourselves quite willing to abide
in Poland in the company of this admirable story
teller. He stirs our blood and he makes us laugh,
and inasmuch as he' does this we have no particu-
lar wish to go to Vienna, though it would be in-
teresting, of course, to see the renowned Polish
cavalry cutting the pagans to pieces. . . . The
reader will be glad to read ... all the story.
It has a strong and curious interest Not many
stories are better."
The Nation advises all who have read and liked
the author's Zagloba romances to read this, his
latest work. The four Bukoyemskis "are as stir-
ring in their way as the author's immortal Za-
globa was in his," and Panna Anulka "is as charm-
ing as Sienkiewicz alone (one is tempted to say)
can make the heroine of gory romance." In all
his books, says another critic, (in The Book News),
Sienkiewicz is "the complete master of his art.
He never hesitates in a narrative or makes any
of those blunders so frequent in the contemporary
novel ; nor does he, on the other hand, give coun-
*Om the Field of Glory. By Henryk Sienkiewicz.
Translated by Jeremiah Curtin. Little, Brown A Co.
tenance to any save a delicate handling of those
questions which so frequently give opportunity for
vileness such as permeates the Russian novel in
particular." Some of the scenes in the present
book are, as the Providence Journal points out,
revolting and likely to prove unpleasant to the
ordinary reader, though the truth of the picture
doubtless requires them. But we get Poland in
the latter half of the seventeenth century as no
one not a Pole could have presented it, and as no
other Pole ever has presented it. " 'On the Field
of Glor/ is, when once the reader has caught the
spirit of the age and country in which it takes
place, a graceful romance and a vivid picture
of a life now almost forgotten by the Poles them-
selves." The translation by Mr. Curtin elicits
general praise.
Mr. Upton Sinclair, a young man with an un-
doubted gift of literary expression, has been
trying to find himself for several years. His
"King Midas," his "Journal of Arthur Stirling,"
his "Manassas" and now "The Jungle," are the
fruits of this e£Fort, and they leave us still uncer-
tain as to the author's line of future development.
They present somewhat the appearance of a series
of excursions in diverse directions. The latest
of his works^ is scored by the
The critics, but it has at least secured
Jungle elaborate recognition at their
hands, and is receiving more at-
tention and longer reviews than perhaps any
other novel of the day.
It is frankly socialistic, its author being now a
sort of official press-agent for one of the several
factions into which the socialists of America are
divided. The foundation for the socialistic con-
clusion is laid in the alleged conditions in the
packing industry in Chicago. The hero, a young
Lithuanian giant, enters a packing establishment,
hopeful, willing, trustful. He is almost forced
into a descending scale of degradation, until he
becomes a hobo, a drunkard, a highwayman and
a political heeler. Then he "gets religion" of
the socialistic brand, and becomes a man again.
Mr. Robert Hunter, author of "Poverty," says
of the tale: "It is one of the most powerful and
terrible stories ever written. As a portrayal of
industrial conditions I have never read anything
in literature that equals it."
The Reader Magazine finds that the story re-
♦ THE Jungle. By Upton Sinclair. Doub^eday, Page
ct Co.
RECENT FICTION AND THE CRITICS
S6s
veals much of artistic penetration and power, and
the yery brutality of the book will cause it to be
much talked of ; but "one feels that the conditions
that it depicts are too grossly overdrawn to in-
sure a permanent place for it." This is in brief
the judgment of all the conservative critics. The
author's indictment, The Outlook thinks, "would
have been more convincing if it were less hys-
terical."
Mr. Edward Clark Marsh, writing in The Book-
man, gives Mr. Sinclair a literary classification as
follows :
"Here is our first thoroup^h^oing American dis-
ciple, on one side at least, of 2ola : a novelist with
little of the insight and imagination the French-
man possessed at his best, but with all his indus-
try and no little of his ingenuity in coining an
effect by piling detail on detail, directing atten-
tion so persistently to parts that the whole loses
all perspective."
The same critic finds "genuine talent" displayed,
but the hero, Jurgis Rudkus, "is a mere jumble
of impossible qualities labelled a man and put
through certain jerky motions at the hands of an
author with a theory to prove." The Independent
similarly concludes that Mr. Sinclair has not only
talent but unquestionable genius; "but he lacks
judgment and has always been disposed to exceed
the truth in the violence of his effort to tell it."
The same reviewer writes further :
"Never was such a black picture drawn of greed
and inhumanity practised by that class of society
which we are accustomed to reckon generous and
honorable. There is no denying that Mr. Sinclair
has the reality of terrible possibilities back of his
representations. It is not whether the thing is
literally true that counts for so much as it is the
proof the book offers that such things may be
true in every horrible detail. The power exists
in the hands of great corporations to bring
these miserable conditions to pass. And it is a
sort of axiom of human nature that the more
power a man or a set of men have the more un-
scrupulous they are in exercising it. If one-tenth
of the author's statements have ever been true
of any one living worker in Packingtown, it con-
stitutes an argument for socialism or any other
form of revolution that is well nigh incontro-
vertible. But this is just Mr. Sinclair's purpose.
The Jungle' is really a socialistic tract, and not
a novel at all."
The Times (New York), in its literary supple-
ment, devotes a full page to its review of "The
Jungle," finding it "a close, a striking and in many
ways a brilliant study of the great industries of
Chicago"; but the reviewer is skeptical as to the
author's sincerity: "His art is too obvious, his
devices too trite, and he has too much joy in
them. His delight is not so much in the thing he
says as in the way he says it, which is often as-
tonishingly clever." Another conservative paper,
The Evening Post (New York), gives not only a
column review to "The Jungle," but a leading
editorial on "Socialistic Novels," which is based
chiefly upon it.
Another socialistic novel that is conunanding
respectful consideration from even the conserva-
tive press is by the author of "The
The Great Silence of Dean Maitland"— the
• Refusal lady (Miss Tuttiett) who calls
herself Maxwell Gray. Her story*
is of a young man who renounces inherited wealth
because of the injustice upon which it rests, and
in doing so also renounces the love of the girl
he was to have married, bvH who is not quite de-
voted enough to follow him into poverty. He
goes finally to South Africa and establishes a suc-
cessful socialistic colony, finding happiness in
altruism.
The socialistic conclusion does not seem at all
convincing to the critics, but the author's nobility
of purpose commands their respect. "Whatever
may be thought of the execution of this novel,"
says the London Spectator, "its ideals are so much
'on the side of the angels' that the story itself can-
not but be welcomed by the serious reader." The
London Times takes about the same view: "The
tale is a really thoughtful one, written with a pur-
pose; but buried so deeply beneath extravagances
of style that it needs patience to value the motive
at its true worth. Maxwell Gray's canvas is too
big for her — ^her scene painting is splashy and
gaudy." William Morton Payne, reviewing the
book in the (Thicago Dial, regards it as "singularly
charming and appealing," and though based upon
overwrought emotion rather than upon any prac-
tical form of idealism, it is "so fine in motive and
so graceful in diction that criticism is measur-
ably disarmed."
Eden Phillpotts has never been a remarkably
popular writer in this country, a fact due, partly,
we presume, to the somberness of
The his tales and partly to the close
Portreeve fidelity with which he reproduces
an unfamiliar dialect and life
under conditions alien to Americans. His latest
novelf is of the same color and texture as those
that have preceded it, but it is generally regarded
as the strongest work that has come from his pen.
The London Academy calls it "a powerful, almost
a great book," and the New York Evening Post
thinks that it shows that a worthy successor has
been found to Thomas Hardy.
The "portreeve" was a sort of town overseer.
* Thb Grbat Refusal. By Maxwell Gray. D. Apple-
ton A Co.
fTHB Portreeve. By Eden Phillpotts. The Mac-
millan Company.
564
CURRENT LITERATURE
The story circles around Dodd Wolferstan, the
portreeve of Bridgetstowe, on the north of Dart-
moor. Instead of the "eternal triangle" of char-
acters, we have a quadrangle — ^two men who love
the same woman, and two women who love the
same man. Dodd Wolferstan, who has worked
his way to success from a lowly start in the
workhouse, who is strong, handsome, sane, re-
ligious and ambitious, loves I let Yelland, a peas-
ant girl, and is loved by her. Unfortunately,
Abel Pierce also loves her with the fierceness
of primitive passion, and the wealthy Prim-
rose Horn loves Dodd just as fiercely. She and
Abel conspire to separate Dodd and Ilet, and
succeed for long, until Abel's death. Then Dodd
and Ilet are married and the real story be-
gins. The tale from that on is a tale of
Primrose's hatred and her consecration to re-
venge. She succeeds to the full, wrecks the port-
reeve's life and drives him to a madhouse and a
tragic death.
The London Academes critic compares the
story to the old Greek tragedies. He says : "In
giving us something stronger than the lukewarm
brew of the average of our day, Mr. Phillpotts
gives us more than a taste of tfie old tragedy.
We are lifted, excited, awestruck: there is some-
thing of that purging by pity and terror that only
great tragedy can accomplish. And yet, great as
our modern author is in many ways, he just falls
short." The London Time^ critic enjoys the au-
thor's "fine sincerity of purpose," his sympadiy
with the poor, and the conversations of the primi-
tive Dartmoor people; but he cannot believe that
the elemental emotions rage so nakedly there as
Mr. Phillpotts would have us believe, and above
all he cannot believe in the malefic astuteness of
Primrose, or in her awful steadiness of hate. The
Outlook (New York) thinks the motive of the
story one of the most repellant within reach of
the novelist, and it is worked out with unsparing
boldness; yet Mr. Phillpotts has never before
sketched the loveliness and majesty of the Dart-
moor country with a surer hand. The St Louis
Mirror cannot understand why Phillpotts does not
achieve the vogue of Thomas Hardy, for ''no
modem English writer excels him, at times, in the
artist touch of description, and the atmosphere
he invokes is well-nigh perfect ; the breath of the
moor, the ripple of the stream, the scent of the
hay, are all his to give to the one who goes with
him to Devon's tors and meadows and wastes."
The Springfield Republican, however, finds him
lacking in Hardy's special charm— "the delicate
ironic touch, the skilled artistry." The New York
Evening Post thinks that Phillpotts has shown a
steady advance in each of his later novels; but
'The Portreeve" is so far beyond his other works
that it can be compared only with Hard/s "Mayor
of Casterbridge" or "The Return of the Native."
THE CHILD— A STORY BY JEAN RICHEPIN
It was a small railway station on the Paris-
Lyon line. With a disdainful tone in his voice
the conductor was accustomed to call out the name
of the station to the sleepy passengers: "Saint-
Felicien-du-Mont ; one minute's stop!" Then the
train proceeded further with a loud noise, and dis-
appeared immediately into a tunnel as if it felt
ashamed of having been halted for such a trifle.
Mr. and Mrs. Verdie were the only two officials
of this station. He called himself the station-
master of Saint-Felicien-du-Mont, while his wife
designated herself more modestly as the railroad-
guard.
They had a son of about two years of age,
Emil by name, or, as they fondly called him,
Milot. The little fellow was the sole fortune, the
sole joy, of his good parents, and M. Frederic in
particular was uncommonly proud of his boy.
One morning the "station-master," as usual,
took his child along with him to his work that
he might play with him in his short intervals of
rest. He had to close up a passage in the hedge
which ran along the track.
Milot behaved excellently; he did not cry oooe
the whole time. And even when Verdie, in order
to amuse him, began to creep on the ground on
all fours the child laughed like a veritable hoh-
goblin and took the face of dear papa between
his dirty little hands. The happy father beamed
with joy and called laughingly to Milot:
"Well, well 1 Now I want you to sing."
The little fellow began to crow like a young
ro^stf^r. The father rolled in laughter. How
comically Milot threw his head back! And how
oddly he screwed up his little mouth, showing
here and there the still missing teeth.
Verdie forgot all the sleepless nights which his
son had caused and thought only of the pleasant
memories which that child had left in his mind —
the first smile, the first "papa," the first clapping
of hands, the first step — in short, all those com-
monplaces which to the parents' hearts always
seem so new and fascinating.
THE CHILD
S6S
Radiating with delight, he played pranks with
Milot and rolled on the grass like an old dog
trjring to keep his young puppy in good-humor.
'Vilot," he asked, imitating the helpless speech
of the child, "how does the train go?"
Milot began to run up and down with his awk-
ward little feet and cried, opening his eyes wide
and pufiBng up his cheeks : "Fu, fu, fu P*
Without a shadow of doubt that was, at least
in the opinion of Verdie, a faithful imitation of
the noise made by a train. The father could
scarcely get over his laughter and delight That
was his work. He had taught Milot this, as he
had also taught him how to mew like a cat, to
blow out the candles, to bring into a rage the
parrot of his aunt who lived with them, and a
hundred other ingenious performances.
Presently his wife Marie appeared with a flag.
She let down both barriers at the point where the
track crossed the road, and looked toward the
tunnel.
"Is the express train coming already?" asked
Verdie, who stood on the other side of the track.
"Yes, it will be here in a minute."
Both pricked up their ears. The next moment
a thick cloud of white steam emerged from the
tunnel and the train came rushing on the trem-
bling rails.
"Mamma, mamma!" cried Milot, who saw it
coming.
Whereat he tore himself loose from his father's
hand and ran, mimicking the train : "Fu, fu, fu 1"
Suddenly a fearful double shriek rent the air:
the child had run on the track.
"Milot! For Heaven's sake, Milot!"
"Fu, fu, fu!" cried the child, jubilantly raising
his voice higher and higher.
The train whizzed by like lightning, then grew
smaller and smaller.
A short distance from the track Milot's muti-
lated body lay in a pool of blood.
n
They lifted the child and carried him into the
house.
"Oh, my God, my God!" cried Verdie with a
voice that seemed not to proceed from a human
throat
Marie wept, cried and wailed. But when she
saw her husband take the revolver and point it
at his head, she jumped up with a bound.
"No, no! Not that! Not that!" she cried, and
tore the weapon from his hand, beside herself
with terror.
He yielded the revolver to her, and both broke
down, weeping loudly.
Suddenly Frederic seized his weapon again.
'*No, let me I am to blame for all, I am
to blame! I should have kept him back — not
taken him to the track. . . . I, I am to blame !
I am a miserable wretch! Let me!"
They struggled amid wild cries to wrest the
revolver from each other.
"No, no, no! Oh, I beg you, Frederic!" im-
plored the young wife. "On my knees I beg you,
do not kill yourself!"
But he paid no attention.
"Do not kill yourself! Oh, my God, what am
I to do to keep him from killing himself? Give
me a saving thought Oh, my God!"
Verdie suddenly released her; he seemed to
have renounced his purpose.
Then he felt a soft object under his feet, the
sight of which broke his heart : Milofs first shoe,
a red felt shoe, the length of a finger. In his
struggle with Marie he had thrown it down from
the itagire.
Now he could no longer control himself; he
rushed to the kitchen drawer and pulled- out a
knife.
"Frederic, Frederic !" cried his wife, as She saw
that he was on the point of cutting his throat
"Stop! stop! Listen to me! You shall know
everything. You have lost nothing, nothing!
Milot was not your son !"
in
The husband turned around. His feet shook
beneath him as if the roof had suddenly dropped
on his shoulders.
"What — what are you saying there?"
"He was not your son, I swear to you, my good
Frederic ! He was the son of "
"You wretch r
With these words Verdie snatched the revolver
that lay on the ground and fired on his wife.
Then he rushed like a madman from the room
past his sister-in-law, who had just returned from
the village.
"Anne, Anne!" cried Marie, who was fatally
wounded and had a rattling in her throat "In a
year — or in six months — or in a couple of weeks
— ^you will tell Frederic, won't you, sister — ^you
will tell him that it wasn't true— what I told him ;
tell him that Milot was his son — as you know
— and as the dear Lord knows, who gave me the
idea! It was the only way, else he would have
killed himself — my poor husband! Won't you,
Anne? You will tell him?"
An hour later she expired in her sister's
arms.
The Humor of Life
MORE EATING THAN SEEING
George Ade, the humorist and playwright, told
a story recently of a farmer who went to a large
city to sec the sights. The rural visitor engaged
a room at a hotel, and before retiring asked the
clerk about the hours for dining.
"We have breakfast from six to eleven, dinner
from eleven to three, and supper from three to
eight," explained the clerk.
"Wa-al, say," inquired the farmer in surprise,
"what time air I goin* tcr git ter sec ther town?"
— Judge,
A FRIENDLY INVITATION
"When in need of a square meal draw on me,"
said the rubber nipple to the baby. — Judge.
FUNNY, ISN'T IT?
That a taut rope is none the wiser.
That, though night falls, day breaks.
That a pen has to be driven, but a pencil is
lead.
That sailors never box the compass on the
spar deck.
That the fellow with a literary bent is usually
broke.
That a tree is cut down before it is easily cut
up.
That improper fractions should figure m pure
mathematics.
That the man with lantern jaws is seldom a
brilliant talker. — Warwick James Price in Satur-
day Evening Post.
REAL DISTINCTION
"Is Mr. Scadds a man of scientific distinction ?"
"Yes, indeed," answered Miss Cayenne. "He
has so many college deg^rees that when he sends
in his card you can't be sure whether it is his
name or a problem in algebra." — ^London Tit-Bits.
A DELICATE COMPLIMENT
Many delicate compliments have been paid to
the fair sex by men subtle in speech, but here is
one straight from the heart of an illiterate negro,
which, it seems, would be difficult to excel.
It is recalled by the Reverend C. P. Smith, of
Kansas City, in telling the story of a marriage-
fee.
"When I was preaching in Walla Walla, Wash-
ington," he says, "there was no negro preacher
in town, and I was often called upon to perform
a ceremony between negroes, une afternoon,
after I had married a young negro couplcj the
groom asked the price of the service.
"*0h, well,' said I, 'you can pay me whatever
you think it is worth to you.* ^
"The negro turned and, slightly looking his
bride over from head to foot, slowly rolled up
the whites of his eyes to me and said:
"'Lawd, sah, yo' has done ruined me fo' life
yo' has, fo' sure V "—-Judge.
HONEST CRITICISM
An actor whose name is world-known nowa-
days tells the following story as illustrating the
curious criticisms to which players are subject.
In his early days he once gave to a waiter in
a restaurant a pass for "Hamlet," in which he
himself took the title-role.
He did not tell the waiter he was an actor.
He wanted to get from this simple-minded and
yet intelligent man an honest criticism on his
work.
So he duly played Hamlet, the waiter occupy-
ing his free seat throughout the performance;
and the next day the actor visited the restaurant.
"Well," he said to the waiter, "you saw 'Ham-
let' last night, eh?"
The waiter scowled as he replied: —
"Yes, I did; and who's goin' to pay me for my
time ?" — London Tit-Bits.
EVENED UP
All things by Time are set to rights
And squared in divers ways;
Gay blades by lengthening their nights
Are shortening their days.
— Catholic Standard and Times.
AN INFERENCE
"When I awoke from the operation I felt as
if I was burning up."
"I see. You must have thought that it had been
unsuccessful." — Smart Set.
EXCUSABLE
Editor : I cannot tolerate such spelling as this.
You have here the word "suburban" spelled "sub-
bourbon."
New Writer: Yes; but haven't you noticed
the scene of the plot is laid in Kentucky? — Judge.
HOW THEY DID IT
Tommy (from the city) : And you pasteurize
all the milk, don't you, Uncle Jed?
Uncle Jed : Haw, haw, haw I Jes* lisen to ther
boy. No, sonny, it's only ther cows we treet thet
way. — Brookl)m Life.
A BIGOT
Uncle George: And how do you like your
employer, Harry?
Harry: Oh, he isn't so bad; but he's bigoted.
Uncle George: Bigoted? In what way?
Harry: He's got an idea that words can only
be spelled his way. — London Tit-Bits.
NO STROPPING
SAVES
V>^
NOHONINCE
^(1
AWHEEL OF PROGRESS
Every pro^rM* '^ «■»« ^^ gJM ^ ^rf ^^ w^" 1^^^ ^'J" » 't^''*' ?
sLuiiiJdkiiow f Mf C7 %^aMW7mSm^ btactory hm hi^ barber cua
Shave yourself and save time, nioiiev and worry,
"The Gillette" blade is of fine, flexible, wafer steel that shaves.
t2 blades^ 24 keen edges.
20 to 40 quick and comrortabic shaves from each blade, J^^'---,-^
Triple silwf'plnteil ^X wilh la biaUe^ . - ...,.,....,.,..- . * ? oo Wy ^BP^
Qimdnifik guJd pEatcd set T^iih i j ijbdt-s ■ . . ^ ■ . ■ ^ - * ^^^^ MJ ^L I ■ wv
QuEidnipSp «ul.l Tjblu»i ?«l ^ith 1 3 hLfidt^ nml monngMm .................. ...» t^^ M-^ ■*! cf 'Tl
Slandiifft aimbiTWtum stl wilh *tjii>4nkt i^T^^h ^ind >kkj\» in Ui|.lc ^iker-iJ^Mel hr-Mrr* _ . . 7 ^^ f ^j «A ' ,f I
OlJicr ciimbinuutm sf^H in aihrr md khM u^i ij , : " \- '^^ ^^ l"^ Hfli ' tI
SUEidanl iBukfl^ft. f4 10 bkcies, bavins -i^ h^j rjj i-niy.,ir.. dir -.ale hy .lU a^^ik^r- ;it iliu LinLtr>riu priLc- ol 5^ '^^-'^l^- 1 J ^^!^^ j kg
?!• WH^t'^fiih-ft^rdoMT^IiiirittfH^, Th6?lmp*oat,en«lo«tnnd rno&t«at;«raotory*hav-
Jna <l«vic« (n the wortd. ^"i<J *»> Umlin* ,jri»iE. t uikr> und Imrd^Mrr dt(*k«, A«k lu**'*?
CILLETTE SALES CO-, Times Bldg,, N. Y* Olty H^^^S^^i
NO STROPPING.
vose
HAVE BEEN ESTABLISHED
54 YEARS
and uro. receiving more fav-
orable comments to-day from an art-
istic standpoint than all other makes combhied.
WE CHALLENGE
COMPARISONS.
:b=bbssbsbbsbbbbbbb=bs=:^==s
By our easy payment plan every family In moderate
circumstances can own a vose piano. We allow
a libtaal price for old instruments in exchange, and
deliver the p'a!!0 in your house free of expense.
You can de^l with us at a distant point the S!ime
as in Boston. Catalogue, bo<)ks,
etc., giving full information
mailed free.
vose & SONS PIANO COn
160 Boylston St^ Boston, Mass.
lANOS
MENNEN'S
BORATED
TOILEI
TALCUM
POWDER
Welcome & Refreshing
AS (!it first fluwers of S[>rtr,j^'- i^
,^i 'Shinjst touch of MliNNtN'S.
vcs imni--4f i(ff and posSiivfi relii f
from I'KICKLY HHAT, CilAH'
l\G, 5U\L.UKN. .Dd jU fckm
invLiblirl. Mcnin'n'l fjct tiii. t fry
b)»x, (<ret^Ji y<iu p* t tUc f7t'riui-ic
Fur *ale pvcrv%^Uere, or b/ rrkjil
avc. &4m[ilt frrt.
Gtrliirif Menn«n Co.,N«W3rlt,N,K
TrvJJ'Ti ft til's V'juJe! (llnr^te*!? Tuh-nni..
Be
Somebody
Use healthy strength^ and a keen
thinker to earn fame and dollars.
G>ffee ** crimps*' many a man —
cripples his health and clogs his mind.
Yoa get on your running shoes
when yoa qait and ase Posttim.
and There's a Reason for
POSTUF
Postiim Ccrral Co.. Lt 1.. I^.ittl,' Creek.
^llf^PFC► i-.t.Au..coDr. /-w>. NEV.' YORK.
$3.00 a Year
June 1900
Price 25 Cents
U NOV 6 1906 ;) ^
urront
Liter^dure
For Complet* Table of ContenU aee inside page
A Review of the World
San Francisco the Undaunted
The President's Crusade Against Trusts
The Duma and the Czar
Britain's Battle over ''Birrelligion'*
Persons in the Foreground
The Positive Character of Speaker Cannon
Wells— **A Prophet of the Coming Race"
That Human Radiance Called Ellen Terry
The World's Most Perfect Ruler of Men
Literature and Art
Mural Decoration — An Art for the People
The Bane of Irresponsible Criticism
A Japanese Don Quixote #
Gorky and the New Russian Literature
Recent Poetry
Music and the Drama
Max Reger : A New Problem in Music
Barrie's Two New Fantasies
The Awakening: Hervieu's Latest Play
Has American Music a Distinctive Note ?
Religion and Ethics
The Heresy Trial in the Twentieth Century
Providence and the California Disaster
Saving Men from Moral Overstrain
The Most Vital Element in Christianity
Science and Discovery
Scientific Problem of the Earthquake
Burbank's Method for the Human Race
Principles of the Boomerang's Flight
Theories of Cloud Architecture
Recent Fiction and the Critics
The Other Side of the Moon ; A Prize Story
THE CURRENT LITERATURE PUBLISHING CO.
34 West 20tli .Street, New YorR
OUT O' DOORS
SUMMER PLEASURES are essentially
out-of-door ones. All the active sports make the
bath a luxury ; add to its delights by using Hand
Sapolio, the only soap which lifts a bath above a
commonplace cleansing process. Hand Sapolio
gives more than cleansing ; it gives energy and vim
and circulation. It is " the soap with life in it."
No animal fats, but pure vegetable oils com-
bined with the cake, so that
THE TEXTURE OF THE SOAP HEI.PS
THE TEXTURE OF THE SKIN.
'\KyenD2ms(^fbiiiitaJnPeD
K^n "ntm pen wItH j^^>^ th« ClIp-CAp
IF you would be successful — save time.
Water-nan's Ideal Fountain Pen is one of the
greatest time savers of the period. It is a
necessity to everyone in a business or profes-
sional career. If you realize this, why not make
a gift of Waterman's Ideal Fountain Pen to
some graduating friend > Nothing is more ac-
ceptable, nothing more appropriate.
It is ultimately cheaper than steel pens and
ink bottles, and with proper care it will last a
life time. Pens of our manufacture have been
in use since first made, twenty-two years ago,
and they are as good to-day as ever. They are
more essential to success to-day than ever.
Pens purchased anywhere are exchangeable
everywhere if in any degree unsatisfactory.
Your pen should suit your hand, and there is j
a pen made for everyone. ^ ^
Sutioners, drug^ and jewelers almost |p^j
f^B everywhere cany varied assortmenU. Our own
|B branch offices give particular attention to repairs.
5H Write for a copy of our booklet "PoinU for
Penmen."
L.E. Watermafl Co.,173 6itMuIwaj,N. Y.
a09 STATE ST. . CHICAGO 8 SCHOOL ST. BOSTON
136 ST. JAMES ST., ICGNTKEAL
961 BROADWAY, OAKLAND, CALIF.
Photograph byflKalk.
ONCE AN ORCHESTRA LEADER; NOW THE HEROIC MAYOR OF SAN FRANCISCO
"Society was thrown back to it.s beginnings," writes Frederick Palmer. "There wa« chaos in the streets
and in men's minds. . . . The control of the situation fell back on two men, Ftinston and Schmitz.
Both happen to be natural leaders ot men. But Schmitr was the surprise. In this crisis he showed that
he had a backbone of steel and thefmind of the bom organizer. Tall and well set up, with black beard
and black pompadour hair, he seems still the leader of an orchestra as he once was. His orisrin and his
previous character make his work the more wonderful."
His name is not even in " Who's Who "—yet. It is Eugene E. Schmitr.
Current Literature
VOL XL, No. 6
Edward J. Wheeler, Editor
Associate Editors : Leonard D. Abbott, Alexander Harvey
JUNE, 1906
A Review of the World
Serene, indifferent of fate,
Thou sittcst at the Western Gate;
Upon thy heights so lately won
Still slant the banners of the sun;
Thou seest the white seas strike their tents,
O Warder of two Continents.
nggiHE Western Gate, the heights, and
^^1^1 the white seas of Bret Harte's poem
F^^^^ remain; but that is about all that
I. Msmi {3 ]^t of San Francisco, the old city
of romance and song and story. It was a
city of contrasts. More poetry, it is asserted,
was written daily in San Francisco than in
any other city in the United States. There
were also more murders in proportion to popu-
lation. "The smelting-pot of the races," Ste-
venson called her, and he was enamored of her
beauty, her romance, her mystery, and even
her license. "Physically and mor-
ally," says one writer, "San Fran-
cisco was built on mud." There is
much truth in that; but out of the
mud grew flowers of rare beau-
ty and intoxicating perfume; and
the whole world is to-day looking
with admiring eyes upon the deeds
of heroism, the undaunted spirit,
the brotherly kindness and the
marvelous self-restraint of this old
city of unspeakable vice and inde-
scribable charm that has passed
off the face of the earth forever.
For the old San Francisco can
never be restored.
then by the Franciscan fathers, and it marked
the period of Spanish glory and religious
chivalry. And this old building, apparently
tottering and ready to fall of its own weight,
has resisted the earthquake shock that laid in
ruins the new eight-million-dollar City Hall,
and still stands when marts and exchanges and
the palaces of millionaires are but unsightly
heaps of twisted girders and broken brick and
crumbled stone. After the Spanish period
came the days of '49 — the days of the Argor
nauts and the Vigilance Committee, of fortunes
made and lost in the twinkling of an eye, when
it cost twenty-four dollars a dozen to have
shirts laundered, and might cost you your life
tq^ ask a man what his real name was. The
newer city, San Francisco the third, the
metropolis of the Pacific coast, the city loved
by Stevenson and scorned by Kipling, in addi-
tion to her reminders of the high-
ly colored past, possessed many
other features of varied interest.
For one thing, nature has re-
mained very close to the city's life.
"Within the last few years men
have killed deer on the slopes of
Tamalpais and looked down to see
the cable cars crawling up the hills
of San Francisco to the north. In
the suburbs coyotes steal in and
rob hen roosts by night." Says a
writer in The Evening Post (New
York) :
THE history of the city goes
back not merely to the days
of '49, but to the days of our
Declaration of Independence. The
old Mission Dolores was er^qtecj
From Rtsrcoarapb, copyrUht
IWe, by H a White CoT, N. Y.
THE FIRST CAR
"City and railroad offi-
cials and invited guests
filled the first street -car
which started on the run
across the 1 city, Mayor
Schmitz acting as mo-
torman. Everywhere the
car was greeted with
cheers,'*
"Something in the lingering glam-
or of Spanish days; something in
her situation set on a finger of land
beaten on one side by a windy ocean
and caressed on the other by a quiet
bay ; something in the belief that San
Francisco is a city where for great
things lie upon the knees of the gods ;
something in the mere sunny soft-
568
CURRENT LITERATURE
THE BUSINESS SECTION OF THE CITY AFTER THE EARTHQUAKE AND BEFORE THE FIRE
SWEPT IT
"The direct damajfe of the earthquake," says President Jordan, "was not great. Old brick buildings
were crumbled, and chimneys flung about, but the modern steel structures received little if any injury.
Even the slender Call Building, some thirteen stories high, swayed in perfect rhythm."
ncss of the air which breeds sensuous women and
long-limbed, clean-lined men; something in hdr
so strange mixture of races that not seldom on
the circling bay a Neapolitan fisherboat passes
with her swifter sails a blunt-bowed Chinese junk;
something more than all this, subtle, impalpable,
'evasive as water beneath a knife,* yet as real as
granite — impels to poetry. Poetry, like the spores
of some crimson fungus, is in the air. It takes
root, here, there, and strangely grows. One comes
upon it with a movement of surprise in most un-
hkely places. The phenomenon is a thing at
which to marvel."
Fromwcrcogittph, copyright l\t(H\, II. C. White Co.. N. Y.
WHERE THE BIG WATER MAIN WAS BROKEN
The earth at this point in Valencia Street sank four ,
feet The damage done here to the water main caused
the destruction of the city by fire. This hole may be
called the open 'grave of old San Franci.sco.
WHAT was it that happened on that fatal
April i8? Back in the geologic ages
the crust of the earth received too great a
strain and there was a break. The rocks on
one side of this break were left 2,000 feet
higher than those on the other side. The ele-
vated side is called the Sierra Morena, and
forms the backbone of the peninsula of San
Francisco. The depression on the other side is
called the Portola Valley and by various other
names. The break' itself is called by geologists
the Portola fault. The weakness along the
line of this fault has been, according to Presi-
dent Jordan, writing in The Independent, the
cause of San Francisco's numerous tremors
and shocks in past years. "The very violent
shock of April i8th was clearly due to this.
The old fault in the rock reopened, breaking
the surface soil more or less for a distance of
upward of forty miles. The mountain on the
west side of the fault slipped to the northward
for a distance of between three and six feet
without change of level on either side." Here
is a description by another writer of what has
happened in the Sobrante hills, a few miles
north of Berkeley:
"The hills are rent and torn in a way that can
THE EARTHQUAKE AND AFTER
569
THE BUSINESS SECTION OF THE CITY AFTER THE FIRE HAD PASSED OVER IT
** When the Bvm rose that Thursday morning," says Miriam Michelson, " it was blood-red in a heaven of
smoke. Black clouds were belching forth ; the business part of the town was a hot graveyard, whose rickety,
irregular-shaped tombstones marked the spot where millions of property lay in mountainous heaps of smok-
ing brick and twisted steel."
scarcely be believed except by personal observa-
tion. On the slope of one of the hills is a fissure
three-quarters of a mile long. At one end of the
aperture, which is tapering, the crevice is ten feet
across and eighty feet deep. The ground must
have been tumbled about in a frightful manner,
for in one place a large knoll has risen and in an-
other entire oak trees have been moved thirty
feet.
"There is great confusion in the country at
Point Reyes, thirty-three miles north of this city
[Oakland] owing to manifest changes in the lay
of the land. Although there is no visible break
in the earth's surface, numerous signs record the
moving of the country at least ten feet northward.
An old oak tree, a landmark in those parts, is now
ten feet distant from the fence which it formerly
overhung.
"At Olema, a nearby town, a pipe line 300 feet
long, which was broken by the quake, on being
repaired showed an excess length of three feet,
indicating a contraction of the earth. At Bolinas
knolls of earth have been thrown up where be-
fore there was level ground. Proprietary lines
have been changed and there is confusion over
the present acreage of large estates."
case were without wings, and they became
panic-stricken. "I met only one man," says
Frederick Palmer in Collier's, "who did not
think that the world was coming to an end
after the shock had lasted twenty seconds."
That one man was a newcomer who h^d heard
about San Francisco's earthquakes and who
supposed this particular one was the customary
sort of thing. When his wife and children
began to make audible expression of their
feelings about being thrown out of bed, he
THAT was all that happened — a little slip
of a few feet in the rocks along a line
about forty miles in length — a slight twitching
of the earth, less violent, in proportion, as one
writer puts it, "than the act of a horse shaking
his skin to throw off a fly." But the flies in this
IN FRONT OF THE POST-OFFICE
"The driver of a market-wapfon told me his horse
went down on all fours while he himself was thrown
forward on to the dashboard, and the street before him
seemed to be weavmg and twisting."
S70
CURRENT LITERATURE
From •toreograph, copyrlgbt 1906, Cndcrwood A Undonrood. N. Y.
THE ANGEL OP GRIEF
Statue at the Leland Stanford University standing in the
midst of ruins.
calmly informed them that people there didn't
pay any attention to little matters like that, and
the thing to do was to go back to bed, which
they all proceeded to do! Ludicrous as that
seems, it was not, after all, such an absurd
procedure, for, according to all accounts, de-
spite the violence of the earthquake and the
panic it occasioned, the actual damage caused
by it would have been comparatively slig^ht
but for the breaking of the gas mains and
water mains and the consequent destruction
by fire. At least San Franciscans stoutly as-
severate that such was the fact, and insist that
the disaster shall be hereafter spoken of as the
great fire rather than as the great earthquake.
Senator Newlands, of Nevada, declares that
not three per cent, of the damage was caused
by the shock. President Jordan says that the
damage other than by fire was "not great." Old
brick buildings were crumbled and chimne3^s
were toppled down, but the modem steel
structures received little if any injury, and
solid masonry stood fairly well if it was not
too high. Even the brick or stone facings
on the steel structures for the most part kept
their places. The relative damage done by the
earthquake and the fire is a very important
point, not only in its influence upon the rein-
vestment of capital in rebuilding, but also upon
the adjustment of payments by the fire insur-
ance companies, which are liable for the loss by
fire, but not liable for the loss by earthquake.
Franklin K. Lane, who was the candidate for
governor of California in the recent election,
says on the subject:
"All the buildings which went down [from the
shock] were either crazy shacks on the made
lands or badly constructed brick buildings of the
type wherein the frame was of wood with a brick
firewall. In the case of these brick buildings, also,
the greater part of the damage was on the made
lands. The great loss of life was on the southern
THEY CALL THEM ANGELS IN DISGUISE OUT IN SAN FRANCISCO
One woman tells why : "Thev have ^one without water, without food, without their tents that the woinen
and children might have them. In this, our time of need, the army has been our refugre andlour strength."
This is a picture of the First Coast Battery.
AS JACK LONDON SAW IT
S7I
fringe of Market street from the waterfront to
about Fourth street. This part of the city was
originally a swamp. A great deal has been said.
of the fall of City Hall. That stood above die
dry bed of an old creek and was not anchored
deep enough. The new postofficc was also on that
creek bed; but for that building they bored for
three years to get foundations deep enough. The
postofficc was only a little damaged. I drove all
through the business district in an automobile
within three hours after the disaster and before
the fire had made any headway. Not one of the
new steel frame buildings was hurt in the least.
Some of the Eastern papers have told how they
cast their shells. That is not true. They did not
lose a brick — even the windows remained un-
broken. Many of them stood on the made land,
too, and the rest in the low land. A modern steel
skyscraper has proved itself the safest place in an
earthquake. Honestly constructed wooden and
brick buildings stood it too. Nine out of ten
houses destroyed by the earthquake were old and
flimsy and should have been torn down by city
ordinance long before.
HUNDREDS of descriptions of the scenes
that followed the fire have been given in
print, and hundreds more are probably yet to
be told. One of the best is that written by
Jack London for Collier^s Weekly, which
paper, by the way, has handled the whole oc-
currence with marked enterprise and ability.
Jack London was forty miles away when the
shock of the earthquake came, but reached the
stricken city soon afterward. Contrary to
many reports, he declares that the panic by
that time was hardly observable. He writes:
From itereograph, copyright liMM, Underwood k, Underwood, N. Y
»• PALACE HOTEL GRILL "
At least that is what the sign on the shack says. It
takes more than an earthquake and a fire to quench the
American sense of humor.
'^Remarkable as it may seem, Wednesday night,
while the whole city crashed and roared into ruin,
was a quiet night. There were no crowds. There
was no shouting and yelling. There was no hys-
Prom ■tereoffrapb, copyright IflOO, by H. C. White Co . X. T. From utereograph, copyright 1900, by Underwood k. Underwood, N. Y.
"THE PILLARED FIRMAMENT IS ROTTENNESS AND EARTH'S BASE BUILT ON STUBBLE"
" There were hills and hollows where all was level before, and the iron of the tracks was twisted in a roost
Wdeotis way. Great fissures and cracks were in the roadbed, and on one side we saw a great fissure, into which
a wagon had fallen." .
572
CURRENT LITERATURE
From itereograph, copyright 1906, II, C. White Co , S. Y.
THE EIGHT-MILLION- DOLLAR CITY HALL
Why were the municipal buildings so badly damaged
by the earthquake and the Federal buildings hardly at
all ? The answer, says a correspondent of the Springfield
Kepublican is — Graft.
tcria, no disorder. I passed Wednesday night in
the path of the advancing flames, and in all those
terrible hours I saw not one woman who wept,
not one man who was excited, not one person who
was in the slightest degree panic-stricken.
"Before the flames, throughout the night, fled
tens of thousands of homeless ones. Some were
wrapped in blankets. Others carried bundles of
bedding and dear household treasures. Some-
times a whole family was harnessed to a carriage
or delivery wagon that was weighted down with
their possessions. Baby buggies, toy wagons, and
go-carts were used as trucks, while every other
person was dragging a trunk. Yet everybody vr as
gracious. The most perfect courtesy obtained.
Never, in all San Francisco's history, were her
people so kind anjl courteous as on this night of
terror.
"All night theSe tens of thousands fled before
the flames. Many of them, the poor people from
the labor ghetto, had fled all day as well. They
had left their homes burdened with possessions.
Now and again they lightened up, flinging out
upon the street clothing and treasures they had
dragged for miles.
"They held on longest to their trunks, and over
these trunks many a strong man broke his heart
that night. The hills of San Francisco are steep,
and up these hills, mile after mile, were the trunks
dragged. Everywhere were trunks, with across
them lying their exhausted owners, men and
women."
Among the vehicles pressed into frequent
service were perambulators, children's wagons
and rocking-chairs. "No one has spoken of the
figure the American rocking-chair cut in the
fire," writes one correspondent "Rocking-
chairs were in great demand as drays for
household goods. Nearly every family dragged
one or more after them in the flight to the
western hills."
THERE never has been such a leveler,
writes Gertrude Atherton in Harper's
Weekly, describing the scenes of the first
week. She tells of millionaires in the bread-
line taking their turn with Chinamen and day-
laborers, and of women in opera-cloaks
Jul ^ .t J *
>»^>
From stereograph, copyilgbt iWX\ by Underwood & Underwood, N. Y. From atcreoprttph, copyrigb' IQG, by II. C. White C « . X T.
OUTSIDE THE FIRE-ZONE
"A building that lay under the breaking point of an earth wave wa.s pulled apart as you pull apart a piece of
bread, or its sides ground to^t'therj or it fell like a house of cards. P'or blocks the pavement was scarcely disturbed
and then there were places where it looked as if it had been turned into miniature hills and valleys."
GERTRUDE ATHERTON'S DESCRIPTION
573
camped out under the open sky, cooking at
stoves improvised out of loose bricks and cob-
ble-stones. Her sister was one of these, hav-
ing escaped in a nightgown, a pink opera-
cloak and her husband's boots. Even the
Chinamen were amused at her appearance.
Mrs. Atherton has never had much use for
pessimists, but she has less use than ever after
witnessing human nature under the strain put
upon it in San Francisco. She writes :
"Organization began almost before the earth-
quake stopped. Red Cross ambulances and auto-
mobiles were flying about, car-loads and ship-
loads of food were on the way, and these cities
'across the bay* literally opened their arms. Never
has there been a finer exhibition of the good in
human nature, for it is one thing to subscribe what
you can afford, and another to take strangers into
your house for weeks and perhaps months. This
thousands have done and are expressing their de-
sire for more, while the relief work in San Fran-
cisco, under Mayor Schmitz and Mr. Phelan, is as
systematic as if earthquakes and fires that de-
voured four square miles of a city were part of
the yearly routine. There have been few cases
of extortion reported; personally I have only
heard of two. One was the case of a leading firm
of grocers, who immediately put famine prices on
everything. General Funston turned them out,
closed them up, and put a sentry before the door.
The other case was a personal experience, but I
have been requested to withhold it until the ex-
citement is over lest the man be lynched. But
these exceptions dwindle and disappear before the
From «tcrecgrapb, ropyitght lOCG, H. 0. White Co . N. Y
LIKE A PICNIC TO THE BOYS
The school buildings that were uninjured were filled
with straw beds and cots for days, and the boys never
whimpered over the lack of educational facilities!
abounding kindness and helpfulness of hundreds
of thousands, some homeless, but willing to share
an asparagus stalk, others more fortunate and al-
most ashamed of being so."
DESPITE the underlying horror of scenes
that must abide in the minds of all for-
ever, Mrs. Atherton cannot see how the net'
result can fail to be a good one. She writes
further :
Copyright. Jud<;e Co., lOOa
From pbotograph by Underwood &. Cud«rwm>d, N. Y.
BEFORE THE EARTHQUAKE— AND AFTER
Of the Memorial Church at Lcland Stanford University, President Jordan writes : '*The spire of wood, weisrhted
by tiles, plunged through the nave of the church. The concussion of air forced off the church front with the great
Mosaic, *The Sermon on the Mount.* The flying buttresses of the tower fell crashing through the apses. Otherwise
the church sufifered little. The bells and the organ are unharmed,[the steel-braced walls are perfect, the mosaics and
stained glass windows are mo.stly intact."
574
CURRENT LITERATURE
Kroin ■tereograph, copyright 1906, by H. C. White Co., N. T.
FUNSTON "THE LITTLE BRIGADIER"
•' The army organization was alone intact ; .it is the
army of force and society returned to primitive necessi-
ties. Fifteen hundred regular troops were on the streets
inside of two hours. It was not a time for looking up
the law or consulting precious authorities on the subj^<it.
You will be told that the Constitution of the United
States had been shot and dynamited full of holes before
Wednesday was over, and no man suggests that this
was wrong."
"Frivolity, the most unpardonable and far-
reaching of all vices, is at an end in San Francisco
for years to come. Rich women, who have been
cooking in the streets in an oven made from their
fallen chimneys, and may have to do their own
washing until frightened servants can be induced
to return to the city, who have been confined with
as little ceremony and shelter as the women of
wandering tribes, and the men who stand in line
for hours for their portion of bread and potatoes,
look back upon the ordinary routine of their idle
lives with a mixture of wonder and contempt. Old
people, who vegetated in corners and feared
draughts, are active and interested for the first
time in a quarter of a century. Even dyspeptics
are cured, for everybody, even the normally fed,
is hungry all the time. Everybody looks back
upon the era 'before the earthquake' as a period
of insipidity, and wonders how he managed to
exist. If they are appalled at the sight of a civili-
zation arrested and millions of property and
still more to be lamented treasure gone up in
smoke, they are equally aquiver with a renewed
sense of individuality, of unsuspected forces they
are keen to pit against Nature."
A MOTHER woman novelist who went
-'V through the scenes following the disas-
ter was Miriam Michelson, who narrates her
experience also in Harper's Weekly. She
tells of the procession of barefooted women,
screaming children and ashen-faced men.
People did queer things, as they always do in
such times of supreme tension. Miss Michel-
son saw one man carefully carrying a brand-
new pair of tan shoes over his shoulder on a
stick, and absotutely nothing else. One in-
genious man had piled his household pos-
sessions on a lawn-mower and was trundling
them along cheerfully. Another writer tells
of a man in pink pajamas walking in bare feet
From «tereo(?raph, copyright 1900. H. C, White Co., N Y. From •renrprnpli, copyright lOOfl, H. C. White Co, Jf. Y.
TWO OF THE RELIEF CAMPS
** We have been close to the bare necessaries of life for so long now that we seem always to have lived in nrim-
ti ve times. We are not a civilized people ; we seem always to have lived in tents, to never have had any clothes
o never have had anything but the bare necessaries of life. ' ^ v.iuuicw
AS TOLD BY MIRIAM MICHELSON AND JAMES HOPPER 575
round and round the Dewey column, and of
an English-looking gentleman, clad in a long,
white nightshirt and flowing whiskers, sitting
on a bench perpetually replacing in the orbit
of his left eye a monocle which by an invol-
untary contraction of the muscles he immedi-
ately twitched off again. At the end of the
third day, on the very top of Jones Street hill,
in the middle of the street, the only thing seen
standing for miles was a piano, and seated at
it was a man, his hair streaming, his body
swaying, his red tie flying out, his hands danc-
ing over the key-boards as he played Saint-
Saens's "Danse Macabre" — the death-dance.
THE same writer who tells of this incident
of the "Danse Macabre" — ^James Hop-
per— gives a picture of another dance that is
both amusing and graphic. He was in the
tfiird story of a seven-story brick building
when the quaking began, and describes in
Harper's Weekly his sensations. He writes:
"The thing started without gradation, with a
direct violence that left one breathless. 'It's in-
credible/ I said, aloud. There was something per-
sonal about the attack; it seemed to have a cer-
tain vicious intent My building did not sway;
it quivered with a vertical and rotary motion, and
there was a sound as of a snarl. I stayed in bed
for a long time, as it seemed. I raised myself
on my elbow, but even that rudimentary approach
Prom stareograph, copyright lOOQ, Underwood ft CTnderwood, V. Y.
WHATEVER HAPPENS, CHILDREN WILL BE
HAPPY AND A PRETTY GIRL PRETTY-
to a movement toward escaping seemed so abso-
lutely futile that I lay back again. My head on
the pillow watched my stretched and stiffened
body dance. It was springing up and down and
from side to side like a pancake in the tossing
griddle of an experienced French chef. The bu-
reau at the back of the room came toward me. It
Vrom ttereograpb, ropyrigbt IlKW. Underwood A. Underwood, N. X. From itereograpb, copyright 1900, Underwood A Underwood, N, Y.
THE INDOMITABLE SENSE OP HUMOR
'* There is no wood — it has all been burned, so the people have tried to build a hut of any s^alvanized iron they
can find, or any bit of ruin that will stand upright serves as a house, aod they cover it with an old quilt or an old
blanket They cook on some sort of an improvised stove, some little old rusty affair, and their cooking utensils are
tomato «ans."
576
CURRENT LITERATURE
•FIRST DISTRIBUTION OP MAIL
Nobody could find anybody, so name^ were called out at the post-office and the people stepped up to get their
letters, as in pioneer days.
danced/ approaching not directly, but in a zigzag
course, with sudden bold advances and as sudden
bashful retreats — with little bows, and betks, and
nods, with little mincing steps: it was almost
funny. The next second, a piece of plaster fall-
ing upon my head made me serious. The quake
gave one of its vicious jerks, and 1 had a sudden
clear vision of the whole building dancing an in-
fernal dance, the loosened bricks separating and
clacking to again like chattering teeth. And the
quake continued, with a sort of stubborn violence,
an immense concentration of its deadly purpose
that left one without fear, without horror, without
feeling. Tt's the end,' I thought, and a panorama
of cataclysms swept through my mind: Pompeii,
Lisbon, Krakatoa, Manila, St. Pierre, Samoa,
Vesuvius, with San Francisco as a stupendous
climax."
EVERY man, woman and child of the more
than 300,000 that were rendered homeless
has a story to tell of hardship and danger and
privation; but probably no one of that vast
throng fought for safety at a greater disad-
vantage than that with which "Gimpy Bill"
had to contend. "Gimpy Bill" is a cripple
who sold lead-pencils in Market Street His
legs have been cut off almost to the hips, and
he gets around on two little platforms, mounted
on wheels and strapped to his stumps, pushing
himself with two canes. Here is his story
as told by the correspondent of The Sun (New
York) :
"When the earthquake came Bill was sleeping
over a saloon on Washington street near Mont-
gomery— a region which got a heavy shock. His
street legs were unstrapped, but he had his clothes
on. He was pitched out of bed and rolled about
the room like an empty demijohn. A heavy cor-
nice fell through the ceiling of his room and
missed him by a foot. He rolled away from the
wreck and managed to get to his rollers, which he
strapped on.
"He tried the door, but the wreckage outside it
had him penned in, a prisoner, He trundled him-
self to the window, and saw that the district was
already on fire. Bill made it back to the bed,
RELAYING THE FIRST CAR-TRACKS— ON MARKET STREET— AFTER THE FIRE
THE RESURGENT SPIRIT OF THE PIONEERS
577
ONE OP THE BREAD-LINES
"The power to draw a check for a million would not advance yon any in the bread-line. The poor were four
days away from pay-day ; the well-to-do, maybe, were going to^he bank to-morrow, and had scarcely the price of a
carfare in their pockets. But money meant nothing and food everything."
twisted the blankets and sheets into a rope, tied
his canes about his neck with a cord, and slid out
of the window. His rope was too short. At the
end of it, he hung ten feet above the street. There
he swung and yelled, afraid of what the drop
might do to his trundle platforms, until some one
passing threw up a pile of boxes and helped him
down.
"In one day, driven always backward by the
fire, this cripple covered about fourteen miles, end-
ing in a camp in Golden Gate Park. At one time
he grabbed the tailboard of a wagon and held on,
his platforms bumping over the cobbles. At an-
other time his only ^ay of exit from the fire was
across Russian Hill, up which an Italian boy pulled
him with a rope for ten cents."
BUT the story of the earthquake, the fire,
and the fleeing multitudes, thrilling as it
is, is not the story that carries with it the
keenest interest and the greatest inspiration.
The real epic of the occasion is the tale of
restoration and reconstruction, of the way in
which people suddenly hurled out of all social
order into social chaos faced the situation; of
how, stripped without warning of all the facili-
ties of life with which civilization has endowed
mankind, they proceeded to grapple with nature
much as the cave-men had to grapple with her
and evolve out of primitive conditions the
means of livelihood. In the Yellowstone Park
a, great gorge has been cut by one of the
streams down through the geological strata of
many periods, revealing, as in a vast natural
diagram, the processes of world formation.
The catastrophe in California has cut down
through all the social strata and enabled us
to see, as it were, the long story of civilization
re-enacted before our eyes in a few days' time.
Probably no large city in the, world could fur-
nish a people better able to meet such a test
triumphantly. The spirit of the pioneers is
still there, and much of their daring and re-
GBTTING OUT THE FXRST NEWSPAPER— TWi?;' DAJLY JVBfVS— AFTER THE FIRE
s;8
CURRENT LITERATURE
From fltereograph, copyright 1906, H. C. Wliit« Co., N. 7.
DYNAMITED— BY ORDER OF THE COMMITTEE
One of the first steps in rebuilding the city was to blow
down the dangerous walls of ruined buildings.
source and adaptability has been inherited by
their sons and daughters. Nevertheless, it is
appalling to think of the consequences that
would have ensued had it not been for the
quick and efficient assistance given by the reg-
ular army troops stationed at the Presidio.
WITHIN two hours after the first shock
of the earthquake fifteen hundred of
Uncle Sam's soldiers were on the streets fight-
ing the most desperate battle that soldiers ever
fought. General Greely was absent, but Gen-
eral Funston, "the little brigadier" whose
rapid promotion for conspicuous services in
Cuba and the Philippines gave such oflFense
to many, Avhose capture of Aguinaldo occa-
sioned so much criticism, was in command.
-They fought the conflagration with artillery
and dynamite. They patrolled the city the one
organized body of men in all that turmoil.
The mayor of the city, Eugene E. Schmitz,
once an orchestra leader, then a Labor candi-
date who defeated both old-party candidates,
proved himself a born leader. With the whole
municipal government in temporary ruin round
about him, he was quick to organize a new gov-
ernment for the emergency. He appointed a
citizens* committee of fifty with ex-Mayor Phe-
lan at its head and he and Funston and Phelan
set themselves to preserve order and save the
lives of 300,000 homeless and penniless people.
About the first step taken was the issuance of
the following:
PROCLAMATION
BY THE MAYOR.
The Federal Troops, the members of the Regu-
lar Police Force, and all Special Police Officers
have been authorized to KILL any and all persons
found engaged in looting or in the commission of
any other crime.
I have directed all the Gas and Electric Light-
ing Companies not to turn on Gas or Electricity
until I order them to do so ; you may therefore ex-
pect the city to remain in darkness for an indefi-
nite time.
I request all citizens to remain at home from
darkness until daylight of every night until order
is restored.
I Warn all citizens of the danger of fire from
damaged or destroyed chimneys, broken or leak-
ing gas pipes or fixtures, or any like cause.
E. E. SCHMITZ, Mayor.
Dated, April i8, 1906.
FIRST STEP IN REBUILDING
In addition to dynamite, a donkey-engine was used to
pull down dangerous walls left standing by the fire.
npHAT proclamation has been called "the
* edict that prevented chaos." It may be
considered the first step in the reconstruction
of the social organism. The next steps came in
such rapid succession that it is hardly possible
to discern the order of sequence. After the fire
had been stayed at Van Ness Avenue by blow-
ing down eight or nine blocks of buildings
ahead of the flames, the most urgent needs
ORDER EVOLVING FROM CHAOS
579
were for water, food, shelter, and medical
treatment for the injured. Without waiting
for any authority from Congress, Secretary
of War Taft wired orders for the immediate
appropriation of tents, blankets, provisions and
medical stores from the army supplies. Auto-
mobiles were pressed into service by army offi-
cers, and the stores were rushed through from
the Presidio without regard to speed regula-
tions. Tents were erected in all the parks that
had not been swept by fire. Hospitals were
established, concentration camps were formed,
and after the first day or two, incredible as it
may seem, there was no need for any person
to go hungry. Two dangers had been averted
— the danger from fire and the danger from
starvation. The next peril that seemed immi-
nent was that of an epidemic. Sanitary con-
ditions had to be established with the sewers
all out of order. Here again the experience of
the soldiers with sanitary arrangements for
camps saved the day. Then the dead had to
be found in the ruins and buried as speedily
as possible. Every able-bodied man, poor or
rich, with soft hands or hard, was forced to
labor for a part of each day until this work was
finished. Here again the results were almost
incredible. Two weeks after the shock the
board of health reported that the sick list was
but slightly greater than usual, there was no
more contagious disease than in normal times,
and there had been but one death from ex-
posure. On May i, twelve days after the
shock, one of the press agencies reported as
follows :
"The calamity has given San Francisco a new
psychology. It has created a new and capable set
of pioneers; it has given the people a new and
intense interest in life. It has even improved the
health of all who were strong enough to pull
through the moderate hardship of the first five
days. There isn't a blase person in the State."
CREDIT for these surprising successes in
coping with nature are given by those
who ought to know not alone to Funston and
Schmitz, but to the people themselves. "It's
been easy," said one army officer; "the people
have been so quiet and reasonable." Here is
an extract from a letter written by a San Fran-
cisco artist, Bruce Porter (one of the founders
of The Lark)f to a friend in New York City:
"It was the day of judgment and all the Biblical
terrors of the Wrath of God, but if you could
have been here you would have seen what the
people are. It was the noblest expression of hu-
manity that the world has seen. Nobody thought
of himself, and the prostitute with last night's
paint on her cheeks sat and held the baby of the
CHAIRMAN OP THE CITIZENS' COMMITTEE
Next to Funston and Schmitz. James D. Phelan is
f^riven credit for the remarkable exhibition the citizens of
San Francisco have made of orderliness and fortitude.
homeless and husbandless woman beside her. The
town has never been in such perfect moral order.
DIRECTOR OP RELIEF WORK
Dr. Edward T. Devine, secretary of the Charity Or-
ganization Society of New York, was despatched at once
to San Francisco to take charge of the Red Cross work.
He handled a difficult situation with great tact.
58o
CURRENT LITERATURE
and if I once said to you — vauntingl3r— that the
idea of the American people was charity and
brotherly love, here is the proof.
"There has been no panic, no disorderly con-
duct, simply unconscious bravery and unselfish-
ness under as severe a strain as was ever put upon
a community. The desolation is inconceivable,
and of course everybody is poor and one-half the
population homeless. The Presidio beneath my
windows was packed with people that first night —
the heavens terribly red with fire, ominous, awful
— people without a scrap to cover them sharing
their crusts with strangers — and the good nature
was like a cooling breeze in one's face as one
walked among them. What help one could give
was unanimously refused in the interest of more
helpless neighbors. Not one case of drunkenness
have I seen in seven days, and I have heard only
two oaths, and those lightly spoken — and this in
what has been named 'the wickedest city in the
world.' "
Frederick Palmer's testimony is to the same
eflfect: "Rioting there was none; looting very
little. Bad natures were cowed by the great
calamity and the good in men generally ap-
peared." He adds: "Sanitary regulations were
enforced with an ease which would hav^ been
impossible in any great European city. Here
common intelligence and the ethics of modem
popular education through schools and news-
papers and periodicals play^ed a part. 'What
we have to look out for is an epidemic/ was
the common watchword; and with few excep-
tions there was no need of discipline on this
account." It is a gay picture which the spe-
cial correspondent of The Evening Post (New
York) gives us nearly three weeks after the
shock :
"The spirit shown by the refugees is amazing:
in the light of their almost tragic condition. A
great many pianos have been carried to the parks
and set up under the tents. All day long and deep
into the night men and women bang away at
popular airs, one great favorite being 'Home Was
Never Like This.* On Sunday the marine and
army bands give afternoon 'and evenine concerts
in Golden Gate Park and at the Presidio, while
the children and young people dance on the
green."
ONE reason for the ease with which order
has been maintained and an epidemic
prevented lies in the prompt and decisive action
of the mayor in closing all the saloons imme-
diately after the fire started. Three weeks later
they were still closed and he was asked when .
he was going to allow them to reopen. His
reply was: "Saloons will remain closed in-
definitely in San Francisco. Peace and quiet
have prevailed since all traffic in liquor was
stopped and no saloon will be permitted to
open until such time as there is no likelihood of
complaint. I may say that the proprietors
themselves are not complaining. It is certain
that nothing will be done in the liquor matter
inside of sixty or ninety days and possibly
longer."
This action of the mayor is not nearly
as extraordinary as the compliance of the
people, including the saloon-keepers them-
selves, with this state of things. But the sense
of universal brotherhood and the common
gratitude for dangers escaped seems to have
softened all hearts and quickened the altruistic
DYNAMITE VERSUS FIRE
To save the Post-Office from the flames, the Odd Fellows Hall was blown to ruins. The cloud in this picture
is the result of the explosion. The fire was finally stayed by blowing down eight or nine blocks of buildings
before the fiames reached them.
THE UNIVERSAL BROTHERHOOD REALIZED
S8i
instincts. "Isn't this great universal brother-
hood fine on this beautiful Sunday morning?"
remarked a physician making his rounds.
"Isn't it great to be able to say to a man,
'Do you want a collar? Do you want car
fare?' And to have him take it just as if he
were your brother, and he had a right to take
it? My clean collars — ^thereby hang many
tales when I have time to tell them ! "
A special correspondent of The Times (New
York) describes the open-air religious serv-
ice in the refugees camp on Adams Point, the
second Sunday after the disaster:
"Few open-air temples could be more beautiful.
It is a natural park full of splendid oak trees, the
green lawn sloping down to lovely Lake Merritt,
picturesque against a magnificent background of
hills.
"Thousands were assembled for the service, and
no one who heard it will ever forget it. A piano
had been brought out on a wagon, and in it sat a
woman to play the accompaniments. There was
nothing incongruous in the scene. The addresses
told of the courage necessary to go on — and they
were full of comfort in their own way.
"But that was not what you felt. Each indi-
vidual soul spoke for itself. All our life have *we
heard prayers in the churches, but we realized
how terrible a thing it is when from the depths
men pray. Not the prayers they may say in
words, but the prayers written in their faces. The
majesty of a great sanctuary in the hills was
about us, as thousands of voices sang reverently
in a hymn which was a great Psalm :
" *Lead, kindly Light, amid th' encircling gloom.
Lead Thou me on/
"Softly the benediction was pronounced over
bowed heads. Each heart knoweth its own bitter-
ness. Only God may know the tmspoken prayer
in the heart of each of these homeless ones. In
silence we took our homeward way."
IF THE disaster in San Francisco has re-
vealed unsuspected depths of heroism, it
has also revealed unsuspected depths of de-
pravity as well. One of these latter revela-
tions was made in the Chinatown district, [t
appears now that there were two Chinatowns,
one above the ground, another below. A large
number of subterranean passages have been
laid bare, running from house to house, with
deep, dark and mysterious dungeon-like wells.
Speaking of this, a writer says : "The existence
of these lairs had long been suspected, and
stories of the terrible crimes committed in
From ttcreograph, copyright 190ft, Underwood A Ondetwood, N. Y.
BACK TO THE SIMPLE LIFE
*^ Our ovens are made of the bricks that toppled down from our chimneys. They are laid roughly upon each
other, and we unhandy folk burn our fingers and scald ourselves in our efforts to cook."
582
CURRENT LITERATURE
EVERY LITTLE HELPS
— Naughton in Duluth Evening Heraid,
them have been current, but it took the re-
moval of the buildings to show the existence
of a second Chinatown under the first The
one to some degree in view was bad enough,
but what went on among the prisoners and
jailers of the subterranean city probably passes
the Occidental imagination." Another revela-
tion which the earthquake, it is claimed, has
made, is that of "graft" on the part of the
political machine which has for years ruled
the city. This particular machine "happens
to be a Republican machine," says the cor-
respondent of the Boston Transcript, itself a
Republican paper. He says further:
"Few if any among cities have been more opeolv
and frankly surrendered to political loot than has
San Francisco in the recent years of her history.
By way of illustration there is the fate which be-
fell her municipal buildings in the earthquake.
Compared with the experience of the Federal pub-
lic buildings, the city structures point a mighty
moral. In all the devastated district there is no
more conspicuous ruin than that of the City Hall,
whose history is a serial storv of shameless and
unpardonable graft. The original estimates for
this building contemplated an expenditure of
?i,ooo,8oo. When that sum was disposed of the
structure had hardly risen above the basement.
Before it was completed it had cost approximately
^,000,000. No one in this region pretends to
deny that it stood as a monument to the audacity
of the looters. When the shock of the earthquake
came it crumbled like a playhouse of pasteboard.
1 he ensuing fire did no more than to put an ap-
propriate smudge of black over the wreckage.
Other municipal buildings fared not much better :
everyone bears the stamp of an unmistakable dis-
;«^."^?^;u ^ u^ Federal buildings are practically
intact, though they bore an equal if not a greater
GRIT •
— ^Maybell in Brooklyn Eagle.
rrom itereogmph, copyright 19C8, Underwood ft Underwood, N. Y.
FIRST RED CROSS HOSPITAL
" In the church near us three little children were bom
last night. In the camp a few blocks away eighteen
were born. Children are bom behind screens on street
corners, and later the poor mothers are taken to the
nearest improvised hospital. "
RESUMPTION of business may be said to
have begun on May i, when the banks
opened again. They had no buildings, but all
the cashiers were stationed at the mint to re-
ceive customers. Each depositor was limited
to a withdrawal at first of $500, giving a
promissory note, which was indorsed by the
cashier, and presented at the mint. By that
date, too, the water-supply had been restored
in fairly good quantity, 800 out of 1,100 arc
lamps had been relighted in the streets, and
the street-cars were running on many of the
avenues. All over the business section little
shacks of wood, tar-paper and corrugated iron
were going up as substitutes for office buildings
and department stores. With the beginning of
business, the spirit of gain began to make
itself again felt. Exorbitant rents were asked
for these little shacks. For an ugly frame
REBUILDING ASSURED
583
building that escaped destruction and which
has been bringing in rentals of $150 a month
the owner now asks $5,000 a month. A kitchen
in a two-story shanty has been rented for $100
a month. In Oakland, by May 7, the hotels
were asking five dollars a day for a cot in a
hallway. Speculation in real estate had beg^n
and prices were being predicted higher than be-
fore the fire.
THE question of the rebuilding of San Fran-
cisco seems to be no longer a question.
The Crocker Brothers, who estimate their
losses at $7,500,000, say: "It is preposterous to
suggest the abandonment of the city. It is
the natural metropolis of the Pacific Coast.
God made it so. D. O. Mills, the Spreckels
family, everybody we know, have determined
to rebuild and to invest more than ever before.
Certainly we do." On May 7, a contract was
From ite^eograph, copyright 1900, by Underwood * Underwood, N. S.
FIRST SUNDAY SERVICE AT THE PRESIDIO
CAMP
"Each individual soul spoke for itself. All our life
have we heard prayers in the churches, but we realized
how terrible a tiling it is when from the depths men pray.
Not the prayers they may say words, but the prayers
written m their faces."
signed by George H. Toy for an eleven-story
building of steel and stone, and a few days
later a contract was announced by Wm. R.
Hearst for a new skyscraper for his newspaper
The Examiner, On May ii, a meeting was
held by two hundred owners of business sites,
and twenty-five of them stated that architects
were already at work for them on plans for
better buildings than they had had before the
fire. A nine-story steel structure was then al-
ready under way at the corner of Sutter and
Kearney Streets, the cost of which is to be
$200,000. It was announced in Pittsburg, on
the same day, that the Westinghouse Company
had shipped thirty-five car-loads of electrical
machinery to California, and that thirty more
car-loads would leave in a week. The capital
immediately available for the San Francisco
banks, for the re-establishment of business, was
DOESN'T SEEM TO KNOW THAT SHE IS
MISERABLE
She is campins: out on the ruins of her home and doesn't
have to worry about dusting the bric-a-brac,
figured out as nearly $50,000,000 on May 12,
the New York banks having transferred $36,-
635,000 to that city in the preceding three
weeks, and over seven millions of dollars hav-
ing been in the hands of the San Francisco
banks at the time of the fire. Various plans
From itareograph, cor y right IM8, Underwocd & Underwood, N. V.
THE LUXURY OF PAPER-COVERED HOUSES
"There are no cooks — the Chinese servants have fled
the city, and one may see delicately nurtured women
cookins: for their crying children in the middle of the
•treet"
584
CURRENT LITERATURE .
for the financing of the new building opera-
tions are under consideration by E. H. Harri-
man. Senator Newlands, ex-Mayor Phelan
and others. Says Mr. Harriman : 'It will take
three years to rebuild the city. Such work can
not be done hysterically ; nothing can be accom-
plished that way. It is necessary to proceed
according to well-formed plans." What these
plans are to be, and whether Mr. Burnham's
ideas are to be followed out, the whole country
will be interested in knowing.
NO EARTHQUAKE could expend such
varied energy in the destruction of San
Francisco as her citizens now display in the
reconstruction of their city. To this effect
the journals of all Europe are unanimous and
it constitutes, perhaps, the one point upon
which the dailies of London and the dailies of
Berlin are of the same opinion. Not all, nat-
urally, have had the self-restraint in the
course of their comment to ignore the phenix
rising from her ashes or the burning of Rome
when Nero reigned The London Guardian
congratulates mankind that the disaster oc-
curred in San Fran-
cisco instead of on
the site of any city of
equal size in Europe.
A cultivated being, it
explains, is neces-
sarily less horrified
by the catastrophe to
the Queen of the Pa-
cific than he would
be by a like misfor-
tune in an Old World
community. This
fact, we are assured,
is attributable to the
inferiority of the
American people in
an esthetic and his-
torical sense, and the
whole affair, accord-
ingly, has an element
of comfort to the
British organ. "You
may rebuild San
Francisco," it avers,
"but you cannot make
an Appian Way or a
Square of St. Mark,
a Notre Dame or a
Westminster Abbey."
Mere enterprise does
not erect such memo*
From Btercograph, cop> rJ^lit lorw.
Underwood & Underwood, N. Y
TWENTY-FIVE CAR-
LOADS OF POTATOES
"Whatpride we take in our
Sfreat Government ! For the
sun has set on scores of thou-
sands of homeless people,
and not one of them is
hungrry."
rials of antiquity. History evolves them. **A
great earthquake," to quote further, "which
dealt with a historic city as San Francisco has
just been dealt with would arouse very differ-
ent emotions — every intelligent person who
read of it would realize that the world had suf-
fered a moral and intellectual loss such as can-
not possibly accrue from the destruction of a
brand new commercial capital." Wherefore
the London organ congratulates the esthetical-
ly superior portion of mankind upon the dis-
crimination of the terrestrial crust in its mani-
festations of seismic energy.
EUROPEAN fire insurance companies
either lack all faculty for this kind of
speculation or they are not sufficiently co-
heirs of the ages to subordinate financial con-
siderations to the historical sense. Sir Will-
iam Bousfield, of the Union Assurance So-
ciety of London, goes so far as to say that the
directors of that corporation are much to be
sympathized with in connection with such a
dire calamity at the end of a successful year
in Califdrnia. A company like the Union, he
adds, may have its whole position materially
changed by the San Francisco calamity. By
common consent, the Baltimore fire, two years
ago, which cost British companies about
$10,000,000, will prove a trifle compared with
the losses in California which they must face
very soon. The liabilities of London com-
panies in San Francisco are put by the Lon-
don Telegraph at not less than $100,000,000.
This leaves out of consideration other claims
which may be advanced from elsewhere than
San Francisco. But it does not follow that
$100,000,000, or anything like that sum, will
have to be paid. It is said in the London
Times that there must be many structures in
the city destroyed by earthquake only. There
can be no liability in such c^ses, although
policy must dictate a certain liberality in in-
terpreting insurance restrictions. Given,
however, a clause exempting a company from
fires attributable to earthquake, what right, it
is asked in some London insurance organs,
have the companies to pay a single penny?
"It is all very well to be liberal," asserts one
high insurance official in England, "but you
cannot be liberal with other people's money.
Fire insurance corporations must not make
presents even if their motive in doing so be
to obtain future business." It is deemed a
possibility that a shareholder in London might
obtain an injunction restraining payments of
SAN FRANCISCO ALGECIRAS, AND EMPEROR WILLIAM 585
m^
[[C" '**^-' ' ' ■ \^.
^"''r--*—
THE SPIRIT OF FORTY-NINE
**The man who had a burned store and his debts as the result of a life-work showed the same stoicism as the
whole people : the stoicism of the men who fought the Indians and^thirst alone the old overland trail as they made
their way to that garden spot of America which they love with an affection unknown in the older communities."
losses not called for by the terms of a policy.
Innumerable policies contained an earthquake
restriction. There are also various German,
French and Austrian fire insurance companies
yet to make known their final attitude.
A PROFOUND subtlety is discerned by
the Avenire d'ltaliq in Victor Emman-
uel's remark that circumstances impart pe-
culiar appropriateness to his own personal
expressions of sympathy with San Francisco.
Emperor William wounded Italian sensibili-
ties to the quick, say Roman organs, by re-
fraining from any personal expression to Vic-
tor Emmanuel of the* sympathy he should have
felt with the Vesuvian sufferers. How con-
spicuous, insinuate a few foreign dailies now,
is the alleged absenpe of any condolence
from the Hohenzollern to our President upon
the direst calamity in American annals ! Fond
as he has always been of cabling to Mr.
Roosevelt, William II imposed restraints upon
this propensity when San Francisco lay in
ruins. Telegrams there are from the French
President, the British King and potentates
a-plenty; but from the German Emperor Pres-
ident Roosevelt received no line directly — at
least no personal communication between the
pair on the subject of San Francisco has seen
the light of day abroad. William II seems
merely to have instructed his Washington am-
bassador to communicate to the American
Government a formal expression of the im-
perial sympathy. A like course was adopted
in the case of the Vesuvian disasters. The
European explanation is that Italy had in-
curred William's displeasure by her proceed-
ings at the Morocco conference. It is now
surmised in foreign capitals that the successor
of Frederick the Great must* have been dis-
pleased likewise with Rooseveltian policies at
Algeciras. Berlin newspapers remark that
Italy, owing to her diplomacy, had no right to
expect condolences on the Vesuvian disaster
from Germany. These very Berlin organs
manifest a tendency to resent President Roose-
velt's rejection of foreign aid for San Fran-
cisco. Yet Paris dailies and London dailies
expatiate upon the lofty plane of sturdiness
and self-reliant independence of which the
presidential attitude is eloquent. Berlin re-
torts by complaining of a moral Monroe doc-
trine set up in an insulting hurry. London
would like to know if the earthquake has not,
through the irony of circumstance, become
involved in world politics. Paris finds a coun-
terpart to the mysterious relation suspected
between Vesuvian disturbances and San Fran-
cisco quakings in the unfathomable coinci-
dence of the cablegram not sent by Emperor
Willialn and the foreign aid not accepted by
President Roosevelt.
RADUALLY the policy of the pres-
ent administration has developed
until it has reached the full propor-
tions of a general war upon those
forms of industrial combination loosely termed
trusts. It is no longer a skirmish that we are
witnessing, nor a single engagement; it is a
widesrpead war, a campaign; or, better, per-
haps, a crusade, as its purpose is reformation
rather than annihilation. A reference to some
of the engagements of the last few weeks in-
dicates the extent and importance of what is
now occurring in the country. The prosecu-
586
CURRENT LITERATURE
tion of the "meat-packers' trust," with its fu-
tile ending, was followed, as told in these
pages last month, by the President's sensa-
tional message with its critical references to
Judge Humphrey and its request for legisla-
tion* to enable the administration to overcome
the difficulty arising from the latter's ruling
in regard to "immunity baths." The prosecu-
tion of three other corporate bodies, the "to-
bacco trust," the "paper trust" and the "sugar
trust," resulted, as already noted by us, in a
decision of the Supreme Court to the effect
that a corporation cannot claim the privilege
granted by the law to an individual, of refusing
to furnish testimony that is incriminating.
This decision has greatly facilitated the work
the President has undertaken. The first direct
result is the surrender and the expected disso-
lution of the "paper trust," a fact of such tre-
mendous import that the New York Herald's
Washington correspondent chronicles it as
follows :
"What is regarded here as the beginning of the
end of industrial combinations in the United
States occurred to-day in St Paul, Minn., when
the Northwestern Paper Trust surrendered in its
defense against governmental proceedings and its
dissolution was ordered. It would be difficult to
exaggerate the far reaching importance of this
action. No one here doubts that this is only the
forerunner of dozens of similar dissolutions of
trusts and combinations alleged to be restraint of
interstate commerce."
ANOTHER important move by the admin-
istration has been the selection oi Charles
E. Hughes (who conducted the insurance in-
vestigations) and Alexander Simpson, Jr., of
Philadelphia, by the Attorney-General, to con-
duct an investigation into the relation of the
coal-carrying railroads and the coal-mining
industry, a similar investigation having also
been instituted by the Interstate Commerce
Commission. Some sensational revelations
have already been made. A fourth battle of the
same sort has been begun in the indictment, by
a Federal grand jury, of the New York Cen-
tral & Hudson River Railroad Company, the
American Sugar Refining Company and the
New York Sugar Refining Company (that is
to say, the "sugar trust"), the railroad for
giving and the trust for receiving rebates. An-
other proceeding has been instituted by the
Attorney-General in a petition before the Cir-
cuit Court in Indiana for an injunction against
three associations commonly known as the
"drug trust," on the basis of evidence elicited
recently in a suit before Judge Holland, in
the Circuit Court for the Eastern District of
Pennsylvania. In addition to all these actions,
indictments have also been secured against the
Chicago, Burlington & Quincy Railroad, the
Great Northern, the Mutual Transit Company,
and others, together with a number of shippers
over those roads, for rebating, and in the case
of two of the Burlington railroad officials, con-
victions have been secured and fines of $10,000
each imposed. But the real battle royal
against trusts was apparently begun when on
May 4 the President sent a special message to
Congress transmitting a report by Commis-
sioner Garfield, of the Bureau of Corporations,
accusing the Standard Oil Company, that has
been called the parent of all the trusts, of se-
curing illegal rebates from railroads in nearly
all sections of the country.
THIS long series of momentous movements
coming to public notice within the last
few weeks has furnished the uppermost topic
in the press of the country, next to the San
Francisco disaster. Referring to the Presi-
dent's activity on these lines, one of the con-
servative, non-political journals of New York
City, The Journal of Commerce, pays him this
strong tribute:
"However mistaken his methods may occasion-
ally be, he has performed an inestimable service,
one that will be permanently recorded to his credit
and may start a new epoch in the career of this
republic, in stirring up the sentiment and the con-
science of the country in regard to some wide-
spread and deeply-rooted wrongs, which were
more of a menace to our institutions than most
people realize. If he succeeds even in starting a
remedy which shall work out a correction of the
wrongs and restore to health the disordered body
politic, he will be entitled to the gratitude not only
of this generation but of all those that are to
come. ... He has the faults that go with his
character and temperament, but they are blem-
ishes which are insignificant compared with the
. qualities that are essential to success in such ef-
forts as he is called upon to put forth. He has
attacked the great trusts, the combination of pow-
erful railroads and the alliance between the two,
with a determination and a force that have made
the country realize what a dangerous empire of
unscrupulous greed was being reared over the
foundations of a free republic, and have brought
the people to his support."
And the President's warfare against the
trusts, according to the St. Louis Globe-Demo-
crat, is only beginning.
NO PARTY lines are discernible in the al-
most unanimous approval given by the
press to the general course of the administra-
tion in these matters. That unanimity of ap-
proval does not extend, of course, to the Presi-
dent's position on the rate bill, nor to his criti-
cism of Judge Humphrey, which has been
AN "EPOCH-MAKING" MESSAGE ON STANDARD OIL
S87
sharply censured by many papers upholding
his course in other respects. The appointment
of Charles £. Hughes to conduct the "coal
trust" investigation is spoken of with special
enthusiasm. "One such official act," says the
Democratic World (New York), is worth a
thousand speeches about the square deal and
lasting righteousness," The commission given
to Messrs. Hughes and Simpson is a sweeping
one. They are to "take under consideration
all the facts now known, or which can be as-
certained, relating to the transportation and
sale of coal in interstate commerce, to advise
what, if any, legal proceedings should be be-
gun, and to conduct, under the direction of the
Attorney-General, such suits or prosecutions,
if any, as may be warranted by the evidence
in hand and forthcoming. The Pennsylvania
papers are especially interested. Says the
Philadelphia Ledger:
'The case of the combinations between the rail-
ways and the fuel-producing corporation^ has
been a peculiarly flagrant one, and the opportunity
is now presented for the first time for a searching
review of the whole evil If the De-
partment of Justice, with the assistance of Messrs.
Hughes and Simpson, shall make material prog-
ress in this direction, it will rid the country of
one of the most insidious menaces to its industrial
and commercial well-being. It is this possibility
of public service which gives this step of the Fed-
eral Government its great importance."
MORE striking, because more unexpected,
is the practical unanimity with which
the conservative and radical press alike have
commented upon the message of the President
concerning the Standard Oil Company. Many
of the more important papers speak of it as
"epoch-making." The Baltimore Sun thinks
he might be more specific in discussing reme-
dies, and the New York Times takes issue
with the President's apparent purpose in the
message to influence the passage of the rail-
way rate bill, to which it has all along been
strongly opposed. But even The Times says
of the message as a whole and the report that
accompanies it :
"There is scarcely room for doubt that the Com-
missioner has the facts and evidence to support
his charges. Assuming that his proofs are ade-
quate, the country will demand that justice and
the law shall have their due. We see no reason
why the secret rebate should not be crushed out
now for all time. It is a device of the business
coward and assassin, it is dishonest and detestable.
The country hates it, and among those who have
openly condemned it were hjrpocrites who were
all the time secretly giving or receiving it. . . .
If the railroad managers of the country, the men
of the Standard Oil Company and of other cor-
porations and concerns that have profited by this
criminal trickery, have not yet had their eyes
opened to the fact that the prevailing spirit of dis-
content and the growing Socialistic agitation in
the country are larjg^ely due to them and their
contemptuous violation of the laws of the land,
it is high time that a revealing light were let in
upon their minds through the discourse of Judges
pronouncing sentence in courts of law."
THE investigation made into the affairs of
the Standard Oil Company was ordered
by a resolution of the House of Representa-
tives passed February 15, 1905. The resolu-
tion referred to the Kansas bil field alone, but
Commissioner Garfield extended the scope of
the inquiry to cover the whole country. "The
report shows," says the President, "that the
Standard Oil Company has benefited enor-
mously up almost to the present moment by
secret rates, many of these secret rates being
clearly unlawful." These rebates, he says,
amount to at least $750,000 a year, and enable
it to derive a much larger profit at the expense
of the public. Shortly after the discovery of
the secret rates most of them were promptly
corrected by the railroads — an acknowledg-
ment, the President thinks, that the rates were
wrong and known to be wrong. The Depart-
ment of Justice, says the President, will take
up the question of instituting prosecutions in
at least some of these cases. In addition to
the advantage secured by means of secret
rates, contrary to the law on the statute books,
the Standard Oil Company has also received
"overwhelming advantage" from open rates,
which the present law probably does not reach.
In New England the refusal of several roads
to prorate — ^that is, to join in through rates —
has "virtually kept independent refiners from
using all-rail routes," giving a great advan-
tage to the Standard with its part water route,
a fact that furnishes to the President's mind
a strong argument for the passage of the rate
bill. Commissioner Garfield, in explaining the
general results of his investigation, says:
"Different methods are used in different places
and under different conditions, but the net result
is that from Maine to California the general ar-
rangement of open rates on petroleum oil is such
as to give the Standard an unreasonable advantage
over its competitors. The conclusion is unavoid-
able that the Standard oil company has had an
important voice in the construction of such rates,
and this conclusion is supported by specific evi-
dence developed by the investigation."
IN A reply made for the Standard Oil Com-
pany by Mr. H. H. Rogers and Mr. John
D. Archbold, they say, in part:
S88
CURRENT LITERATURE
From stcreograpbt copyright 1000, Underwood St Underwood, N. Y.
THE DISTINGUISHED SON OF A DISTINGUISHED
FATHER
Commissioner Garfield's report on the Standard Oil
Company is to be made the basis for prosecutions by the
Attomey-GeneraL
"One does not care to bandy words with the
President of the United States. It is not easy
to differentiate between Mr. Roosevelt the Presi-
dent, and Mr. Roosevelt the individual. He has
given us of his advice most generously upon every
subject from the size of our families to the mis-
takes of the federal judges, and some error is
inevitable now and then to the most conservative
man under such circumstances. We say flatly
that any assertion that the Standard Oil Company
has been or is now knowingly engaged in prac-
tices which are unlawful is alike untruthful and
unjust."
Very many of the commissioner's criticisms,
they assert, will be answered by bearing in
mind that the Standard refineries are located
at centers of distribution, while the independ-
ent refineries are usually in the crude-oil
fields. The refusal of the New England roads
to prorate, they also assert, has not affected
the price of kerosene or the Standard's control
of the market; and if the refusal of the roads
to prorate is in violation of the proprieties,
"clearly they and not the Standard Oil Com-
pany should be made the object of attack."
The reply of Messrs. Rogers and Archbold has
not, however, had any appreciable effect upon
the tone of the press comment. The Presi-
dent has made no move, according to the Pitts-
burg Dispatch, "that hit the mark more nota-
bly nor at such an effective moment." The
Connecticut Courant says that "Theodore
Roosevelt has smitten with a resounding
whack of challenge the biggest golden shield
in the world as fearlessly as Wilfred of Ivan-
hoe tapped the shield of the Templar," and the
Cleveland Plain Dealer sees special signifi-
cance in the fact that. a short time after the
reading of the message in the Senate that
body adopted by a unanimous vote Senator
Lodge's amendment to the rate bill, making
pipe lines for the transportation of oil com-
mon carriers subject to the regulations of the
interstate commerce act.. As for the lower
house, it broke out into a storm of applause
when the message was read.
ONE champion the Standard Oil has, how-
ever, found in Chancellor James R. Day,
of Syracuse University, the only man, we be-
lieve, who was ever elected a bishop in the
Methodist Episcopal Church and then declined
the honor. The chancellor accuses the Presi-
dent of "anarchism," asserting that "the Presi-
dent of the United States has positively no
right, constitutionally or morally, to attack
corporate business, or private business." Dr.
Day's comment has, however, been treated
with scant courtesy. A journal so far removed
from "anarchism" as the New York Evening
Post and so little disposed to accept the Presi-
dent's views on many questions, says curtly:
"It is a singular coincidence that John D.
Archbold, vice-president of the Standard Oil
Company, has given much money to Syracuse
University, and is now president of the board
of trustees. Under such circumstances, the
head of a college who springs to the defence
FORTISSIMO
— W. A. Rogers in.N. Y. //fr(f/(^.
WHAT ''FREE ALCOHOL" MIGHT DO
589
of bis dearest contributors accomplishes little,
either for his college or the contributors."
ONE feature of the President's message
to which Dr. Day especially objects is
the reference to a measure that has been before
Congress in one form or other for sixteen or
seventeen years, and which this year has ex-
cited widespead interest and general approval.
It is the bill removing the tax from denatured
alcohol used in the arts and manufactures.
The President's reference to this bill is as fol-
lows :
"The Standard oil company has, largely by un-
fair or unlawful methods, crushed out home com-
petition. It is highly desirable that an element of
competition should be introduced by the passage
of some such law as that which has already passed
the House, putting alcohol used in the arts and
manufactures upon the free list."
This bill, which passed the lower house
several weeks ago with but seven votes in op-
position, was referred, upon its arrival in the
Senate, to the Finance Committee, of which
Senator Aldrich is chairman. The Senator,
as is well known, is the father-in-law of John
D. Rockefeller, Jr., and stands in popular esti-
mation as the leading representative of cor-
porate interests in general in the Senate. This
reference of the bill to his committee and the
indications of the Senator's intention to delay
action upon it until after a prolonged hearing
that would be pretty sure to throw it over
until the liext session has intensified the feel-
ing toward the Standard Oil Company and
given special point to the President's refer-
ence above. The statement made by that com-
•^
mK^^^M
2^
w
RBCENT SNAP-SHOT OF JOHN D. ROCKBFBLXER
If the charsres made by Commissioner Garfield are sus-
tained by the courts, the Standard Oil officials have ren-
dered themselves liable to penalty as violators of Fed-
eral law.
pany's ofiicials that "as to the subject of free
alcohol we have no concern whatever" is taken
in a Pickwickian sense. In making such a
statement, says the conservative Boston Trans-
script, "they tax public credulity to the snap-
ping point." It adds:
"Free denatured alcohol can be employed for
light, fuel and heat, and we have excellent scien-
tific authority for believing that it is more effect-
ive in any or all of these fimctions than the prod-
ucts of the Standard Oil Company. That they
are afraid of it is a fact clearly revealed by the
attitude of those in the Senate recognized as the
company's friends. Free alcohol is not drawn
from wells and is not run to the refineries or tide
water in pipe lines. It could not be cornered. It
would defy monopoly, and it would prove the un-
conquerable rival of that vast monopoly already
established. The emphasis placed upon this fea-
ture of the situation is one of the strongest points
in the President's message."
TRIMMING HIS WINGS
— Maybell in Brooklyn Eagle.
AS LONG ago as 1889, the Finance Commit-
tee of a Republican Senate reported a tar-
iff bill removing the tariff on alcohol used in the
arts, and the Senate passed the bill. The ar-
guments in favor of such action, says the New
York Tribune, recalling that fact, are many
times as strong to-day as they were seventeen
years ago. The alcohol to be released from
590
CURRENT LITERATURE
THE HEAD OP "THE MEAT-PACKERS' TRUST"
The srentlemati with his hand on the wheel is J. Og-den
Armour, who has been defending his business in a series
of well-written articles in The Saturday Evening Post.
tax must, according to the present bill, be
•'denatured" with some material "which de-
stroys its character as a beverage and renders
it unfit for liquid medicinal purposes." The
present tax on alcohol is $2.08 a gallon. The
cost of production is estimated as low as eight
cents a gallon. It can be produced from corn,
wheat, potatoes, beets, rice — anything contain-
ing starch or sugar. The Secretary of Agri-
culture, in a recent hearing on the bill before
the Ways and Means Committee, said:
"The Northern States could readily depend
upon the white potato as a source of heat and
light, the Southern States upon the yam and the
sweet potato, and the Western States upon the
sugar beet. . . . The average amount of sugar
and starch which goes to waste in the stalks of
Indian corn annually would make 100 gallons of
commercial alcohol per acre. When we consider
that the number of acres in Indian corn is approx-
imately 100,000,000, it is seen that the quantity
of alcohol that is lost in the stalks is so large tis
to be almost beyond the grasp of our conception."
The subject appeals, as no mere political
bill ever appeals, to the popular interest, for
the promise is held out by the champions of
the bill of something like a revolution in do-
mestic life if the bill prevails. In an article
on the use of alcohol in Germany, by C. J. Zin-
theo, of the Department of Agriculture, pub-
lished in The Gas Engine, we find this:
"For lighting purposes, as alcohol gives a non-
luminous flame, a chemical mantle is used similar
to the Welsbach burner, which produces a very
bright, intense and economical light, costing but
one cent per burner, per hour, for 71-candle power.
For the production of heat generally it is simply
perfection, and nothing has yet been found to
equal ethyl alcohol for this purpose, owing to the
fact that it produces perfect and complete com-
bustion.
"Alcohol made repugnant to the taste is being
used as an incandescent light. Instead of being
drunk, it is burned. It propels the farm motor,
the automobile and the launch, and the simple fact
of obtaining denaturalization permits each private
citizen to light his farm or factory, to heat his
home, do farm work, or transport himself. One
of the neatest of the many new devices used in
Germany is an alcohol flatiron with a small reser-
voir, which, being filled with alcohol and lit, heats
the iron for the hour's work, at a cost of less than
two cents. The cleanliness and economy of these
figures to the housekeeper are obvious. For farm
motors alcohol is a perfect fuel because of its
complete combustion, the absence of its noxious
odors, its uniform quality and its unlimited and
universal sources. While it is true that tfie heat
of combustion of alcohol is practically only half
that of gasoline, yet twice as large percentage of
heat can be converted into useful work as in gaso-
line, and hence point for point alcohol is as
efficient as gasoline."
"We do not know a journal of prominence
in this country," says the Boston Transcript,
"that is not enthusiastically in favor of the
measure, and all reflect the sentinieijt of their
readers."
"THEY MAKE HIM SO NERVOUS"
— Minneapolis foumal^
THE PRESIDENT AND EX-SENATOR CHANDLER
591
rBSpTlHE closing days of the debate in the
1^^^^ Senate on the rate-regulation bill —
CTiM?tf^ which was passed in that body
hV&4 on May i8 by a vote of 71 to 3
— were marked by maneuvers for party ad-
vantage, personal recriminations, and discus-
sion of minor details. When President Roose-
velt accepted what is known as the Allison
amendments, he healed a breach in the Repub-
lican ranks and insured the passage of the
bill in a form approved by him; but he did
this at the expense of being charged with bad
faith by many Democratic Senators, who in-
sist that he has surrendered on the main point
to the enemies of rate regulation, and has be-
trayed the Democratic allies who have been
fighting his battle for him. The Allison
amendments pertained chiefly to the vexed
question of court review, and provide that no
preliminary injunction is to be granted with-
out a hearing of both sides, that application for
such injunction must be heard by three Cir-
cuit Court judges, and that a direct appeal
from their decision is to be had to the Supreme
Court only. This, Senator Bailey and Senator
Tillman and Senator Rayner assert, is the
"broad court review" against which the Pres-
ident was supposed to be contending, and they
ostentatiously congratulated Senator Aldrich
and the other conservative Senators on hav-
ing captured the President and won their fight.
The President, on the other hand, as well as
Secretary Root and Secretary Taft, considers
that the Allison amendment "does not in the
THE HEAD OF THE "SUGAR TRUST"
Henry O. Havemeyer has been president of the Amer-
ican Sugar Refining Co. (capital $75,000,000) ever sinoe its
organization. The company has just been indicted for
accepting rebates.
slightest degree weaken or injure the Hep-
burn bill," but "merely expresses what the
friends of the bill have always asserted was
implied by the terms of the bill."
PERHAPS HE IS RIGHT
Senator Tillman insists that the senate is not decaying.
— Minnempolis Journal.
AN unfortunate issue of veracity was
raised in the course of the closing de-
bate between ex-Senator Chandler and Presi-
dent Roosevelt. It transpires that the ex-Sen-
ator had been acting as a sort of intermediary
between the President and the Democratic
Senators who were favorable to the rate-
review bill in its more stringent form. The
understanding of these latter was that ex-
Senator Chandler was acting in these nego-
tiations as an emissary for the President. The
President's understanding was that Mr.
Chandler was acting as an emissary for the
Democratic Senators. When the President,
therefore, accepted the Allison amendments
without notice to ex-Senator Chandler or the
Democratic Senators, the latter resented it as
an evidence of duplicity and bad faith, and a
statement to this eflfect, written by the ex-
Senator, was read by Senator Tillman on the
floor of the Senate. It included, also, an
assertion that the President had declared in
592
CURRENT LITERATURE
Pbotogrnph by Tach.
"EUROPE HAS GIVEN NO WORTHIER CITIZEN
TO AMERICA "
The late Carl Schurz, of whom Jawes Bryce spoke as
above, was the lirst German-born American to take a
seat in the Senate of the United States.
conversation that Senators Knox, Spooner,
and Foraker were trying to injure or defeat
the rate bill by ingenious constitutional ar-
guments. This assertion of the ex-Senator s
was stigmatized by Senator Lodge, on the
authority of the President, as "a deliberate
and unqualified falsehood.'' From a personal
and partizan point of view, these incidents of
the discussion have interest and importance;
but neither the railroads, the shippers, nor the
general public have any vital concern in them
and the press has refused to consider them as
affairs of very great magnitude at this time.
"We do not think," says the New York Times,
(Dem.), "the country will follow very keenly
the difference that has arisen between Mr.
Roosevelt and ex-Senator Chandler." But the
results, other papers think, upon legislation de-
sired by the President may be far-reaching.
•
• •
EW men have played more parts
than Carl Schurz played in the
seventy-seven years of his life, just
ended. He was an active revolu-
tionist in Germany in 1848, escaping from the
fortress of Rastadt when it was captured by
the enemy through a sewer to the Rhine, and
thence to Switzerland. Later he returned in
disguise to Berlin to carry out an adventurous so recently devoted to English discontent at
scheme, which proved successful, for the liber-
ation of his former professor, Kinkel, who had
been imprisoned for life for his part in the
revolution. In London and Paris young
Schurz supported himself as music-teacher
and newspaper correspondent, ending his
career in the latter city by happily and ro-
mantically marrying the daughter of a Ham-
burg merchant. Coming to America a month
later, in 1852, he became one of the early or-
ganizers of the Republican party, and in 1857
came within 107 votes of being elected lieu-
tenant-governor of Wisconsin, although he
had ohly just become a citizen. He became a
lawyer, a lecturer, a party leader, being one
of the committee that notified Abraham Lin-
coln of his nomination in i860. He served for
a few months as minister to Spain, returning
to the United States to take part in the Civil
War, on the Union side, receiving a commis-
sion as brigadier-general. After the war he
became, in succession, Washington corre-
spondent of the New York Tribune, editor of
the Detroit Post, editor of the Westliche Post.
In 1869 he was elected a United States Sena-
tor by the Missouri legislature, being the first
German-born citizen to serve in the Senate.
He became Secretary of the Interior under
President Hayes, giving a great impetus to
the cause of civil service reform, a cause with
which his name has always been very promi-
nently identified. The romantic story of his
life is being told in graphic detail in an auto-
biography that has been running as a serial
in McC lure's for six or eight months. He was
the finest example of the idealist that Ger-
many ever contributed to America, according
to The Evening Post (New York), a paper
of which he was for several years the editor.
The New York Mail calls him another Cato
the Censor, and says that he was a bom "mug-
wump," whose gifts fitted him for opposition
and criticism, but "quite unfitted him for con-
structive statesmanship."
PON that Princess Ena of Batten-
berg whom June sees transmitted
into Queen Victoria Eugenia of
Spain, Madrid is now bestowing an
adoration that reflects presumedly the state
of his Catholic Majesty's heart White duch-
ess satin, embroidered with silver thread, open-
work patterns of large rosettes and short
sleeves terminating in frills of lace monopo-
lize in the dailies of all Europe the columns
THE WEDDING OF PRINCESS EN A
593
the abjuration of Protestantism by the object
of the Spanish King's love. The wedding tries
the patience of the nonconformists not less
than that of the dressmakers. The young
royal lady swore, in a very elegant hat, that
she was very sorry she had been brought up a
Protestant. "I now, by the help of God's
g^race," she declared in the palace chapel at
San Sebastian, "profess that I believe the Holy
Roman Catholic Apostolic Church to be the
only and true church." Amid a chorus of cen-
sure from the sectarian evangelical weeklies
of her uncle's realm and an outburst of ad-
miration in the society organs, the princess,
in white silk and a train embroidered in sil-
ver, accepted, on a gilt footstool, everything
that has been defined and declared to be truth
by the Council of Trent and by the Ecumenical
Council of the Vatican, and accepted as well
the primacy not only of honor but of juris-
diction of the Roman pontiff. This repudia-
tion of the faith of which her royal uncle
is the defender makes the princess the center
of what the London World pronounces the
fashionable event of the season.
IT WOULD be idle to pretend, confesses the
London Times, that this is an act of which
the religious sense of Edward VII 's kingdom
can wholly approve. Why should anyone be
offended, asks the Madrid Epoca, at what does
not offend the religious sense of Alfonso XIIFs
kingdom? "The instinct which leads to pro-
test . and dissatisfaction," adds the London
Times, "is natural and ought to be respected."
"How detestable the bigotry," observes the
Madrid Epoca, "that impugns the sincerity of
conversion." The London daily trusts that in
the visits which the new Queen of Spain will
often pay her native land, "the Roman Cath-
olic aspects of her new dignity will be made as
little prominent as possible," while the dynas-
tic organ in Madrid anticipates a day when
Spanish ecclesiastical dignitaries shall once
more be welcomed in the capital of the great
Protestant power. Only when the disputatious
dailies approach the subject of sentiment can
they agree upon any aspect of the marriage.
They all tell us that it was based upon a lam-
bent fire, so to speak, which, playing round this
pair of hearts, has penetrated to the very cores
or, more accurately, the valves, of the cardiac
regions concerned. (See Madrid Epoca,) Al-
fonso's apocryphal passion for an inaccessible
Bavarian princess, compared with the absorp-
tion of his soul in Ena, is as the unbudded cow-
slip ta the rose in full bloom. (For details of
THE PAIR WHO DECLINED TO WED BY PROXY
They are seated side by side in this grroup. The youna:
lady 18 the Princess Ena of Battenberg. The youth is
the present Kine of Spain. Standing in the center is the
motner of the oride-to-be, formerly Princess Beatrice,
favorite daughter of the late Queen Victoria. Following
the ancient Spanish royal custom, Princess Ena was to
marry Alfonso by proxy. But she objected to being
made Queen of Spain by anyone but Alfonso.
Alfonso's love at first sight, see London Public
Opinion.) Even thus Don Juan's previous at-
tachment to another lady made him feel with
greater intensity that heaven was where his
last love happened, to be — the idea, this, of
a Spanish comic paper giving sarcastic form
and expression to the emotional state of the
entire Iberian peninsula. That peninsula, as
reflected in its press, now floats in the ocean
of Alfonso's love. There are bull fights every-
where.
HER Serene Highness, or, as she is hence-
forth to be, her Catholic Majesty, has
already proceeded to Spain. The original
plan was to have these nuptials celebrated at
the home of the royal bride, which would have
entailed, in accordance with ancient custom, a
marriage by proxy. As it is, all the powers,
including the United States, have despatched
special embassies to Alfonso's capital to wit-
ness the substitution, as mistress of the royal
palace at Madrid and as mistress of the Elscu-
rial, of a young English girl for a middle-aged
Austrian woman. Of medium height, with
melancholy countenance, a Hapsburg profile.
594
CURRENT LITERATURE
HEAD OP THE FRENCH MINISTERIAL
GOVERNMENT
lean Sarrien, now Premier in Paris, but soon, it is
said, to retire, intends to apply the law separating church
and state in all its vigor regardless of the physical resist-
ance of clergy and congregations.
in aspect noble, in religion reverentially Cath-
olic, Dofia Maria Christina, the grand figure of
the long regency, makes way for a tall, lively,
fair girl, one year older than Alfonso himself,
a girl graceful of figure, addicted to athletic
sports and never melancholy for a moment.
Automatically the distinction of commanding
the Order, of Maria Luisa passes, by this mar-
riage, from the elder woman to her junior.
Perhaps the most interesting features of the
affair are the bestowal upon Alfonso's new
consort of that crown studded with diamonds
which was paid for by popular subscription
throughout the peninsula and which this bride
is to wear as Queen of Spain — mistress of the
most ceremonial court in the world — and the
public exhibition of the new sovereign's gowns
and the whole of her underwear in the show-
rooms of the most fashionable modiste in Lon-
don. All the night-dresses — four dozen — we
read in the London Standard, are adorned —
in the case of a lady, says Gibbon, such details
are important — with genuine lace, besides be-
ing composed of the finest cambric and high in
the yoke. The petticoats are mostly of pale
pink broche, with frills of mousseline de soie.
There are a good many columns of this in
British journals which view with scorn yellow
journalism in America.
EPARATION of church and state
was sustained by the French voters
in last month's national election;
or, as Clemenceau puts it, despotism
was not banished from heaven that it might
establish its headquarters at Paris. The re-
sult is held by many newspapers abroad to
prove again that French voters never go over
to the enemies of any political combination
that passes anticlerical measures. May Day
agitations entailed the presence of soldiery in
the streets of the capital, and striking miners
forced the Minister of the Interior to cease his
electioneering long enough to enforce meas-
ures of constraint that public order might be
maintained. Toward the last the voting-ums
seemed magnets for all the elements of discon-
tent. Such things, Clemenceau now tells us,
were the instrumentalities, if not indeed the
devices, of reaction. But no senile coalition
of all the impotents, he adds, with character-
istic fierceness, could repel the force which re-
publican France has released into a world made
hideous with the hum of clericalism. There is
an infinite amount of this sort of thing in that
well-known vehicle of Q^menceau's opinions,
the Paris Aurore, Everything he says is read
avidly just now, for the reason that he is the
one man to whom all the French ascribe tfic
anticlerical triumph that has just been won.
As for the nominal head of the anticlerical
combination now in power, Premier Sarrien,
he is understood to have already resigned him-
self to his own resignation. His anticlerical
supporters will not support him. He was put
in as a mere stop-gap, and is to be defeated
by those who won his victory.
•
• •
N A certain midnight toward the
end of April last, listless members
of the House of Commons were
rendered wide awake by the news
that Mr. John Morley, speaking officially as a
pillar of the British ministry, was hurling de-
fiance at the whole bench of bishops. So tame
a theme as education provided the Secretary
of State for India with his unit of resistance.
Scores of members of Parliament sat as rigid
as wires while Mr. Morley, guest of honor at
a great dinner, placed himself, without insin-
cerity and without impertinence, as he phrased
it, in the position of those who are now to
raise a tremendous battle — Morley's own
words — against the very ministry he adorns.
"What is the principle they oppose?" cried
that statesman, philosopher and literary oracle
BRITAIN'S BATTLE OVER ''BIRRELLIGION''
595
excitedly. "The principle in the [new edu-
cation] bill that those who provide the money
shall control the expenditure of the money."
Within an hour the fuse of the London po-
litical pinwheel had begun to sputter, and by
the next morning every journalistic sky-rocket
in England was blazing skyward. ''It is obvi-
ous/' comments the London Morning Post,
in consternation at what it terms "the out-
cry," "that the fight which will rage around
its [the education bill's] main provisions will
be as fierce as any witnessed at Westminster
in recent times." The progress of the meas-
ure through the Commons must, it concludes,
consume most of the ten or twelve weeks that
now remain of the session and an autumn ses-
sion will almost certainly be required to af-
ford the House of Lords time to achieve that
rescue of the English people from "the curse
of secularism" against which the bench of
bishops is in insurrection.
FROM "Birrelligion" has been spawned the
new educational hydra which England's
priests, peers and prelates are now attacking,
fearless of the superior weight of the non-
conformist enemy in the House of Commons.
Of Birrelligion we have many definitions and
one obvious etymology. It is derived from
the name of the president of the Board of
Education in the Campbell-Bannerman min-
istry— ^the Right Honorable Augustine Bir-
rell, K. C, incidentally famous on the Ameri-
can side of the Atlantic for certain jesting
essays on themes literary. But Mr. Birrell's
"Obiter Dicta" passed out of all English
minds, when, some weeks ago, he brought
in his education bill amid Roman Catholic
hierarchical tumult, Anglican prelatical dis-
may and a sort of popular pandemonium.
Birrelligion has since been the only political
phenomenon of which Britain seems for the
time being to be conscious. On the Saturday
before the Monday that brought him this re-
nown, the Right Honorable Augustine Bir-
rell, K. C, sat in a London park framing the
speech with which his education bill was in-
troduced to the lawmakers of his native is-
land— ^"a very beautiful park," he assured the
House of Commons, "rich with the promise,
I hope not the delusive promise, of early sum-
mer, a place simply swarming with children
who all seemed animated by one desire, name-
ly, to ascertain the time from me." The
laughter that greeted this sally was loud, but
the impertinence that prompted it was too
characteristic, complains the London Satur-
day Review, It gives us, we are told, the
measure of the man and of his bill, and re-
veals the lightness with which Mr. Birrell has
made himself the instrument of "Noncon-
formist malice." He is pietistic, too, it is
charged, and h3rpocritical. Line by line, word
by word, concludes the Conservative organ,
the Birrelligious bill must be fought. Then
the House of Lords must deal with it. To
this mood had the official opposition press
come when Mr. Morley defied the bishops.
He implied thereby a defiance of the House
of Lords. The London Spectator foresees a
fresh phase of the agitation for the exter-
mination of the hereditary legislator in the
land. If Great Britain escapes a constitution-
al crisis involving Lords and Commons before
the fate of the education bill is decided, then
the London Spectator is a false prophet
NOT an instant was lost by the Archbishop
of Canterbuxy in calling the Church of
England to arms. Mr. Birrell, powerfully
seconded by the support of Mr. Morley —
which entails the support of the whole min-
istry— ^predicts, none the less, the passage of
what has now become the bill of the session.
This will mean that on and after January i.
1908, a school in England shall not be rec-
ognized as a public elementary school unless
it is provided by the local education authority.
From and after the date named, no elemen-
tary school shall receive a penny of public
money, unless it becomes a provided--or as
we Americans would say, a public — school
within the meaning of the education act.
That is a revolutionary modification of the
sectarian system established by Mr. Bal-
four's government four years ago. The Bir-
rell measure would transform every sectarian
school receiving public funds into a provided
school within the meaning of the act. Conse-
quently, the school thus transformed would
impart the same kind of instruction in religion
that is now given — when it is given at all —
in the provided schools of England. But this
religious instruction is to be subject to the
condition that no catechism or formulary dis-
tinctive of any religious denomination shall
be taught in school hours and to a conscience
clause rescuing children from such moral in-
struction as their parents may oppose. The
result would be what Mr. Birrell's opponents
contemptuously call "School Board religion."
This includes a form of prayer to be used
both morning and afternoon in class, hymns
for daily use and a syllabus of religious doc-
596
CURRENT LITERATURE
THE FIRST STEP
C. R. Macauley in N. Y. IVor/d.
electing to receive public money
must become provided schools,
knowing but one control hence-
forth, that of the local educa-
tional authority. ("Putting the
Church," to quote our London
commentator once more, "under
the heel of the Nonconfonn-
ists.*') However, on two days
a week in some schools surren-
dering to the principle of the
bill by abandoning the denomi-
national badge, special denomi-
national teaching shall be given
when stipulated for and demand-
ed by parents. ("A conces-
sion," proceeds the opposition
voice, "which is a studied in-
sult." But this denominational
instruction is not to be given by
the teacher, nor can it be given
in the hours allotted by the bill
to secular instruction — nine in
the morning to four in the after-
noon on five days a week. ("In-
flames old sores," expounds our
oracle, "and adds others far
more malignant in their na-
ture. ") The debate is one that
stirs all England and arouses
many passionate utterances.
trine framed by representatives of several de-
nominations.
OWNERS of schools now denominational
are to remain their owners in the future.
They will have the exclusive possession of the
premises during the whole of Saturday and of
Sunday. They will likewise have the use of
them in the evenings of week days. ("Pre-
tended good will," The Saturday Review
terms this arrangement.) The maintenance
of the buildings as well as the cost of their
administration will be provided for out of the
taxes. What becomes, asks Mr. Birrell, of
the bishops' cry of confiscation? . ("This is
Stiggins's hour," replies the dissatisfied organ
just referred to, "and Stiggins means to get
his pound of flesh while he can.") Mr. Bir-
rell pointed out to the House of Commons that
the facilities afforded in his bill are confined
to "non-provided" — that is, denominational
— schools. ("A tasteful touch," our contem-
porary proceeds, "certain to tickle the Non-
conformist palate.") All non-provided schools
STARTING with complete public control,
carrying with it the appointment by
the local educational authority of the teacher
— to whom no creed of any denomination can
be applied as a test — and with such a syllabus
of religious instruction as the local educa-
tional authority adopts, the new and now
fiercely fought and fiercely defended educa-
tion bill embodies, to blend the words of Mr.
Birrell with the words of Mr. Morley, the
principle that where there is expenditure of
public money there must public control be,
also. But the whole bill embodies noncon-
formist religion, contend ecclesiastics of emi-
nence. As a nonconformist born and bred,
as a man nurtured in nonconformist history
and nonconformist traditions, as one who
thinks he may say he was bom in the very
nonconformist library of a nonconformist
minister, Mr. Birrell protests against this mis-
use of the term "Nonconformist religion."
And of all the vile phrases that have climbed
to currency in England the vilest, to Mr. Bir-
rell, is "the Nonconformist conscience." "It
THE OPENING OF THE DUMA
597
must," he said in his great speech on the edu-
cation bill, "have been the invention of an
Erastian humorist." An Erastian, as those
members of the Commons who had their eccle-
siastical encyclopedias at hand must have
noted with admiration, identifies to some ex-
tent the church with the state and is accused
of denying self-government to the church al-
together. The allusion inspired pungency
from pulpits wherein Erastianism was viewed
as the parent heresy of Birrelligion.
ISEMBARKING from his yacht at
the steps of his winter palace in
St. Petersburg barely a fortnight
ago, the successor of Ivan the Ter-
rible paraded with a brilliant suite between
lines of cavalry to the gilded Hall of St George
and there addressed ambiguous phrases to that
Duma which refuses to regard him any longer
as the autocrat of all the Russias. Surround-
ed by the most exalted ecclesiastics of a church
which recognizes him as its visible head on
earth and with his attenuated figure framed in
the gold canonicals and diamond-studded me-
ters of the entire Holy Synod, Nicholas H told
the shabby peasants and the impecunious pro-
fessors in front of him that divine Providence
had prompted his summons of them to co-oper-
ate in the framing of the empire's laws. He
spdce of their arduous labors to come, of the
needs of his beloved peasantry, of his own un-
alterable will and of the little son to whom
he would bequeath a firmly established, well-
ordered, enlightened state. Never was the
nervousness for which this potentate is fa-
mous more visible to his applauding courtiers,
whose obeisances and genuflections contrasted
sharply with the stolidity of the listening
Duma.
NICHOLAS IPs original determination to
honor with his presence only the open-
ing ceremonies of the Council of the Empire
seems to have been frustrated partly by his own
indecisive temperament and partly by the in-
flexible pertinacity of two ladies. The Czar's
wife and the Czar's mother were for once
agreed upon a course for Nicholas to pursue,
according to the prevailing gossip. These
ladies went through the ceremonies in white
silk trains and gold slippers, supporting an-
cient Russian head-dresses that certainly were
high and probably were hot. Less than a week
before his Majesty had affronted his mother
by dropping Witte. Goremykin, the Russian
WITTE'S REACTIONARY SUCCESSOR
The rekl power, explain 8 the well-informed correspond-
ent of the London Telegraphy is not wielded by Ivan
Goremykin, the new Prime Minister of Russia. As
Witte's successor, it is understood that he will permit (or
rather be forced to allow) General Trepoflf to act as
Russia's real ruler.
who despises Witte most, and that is saying
much, succeeded him as Premier. A decade
ago Witte drove Goremykin from power.
Goremykin returned the compliment when
Plehve became all powerful with the Czar.
Witte scored again, and now it is Goremykin's
turn once more. Goremykin has always been
in touch with reactionary grand dukes and
at odds with the faction that rallies around the
Czar's mother.
I IKE all the older props of the Romanoff
Lr dynastic throne, Goremykin is well
versed in the orthodox religion and he is said
to have great reverence for the episcopal and
monastic character. He is said to be so dis-
dainful of the culture of Western Europe
as to be unaware of the precise difference
in days between the calendar in vogue
throughout Russia and that prevailing in the
rest of Europe. The amplitude of his estate
is not readily reconciled by his critics with the
stern regard he professes for the general wel-
fare of the Muscovites and even the creed he
accepts is alleged to be tainted with heresy.
Considerations of this nature are understood
in Europe to have been urged by the mother
of Nicholas when she heard the first rumor of
Goremykin's elevation. However this may be,
598
CUl^RENT LITERATURE
the Dowager Czarina was appeased by the ap-
pointment of that tried instrument of her pol-
icy, the Chevalier Isvolsky, to the post of Min-
ister of Foreign Affairs. This experienced
diplomatist has long represented his sovereign
at the court of Denmark, where, it is said, he
imbibed a distrust of Emperor William and a
faith in Great Britain which must influence
his attitude toward future Anglo-Russian rela-
tions. Isvolsky would undoubtedly have suc-
ceeded Witte himself had the wishes of the
Czar's mother prevailed.
French Revolution and it is his theory that his-
tory repeats itself.
QUITTING the scene, the deputies of the
Duma then proceeded to that hall in the
Tauride Palace which has been set aside as the
cradle of this latest born of parliaments. No
caucus in Washington could have organized
itself in more cut and dried fashion. By the
election of Prof. Sergei Andreievich Mour-
romtseff as its president, the Duma is said
to reveal that if it lacks the wisdom of age it
possesses the docility of youth. President
Mouromtseff is described as a lecturer rather
than an orator, one whose mode of treating
public questions is academic rather than prac-
tical. He has watched with loving interest
the growth of liberal views in Russia, but his
mind has been formed in the study and is sup-
posed to be scarcely fitted for the collisions of
party spirit He thinks the Duma will grow a
large crop of Robespierres and Dantons, for
his mind is saturated with the history of the
STRIFE soon became manifest in the Duma
itself. The proletarian element dreads a
reconstruction of autocracy along middle-class
lines, while the liberal minds wish the evolu-
tion of a solid and substantial government
based upon legality, solvency and the dom-
inance of business considerations. The first
clash occurred when the deputy who has been
hailed as the Camille Desmoulins of Russia —
somehow every conspicuous individual has a
label borrowed from the French Revolution —
Ivan Petrunkevitch, created an uproar by de-
claring that the first official word of the repre-
sentatives of the Muscovite people should be
the consecrated one of liberty. Deputy Pe-
trunkevitch is but a type of dozens who, al-
though without parliamentary experience, can
construct the lofty harangue, overarch it with
metaphor, render it dazzling with epithets and
sparkling with jests. Of constructive work
there is as yet not a trace. There is much to
be heard regarding the ship of state, the holy
cause of liberty and the will of the people.
Men attend the sessions not yet for the purpose
of getting through with the business of the
day, but to echo the universal shout for free-
dom and the rights of man. Premier Goremy-
kin, says rumor, has been personally com-
manded by Nicholas II to get rid of all these
people as soon as practicable.
From ^tcicogrnph, ropyriglu 19t(), by Fndcrwood & UndiTwood, N. Y.
THE ATHLETES^WHO REPRESENTED THE UNITED STATES AT THE OLYMPIC GAMES
Americans in the Olympic Games at Athens were the winners of 79 points. No other nation won more than 36
points, which were scored bv the British. Practicallv all the leading honors crossed to this side of the AtVantic,
a Canadian winning the big event — the race from Marathon to Athens. "America's triumph," says the^ Phila-
delphia Press, "is natural, inevitable. To-day this is the jrreat center of the athletic world." But the wbfole tone
of the games was lowered, says the anti- American ^Saturday Review^ by the participation of Americans |in them!
Persons in the Foreground
-THE MOST STRIKING AND POSITIVE CHARACTER IN THE
HOUSE OF REPRESENTATIVES "
"Uncle Joe," otherwise the Hon. Joseph
G. Cannon, of Illinois, Speaker of the House
of Representatives, has just been celebrating,
with the aid of many of his congressional
friends, the seventieth anniversary of his birth ;
yet the New York Sun dubs him the youngest
man in Washington. It is the Washington
correspondent of the New York Times who
characterizes him as in the title above, and he
limns the character of the erstwhile "watch-
dog of the Treasury" in a way that goes far
to justify the characterization. For Uncle
Joe Cannon, despite the post of almost im-
measurable influence which he now occupies —
second in power, indeed, only to that of, the
President himself — has long been noted for his
unconventionality, his humor, his bluntness,
and his ability to disarm his fiercest political
opponents of all personal enmity. He can
do things that, done by most other men, would
cause a furore, but which, done by him, arouse
more amusement than anger.
Once recently so many Republican mem-
bers of the House were absent from the floor
refreshing themselves in the House restaurant
that the Democrats suddenly discovered that
they had a majority and they proceeded at
once to make use of it. They called up a bill
and proceeded to carry it to a vote as speedily
as possible. The Speaker sent .out a hurry
call for Republican members and did all he
could parliamentarily to delay the voting. In
sheer desperation he was forced at last to or-
der a third roll-call, in violation of all prec-
edents. Up sprang a dozen or two of enraged
Democrats, all shouting at once. "Why does
the Chair call the roll a third time ?" was their
indignant demand as voiced by one of their
number. "Uncle Joe" never hesitated. "The
Chair will inform the gentleman," he replied;
"the Chair is hoping that a few more Repub-
licans will come in."
A storm of laughter shook the house, and
the angriest of the Democrats sat down to
chuckle.
The incident is narrated by C. W. Thomp-
son, The Times correspondent, in his new book,
"Party Leaders of the Time," from which we
have already had occasion to quote rather free-
ly for this department. The same writer thus
describes Cannon in action, on the floor of the
House, prior to his election as Speaker :
"The 'Uncle Joe* who for so many years was
chairman of the Appropriations Committee, the
official watchdog of the Treasury, was a sight
worth seeing when a debate was on. His delivery
was slashing, sledge-hammery, full of fire and
fury. When he got thoroughly interested in his
subject the fact was made known in an infallible
way. On such occasions he would take off his
coat and throw it on his desk. Provoked by op-
position and getting warmed to his subject, his
waist-coat would follow his coat ; and if the occa-
sion was of sufficient moment to warrant it, off
would come collar and necktie.
"Thus* stripped for action, *Uncle Joe' would
move up and down the aisles in long strides, wav-
ing? his fists in the air and pouring forth a con-
tinual flood of sarcasm, invective and denuncia-
tion at a rate that taxed the stenographers. He
would roll up his shirt-sleeves to give him greater
freedom, and his bony fists would fly around in
the heat of his wrath so that the ducking heads
of congressmen, dodging to avoid a punch in the
eye, marked his dashes up and down the aisles.
"If some unlucky opponent interrupted^ Can-
non would stride up and down the aisle, jerking
his shirt-sleeved arms about in a fury of impa-
tience. As the last word left the questioner's
mouth a gigantic roar of 'Oh, Mr. Chairman/
would burst from Cannon as if his pent-up feel-
ings had torn that torrent of sound from his
bosom, and behind it would come such a flood of
sarcasm, couched in homely language and min-
gled with soundest sense, that the interrupter
wilted under a laugh that shook the house.
"And when it was over Cannon would go back
to his place and put on his collar and necktie and
waist-coat and coat, and retire to the Appropria-
tions room,
"These speeches were seldom partisan ones;
he was engrossed in his work of watching appro-
priations and defeating extravagance. He never
hesitated to beard the House leaders, the august
triumvirate of the machine, nor to defy the speak-
er himself."
Now, as Speaker, he cannot make speeches
and he keeps his coat on. "He is the picture
of dignity as he stands in the Speaker's place,
and it is quaint, natural, unforced dignity;
nothing put on about it." Out of the Speak-
er's chair, however, he is as unconventional
as ever. Two days before he became Speaker
a friend called on him in the room of the Com-
mittee on Appropriations, remarking: "Joe, I
6oo
CURRENT LITERATURE
AT THREESCORE YEARS AND TEN
Of Speaker Cannon, who has just celebrated his seven-
tieth birthday, it is said : " He is the picture of dignity
as he stands in the speaker's place, and it is quaint, nat-
ural, unforced dignity ; nothing put on about it.
had it in mind to drop in on you and say good-
by to Joe Cannon." "What do you mean?"
was the response. "Well, I have known Joe
Cannon many years and I thought I might
never see him again, but would hereafter have
to deal entirely with the Speaker." Cannon
took the cigar from his mouth, pointed with
it toward the Hall of Representatives, and
said: "In there I'll be the Speaker; away from
there youll find that Fll be Joe Cannon."
That has been the case, and to that is due
much of the power that he has maintained
over his associates. Says Mr. Thompson, the
correspondent, be it remembered, of a Demo-
cratic journal:
"The House loves and trusts him; he is the
most popular man in all its membership. Thi
Democrats are little less fond of him than the
Republicans. He has not followed the Hender-
son policy of treating the minority like captives
in a Roman triumph; he has treated them fairl>
and even generously.
•*And the House admires him no less than it
loves and trusts him. It will follow him to battle
anywhere and for any cause, as it rose from its
degradation and followed him solidly to battle
with the Senate. It knows him as an uncommon
man; a man of high ideals and firm convictions
and definite purposes."
Speaker Cannon is a Southerner by birth.
having been born in Guilford, N. C. But his
whole public and professional career (he is a
lawyer) has been identified with Illinois. He
first went to Congress in 1873, and has been
a member of the lower house ever since, with
the exception of one term— a period of serv-
ice of thirty-two years.
"Nobody ever associated 'Uncle Joe's' per-
sonality with old age," says the St. Louis
Globe-Democrat, "and they are not likely to
do so in the near future." He is being prom-
inently mentioned as a candidate for Presi-
dent to succeed Theodore Roosevelt, but he
refuses to take such thought seriously. One
cartoonist represents him as singeing the
wings of the presidential bee with the lighted
end of his ever-present cigar.
■THAT HUMAN RADIANCE WE CALL ELLEN TERRY"
"Why do you look so young?" The ques-
tion was addressed to Mrs. C. Wardell, whom
all the world knows as Ellen Terry, and who
has just been celebrating the completion of
her first half century on the stage. Her
answer was : "I think it is because I am never
long unhappy. I always try to be happy."
This gift of buoyant jollity, in the judgment
of Max Beerbohm, is one of the two gifts
that have secured for her the peculiar place
she holds in the affections of her audiences.
The other of the two gifts is hcV sense of
beauty. Nothing can obscure for us these two
gifts, says Mr. Beerbohm in The Saturday
Review, "Was ever a creature so sunny as
she? Did ever any one radiate such kindness
and good humor?" Another writer applies to
her the happy phrase at the head of this article,
and a third calls her "the most marvellous
alchemist of our time," for she has discovered
the secret of perpetual youth — a neat little
compliment, by the way, that is becoming
ELLEN TERRY AS "FAIR ROSAMOND'
" Nothins: can obscure for us." writes Max Beerbohm, " her sense of beauty and her buo^'ant jollity. It
is tliis latter quality that explains the unique hold she has on the affections of the public. Was ever a
oreature so sunny as she ? Did ever anyone radiate such kindness and good humor ? "
6o2
CURRENT LITERATURE
ELLEN TERRY AND HER SON, GORDON CRAIG,
IN "THE DEAD HEART"
Mr. Craig, in addition to being an actor, has made a Eu-
ropean reputation as stage director.
just a trifle worn from frequent use upon vari-
ous kinds of anniversary occasions.
These are but a few of the many tributes
that Ellen Terry's golden jubilee has brought
forth from all sides. The Queen of England
sent her a jewel; distinguished men and
women in many countries telegraphed their
congratulations ; and a "shilling fund" recently
started in her benefit by a London newspaper
has reached very considerable proportions.
At the conclusion of a special performance of
"The Merry Wives of Windsor," in which
she participated, Beerbohm Tree, the leading
English actor, recited a poem written for the
occasion by Louis N. Parker, and presented to
hera silver jewel-casket, the gift of the Lon-
don Playgoers' Club.
Of all the literary tributes evoked by the
occasion none is more interesting than that
contributed by Bernard Shaw to the Neue
Freie Presse (Vienna). His article has a
double timeliness, in view of the fact that
Ellen Terry is now appearing in his "Captain
Brassbound's Conversion," a play which, ac-
cording to its author, "has been waiting for
her for seven years." He writes, in the
Austrian paper:
"Apart from her chosen profession, Ellen Terry
is such a remarkable woman that it is very diffi-
cult to describe her unless one decides to give the
history of her life instead of her public activity.
The role which she played in the life of her times
can only be properly estimated when (perhaps
fifty years hence; her letters will be collected
and published in twenty or thirty volumes. Then,
I think, we shall discover that every celebrated
man of the last quarter of the nineteenth century
(that is if he had been a theatregoer) had been in
love with Ellen Terry, and that many of tliese
men had found in her friendship the best return
which could be expected from a gifted, brilliant
and beautiful woman, whose love had already
been given elsewhere, and whose heart had with-
stood thousands of temptations. To me (for I
am also one of her unsuccessful admirers) Ellen
Terry's art is the least interesting thing about her.
In contrast to Irving, to whom his art was every-
thing and his life nothing, she has found life it-
self more interesting than art. And while she was
associated with him in his long and brilliant man-
agement of the Lyceum Theatre she — the most
modern of modern women — considered it a higher
honor to be an economic exemplary housewife
than to be a self-conscious woman whose highest
aim was to play the female heroine in the old-
fashioned plays in which Irving shone,"
Fortunately there were among these old-
fashioned pfeys a handful of Shakespeare's
tragedies and comedies. "We saw Ellen
Terry as Portia, as Juliet, as Imogen^, as
Ophelia," says Mr. Shaw, "but never as Rosa-
lind in 'As You Like It,* which she would un-
doubtedly have played very successfully, if
she had been as anxious about her own fame
as to help Irving." He continues:
"There have, perhaps, never been two members
of the same profession so dissimilar as Ellen
Terry and Henry Irving. They both had wonder-
fully beautiful and interesting faces, but faces
like Irving's the world has seen for. centuries in
the pictures of its priests, its statesmen, its princes
and its saints, but a countenance such as Ellen's
the world has never seen before. She has ac-
tually created her own beauty, for her pictures
as a girl hardly show a single feature of the won-
derful woman who, in 1875, appeared again and
took London by storm after she had turned her
back on the stage for seven years. That much-
used word 'only' can be used literally in regard
to Ellen Terry. If Shakespeare had met Irving
on the street he would have recognized in him
immediately a distinguished type of the family
of artists; if he had met Ellen Terry he would
have stared at her like at a new and irresistibly
charming type of woman. Sargent's picture of
her as Lady Macbeth will stand out among all the
pictures of distinguished women as one who bears
no resemblance to anybody else."
Continuing the comparison, Mr. Shaw says
that Irving was "simple, reserved/ and thought-
ful," while Ellen Terry is "qjuick, restless,
brilliant, and is free and easy 'in her maniLer
PERSONS IN THE FOREGROUND
603
even toward the most bashful stranger."
Moreover:
"Irving was not fond of writing letters. . . .
CUen Teriy, on the other hand, is one of the
erreatest letter writers that ever lived. She can
dash oft her thoughts at lightning speed in a
handwriting which is as characteristic and unfor-
setable as her countenance. If one finds a letter
from her in the morning mail it is as if one saw
the woman herself, and one opens this letter first
and feels that it is the beginning of a happy day.
Her few published writings give no idea of her
real literary activities. Her letters are all too
intimate, too personal, too characteristic to mean
anything except to the one to whom they are
addressed. And here we come to another point
in which she differed from Irving. Irving was
sentimental and sympathetic and, like most sen-
txxnental and sympathetic people, he was always
thinking of his own interests. He never under-
stood other people, aqd really never understood
himself. Ellen Terry is not sentimental and not
S3rmpathetic, but she takes a lively interest in
everybody and everything that is remarkable and
attractive. She is intelligent, she understands, she
is interested because she understands, and is kind-
ly di^wsed, but she was more often excited than
deeply moved, and has more often pitied and
helped than loved. Although she was always
ready to sacrifice her talent and her art, first
to her home-duties, and later, after her return
to the stage, to the Lyceum undertaking, still she
never- surrendered her inner self. If she gave
up her art, she gave up with it only part of her
being. Irving's art, on the other hand, was his
whole self, and that was the reason why he sac-
ificed himself to his art as he sacrificed everybody
and everything else to it."
Mr. Shaw goes on to maintain that Irving
not only wasted his own talents on antiquated
and reactionary drama, but that he wasted
Ellen Terry's talents also. To quote:
"If anyone had accused him of such a thing he
would have called attention to such of hi^ plays
as The Lady of Lyons/ The Amber .Heart/
Will's arrangement of 'Olivia' and Taust,' to his
Shakespeare repertoire, and, finally, to 'Madame
Sans-Gene,' a bold concession to the ultra mod-
ern spirit, made really for Ellen Terry's sake. He
^ould have said : Can anyone but a fool say that
to excel in such masterpieces was to waste one's
talents? What actress could wish for more?
Was not Shakespeare the greatest dramatist of
the past, the present, the future? Was not
Goethe, although a foreigner, worth revising?
Was not Tennyson the poet laureate? Ought ob-
scure executive and immoral Norwegians and
Germans like Ibsen and Hauptmann, and their
English imitators to be played at the Lyceum Thea-
tre just because literary cliques discussed them,
and because Duse and Rejane played them, and
because there were English actresses in such a
deplorable condition that they were forced to play
these new questionable heroines like Hedda Uab-
ler and Nora Helmer in semi-private productions
at the independent theatre and for the stage so-
ciety?
"All this sounded reasonable, and the majority
ELLEN TERRY AS '•MISTRESS PAGE"
Miss Terry's Kolden jubilee was celebrated by a special
performance of **The Merry Wives of Windsor/* in
which Beerbohm Tree also took i>art.
of English theatregoers still think it sounds rea-
sonable. In other countries, Germany and Aus-
tria, for instance, her position will be better un-
derstood. She climbed to the highest summit it
was possible to climb in the old drama, succeed-
insr thereby in completely excluding herself from
the modern drama."
Max Beerbohm takes the more generally
accepted English view that Ellen Terry was
wise in choosing Shakespearean roles and has
made an imperishable reputation in them.
Comparing her with the ultra-modern Mrs.
Patrick Campbell, he says : *
"For my part, I am not sure that in sheer sense
of beauty, and in power of creating beautiful ef-
fects on the stage, Miss Terry is greater than
Mrs. Patrick Campbell. I think it would be hard
to decide justly between these two. But it is cer-
tainly natural and inevitable that in England Miss
Terry should be held to be unrivalled. For she is
so very essentially English. Or, rather, she is
just what we imasrine to be essentially English.
... Anyhow, I have no doubt that to the Ital-
ians, Sigrnora Duse's sadness seems t)rpically Ital-
ian, just as the sadness of Mrs. Campbell (who is
partly Italian) seems typically un-English to the
English, and just as Miss Ellen Terry's sunniness
6o4
CURRENT LITERATURE
seems to the English not less typically English.
Exotic though this sunniness really is, there is in
the actual art with which Miss Terry conveys
it a quality that really is native. Hers is a loose,
irregular, instinctive art, . . . and it is just
because her art is so spontaneous, so irreducible
to formulae, that she has been and is matchless in
Shakespeare's comedies. She has just the quality
of exuberance that is right for those heroines.
Without it not all her sense of beauty would have
helped her to be the perfect Beatrice, the perfect
Portia, that she is. In modern comedy that vir-
tue becomes a defect In 'Alice Sit by the Fire'
her beautiful boisterousness wrought utter havoc;
and so it will in 'Captain Brassbound' so soon as
she is thoroughly at home in her part She needs
a Shakespeare to stand up to her.''
Ellen Terry was married, at the early age
of sixteen, to the famous painter, George Fred-
erick Watts. The marriage proved unhappy
and a separation ensued. In 1868 she mar-
ried Charles Wardell, an actor whose stage
name was Charles Kelly. Her son, Gordon
Craig, has made a European reputation as a
stage director.
A PROPHET OF THE COMING RACE
Very quietly, in the midst of all the Gorky
excitement, there came to America, on a fly-
ing visit, the unique English writer who, ac-
cording to Mr. C. F. G. Masterman, is one
of our two living prophets, George Bernard
Shaw being the other. And no less a critic
than G. K. Chesterton couples the same two
Britishers as geniuses who have shown that
the very best plays and romances produced in
England to-day are not "art for art's sake,"
but "by-products of propaganda."
H. G. Wells, says Mr. Masterman, has en-
tered the profession of prophecy, like the
shepherd of Tekoa, by unorthodox ways.
Like Bernard Shaw, "he follows the New Tes-
tament in preferring the wicked to the mean" ;
but, unlike Shaw, he has a beautiful faith in
youth. Always he appeals to the young men
and women to enrol in the crusade for the
New Republic. He "ransacks the springs of
action, to drive down into fundamental things,
to examine how, if at all, it is possible by
breeding, by education, by social reconstruc-
tion, to hasten the arrival of the Coming
Race." Moreover, Mr. Wells is that most re-
markable of all things — a prophet who has
not stopped growing. "One can lie awake at
night and hear him grow," says the delighted
Mr. Chesterton.
This powerful and truly imaginative writer
is physically rather frail, and only forty years
old. He is the least insular of Englishmen,
indeed quite world-wide in his interests and
sympathies; but he still resides in Kent, the
county of his birth. On his card is printed
"Spade House, Sandgate." His father was a
professional cricketer, and when a lad H. G.
Wells was apprenticed to a shop-keeper; but
his studies and ambition soon led him to the
Royal College of Science, London, where he
proved a brilliant pupil, winning later the de-
gree of bachelor of science at the University
of London, with special honors in zoology and
geology. All this time he was learning how
to write. "I am convinced," he is reported
as saying, "that a scientific education is the
best possible training for literary work. Crit-
icism is the essence of science, and the critical
habit of mind is essential to artistic perform-
ance. If I have a critical faculty, it was de-
veloped the year I had comparative anatomy.
As Huxley taught it, comparative anatomy
was really elaborate criticism of form, and lit-
erary criticism is little more."
Ill-health obliged Wells to give up the teach-
ing of biology and turn to literature as a pro-
fession. Beginning with the brief essay and
short story, he developed that fascinating form
of fiction the "scientific romance," in such
storied as "The Time Machine" and "The War
of the Worlds," which made him famous as- a
writer. The remarkably long list of his pub-
lished works includes no less than eight o^
these romances, four volumes of short stories,
two novels and the very important sociologi-
cal essays entitled "Anticipations," "Mankind
in the Making" and "A Modem Utopia,"
which last, he informs us, brought him back
to imaginative writing again — ^to "Kipps" and
"In the Days of the Comet," now running se-
rially in The Cosmopolitan Magazine. "He
began," says G. K. Chesterton, "by trifling
with the stars and systems in order to make
ephemeral anecdotes; he killed the universe
for a joke. He has. since become more and
more serious, and has become, as men in-
evitably do when they become more and more
serious, more and more parochial. He was
PERSONS IN THJS POkJSGkOUND
605
frivolous about the twilight of the gods; but
he is serious about the London omnibus. He
was careless in The Time Machine/ for that*
dealt only with the destiny of all things; but
he is careful and even cautious in "Mankind
in the Making," for that deals with the day
after to-morrow. He began with the end of
the world, and that was easy. Now he has
gone on to the beginning of the world, and
that fe difficult."
Like Shaw again, Mr. Wells is a member
of the London Fabian Society, as is also his
wife, and he is more of a simon-pure Socialist
than the average member, lately censuring the
society, in a paper entitled "The Faults of the
Fabian," for neglecting its main work of
propaganda for mere administrative reform.
"Efficiency" in trifling matters does not satisfy
him. His books are full of practical sugges-
tions as to ways and means of social reorgan-
ization, but through them all, as Mr. Master-
man says, Wells is appealing to the spirit
which must animate these material changes.
"With Carlyle and all the school of the
prophets, he demands a new heart; in the old
theological language, a mind set on righteous-
ness, a will directed toward harmony with
the will of God. He appeals to the young.
What man over thirty — so rings his challenge
— dares hope for the Republic before he die?
or for an infantile death-rate under ninety in
the thousand, with all the conquered desola-
tion that such a change would mean? or 'for
the deliverance of all our blood and speech
from those fouler things than chattel slavery,
child and adolescent labor ?* "
In "Mankind in the Making," Wells prcr
sents the unforgettable picture of "all our
statesmen, our philanthropists and public men,
our parties and institutions gathered into one
great hall, and into this hall a huge spout,
that no man can stop, discharges a baby every
eight seconds." "Our success or failure with
that unending stream of babies is the measure
of our civilization," he maintains. And start-
ing with this simple declaration, he proceeds
to diagnose our present civilization and fore-
cast a future with all the fervor of a Hebrew
prophet.
But H. G. Wells is no "crank." As Mr. E.
H. Clement, in the Boston Transcript, ob-
serves: "You feel that he is joining in the
common laughter at cranks — jollying them at
the very moment that he is far surpassing
them in optimistic imaginings and aspirations
for the race — for nothing less wide than the
human race holds his interest." "I believe it
A CHIEL AMANG US TAKIN* NOTES
Of Mr. H. G. Wells, who has been unostentatiously
visiting our country, a critic says, " One can lie awake
at night and hear him grow."
is generally admitted that he has provided
England with a good deal to talk about," says
Sir Oliver Lodge.
Mr. Wells was in America for six weeks
only, to study certain social phenomena, and
he was the guest of honor wherever he went.
"It is not difficult," he has said, "to collect
reasons for supposing that humanity will be
definitely and consciously organizing itself as
a great world-state — a great world-state that
will purge itself from much that is mean,
much that is bestial, and much that makes
for individual dulness and dreariness, gray-
ness and wretchedness in the world of to-
day. And finally there is the reasonable cer-
tainty that . . . this earth of ours, tide-
less and slow-moving, will be dead and
frozen, and all that has lived upon it will be
frozen out and done with. There surely man
must end. That, of all such nightmares, is
the most insistently convincing. And yet one
doesn't believe it. At least I do not. And I
do not believe in these things because I have
come to believe in certain other things — in
the coherency and purpose in the world and in
the greatness of human destiny. Worlds may
freeze and suns may perish, but there stirs
something within us now that can never die
again."
6o6
CURRENT LITERATURE
•THE MOST PERFECT RULER OF MEN THE WORLD HAS
EVER SEEN"
The words above were uttered at the bedside
of Abraham Lincoln by his Secretary of War,
Edwin M. Stanton. They form the keynote of
a new life of Lincoln written for the express
purpose of bringing out this element of Lin-
coln's greatness — his wonderful mastery of
men. It was a mastery that displayed itself
in all its power upon such subjects as Doug-
las, McClellan, Stanton, Seward, Fremont and
Chase, and in concentrating our attention upon
this element in the Lincoln personality, an ele-
ment rendered increasingly significant as year
succeeds year, we have, contends Mr. Alonzo
Rothschild, in his biography,* the dominant fact
df Lincoln's career. Yet the greatest of all
the men upon whom this mastery was exercised
— Abraham Lincoln himself — received no ade-
quate credit for any such capacity from the
multitude who yielded to it. They thought, so
far as they thought of it at all, that Lincoln
was weak. Time never wholly eradicated that
notion at any stage of his administration,
though the more discerning few realized the
truth, and some even tried to account for it.
This man of the people, writes Mr. Roths-
child, owed something of that subtle, indefi-
nable force which issued in mastery over his
fellow man to mere physique. And we are
afforded this comparison between the tall Sum-
ner and the tall Lincoln :
"Sumner, whether he gave to the world an
•oration with carefully studied pose and gesture,
or privately employed his powers of persuasion
in furthering one of the lofty aims of his career,
was ever conscious of the advantage that lay in
his commanding figure and he improved it to
the utmost. Lmcoln, rarely, if ever, self-con-
scious, made no such apphcation of his strength
and stature; but the exhibitions of them that he
scattered through his life abundantly manifest
his half-serious, half-joking sense of their im-
portance. This appreciation of a superiority,
purely physical, by leaders so unlike in tempera-
ment and training, is sufficient to warrant the
attention that has been given to a seemingly un-
essential matter. Moreover, it is no mere co-
incidence that the three most forceful person-
alities that have directed the fortunes of the
American people from the President's chair were
embodied in frames of uncommon size and vigor.
Their habits of command, confirmed early in
life by ability to enforce their wishes, armed them
with the irresistible powers of control by means
of which they triumphed in great crises of our
nation's history. The heaviest demands of this
♦Lincoln : Master of Men. A Study in Character.
By Alonzo Rothschild. Houghton, Mifflin and Com-
pany.
nature were, beyond a question, laid upon Abra-
ham Lincoln, and he, consistently enough, was,
of all the Presidents, the tallest.'^
Lincoln's mastery of self became, with the
progress of time, well-nigh absolute. It need-
ed to be wholly so, suspects our biographer,
to carry President Lincoln through the ofdeal
of his cross-purposes with McClellan. This
"smart young general," as Mr. Rothschild
terms him, had been at no pains to conceal an
overweening contempt for Lincoln and his
civilian advisers. It required all the forbear-
ance of the executive head of the United
States Government to prevent an explosion
of indignation throughout the whole adminis-
tration circle at the attitude of cavalier dis-
dain manifested by McClellan. Here are some
instances :
"Mr. Lincoln had made it a practice, from the
beginning, to pay informal visits at McQellan's
headquarters. Waiving, with characteristic self-
surrender, all questions of etiquette, he hoped
thus to keep in touch with military affairs at the
least possible expenditure of the General's time.
Before breakfast, or after supper, as the case
might be, the President would arrive with some
such greeting as *Is George in?' And it became
a matter of comment that, if George was in, he
did not always receive his distineuished caller
promptly. Seemingly unconscious of any dis-
courtesy, Mr. Lincoln waited with unrufHed good
humor in McClellan's reception roorn^ among
the 'other common mortals,' as one mdignant
chronicler expressed it, until the oracle was
pleased to have him admitted.
"More vehement still must have been the rage
of a White House clerk, who tells us how he ac-
companied his chief, one evening, to the head-
quarters in H Street. *We are seated,* he writes,
'and the President's arrival has been duly an-
nounced, but time is being given him to think
over what he came for. General McClellan is
probably very busy over some important detail of
his vast duties, and he cannot tear himself away
from it at once. A minute passes and then an-
other and then another and with every tick of the
clock upon the mantel your blood warms nearer
and nearer its boiling point. Your face feels hot
and your fingers tingle as you look at the man sit-
. ting so patiently over there whom you regard as
the Titan and hero of the hour; and you try to
master your rebellious consciousness that he is
kept waiting, like an applicant in an ante-room.'
"On another occasion, Secretarv Seward had
the honor of sharing a snub with the President.
Calling together at headquarters, one evening,
they were told that the General was out but would
soon return. After they had waited in the re-
ception room almost an hour, McClellan came
back. Disregarding the orderly who had told
him about his visitors, he went directly up-stairs.
Whereupon Mr. Lincoln, thinking that perhaps
PERSONS IN THE FOREGROUND
607
he had not l^een announced, sent up his name;
but the messenger returned with the informa-
tion that the General had gone to. bed.
"It is doubtful whether the President ever re-
quired or received an explanation of this gross
misbehavior. There was no appreciable change
in his friendly attitude toward McClellan."
These were a few of the many occasions
upon which Lincoln effaced himself. His self-
ma^ery had extinguished personal vanity — so
far as personal vanity means the sense of self-
importance — within him. Otherwise he never
could have asserted a mastery over Seward.
Seward thought himself (and the country
thought him) the power behind the throne.
That view lingered long after Lincoln's first
inauguration. Seward at first entirely mis-
conceived the President's character. The
homely simplicity with which Lincoln had
borne himself when visited at "his secluded
abode" before his inauguration, the candor
with which he acknowledged his deficiencies
and the meekness with which he listened to
innumerable advisers, bidden or otherwise,
left most of the politicians firm in the opinion
that the conduct of the administration would
be in the hands of Lincoln's strongest secre-
tary. This widespread notion of the Presi-
dent's weakness was a favorite one with Sew-
ard, who at the same time concurred in the
general estimate of his own superiority. And
Mr. Rothschild adds: '
"In the whirl of events, the Secretary's daz-
zled vision mistook the President's lack of knowl-
edge for incapacity; his indecision for executive
incompetence; his modesty for weakness. The
Ship of State seemed to be drifting on to the
rocks and a stronger hand— so thought Mr. Sew-
ard—was needed, forthwith, at the helm. He
had embarked in the administration with the ex-
pectation of directing its course. The notion had
apparently been confirmed not only by public
opinion but also by the deference with which the
President treated him."
So Mr. Seward wrote to Mr. Lincoln to the
effect (as our biographer summarizes the docu-
ments in the case) that the new President was
unequal to his duties and should turn over the
most important of them to a sort of dictator.
It was a communication, opines Mr. Roths-
child, which could have been addressed by
Seward only to a President whom he believed
to be totally lacking in strength of character.
His error was corrected without delay. The
President, with his customary disregard of
self, ignored the insult, and as to the exercise
of absolute authority remarked: 'If this must
be done, I must do it." Thus ended Mr, Sew-
ard's dream of domination:
/
/
"All his romantic notions of saving the country
through his own capacity, so freely expressed in
confidential letters to his wife, had to be revised,
and we find him presently writing to her : 'Execu-
tive skill and vigor are rare qualities. The Presi-
dent is the best of us.' In the public eye, how-
ever, the Secretary still held sway. . . .
"No one, it is safe to say, appreciated the Sec-
retary at his true value so accurately as the Presi-
dent. In his admiration of Mr. Seward, he
overlooked the mistakes, supplemented the im-
portant labors, on occasion, with necessary touches
of his own shrewd common sense, and kept the
brilliant talents employed for the best interests of
*the country. . . .
"Small wonder that the respect which the Sec-
retary had early learned to show his chief became
mingled with a warmth of personal devotion that
has not, in similar relations of our history, been
surpassed. Renouncing his own aspirations, Mr.
Seward dedicated himself without reserve, to the
President's political fortunes, as well as to the
success of his administration, so far as it might
be achieved by the State Department."
Lincoln held his Secretary of the Treasury,
Salmon P. Chase, by a free rein, writes Mr.
Rothschild. But there were times when Chase
got out of hand. Then the lines stiffened and
one masterful twist of the wrist brought the
Secretary back to his work. Like Seward,
Chase was made to feel the power that lurked
in Lincoln's slack hand. Unlike Seward, Chase
never became reconciled to the sway. From
the very outset, the man at the head of the
Treasury chafed under whatiever limitations
were placed upon his authority. It was in
vain. Chase, says Mr. Rothschild, never en-
tirely forgave Lincoln the latter's victory at
the Chicago convention that nominated the
candidate for the presidency of their mutual
party. That a man so markedly his inferior
in education and public achievements should
have been preferred to himself was as griev-
ous to the Ohio statesman's self-love as it
was irritating to his sense of equity. That
this man, moreover, when he came to the
presidency should persist in actually funning
the administration while his brilliant Secre-
tary of the Treasury — ^so willing at every turn
to relieve him of the burden — ^remained merely
head of a department, hardly allayed the
statesman's resentment. The prejudice en-
gendered in the defeated candidate took deeper
root in the disappointed Cabinet minister. Mr.
Chase's failures, withal, to sway the Presi-
dent in many important matters filled him with
amazement. The character, or fancied char-
acter, of the chief who overruled him made
his cup of subordination doubly bitter. The
masterful Chase had met his master, says Mr.
Rothschild, yet he could not bnng himself to
6o8
CURRENT LITERATURE
the point of admitting it. The men were not
in sympathy.
"One rarely finds two public men working to-
gether so earnestly for the triumph of the same
principles who are, at once, so essentially dis-
similar in social attributes as they happened to
be. Lincoln's ways — unconventional in the ex-
treme--|Tated upon the sensibilities of the dig-
nified Chase. To the Secretary's fondness for
forms, pride of intellect, distaste for humor, and
serious, almost ascetic devotion to hi{ tasks, must
be ascribed, in a degree at least, the absence of
cordiality between him and a President who made
no secret of his ignorance, troubled himself not
a whit about precedents and was reminded, on all
conceivable occasions, of stories hardlv con-
structed according to classic models. Not the
least of Lincoln's offenses against the Chester-
field of his Cabinet was the ill-concealed amuse-
ment with which he regarded that gentleman's
displeasure at his levity. The President's bump
of reverence appears to have been so exceeding-ly
flat that the frowns of an important personag^e,
however great, failed to abash him. Mr. Chase
once told with evident disgust, how an old-time
crony of Lincoln in the Thirtieth Congress was
permitted to interrupt a meeting of the Cabinet.
That body was in session one day when the door-
keeper announced that Orlando Kellogg was with-
out and wished to tell the President the story
of the stuttering justice. Mr. Lincoln ordered
the visitor to be ushered in immediately. Greet-
ing Kellogg at the threshold with a warm grasp
of the hand, the President said, as he turned to
his Cabinet:
"'Gentlemen, this is my old friend, Orlando
Kellogg, and he wants to tell us the story of the
stuttering justice. Let us lay all business aside,
for it is a good story.'
READING THE EMANCIPATION PROCLAMATION
Of Chapin'8 Lincoln, the New York Evening Post
declares : '' Those who most deeply venerate the memory
of Lincoln would find nothing to wound them in this
respectful attempt at his re-embodiment.
'YOU GAVE US THIRTEEN STARS
Lincoln a stranger to his biographers. Benjamin
Chapin here interprets the Lincoln of whom it has been
said that no man hid more innate solemnity with more
outward comicality.
BENJAMIN CHAPIN'S IMPBRSONATIONS
PERSONS m THE FOREGROUND
609
"So statesmeti as well as afiFairs of state waited
while the humorous Kellogg spun his yarn and
Lincoln had his laugh.
"In strong contrast to the distant relations be-
tween Lincoln and Chase was the cordial good
fellowship which the President evinced toward
Seward. The Secretary of State appears to have
been especially congenial to his chief. For Mr.
Lincoln, of all men, cot^d appreciate a cabinet
minister who, whatever may have been his fail-
ings, submitted loyally, in the main, to superior
authority, fomented no quarrels and adapted a
cheery, resourceful disposition, with rare felicity,
to the President's moods. Seward's influence
with Lincoln was notably creater than that of
Chase — greater, in fact, than that of any of his
colleagues; but not nearly so great, be it said, as
was at the time generally believed. Great or
small, however, the prestige thus enjoyed by the
Secretary of State became particularly galling
to the man in the Treasury."
Edwin McMasters Stanton was the third
member of what Mr. Rothschild pronounces
Lincoln's great Cabinet triad. It would be
difficult to convey an adequate idea of the
boundless contempt for Lincoln with which
Stanton fairly ached in 1861. According to at
least two chroniclers, he alluded to the Presi-
dent as "a low, cunning clown." According
to another he referred to Mr. Lincoln as the
"original gorilla," and ''often said that Du
Chaillu was a fool to wander all the way to
Africa in search of what he could so easily
have found at Springfield, 111." No one who
knew Stanton courted an encounter with him.
Only a master of masters, says Mr. Rothschild,
could control such an embodiment of force.
SLEEPLESS BENEATH A LOAD OF CARE
Lincoln's gauntness in his closinfi" year of life— a
gauntness made effective in Benjamin Chapin's imperson-
ation— ^is attributed in part to his lack of opportunities
to get to bed.
OP ABRAHAM LINCOI.N IN WAR TIM9
TALLEST OP ALL THE PRESIDENTS
There is an appropriateness between Lincoln's physi-
cal size and his mastery of men, says his latest biogra-
pher, Alfred Rothschild. Benjamin Chapin's success as
** Lincoln " is attributed in part to the actor's height.
6io
CURRENT LITERATURE
At the time of his appointment as Secretary
of War Stanton had manifested most, if not
all, of his extraordinarily vitriolic traits. They
boded no good for the Cabinet nor for the
President's authority. So thought the friends
who warned Mr. Lincoln that nothing could
be done with such a man unless he were
allowed to have his own way. They appeared
to have abundant ground, moreover, for their
comforting prediction that "Stanton would
run away with the whole concern." Strangely
enough, the President showed no alarm:
"The ability and self-sacrificing patriotism
with which the appointee administered, from the
outset, the aflFairs of his office, secured to him
the President's unreserved confidence. *I have
faith,' said Mr. Lincoln, speaking of the new min-
ister and another, 'in affirmative men like these.
They stand between a nation and perdition.' He
not only permitted Mr. Stanton largely to con-
trol the details of the War Department, but in
matters of general policy ^^ ^^^^ ^^ frequently
deferred to that officer's judgment. Men of such
dissimilar temperaments, however, working to-
gether toward a common end in wholly unlike
ways, naturally had frequent differences of opin-
ion. Their very earnestness bred trouble. Mr.
Stanton, moreover, conducting his department
solely with regard to military requirements,
could not fail to clash with a. President who had
to face the complex problems of a Civil War in
their political as well as their strategic aspects.
But Mr. Lincoln fathomed the man with whom
he had to deal. When a misunderstanding arose
he ignored the Secretary's flashes of temper and
fixed his attention on the question at issue. In-
deed, the President exercised tact enough for
both of them."
The irritability to which Stanton was ad-
dicted contrasted strongly with a playfulness
always characteristic of Lincoln in his man-
agement of the ebullient Secretary of War.
Up to his eyes in affairs, much in love with
the authority of his official position, Stanton
would say to those who interrupted him with
written orders from the President : "I will not
do it. Go right back to the President and say
I refuse to obey !" The geniality with which
Lincoln tolerated his insubordinate subordi-
nate did not affect the inflexibility of the pres-
idential will. Mr. Lincoln would deferentially
insinuate that the authority of the President
of the United States was a fact. Nor did
Stanton succeed in ignoring the fact. Ob-
stinate as Stanton was, the fact was more so.
A mind less conscious of its mastery than
Lincoln's might have inflicted upon Stanton a
personal humiliation in overruling him. Not
once, however, did Lincoln oflFend the spirit
he subdued.
Stanton's distrust, even contempt, of Lin-
coln in 1861 had given way by 1865, says Mr.
Rothschild, to entirely different sentiments.
Like his associates in the Cabinet, with pos-
sibly one exception, the Secretary of War had
correctly gaged the President's intellectual
and moral force. That this force, when ex-
erted to the full, was well-nigh irresistible he
had painfully learned by repeated but unsuc-
cessful strivings to get his own way. No one
had ever so worsted Edwin M. Stanton. He
was outclassed. With his increasing respect
for Mr. Lincoln's power came, naturally
enough, something like a fair appreciation of
the President's lofty character. Such mag-
nanimity, devotion to duty and homely sincer-
ity could have but one effect upon a man of
Stanton's intense nature. He began with re-
viling Lincoln. He ended with loving him.
Stanton, the lion-hearted Secretary of War,
could achieve this moral thing. Nevertheless,
Stanton needed a sharp word now and then.
But Stanton got to know that Lincoln was a
master of men:
"Secretary Stanton's temperament rendered
him anything but an easy instrument in any
man's hand. His very faults partook of the rug-
ged strength which, viewed at this distance,
makes him stand out as 'the Titan of Lincoln's
Cabinet. That the President controlled so tur-
bulent a force without sacrificing aught of its
energy was, perhaps, his highest achievement in
the neld of mastership. This was due, primarily,
of course, to his insight into Stanton's character.
Few men, if any, had fathomed as truly the sterl-
ing qualities that lay beneath the failings of the
great Secretary. For the real Stanton revealed
himself to the President in the daily — at times
hourly — ^meetings imposed upon them by the re-
quirements of the war. Together they bore the
anxieties and shared the joys of the struggle.
Their co-operation in the absorbing work to
which both had dedicated themselves established
between the men, dissimiliar as they were by na-
ture, a bond of sympathy which even Stanton's
headiness could not destroy. Indeed, Mr. Lin-
coln, treating the Secretary somewhat as a par-
ent would a talented but hi^h-strung child — ^now
humoring, now commanding — appears to have
risen above even a shadow of personal resentment
and to have overlooked an occasional opposition
that, however violent might have been its out-
bursts, always yielded in the end to his au-
thority. . . .
"A notable group watched around the bed on
which he [Lincoln] breathed his last. Among all
the public men in the sorrowing company, no grief
was keener than that of his iron war minister.
None of them had tested, as Edwin M. Stanton
had, the extraordinary resources of the stricken
chief. It was fitting, therefore, that he, as 'passed
the strong, heroic soul away,' should pronounce
its eulogy:
" There lies the most perfect ruler of men the
world has ever seen.' "
Literature and Art
THE BANE OF IRRESPONSIBLE CRITICISM
From three countries have lately issued vig-
orous protests against the alleged incompe-
tent and irresponsible literary criticism of the
day. Marcel Prevost, the well-known Pari-
sian critic, sees a "book crisis" impending in
France and thinks that one of the chief rea-
sons for the failing condition of the book
trade lies in unsatisfactory book reviewing.
Writing in the Paris Figaro, he says: "We
shall have to establish something like honest
criticism, and something like intelligent and
independent criticism; but how many Paris
newspapers can to-day boast of intelligent and
independent criticism?" Richard Bagot, an
English novelist of distinction, writes in the
same, spirit in The Nineteenth Century and
After. He thinks "there can be no doubt that
the present system of reviewing works of fic-
tion is far from being satisfactory cither to
novelists or to the general mass of novel read-
ers." He points to the often ridiculously con-
tradictory nature of press notices, and cites
from his own experience a case in which a
journal, in error, printed in different issues
both a highly flattering and a very adverse re-
view of one of his own books ! The perplexed
novelist constantly "reads in one leading or-
gan that he has written a work which places
him *in the front rank of living writers of fic-
tion,' and in another that he is ignorant of the
very rudiments of the art of novel-writing."
Mr. Bagot says further:
"In the case of every other branch of literature
and art, criticism is, with rare exceptions, entrust-
ed to critics who are recognized authorities on the
particular subject dealt with by the producer of
the work criticized. Works of fiction alone are
in countless instances relegated to the superficial
and hasty judgment of reviewers who, as often
as not, lack that authority which should render
them competent to record their opinion in the
public press. A novel dealiiuj, we will say with
foreign life is reviewed perh 'ps by a critic who
has no knowledge of the people and of the coun-
try in which the scene of the book in question is
laid. How, it may be asked, is such a critic
to be a sonnd and reliable guide either to author
or public r*
Gertrude Atherton, the talented American
novelist, takes up the cudgels against the crit-
ics in this country. During the course of an
article in the San Francisco Argonaut, in which
she takes exception to that journal's charac-
terization of Edith Wharton as "the foremost
woman novelist in the United States," she
says:
'Those that are carried away by booming and
blinded by success — and they are more numerous
than sheep — ^have only to glance back and ponder
for a moment upon the furores of other years to
realize what this sort of thing amounts to. Some
fifteen or twenty years Ago, Amelie Rives was
heralded as *the greatest genius since Shake-
speare,' and every scribe took up the cry with
the enthusiasm of those whose mission it is ever
to be in fashion. Ten years ago, and for several
subsequent years, Mrs. Craigie had a boom in
London quite as persistent and extravagant. She
was *the greatest novelist since George Eliot.'
Comment is unnecessary. In 1898, I think it was,
an American that had just come over to London
told me, literally with an expression of awe in
his eyes — ^he was young and enthusiastic — ^that the
great American novel had been written — *Richarji
Carvel' — 'everybody said so.' About the same
time I saw a serious discussion in an American
literary journal as to whether 'Janice Meredith'
would be considered as great a historical novel
a hundred years hence as at the present date.
Then came Mary Johnston with her knightly and
polished English. She fairly inflamed the sober
pages of the Atlantic Monthly, and there was no
doubt in anybody's mind that another fixed star
had arisen.
"As far as I know the success of the last three
authors was entirely spontaneous and also legiti-
mate: they responded to the public mood of the
moment. But there is no question whatever of
the prolonged and systematic booming of the first
two; and however innocent they may have been
of direct effort, the booming was the result of the
same human weakness that has prompted Mrs.
Wharton's; the ineradicable and most mischiev-
ous weakness of snobberjr. All three of these
writers have sufficient merit to furnish an excuse
for loud and continued public worship, but not
one of them has the remotest claim to greatness,
nor ever had a chance of endurance. Although
no one would listen to me at the time, I predicted
the inevitable end of Amelie Rives and Mrs.
Craigie. The former had talent without brain,
and the latter brain without talent. I am quite
as ready to predict Mrs. Wharton's. Five years
from now she will have worked out her thin vein
of ore, her friends will have wearied, and the
public and critics will be excited over some new
'genius,' who, like the rest of the world, mistakes
an accident for genuine popularity."
Granting the incompetency of much of our
latter-day criticism, the question naturally
arises: What is to be done? Mr. Bagot has
6l2
CURRENT LITERATURE
a practical proposal. He suggests that ""it
would at once greatly lessen the arduous labors
of reviewers of novels for the press were it
possible to organize a species of 'clearing-
house' for works of fiction," and submits that
''some such process as this would also tend to
give the public a more weighty opinion as to
what to read and what to ignore than the press
can, under present circumstances, supply."
He continues :
"Would it not be possible for our press itself
to institute, I do not say an Academy of Bclles-
Lettres, but a body chosen from among its most
capable critics, whose office it shbuld be to sift
the tares of fiction from the wheat, and whose
opinion on the technical merits of novels sub-
mitted to it should form as it were the passport
of those novels to the subsequent notice of the
press, without thereby limiting or influencing in
any way the free expression of subsequent press
criticism? I make my suggestion with all possi-
ble reserve. ... At the same time, I do not
hesitate to say that some system of responsible
criticism would be to me, as a writer of fiction,
of far greater use and benefit than are individual,
and therefore irresponsible criticisms, often at
variance with each other, which are the outcome
of our actual system of reviewing. I am con-
fident that I am by no means alone among novel-
ists in holding these sentiments."
The Chicago Dial, an influential organ of
literary opinion, devotes a leading editorial
to this subject. 'That such defects as have
been indicated, and many others as glaring,
characterize most current criticism of fiction,"
it says, "is a fact too apparent to need demon-
stration." It proceeds:
"The reasons are equally apparent To make
a truly intelligent estimate of even a novel re-
quires ability of a sort so rare and valuable as to
be at the command of very few newspapers or
other periodicals. It also demands an amount of
space that cannot possibly be devoted to any sin-
gle book of the class that numbers its thousands
yearly. The problem set the average reviewer
of the average novel is simply this: What is the
most profitable employment 1 may make of the
two hours and the two hundred words which are
all I can give to this book? A personal impres-
sion, a bit of description or classification, an indi-
cation of some salient feature, and a word or two
about the workmanship are all that may be at-
tempted under the narrow conditions imposed.
Reviewinjgr done subject to those limitations will
have weight in proportion to the ability and
knowledge of the reviewer— -and the brief para-
graph may often be surprisingly weighty— but of
course it will be anything but adequate to the
claims of any book that really calls for serious
consideration."
The Dial recognizes practical difficulties in
the way of establishing Mr. Bagot's suggested
tribunal, but thinks that, on the whole, his
plan would do more good than harm. It com-
ments :
"The difficulty, of course, would lie in the consti-
tution of the tribunal organized for this judicial
sifting of the tares from the wheat. To accept
the responsibilities of a Rhadamanthus in this
matter would be to accent a thankless task, and
one certain to entail much discomfort upon the
incumbent. The rage of the rejected would be
anything but celestial, and would be declared
in a manner both personal and pointed. Mr. Bag-
ot appreciates the difficulty of the problem, and
it is with no little diffidence that he proposes his
press-constituted academy. But the experiment is
not beyond the range of possibility, and the li-
terary profession is already looking for some way
of trying it Certainly the long-suffering public,
now misled by so many blind guides, deserves
to have its interests protected by the critical guild
more effectively than they are at present pro-
tected, and no suggestion aiming at so praise-
worthy an end should fail of being examined with
due deliberation."
ONE OF THE GREAT STORY-TELLERS OF THE WORLD
As a novelist of the first rank, well qualified
to take his place with the foremost of the
European masters, Fenimore Cooper is char-
acterized by William Crary Brownell, the dis-
tinguished American critic. Mr. Brownell
thinks that America has been inclined to
neglect one of its greatest literary figures,
and he asserts that the attitude is not credit-
able. Cooper belongs, he says, "in the same
category with Scott and Dumas and George
Sand"; in some respects has surpassed Scott;
in short, is "one of the great story-tellers of
the world."
Balzac's indebtedness to Cooper is well
known. "If Cooper," he once said, "had suc-
ceeded in the painting of character to the same
extent that he did in the painting of the
phenomena of nature he would have uttered
the last word of our art." And Thackeray
has put himself on record to this effect: "I
have to own that I think the heroes of another
writer, viz., Leatherstocking, Uncas, Hard-
heart, Tom Coffin, are quite the equals of
Scott's men ; perhaps Leatherstocking is better
than anyone in 'Scott's lot' *La Longue
Carabine' is one of the great prize-men of
LITERATURE AND ART
613
fiction. He ranks with your Uncle Toby, Sir
Roger de Coverley, Fjilstaff — ^heroic figures
all, American or British — and the artist has
deserved well of his country who devised
them."
Cooper has his faults, of course; what
author has not? At times he is too prolix.
It is easy to point out technical blemishes in
his work. He is "nothing at all of a poet — ^at
least in any constructional sense." But over
and above these blemishes he has qualities of
commanding genius. Says Mr. Brownell (in
Scribner^s Magasine) :
"There is a quality in Cooper's romance that
gives it as romance an almost unique distinction.
I mean its solid and substantial alliance with real-
ity. It is thoroughly romantic, and yet— very
likely owing to his imaginative deficiency, if any-
thing can be so owingj— it produces, for romance,
an almost unequalled illusion of life itself. This
writer, one says to oneself, who was completely
unconscious of either the jargon or the philos-
ophy of 'art,' and who had a superficially unro-
mantic civilization to deal with, has, nevertheless,
in this way produced the rarest, the happiest,
artistic result. He looked at his material as so
much life ; it interested him because of the human
elements it contained."
The verisimilitude of Cooper's Indians has
been a main point of attack of his caricaturing
critics ; but Mr. Brownell avers that "the in-
troduction into literature of the North Amer-
ican Indian, considered merely as a romantic
element, was an important event in the history
of fiction." To quote further:
"He was an unprecedented and a unique figure
—^t least on the scale, and with the vividness
with which he is depicted in Cooper, for the In-
dians of Mrs. Behn and Voltaire and Chateau-
briand can, in comparison, hardly be said to
count at all. They are incarnated abstractions
didactically inspired for the most part; L'lng^u,
for example, being no more than an expedient
for the contrasted exhibition of civilized vices.
But Cooper's Indians, whatever their warrant in
truth, were notable actors in the picturesque
drama of pioneer storm and stress. They stand
out in individual as well as racial relief, like his
other personages, American, English, French,
and Italian, and discharge their roles in idiosyn-
cratic as well as in energetic fashion. To object
to them on the ground that, like Don Quixote
and Athos, the Black Knight and Saladin, Uncle
Toby and Dalgetty, they are ideal types without
actual analogues would be singularly ungracious."
Taking up Balzac's dictum, above quoted,
Mr. Brownell makes the statement: "Nowhere
else has prose rendered the woods and the
sea so vividly, so splendidly, so adequately —
and so simply," as in Cooper's novels. There
is a peculiarity in Cooper's view and treat-
ment of nature, he continues. "Nature was
to him a grandiose thaumaturgic manifesta-
tion of the Creator's benevolence and power,
a stupendous spectacular miracle, a vision of
beauty and force unrolled by Omnipotence,
but a panorama, not a presence. There was
nothing Wordsworthian, nothing pantheistic
in his feeling for her — for 'it,' he would have
said. No flower ever gave him thoughts that
lay too deep for tears. He was at one with
nature as Dr. Johnson was with London.
There is something extremely tonic and nat-
ural in the simplicity of such an attitude, and
as a romancer the reality and soundness of it
stood Cooper in good stead." To say, how-
ever, that Cooper was unsurpassed in a certain
attitude toward nature, adds Mr. Brownell, is
not to depreciate his portraiture and his
knowledge of human nature. On this point we
read:
"No writer, not even the latest so-called psy-
chological novelist, ever better understood the
central and cardinal principle of enduing a char-
acter with life and reality — namely, the portrayal
of its moral complexity. To open any of the more
important 'tales' is to enter a company of person-
ages in each of whom coexist — in virtue of the
subtle law that constitutes character by unifying
moral complexity — foibles, capacities, qualities,
defects, weakness and strength, good and bad,
and the inveterate heterogenei^ of the human
heart is fused into a single personality. And the
variety, the multifariousness of the populous
world that these personages, thus constituted,
compose, is an analogue on a larger scale of their
own individual differentiation. Cooper's world
is a microcosm quite worthy to be set by the side
of those of thf great masters of fiction and, quite
as effectively as theirs, mirroring a synthesis of
the actual world to which it corresponds, based
on a range of ex per it nee and framed with imag-
inative powers equalled by them alone."
Above all, concludes Mr. Brownell, Cooper
was an American of Americans ; his work has
always made for the "rational aggrandize
ment" of this country.
"Quite aside from the service to his country in-
volved in the fact itself of his foreign literary
popularity— -gfeater than that of all other Ameri-
can authors combined — it is to be remarked that
the patriotic is as prominent as any other element
of his work. To him, to be sure, we owe it that
immediately on his discovery, the European world
set an American author among the classics of
its own imaginative literature; through him to
this world America, not only American native
treasures of romance, but distinctively American
traits, ideas and habits, moral, social and political,
were made known and familiar. He first painted
for Europe the portrait of America. And the fact
that it is in this likeness that the country is still
so generally conceived there eloquently attests;
the power with which it was executed."
6i4
CURRENT LITERATURE
GORKY AND THE NEW RUSSIAN LITEl^TURE
Americans familiar with the works of Tol-
stoy, Turgenieff and Dostoyevsky probably re-
gard Russian literature as the ne plus ultra of
radicalism. In this regard Russia is certainly
abreast, if not in advance, of all the modern
tendencies manifested in the latest schools of
European letters. But Maksim Gorky, in a re-
cent series of essays, maintains that Russian
literature up to the present has really been a
very bourgeois product — ^thc direct and logical
expression of Russian conditions as they exist-
ed previously to the entrance of the revolution-
ary forces as a powerful factor in the social and
political life of the country. He believes that
only now is a truly radical Russian literature
possible, now when a new era is opening in-
spired by the growing strength of the Russian
proletariat
These essays appeared in th^ heat of politi-
cal controversy in a party newspaper in Rus-
sia, and have been collected and printed in
German under the title of "Political Reflec-
tions." They deal chiefly with political ques-
tions, but some twenty pages of the booklet
are devoted to a criticism of Russian litera-
ture.
Writing of this portion of the work in an
article in DieNeue Zeit (Stuttgart), Henri-
ette Roland Hoist says:
"It is the wprk of a poet at a time when he only
wanted to be a fighter, and felt only as a fighter.
He does not attempt to show why Russian lit-
erature is as it is; his chief aim is not to explain
its connection with social conditions, although he
sees this connection clearly. He merely endeavors
to express and judge the character of this Rus-
sian literature as he sees it with new eyes and
estimates it with a new heart and a new brain,
that is, from the standpoint of a new-world con-
ception, the class standpoint of the revolutionary
proletariat. This is the significance of the work
of Gorky and this is the significance which he de-
sired to impart to it. This is what is peculiar,
new and important in it. For the first time a dis-
tinguished Russian author sees the whole of Rus-
sian literature with new eyes. For the first time
he expresses firmly, bravely and passionately what
he sees. For the first time, through him, a new
class regards this old, reverent and adored struc-
ture of Russian literature without awe, without
fear, without adoration. For the first time,
through him, the new class rejects the old meas-
ure of critical values, and fashions a new one for
itself. For the first time it estimates its national
literature as it estimates everything else upon
earth, in the light of its needs, its hopes, its love,
and its hate."
"No other literature like the Russian," says
Gorky, "has represented its people so repul-
sively sweet, and has described their suf-
ferings with so peculiar and questionable a de-
votion. Consciously or unconsciously, but al-
ways persistently, it has represented the people
as patiently indifferent to the course of life,
. always preoccupied with thoughts of God and
of the soul, with a desire for inner peace, with
a bourgeois mistrust of everything new, good-
natured to disgust, ready to excuse ever3rthing
and everybody." It raised the people to the
point of heroism, but it was the heroism of pa-
tience. This patience drew hymns of praise
from Russian literature, but the outbursts of
anger, the spirit of passionate revolt against
misery, the spirit of true heroism were not re-
corded. And this, notwithstanding the fact
that Russia had its true heroes, such as the
predecessors of the present revolutionists, the
heroes of the "Narodnaya Volya." Gorky rcr
calls the words of one of their contemporaries,
the great poet Nekrasov, who in a fragmen-
tary poem only offered a message of resigna-
tion to his people, "Good night." "And that,"
Gorky continues, "at a time when so many
storm bells had already begun to sound, and
had endeavored to awaken the people! In
those days when the heroes in the struggles
for liberty fell alone !"
Gorky states a new philosophy of litera-
ture, says the writer in the Neue Zeit, and In
so doing furnishes a vivid example of the fact
that the author's social-democratic opinions
"do not work to his injury but lift him up
above his former self." In conclusion the
writer observes:
"Gorky's work is not only a reckoning with
the old; it becomes the resurrection of new
Russia in art. ... In this book, in which the
soldier of the revolution speaks his thoughts, his
images, his language rise to a proud, forceful, daz-
zling beauty which he never reaches in any of
his previous works. One needs but read the
words dedicated to the memory of the fighters of
the Narodnaya Volya, the description of incom-
ing capitalism, and, above all, the splendid tribute
to the *hero-man,' that is to say, to the unfolding
of the proletarian ego to the world. He has
completely shaken off the element of weakness,
which in former works occasionally clings to his
thoughts and images. Formerly the highest form
of revolt that he knew was the individual revolt
of vagabonds or gipsies, who thirsted for freedom,
but lacked the power to change the world. Now
he sees rising up from the depths a new force, a
reasoned and organized rebellion — and he has the
good fortune to be able to see it, this proletarian
consciousness of victory."
LITERATURE AND ART
615
A JAPANESE "DON QUIXOTE"
Western culture and literature have been
proud of Cervantes's immortal masterpiece,
but there is danger that the charge of plagia-
rism will be preferred against the author of
"Don Quixote." A French writer, Leon Char-
pentier, shows in the literary supplement of
Le Figaro that the Japanese anticipated Cer-
vantes, and that, of the adventures and inci-
dents narrated in "Don Quixote," several of
the most extraordinary and diverting had been
imagined long before by the romancers of the
Land of the Rising Sun.
The Japanese "Don Quixote" is a novel of
fanciful adventure based on historic fact. It
is called "The Horrific Yorimitsu," and de-
scribes, with fantastic exaggeration and poetic
license, the actual career of a feudal warrior
and hero, Yorimitsu, who was born in the year
947 of our era and lived to be seventy-four
years of age — "which proves," says a Japanese
legend, "that heroism is conducive to health."
Yorimitsu made war on the brigands and ban-
dits who infested the district of Kioto, the
scene of his labors. After his death the peo-
ple and the literary classes alike seized upon
his interesting and busy life and glorified it
in order to inspire the Samurai and encour-
age a warlike spirit in the young. They im-
agined all sorts of grotesque and thrilling ex-
ploits with which to credit him, and it was no
longer robbers whom he fought, but ogres,
ghosts, evil spirits. M. Charpentier says:
"Yorimitsu is still popular in Japan. Like Don
Quixote, he fights non-existent enemies. He
makes himself the champion of the weak, and is
ever the dupe of his fancies. He deploys an
enormous activity, but the work is actually done
by his four lieutenants^— Tsuna, Kintichi, Suye-
mada, Sadamichi. He attacks a windmill that,
from a distance, he mistakes for a terrible ad-
versary. He gallops furiously toward a mist; he
always pursues the wicked, but those he slays
always come to life again."
"The Horrific Yorimitsu," M. Charpentier
says, can best be judged by a characteristic
chapter describing one of the more important
adventures of the hero and his faithful lieu-
tenants. He accordingly translates and con-
denses the following:
One day the valorous Yorimitsu and his faith-
ful Tsuna were exploring the country in quest of
opportunities for new prodigies of enterprise, new
occasions for glorious deeds, when they suddenly
perceived before them, on the horizon, a white
cloud. The apparition caused their blood to boil
and filled their heads with sublime ambitions.
It was not a banal cloud. It was almost round.
It had several openings — ^two that were like eyes,
one that looked like a mouth, another where the
nose should be placed.
"Tsuna," cried Yorimitsu, "what do you see in
the sky?"
"The head of a dead creature," replied Tsuna.
"Yes, exactly; but what does it indicate?"
"It means that there, in that direction, there
must be a nest of evil spirits who spread terror
and death through this land."
"Let us march upon them, Tsuna. So far we
have fought and conquered human beings only;
ours shall be the glory of slaying also ghosts and
ogres. Forward !"
After several hours of slow but courageous rid-
ing, the heroes reached a dilapidated old house.
.The cloud then dissipated, thus showing them that
this was their goal. This was the retreat, the
headquarters, of the evil spirits.
They knocked. An old, half-blind, doddering
woman opened the door. Who was she? What
sort of house was she living in? She had served
five generations of Samurai; but the last sur-
vivor of the race had died twenty years ago, and
she was all alone, waiting to meet death in the
ruin. And, in truth, there were ghostly enemies
of the extinct house bent on the destruction of
the abode. Nightly assaults were made on the
already tottering walls by invisible foes.
"Tsuna !" exclaimed Yorimitsu, "this is our bat-
tle-ground! We need know no more."
They sent the old servant to bed, determined
to keep vigil and encounter the malign spirits
and fight them to the death. A storm broke out.
There was a terrific gale, and our heroes heard the
sound of drums and galloping horses, the flapping
of wings and the marching of serried columns.
Now and then the door was burst open, and they
heard the voices of the enemy challenging them:
"We are an army of phantoms, a crowd of ghosts,
a band of skeletons. Come out, if you dare!"
The impetuous Yorimitsu leapt forward and
looked out each time he heard this challenge,
but he saw nothing. He only heard the distant
sounds of the drums, and the rain drops cooled
his head and face.
• Our heroes decided that they could but remain
on the defensive. The ghostly army continued to
pass by, but beyond provocative cries, laments,
shrieks and sighs gave no direct sign of a disposi-
tion to attack the armed and resolute warriors.
Other adventures are described by M. Char-
pentier. The hero has a portentous dream;
a beautiful woman is trying to ensnare him.
He awakens, furiously attacks a big spider
(whose shape the temptress has assumed), and
pursues her into a dark, gloomy cavern. He
captures young maidens and brings them to
the emperor as the rescued victims of awful
plots of which they know nothing.
The story of "The Horrific Yorimitsu" ap-
peared first in the twelfth century, and its ajJ:^
thorship is not exactly known. It is suppo^
to be the composite work of several romance
6i6
CURRENT LITERATURE
THE MOST INFLUENTIAL OF LIVING CRITICS
George Brandes, it may safely be said, is
the one living critic of world proportions. For
the present generation he continues the tradi-
tion of an intellectual lineage represented
during the past century by such men as Mat-
thew Arnold, Taine and Sainte-Beuve ; and
he owes his success as a critic to much the
same methods as those employed by the writ-
ers named. In the sixth and final volume of
his "Main Currents in Nineteenth Century
Literature"* — a work comparable to Taine's
"History of English Literature" — he gives us
a remarkable psychological study of one of the
most interesting and pregnant epochs in hu-
man history. And in an explanation of his
purposes and methods, he lets us into his men-
tal workshop, so to speak. His intention, he
tells us, is by means of the study of certain
main groups and main movements in Euro-
pean literature to outline a psychology of the
first half of the nineteenth century. His first
proceeding was to separate and classify the
chief literary movements of the period; his
next to find their general direction or law
of progression, a starting-point, and a central
point. The direction he discovered to be a
great rhythmical ebb and flow — ^thc gradual
disappearance of the ideas and feelings of the
eighteenth century until authority, the heredi-
tary principle, and ancient custom once more
reigned supreme; then the reappearance of
the ideas of liberty in ever higher mounting
waves. The starting-point was now self-evi-
dent, namely, the group of epoch-making
French literary works denominated the Emi-
grant Literature, the first of which bears the
date 1800. The central point was equally un-
mistakable. From the literary point of view, it*
was Byron's death; from the political, that
Greek war of liberation in which he fell. This
double event is epoch-making in the intellec-
tual life and literature of the Continent. The
concluding point was also clearly indicated,
namely, the European revolution of 1848. By-
ron's death forming the central point of the
work, the school of English literature to which
he belongs became, as it were, the hinge upon
which it turned. The main outlines now stood
out clearly: the incipient reaction in the case
of the emigrants; the growth of the reaction
in the Germany of the Romanticists; its cul-
mination and triumph during the first year of
•Main Currents in Nineteenth Century Litera-
ture. By Georsfe Brandes. The Macmillan Company.
the Restoration in France; the turn of the
tide discernible in what is denominated Eng-
lish Naturalism; the change which took place
in all the great writers of France shortly be-
fore the Revolution of July, a change which
resulted in the formation of the French Ro-
mantic School; and, lastly, the development in
German literature which issued in the events
of March, 1848.
The completion of "Main Currents of the
Nineteenth Century" may be described as the
culmination of Brandes's life — ^a life that has
been filled with inspiring activity, but the data
of which are but little known in this country,
though his name has become so familiar. He
was bom in Copenhagen in 1842. His full
name is George Morris Cohen Brandes, and
he is of Jewish race. His parents were in
comfortable circumstances. At seventeen he
entered the University of Copenhagen and de-
voted himself to the study of jurisprudence.
This was followed by a course in philosophy
and esthetics. His superiority was apparent
from the first and attracted the admiration of
the*!authorities of the university. In 1862 he
won the gold medal of the university by his
essay on "Fatalism Among the Ancients," a
remarkable effort for a youth of twenty, full
of originality and brilliancy of expression. He
was graduated with the highest honors and
received the degree of doctor of philosophy.
His next five years were spent in travel on
the Continent, and these were as fruitful in in-
tellectual experience as the years spent in
the university. As might be expected, the
transition from the world of ideas to the world
of action made a profound impression upon
him. He visited Paris (spending a year there)
and the principal cities of Germany. Contact
with the great centers of modem intelligence
and with the actual leaders of what he after-
ward called "The Modem Awakening" in-
spired in him an eager desire to be the light-
bearer to his own country and to northern
Europe in general. He had become an able
linguist, speaking and writing French and Ger-
man almost as readily as his mother-tongue,
and his general equipment was peculiarly
adapted for the task.
He had not, however, reckoned with the pro-
verbial backwardness of average mankind in
accepting new ideas. When, upon his return
to Denmark, the enthusiastic yotmg scholar,
fresh from the sources of modem learning,
LITERATURE AND ART
617
entered upon his task of bringing his country-
men en rapport with European ideas, he found
himself confronted, as it were, with a wall of
lead. The Denmark of that day was distinctly
hostile to modem thought, which it associated
directly with infidelity, and Brandes found to
his disappointment and disgust that those whom
he had counted upon as allies in his campaign
of enlightenment were in reality his uncompro-
mising foes. He had just published his book,
'The Dualism in Our Most Recent Philoso-
phy," a work in which he had discussed at
length and with entire freedom the perilous
subject of the relation of religion to science.
This was regarded as a defiance by the ortho-
dox party, and a veritable crusade was started
against him. He was made the object of
malicious attacks. Life in his native country
became unbearable, and in 1877 he went to
Berlin. Here he found the milieu he desired,
and he entered upon a period of literary ac-
tivity which resulted in his gaining a place of
recognition among German men of letters.
Perhaps no truer idea of Dr. Brandes's lit-
erary status and of his relations to his native
country can be given than by quoting from
an essay written some years ago by Professor
Boyesen, a noted Norwegian writer:
"The Danish horizon was, twenty years a^o,
hedged in on all sides by a patriotic prejudice
which allowed few fveign ideas to enter. The
people had, before tBe two Schleswig-Holstein
wars, .been in lively c6mmunication with Ger-
many, and the intellectual currents of the Father-
land had found their way up to the Belts, and had
pulsated there, though with some loss'^f vigor.
Bat the disastrous defeat in the last war aroused
such hostility to Germany that the intellectual
intercourse almost ceased. German ideas became
scarcely less obnoxious than German bayonets.
Spiritual stagnation was the result. For no nation
can with impunity cut itself off from the great
life of the world. ... It seemed for a while
as if the war had cut down the intellectual ter-
ritory of the Danes even more than it had cur-
tailed their material area. They cultivated their
little domestic virtues, talked enthusiastic non-
sense on festive occasions, indulged in vaiii hopes
of recovering their lost provinces, but rarely al-
lowed their political reverses to interfere with
their amusements. They let the world roar on past
their gates without troubling themselves much as
to what interested or agitated it. A feeble, moon-
shiny, late-romanticism was predominant in
their literature; and in art,* philosophy and poli-
tics that slug^sh conservatism which betokens a
low vitality, mddent upon intellectual isolation.
What was needed at such a time was a man who
could re-attach tiie broken connection — ^a mediator
and interpreter of foreign thought in such a form
as to appeal to the Danish temperament and be
capable of assimilation bv the Danish intellect.
Such a man was George Brandes. He undertook
to put his people en rapport with the nineteenth
GEORGE BRANDES
A critic who maintains for our generation the intel-
lectual traditions representM taring the nast century
by such men as Matthew. 4m«d/Wne and Sainte-Beuve.
century, to opeft ttew avenues- for the influx of
modern though^ to take the place of those which
had been closed. . . . But a self-satisfil^ a^d
virtuous little natiQn which regards its iciribte-
ness from the great world as a matter of ^ooqgrat-
ulation is not apt to receive with favor swcjij a
champion of alien Ideas. The more the Qajes
became absorbed in their national hallucinatidns,
the more provincial, nay parochial, they became
in their interests, the less did they feel the peed
of any intellectual stimulus from abroad ; and
when Dr. Brandes introduced them to modem
realism, agnosticism and positivism, they thanked
God that none of these dreadful 'isms were in-
digenous with them; and were disposed to take
Dr. Brandes to task for disturbing their idyllic,
orthodox peace by the promulgation of such dan-
gerous heresies. When the nme came to fill the
professorship for which he was a candidate, Jhe
was passed Dy,- and a safer but inferior man was
appointed." . i
It is gratifying to learn that, in time, the
Danes repented their harsh treatment of their
most distinguished man. In 1882 his friends
in Copenhagen were strong enough to invite
him back to Denmark, and to offer him an im-
portant and profitable post. He now resides in
Copenhagen, as a public lecturer, with a sub-
6i8
CURRENT LITERATURE
scribed guarantee of $i,ooo a year.
Dr. Brandes is a tireless literary worker of
the type of Sainte-Beuve and Balzac, a writer
who is satisfied with nothing less than perfec-
tion, and who never allows any careless work
to reach the public. He gives a hint of this
in the motto taken from Balzac which is pre-
fixed to his volume, "Young Germany":
"If the artist does not throw himself into his
work as Curtius hurled himself into the gulf, as
the ^oldier dashes over the redoubt; and if he
does not toil in his crater like the miner buried
under an avalanche; if he contemplates the diflS-
culties instead of conquering them one by one, his
work will never attain completeness; it will per-
ish in the atelier, or production will become im-
possible and the artist will be a witness of the
suicide of his own genius."
THE LITERARY "FLOWER FESTIVALS" OF COLOGNE
For eight years the city of Cologne, on the
^hine, h^s been holding each spring a "flower
festival" in the interest of literature. This
movement has attracted international atten-
tion, and is not unparalleled in other countries.
Centuries ago the people of Wales inaugurated
the Eisteddfod prize contest, which still takes
place every year in a Welsh village, according
to sacred custom, under the auspices of an
arch-druid. During the middle ages French
and German princes took an active interest
in "flower festivals." Under Charles V of
France such festivals were celebrated at court
to counteract the demoralizing influence of
the pest. The "Blumenspiele," as they were
called, were very closely connected with me-
dieval minnesingers. Coming down to more
recent times, poetic festivals have been held
in Spain, in Mexico, on African soil, in Me-
dilla, and among the Germans of our own
country in the city of Baltimore.
The Cologne "Blumenspiele" are a direct re-
sult of the wave of romanticism that has lately
swept over Germany. Some ten years ago lit-
erary Germany was under the influence of the
crassest materialism. The young writers out-
Zolaed Zola, and the savor of their work was
not pleasant to the nostrils. Then a powerful
reaction set in and a great romantic wave
carried Hauptmann, Sudermann and Schlaf,
THE PLOWSR QUEEN AND HER MAIDS OP HONOR AT THE COLOGNE FESTIVAL
Each spring the city of Colojoie holds a literary festival, offering a prize for the best love poem by a
woman and crowning the winner Flower Queen.
LITERATURE AND ART
619
DR. JOHANNES PaSTENRATH
Founder of the Cologne " Blumenspiele "
and all the lesser men before it. It was dur-
ing this pedod that the festivals were founded
by Dr. Johannes Fastenrath. Fastenrath, who
is himself a poet of considerable merit and
ranks high as a translator from the Romance
languages, had become acquainted with a sim-
ilar institution at Barcelona during a long
sojourn in Spain. Immediately he realized
the possibilities of transplanting this heirloom
of the troubadours to German soil. He hoped
by its means to stimulate poetic activity, and
to help in turning back the threatening tide of
materialism. The results have more than jus-
tified his optimism. This year the demonstra-
tion was more imposing than ever, and took
place in Cologne in an ancient hall — the
**Gurzenich" — which has seen emperors and
kings crowned in its time.
Fastenrath is sixty-six to-day, but still as
enthusiastic as when, in 1898, he proposed first
to the "Literary Society of Cologne" the an-
nual celebration of this poetic festival. From
his own pocket he gave ten thousand marks,
the interest upon which was to go toward
buying prizes. The city of Cologne, the King
of Spain and the Queen of Roumania, princes
of the royal house of Bavaria, and many
others interested in literature, gave their
hearty support and established a number of
additional prizes for the best love poem, the
best religious poem, the best patriotic poem,
the best short story, the best fairy story, etc.
With the prize for the best love poem goes the
right to appoint the Flower Queen who pre-
sides over the festivals. If, as this year and
once before, the winner is a woman, she is
crowned queen by her own right. One of the
Flower Queens was Carmen Sylva, poetess by
vocation and queen by profession. This year's
chosen Flower Queen is Miss Therese Keiter,
a celebrated Catholic lyrist and novelist. Un-
fortunately sickness prevented her from occu-
pying the throne, and she had to reign by
proxy. German- Americans have always taken
an active part in the festivals, and twice in
the history of the institution they have suc-
ceeded in carrying off a prize. The story
which received the prize for the best fairy-
THBRESE KEITER'
A Roman Catholic lyrist and poetess, whose love poem
entitles her to the " Flower Throne " at Cologne.
6ao
CURRENT LITERATURE
Copyright IMS, by Cartls ft C2ftmeron.
•» YESTERDAY, TO-DAY AND TO-MORROW "
(PaintiDg by H. O. Walker in the Minnesota State Capitol.)
talc (Mdrchen) this year the reader will find
in another part of the magazine.
For the facts stated we are indebted to the
annual published by the society. It is a volu-
minous document of over five hundred pages,
containing photographs of prize-winners,
poems and stories which have been awarded
prizes or honorable mention by the committee
of competent literary men, and greetings in
French, Provencal, Spanish, Swedish, Czech,
Dutch and German. Of all the great world-
languages English alone is so far unrepre-
sented.
The celebration at Cologne is a picturesque
affair. It is conducted with all the pomp of
a high mass. Representatives of the Gennan
student bodies in their many-colored costumes
strangely contrast with more soberly clad vis-
itors from all parts of the world — from Ger-
many, France and Spain, from iht Mazanares
and from the blue Adriatic. The hall is filled
with beautiful ladies in festive garments, all
adorned with flowers. Flowers are everywhere.
In the center of the "Gurzenich" rises the gold-
en throne decked with roses, palms and laurel.
It is surmounted by a canopy bearing the in-
Coityrtght 1905, by E. H. BJaabfield. Photo by Inalee ft Deck Cu.
"WESTWARD'
(Painting by E. H. Blashfield in the Iowa State Capitol.)
LITERATURE AND ART
621
Oo^Ti«ht ISOS, W KenyoD Cox. Pboto by De W. O. Ward.
"HERDING"
(Paintini; by Kenyon Cox in the Iowa State Capitol.)
signia of the cities of Barcelona and Cologne,
and the initials of the Queen in letters of vio-
lets, surrounded by an oval of heliotrope upon
a background of white anemones. To the
right and left are grouped the maids of honor
with their flowers. Then sonorous peals issue
from the mouth of the great church organ.
All eyes are turned toward the Flower Queen,
who enters, conducted by the Herald of the
Festival and the venerable Dr. Fastenrath, as-
sumes her seat on the throne and distributes
the prizes.
MURAL DECORATION— AN ART FOR THE PEOPLE
"The future great art of this republic, as
far as it is expressed in painting, will find its
complete and full development on the walls
of our public buildings." This prediction,
made recently by an American art critic, is
not unreasonable in view of present tenden-
cies in the artistic world. Such well-known
American artists as John La Farge, Edwin
H. Blashfield, F. D. Millet and Kenyon Cox
are devoting a larger and larger share of their
time to mural painting. In our Eastern cities
there already exist many notable examples of
decorative work. Washington has its superb
Congressional Library, and Boston its Public
Library embellished by Puvis de Chavannes,
Abbey and Sargent. Bowdoin College, in
Maine, boasts of four beautiful mural paint-
ings. A bank in Pittsburg gave Blashfield and
Millet commissions for large lunettes. The
criminal and appellate courts in New York
and several hotels in Chicago, New York and
Boston are similarly decorated. The Balti-
more Court-house has lately acquired a num-
ber of panels by C. Y. Turner, commemorating
"The Burning of the I'eggy Stuart;* and R. T.
Willis has made for the Second Battalion
Armory in Brooklyn decorative designs show-
ing the sea battles between the Serapis and the
Bonhomme Richard and the escape of the Con-
stitution. And now, on a larger scale than has
been attempted before in this country, two
Western State Capitols — ^those of Minnesota
and Iowa — have engaged the efforts of our best
mural painters. All of which, as a writer in
The Craftsman (April) points out, makes for
democracy in art; for while easel pictures too
often go to the costly private collections of
connoisseurs, "the paintings on the walls of
public buildings are for the people, and to the
people they chiefly appeal because of beautiful
622
CURRENT LITERATURE
Copyright 1906. by John La Farge.
"THE RECORDING OF PRECEDENTS: CONFUCIUS AND HIS PUPILS COLLATE AND TRAN-
SCRIBE DOCUMENTS IN THEIR FAVORITE GROVE"
(Paintins: by JohD La Farge in the Supreme Court Room of the Minnesota State Capitol.)
symbolism or vivid recording of some historic
event of which the nation or the State is justly
proud."
The new State Capitol of Minnesota, pro-
nounced by Kenyon Cox "one of the most
beautiful and imposing of modern classic
buildings," is the work of the well-known New
York architect, Mr. Cass Gilbert. The beauty
of the structure and of its decorations will be
it is believed, when completed, unequaled else-
where in the country. It is to be a marble pal-
ace, constructed at a cost of four million dol-
lars. The color scheme and the decorations for
the walls of the entire building were planned
by Mr. Gilbert, the beautiful marbles and
bronzes, the sculpture, even carpets, the furni-
ture and the curtains being the choice of his
artistic judgment. All were selected with the
same end in view — the erection of a building
of harmonious beauty. Throughout the rotun-
da, the corridors, and the rooms there is a per-
fect rhythm of color. Even the predominating
colors in the individual mural paintings were
suggested to the various artists who painted
them, so that all the pictures blend with the
general scheme of decoration, and there has
been a complete collaboration of architect,
sculptor and painter. Throughout the build-
ing there are mural paintings of superior
merit by La Farge, Blashfield, Millet, Cox,
H. O. Walker, E. E. Simmons, R. F. Zogbaum,
Douglas Volk, and Howard Pyle.
The four paintings by Mr. La Farge are in
the Supreme Court room. They are described
as follows by Grace Whitworth:
The pictures are both symbolic and realistic.
They relate to law and represent distinct and
successive periods in the history of its advance-
ment. The first of the group is "The Moral and
Divine Law." The painting is of a rough and rug-
ged mountain, representing Mount Sinai, to the
summit of which Moses and Aaron have ascend-
ed. In the center of the picture is the figure of
Moses, kneeling with arms outstretched, receiv-
ing the Law of the Commandments. Mr. La
Farge's intent is to typify "the forces of nature
and the human conscience."
In the second painting, "The Relation of the
Individual to the State," Mr. La Farge has rep-
resented an imaginative but typical scene from
Plato's "Republic." Socrates is portrayed in con-
versation with the sons of Cephalus and a friend,
the particular subject of the discussion being
Socrates' argument that "the true artist in pro-
ceeding according to his art does not do the best
for himself, nor consult his own interests, but
that of his subject." The scene of the paint-
ing is a bright, out-of-door one, and the impor-
tant figures in the painting are informally ar-
ranged. At the right of the canvas is a slave girl,
with tambourine, who has chanced along; and
beyond is a glimpse of a charioteer and his pranc-
ing horses. Mr. La Farge has wished "to convey
in a typical manner the serenity and good nature
which is the note of the famous book and of
Greek thought and philosophy, — an absolutely
free discussion of the interdependence of men.
Another painting is "The Recording of Prec-
edents." "Believing and loving the ancients,
Confucius was a transmitter and not a maker," —
and this great commentator Mr. La Farge has
selected as the best t>T)e for the subject of his
third lunette.
LITERATURE AND ART
623
Copyright 1905, by John JLi Fatge.
"THE ADJUSTMENT OP CONFLICTING INTERESTS: COUNT RAYMOND OF TOULOUSE
SWEARS, IN THE PRESENCE OF THE BISHOP, TO OBSERVE THE
LIBERTIES OP THE CITY"
(Painting: by John La Parge in the Supreme Court Room of the Minnesota State Capitol.)
The painting represents a Chinese garden sit-
uated on the bank of a river. Confucius and three
of his disciples are comparing and recopying the
writings of their predecessors. At the extreme
left are a number of other manuscripts which a
messenger has just delivered to the great philos-
opher. The Chinese musical instrument called
the "kin," upon which it was Confucius's habit
to play before discussion, is lying on the ground
before him. The purpose of this painting has been
to express a method of instruction different from
that of verbal argument denoted in the Greek
picture.
In the last of the series, "The Adjustment of
Conflicting Interests," Mr. La Farge has selected
Count Ra>'mond of Toulouse as a type of the
rnedieval ruler, confronted with conflicting po-
litical and ecclesiastical dissensions. The paint-
ing represents the interior of a church. Before
the altar are grouped the bishop, priests, and civic
maR^istrates. Count Raymond is swearing in their
presence to heed the rights of the city. "These
chiefs," explains Mr. La Farge, "represent or-
ganized bodies that meet in a form of war,
wherein strict law is observed and ethical justice
is no longer the theme."
Many months of study and labor have been
given by Mr. La Farge to these paintings.
He is now seventy years of age, but he is still
to be found, usually, in his studio at nine
o'clock — the studio in which he has worked
for fort7-seven years. The Confucius lunette
(reprorfuced here) has been of intense interest
to him and upon the subject of this painting
alone he has read thousands of pages. He
commissioned two Chinese scholars to trans-
late for him many of the early Chinese works,
and advised with a third who has recently
been in China searching the first records of
that country's history. Forty thousand dol-
lars were paid to Mr. La Farge for his four
paintings. In depth of intellectual influence
and artistic impressiveness, they undoubtedly
outrank any murals that he has ever produced.
The most recent mural paintings by Mr.
Edwin H. Blashfield are those for Minnesota's
new State Capitol and Iowa's remodeled
Capitol. Two of these paintings constitute
the principal decoration of the Senate Cham-
ber in the Minnesota building. They .are large
lunettes, each measuring thirty-five feet across
the base. They are described as follows by
Miss Whitworth:
One lunette, entitled "The Discoverers and the
Civilizers led to the Source of the Mississippi,"
has in the center a cluster of wide-spreading pine
trees, beneath which is seated the great spirit,
Manitou. Beside him is an urn symbolic of the
source of the Mississippi River. From the urn
flows a narrow stream of water that spreads wider
and wider in its outward flow. At the feet of
the Great Spirit, rising from out the rush and
soray of water, are an Indian youth and maiden.
At the right are French and English discoverers
led by the spirit of Enterprise. In the left-side
group are types of colonists who became Western
civilizers. A priest among them offers a crucifix
to the Indian woman, and over them all is the
624
CURRENT LITERATURE
Copjrifht 1905, ^ E. H. Bluhfleld. Phi»to by Inale« ft Deck Co. . -
"THE DISCOVBRBRS AND CIVILIZERS LED TO TttE SOURCE OP t HE MISSISSIPPI*
(Painting by B. H. Blashfield in the Senate Chamber of the Minnesota State Capitol.)
winged figure of CivilizatioiL At either extreme
of Uie painting are a sledge and a light-boat—
the vehicles whidi were the first to open up the
Northwest
Mr. Blashfield has named his second painting
"Minnesota, the Grain State." There is an im-
posing central group of several figures — ^the prin-
cipal one being that of a woman representing
Minnesota. She is seated on a load of wheat-
sheafs, drawn by two white oxen. Hovering
about her are two ideal figures protecting her
with their widespread wings and holding over
her head a crown typical of the triumph of
Minnesota as a grain State. The two figures on
each side of the oxen serve as decorative objects
in the composition of this central group. Just in
advance of the oxen is a spirit-child bearing a
tablet with the inscription, "Hie est Minnesota
Granarium Mundi." The group at the right is
meant to be suggestive of the Civil War epoch
and of Minnesota at the beginning of her State-
hood. Here are the figures of several soldiers,
old and young, and in their midst is an army nurse
carrying 9. basket filled with rolls of bandages.
Above floats the spirit of Patriotism, a helmeted
figure, holding in her hands the sword and palms
of victory. In tiie left section of the painting
are several other realistic figures expressive of
the Minnesota of to-day. At this end of the pic-
ture is a reaping machine, its operator motmted
for action. Near him are father, mother and
child leaning against a huge sack of flour. The
symbolical and realistic are again mingled in this
group, for above the human types glides the
spirit of Agriculture, holding in outstretched arms
stalks of wheat and corn which she eagerly offers
to the figure enthroned upon the loadf of wheat
The men and women on both sides of the painting
are intenUy gazing at the central figure, Minne-
sota. In Uie baciqen^oimd on the left looms the
dome of the new Capitol building. The dom-
inatiiig compositional pattern of the picture is
the festoon expressed m light colors against the
darker background. All degrees of white are
used — creamy white, cold blue white, chalky white,
greenish and pinkish whites. The figure of
Minnesota is draped in white, and over her
knees falls a covering of gold brocade. The float-
ing robes of the spirits are painted in red, shot
with silver. These figures with their beautiful
pink-white wings appear most brilliant against
the deq) bhie of the sky.
Mr. filashfield's "Westward," reproduced here-
with and painted for the recently remodeled Iowa
State Capitol building, is a wondrous composi-
tion in subject, in color, and in esmanse. It is
forty feet long and fourteen feet high, and is
placed on the wall of the building at uie landing
of the main stairway. The painting represents the
pioneers traveling toward the West. In the cen-
ter of the canvas is a large caravan drawn by a
double team of oxen. Some of the women and
children are riding in the wagon, and others arc
walking beside it with the stalwart men. One
note of especial interest to lowans is that of the
central figure on the wa^on, which represents
a Des Moines girl. Leading the oxen are the
spirits of Enlightenment carrying an open book
and a shield, the latter bearing the coat of arms
of the State. Two other spirits hold a basket
from which they are scattering the seeds of Civ-
ilization. In the rear of the caravan are two
spirits symbolizing other degrees of Progress.
They carry small models of the stationary steam-
engine and the electric dynamo. At the lower
right comer of the painting is the standing corn,
suggestive of the very fringe of civilization which
the travelers are leaving, and, at the lower left
corner the wildness of the unsettled country
toward which they move is typified in the huge
buffalo skull that looms above the extremely
short grass of the Western plains. This picture
is painted in large, simple planes of creamy white
and exquisite orange and bhies. The hour of the
painting is twilight and Mr. Blashfield has caught
the beautiful glowing colors and the mysterious
LITERATURE AND ART
625
deep blue shadows of sky and plain to be seen
lingering over the unlimited Western prairies.
Soon after the painting had been placed
in the Capitol building a few lowans dis-
covered that, according to teamster tradition,
the man driving the oxen was guiding them
from the wrong side of the wagon, a detail
that aroused some good-natured newspaper
comment "I was quite well aware," says the
artist, "that the left side was the one on which
the driver should have been placed, but to
make the painting compositionally agreeable
it was necessary to put the teamster on the
other side of the wagon."
Such a criticism is a small point of difference
to bring forth when contemplating the entirety
of so beautifully composed and executed a
painting. The picture is realistic as well as
symbolic, but an artistic painting is seldom an
exact copy of nature. Art is the significance
of truth. In this deeply interesting painting,
not accuracy of detail, but the spirit of Hero-
ism and Progress possessed by the State's fore-
fathers should be the all-absorbing theme.
THE ULTIMATE SIGNIFICANCE OF ART
Whistler defined art as "the Science of the
Beautiful^" and many of us have thoughtlessly
echoed the definition. But as Haldane Mac-
fall, an English writer, points out in a brilliant
little book just published,^ art is really no such
thing. It is not science and it is not neces-
sarily beauty; and the above definition par-
takes of the "wisdom of the wiseacres who
defined a crab as a scarlet reptile that walks
backwards — ^which were not so bad, had it
been a reptile, had it been scarlet, and had it
walked backwards." Mr. Macfall continues:
"Art concerns itself with tears and pathos and
tragedy and ugliness and greyness and the agonies
of life as mudh as with laughter and comedy and
beauty.
"Neither Whistler nor another has the right to
narrow the acreage of the garden of life. What
concern has Shakespeare with beauty? In thf
Book that Shakespeare wrote, beauty is not K
god — beauty is not his ultimate aim. Is jeal^i^
beautiful? Yet 'Othello' is great art Is
ineffectual struggle against destiny be^^"
Yet 'Hamlet' is rightfy accounted the /"^
piece of the ages. Are hate and despair .<|IV;:'
beautiful? It has been written that Mp'^^ J^"
ing of a Hog' is beautiful It is whr{ ^°^^'
tiful. Had Millet made ft beautifu;?^, ^^^ "^-
tered the stupidest of lies, Nc'*i5?ii^^' -
statement of it may heart. Inde^' T^^^ ?'"^
in art, a large part of his signiCf M^,*f*' >sa
protest against the orttiness oCr^J^^^' ^«
took thc^ earth, th« Rreat-L^j^^ ,^^,, *«d ^«
wrought with a mister's ste;f 5"^ !S!,-?!^'''.**S'*
the toTagcdy and tfe might^^^*;,^^^^^ ^^^^
earth iid of th^i ^^t ^J^^^ ^^^^.V'^
'Man with the-Hoe' isfj^^l^^^ ^^Itl^'^T
it holds the/ast cmo^^s of mans d^^^^ to
labor, and H man's r-ePtance of that destiny;
h utterT tife ugHne&'^s ^^?,d>y ?s '* states the
Luty of Ae e7rth?,^^tod' and it mort rightly
utter^Sese things,^ ^»^ ^^ ^'tsht take equal
s
?
ter-
:ad fear
•WHlsn^R. By *^^*°* Macfall. John W. Luce
Coii^Miy.
/
/
/
rank, and thereby add to Jur knowledge of the
emotions of life through -he master's power and
the beauty of craft^najt^hip whereby he so sol-
emnly uttered the truth
Art, says Mr. Ma^^all, is not an oil-painting
on canvas in a g[>t frame. It is not the ex-
clusive toy of a ^cw prigs, nor the password
of a cult ijrt is universal, eternal— not
parochial. I' ^s *^^ emotional statement of
life. Evervnian is an artist in his degree —
every mar*s moved by art in his degree. To
conclude /
«It .as exactly in his confusion of /art with
beau^ "*** Whistler fell short of the vi^nesses.
Thf.^ *^^ ^ greater emotions than mere beiluty ;
ap. It was just in these very majestic qualities, ih
^e sense of the sublime and of the immensities,
/Cfore whidi his exquisite and subtle genius stood
mute. But at least one of the greater senses was
given to him in abundance— the sense of mystery.
He never 'sucked ideas dry.' His splendid in-
stmct told him that suggestion was the soul of
craftsmanship, and he never overstated the de-
tails of life. Out of the mystic twilight he caught
the haunting sense of its half-revelation and its
elusiveness with an exquisite emotional use of
color; and in the seeing he caught a glimpse of
the hem of the garment of God.
"For when all's said and the last eager craving
denied, it is all a mystery, this splendid wayfar-
ing thing that we call life; and it is well so, lest
the reason reel.
"That which is set down in clear fulness; that
of which the knowledge is completely exhausted,
shall not satisfy the hunger of the imag-
ination—for the imagination leaps beyond it. That
which is completely stated stands out clear and
precise; we know the whole tale; it is finished.
But that which stands amidst the shadows, with
one foot withdrawn, that which is half hid in
the mysteries of the unknown, holds the imagina-
tion and compels it.
''If man once peeped within the half-open door
and saw his God, where He sits in His Majes^-
though the vision blinded him, his imagir- V
would create a greater . . /'
re
Music and the Drama
MAX REGER: A NEW PROBLEM IN MUSIC
"Max Reger is the musical hero of the day,"
says a writer in Die Musik (Berlin). It would
be more accurate to say that he is the musical
problem of the day, for the most varied opin-
ions in regard to his work are expressed. Ger-
many is seldom without its musical problem.
The day before yesterday it was Wagner ; yes-
terday it was Richard Strauss; today it is
Max Reger. By some of the critics Reger is
hailed as a genius of the first order and the
founder of a nev» school of music; others
speak of his competitions as "ragged, hag-
gard, deformed monstsosities."
For some years Max Reger has held a po-
sition as Professor of Counterpoint in the
Munich Conservatory. Hv has just resigned
his chair, at the age of thii^-three, in order
to devote his time to contjosition. Some
ninety works — songs, sonatas, Wan works, a
'*Sinfonietta" for orchestra— alr\cly stand to
his credit. "Reger evenings" aVT given in
German concert halls, and have le\to fierce
controversies. "In Munich they n\ionger
fight about Strauss," says Mr. H. T.Vnck,
of the New York Evening Post; "he is \cse,
<iethroned, discarded— a victim of what \w
seems his Bellinian mania for kindergart\
•simplicity in orchestral construction. Rege
is now the leader of the band of unmelodious
composers who make a sport and specialty of
writing dissonantal concatenations." Mr.
Finck goes on to recount the following anec-
sdote :
"During and after a recent concert at which
his 'Sinfonietta' was played, thmgs happened that
caused the Miinchener Post to say that the Reger
disease is assuming the aspect of a musical epi-
demic dangerous to the community. There was
a disturbance at the concert, and afterwards a
band of young men paraded the streets with
torches; thev serenaded. Reger, and also Mottl,
who had conducted the 'Sinfonietta ; then they
provided themselves with tin horns and kettles,
and had a charivari before the house of a cntic
who had spoken disrespectfully of Reger. tint
the critic got even with them. The next day he
printed this notice: T herewith desire ]o express
my cordial thanks to those members of the Max
Reger community who rejoiced me, on the night
of February 9, with a serenade, in which, so far
as I could make out, fragments from the master's
' 'Sinfonietta' were reproduced in a highly char-
doiA^«.]^istic manner.' "
Sc^tooflerely in Germany, but also in Eng-
land and this country, Max Reger's music is
exciting the liveliest interest. Mr. Richard
Aldrich, of the New York Times, commenting
on the examples of Reger's art that have been
heard in New York during the past winter,
says: "It is impossible to make even a pro-
visional estimate of Reger from the few works
that have been heard here. . . . But it is
an interesting career to watch, even at a
distance." Mr. Frederic S. Law, a writer in
the Boston Musician, comments:
"Reger appears to be a problem of more than
usual difficulty. Some deduce a plus result and
hail him as the greatest of his time. Others can
obtain nothing but a minus answer and find him
incomprehensible, not, as they maintain, on ac-
count of exceptional depth in his ideas or their
novel and original musical treatment, but because
he has nothing to say and says it badly.
"One of the latest pebbles thrown into the
pool of criticism has been his sonata for violin
and piano. Op. 72. One authority pronounces this
*a thoroughly wonderful work, leading us into
worlds of feeling before untrodden and opening
vistas, new, great, and astonishing.' Others as
fully accredited say that it shows no organic
unity; that its thoughts are wandering and ob-
scure; that its ideas are incoherent and have no
relation to each other.
"These latter dicta have a familiar sound.
They and others similarly phrased are to be
found as far back as the history of music can
ke us. The clear, transparent Haydn was at
^ time considered heavy and complex in iii-
^Npientation ; Mozart was reproached with hav-
"^^aced his statue in the orchestra and his
pedd^ on the stage, — the accusation still hurled
^8^^*"\\Vagner. As we have long ago cleared
the io%r of the charge, so the end of the cen-
tury wil\.Q|j^jjjy f^j^^ ^g other also pronounced
not guiltvV
We sho\ ijg^j. -j^ mind that such comments
otten signiiyv jj^^ g^ | ^ extension of con-
ventional hmV ^ hitherto unsuspected scheme
of relations alNT^j^i^j, seem arbitrary and far
fetched to thos^- ^^ ^^^^ ^^ ^^ •„
l^^'' uT^i1% S^ 1^^^ of the study and
thought which mak^^^ 3^^^^^ ^^^^^^ ^^ ^j^^j^
origmator. Whethei\^ -^ .^ ^^^^^
^"^''^i ^f^^o tJ^f oS^ "^w century may be
safely left to time. OnK^ . -^ (. ^^^ j^j
is an aggressive artisti\jemperanicnt and one
that justifies expectation V ^he fmure."
Ernest Newman, the Vn.kno^^ English
critic, takes a decidedly Vpgatory view of
Reger's talents. Writing oi^g gongs (in the
Boston Musician), he says : ^ "^
"Reger is unquestionably an lasting and in
\
MUSIC AND THE DRAMA
627
some respects a powerful personality. Let us be-
gin by saying the best we can of him. In his
early songs, such as those of Op. 4, Op. 8, Op. 12,
and Op. 15, we can see a young man of a rather
forcible temperament, anxiously striving to be
original as no one has ever been before. The
work is occasionally not pleasing, the melodies be-
ing undistinguished, the harmonic and other pro-
cedure too deliberately sophisticated, and the feel-
ing too often dull; but here and there one comes
across a song that is natural, sincere, and impres-
sive, such as 'Gliick' (Op. 15, No. i), or fanciful
and charming, like the 'Nelken' (Op. 15, No. 3).
Even in his later work, if you are fortunate
enoiigh in your selections, you will find a fair
number of songs either of a simplicity that lets
you grasp them at once, or of an apparent com-
plexity that soon vanishes if you take a little trou-
ble over them. . . . But we work on and on,
through another fifty or sixty Lieder, and grad-
ually we come to the conclusion that after all
Max Reger is not a born song-writer, and that,
if the truth were told, he is doing the form rather
more harm than good by the way he handles it.
We see that instead of being the master of his
own complex harmonies he is really the slave of
them. They are too abstruse, too alembicated,
for him to carry on the same train of thought for
more than a bar or two; so that the song as a
whole lacks homogeneity. He begins with a text
that he forgets all about before he has reached
his sixth bar, and ends on a topic that had never
entered his head when he began to write. There
should be no waste matter in the song ; everything
that appears should bear in the closest way on
what has gone before and what comes after, — ^an
esthetic principle that Reger too rarely bears in
mind. The value of a song by Hugo Wolf, for
example, is that no matter how long or how com-
plex It is, it is dominated throughout by one cen-
tral conception, which we can see clearly from
every point of the song. His music is *fliougbt
out* like Beethoven's,^-that is, no matter how rap-
idly it is conceived and executed, it is based on a
fundamental logic of the emotions that becomes
more convincing to us the more often we examine
it. The majority of Reger's songs cannot stand
such a test as this. Their light shines intermit-
tently; their wisdom consists of scattered apho-
risms, that do not compose into an organic whole."
Mr. Newman sums up the argument:
"On the whole, then, as we survey Reger's
hundred songs in their totality, we come to the
conclusion that his is too factitious, too theatrical
a talent for this kind of work. His hits hardly
count against his misses; and to make such misses
as he has done if conclusive against his having
any inborn faculty for song-expression. It is
almost pathetic to think of the vast number of
black notes hefias put on paper and the relatively
small outlet rfie hurnan soul finds through them.
He is too s^lf-conscious, too bent on dazzHng us
with his fow of language, on subduing us by
any means but those of simplicity and truth.
He is the Cagliostro of the song, — a Cagliostro
who occasionally lapses into sincerity."
A writer in London Truth finds much both
to blame and to praise in Reger*s music.
THK MAN OP THE HOUR IN THE MUSICAL
WORLD
B/ some of the critics Reger is proclaimed a genius
of the first order ; others speak of his compositions as
" ragged, hagg^ard, deformed monstrosities."
Speaking of a recent performance of Reger's
sonata for violin and piano, he says:
"To a considerable extent the predominant
impression which it produces on a first acquaint-
ance is sheer bewilderment — ^bewilderment tem-
pered by doubt as to whether the performers are
not by some misunderstanding or other playing
in different keys. At times indeed the effect was
almost comic. Each seemed to be playing with
the utmost determination, gravity, and enthusiasm
music which did not in the least go with that of
the other. Or anon one gained the impression
that the music might be all right if the one per-
former did not appear to be a bar or so behind
the other all the time. Then a comparatively lucid
interval would bring relief, to be quickly suc-
ceeded once again by a long stretch of seeming
chaos and cacophony. And yet with it all there
remained, strange to say, an abiding sense of un-
derlying strength and purpose. Herr Reger's
music, if one may judge it by this single example,
has at least one admirable quality. There is
nothing about it of the decadent, degenerate, or
morbid. On the contrary, it leaves a general im-
pression of abounding vigor and virility. It is
not subtle and elusive after the manner of, say,
Debussy. On the contrary, among its leading
characteristics are a wholesome directness >
forthrightness which seem to justify to t»-*
tent at least the alleged watchword .^' .I'e
poser, 'Back to the Classics.* "
CURRENT LITERATURE
Courteay of Tk« Mumcal Courier ( New York ).
LISTENING TO MUSIC
SYMPHONY CONCERTS IN A GREEK THEATER
*' Symphony concerts under the open sky,
though at midwinter, and given in a Greek
theater by a university orchestra of seventy
professional musicians, before audiences of
4,000 or 5,000 people" — such is the new de-
parture reported from the University of Cali-
fornia. The prime mover in this remarkaUe
undertaking has been Dr. J. Fred Wolle, al*
ready well known as the creator of the great
Bach festivals at Bethlehem, Pa., and now
Professor of Music in the University of Cali-
fornia. Upon assuming his new position last
September he applied all his energy to the
task of establishing a university orchestra of
professional musicians which should maintain
the highest musical traditions and render the
noblest compositions. And what auditorium
could be more appropriate than the magnifi-
cent Greek theater recently presented to the
university by Mrs. Phoebe A. Hearst?
The results of his experiment are chronicled
in an article in The Musical Courier (New
York), from which we quote:
"For many years past San Francisco has had
a scries of symphony concerts every season, with
varying degrees of artistic and popular success.
Always the undertaking has been a difficult strug-
gle, and never before has there seemed a pros-
pect of permanency. As Dr. Wolle's concert-
meister the University appointed Gulio Minetd,
who had served Fritz Scheel and the conductors
of other seasons in San Francisco in a similar
racity. Into its orchestra the University gath-
dotiJ>gether absolutely the best professional mu-
inatinff San ^> 'cisco, including a large num-
the festoodT'* *hemselvcs directors of or-
chestras, and the best soloists and players of
chamber music in San Francisco. Among the
number are many who have played with the chief
American symphony orchestras. For the open-
ing concert of the series, at the Greek Thea-
tre, February 15, more people came from San
Francisco to Berkeley than had ever listened
to a symphony concert in San Francisco.
For the second concert, on March i, three times
as many people gathered in the Greek Theatre as
had ever heard a symphony concert in California.
There is an inexpressible delight in hearing the
masterworks of orchestral music under such sor-
ro^dings as those in which the University or-
chestra plays. In the rising tiers of the vast
Greek Theatre are assembled thousands upon
thousands of eager Hsteners. The orchestra is
ranged t^)on the immense stage of the Greek
Theatre, and for a background is a stated Doric
columned ttmple front, overhead the blue sky of
California midwinter, and all about a great for-
est of eucalyptus and cypress trees, with a glimpse
between the branches of the green Berkeley hills,
rising steeply behind the theatre. There is noth-
ing to intrude on flie entrancing music, no sound
but murmurs, now and again, from the high tree-
tops, or the call of a bkd as it wings its way above
the theatre. This first series of symphonies at the
University of California consisted of but six
concerts. While the musicians devote but a share
of their time to the service of the symphony or-
chestra, and for the most part play mghtiy in San
Francisco orchestras, yet there is the greatest ar-
tistic promise in the work of tht organization.
There are four rehearsals each week, that is,
eight rehearsals for each of the symphony con-
certs. For the very reason that tke musicians arc
not required to play in the sym^ony orchestra
alone, it is possible for the University to com-
mand the services of the best prolessiona] mu-
sicians in a city of half a million population.
These men are for the most part Geman or Ital-
ian by birth, well trained, long experi^ced, and
MUSIC AND THE DRAMA
629
'^^w \_Jm
^SlfllB^^^^^^^^ '
1 III 1 iiiiiwMiii^wi ^""^"■Tr^^"
■ . ^MI^M
UNDER CALIFORNIAN SKIES
highly skilled, possessing unu ual versatility, re-
sponsiveness and temperament. All the more be-
cause membership in the symphony orchestra is
not their one occupation, they come to its work
with this enthusiasm and delight inhering in the
fact that this is a longed for opportunity to ex-
press in the highest degree their hopes, their am-
bitions and their artistic ideals."
THE '^SONG OF SONGS" AS A POETIC DRAMA
Mrs. Mercedes Leigh, an English actress
who has recently come to this country and has
appeared here in Oscar Wilde's "Salome," is
presenting in New York a dramatized version
of the "Song of Songs." This ancient love-
song has played an interesting pa^^ in literary
and dramatic, as well as in theoi / con-
troversy. It was greatly admired t/ ♦he,
and Ernest Renan made it the basiy ^
act drama for which he invented per\
structed situations and built a more ^e
arbitrary framework. A later French^^
Jean dc Bonnefon, has converted the
of Songs" into a one-act drama, which,
given in Paris about a year ago, with ^faoc
moiselle Vellini in the leading role. Both
M. de Bonnefon and Mrs. Leigh feel that in
the simplicity of the one-act play they have
found a stronger and more sincere expression
than existed in the complicated drama of
Renan.
In Mrs. Leigh's version the biblical mod^
and language arc closely followed. The
drama resolves itself into a love rhapsody,
full of passion and poetic feeling. There are
practically only two characters — the Sulamite
woman and King Solomon. The woman has
been brought to the court against her will.
She addresses herself, as in a dream, to the
shepherd lover she has left in her native
village, and, through him, to the cotmtry from
which she is exiled. Solomon at first takes
her ardent words to himself; and a chorus of
his court followers intensifies the situation.
Finally Solomon speaks: "I have compared
thee, O my love, to a company of horses in
Pharaoh's^chariots. Thy cheeks are comely,
thy naked neck is as a jewel, yet will we
make for thee chains of gold inlaid with
silver."
. The swing and rhythm of tiie measured
nations following are comparable to the
'ts and responses of a sacred ceremony,
subject is one which contains the qual-
ities "^ music, and in order to intensify the
pec scriptural effect, music has been com-
posea accompany the drama throughout
Miss Frances Greene, whose music for
"Electra" and "Salome" has already been
heard in New York, is felt to have caught the
spirit of the play admirably. She expresses
in her score solemnity, passion, the Oriental
pulse of mystery, by means of insistent and
soothing rhythms, monotonous melodic phrases ^ply
based on the richer harmony of our ni)>l "^^^.^^^
Occidental musical development.
^lan nature
630
CURRENT LITERATURE
An extract will show the feeling as of a
litany which pervades the whole piece.
Solomon : Behold thou art fair, my love, behold thou
art fair, thou hast dove's eyes.
SULAMITE: Behold thou art fair, my beloved, my
adored one.
Solomon : I am the rose of Sharon and the lily of the
valleys. As a lily among thorns so is my love among
the daughters.
SULAMITE : As the apple tree among the trees of the
wood, so is my beloved among the sons. I sat down
under his shadow with great dehght and his fruit was
sweet to my taste.
After this the chorus begins to perceive that
it is of another than Solomon that she is
speaking. But the king charges them author-
itatively to remain calm, and the Sulamite,
still in a dream, does not hear them, but is
absorbed in her ecstasy of love. She says:
"The voice of my be-
loved! Behold, he com-
eth leaping upon the
mountains, skipping upon
the hills. My beloved is
like a roe, or a young
hart; behold he standeth
behind our wall, he look-
eth forth at the win-
dows, showing himself
through the lattice. My
beloved spake and said
unto me: Rise up, my
love, my fair one, and
come away, for lo, the
winter is past, the rain is
over and gone; the flow-
ers appear on the earth;
the time of the singing of
birds is come, and the
voice of the turtle is
heard in our land.
"The fig tree putteth
forth her green figs, the
vineyards are in bloom
and exhale all their per-
ftune. Arise, my love, my
fair one, and come away.
"O, my dove, thou art
in the clefts of the rocks,
in the secret places of the
stairs, let me see thy
countenance, let me hear
thy voice ; for sweet is
thy voice and thy coun-
tenance is comely.
"My beloved is mine
and I am his, he feedeth
his flocks among the lilies.
Until the day break and
the shadows flee away,
return, my beloved; and
be thou like a roe, or a
young hart, upon the
mountains of Bether."
>;^^ The woman cries out :
dotij^iii^ill arise now. . . .
!2*^* ''l?eek him whom
the festooi^*
my soul loveth," and there is a movement of
indignation among the chorus, astonished at
her audacity. But Solomon says: "I charge
you, O ye daughters of Jerusalem, by the roes
and the hinds of the field, that ye stir not up
nor awake my love until she pleases." Then
the chorus sings the praises of the king:
"Who is this that cometh out of the wilderness
like pillars of smoke perfumed with myrrh and
frankincense, with all the powders of the mer-
chant ?
"Behold his bed which is Solomon's; three score
valiant men are about it of the valiant of Israel.
"They all hold swords, being expert in war :
every man hath his sword upon his thigh, because
of fear in the night.
"King Solomon made himself a chariot of the
wood of Lebanon. He made pillars thereof of
silver, the bottom thereof
of gold, the covering of
it of purple; the midst
thereof being paved with
love, for the daughters of
Jerusalem.
"Go forth, O ye daugh-
ters of Zion and behold
King Solomon with the
crown wherewith his
mother crowned him in
the day of his espousals,
and in the day of the
gladness of his heart."
The "Song of Songs"
develops in these large
rhythms into an emo-
tional climax. Little by
little Solomon compre-
hends the true meaning
of the appeals of the girl
to her absent lover. He
becomes sincerely in
love with her, and ad-
dresses her in words
that match her own in
eloquence and inten-
sity. The disdain of the
Sulamite then mounts to
the height of insolence.
Solomon is routed in a
final apostrophe. And
this is all. It is the tri-
umph, says M. Bonne-
fon, of the scriptural
narrative, of love over
venality. It- is a pam-
phlet of genius against
a king so great that the
pamphleteers of his time
needed genius them-
selves to understand it.
Copyright 1908. by F. B. Heraog.
MRS. MERCEDES LEIGH
As the Sulamite woman in her own dramatic ver-
sion of " The Song of Songs. "j
MUSIC AND THE DRAMA
631
J. M. BARRIE'S TWO NEW FANTASIES
Mr. J. M. Barrie might have called his two
new "playlets" a "Revue des Deux Mondes,"
says William Archer, the eminent London
critic ; for the first of the two, entitled "Punch,"
is a "revue" of the artistic, and the second,
"Josephine," of the political world. Both are
full of quaint fantasy, and both have been en-
thusiastically received at their first perform-
ances in London. Writing of the first-named
play in the London Tribune, Mr. Archer says :
"The scene of Tunch' is the home of that
popular entertainer^ the inside of his show. On
the window-sill — ^his stage — ^he is going through
his performance, Judy, his faithful old wife, hand-
ing him his puppets and generally assisting. But
alas! his humors have palled on his public; they
find his drama 'crude,* and the curtain falls to
a chorus of groans and hisses. Punch is heart-
broken. His artist's pride is wounded, and he is
at a loss to imagine what the public wants. They
have applauded him for forty years — why
should they desert him now? All he asks is
'praise, praise, praise' ; why should they refuse
it him? Judy offers to tear up her treasured mar-
riage-lines and pretend they are not married, for
'it's never serious drama if they're really man and
wife' ; but Punch will by no means sanction this
sacrifice. Then the Public enters, incarnate in a
butcher-boy, and declares that he has transferred
his allegiance — ^he doesn't know why — ^to 'the New
Man.' Punch hits the butcher-boy over the head
with his staff, and so commits 'his last murder.'
But then the New Man, or Superpunch, enters
to take possession of the booth; and on his head
Punch's staff breaks innocuous — the public, he
explains, tried to bludgeon him at the outset, but
found his head too hard. The New Man is, of
course, made up to resemble — ^rather remotely —
Mr. Bernard Shaw. When Punch, admowledg-
ing his defeat, offers to hand over to him his
properties and puppets, the New Man answers
that he requires nothing but 'a pot of ink* (it
should have been a type- writer) 'and a few car-
rots.' In the end Superpunch seats himself on the
window-ledge stage, amid thunders of applause,
while Punch and Judy beat a mournful retreat.
The little apologue, though it may be called a
'revue' of to-morrow rather than of to-day, is full
of point and humor."
Of "Josephine" Mr. Archer despairs of con-
veying the slightest idea, "unless by comparing
it to a dramatization of the 'Political Para-
bles* of the Westminster Gazette Ofiice Boy."
"There is no coherent action," he declares,
"and the dialogue is one long series of topical
'hits,' some of them clear and entertaining,
many of them far-fetched and very difficult to
follow. For my own part, I confess that I
found it very fatiguing to keep pace with Mr.
Barrie's thick-coming quips and quillets."
The London Athenaum says:
"The action of 'Josephine' passes in three
scenes, whereof the first two take place in the
country house of Mr. John Buller, and the third
in his town mansion, which is also tlie House of
Commons. John Buller, the somnolent type of
the Englishman of old days, in blue coat, top
boots, and other signs of agricultural occupation,
has four sons, all of whom are anxious to enjoy
the supremacy, otherwise the conduct of affairs,
which involves the Premiership. Each of these
is distinguishable as some recent Prime Minister
or the representative of some power in the State;
Andrew, given to ploughing a lonely furrow, is
Lord Rosebery; James, with his vacillations, is
Mr. Balfour; and CoUn is Sir Henry Campbell-
Bannerman; while a fourth — a huge and formi-
dable figure — is Bunting, standing for the Labour
party.
"Not very brilliant in conception is all this;
nor do the amours of James with Josephine* or
his dalliances with Free (Trade) or Fair (Trade),
two nymphs of rival and well-balanced attractions,
impart any great probability or vivacity to the
proceedings.'*"
While it is generally conceded that the two
fantasies have scored a decided popular suc-
cess, the critical verdict is, in some instances,
unfavorable. The Athenceum comments:
"As a humorist Mr. Barrie is indeed light,
sparkling, inventive, resourceful, but in dramatic
grip there has been a constant declension, and
later pieces are not to be compared in that re-
spect with 'The Little Minister,' or even 'The Pro-
fessor's Love Story.' The vein of pretty senti-
ment in which Mr. Barrie formerly indulged is
absent, moreover, from the later works; and the
unbridled drollery which brought with it com-
pensation for many shortcomings is no longer
assertive. In its place comes a sort of freakish-
ness which is effective when it hits, but which
does not always hit. It is difficult to refuse ad-
miration to the cleverness of the workmanship,
though the sense of dulness is never far away."
A writer in London Truth also thinks that
Mr. Barrie can do better:
"Of course, there are witty lines in the revue
['Josephine'], but the main point for the audience
seemed to be to identify the characters with well
known sayings of their originals. To some minds
it may afford satisfaction to hear people talk about
plowing lonely furrows or to see orchids ban-
died about the stage. To me such obvious sym-
bolism is wearisome to a degree. None of the
personages in the revue are entities ; they are
merely abstractions dressed up in cuttings from
the newspapers. In fact, I am sure that if an
unknown writer had submitted these* two revues
to the management of any theatre, neither would
have had a chance of being accepted. Mr.
can do far better than thia as he
proved, and I hope that tWe next woju^we see
from his hand will deal either withJwifinan natjir^
or fairy nature."
632
CURRENT LITERATURE
THE PROBLEM OF SELF-REALIZATION AS TREATED BY
SUDERMANN AND HAUPTMANN
The plays of Ibsen, it has been said, are "a
long litany praising the man who wills," and
Ibsen himself, in his recently published "Let-
ters," has made it clear that the motive under-
lying all his work and life has been a pas-
sion for self-realization. In a hundred different
ways he endeavors to convey to his audiences
a fundamental message which might be stated
in ethical terms thus:' Be true to yourself.
Be true to the highest that you know, at what-
ever cost. This is the only thing in life that
is important
•The burden of this same message has fallen
on the shoulders of Sudermann and Haupt-
mann, the leading representatives of contem-
porary German drama. Sudermann's two
greatest women characters, Magda, in the
play of that name, and Beata, in 'The Joy of
Living," both transgress the social law in their
struggle to "realize" themselves — ^to live the
richest and fullest life of which they are ca-
pable; and Master Heinrich, the hero of Haupt-
mann's poetic drama, "The Sunken Bell," de-
serts his wife and children because he "finds"
himself, for the first time, in his love for the
fairy sprite, Rautendelein. It is significant,
however, that all three of these characters
bring intense suffering upon themselves and
those nearest to them, and that all are broken
in their efforts to live what they conceive to be
the highest life.
Prof. Otto Heller, of the Washington Uni-
versity, St. Louis, who suggests these facts
in his new "Studies in Modem German Litera-
ture,"^ points out that Sudermann has passed
through three distinct stages in his treatment
of the human problem:
"At first, in his plays, the class conflict per se
is in the foreground, the fates of the individuals
are of secondary interest. The type of these
dramas is 'Die Ehre.' In that play the final des-
tinies of Robert and Lenore. Alma and Kurt, are
disposed of with a noncnalant wave of the
hand. . . .
"It is not long, however, before the major sym-
pathies of Sudermann are transferred from the
sociologic class phenomena in the abstract to the
concrete, living individual. The first play of the
second phase is 'Magda.' The connection with
the teachings of Friedrich Nietzsche is obvious,
^he highest duty of the exceptional type is to
"^ate its true genius, regardless of the statutes
and'^fcjMaws of society. The exceptional man or
li^T^DtuiVfiL Modern German Literature. By otto
^^^"" > »Cb.-^ ^*n" * Co., Boston.
woman must, therefore, follow the path-finding:
instinct. Such is the prime consideration. The
most sacred bonds must be severed as soon as th^
become a hindrance to the free unfolding of indi-
viduality. At the same time, genius may not,
after def}ring the conventions t and thus securing
its own higher form of happiness, expect to par-
ticipate with equal share in the happjr lot of the
throng. Thus every genius is placed in the Sap-
phic dilemma.
"There is a third class of plays by Sudermann
representing a yet higher stage of ethical con-
ception. A person may be at the same time sov-
ereignly independent and sovereignly unselfish.
*Teja' is an apotheosis of civic martyrdom,
'Johannes' a glorification of the gospel of love.
Marikke ['St. John's Fires'], too, and Beata
['The Joy of Living*] in their way show their
strength not so much in self-assertion as in self-
abnegation."
Hauptmann's development, while much less
logical and definite than that of Sudermann,
presents many points of similarity. He, too,
is constantly preoccupied with the struggle of
the "exceptional type" to "cultivate its true
genius," and his most characteristic plays, such
as "Lonely Souls" and "The Sunken Bell,"
vividly illustrate this attitude. On the first-
named play, which has been compared with
Ibsen's "Rosmersholm," Professor Heller com-
ments:
"The simple action of 'Einsame Menschen' re-
volves round one of those persons for whom
Goethe discovered the appellation ProhUmatische
Naturen (problematic characters). Johannes
Vockerat is studying to be a theologian, when
through Darwin and Haeckel the drift of the
modem scientific era is forcibly borne upon him.
He forsakes theologv and becomes a philosopher
of the psycho-physiological school, thou^ the old
orthodox Adam is not quite dead within him.
For years he has now been fretting over his pros-
pective magnum opus. But it is safe to say he
would never have adiieved the work, even if
Hauptmann's five-act tragedy had not effectually
cut him off from the possibility, for he is a man
with a broken will. We meet his brothers and
cousins everywhere in Hauptmann's dramatic
world. The family type is classically expressed
in Master Heinrich of 'The Sunken Belr celeb-
rity. Johannes loves his wife for a while and
after a fashion; but when by chance he meets
Anna Mahr he finds that she is more congenial
to him. She understands him, and, mark well, he
has never been understood before. So he falls
in love with her, ^fter a fashion, and now we be-
hold him swinging to and fro between two poles
of amatory attraction, just as he has all the time
been the shuttlecock between the battledores of
two opposite philosophies. His curse is inde-
cision; his only stability is in his self-tove. • . .
MUSIC AND THE DRAMA
633
The troublous aspect of such Wcrtherian diar-
acters as Johannes was for a long time of absorb-
ing interest to Hauptmann. He dedicated *Ein-
same Mcnschen' to &osc who 'had lived through'
the tragedy."
In the end, Johannes committed suicide ; and
this tragedy finds a counterpart in the fate
of Master Heinrich, who was cut off, at last,
from the "shining heights," and from his val-
ley home as well. They both failed because
they hesitated, and in hesitating were lost
Says Professor Heller:
"The tragic fate of Master Heinrich would
infallibly have appealed to us had the poet fully
convinced us of his hero's overmanship. In that
case Master Heinrich might have been reckoned
among those brethren-in-fate of Faust whom we
hesitate to judge according to the usual standards
of human conduct. As it is, he is too small of
stature to be compared with Faust, even though
he does distantly resemble him. Faust triumphs
because he is an overman, Heinrich perishes be-
cause he would like to be. He is a calamitous
blend of the Titan's ambition and the weakling's
lack of self-control, a hybrid between overman and
decadent. His flight from the narrower circles of
life looks suspiciously like an escapade. No lofty
fellowship of spirit or congeniality of mind, no
profound mutual comprehension, joins Heinrich
and Rautendelein by main force; nothing but a
sensual attraction draws them together. And the
sacred fires in Heinrich's new-built temple cannot
long be kept glowing when fanned only by such
a fickle breeze as his passion for Rautendelein.
If the fate of Heinrich, the lesser mystic, fails
to -wring from us as much sympathy as we feel
for the greater mystic, Faust, it is principally be-
cause we ourselves are more nearly concerned
in the fate of Faust. The great problems of life
which he finally solves in spite of all hindrances
are of universal human relevancy. The whole
aim and endeavor of Hauptmann s hero, on the
other hand, is centered exclusively on artistic
ideals, to realize which he deserts his nearest ob-
ligations. In spite of all its beauties. The Sunken
Bell,' after all, does not appeal irresistibly to all
our human nature at once, because it deals with
human nature under exceptional aspects.
"The enthusiastic acceptance of *The Sunken
Beir served as an unmistakable sign of the trend
of the literary taste. For the poet himself, as
well as for the public, it testified to the truth of
the blunt saying in Paul Heyse's anti-naturalistic
novel, 'Merlia*: Though with the pitchfork of
naturalism we may drive out never so vigorously
that longing for the great and beautiful which is
called idealism, it forever returns,'"
A PLAY BY WILLIAM VAUGHN MOODY
The appearance of Margaret Anglin, one of
our most talented actresses, in the title role
of "A Sabine Woman," a play by William
Vaughn Moody, has aroused much interest
in the literary as well as the dramatic world.
Until now Mr. Moody has been chiefly known
for his work in the domain of pure poetry.
Some competent judges have assigned him
the first place among living American poets.
But it seems that his great ambition has been
to write plays that could be staged and that
should grip the heart of the American people.
This ambition has been in part fulfilled by Miss
Anglin's production of his play, which took
place in Chicago a few days ago. It provided,
according to the newspapers of that city, "the
most exciting first night" the stage had known
there in many years.
The "Sabine Woman" of the drama is an
American girl who, by force of circumstances
and against her will, is entrapped into mar-
riage with a rough Westerner. She becomes
a "Hedda Gabler" of the mountains, rest-
less and bitter, but, unlike Ibsen's heroine, is
finally reconciled to her husband. From an
account of the play appearing in the Boston
Transcript and based on Chicago newspaper
accounts, we take the foUowmg details of the
plot:
The first act reveals the situation on which
the whole action pivots. We are made ac-
quainted first with the heroine — a young
woman who has reached that epoch in her life
where the girl and woman meet, and to whom
the joy of life is the holiest and best reason
for living. Suddenly she faces a great crisis.
She is alone at a ranch in Arizona at night.
She is attacked by three drunken, roistering,
•passion-crazed brutes. Passing over the
probability of her having been left alone in
this out-of-the-way place, even while a known
enemy is lurking in the vicinity, we face a
strongly dramatic situation. She grasps a
revolver with which to protect herself, but she
does not fire it. She is disarmed and then,
to protect herself, agrees to become the wife
of the least offensive of the three if he shall
save her from the others. This he agrees to
do. He buys off one of the trio, a dissolute
Mexican, and agrees to fight a duel with the
other. Here the first weakness in the dramat--
structure occurs. Men do not fight du'-'
the spur of the moment, even \v
Arizona. Then, at the return'
634
CURRENT LITERATURE
queror, the intensity of the situation is im-
paired by its rambling continuance. The un-
reasoning mastery of the man must dominate
the situation. The scene in which the girl
wavers between thoughts of murdering her
conqueror and of committing suicide is strong
and the logical close of the act. He must live,
she says, that he may suffer and atone; she
must live because life is dear to her.
The second act shows Zona, the heroine,
eight months later, in practically the same
state of emotional extremity. She is out of
Tiarmony with existence, at war with nature,
in a state of physical and mental unrest. She
loathes her husband, yet is held to him by the
hate that is akin to love. She is slaving her
life away that she may buy back and return to
him the string of nuggets with which he
bought the chance to save her of the Mexican.
Her inner soul revolts at the thought of the
unspeakable bargain he drove to secure her,
and she has a deep desire to reach beneath the
heart of him and make him suffer as she
suffers, and atone through his suffering, that
a new respect may awaken in her. And here
we get a technical and contradictory weak-
ness, for on top of this feeling of deep loath-
ing which Zona makes us feel she has for her
husband, he recounts in poetic prose the early
months of happiness or of simulated happi-
ness, when she clung to him as she clung to
life. There is a strong scene, half of pleading,
half of denunciation, between the two, in
which the blundering, pathetic, ignorant hus-
band does not, cannot, understand aught save
the fact that they are man and wife, that he
loves her, and is willing to devote his life to
her. He takes the string of nuggets she casts
at his feet, puts it around her neck, and de-
crees that as they are man and wife such
they must remain. Zona, weakened In strength
of purpose as well as in body, agrees to returif
to her New England home with the relatives
who have sought her out.
The third act is again somewhat pervaded
with gloom, though Mr. Moody makes a rather
deft and grateful use of humor through the
character of a sister-in-law. Zona, at home
again, is again downcast, sullen, resigned,
hopeless. She has become the mother of a
but she treats the babe as a mechanical
as her offspring. Her souFs call is
"unclean, unclean," whenever the
the liS^coaches. The husband, secretly,
reconciliation, has come
[ig. In his effort to restore
destroyed he has saved
the fortune and the home of Zona's parents.
She still lives as one apart from all who have
known her. When she is told that her hus-
band has followed her she again turns upon
him and, to her mother, lashes him for the
crime he committed, a confession that inspires
a doubt as to the final settlement with the fam-
ily after the curtain cuts from view the ex-
posed portion of the life of these people. The
husband comes, faces Zona, and again they
grope for the light with which to read their
lives aright. Here, as an example of Mr.
Moody's style and dialogue and command of
emotion, is a page or two of their talk :
Stephens: It has been our life . . . and
... it has been all — right
Zona: All— right. All— right
Stephens: Some of it has been wrong, but as a
whole it has been right— right— right I know
that doesn't happen often, but it has happened
with us because — ^because— because since I came
in that door I don't know what I'm saying ex-
cept that it's just the opposite of what I came
to say, because the sight of you puts nonsense
and the strength of angels in me— because the
first time our eyes met they drove away what
was bad in our meeting and left only the fact
that we had met — ^pure good — ^pure joy^— a fortune
of it— for both of us. Yes, both of us. You'll
see it yourself some day.
Zona : I tried— I tried with my whole strength.
I went through the valley of the shadow of death
holding our life high in my hands and crying to
Heaven to save us, as by fire — ^by the fire of
suffering and sacrifice. And you would not suf-
fer. You were too busy and contented. Even
now it might not be too late if you had the cour-
age to say "The wages of sin is death" and the
strength to suffer the anguish of death and to
rise again. But instead of that ^ou go on declar-
ing that our life is right when it is wrong — from
the first instant horribly and hopelessly wrong.
Stephens (indicating the portraits on the walls) :
Zona, those fellows are fooling you. Don't you
see it? That little mummy there in the wig is the
worst (He points to a clerical portrait of the
eighteenth century.) He is a money grubber
turned saint and balancing the books on the old
basis. He is the one that keeps your head set
on mortgages and the wages of sin and all that
rubbish. What have you got to do with self-
respect? That's all well enough in its place, but
it's got no business coming between us. What
have we got to do with suffering and sacrifice?
That may be the law for some, and I've tried
hard to see it as our law, and thought I had suc-
ceeded. But I haven't. Our law is joy and sel-
fishness. The curve of your shoulder and the light
on your hair as you sit there say that as plain as
preaching. Does it gall you the way we came
together ? You asked me that night what brought
me, and I told you whiskev and the sun and the
fork-tailed devil. Well, I'tell you I'm thankful
on my knees for all three. Does it rankle in your
mind that I took you when I could get you by
main strength and fraud? I guess most women
are taken that way if they only knew it Don't
MUSIC AND THE DRAMA
635
you want to be paid for? I've i)aid for you not
only with a nugget chain, but with the heart in
my breast Do you hear? That's one thing you
can't throw back at me— the man you've made nie.
Wrong is wrong from the minute it happens to
the crack of doom and all the angels in Heaven
working overtime can't make it less or diflPerent
by a hair. That seems to be the law. I've learned
it hard, but I guess I've learned it. I guess it's
spelled in mountain letters across the continent
of this life. Done is done, and lost is lost, and
smashed to hell is smashed to hell. We fuss and
potter and patch up — God knows for what reason.
You might as well try to batter down the Rocky
Mountains with a rabbit's heartbeat.
Then the brother of Zona bursts in upon
them, shoots and wounds the husband, and
this brings the love that has been struggling
in the woman's heart to her lips, and the
reconciliation follows.
"There is a strong vital dramatic idea at the
foundation of the play," comments the Chicago
Tribune, "and when considerable of the clog-
ging talk is lopped off, certain of the char-
acters more dearly defined and the situations
made more intelligible, a drama of power and
strength should result. There is excellent
material in the play, and while it seems that
Mr. Moody has not in all instances made the
best use of his materials the dramatic scheme
just as it stands is good, and with elimination
and condensation the play can be made effect-
ive beyond the usual. ... Its stage value
lies more in the interest that the spectator
feels in the husband's winning of his wife's
love than in the problem of the psychological
changes the woman undergoes. The author
may have intended this problem to be the chief
eleipent in the drama, but if so he has failed
to make it such."
The Chicago Inter-Ocean pronounces the
first act of the play "one of the strongest any
American dramatist ever has written," but
thinks the second "indirect, contradictory,
clouded and unnecessarily oppressive." It adds :
"Fortunately for Mr. Moody his original in-
tent is but slightly obscured by his superior
intellectuality, which inspires decorative verbi-
age, profound philosophy, suggestive symbol-
ism, and leads even unconsciously into those
psychological depths that belong to the cham-
ber music of the drama, but not to the broader
function of the stage."
IS THERE A DISTINCTIVE NOTE IN AMERICAN MUSIC?
The recent organization of the New Music
Society of America, a body which has for its
aim the encouragement and performance of
American music, and the first two concerts
of the society, given in Carnegie Hall, New
York, Jend a special timeliness to the ques-
tion which stands at the head of this article.
The claims of American music, so to speak,
have come up for settlement. Have we as yet
any genuinely American music? is being
asked. If not, is there any prospect that we
shall have a native school of composition in
the near future? And is it true, as has been
alleged, that the works of American compos-
ers have been unduly neglected? In regard
to the last point, Mr. Philip Hale, the musical
critic of the Boston Herald, waxes satirical:
"There are American composers who are sure
that there is a sworn conspiracy to crush them.
Mr. Zenas T. Field can not understand why Mr.
Gericke will not produce his tone poem, *Lucy
of Hockanum Ferry,' and Mr. Bela Graves knows
that there are sinister and malignant influences
against him, otherwise Mr. Walter Damrosch
would look favorably on his great orchestral
fantasia, 'The Springfield Arsenal.'"
Mr. Hale evidently feels that the really
gifted American composer has had his full
meed of recognition. But several of the
younger American composers take issue with
him. Lawrence Oilman, of Harper's Weekly,
Arthur Farwell, of the Wa-Wan Press,
Harvey Worthington Loomis, of New York,
and others, have expressed the conviction that
American musical compositions are neglected
because they are American, and that the works
of European composers are apt to receive
more generous treatment. This has led to
a consideration of the distinctively American
contribution thus far made to world-music.
Mr. H. E. Krehbiel, the well-known critic
of the New York Tribune, who writes on this
subject in the Philadelphia Etude, says:
"During our Colonial life there was no 'call*
for a distinctive note; we were English. During
the Revolution we were rebellious Englishmen —
nothing more. We wrote patriotic poems but
we sang them to English tunes. When the War
of 1812 came upon us, we boasted and celebrated
our naval triumphs particularly, in song, loud and
long; but we stuck to the old tunes. We sang
'Adams and Libert/ to the tune of To Anacreo'
in Heaven'; 'Hull's Victory* to the tune of
be Three Poor Mariners' or 'Heart r'
'The Constitution and Guerriere' to
636
CURRENT LITERATURE
.^^^>'»
JOHN PHILIP SOUSA CARICATURED: A VERY
•'DISTINCTIVE" FIGURE IN AMERICAN MUSIC
His comic opera, *'The Free Lance,** has just been
successfully produced in New York.
From r>fc^ Musical Courier (New York).
The Landlady of France*; The Sovereignty of
the Ocean' to The Kilruddery Fox Chase' ; The
Yankee Tars' to 'Derry, Down Derry,' and so
on for quantity. Our sentimental ballads were
English, Englishmen like Incledon and Phillips
came over here to sing them for us, and Horn
and Russell later to sing and write them.
"But when we were shaken by the Civil War,
a war of brothers, involving moral and social as
well as political question — then we saw the spirit
of folk-song awakened. When the names of
Root and Work are forgotten, their songs will
be folk-songs. They are American, not because
they speak an American dialect, but because they
proclaim an American spirit."
Just in so far as we have adopted idioms
"racy of the soil," continues Mr. Krehbiel, we
have come nearest to creating distinctively
American music; and the Afro-American and
^Indian sources have in the past proved most
He writes on this point:
laugh who will, I have no hesitation
^hat were I anywhere in the world,
^nd thoughts of home, I would
i^wn a swelling of the heart
Old Folks at Home' or
*At a Georgia Campmceting' to fall into my un-
suspecting ear. No other popular music would
affect me in such a particular manner. For me,
then, there is something American about it. It
is thirty years since I began the study of Ameri-
can slave music and I am still as interested in
it, and as convinced of its potential capacity for
artistic development, as I have ever been. For
preaching the doctrine I have been well laughed
at by my friends among the critics; but no harm
has been done. It was all in good nature, and
they had scarcely closed their mouths after the
first guffaw with which the suggestion that In-
dian, but more especially Afro-American, melo-
dies might profitably be used as thematic ma-
terial for artistic composition, before Dr. Dvorak
showed, with his quartet, quintet and symphony
composed during his stay in America, that the
laughter of the skeptics was as *the crackling of
thorns under a pot. In those works we find the
spirit of Negro melody and some of its literal
idiom, though there was no copying of popular
tunes. Then came Mr. MacDowell with his
'Indian' suite (fruit of a conversation held as
long ago as 1888 in the Botolph Club in Boston),
and his exquisite pianoforte piece 'From an In-
dian Lodge.' Then my contention with the wise
men of the East reminded me only of the old
story of Diogenes crawling out of his tub and
walking, wordless, up and down in front of it,
while he listened to the arguments of the sophist
who was busily proving that there was no such
thing as motion. While the skeptical critics
talked, Dvorak and MacDowell walked. To say
the least, they set up fingerposts which will be
looked at more than once while composers are
hunting for a distinctive note in American music."
The Etude, commenting editorially, takes
the view that "America is in the beginning of
the era of producing good composers":
"It took Germany seven hundred years to pro-
duce a Beethoven. In one hundred America al-
most has arrived at the point where Germany
now is, and in another century it may overtake
the older land, who can say? But there will need
be used every influence that can be brought to
bear on the artistic education of the people. For
it takes a thousand cultured musicians to produce
a good composer and a thousand good composers
to produce a great composer.
"Just now America is in the beginning of the
era of producing good composers. Perhaps there
are half a hundred names that could be included
in a catalogue of such. Of course there are hun-
dreds who do a little writing of more or less
merit, sporadic attempts that do good only to
those who practice such. They gain the technic
by this experimenting, but, when they get the
technic, have nothing to say.
"Some day out of the wealth of commonplace
compositions there will be evolved a writer who
will combine sentiment, technic, and originality in
such proportions and in such prominence as will
entitle him to the term 'great.' But before that day
arrives the thousand good composers must be
encouraged in every possible way, by private word
and by public hearing, that from this myriad-
headed individual there may spring a genius
worthy to represent the New World side by side
MUSIC AMD THE DRAMA
637
with the best representatives of European art.
Every society for the encx>uragement of American
composition, every American name on a program,
every recital of American compositions brings
the day nearer when America can take her place
in the front ranks of musical creativeness.*'^
In concluding, it is interesting to note that
Prof. John Knowles Paine, director of the
musical department of Harvard University
since 1875, was engaged, at the time of his
death, a few days ago, on a symphonic poem
on the subject of Abraham Lincoln. Of this
work Mr. Louis C. Elson wrote recently: "We
can all hope that when we have the pleasure
of hearing it performed we shall be justified
in calling it the American 'Heroic' Symphony,
upon a greater man than Napoleon, whom
Beethoven honored in music. Lincoln is so
pre-eminently a man of the American people
that American characteristics must come to
the fore in such a work." How far toward
completion this work had gone is not now
known. Professor Paine has been called "the
Nestor of American composers," and has
written a long series of compositions, mostly,
however, on un-American subjects. His
death, coming so soon after the disablement of
MacDowell, is a serious loss to American
music.
"THE AWAKENING"— HERVIEU'S LATEST PLAY
Paul Hervieu*s latest play, "Le Reveil," which,
as stated in these columns three months ago,
was the chief sensation of the theatrical year in
Paris,* will probably constitute one of the leading
events in the coming dramatic season on the
American stage, with Olga Nethersole in the star
role.
Th^rese de Megee, wife of Raoul, has izWcn
in love with Prince Jean, but has resisted his
importunities and is about to give him his final
dismissal when she learns that he is in danger
of losing his life if she does not detain him in
Paris. Jean's father. Prince Gregoire, has come
to Paris from the Sylvanian frontier. He tells of
a plot to wrest the Sylvanian throne, rightfully
belonging to his family, from its present occupant,
and, as he is himself very unpopular, he has decided
to declare his son king the moment the usurper is
overthrown. He has come to Paris to summon
his son to Sylvania for this purpose. But Jean
flatly refuses to follow his father's lead, giving as
the reason his love for Therese. Therese, learning
of the sacrifices Jean is willing to make for her,
and the probability of assassination if he returns
to Sylvania, abandons her scruples, and the two
lovers appoint a rendezvous for the next day.
The house in which they meet belongs to Prince
Gregoire, who just previously to their arrival,
has come there to hold a secret conference with
Keff, an emissary of the Sylvanian conspirators.
He learns that his son is momentarily expected
there with Therese, and he decides to make an
attempt to foil the lover's purpose by strategy.
Ke£F and Prince Gregoire withdraw into the
next room. Jean enters, with Therese, the room
they have left.
•See the March number of CuRRBNT Litbraturb.
Jean: We're alone. (5*^^ enters.) Here you
are at last.
ThMsei Yes, here I am, as I promised.
Jeani Hurry up and take off that horrid veil.
Thirise: If you don't want me to faint, give
me a chance to come to myself. (She sinks on
a couch.)
Jean (having removed her veil and hat) : My
love! My lovel Don't tremble all over that
way. Won't you tell me you have some happi-
ness to grant me?
Thirise: O Jean! The thought that some
day I might be united to you, body and soul,
has always come to me with the indefiniteness
of a dream. It always passed into the haze of
the far-off, the unreal. I never conceived that
the gift of myself would occur in any other way
than unexpectedly, when bereft of my senses.
But this rendezvous, arranged twenty-four hours
beforehand, all that time for surrendering my
conscience, that's what has tortured me; that is
what has made me regard you as my conqueror.
And that word means that I must suffer a little
oppression, and that there is a touch of cruelty
in your contentment. Oh, forgive me these
miserable words! I withdraw them. I haven't
come to break my promise.
Jean: Understand me, Th^r^sel Understand
that I do not consider myself victorious as long
as I have not brought confidence to your soul
and a smile to your lips. No, my dear, dear
love, I do not regard you as already mine. In
this first meeting when we are really alone, I
feel that it is an added delight to conquer you
entirely, by my humble fervor, my respectful
patience. Show me all the shadows that darken
this dear forehead, so that I can chase them away
with my kisses.
Thirise: I am in a hurry to p^et rid of one
thought that still weighs on my mmd. But there
need be no misunderstanding between us, Jean.
Do you thoroughly realize what it means *'^'' 1
yesterday, when I pledged myself to yoil. "^'^'V
the same time gave up the rest of ^^^^ ^^th
You see, here I am; I have left vute sofJ* ^pd
to return. Do you comprehen'' ^^ dim
cance of this thing?
638
CURRENT LITERATURE
Jean: Yes. I expected a resolve from you as
strong as mine, without any reserve, without
thought of turning back. I, too, for love of you
have lost my family. I give up my chances of
reigning, my military duties, my honor as a man,
for you, for you, for you.
ThMse : Ah 1 Yes, I am your chattel. Hide
me from the eyes of the world. Take me and
keep me forever.
Jean: I will carry you away this evening.
Not a soul who knows us shall ever see us again.
ThMse: Ah! Take away my senses! Drug
me, so that I do not see on what ruins I am
stepping.
Jean: I adore you!
ThMse (yielding to Jean's embrace) : I adore
voul (Then breaking away from his embrace)
Listen ! (She points to the door in the rear from
zvhich a sound has issued.) There is someone
there.
Jean: Yes, I hear someone walking. It's the
servant.
ThMse: Someone is talking.
Jean: I'll go and see.
ThMse: Stay here with me.
Jean : Let me go. Don't show yourself. (He
opens the door in the rear. The lights in the
room are extinguished. Jean is lost in the dark-
ness. The door is shut. His voice is heard in
one stifled cry.) Come here!
ThSrise (alone, throwing herself against the
door in the rear, which is now bolted) : Who is
there? They're fighting. Someone has fallen.
Open the door, Jean! Open the door! Jean!
Answer me! Answer me! He cried out only
once ! Jean ! Let me hear your voice ! Jean !
He doesn't answer! Not a sound! Nothing!
The silence of death ! No ! Someone is coming !
(She recoils in fright. The door is opened again.
Keif appears.) Ah! Who are you?
Keif (standing in the open door and obstruct-
ing the way) : Prince Jean was watched by spies.
This morning they discovered that he had a
rendezvous here. That was their opportunity.
ThMse (a rising note of despair in the ex-
clamations) : Jean ! Jean ! Jean ! Jean !'
Keff: You see he does not hear you any more.
(The door having been bolted from the inside,
he moves away. ThMse throws herself against
it again and tries to make it give way.)
ThMse: Tell me he has been dragged off.
Tell me he is gone. Tell me he's not there any
more.
Keff: Prince Jean is there, killed by one blow,
in the heart.
ThMse (with a piercing cry) : Ah ! You
killed him.
Keff: His death brings peace to my country.
ThMse: I want to see him.
Keff: There are companions there who do not
want to be seen.
ThMse: I will look only at him.
Keff: We do not want the screams of a
woman over a corpse.
ThMse: Then kill me, too! Kill me!
Keff: You have nothing to do with the cause
serve. We know that you are a married
who would lose all by denouncing us.
'be street, you will not breathe a
have nothing to fear from you.
ThMse: I will not go. All is over for mc.
There is only one thing for me to do, to kill
myself near him.
Keff: You would not want to be recognized
in a rendezvous? You would not want to be
lifted from the corpse of your lover to be carried
to your daughter?
ThMse (losing courage at the thought) : Oh!
Not that! Not that!
Keff: You can do nothing more for Prince
Jean. As for yourself, the thmg to do is not to
be mixed up in a most terrible scandal. A maid
who was sent away will return any minute now,
with her curiosity excited. She'll go prowling
about, and possibly discover the state of affairs
immediately. If you are still here, you'll not
escape any more.
ThMse: Leave! Yes, I had better do so.
Keff: Time presses. It's to our interest, too,
the interest of us others, to be at a distance from
here. Leave this room, which is in demand. Go
now.
ThMse (making an effort) : I cannot I
cannot stand. I will fall.
Keff (advancing toward her) : I took upon
myself the duty of making you leave by per-
suasion or by force. I will carry you down-
stairs.
ThMse (reanimated by horror) : Oh ! Your
hands shall not touch me. Don't touch me! Fm
going! I'm going! (With one hand she gathers
up her cloak, lying on a chair, with the other
she picks uf her hat from a table.)
Keff (pointing to the veil, which she has for-
gotten) : Don't let this lie about here!
ThMse: Oh! (She snatches it with the air
of a thief and exit by the left, walking un-
steadily.)
Keff (after having listened for the shutting of
the door downstairs) : My lord, she's not here
any more.
Prince Grigoire (going to look out through
the parting of the curtains) : She is leaning
against a wall. She is going toward the Bois.
(To Keff) Call Maria.
Keff (calling through the door on the left) :
Maria !
Prince Grigoire: You, go unbind my son.
(To Maria) Come here. (Keff exit rear.)
Prince Grigoire (pointing through the
window) : That woman there — see what becomes
of her.
Maria: Very well.
Prince Grigoire: If she attempts anything^
foolish — throws herself under a carriage, for in-
stance Oh, I cannot explain — I don't know
what. Well, then, do whatever you can to pre-
vent her, to defend her against herself.
Maria": Very well.
Prince Grigoire: Don't lose her from your
sight imtil she's had enough time to become
sensible.
Maria: I understand.
Prince Grigoire: Now, then, hurry up. Go
on. (Maria exit on left.)
Prince Grigoire: This is the only way of
getting out into the street. The window^ is
barred. There will be no difficulty in keeping
Jean.
Keff (returning) : He is getting his breath
again.
MUSIC AND THE DRAMA
639
Prince GrSgoire: Leave us alone together.
Keep watch l^hind that door. (Keff exit left)
Jean (entering, pale, bruised, suffocated) :
Where is she?
Prince Grigoire: Gone.
Jean : You had her chased from here ignomin-
iously ?
Prince Grigoire: The ignominy I The ig-
nominy was in her remaining any longer at your
mercy. The ignominy was in your ruining the
wife of your friend!
Jean: You have subjected me to a savage act
of aggression, Jor which you must now justify
yourself.
Prince Grigoire: You made sport of me. I
showed you how good a clown I make.
Jean : By what right did you knock me down ?
Why did you gag me with your own hands?
Prince Grigoire: I had to get you back, and I
did get you back, no matter how. And now Til
keep you.
Jean: As amazed as I am at your abominable
violence, I am still more astonished at your fool-
ishness. What good does it do you to have me
in your power for one moment? My only
thought is of that woman — to go to her again;
to consecrate myself to her.
Prince Grigoire: And so, before that mass of
men who beg you for a reign of greater justice
and a life of less misery, before those heroic and
humble legions, you do not experience a thrill
as of a heaven-imposed mission? You do not
want to throb with that superb, keen sensation
which comes from the knowledge that so many
eyes are turned on you, ready to express grati-
tude, adoration, ecstasy, at the mere sight of their
legitimate master, the elect of God!
Jean: Keep your Utopias and let me live in
my natural feelings. In my eyes happiness does
not consist in the artificial ostentation and glory,
in the showy make-believes that you flash before
my eyes. In this greedy, grasping, lying world,
it is only in love that I see the sacrifice of one-
self, limitless devotion, the true joy, the true
beauty of life, and a real majesty for human
beings.
Prince Grigoire: And our country? Our
partizans? Your people?
Jean: I have no people. I feel myself the
master, the chosen one of a single being, who
gave herself to me entirely and for whom I want
to sacrifice everything.
Prince Grigoire: Then you declare yourself
incorrigible, since you would brazenly sink into
the worst moral pit, openly court public degrada-
tion. As for myself, I would not hesitate to
keep you in hiding all your life; if need be, pass
you off as dead. In fact, the woman who was
with you is convinced that you were killed.
Jean: Oh! You made her believe that! That's
a crime for which I demand satisfaction from
you. But first I must disabuse her of her wrong
impression. I will go to her again! (He runs
to the door on left.)
Prince Grigoire: You cannot any more. She
is already too far away. And you are in a cage.
Jean: Then Til speak to you as a suppliant.
I tell you, because I have proof of it, I tell you
the strongest feeling in Therese de M^gee is the
feeling for my life. The very thing that chased
away the last scruples of her virtue was the fear
that I was going to expose myself to death. If
she realizes now that my death has been brought
about, if it is my ghost that you have set upon
her heels, come with me and see to what point
her lost wits will carry her.
Prince Grisoire : I have assumed that you no
longer exist lor her. I have placed her outside
your destiny. Let her go her own way.
Jean : Oh, you have cherished a horrible hope !
You hope, yes, you do, for a solution that terrifies
me. You nope that Therese will herself assume
the charge of freeing you of her ! At last I
understand you! I understand your aim in
frightening her. I understand of what interest
it is to you to detain me here, so that your at-
tempt on her may bear results, your attempt to
murder
Prince Grigoire: Ascribe to me all the designs
you want! If this woman who is a wife and
mother does not recognize her duties toward her
family, if the only duty she imposes on herself
is toward her lover, if she kills herself for you,
that is her crime, not mine.
Jean: You will kill me, too. I am bound to
her in death as in life. I will follow her into
the extremities, the whirlpools in which she will
be engulfed. You have my pledge that I shall
not survive her.
Prince Grigoire: Rather than let your name be
inscribed on the page of infamy in history, rather
than that, I'd see you buried in your grave.
Jean (drunk with fury) : Make your inexorable
vows. When you surprised me, I prided myself
on denying you as my father. The ties of blood
no longer bind us to each other. Each of us has
abandoned everything that passes for filial or
fatherly. We are nothing; but two enemies.
Prince Grigoire (carried away by horror) :
Take care! There is the look of a parridde in
your eyes.
Jean (with a frightful expression) : I hate
you! I hate you! I hate you!
Prince Grigoire (responding to his desperate
words with a curse) : Let fate do with you what
she will! Return to your love, since it's so sure
a treasure! Run and seek her!
Jean (lightly): Ah!
Prince Grigoire: Get out of my sight! KeflF,
let him pass! Go! Go! Go! (Jean exit, left,
Keff jumps forward to catch Prince Grigoire,
whose entire being, for an instant, seems to give
way.)
Therese reaches home half dead. She has been
expected anxiously by her husband and her
daughter Rose. Rose is in love with a young
man of a respectable family, and they were about
to become engaged when the love-affair of
Therese interfered and now threatens to bring
all their relations to an end. If Therese does not
appear at the dinner to which they are invited
that evening by the family of the young man,
all is over between him and Rose. The affec-
tion displayed by Raoul to Therese when he sees ^
her return in distress brings her to a reali-shieir
sense of the misfortune she would ^^^1^^'^^ ^^^^
upon her husband if she had carriec'tiire some d"^
pose; and the grief of her dan^'
640
CURRENT LITERATURE
"^
stacles put in the way of her betrothal, the cause
of which Rose cannot surmise, acts still further
in recalling her to a sense of her duties to her
family. Despite her agitated condition and her
ill-health, she decides to attend the dinner. Con-
sequently when Jean arrives he finds her dressed
in a gorgeous dining-gown ready to depart.
Jean (alone) : At last I (He sees Thirise,
who enters on left, and greets her with a deep
cry of joy.) Ah!
Thirise (with the same impulse) : You !
Alive! By what miracle?
Jean (transfixed. His regard has rapidly taken
in ThMse from head to foot. Thirise, frozen
in her turn, with trembling fingers draws her
evening cloak over her bare shoulders) : My
father arranged this plot. But you, tell me you
did not think I was dead I Tell me, to save me
from losing my senses at seeing you dressed up
in this way.
Thirise (overwhelmed) : I did think you were
dead.
Jean: You thought me dead, and you adorn
yourself I
Thirise: The moment in which I see you
again is sacred. Do not say anything that will
make it taste of gall.
Jean : Everything made me think that it was a
sick-room, a room of desolation and solitude. I
still hear you cry out my name ; it -sounded like
a trumpet call on judgement day, and I trembled
in my bonds, a gag in my mouth. You who
raised me from that tomb with a supernatural
voice, is it you yourself I now see, leaving in this
way for some social function?
Thirise: Don't go on in that way. Oh, don't
speak !
Jean : What ? You were going to make a show,
listen to everybody, talk, smile. Therese! How
could you? How could you? (He bursts into
tears. )
Thirise: Ah, do not show such grief! I
cannot console you. On the contrary, I would
only double your pain if I tried to explain my
conduct, since it was inspired by my feeling for
others than you.
Jean: You can easily imagine that in my niad
rush to find you, my one hope, my fervent desire,
was that you would have abstained from the irrep-
arable act. To chase away the visions in which
you appeared disfigured by suicide, I told myself
that perhaps your reason would carry you safely
beyond that act of desperation. I should have
found it perfect if you had dragged yourself
here, just as wounded animals instinctively find
their way back to shelter. But I could not fore-
see that you would be so amiably brave, nor
that your weeds for me would be so decollete.
Thirise: Jean! You weren't present at my
Calvary. You do not know the chain of events
that forced me. And besides, I alone am in a
condition to measure the influences that acted on
me since I was carried to this home. Know, at
s* I wanted to die. When I fell down on the
>»vas on the road to drown myself.
'^^mned): Therese!
'»fhere are other women who in the
'«5 would have borne them-
selves better, let God judge between them and
me. As for myself, I did what I could, what it
was possible for me to do.
Jean (after a pause) : I was wrong, I dare say.
I yielded to a thoughtless fit of passion. The
impression I did not check will pass
Thirise (firmly) : No, it will not pass.
Jean: How do you know? Why be so decided?
Thirise (with a mournful authority) : Poison
has been thrown into the sources of our love.
The other lovers live in the thought that they
are inseparable. They walk along asleep in their
prodigious dream. You and I have been awak-
ened. When you arise from death, jrou find me
making a pact against you with the living. And
I — I am granted the revelation that you have
disappeared without arresting the course of my
life, without deflecting it for even one night.
The word that says always, the words that prom-
ise the infinite, all the big words, are congealed
in the rouge that I have just put on my lips (re-
treating before his advance toward her). Now
that I can no longer believe my passion for you
is my supreme faith, now that I no longer dream
of you as my only master and my god, now that
I no longer have these wild excuses, I would be
a monster to wish to sacrifice my family to you!
(Retreating before him and with still more reso-
lution) I pitied my husband. And I have just
experienced the feeling that I am forever en-
laced by the arms of my daughter.
Jean (after having questioned himself in a
feverish walk up and down the room) : It is
my despair that I cannot find the words with
which to give you the lie. Yes, we have seen an
abyss opening between us. I will not say that I
no longer desire you; the moments in which you
and I were so close to each other could only
heighten my sensual appetite. But I also pur-
sued in you the ideal, the absolute; and behold,
in my flight into the infinite I have struck against
limitations. I would not content myself with a
falling-ofF from my exalted feelings. The hymn
of joy which was interrupted will never sound
in me again. An icy breath is exhaled from the
things that once kindled my enthusiasm. There
is an irony in the air; it emanates from the folds
of this robe, from its perfume; you wore it in
the city at the very time when I was condemned
never to enjoy it again. (Discovering something
essential) Oh ! We have lost only our illusions,
and it is love which we will not find again !
Thirise: My friend! My friend! This time
it has really come from death to the place where
we are!
A Servant (entering by the rear): The car-
riage is waiting. (He goes out. Thirise goes
to open the door on the left and with a sign
calls the maid.)
Jean : We will see each other again ?
Thirise: No. (The maid brings Thirise a
fan, readjusts her cloak on her shoulders and
goes out by the door on the left, leaving it open.)
Jean (h%s voice half veiled) : Oh! This is not
the time when We will say good-by to each
other ?
Thirise: Yes. As in a chamber of death,
without a sound, without a gesture, without a
word; only a handshake. (Thirise and Jean
shake each other^s hand in silence. She goes out
by the right. He falls sobbing on a chair.)
Religion and Ethics
THE SOUL OF THE AMERICAN PEOPLE
Columbus once said: "Gold is the most ex-
cellent thing in the world; with gold we pile
up a treasure with which its owner may have
everything in the world; it can even force the
gates of paradise." It has been suggested that
America inherited its worst national trait from
its discoverer. Yet a Harvard professor,
Louis Agassiz, is remembered because he de-
clared that he had "no time to make money" ;
and Andrew Carnegie has already achieved
a kind of immortality for his statement that
"it is a crime to die rich." Mr. William M.
Ivins, the well-known lawyer and late Repub-
lican candidate for Mayor of New York, who
takes a serious view of our national destiny,
and has lately endeavored to give us some
insight into what he calls the "soul" of the
American people,* is by no means prepared
to admit that money-grubbing, or even com-
mercialism, is the ruling American quality.
He says:
"The earliest manifestation of the American
Spirit came from the Puritan and the Cavalier,
and it was a good spirit, bom of the reading of
the Bible and the Book of Common Prayer and
the Elizabethan dramatists, and of Milton and
of Locke. It was a colonizing spirit, which
pushed farther and farther to the west and south,
until the whole land was covered. But for many
decades, while theoretically hospitable to all the
world, we remained a more or less exclusive
and isolated people, for in the history of immi-
gration into America this is to be noted, that it
is divided into three periods — the first one that
of the early comers, followed by a long interval,
let us say from 1700 to 1848, during which im-
migration played a smaller part in the deter-
mination of our national psychology; and then
from 1848 to date, a new and tremendous in-
coming, ,a veritable transplanting of Europe,
which has so modified the character of our
people and of our national life as to leave the
old controlling Puritan and Cavalier strain some-
thmg to be sought for historically rather than to
be felt intimately and actively.
"Our country presented every variety of nat-
. ural gift and our Constitution offered every
temptation to men of breadth and boldness.
Everything favored our becoming the final re-
adjuster in the history of the peoples, with prac-
tical immunity for a century and a half from
outside interference, while the bone of our char-
acter was setting, with steady progress, with un-
♦The Soul op the People, a New Year's Ser-
mon. By Wflliam M. Ivins. The Century Company.
broken evolution, with final culmination of con-
tinental and national unity, with room for every-
thing and for every one in all possible trades
and in all possible professions. Thus, with
society built up upon the principle of peace, for
the last half century we have been transplanting
Christendom and becoming the direct and the
sole heir of that Welt Geist which is *the in-
herited collective wisdom of the world.'"
If, as Mr. Ivins asserts, the work of Amer-
ica is to "remake the world," no question can
be more pertinent than this: What character
are we bringing to, what character are we
building up for, the performance of this task?
In endeavoring to answer this question, he
says :
"Underlying the national spirit, I find primarily
these things: the flavor of the soil and of the
atmosphere, of the high, clear heaven, the end-
less prairie, the rolling country, the great cloud-
gathering mountains; begetting in men an apti-
tude for freedom of thought and speech,— ^c
essence of the life of the intellectual man, — ^and
rewarding the worker with pure food and ample,
a good roof and a warm coat, — ^plenty, in a word,
the basis of strength in the physical man. It is
due to this, and to other causes that I have
hastily touched on already, that our people has
become physically — and as an entire people, I
do not hesitate to say, intellectually as well — the
best product of the past and the finest promise
for the future. And we are both one and the
other precisely because we have not permitted
the past to dwarf the present, because we have
not let reverence for yesterday spread a pall
over to-morrow. This, I take it, is the most
notable thing in our atitude towards life, in
what may be called our national culture, if
Goethe was right in saying of culture that it
was simply 'putting every man in a proper atti-
tude towards life.' "
Proceeding, next, to an attempt to "place"
our spiritual center of gravity, Mr. Ivins says :
"As a nation, we certainly have one; but for
me, at least, it is hard to find, and I am not
prepared to admit that it is pure commercial-
ism, although commercialism is a very obvious
national trait." To quote further:
"The spiritual centre of gravity can still be
located in European peoples — among the Engly'-
the Spanish, the French and the Germ^ 1*^
was easily enough located here in '^oy'the
times,' when in the South it wa« / ^i^j
generosity and chivalry, and i- * f,
spirit of Puritan fine living -d ever known,
more difficult now to ^
642
CURRENT LITERATURE
like New York, to which more than half of our
people are practical strangers from the point
of view of intellectual community in our tradi-
tions and ideals. However, I should say that
our spiritual centre of gravity is a national love
of work, which is the mainspring of the eUiics
of our new civilization. That is why we, as yet,
have no intellectual proletariat, and no body of
the unclassed, as in Europe;- for, notwithstand-
ing all appearance, we have here no 'classes' in
the European sense of the word. The tools to
him who can use them — that is our motto. Or,
as Ferrero says, 'Let him who can do a thing
well step forward to do it, and no one will
question where he learnt it : such is the university
degree required of an American engineer, law-
yer, clerk, or employee.'"
There is somewhere always, in every peo-
ple, continues Mr. Ivins, a moral unity; but,
like the spiritual center of gravity, this moral
unity of our new race is also difficult to find.
It often seems, as he confesses, that "for
all our lower wants and interests the whole
people are in unison, dominated by a devour-
ing spirit of commercialism"; but he finds, in
connection with our higher wants, a baffling
conflict of motives. He adds:
"And one thing which I believe I discover
with great precision is that as a nation we are
too far away from the spiritual, too near the
physical and the sensual. We are suffering from
the contagion of luxury. It was one of the
causes of both Greek and Roman decline ; yet the
luxury of Rome was sordid want compared with
the luxury of our American cities. We are cer-
tainly not a religious people, in the old sense
of the word, — minding authority, careful of tra-
dition; but if religion mean for others what it
means for me, — if it mean the quest of the
eternal, if it mean the hunger for the knowledge
of the infinite, then, in that sense, I do not
hesitate to say that our people are not irreligious,
even if it be a fact that the nation is not spirit-
ually potent enough to raise up a Francis of
Assisi, a Savonarola, a Milton, a Pascal or a
Newman. It did beget its Emerson, its Parker,
its Channing, its Hecker, its Lowell, and its
Phillips Brooks, but who have taken their
places? Mind you, I do not mean for a minute
to say that we are incapable of begetting such
men, but that I do not detect them now, although
it is part of my creed that the need begets the
man, and that somewhere, 'in shady leaves of
destiny,' our redeemers are growing to full-stat-
ured manhood, and will declare themselves with
the coming of the hour of our necessity."
Returning to the main argument, Mr. Ivins
lays it down as a historical fact that with every
people in the world before ourselves there has
always been something that has been sacred,
and states his conviction that there must, if
a people is to endure, always be some one
thing which is sacred to the national con-
science. What is it that is sacred to us? he
asks. The law? "We are probably more dis-
regardful of law than any other people in the
world." The church ? "There is no church in
the political sense." Property? "Possibly."
But Mr. Ivins thinks that on the whole
"what we hold most sacred is the ennobling
power of work," and that "deep down beneath
everything else our nation has a sovereign
and a saving ideal of righteousness."
THE MOST VITAL ELEMENT IN CHRISTIANITY
What is the essential element in Christian-
ity, the essential theoretical element which in-
spires its teachings on the ethical side? This
question has been raised hundreds of times
by Christian thinkers and theologians, but
has seldom received a more notable answer
than that given by Sir Oliver Lodge, the emi-
nent English scientist, in the latest issue of
The Hibbert Journal (London). He says
that he has tried to discover the element which
Christianity possesses in excess above other
religions — ^the "vital element which has en-
abled it to survive all the struggles for ex-
*"^ce, and to dominate the most civilized peo-
Tie b
>**flje world"; and he adds: "I believe
^'vas^vcssential element in Christianity
'^«'/t/iea)f a human God; of a God,
••*hert «ipart from the universe,
not outside it and distinct from it, but imma-
nent in it; yet not immanent only, but actually
incarnate, incarnate in it and revealed in the
Incarnation." To quote further:
"This perception of a human God, or of a
God in the form of humanity, is a perception
which welds together Christianity and Pantheism
and Paganism and Philosophy. It has been seized
and travestied by Comtists, whose God is rather
limited to the human aspect instead of being only
revealed through it. It has been preached by
some Unitarians, though reverently denied by
others and by Jews, who have felt that God could
not be incarnate in man: 'This be far from thee.
Lord.' It has been recognized and even exag-
gerated by Catholics, who have almost lost the
humanity in the Divinity, though they tend to
restore the balance by practical worship of the
Mother and of canonical saints. But whatever
its unconscious treatment by the sects may have
been, this idea — ^the humanity of God or the Di-
RELIGION AND ETHICS
643
vinity of man — I conceive to be the truth which
constituted the chief secret and inspiration of
Jesus: *I and the Father are one.' *My Father
worketh hitherto, and I work.' The Son
of Man,' and equally The Son of God/
'Before Abraham was I am.' 'I am in the
Father and the Father in me.' And though
admittedly 'My Father is greater than I,' yet *he
that hath seen me hath seen the Father*; and 'he
that believeth on me hath everlasting life.*"
According to Sir Oliver Lodge's view, the
real meaning and significance of this concep-
tion of Godhead needs to be re-stated. It
has been felt to rest upon miracles and por-
tents— Christ's miraculous birth and porten-
tous death and the ascent of his body into
Heaven; but Sir Oliver says: "I suggest that
such an attempt at exceptional glorification of
his body is a pious heresy — a heresy which
misses the truth lying open to our eyes. His
humanity is to be recognized as real and or-
dinary and thorough and complete: not in
middle-life alone, but at birth and at death,
and after death. Whatever happened to him
may happen to any one of us, provided we at-
tain the appropriate altitude, an altitude which,
whether within our individual reach or not,
is assuredly within reach of humanity." Above
all, this conception of Godhead impresses the
fact that the Christian deity is not a being
outside the universe, above its struggles and
advances, but one who "enters into the storm
and conflict, and is subject to conditions as
the Soul of it all." To quote again :
"Consider what is involved in the astounding
idea of evolution and progress as applied to the
whole universe. Either it is a fact or it is a
dream. H it be a fact, what an illuminating fact
it is! God is one; the universe is an aspect and
a revelation of God. The universe is struggling
upward to a perfection not yet attained. I see
in the mighty process of evolution an eternal
struggle towards more and more self-perception,
and fuller and more all-embracing Existence —
not only on the part of what is customarily
spoken of as Creation-^but in so far as Nature is
an aspect and revelation of God, and in so far
as Time has any ultimate meaning or significance,
we must dare to extend the thought of growth
and progress and development even up to the
height of all that we can realise of the Supernal
Being. In some parts of the universe perhaps
already the ideal conception has been attained;
and the region of such attainment— the full blaze
of self-conscious Deity — is too bright for mortal
eyes, is utterly beyond our highest thoughts; but
in part the attainment is as yet very imperfect;
in what we know as the material part, which is
our present home, it is nascent, or only just be-
ginning; and our own struggles and efforts and
disappointments and aspirations — ^the felt groan-
ing and travailing of Creation — ^these are evi-
dence of the effort, indeed they themselves are
part of the effort, towards fuller and completer
and more conscious existence. On this planet
man is the highest outcome of the process so far,
and is therefore the highest representation of
Deity that here exists. Terribly imperfect as
yet, because so recently evolved, he is neverthe-
less a being which has at length attained to con-
sciousness and free-will, a being unable to be
coerced by the whole force of the universe,
against his will; a spark of the Divine Spirit,
therefore, never more to be quenched. Open still
to awful horrors, to agonies of remorse, but to
floods of joy also, he persists, and his destiny is
largely in his own hands; he may proceed up or
down, he may advance towards a magnificent as-
cendancy, he may recede towards depths of in-
famy. He is not coerced; he is guided and in-
fluenced, but he is free to choose. The evil and
the good are necessary correlatives; freedom to
choose the one involves freedom to choose the
other."
The idea of a God that could share all the
struggle and travail of humanity, that could
sympathize, that had felt the extremity of
human anguish and the agony of bereavement,
had submitted even to the brutal, hopeless
torture of the innocent, and had become ac-
quainted with the pangs of death — ^this, says
Sir Oliver Lodge, has been "the chief conso-
lation of the Christian religion." He con-
tinues: "This is the extraordinary conception
of Godhead to which we have thus far risen.
This is my beloved Son.* The Christian God
is revealed as the incarnate spirit of humanity,
or rather the incarnate spirit of humanity is
recognized as a real intrinsic part of God.
The Kingdom of Heaven is within you': —
surely one of the most inspired utterances of
antiquity." He concludes:
"Infinitely patient the Universe has been while
man has groped his way to this truth; so simple
and consoling in one of its aspects, so incon-
ceivable and incredible in another. Dimly and
partially it has been seen by all the prophets, and
doubtless by many of the pagan saints. Dimly
and partialljT we see it now; but in the life-blood
of Christianity this is the most vital element It
is not likely to be the attribute of any one re-
ligion alone, it may be the essence of truth in all
terrestrial religions, but it is conspicuously Chris-
tian. Its boldest statement was when a child was
placed in the midst and was regarded as a symbol
of the Deity; but it was foreshadowed even in
the early conceptions of Olyinpus, whose gods
and goddesses were affected with the passions of
men; it is the root fact underlying the super-
stitions of idolatry and all varieties of anthro-
pomorphism. Thou shalt have none other gods
but me': and with dim eyes and dull ears and
misunderstanding hearts men have sought
obey the commandment, seeking after Q^'
haply they might find Him; while a^'-^, '
their God was very nigh unto tV'by the
midst and of their fellowship. A-er of this
their struggles, rejoicing ir . known."
evoking even in their o^ -^^^ ^^^^ Known,
and broken image o'
644
CURRENT LITERATURE
NEW REVELATIONS OF NEITZSCHE
The unflagging interest in Nietzsche and
his work on the other side of the Atlantic is
exhibited, as we have pointed out before, most
strikingly in recent Continental literature — ^in
novels, plays and poetry, as well as in religious
and philosophical writing. Two important
articles by his intimate friends. Prof. Julius
Kaftan and Prof. Frank Overbeck, have lately
appeared in German magazines, the first in
the Deutsche Rundschau, the second in the
Neue Rundschau.
It is significant that both of these writers,
though religious men and out of sympathy with
Nietzsche's extreme position, unite in paying
tribute to his extraordinary power and bril-
liancy as a thinker.
In the seven years immediately preceding
his illness, says Professor Kaftan, Nietzsche
constantly planned to write a work which
should set forth his ideas as a coherent, com-
prehensive and systematic whole. The book
was to serve as a parallel to 'Zarathustra.' All
that in the latter had been proclaimed under
a poetical guise, Nietzsche desired to arrange
in strictly logical form as his philosophical
teaching. The failure to understand his 'Zar-
athustra' made him the more eager to accom-
plish this task. But he was not destined to
complete his plans. Before he even began to
put his material into shape, the malady de-
clared itself, forever putting an end to his
mental activities. Some notes, however, have
been published posthumously and furnish us
with a groundwork of his beliefs, which are
thus summarized by Professor Kaftan:
Nietzsche's fundamental quarrel is with those
who deny, misconceive and abuse the "real world" '
in which we live, and who set up in its place a
"true world" of their own imagination. Not
merely the pessimists are to blame in this respect ;
most religious thinkers have fallen into the same
mistake. They all try to make man feel that he
is a Hinterweltler, a crawlinsr creature seeking
for something behind or beyond the world. Thus
it becomes an inborn trait with religious people
to regard the real world with an evil eye and in-
culcate a contempt for it. This is true of Bud-
dhism and Christianity more than of all the other
religions. Indeed, Nietzsche always looked at
Christianity through Schopenhauer's spectacles,
hence for him it belongs in the same category as
Buddhism, whereof it is only a less logical form.
*- \ges long, Religion, Ethics, and Philosophy
^"":uled men's feelings. Everywhere mankind
^\^' fif ted the world according to their stock
J -everywhere in Europe to-day their
''^^^pcpdermined and tottering, since
* . tt'*^"^ °^ ^® world's meaning
'-♦heic-^Ue. A stage of develop-
ment now faces us which will — ^nay, which must-
proceed irresistibly, since none can contradict
definitively Positive Science and its results. Pos-
itive Science confutes the interpretation of the
world according to the false valuation hitherto
given it, a valuation due to decadence and ex-
haustion. This interpretation tumbles -to pieces
and drags down in its ruins Religion, Ethics and
Philosophy. Art, also, in so far as it is tainted
with this malady (Wagner's music first and fore-
most) cannot avoid the same fate. There is
nothing which the intellectual and historical world
can rescue from this state of corruption. Nihilism
with its universal sway is the only conceivable
end.
True philosophy, Nietzsche's philosophy, un-
derstands all this, explains its development and
accepts it. Its underlying truth and its strength
lie in the fact that it has thrown off all notions
of a "true world" as taught by Religion, Morality
and a decadent Philosophy. There is only the
real world which ever was and ever shall be.
This perception is the great and new achievement
of mankind.
But then, we ask almost involuntarily, what is
the goal, the end of the world? For with the
idea of anything in process of being we connect
that other — What is it to be? — ^and only in this
connection are we wont to attach any value or
meaning to an idea. We r^rd everything that
exists in the light of its origin, and conceive that
it must be a means to an end, the way to some
^al. But concerning the process of being, which
is manifested in the real world, we have no right
to raise such a question. Here it would be folly.
There is no wherefore and no end in view. This
any thinking man must see if he stops to reflect.
For were there a wherefore or an end in view, it
must have been reached long ere this. To sup-
pose a time when there was naught, i.e., nothing
in process of being, would be the barrenest of
propositions, an empty thought. The real world
was always, and always was in process of being.
Had there been anything which was to develop
from it or be made out of it, surely it would have
appeared long since and the process of being
would have had its end. That is not, however,
the case; the processes of development go on
forever. Consequently there is no wherefore and
no goal, — what we have is the real world, always
in process of being, a development forever lasting.
But what, then, is the real world, so highly to
be prized, so deeply to be cherished? How are
we to regard it, we men of intelligence and free
souls? The answer comes: "Energy!" This ques-
tion can only be replied to figuratively, and ac-
cordingly we call it a Sea of Energy! This fig-
ure indeed is one grown familiar to us who have
wandered with Zarathustra along the Mediter-
ranean strands; the Sea with its restless waves
rising and sinking, the Sea in storm and in sun-
shine, now lying so still before us like a snake
with its shimmering scales, now rearing and rag-
ing in monstrous sport with its powers, as though
it were a pack of gigantic lions. That is an im-
age of tlie real world— a Sea of Energy.
Energy is the being, the substance, of the real
world ; the "will to do" is the countersign which
RELIGION AND ETHICS
^\ 645
admits us to a comprehension of mortal things
and their evolution.
Man's life is but a short minute in the course
of a long day, and, when we think of that moment,
what signifies it in comparison with the endless-
ness of billowing energies? Nevertheless it is a
link in the Ring of Rings, was ever such, and ever
will be again. In fine, all Zarathustra's passionate
zeal is centered on how best he may order every
second in that minute so to bring about an appre-
ciation of the real world in mankind, and give
that thought its true value."
Professor Overbeck's article is in large part
devoted to personal details connected with
the man "whose intimacy had, more than all
else, filled his [Overbeck's] life"; and he fur-
nishes the first authentic account of Nietzsche's
mental disintegration and final insanity. He
vrrites, in part:
"As to his genius, in the highest sense of the
word, Nietzsche himself never believed in it, or
rather he never believed in himself. . . . His
end does not at all, — as his opponents would like
to have us think, — furnish argument against his
possession of genius, though perhaps it may ac-
count for the limitations of his gifts. One thing
aboul these gifts seems to me most tragic, their
one-sidedness. Nietzsche had genius, but it lay in
his talents as a critic. All these critical gifts of his
genius, however, he turned in the most danger-
ous direction, that is, against himself, after a
fashion positively lethal.
"His madness, which no one had any such op-
portunity to watch from its inception as I had,
was, according to my first and lasting impression,
a catastrophe which struck him with lightning-
like suddenness. It took place between Christ-
mas, 1888^ and Epiphany, 1889. Previously to
that, though in a state of nervous exaltation, if you
will, he was certainly not crazy."
Still Overbeck confesses that as far back
as 1 881 Nietzsche had shown peculiarities
which would probably have convinced an ex-
perienced observer that he was "a destined
candidate for the insane asylum." His mad-
ness, however, his friend contends, had no
effect on his written works until the fall of
1888. Professor Overbeck insists most em-
phatically on this point in opposition to such
as have found traces of "mad eccentricity" in
all Nietzsche's works.
After relating certain incidents to prove that
Nietzsche Was no Superman, especially in his
infrequent dealings with women, his friend
hastens to add "that none can question the
genuineness of his manhood. Whatsoever he
may have seemed, he was no actor; though
oftentimes seemingly affected, he really liv^d
the role he was representing. . . . Though
perhaps not in everything, yet in very many of
his habits of living, and especially in what we
^all every-day ways, Nietzsche was one of the
most steady and regular men I have ever
known. . . . Although an 'immoralist' he
was to an unusual and surprising degree 'a
model man.' . . . He himself considered
that his strongest attitude was his self mas-
tery. It is true that at times he showed no
more of this quality than most men, and yet,
taking his life as a whole, he did possess it to
an extraordinary degree."
Of Nietzsche's optimism, this critic declares
it is that of a desperado, fighting with bound-
less fantasy again^ "the unbounded despair^'
of Schopenhauer and his school. "The new
civilization, with its 'Supermen' which he in-
culcated, is simply another sign of despera-
tion; a fact proven not least conclusively by
Nietzsche's attempt to identify himself with
his Uebermensch and the practical outcome
thereof, as exemplified in his life. With it
all he advanced to precisely the same point
as our modem theological apologists for Chris-
tianity, namely to the point where he saw
that the proof of their theories can only be
looked for from the future, as no man can
furnish that evidence so long as he is still
on earth." "Lyrical philosophy" would be
the most fitting term to describe Nietzsche's
teachings, says this critic.
Dr. Overbeck's exposition of his friend's
attitude toward Christianity is doubly inter-
esting, coming from a university Professor
of Theology. Nietzsche's aphorism: "Never
in all the hours of my life have I been a Chris-
tian ; I have regarded everything which I have
found styled Christianity as a despicable
equivocation in terms, a piece of actual cow-
ardice before all powers to whom otherwise
the right to rule belongs," is regarded by Over-
beck. as an exaggeration, though he does not
question its sincerity. His criticism of theol-
ogy as a "parasite" meets with Overbeck's
fullest approval on historical grounds, though
for religion as a faculty of mankind he con-
tends that Nietzsche had no comprehension
whatever. He quotes, however, with unction
and evident approval a saying of Dr. Kaftan,
that "a course in Nietzsche would be one of
the best of introductions to the study of the-
ology."
Nietzsche has been regarded as a solitary
spirit; but Overbeck says that more than any
other man he ever knew, Nietzsche was in-
clined to heartiest friendships. As for^'f^
own relations with his friend, this big!<&y\he
is specific in his statement, as bo'li^Ycr of this
sequel, that he was ever tljg^d ever known,"
"the most remarkable mjr' '
646
CURRENT LITERATURE
BABYLONIAN INFLUENCE IN THE NEW TESTAMENT
The emphasis upon "Babylonism" in the
radical religious thought of the day, and the
many efforts of German theologians to show
that the religious ideas of the Babylonians are
repeated in the teachings of the Scriptures,
have been hitherto confined, in the main, to
the Old Testament. During recent months,
however, the New Testament has also been in-
vestigated for the purpose of discovering
traces of this type of thought, and in a new
work by Pastor Paul Fiebig, entitled "Babel
and the New Testament" (published in Leip-
sic), an attempt has been made to present in
systematic form the results of this investiga-
tion. The author bases his conclusions
largely on two leading works on this subject,
one, Gunker& "New Testament Interpreted
from the Standpoint of the History of Re-
ligion," representing radical thought, and the
other, Jeremias' "Babylonian Elements in the
New Testament," representing the conserva-
tive standpoint His own conclusions, how-
ever, seem very far from conservative. Noth-
ing more sweepingly inimical to orthodox
conceptions of the Bible has heretofore come
even from Germany.
As Pastor Fiebig points out, Hugo Winck-
ler, of the University of Berlin, was the first
to demonstrate that the entire Oriental world,
in ancient times, accepted practically a
single type of religious ideas — ^namely, the
astrological and mythological religion of
Babylon. The chief feature of this religion
was its emphasis upon the courses of the sun,
moon and stars in their influence upon the
life of nations and of individuals. Very nat-
urally this cast of thought, he holds, left its
traces on the contents of the New Testament,
and Pastor Fiebig cites a number of events in
the life of Jesus which he thinks show Baby-
lonian influence:
First among these events is the miraculous birth
of Jesus from a virgin. In this connection it
should be remembered that Demeter^ the mother
of Dionysus, is called a "sacred virgin." Isis,
the mother of Horus, is also assigned this role.
Sargon, Gudea, Assumasipal, Asurbanipal, and
other Assyrian and Babylonian kings, claim to
^ have been bom of virgin mothers, naming the
./i^g^oddess Istar as their mother. This is the reason
of th^'^^^vnfi^PPears on the eastern point of the
oi the ^'^^^SStL^nT"^**^" °^ ^^ ^*^^^ ^^ Jesus
horizon. ^"^^^*>Ji of December is certainly
with^the t^^^^^;^;;^^ fact. It is interesting
to compare, also, the twelfth chapter of Revela-
tion, where the presence of a mass of kindred
mythological data can be clearly traced, and are
transferred to the person of Jesus.
. Another event that exhibits Babylonian influ-
ences is the massacre of the children after the
birth of Jesus. The story of the wise men plainly
points to Babylon, and, occurring at the opening
of the New Testament, is a clear indication that
Babylonian elements must necessarly be found in
the New Testament. The Christmas narrative
has remarkable parallels in Babylonian literature,
as has also the promise of an abundance of bless-
ings in connection with the coming of the "Re-
deemer King."
The mocfing of Christ before his death is a
third event that has special significance. A par-
allel to this is to be found in a peculiar rite of
the Persian Saccian festival, during which the
God of that year, in the semblance of a slave, is
mocked at. The two thieves on the cross also
have their counterparts in the two high court
officials who constantly deride the King of the
Year. The healing miracles of Jesus can be par-
alleled to a phenomenal extent in Babylonian lit-
erature, more particularly in the accounts of Mar-
duk, the Sun-God of the Babylonians.
Still another event, the resurrection of Jesus
after three days, recalls the great resurrection
festival of the Babylonians in Nisan, which was
celebrated at the same time as the death of Jesus.
In solemn processions and with holy rites the
resurrection of Marduk was celebrated at the
beginning of spring. Hymns, ritual services,
liturgies, prayers, etc., used in connection
with this celebration still exist, but have only
been translated in part The period of three days,
the resurrection of Jesus, the celebration of the
"Lord's Day," the eclipse of the sun at the death
of Jesus, the appearance of the angels, and other
circumstances in connection with the crucifixion,
are akin to features of the Babylonian religion.
In conclusion, the author maintains that
Satan, the wicked demon, the "seven evil
spirits," Jesus' description of himself as "the
Son of Man," can all be traced to Babylon.
The apocalyptic literature of the Jews, says
Pastor Fiebig, as developed in the Apocalypse
of John, is simply filled with Babylonian ele-
ments. The thoughts and teachings of Jesus,
it is true, are infinitely exalted above those of
the apocalyptic writings; but it is neverthe-
less clear that even in Christ's own conscious-
ness, as is seen by his use of the name "Son
of Man," Babylonian thought can be traced.
Babylon has accordingly exerted a great in-
fluence not on the Old Testament alone, but
upon the entire Bible.
From a conservative point of view the
whole subject of "Babylonism," both in its
relations to the Old and the New Testament,
has been handled in articles appearing in the '
RELIGION AND ETHICS
647
leading apologetical journal of Germany, the
Beweis des Glaubens and its literary supple-
ment, Theologischer Literaiurbericht. These
articles substantially agree in recognizing an
external agreement between certain biblical
and extra-biblical teachings, but hold that the
mistake of modern ''Babylonism" consists in
making external agreement equivalent to cause
and effect. They particularly score the "super-
ficial judgment" which sees in the deification
of great heroes by the Greeks and Romans a
prototype, or even a source, of the New Testa-
ment doctrine of the divinity of Christ.
In other conservative journals, such as the
Theologisckes Literaturblatt of Leipsic, still
further reasons are given for very cautious
acceptance of these conclusions. Especially is
it urged that not one iota of evidence has
been produced to show that the biblical teach-
ings are or ever were actually dependent upon
these extra-biblical legends. Even if the
stories are externally alike — ^which they are
only in minor particulars — ^there is no evi-
dence to show that the one had any influence
on the genesis or development of the other.
As in nearly all ultra-critical hypotheses, say
the conservative writers, there may be and
probably is a small grain of truth present
The exaggeration and abuse of this constitute
the stock in trade of the radicals; but only
time and further research will show what this
kernel of truth is.
THE ALIENATION OF WORKING MEN FROM THE CHURCH
• One of the gravest problems that Christians
have to face, says the New York Churchman,
is that involved in the alienation of artisans
and laborers from the church. This problem
is especially to the fore in England just now
on account of the startling success of the Labor
party in the last parliamentary elections. It
is a well-known fact that many of the English
trade-unionists and Socialists are avowed free-
thinkers. The intellectual leader of this group
is Robert Blatchford, editor, of the London
Clarion, a trenchant writer who wields great
influence among English working men. Some
two or three years ago he launched an aggres-
sively anti-Christian campaign in his paper,
which brought storms of protest about his
head and evoked hundreds of replies from
clergymen. One of the members of his own
staff, Mr. George Haw, withdrew from the
paper as a result of the . crusade, and, after
being allowed generous space in The Clarion
to present the Christian side of the argument,
as stated by G. K. Chesterton, G. W. E, Rus-
sell, and ethers, published a number of the
articles in book form under the title, "The
Religious Doubts of Democracy."
Mr. Haw has now published a second book,
"Christianity and the Working Gasses,"* which
IS attracting wide attention on both sides of the
Atlantic. In it he collects the views of eleven
writers, all of whom may be said to have spe-
cial knowledge of the subject treated. Some
of the contributors, such as Dean Kitchin and
•Christianity and the Working Classes. Edited
bj G^or^ Hfiw. The Macmillfin Company.
Canon Barnett, represent the Anglican Church.
Others, like Will Crooks and George Lansbury,
speak for the labor movement. Mr. Haw, at the
beginning of the book, endeavors to formulate
the working man's indictment of the church.
He has received letters from working men
throughout England, and claims to be thor-
oughly familiar with their point of view. One
of them wrote him : "As moral guides, clergy-
men of all denominations are not better than
ordinary mortals. We find them supporting
wars of aggression, opposing measures of jus-
tice, harsh as rulers and magistrates." An-
other says : "The religion of Christ, depending
as it does upon the experience and intuitions of
the unselfish enthusiasms, cannot possibly be
accepted or understood generally by a world
which tolerates a social system based upon frat-
ricidal struggle as the condition of existence."
A third declares: "The duty of ordering our-
selves lowly and reverently to all our betters,
to obey pastors and masters, to be content in
that state of life into which it shall please God
to call us, coming from the people interested
in keeping such a state of things going, is open
to misconstruction." A fourth charges that
"the churches each year tend to become more
and more mere machinery for the Sunday rec-
reation of the well-fed and the well-dresser*/^"
Turning from the rank and file of the, {j^g^u.
ing class to its leaders, we find Ke^^^'earth.
the veteran Socialist leader, exist face, and as
self as follows in an open Wd actively or pas-
«„Ki:o»,^^ :« ^ ,.-»^-»«f ive must face them from
puDlisnea m a recent - , „^,j:^* ^^,^^a
V , ,T J \ '«=w, and our verdict regara-
Leader (London) •
648
CURRENT LITERATURE
terbury, writing the other day, said he had to
devote seventeen hours a day to his work, and
had no time left in which to form opinions on
how to solve the unemployed question. The
religion which demands seventeen hours a day
for organization, and leaves no time for a
single thought about starving and despairing
men, women and children, has no message for
this age."
Mr. Haw finds significance ia Ms view, as
in the statements of the two other labor lead-
ers previously mentioned. Mr. Crooks, now
member of Parliament from Woolwich, makes
the following remarks:
"If I wanted some kind, neighborly action
done, the last person to come into my mind would
be the regular attendant at church.**
"Where I sec Christ's teaching reserved for a
specially favored few, it suggests that the
churches fear to increase their congregations too
much, lest heaven be not large enough to hold
them all, with common people crowding in."
"Many parsons cannot approach the poor with-
out a sense of loftiness and a show of patronage
which working men and women hate."
"When work-people go to diurch they see the
pulpit a long way from the congregation. Like
the preaching, it is much above the people's
heads."
"I think if the churches would try, say once or
twice a week for a while, to run a service where
it was understood everyone could go without
Sunday clothes, then those who have only the
clothes they stand upright in would not be
ashamed to attend, as they often are now."
Mr. Lansbury, a Social-Democratic spokes-
man and a parliamentary candidate at the last
election, declares that "what workmen want to
see is some attempt at putting Christianity into
business." He continues:
*^I look on the Church of England as being
legally and morally the birthright of the people ;
its money, its buildings, its services have all been
left and devised to the people as a wiiole, not
for any section. However much it may be
wrapped up in formulas and ceremonies, its
teaching, if it has any foundation at all, is to be
found in the Gospels. These teach not that riches
are the most important thiuR, but that the life
spent in the service of our fellows is the thing
wft should all strive to attain to. What would
England be like if each one of us was consider-
ing his neighbor? What would our slums be if
each regarded his fellow as his brother-man?
"I often ask workingmen not to judge Chris-
tianity by its modern forms, but to judge it for
i^^.^yhat it really is. If it stands, as I hold it does,
^•^ruibv*^^ bettering of men and women, then those
""* fv'eUS^o think so must stand together, and in
V\ g^opposition must make our church once
^-vas* o.,^j;;.|ch of the people, where we may
''•*''/i/ifc*;ong^^ether for conunon prayer and
'•^heit-j^ig^^' j?o back to the spirit of
^^-v^ book. The Church
me
Times (London), a prominent Anglican paper,
says: "It is the fact, the visible, urgent, unde-
niable fact, that the working classes of this
country as a whole are separated from the prac-
tice of the Christian rdigion." The London
Guardian, another influential Anglican organ,
also admits that "there is a separation some-
where between organized Christianity and
the sympathies of workingmen." It adds,
' 'The remedy, Mr. Haw and his collaborators
would doubtless tell us, lies in the appeal of the
church to the leading spirits among the working
men, the minds that mould the tone and temper of
working-class opinion. Such an appeal, we be-
lieve, is being made, and not ineffectively; but a
great drift of feeling— of prejudice, if we will-
such as has caused the present aloofness of work-
ing men from the church, is slow to change its
course. The change will come, however slowly,
when the message that reaches the artisan is
charged with the absolute conviction that will
forbid any unworthy truckling to methods such
as are supposed to attract a certain sort of work-
ing-class mind, which will take care that the serv-
ices of the church are conducted with that in-^
tent, reality, and seriousness which convey a
sense of the Presence of God, which will seek to
make the Gospel that is preached in the pulpit
the standard also of the business, the pleasure,
and the aims of life."
The able secular weekly, the London Spec-
tator, takes an optimistic view of the situation :
"To our mind, the general impression left by
this exceedingly interesting and informing book
is a cheerful one. The church is evidently suffer-
ing for the sins of the past, — for the days when
it was said with some truth that she used her
authority to 'restrain the vices of the poor and
protect the property of the rich.' Surely no un-
prejudiced observer can deny that those days are
over. The uneducated have long memories and
slow perceptions, but they are not intentionally
unfair and the church must get justice in the end.
Meanwhile, in this country the religious cause is
not irreparably damaged by the unpopularity of
the churches. Protestant Christianihr is founded
on the Scriptures. The fourfold biography of
Christ is in the hands of the people, and the down-
fall of all the churches would not involve their
ideal. In this divine ideal lies the power of res-
urrection, and signs are not wanting of a revival
of faith. ^ Each age emphasises a hew side of
Christianity, and it is the practical and ethical
side which is making appeal to the new genera-
tion."
The American religious press is devoting
considerable space to Mr. Haw's book. "The
causes of the alienation [of the workers],"
observes the New York Churchman, "are much
the same in England as in America. The rem-
edy is the same everywhere — a return to Chris-
tian fellowship, to a more faithful following
of our Lord." The Boston Congregationalist,
however, thinks there is "too much talk about
RELIGION AND ETHICS
649
the church's relation to the labor problem."
It comments further:
"The supreme mission of the church is not
to aid any one class in society to gain advantages
over another class, nor can it assume that one
class is more fairly represented than another in
the kingdom of God. The church approaches all
men in the spirit of Christ to persuade them to
receive and cultivate that spirit, and if they feel
that they cannot do this in association with mem-
bers of any particular church, it is willing that
they should unite in any fellowship which cher-
ishes that spirit.
"Christian truth and life are suffering loss to-
day from too much talk about the church's rela-
tion to the labor problem, as though Christianity
had a peculiar mission to those who labor without
liaving their money employed in the work they
are doing. PhiUips Brooks expressed an im-
portant truth when, repl3ring to an invitation to
preach to working men, he wrote : 'I like working
men very much and care for their good, but I
have nothing distinct or separate to say to them
about religion; nor do I see how it will do any
good to treat them as a separate class in this mat-
ter in which their needs and duties are just like
other men's.' "
Zion's Herald, the Boston Methodist paper,
also argues that labor problems and social ques-
tions should be tabooed by the church as an
organization. It concludes an editorial:
"Our ssrmpathies are with the working class,
the common people. We believe they have not
yet got .the square deal, the fair treatment, to
which they are entitled — ^have not yet secured the
full measure of their rights. We wish them well
in their efforts to better their condition. But let
them not put upon the church, or anybody else,
that part of the blame which belongs to them-
selves. Let them not alienate their true friends
by excesses and unjust demands. Let them not
think that changed laws or better institutions will
radically alter human nature or do away with the
necessity of a changed heart. Let them give
more attention to their own lives than to com-
plaining about the lives of others."
PROVIDENCE AND THE SAN FRANCISCO DISASTER
Voltaire's faith in God was shaken by an
earthquake, and before and since his day there
have not been wanting those who look upon
great calamities as "acts of God." In connec-
tion with the recent California disaster, this
attitude has found new expression. So well-
known a man as the Rev. Dr. R. A. Torrey,
the evangelist, has not hesitated to affirm his
conviction that "the Lord has taken a solemn
way of speaking" to the inhabitants of "one of
the wickedest cities in this country." A clergy-
man in Asbury Park is also of the opinion that
"the city would not have been destroyed if it
had been a Christian city. ... No Chris-
tian city ever was destroyed."
The old-established Presbyterian paper, the
New York Observer, thinks it "not impossible"
that the earthquake "may have been in some
sense a visitation of divine judgment." In
much stronger language. The New World
(Roman Catholic) of Chicago comments:
"God rules in the storm, the volcanic eruption,
the tidal wave, and the earthquake. He is the
Lord and Master of nature and its laws, as well
as of the supernatural sphere. But the pygmy
ministers of Chicago in their vapid, and to some
extent blasphemous, utterances last Sunday morn-
ing on the San Francisco cataclysm attempted to
dethrone God in His own universe. Not even
Tyndall, sitting with crossed legs on the summit
of the Alpine Matterhorn, contemplated nature's
independence of divine control to a more extrav-
agant degree than our Chicago Protestant di-
vines. One fellow argued from the Book of
Job that God does not punish sin by temporal
afflictions. . . . But when we remember that
only a few years ago on Good Friday night of
all the nights of the year many of the wealthy
citizens of San Francisco assembled together
with lewd women in one of the most luxurious
mansions of the city and carried their hellish or-
gies so far that they kicked the globes off the chan-
deliers, we shall be inclined at least to abstain
from asserting that subterranean gases, 'faults,'
and other seismic agencies were the principal
and only cause of nature's convulsions."
These views, however, attract attention by
their infrequency. They are not shared by
the majority of religious papers. "The real
culture of the age," observes The Universalist
Leader (Boston), "forbids that we should
longer hold God accountable for these disas-
ters as his judgments upon us for our sins."
The same paper comments further:
"Yet it remains for us to face the fact that
there are forces of nature which come into ac-
tion, whose time we can not calculate, for which
we can not prepare and may not defy. The
earthquake grasps the most sublime achiev^ent
of man and crushes it to atoms. Fire with a
single lap of tongue erases the most enduring
monument. The volcano rains death and destruc-
tion upon the proud city. The cyclone toys with
the massive structure, and floods sweep the hu-
man ant-hills from the surface of the earth.
"These are facts which we must face, and as
we may not merely hold God actively or pas-
sively accountable to us, we must face them from
our own point of view, and our verdict regard-
6so
CURRENT LITERATURE
Conrtety ot The Church Standard (Pbilade'pbia;
BISHOP OF A DISTURBED DIOCESE
Bishop W. D. Walker, of the Diocese of Western New
York, as Dr. Crapsey'ti ecclesiastical superior, wrote to
him just previously to the trial: "It is a stupendous re>
sponsibility that you have assumed in disturbine the
peace of God's Church and In teaching as truth what is
contrary to its doctrine."
ing them will finally be determined just accord-
ing as our standards are commercial or religious,
and our measurements those of time or of eter-
nity.
"If the chief object of our lives is to build our
block houses, and to build bigger and bigger
houses every year, and to fight each other to try
to get more houses than some other fellow, and
to count ourselves successful when we have a
hundred houses when we can not, by any possi-
bility, live in more than one of them, then when
something knocks down a few of our houses the
disaster seems very serious. Or if success means
a nine-course dinner and throwing away more
food than we use, and we are brought down to
just enough to nourish us for a few days, then
no smaller word than calamity will cover our
condition. But if we have cultivated that nature
in which the life is more than meat, and the body
than raiment, then arc we possessed of a differ-
ent standard of values, and will get a different
result.
"And further, if our life is limited to three
score years and ten, and we lose out of it the
three score, or two score, or one score, or even
the ten years, the disaster is appalling, but when
the life measures up to eternity we discover that
we can substract several scores of years without
its being perceptibly diminished.
"It therefore appears that religion, whose chief
message is that of life and immortality, has some-
thing very vital to say in the presence of these
incidents of the world's development."
Most of the other religious papers emphasize
the moral gains resulting from the calamity.
The New .York Examiner (Baptist) rejoices
greatly at "the splendid demonstration of fra-
ternal kindness" which the disaster evoked;
and the Chicago Interior (Presbyterian) com-
ments :
"Such calamities as those which have befallen
our cities upon the Pacific Coast bring out in a
Christian nation the nobler elements of character.
Conscience speaks, and synipathy, and the hand
which may have been delicately gloved before
is bared for self-sacrificial toil This great sor-
row will have its silver lining. God's voice will
be remembered after the earthquake and the fire
have passed into history. The wound, deadly as
it seems to-day, will be healed. The sun will
smile again. The Golden Gate will still stand
open to the traffic of the seas. More beautiful
churches will rise from the ashes of the past In
the end a better life, with perhaps less of pride
and more of love, will sprinsr up; and looking
back upon the horrors of this fateful week and
seeing all their sequels, the citizens of the new
San Francisco will remember not only the earth-
quake and the fire but the still, small voice that
followed them, putting into the heart of their
beautiful city by the sea a new sense of life's se-
riousness and a new joy in life's best hopes."
THE HERESY TRIAL IN THE TWENTIETH CENTURY
"The church will never rise to its opportu-
nity, never reveal itself to the world, never ex-
ress the spirit of its Master, until it places the
tfiii for heresy with the duel, the gage of battle
and the thumb-screw in the museums of the
past."
This positive utterance from the New York
Outlook, evoked in connection with the now
famous heresy trial of the Rev. Dr. Algernon
S. Crapsey, of Rochester, N. Y., quite evidently
represents the views of a growing number of
religious thinkers in this country. The New
York Churchman, the leading American organ
of the denomination to which Dr. Crapsey be-
longs, has consistently opposed his trial for
heresy. It said recently:
"We have never questioned the right of the
church to choose its own methods of procedure.
Our position has been and is that in proportion
as the church realizes its divine character and its
RELIGION AND ETHICS
6si
catholic mission in that proportion will it forsake
the methods of mere human institutions, and con-
form its practices to the divine method, in deal-
ing with those whom it has set apart and con-
secrated to serve at its altars. It should be slow
to invoke judicial madiinery to sever priestly re-
lations because of difficulties of faith; for these
it is the church's peculiar province to meet and
to remove. They are often in reality indications
of growth in faith and grace. Surely no one
should be hastily condemned who clings to Christ
and His church. Surelv the church, with its
Lord, will realize that offences must needs come,
and that woe will inevitably find those by whom
the offences come. Surely the church will not
be more quick than Qirist to force the coming
of the woe, but will rather give place for faith,
h(q>e and love.
"The church has endured and can endure
wolves in sheep's clothing, but it cannot afford to
act the wolfs part The church must be merci-
less to heresy, but it would betray its mission if it
were merciless to any human being, even to the
heretic. The church cannot undertake to uproot
false doctrine without first assuming responsibil-
ity for continuous and persistent development in
knowledge and an equally consistent growth in
grace. But once let a merciless attitude toward
heresy be transferred to the heretic, and then the
road to persecution and obscurantism is made
easy.
"Because we have believed that the procedure
in the Crapsey case would produce unhappy if
not unholy results, we have been constrained to
think that the authorities of the diocese of West-
em New York were wrong in refusing to abide
by the decision of their own Investigating Com-
mittee. In this attitude we find ourselves sus-
tained by churchmen and non-churchmen, not
only in America but abroad. It is already be-
coming clear that the authorities of Western New
York do not even represent that diocese, much
less the American church."
The Investigating Committee here referred
to was appointed last winter by Bishop Walker,
of the Diocese of Western New York. It was
called into being as a result of the expression
of radical views by Dr. Crapsey, both in the
pulpit and his book, "Religion and Politics."
These views can be briefly indicated by quo-
tation. Of the miraculous birth of Je?us he
said :
"In the U^ht of scientific research, the founder
of Christianity, Jesus, the son of Joseph, no longer
stands apart from the common destiny of man
in life and death, but he is in all things like as we
are, bom as we are born, dying as we die, and
both in life and death is in the keeping of that
same Divine Power, that Heavenly Fatherhood
which delivers us from the womb, and carries us
down to the grave.
"When we come to know Jesus in his historical
relations, we see that a miracle is not a help—
it is a hindrance to an intelligent comprehension
of his person, his character and his mission. We
are not alarmed, we are relieved, when scientific
history proves to us that the fact of his miracu-
lous birth was unknown to himself, unknown to
WILL HE RECANT?
Algernon S. Crapsey, D.D., rector of St, Andrew's
Church, Rochester, who invited a heresy trial by his
radical utterances, was suspended from the Protestant
Episcopal ministry, with the privilege of recanting and
averting the sentence within thirty days.
his mother, and unknown to the whole Christian
community of the first generation."
In another place he wrote of biblical miracles :
"Natural forces are now known to be unchange-
able in their nature and uniform in their opera-
tion. They know nothing' of man and care noth-
ing for his wishes; the only way he can profit by
them is by obeying them ; if he puts himself under
their guidance they will help him; if he gets in
their way, they will destroy him."
After a full examination of the evidence
against Dr. Crapsey, the Investigating Commit-
tee reported, by a vote of three to two, against
a heresy trial, but unanimously condemned
him as a man who "easily surrenders himself to
his intellectual vagaries, and advocates with re-
markable eloquence the thing which for the
time being appears to him to be true." This
report only added fuel to the controversy.
Bishop Walker, in a sermon in Rochester, de-
nounced Dr. Crapsey's attitude; and the two
Anglican weeklies published outside of New
York, The Living Church (Milwaukee) and
The Church Standard (Philadelphia), both de-
manded that further action be taken. As a
result of the agitation Dr. Crapsey was tried
for heresy at Batavia, N. Y., in April, before
an ecclesiastical court consisting of five of hia
6^32
.CURRENT LITERATURE
fellow clergymen in the Diocese of Western
New York, and was suspended from the Prot-
estant Episcopal ministry, by a vote of four
to one, with the privilege of recanting and
averting the sentence within thirty days.
The trial aroused national attention, and has
led to voluminous comment in both the re-
ligious and secular press. Not the least inter-
esting feature of the controversy has been the
active participation of prominent laymen.
Prof. Brander Matthews, of Columbia Univer-
sity, Robert Fulton Cutting, of New York,
and Robert Treat Paine, of Boston, are all
known to be in sympathy with Dr. Crapsey's
position. Edward M. Shepard, the distin-
guished New York lawyer, acted as counsel for
the accused Rochester clergyman, and said at
the trial that he spoke not merely as a lawyer,
but from his "own conscience and conviction."
George Foster Peabody, the noted philanthro-
pist, at his own expense, reprinted and cir-
culated throughout the country commendatory
comment of the religious press on Dr. Crap-
sey. And Seth Low, ex-Mayor of New York,
has written a long letter to The Churchman
on "the far-reaching importance of the Crap-
sey trial," in which he says:
"There are, and there always have been, two
different views of Christian truth. One type of
mind looks upon it as a diamond, revealed to the
world in its perfect form, once for all; a treasure
to be kept and valued, and that changjes not An-
other t}rpe of mind cannot even conceive of Chris-
tian truth in this fashion. It thinks of truth as a
seed, and because it does, it expects it to change
its form and to take on new characteristics con-
tinually. To men of this way of thinking, tlie
truth is a vital thing ; and its significance is large-
ly lost whenever it is thought of as crystallized.
If our church is to be really a church, and not a
sect, it must be large enough to hold men of both
of these types of mind; for, with an infinite vari-
ety of shadings, all men are divided into these
two classes.
"What, then, is the bearing of this proposition
upon the case at issue? In the judgment of the
writer, it means that there ought to be room
enough in the ministry of the church, as well ns
in its membership, for any one to whom the creed
is the historic form of making the confession that
St. Peter made: 'I believe that Thou art the
Christ, the Son of the Living God' ; whether such
an one accepts the creed literally, or interprets
, it spiritually. It is scarcely a generation since
every one who doubted the literal accuracy of the
first chapter of Genesis was looked at askance as
a heretic. Now, none but the ignorant so inter-
pret it ; and yet the chapter has not lost any of its
spiritual value. It is easy to understand that men.
who have looked upon a literal interpretation of
the creed as self-evidcntly the only right inter-
pretation should be shocked when good men pro-
fess to hold the creed, and say it unhesitatingly.
even when they do not accept it literally. And
yet it is probable that no one, to-day, holds every
one of the articles of the creed in the sense in
which it was held when first written. . . .
"I am far from assenting to all of Dr. Crap-
ses opinions, but I devoutly ho]^e that he will
be held to be entirely within his rights as a min-
ister of the Protestant Episcopal church in fol-
lowing his scholarship wherever it may lead him,
so long as the creed is to him the historic state-
ment of the belief of the church, full now, as al-
ways, of spiritual truth and significance."
The temerity of this eminent Anglican lay-
man has drawn letters of protest from two
bishops. "If I understand Mr. Low's argj-
mcnt correctly," says Bishop Mackay-Smith,
of Pennsylvania, in The Churchman, "it
amounts to a plea that ... a particular
clergyman may be held as within his rights in
* following his scholarship wherever it may lead
hifn, so long as the creed is to him the historic
statement ot the belief of the church.* It seems
to me that I have seldom read a vaguer phrase
than this latter one. No human being doubts
that the creed or creeds are the historic state-
ments of the belief of the church. The late
Robert G. Ingersoll would confess it, and so
also would men like Moncure D. Conway,
who, I suppose, believes in nobody but himself,
or Dr. Mxnot J. Savage, who apparently be-
lieves in nothing but ghosts. It would be an
edifying sight to see either of these gentlemen
instituted as rector of Trinity church, New
York, or Holy Trinity church, Philadelphia,
if the only criterion should be that they be-
lieved the creeds to be 'historic statements of
the belief of the church.' " Writing to The
Living Church in similar spirit, the Bishop of
Fond du Lac argues that Mr. Low's new and
wide interpretation of the function of the min-
istry can only lead to "Jesuitism" and "ecclesi-
astic grafting."
The bishops' attitude is reflected in the
comment of many religious papers. Zion's
Herald (Boston, Methodist) evidently feels
that in "so clear a case of rank heresy" as
Dr. Crapsey's, a trial was inevitable, and will,
on the whole, prove beneficial. The Boston
Congregationalist says:
"Even many liberally disposed ministers and lay-
men, constitutionally opposed to heresy trials, rec- ♦
ognize the peculiar difficulties of this case arising
• from Dr. Crapse/s frequent and bold disavowal
of what have been looked upon as fundamental
doctrines of the Episcopal Church. His position
amounts to a denial of all the supernatural ele-
ments in the Christian religion. Jesus, to his
mind, was born, lived and died as do other men,
though in life and death he was 'in the keeping
RELIGION AND ETHICS
6S3
of that same divine power, that
heavenly fatherhood, which de-
livers us from the womb and car-
ries us down to the grave.' How
far these conceptions are from the
statements of the Nicene and
Apostles' Creeds is evident at a
glance. Can the holder of such
views Sunday ofter Sunday le-
cite those sections of the creeds
which refer to Jesus Christ with-
out stultifying himself — ^this is the
question which, though Dr. Crap-
sey may have been able to an-
swer to his own satisfaction, he
has not yet met to the satisfac-
tion of many of his fellow-Epis-
copalians and of many outsiders
as well . . . Dr. Crapsey has
certainly gone to the utmost limit
of so-called spiritual interpreta-
tion. In his favor might be cited
his twenty years' valuable service
at Rochester and the fact that his
case has already once been passed
upon by a committee of his dio-
cese which refused to present him
for trial. Yet if the £pisa>pal
Church shall retain in its minis-
try many men of this type of
thought it will have soon to
Covteqr of TU LMm0 Ohurek ( M llwaokcc )
THE ECCLESIASTICAL COURT THAT TRIED DR. CRAPHKV
Reading from left to riyht : Rev. Meiuir«, John M. Oilbtrt, VTmnv\H\H.
A>ttnham. Ph.D., Wi ' ------ - -
Charles H. Boynton.
> Jo
Dttnham, Ph.D., Walter C, Robert! (President), O. Hherman HurrowM,
reconstruct its
creedal basis and greatly modify the character of
its ordination vows or else run the risk of los-
ing the respect of those who demand a reasonable
degree of faithful adherence to creeds on the
part of their signers."
The New York Independent, however, while
conceding that Dr. Crapsey has been preach-
ing doctrines plainly at variance with the
Protestant Episcopal creeds, holds that the
views he represents are "becoming more and
more prevalent," and that room will soon have
to be made for them in the church which now
condemns him. It continues:
"Meanwhile, those who are in advance of the
new definitions, those who originate theni, hare
to suffer for their prematureness. It was just
thirteen years ago that Professor Bnggs was sus-
pended from the Prcsb>'tcrian ministry; but no
one woald now suffer in that way ; and tt mar be
that Dr. Crapsey is making a safe road for tnose
who shall succeed him.
"It looks so. The Dean of Westminster ex-
plahis that these are not so »(nous lapses from the
faith that they need disturb us. The leading or-
gan of the Episcopal Church in this country d»-
recates the trial oi those who would hold by the
dntrcfa, and dcc!ar« that the decision of <k)C-
trinal differences should be >ft to the court of
reason. It is clear that an irvcreawng number of
those who belirre th fin selves Chnttiar^s are ehn>-
inaring the New Te^tin^eat xr:ra#:>« as a burden
to iasdL Btit if we are to z^/^frcach irtsd coocm-
sioo we beljere it wii: nrx tPt by tr.t process of
'spirtaalzzsi^' tr:z hy ir.^ irzr.t^ ir-o-r^ r>v?>^t?, zrA
Hiore mjOQai wij. o? i.'irr.-** r^ 'hit >jeryis, or
mjihi^ bare escer^sd ^g^J ^'^ the Sew Testa^
ment as well as the Old Testament history,
''But then what will become of Christianity?
Is its meaning also to be eviscerated? Ihat we
cannot believe; for the eiience, the core, the
heart of Christianity is not its phibsophy or doc-
trines, not its history, not even the biography of
its great Master, but that which makes diKiples,
worshipers and children of the Father, lovers of
God and knrers of man. To that extent we may
M>iritualiz€ by putting the spirit above the letter,
the life above the form."
The New York Evening Post also prescntt
arjgumenU to show that the day of the heresy
trial is passing. It says:
"As compared with the published uturances of
Heber Newton, Dr. Crapse/s statements do not
seem to be extreme, tb^/ugh they mark a distinct
advance in frankness from the day Bishop (>ray
'deposed' Bishop Colenso U/r attempting u> /^uei^'
tion the Pentateudi. Ihe words are muich mfjft
specific, too, than those utti^rred \fy Dt, Charles
A. Briggs m tS^i, when he ber^ame fffoU%%f/r of
Biblical thtfjlogy at the L'nj/yn Ihe/^k^Kal Smt-
maiTj, and which led to bis withdrawal Inmi th«r
Preibyterian mimfAry. But IH, BrHUt^ f'/und ref-
uge with the Episcopalians, th^t <>iurch caiied by
KruIIips BTfMjk% 'the ror/rniTtc chur^Ji m Am^tfica/
''St. John's Meth/>dia EptKy/pal O.nuh of .Sc
Iy>uji has juu cali^d u> th< p4t<//ra>ie the k^r.
Dr. li^Tj h. Brad.-!:/, in^y,, \t^XAnw of h i ^^^
kef in the ti.-y/rr of evo; -fv/n aM 't..\ *^x'>/fs^^
m*^ti of the li.^.er critKawn/ W4s $^j* tty/rt tful
and a</4t;:»rH of the charge of r.>r-5s/. So, f>^
socy>>>g3ca{ ;nyet^iiifa;//f, a..'.v,t» t/y> tjKTtrr^^ v»
attraa geoerai af ^/t>yn or to ^ifiw ^t^m k.M^^ii
the feres of tut dhaflc^^/ra <rf the oid Of 'W / "
6S4
CURRENT LITERATURE
THE DUTY OF SAVING MEN FROM " MORAL OVERSTRAIN
It is part of an engineer's profession to fig-
ure out the amount of physical weight and
pressure that any given substance will bear;
and upon the accuracy of his calculations the
safety and well-being of the community largely
depend. Mr. George W. Alger, a New Yoric
lawyer, now proposes that the principle in-
volved has a moral, as well as a mechanical,
application. He thinks that the prevention of
''moral overstrain'' is as important as that of
physical collapse, and regrets that "there is
no *jacking-up' process for overstrained mor-
als to be found in the law-courts." Following
this train of thought in a newly published book
of essays,* Mr. Alger says:
"We take philosophically enough the daily
moral breakdown of our fellow men, and ordi-
narily do not complain to Providence against our
inability to ascertain with mathematical certainty
the extent of the confidence we can safely repose
in the people with whom we have intercourse. It
has always been so and always will be. We can-
not apply mathematics to human conduct. The
fidelity insurance corporations which have sprung
up within recent years have, to be sure, their sys-
tems based on experience for estimating moral
hazards; and they have curious and exceedingly
interesting theories of moral probabilities by
which, for example, they estimate the chances of
defalcation by an employee in a given employment
in which given opportunities for wrong-doing are
not counterbalanced by certain systems of in-
spection or supervision. These corporations and
a few large financial institutions apparently recog-
nize the necessity of considering moral risks
somewhat in the way in which the engineer esti-
mates upon the girder, how he can make it per-
form its useful functions in a house without being
broken down by overstrain and bringing calamity
with its fall. The policy of the finanaal institu-
tions in dealing with this question deserves a
study by itself. Their method involves, generally,
in its application to subordinate employees, a com-
plex and carefully studied business system filled
with 'checks and balances,' with frequent inspec-
tions and examinations, which are intended to re-
duce the opportunity for successful wrong-doing
to a minimum. The nay of the minor employees
of a banking house who handle fortunes dail]^ is,
as a rule, pitifully small, showing a conscious
purpose in these institutions of relying principally
upon a practical certainty of detection, coupled
with a remorseless and relentless severity in pros-
ecution and punishment, as a relief for the severe
moral strain upon employees whose opportuni-
ties and temptations for wrong-doing are, from
the nature of the employment, large.^'
Except in these financial institutions and
fidelity insurance corporations, there seems to
♦ Moral Overstrain. By George W. Alger. Houeh-
ton» Mifflin & Co.
be' in practical operation no rational system for
estimating or relieving the strain upon morals
which business life necessarily involves. Out-
side of this group the only check upon human
irsAity is that based on a "faith" in the hon-
esty of men which, in Mr. Alger's view, often
only serves as a mask for business careless-
ne$s. To quote again:
"How many thousands of business men there
are who manage their affairs in slipshod, slovenly
fashion, and who complain bitterly of the abuse
of the 'perfect confidence* which they have re-
posed in their employees. My own notion of this
'perfect confidence' is that in ninety cases out of
a hundred it is not genuine confidence at all, but
a mere excuse for business shiftlessness or lack of
system. The law relating to actions for per-
sonal injuries provides that a man whose body
has been injured by the carelessness of another
must, in order to entitle him to claim damages,
prove not only that carelessness, but also his own
freedom from negligence contributing to or caus-
ing the injury. If every business man who suf-
fers from a defaulting employee were obliged to
prove not only the employee's crime, but the ab-
sence of substantial business carelessness on his
own part, which afforded both the opportunity and
the temptation for the offense, how few convic-
tions of these defaulters there would bel"
Mr. Alger illustrates his point by citing a
doctrine the precise opposite to this rule of
faith as he heard it laid down some years ago
by a great criminal jurist It was in an old
New York court, and Recorder Smyth had
just passed sentence on a young man who had
been convicted of robbery in snatching a watch
from a lady. The year was 1892, and there had
been great industrial depression. The lady
had been shopping all day long in streets
thronged with poor men, out of work and
hungry. The young man, who was scarcely
more than a "boy, had snatched the watch, but
was caught in trying to escape. After Re-
corder Smyth had passed sentence on the boy,
he turned and addressed these remarks to the
prosecutrix :
"Madam, it is one of the great defects of the
criminal law that it has no adequate punishment
for those who incite their fellows to crime. If
it were in my power to do so, I can assure you
I should feel it a pleasanter duty to impose an
even severer sentence than the one I have just
rendered, on the vain woman who parades up
and down the crowded streets of this city, filled
as they are to-day with hungry people, wearing
ostentatiously on her dress, insecurely fastened,
a glittering gewgaw like liiis, tempting a thou-
sand hungry men to wrong-doing. There are, in
my judgment, two criminals involved in this mat-
RELIGION AND ETHICS
655
ter, and I ancerely regret that the law permits
me to punish only one of them."
"As important as any duty in the realm of
morals,*' concludes Mr. Alger, is this duty of
not putting on the character of another a
greater burden than it can safely bear. He
adds:
''We are paying greater attention yearly to the
physical discomforts of tlie worker, tr3ring to re-
lieve the overburdened, and to lighten the load of
hard work which has fallen so heavily in our
struggle for oonmiercial supremacy, particularly
on the women and children. This is all excellent/
but we must remember that we have no more
right to overload a man's morals than his back,
and that while it is a duty as well as a privilege to
have faith in our fellows, we should temper that
faith with common sense so that our faith may
be to them a help and a support rather than a
stumbling-block and a cause of offense."
A THEOLOGICAL STORM IN NORWAY
Norway has become a theological storm cen-
ter, and the first ministerial crisis which the
new King has had to face is the outcome of
a church controversy that antedated his ac-
cession to the throne by about a year.
The world-wide conflict between conserva-
tive and radical theologians has in Norway
taken the shape of a struggle for the leading
theological professorship in the country, the
chair of Systematic Theology in the Univer-
sity of Giristiania. As practically every min-
ister in the land must sit at the feet of the
incumbent of this chair, its influence on the
future of the Norwegian church is naturally
very great Norway is a Lutheran country, de-
cidedly orthodox in its religious views, and has
thus far resisted all the inroads of the newer
tendencies in theology. Repeated attempts
have been made to introduce Ritschlianism
into the State church, but these have generally
failed
The present struggle was caused by an at-
tempt to fill the Christiania chair of Theology,
which has been vacant since 1903. In Norway
such chairs are filled by a competitive examina-
tion of different applicants, and at the first
contest the prize was -easily won by Dr. Ording,
who is generally recognized as the leading
Scandinavian scholar. Opposition to him at
once developed both in the country at large
and in the university, owing to the fact that
he was inclined to adopt liberal views, especial-
ly in reference to baptism. It was found that he
denied baptismal grace and regeneration in the
historical sense of the confessions of the
country and that he sympathized with the
Zwinglian view of the Lord's Supper. His
Zwinglian sympathies especially offended the
orthodox party, but that unique class of church
workers in Norway, Jhe "lay preachers," who
have always been more liberally inclined than
the average ordained pastor, were satisfied
with his views on the sacraments. The mild
Ritschlianism of Ording, however, was a seri-
ous offense in the eyes of these "Izy preach-
ers," who are pietistically inclined, and they
accordingly joined the official orthodox hosts
in the contest against Ording. As a result the
government refused to appoint him and invited
a second contest for the appointment, this time
from all Scandinavia. Dr. Ording again came
out an easy winner. Then the government ap-
pealed to the other universities of the North-
lands— Copenhagen^ Lund, Upsala and Hel-
singfors — for their opinion on Ording, and in
general the voting was in favor of the gifted
and brilliant theologian. The poet Bjornson^
who also took part in the controversy, ex^
pressed himself, in one of many articles, as fol-
lows: "The religion of the majority of the
average churchgoers is this: In all simplicity
to approach near to God. They seldom care
anything for dogmas. In all of the recent com-
petitions for the theological chair the liberals
have gained the victory. Instead of seeing in
this a providential act of God, the orthodox
party usurp for themselves the rights of God*s
providence. They call themselves the church
people, just as if there were no other church
people than themselves."
Just recently the controversy has been tem-
porarily closed by the appointment of Dn
Ording; but the Minister of Religion and In-
struction has resigned in consequence, and also
the leader of the conservatives in the Copen-
hagen faculty — Dr. Odland. The government
offers to appoint a second and conservative
Professor of Systematic Theology to appease
the orthodox party, but they refuse to be thus
comforted. The whole issue is likely to come
to the front in the next political campaign, for
in Norway the great struggle between the old
and the new types of theological thought is
evidently only beginning.
Science and Discovery
THE PRINCIPLE OF THE BOOMERANG'S FLIGHT
.-■li^v, /
^
1\
In the hands of a skilful Australian native
a good boomerang will follow the most com-
plex courses in its flights, so remarkablei
according to Col. A. H. Lane-Fox, who has
studied this weapon for years, that the be-
havior of the projectile must be seen to be
believed. The boomerang will literally shoot
arotmd a comer. A boomerang can be thrown
around a building or tree, and will return, as
is well known, straight to the thrower. The
boomerang can be hurled at a bird on the
wing, knock the biped down with its rotating
arms and return to the owner. These facts
are illustrated by diagrams from observation
which are here reproduced from The Strand
Magazine of Lcmdoo.
The scientific princi-
ple upon whidi depends
the flight of tilt boomer-
ang is set fdcMi by Col-
onel Lane-FSox: The an-
gle and the drde de-
scribed by the boomer-
ang in its flight depend
partly, upon the shape
of the weapon itself and
partly upon the rotary
motion imparted to it by
the hurler. As long as
the forward movement
persists, the boomerang
will continue to ascend.
The plane of rotation,
instead of continuing perfectly parallel to its
original position, will be slightly raised by the
action of the atmosphere on the forward side.
When the movement of transition ceases, the
boomerang will begin to fall. Its course in
falling will be by the line of least resistance.
This is in the direction of the edge that lies
obliquely toward the thrower. It will, conse-
quently, fall back precisely as a kite when the
string is suddenly broken is observed to fall
back for a short distance. But, as the kite
has received no movement of rotation to cause
it to continue in the same plane of descent, it
soon loses its parallelism and falls in a series
of fantastic curves toward the ground.
The boomerang will do the same thing if it
fooji/
Boomerang rose looTt., did
double twist and fell ai
throwcr'«i feet.
loses its movement of rotation. As long as
this movement of rotation persists, which it
usually does even after the forward movement
has ceased, it continues to fall back upon an
inclined plane similar to that by which it
ascended and finally reaches the ground at the
feet of the thrower. There are various mathe-
matical explanations of the somewhat mys-
terious principle of the boomerang. Colonel
Lane-Fox, nevertheless, asserts that this stmi-
mary explains all that there is to explain.
But another careful student of the boom-
erang, Mr. Charles Ray, throws light upon the
subject from the practical as distinguished
from the theoretical point of view:
-t
y2o/M-
'\
k
BringiMdownabird. Boomcyans.
after tlrikine bird, turned sharply
and returned in almott «aiae direc •
"The boomerang is a
more or less sickle shaped
stick of hard wood, rang-
ing in length from fifteen
inches to three and a half
feet, two or three inches
wide, and about three-
eighths of an inch thick.
The ends are usually
rounded or pointed, and
one of the sides is made
convex, the other being
flat The edge is sharp-
ened all round, and the
surface, upon which its
curious flight mainly de-
pends, is slightly waving
and broken by various
angles which balance and
counter-balance each other.
Some of these, by causing
differences in the pressure
of the air on certam parts,
give steadiness of flight, and others impart buoy-
ancy. The angles really serve to counteract gravi-
tation, so that even when the force imparted by
the thrower is spent the boomerang still continues
its flight
"The Australians in the manufacture of their
weapons follow the natural grain of the wood,
and this leads to every kind of curve,, from the
slightest bend to a right angle or the segment
of a circle, with the result that no two boomer-
angs are ever exactly alike in shape. In throw-
ing, the weapon is held by one end with the con-
vex side downwards. The thrower bends his
body back with the boomerang over his shoqlder
and then hurls it forward, when it whirls round
and round like a wheel and makes a loud, buzzing
noise. After reaching a certain distance it stops
in Its flight and then commences to return, and
falls at the feet of or behind the thrower. If th^
tioM as that from which
thrown
SCIENCE AND DISCOVERY
6S7
Boomenng thrown by concealed hunter at m kangaroo laoft. »«»y.
Boomerang turned, made two smalt circles, and sinick
animal's hind legs.
boomerang is thrown downwards to the ^ound
it rebound^ in a straight line, pursuing a ricochet
motion, in that case, of course, not returning to
the thrower. Very often a boomerang appears
to be merely a common crooked stick, although in
reality it is a weapon upon which much time and
care has been spent. Mr. Horace Baker, who has
made a i>articular study of these objects, says he
believes it is possible to make a boomerang by
exact mathematical calculation, although he has
not yet been able to do this. He has made two,
apparently alike in every particular, yet while one
rose buoyantly in the air, the other fell dead be-
cause of some untrue adjustment of the angles of
its faces. . . .
"The boomerang is used for various purposes
Boomeiang thrown right, round a building, circuit about jooft.
by the natives of New South Wales and Queens-
land. The children find it a fruitful source of
amusement and spend a good deal of time in per-
fecting themselves in its use. Then it is used in
hunting, when its curious flight renders it inval-
uable. For instance, it can be thrown at a flock
of ducks or wild fowl on a river or marsh, knock-
ing down one or more and returning to its user,
instead of being lost in the morass. Then in the
....»-
•:C
^•Z"
:• *
After going ispft. boomerang revolved in perpendicular plane,
then turned off, and finally fell at throwe|''s feet. Time iomc. ,
greatest height 9ort.
pursuit of the kangaroo and other animals, the
huntsman can hide behind a bush or rising of the
ground and aim at his quarry without himself
being seen. Such a weapon must naturally have
given a great advantage to its possessors in the
struggle for Ufe, over Siose who did not know its
use.
''In warfare the boomerang has the quality of
being a most formidable weai>on among unciv-
ilized tribes. It is capable of inflicting a wound
several inches deep and will strike its victim with-
out giving the slightest clue as to the position of
the assailant, who may be behind a thicket to the
right or left. Of course, the user of a boomerang
must himself be skilful, or it will be as dangerous
to him as to the obtect aimed at, for it may return
and strike its owner. It is by constant practice
for generations that the Australian aborigines
have been able to excel in its use, although they
are not all able to do the wonderful things with
the boomerangs that are sometimes spoken of. A
gentleman who resided for some time in Austra-
lia informed Lord Avebury that on one occasion,
in order to test the skill with which the boomer-
ang could be thrown, he offered to a native a
-as-of4
.'^^
1)
\
J^
v-
direction,
turned, passed over throwei's head, travelled in a reverse
— •— figure eight, and then Wl at thrower's feet with a
third small turn to the left.
reward of sixpence for every time th^ missile was
made to return to the spot from which it was
thrown. He drew a circle five or six feet in di-
ameter on the siand, and the man threw the boom-
erang with great force a dozen times, out of
which it fell within the circle five times.
"The method of defence against the boomerang
in warfare is to hold forward, verticallv, a stick
about two feet long, with a notched head and
handle. This is moved right or left as the case
may be, causing the boomerang to fly off at one
side or the other. In order to overcome this de-
..*<
L/'l±L-'='r-^^.
Killing a amaJl animal with a boomerang thrown to the ground,
along wbicb it traveb with a ricochet movemeoi.
fence the Queensland aborigines use a boomerang
of peculiar shape. It has a hooked end, and when
it strikes the defensive stick, the angle caused by
the hook revolves round the stick, and the other
end of the boomerang swings round and gives the
victim a severe blow. To one not well initiated
into the mysteries of boomerang-throwing, how-
ever, it is very difficult to defend one's self against
the missile. Edward John Eyre, the esrolorer,
tells how he once nearly had his arm broken by
a boomerang while standing within a yard of the
native who threw it, and looking out purposely
•tor it."
•••^N
'^•^v
300 f*^
'%.
V,
after reaching limit in direction thrown took a turn, pamrd
rose to MU, turned to right, and fell in fiont of thrower.
658
CURRENT LITERATURE
THE THEORIES OF CLOUD ARCHITECTURE
Until a comparatively recent time, the me-
chanics of cloud production was assumed to
be more or less of an exact science. Meteor-
ology somewhat hastily concluded that all
clouds were formed in accordance with the
same general law. Now, in the light of recent
investigations by cloud students, among them
Professor Hildebrandsson, of Upsala, Hon.
Ralph Abercromby and C. T. R. Wilson, it
appears that clouds vary not only in structure
but in meteorological function. They are not
necessarily limited, for instance, to the task
of watering the earth or of covering it with
hail and snow. They may act also as scav-
engers of the upper air.
Mr. Arthur W. Clayden, who for many
years has studied cloud types, is prompted to
declare in his recently published volume* that
it will require long observation during years
to come to afford mankind an adequate knowl-
edge of every form of cloud. We now know
in a vague way much of the conditions of
♦ Cloud Studies.
Dutton & Co.
By Arthur "W. Clayden. E. P.
cloud-formation in the higher atmospheric
region; but that knowledge is mainly theoret-
ical. Only strong probability can be adduced
for much that is now taken for granted.
Any visible mass composed of small particles
of ice or water suspended in the air and
formed by condensation from the state of
vapor ought, declares Mr. Qayden, to be con-
sidered a cloud. As thus defined, there is but
one form of cloud now readily available for
study. Its general name is cumulus. Cumulus
can be divided into several types which are
best considered in the order of growth. They
are described by experts as clouds in a rising
current, and to this characterization Mr. Clay-
den offers no objection. But each cumulus
must be looked upon, he adds, as simply the
visible top of an ascending pillar of damp air.
The vapor which makes its appearance in the
cloud is present in the transparent air beneath.
The base of the cloud is simply the level at
which that vapor begins to condense into vis-
ible liquid particles. Since cumulus clouds are
caused by ascending currents, the problem
Courtesy of E. P. Dution & Co.. New Yort
CRESTED ALTO WAVES
The clouds here shown are distinctly of the cumulus order and a prominent feature is the way in which
the right-hand side of each wave has a clear-cut rounded contour, like that of the upper edge of a^small
cumulus, while the left-hand edge of each band is frayed out into a ragged fringe. It is evident that this
peculiar structure must be due to a series of narrow waves intersecting a plane in which the air is just on
the point of evolving this type of cloud architecture. This picture, like the two cloud photographs follow-
ing, is from '* Cloud Studies^' by Arthur W. Clayden.
SCIENCE AND DISCOVERY
659
Cooiteay of & P. Dotton ft Co.. New 7ork.
HIGH BALL CUBfULUS
The current system of cloud nomenclature is founded upon the plan of Luke Howard, the pioneer in
cloud research. He recognized three main types of cloua architecture, which he named Cirrus. Stratus
and Cumulus. Cirrus included all forms which are bailt up of delicate threads, like the fibers in a tragment
of wool. Stratus was applied to all clouds which lie inVevel sheets. Cumulus was the lumpy form. By
combinations of these terms other clou4s were descrit>ed. Thus a quantity of cirrus arranged m a sheet was
called cirro-stratus, while high, thin clouds like cirrus, but made up of detached rounded balls, was cirro-
cumulus. Many cumulus clouds, arranged in a sheet with little space between them became cumulo-stratus,
while the great clouds from which our heavy rains descend i>artake, to some extent, of all three types and
were therefore distinguished by a special name — ^Nimbus.
arises: How are the currents themselves
brought about? They must be brought about,
says Mr. Gayden, either by the general dis-
turbance of the air due to a cyclonic move-
ment or by the local irregularities of temper-
ature on the ground produced by the sun's
heat. As a matter of fact, we do get cumulus
produced in great abundance in the rear of
every cyclone and we get them under condi-
tions of still air and hot sun which sp'ecially
favor evaporation and the development of
differences of temperature. The cyclone
cumulus may come at any hour of the day or
night, though it is comparatively rare between
midaight and morning. Heat cumulus is gen-
erally formed during the afternoon, and it is
only under relatively uncommon conditions
that it persists during the night. If the cloud
has not grown to very great size it usually
begins to break up and disappear about sun-
set; but if it has grown to the dimensions of
a summer thunder-cloud it may go on grow-
ing, piling mass on mass, until it generates a
thunder-storm even in the hours of early
morning.
Of cloud formation in general, Mr. Qayden
says:
"Given any mass of air at a particular tempera-
ture, it can take up and hold in the form of in-
visible vapor a fixed quantity of water and no
more. When it holds the maximum possible it
is said to be saturated. If it is nearly saturated
it would be called damp; if far from saturated,
dry. Now the warmer the air, the larger the
quantity of vapor necessary to saturate it; so
that if a quantity is saturated at a high tempera-
ture and is then cooled, it will no longer be. able
to retain all its moisture in the invisible form,
but the surplus quantity will make its appearance
as liquid particles, that is to say as mist or cloud.
"Similarly, if a quantity of air is not fully sat-
urated at its particular temperature, and is then
cooled, it will approach nearer and nearer to sat-
uration, and if the process is continued long
enough the result will be cloud formation.
"All clouds without exception are produced by
exactly such cooling of air containing water
vapor, first to the temperature at which the quan-
tity it contains is the maximum possible and then
beyond that point. Now, if we start with very
warm air, and cool it one degree, we decrease its
vapor-holding power and the decrease per dc^ee
grows less and less as the temperature falls. Sup-
pose, for instance, we have air saturated at 01
degrees and cool it to 60 degrees, the quantity of
66o
CURRENT LITERATURE
Coaiteny ot E. P Dattoo A Co., New Tork.
MACKEREL SKY
The scientific nartie of this form of cloud is alto stratus maculosus, or spotted high stratus. Alto clouds
they are always composed of liquid parti
temperature must often be many degrees below the
are fundamentally different from other groups in that they are always composed ofliquid particles, thougn
there is no doubt, from their great altitude, that their ' " " -*-— *-- ^ ^ .
ordinary freezing-point of water.
vapor condensed will be equal to the difference
of holding power. Suppose, again, we have air
saturated at 31 degrees and we cool it to 30 de-
grees, the quantity of vapor condensed will again
be equal to the difference of holding power; but
this quantity will be very greatly less than in
the former case."
Cooling air saturated at 61 degrees to 60
degrees might produce a dense cloud, but
applying a similar reduction of one degree to
air saturated at 31 degrees (if we take the
same volume of air), will only produce a very
much thinner result. Here we see one good
reason why the high clouds are the thinnest
and the alto clouds of intermediate density.
The necessary cooling may be brought
about in several ways. Cooling by contact
with a cold body is one potent cause. We
often see it in a mountain district, where a
frost-bound peak stands facing the wind with
glittering snow-slopes on which the sun is
shining, while a long tongue of cloud hangs
like a banner on its leeward side. In such a
case it is easy to understand how the air
sweeping by the icy mass is chilled below its
saturation point. But as it passes on, the
chilled portions become mixed with the rest
and the cloud evaporates again.
Of another cause, Mr. Clayden writes:
"If a quantity of air exists under a certain pres-
sure and at a certain temperature, on reducing the
pressure it will expand, and in the act of ex-
panding it will become cooler. This may easily
be illustrated with an air-pump. Let a damp
sponge or a piece of wet blotting-paper stand
undef a glass receiver over an air-pump until the
air has become damo. If the apparatus is in a
darkened room, and a powerful beam of light
from a lantern is sent through the receiver, the
damp air will be seen to be quite clear; but a
stroke or two of the pump removes some of the
air, the remainder is chilled by its own expansion,
and a dense cloud is precipitated. If this cloud
be viewed closely, it will be seen to be composed
of minute particles, which, on looking towards
the light glow with the colors of a corona. In a
few minutes the cloud will disappear, but it can
be recalled again and again by successive strokes
of the pump, getting thinner and thinner as the
air gets more and more rarefied; an illustration
of a second reason why the high clouds are thin-
ner than the lower."
If the damp air used in this experiment were
carefully filtered so as to remove all foreign
particles, no cloud was produced, and the in-
troduction of a puff of unfiltered air was
attended by immediate condensation. The
deduction was that vapor, even below its sat-
uration temperature, cannot produce cloud
unless nuclei of some sort are already present,
presumably dust particles.
SCIENCE AND DISCOVERY
66i
IF BURBANK'S METHODS WERE APPLIED TO THE
HUMAN RACE
Were it possible to select twelve normal
American families and subject them to the
application of principles deduced from Luther
Burbank's study of plant life, more would be
accomplished for mankind in ten generations
than can now be hoped for in a hundred
thousand years. Thus argues Mr. Burbank
in The Century Magajsine. Look at the ma-
terial upon which to draw for such an experi-
ment, exclaims the eminent horticulturist
enthusiastically, after an analysis of the sta-
tistics of immigration. "Here is the Noith,
powerful, virile, aggressive, blended, with the
luxurious, ease-loving, more impetuous South.
Again you have the merging of a cold phleg-
matic temperament with one mercurial and
volatile. Still again the union of great na-^
tive mental strength, developed or undeve-
loped, with bodily vigor, but with inferior
mind. See, too, 'what a vast number of en-
vironmental influences have been at work in
social relations, in climate, in physical sur-
roundings. Along with this we must observe
the merging of the vicious with the good, the
good with the good, the vicious with the
vicious."
Such a blending of types occurs on a grand
sq^le only in our own country. Now for the
hortiQultural argument. From six to ten gen-
erations suffice, as a rule, we are told, to con-
firm in new phases most descendants of any
given, set. of parent plants. Such stability
once attained, the descendant plant may be
relied upon to live the new existence without
regard to the ancient ways of its ancestors.
Such transformations in plant life are accom-
plished in less than a dozen generations, some-
times in' less than half a dozen. The time dc-
pc^nds upon the kind qf plant nature subjected
to this ev9lutionary process. In setting this
dovfj^f Mr* Burbank does not mean that inade-
quate, care 'and culture, ^carelessness in the
horticultural process at any stage, may not
undo all the good resulting from the most
loving care. The plant may become wild
again from neglect ' But it will be wild, to
use Mr. Burbank's phrase, "along the lines
of its new life, not by any means necessarily
along ancestral lines." And all this brings
us to the point:
"Ten generations of human life should be am-
ple to fix any desired attribute. This is absolutely
clear. There is neither theory nor speculation.
Given the fact that the most sensitive material
in all the world upon which to work is the na-
ture of a little child, given ideal conditions under
which to work upon this nature, and the end de-
sired will as certainly cgme as it comes in the
cultivation of the plant There will be this dif-
ference, however, that it will be immeasurably
easier to produce and fix any desired traits in
the child than in the plant, though, of course, a
plant may be said to be a harp with a few strings
as compared with a child.
"Apply to the descendants of these twelve
famihes throughout three hundred years the prin-
ciples I have set forth, and the reformation and
regeneration of the world, their particular world,
will have been effected. Apply these principles
now, to-day, not waiting for the end of these
three hundred years, not waiting, indeed, for
any millennium to come, but make the millen-
nium* aad see what splendid results will fol-
low. Not the ample results of the larger
period, to be sure, for with the human life, as
with the plant life, it requires these several gen-
erations to fix new characteristics or to intensify
old ones. But narrow it still more, apply these
princi]>les to a single family, — indeed, still closer,
to a single child, your child it may be,— and see
what the results will be.
"But remember that just as there must be in
plant cultivation great patience, unswerving de-
votion to the truth, the highest motive, absolute
hooesty, unchanging love, so must it be in the
cultivation of a child. . . . Here in America,
in the midst of this vast crossing of species, we
have an unparalleled opportunity to work upon
these sensitive human natures. We may sur-
round them with right influences. We mav steady
them in right ways of living. We may bring to
bear upon them, just as we do upon plants, the
influence of light and air,' of sunshine and Abun-
dant, well-balanced food."
One can breed into a plant almost any char-
acteristic desired, and child-life is not less
amenable to culture. Thrift, honesty, strength,
can be imparted even when heredity, is as-
serting itself contrariwise, and there are tend-
encies to reversion to former ancestral traits.
The abnormal human plant may be purged of
its abnormality, for "it is the influence of cul-
tivation, of selection, of surroundings, of en-
vironment, that makes the, change from the
abnormal to the normal." Environment is
stronger than heredity, says Mr. BurbaAk;
heredity itself is simply the sum of all the
effects of all the past environment. "There
is no doubt," he says, "that if a child with a
vicious temper be placed in an environment
of peace and quiet the temper will change."
662
CURRENT LITERATURE
THE NEW ERA IN SCIENCE INAUGURATED BY THE CURIES
During the few weeks that have elapsed
since Pierre Curie, the pioneer of radium re-
search, was killed in the streets of Paris by
a passing vehicle, his name has been asso-
ciated with more eulogy in the world's scien-.
tific press than that bestowed upon any man
since the death of the elder Darwin. Pro-
fessor Boys declares that the discovery by
Curie of what seems to be the everlasting
production of heat in easily measurable quan-
tity by a minute amount of a radium compound
is so amazing that even now when many sci-
entists have had the opportunity of seeing with
their own eyes the heated thermometer they
are hardly able to believe what they see.
"This, which can barely be distinguished from
the discovery of perpetual motion, which it is
an axiom of science to call impossible, has left
every chemist and physicist in a state of be-
wilderment." The mystery here is being at-
tacked, adds Professor Boys, and theories are
daily invented to account for the marvelous
results of observations; but these theories
themselves would a few years ago have seemed
more wonderful and incredible than the facts,
as we believe them to be, seem to-day. Now
the man who was most conspicuous in this
labor of elucidation is no more.
Scarcely three years have passed since the
Revue Scieniifique (Paris) announced the
discovery of what it termed the astonishing
fact that radium, in addition to the radio-active
properties rendered familiar by the researches
of Becquerel on uranium, possesses the prop-
erty of maintaining its temperature at a point
three degrees higher than that of its surround-
ings and of continuously emitting heat without
any apparent diminution of bulk or altera-
tion of physical constitution. Eminent scien-
tists at first refused to accept an assertion ir-
reconcilable with laboratory experience, main-
taining that there must have been somewhere
a serious error of observation. That radium
possesses radio-active properties indefinitely
more powerful than those displayed by any
other body is a fact of an order, as the Phy-
sikcUische Zeitschrift (Leipsic) and its tech-
nical contemporaries noted at the time, to
which scientists had long been accustomed.
These properties in radium differed only in
degree from properties with which the scien-
tific world had been familiar, but that differ-
THB FIRST HEROINE OP SCIENCE
Madame Sklodowski Curie, a lady of Polish origin,
has made her name immortal by her achievements in
radium research.
THE SCIENTIST WHOSE DOUBT LED TO THE
DISCOVERY OP RADIUM
Pierre Curie, killed in the streets of Paris a month ago,
inaugurated the contemporary reyoluUoo in physics,
SCIENCE AND DISCOVERY
663
ence in degree has become sufficiently aston-
ishing in the light of further investigation,
since it has become clear that radium, without
external stimulus, can produce effects hitherto
only obtainable by means of the electrical dis-
charge in high vacua. It can throw gases into
that state of vibration which causes the pro-
duction of their characteristic spectrum. It
emits at the same time a radiation resembling
the Rontgen rays, producing like them marked
physical and physiological effects. It soon be-
came obvious that Pierre Curie, aided at every
stage by the indefatigable co-operation of his
wife, had introduced mankind to forces of a
totally unprecedented significance in the evo-
lution of science.
Rarely, moreover, has a series of physical
discoveries contributed so much to awakening
general interest and scientific speculation.
Pierre Curie, Professor of Physics in the
School of Physics and Industrial Chemistry
at Paris, and Madame Sklodowski Curie, his
wife, a lady of Polish origin, had long been
interested observers and students of the experi-
ments of Becquerel. That new property of
matter, radio-activity, had been found to exist.
What was the source of it? The reply, until
the Curies had completed their investigations,
was that the source must be uranium. That,
however, was not absolutely certain; and
prompted by the doubt in the case, the Curies
proceeded to ascertain the ray-emitting capac-
ity of pitchblende, the parent substance of
uranium. Thus were they brought to their
great discovery that selected specimens of
pitchblende were endowed with four times the
radio-activity of metallic uranium. The Curies
reasoned that, if pitchblende had so strong an
activity, it was due to the fact that that min-
eral contained a substance unprecedentedly ra-
dio-active. This substance they extracted. In
no long time they announced their discovery
of three elements with ray-emitting powers.
These were radium, polonium and actinium.
Dr. W. Hampson, who has lectured on ra-
dium at University College, London, writing
of these experiments, says:
"It is interesting here to consider the means
by which the radio-activity of a substance was
estimated, for the method employed is an illus-
tration of the utmost refinement yet reached by
science in the measurement of small quantities.
By this means it is possible to detect the presence
of substances in quantities thousands of times as
small as could be weighed by the most powerful
balances or measured by the aid of the most pow-
erful microscopes, quantities far too small to be
identified even by means of spectrum analysis. Dry
air, which is not a conductor of electricity, can
by appropriate means be broken up in such a way
as to make it a conductor. This is called ionizing
the air. The vibrations of ether, with which we
have been familiar under the name of X-rays,
cannot only act on a photographic plate, but can
also ionize the air through which they pass. It
was soon found that the action of uranium, tho-
rium and radio-active minerals resembled that of
the X-rays in the latter respect as well as in the
former. They also can convert the air in their
neighborhood into a feeble conductor of electric-
ity with more or less completeness, according to
the amount of their radio-activity; and electric
measurements can now be made with such ex-
treme refinement that it is possible by this means
to detect infinitesimally small changes in the con-
ductivity of the air, and therefore in the radio-
activity of the substances which are making it a
conductor."
The delicacy of observation made possible by
this means is far greater than can be attained
in observing photographic effects, and the ob-
servations can be much more rapidly as well
as more conveniently completed. Thus the
Curies examined a large number of elements
and minerals. It was found that uranium dis-
played its radio-activity whether it was tested
as the separated metal or in compound forms
combined with other substances as in the oxide
or sulphide or salts of sodium, potassium or
ammonium. They reasoned as follows (we
quote from Dr. Hampson) :
"The activity of the uranium oxides (black and
green) being marked as 2.6 and 1.8, that of pitch-
blende was found to be 8.3. The pitch-blende was
stronger in radio-activity than the uranium. And,
inasmuch as the residues left after removing ura-
nium formed but a small part of the whole mineral
which they made so much stronger than uranium,
these residues themselves must be immensely more
active than uranium. But they consisted largely
of iron, lead, and a number of other substances
which were known to have no radio-activity at
all. It followed that they must be mixed with
a small quantity of some yet undiscovered sub-
stance, which was the cause of the obsenred ac-
tivity; and this material, being so small in quan-
tity, must be of an activity correspondmgly
intense, in order to leaven the whole lump so
effectually as it did.
"The search for this small quantity of hitherto
undiscovered material is one of the most remark-
able pieces of scientific work in verification of a
previous train of reasoning. In the actual work,
Madame Curie was assisted by her husband, Prof.
Curie, and by M. Bemont. The chemical analysis
of the uranium residues is described by Madame
Curie, but a repetition of it would be meaningless
for our present purpose. A very brief summary
of it occupies a large page and a half of print,
and it must suffice us to say that it is a very long
and tedious process, requiring many months for
its completion. After each step which separated
one group of substances from another, the inves-
ti/?ators compared, by the electrometer test de-
scribed above, the two groups, for the purpose of
664
CURRENT LITERATURE
determining which of them possessed the greater
amount of radio-activity. This one would be sup-
posed to contain tke substance, or the greater pro-
portion of the substance of which they were in
search, and it would be further subdivided into
smaller groups to still further narrow the limits
within which the object of their search must be
looked for.
"At one stage in the analysis, the precipitate
obtained by adding sulphuretted hydrogen to an
acid solution, gave, among other things, a form
of bismuth which was found to be very radio-
active. But bismuth itself, obtained in other
ways, is not radio-active. The inference was that,
mixed or combined with the bismuth, and sepa-
rated by the same chemical reactions which had
separated the bismuth, was another substance,
strongly radio-active. This proved to be the case,
and the radio-active material was further con-
centrated by processes of sublimation and precip-
itation, proving to be more volatile than bismuth
as a sulphide, and less soluble as a nitrate or a
sulphide. Still, in its chemical behavior it so
strongly resembled bismuth that Madame Curie
found it impossible to get it quite purified from
that element. In honor of her native country, the
new substance was called polonium. Marckwald
has since devised another method by which it is
got purer, though still not quite pure. The ex-
treme delicacy of these researches, dealing as they
do with excessively small quantities, is well illus-
trated by the fact that by his improved method
Marckwald obtained out of two tons of pitch-
blende one-sixteenth part of a grain of polonium
— one part out of five hundred millions.
"The bismuth portion of pitch-blende was not
the only portion which Madame Curie found to be
radio-active. Just as polonium imitated very
closely the chemical reactions of bismuth, so it
was with barium and some other substances. The
barium obtained from the pitch-blende by or-
dinary methods of analysis appeared to be very
radio-active. But since ordinary barium is not
radio-active, here again it was inferred that some
radio-active substance, behaving chemically in
very much the same way as barium, had been sep-
arated with it, and means were sought of getting
it by itself. It was found that the chlorides of
barium and the radio-active substance, if dis-
solved in boiling water and allowed to cool, crys-
tallize out of solution in such a way that the less
soluble portion proves to be more active than the
remainder. If this more active portion is treated
in the same way, it is itself divided into two por-
tions, of which the less soluble is still more active
than before."
By pursuing to the end, with the greatest
skill and perseverance, this method of increas-
ing purification, the Curies succeeded at last
in separating from the barium of pitchblende
a very minute quantity of a substance which,
closely as it resembled barium in most ways,
differed from it completely in the possession
of an enormously high radio-activity — an ac-
tivity a million times as great as that of ura-
nium, from which the first lesson had been
learned of this particular class of phenomena.
Very appropriately, therefore, the Curies chris-
tened the new substance radium.
It does not detract from the glory of these
achievements, notes Nature (London), that
some of the conclusions of the Curies were
simultaneously arrived at by other scientists
investigating independently. And it is to
Pierre Curie that full credit for blazing the
path of investigation is given in the French
scientific press. His was the creative mind.
The discoveries of his wife were the outcome
of his own personal suggestions. She achieved
the triumph of determining with exquisite
accuracy the atomic weight of radium. Her
talent was for execution of the plan. But the
campaign had been outlined from the begin-
ning by the husband.
? f ?
MAGNIFIED TEN THOUSAND TIMES
a. Molecule of water, b. Molecule of alcohol, c.
Molecule of chloroform, d. Molecule of soluble starch.
e-h. Particles of colloidal solution of gold. i. Particles
of gold in the act of precipitation.
**The 'ultra microscope,' invented by Siedentopf
and Zsi^mondy, has made it possible to detect, in a
solution, solid particles of a diameter of 4 millionths
of a millimeter," says 77r<f Scientific Amrricany from
which the above dia^ams are taken. '*The limit of
the best microscopes is 75 times as great, or 3 ten-thou-
sandths of a millimeter. This new optical instrument
has brought the largest molecules, such as those of albu-
men and soluble starch, into the realm of visibility. The
THE RELATIVE SIZES
SCIENCE AND DISCOVERY
665
THE PROBLEM OF THE EARTHQUAKE
Earthquakes are defined by twentieth-cen-
tury scientists as mere exaggerations of the
imperceptible movements which are continu-
ally taking place in the earth's crust. This
definition embodies the results of modern dis-
coveries, due to the labors of many scientists,
MAGNIFIED ONE MILLION TIMES
Human blood-corpuscle^ B. Rice starch grain.
" " /. ^. A. Particles of a col
C. Kaolin
A.
suspended in water. 2i\ F, Bacteria.
loidal solution of gold. 1. k, /. Particles oi gold solution in the
act of precipitation.
accompanying diagrams, from a recent publication of Dr. Zsig-
iQondv» may serve to give a vague idea of the dimensions of
this Ultra-microscopic world. If one of the largest of molecules,
that of soluble starch, could be actually magniiied xo,ooo times in
every direction, so that its volume would be multiplied 1,000,000,000,
it would still be smaller than a pea. One of the five million
corpuscles which are contained in a cubic centimeter of blood
would, if enlarged in the same proportion, fill a large room, for
Its diameter would measure six meters."
OF VARIOUS MOI.ECUI.BS
among whom Prof. John Milne holds a fore-
most place. And it is because the workers are
so many and the data of the subject so com-
plex that we have such contradictory views to
deal with. Until Prof. John Milne took up his
residence in Japan and began to observe earth-
quakes at first hand, seismology was
in a rudimentary condition, a mere
subsidiary branch of geology. Pre-
vious knowledge of earthquakes con-
sisted, as The Outlook, of London,
observes, of nothing more than Mal-
let's discovery that the destructive
waves of earthquake motion all ra-
diated from a center somewhere down
in the earth's crust. The approxi-
mate position of this center might
be determined by observations of the
direction in which — as shown by the
ruined walls of houses — ^the waves
came to the surface at different
places. But seismology now inclines
to the view that the majority of re-
corded earthquakes are due to sud-
den fractures or displacements in the
rocks lying far beneath the earth's
surface, setting in motion waves in
the terrestrial crust which cause the
widespread destruction observable
When they reach the surface, at such
k point as San Francisco. Most of
the facts, according to Major But-
ton,* fit in with this simple theory and
it has gained wide acceptance among
the most noted seismologists. Yet it
is probable that some earthquakes are
due to causes of which at present sci-
ence has no definite information.
Fractures or displacements of the
terrestrial crust are natural enough
at great depths, where the strain ijn-
posed upon the rocks must be tremen-
dous. A slight addition to that strain,
whether occasioned by sudden in-
crease in the barometric pressure or
by sediment constantly deposited by
streams or the ocean, ultimately
proves too severe for the strata at
certain places. These have to read-
just themselves, and the effect is some-
what analogous to that of the collapse
of the roof of a tunnel or of a mine.
♦ Earthquakes. By Clarence Edward Dut-
B. P. Dutton & Co.
ton.
666
CURRENT LITERATURE
^^i^;-^%^>A----
'•-^
SECTION OP THE EARTH
Showing^ approximately the curvature, the relative heights of the loftiest mountains and highest clouds,
the greatest depth of ocean, and the thickness of the solid crust.
The thickness of the black line suggests the limits practically inhabited by man, i>., from the bottom of
the deepest mine to the highest habitation in Europe, about xo,ooo feet.
The dotted line above the surface shows the level where the atmospheric pressure is one-third that at sea-
level, so that two-thirds of the atmosphere is below this line, the remamder extending upwards in increasing
attenuated form.
The temperature of the earth is here assumed to increase at a rate of 1* P. for each 60 feet of descent.
This increase is, of course solely a matter of conjecture, and many theorists deny the possibility of this thin
crust of solid earth enclosing so vast a bulk of molten and liquid matter. The pressure of the superincum-
bent crust may also raise the melting point of mineral matter down below.
^ The Science Year Booky 1906.
We have then what Major Dutton calls a tec-
tonic earthquake — ^and San Francisco has ex-
perienced one of the worst of tectonic earth-
quakes :
"They shake the world, it might be said, to its
foundations. Their distinctive name implies their
presumed connection with the structural changes
by which the crust of our planet is being continu-
ously modified; and the crust represents, appar-
ently, the outer rind of a cooling and shrinking
globe. The radio-activity of a small percentage
of its ingredients might, to be sure, neutralize
loss of heat by radiation into space, but this sur-
mised compensation has not been in any way veri-
fied. Observed facts, on the contrary, harmonize^
well with a slow advance of refrigeration. The'
folding and fracturing, the faulting and fissuring
of the strata, the uptilts and lateral thrusts of
mountain chains, seem the results of secular con-
traction; and some rough jerks and tumbles at-
tend the readjustments rendered inevitable by the
shrinkage.
"Authorities are divided as to whether the in-
terior of the earth is solid, liquid or gaseous. The
tremendous pressure reigning there probably tends
to level the distinctions between matter in the
three states familiar to us and to reduce substan-
tial differences to mere questions of verbal defi-
nition. It is only certam that the earth, as a
whole, is not less rigid than steel, that it possesses
vast stores of heat and is highly elastic. Up to
a certain point it can resist the strains continually
arising through surface agencies. Wind and water
remove materials from one part of the globe to
pile them up over another ; one region is lightened
by denudation while adjacent tracts are weighted
by deposition. Relative changes of level are the
appropriate means for rightmg their disturbed
equilibrium; but they can seldom take i)lace until
the prolonged accumulation of inequality finally
renders tension insupportable. There is then a
sudden snap, an abrupt settlement, and the news
is announced at the surface by the waves of an
earthquake."
The connection between tectonic earthquakes
and mountain building presents the greatest
of all the puzzles having to do with such earth-
quakes as that at San Francisco and the recent
Colombian and Indian earthquakes. "Moun-
tain building" is likely to originate vibratory
impulses. The ground is most unstable in the
neighborhood of recently elevated and still de-
veloping mountain systems, such as the Alps,
the Andes and the Himalayas. While it is
still too early to pronounce a final opinion upon
the cause of the San Francisco earthquake,
according to Dr. Ralph S. Tarr, Professor of
Dynamic Geology and Physical Geography at
Cornell,. he deems it probable, and states in a
communication to The New York Times, that
this shock was the result of niovements along
one or more fault lines in the course of the
natural growth of the coast mountain ranges.
The growth of the coast ranges is still pro-
gressing throughout the entire extent of Cali-
fornia as an abundance of evidence shows.
There are upraised shore lines at various points
along the California coast proving recent up-
lift. The very Bay of San Francisco is the re-
sult of a geologically recent subsidence of this
part of the coast, which has admitted the sea
into the gorge that the Sacramento River for-
merly cut across the coast ranges. This forms
the Golden Gate. Professor Tarr adds:
"A further reason for knowing that the moun-
tains of this region are growing is the frequency
of earthquake shocks in California. Every year
there are from twenty-five to forty earthquakes
recorded in the State, and not a few of these have
been felt in San Francisco itself. For example,
on March jo, 1898, there was a shock whidi did
damage to the extent of $342,000 at the Mare Is-
land Navy Yard. The city is in a region of earth-
quake frequency, and itself seems to be near a
line of movement. . . .
"Some day — ^no one can tell when — ^the strain
will again need relief, and renewed slipping will
occur, and with it renewed shaking of the crust,
the violence of which will depend upon the amount
of slipping. It is a necessary result of mountain
growth. This instance is but one of many thou-
sands on record, and from all accounts apparently
not one of the greatest magnitude. It has at-
tracted our attention because it happened to be
near a great centre of population, and not far
away from habitations, as was the case with the
Yakutat Bay earthquake, which was scarcely
noticed.
"Coming so soon after the eruption of Vesuvius
SCIENCE AND DISCOVERY
667
it is natural to think of association between the
two phenomena. There is, however, no known
geological reason for associating the two. They
are too far apart, and on two separate zones of
earthquake frequency. For these reasons they
can hardly be sympathetic. Geologists will, I
feel confident, agree that the close relation be-
tween the eruption of Vesuvius and the San Fran-
cisco earthquake from the standpoint of time is
a mere coincidence. The shock is but one of many
in the history of California ; it is one out of many
in the great circum- Pacific belt of earthquakes
even during the present year — one more move-
ment chanced to come near a great city a short
time after an eruption of Vesuvius.
"I am confident also that, barring its occurrence
near a city, geologists will agree that the San
Francisco earthquake is a normal outcome of
rock movements which arc a necessary result of
motmtain growth. The reason for the mountain
growth, however, is not a subject upon which
agreement would be so general. This is not the
place to enter into a discussion of that subject,
and it must suffice therefore to state a hypothesis
most generally held by geologists as best sup-
ported by the evidence. This hypothesis is that
the heated earth in cooling is contracting; that in
doin^ this the cold, rigid crust along certain lines
is bemg crumpled, placed in a state of strain, and
broken. When the break occurs and a renewed
movement is forced along a previous line of break-
ing an earthquake results. The mountain belt
which almost completely encircles the Pacific is
receiving the thrust from the shrinking of the
earth, and for that reason its mountains are rising
all the way from the Southern Andes to the Ber-
ing Sea and from the Kurile Islands (in the North
Pacific) to the East Indies. With this rising
melted rock is forced out here and there in form
of volcanic cones, and by their eruptions and by
the slippings of the rocks along fault olanes earth-
quake shocks are occurring throughout the zone
and may always be expected to occur so long as
the mountains continue to grow."
All this is seismology from the standpoint
of- geology. From the standpoint of astro-
physics it is made to appear that — not-
withstanding contradictions — there is some
connection between earthquakes and unusual
conditions of the sun. Thus the theory ad-
vanced by Professor Milne to account for the
San Francisco earthquake is that it was caused
by the failure of the earth to swing absolutely
true on its axis. This is another way of say-
ing that there must be something in thp sun-
spot theory. And Sir Norman Lockyer, di-
rector of solar physical tests at the famous
South Kensington Observatory, insists that
more energy is coming to the earth this year
than at any time during the sun-spot period of
thirty-five years. It is now conjectured that
the toppling over, to use the most graphic
phraseology, of this earth is caused by the for-
mation of a great mass of ice of tremendous
weight at one pole or the other. That phe-
nomenon results from the enormous difference
in temperature due to sun-spots. The great
seismic disturbances of the year strengthen,
therefore, in Sir Norman Lockyer's opinion,
the axis theory advanced by Professor Milne.
Further confirmation is found, says Sir Nor-
man, in the fact that during the last three max-
imum years of the eleven-year sun spot period
there has been more activity in Mount Vesu-
vius than at any other time. He is of the
opinion that the eruption of Vesuvius and the
San Francisco earthquake are due to a single
cause. . The Physikatische Zeitschrift sees
in the idea that the sun spots are or have been
causing terrific electrical discharges which
affect the interior of our planet. Hence, if we
are to be guided by astro-physics instead of by
geology in testing seismological phenomena,
The heavy black lines on this map show the weak
portions of the earth's crust. It is along these lines that
earthquakes occur. It will be seen that one earth-
quake track extends from Iceland to Edinburgh. The
latter city is actually built on extinct volcanoes.
we shall agree with Professor Milne that earth-
quakes are not caused by the adjustment of
the surface of the earth to its own reduction
in size or to the process of mountain building,
but are occasioned by a jar as the earth swings
back to get true upon its axis. Yet Sir Robert
S. Ball, who, in addition to being Professor of
Astronomy at Cambridge University is a seis-
mologist of eminence, professes himself unable
to see how there can be any connection be-
tween the eruption of Vesuvius and the earth-
quake at San Francisco. In a communication
to The World (New York), he declares:
'The earth bein^ a gradually cooling globe of
incandescent material, covered by a crust of badly
668
CURRENT LITERATURE
conducting rocks, has at every point of its surface
a certain potentiality for these seismic displays;
for, as the earth slowly loses heat, so must it
slowly shrink. That shrinking is not done uni-
formly and steadily all over the surface, but is
accomplished irregularly, now in one place, now
in another. A slight slip takes place. This sends
a tremor through the earth's crust and if that
tremor is a violent one we have an earthquake.
Nor is it hard to account for the excessive vio-
lence of an earthquake, as manifested in the over-
turning of buildings, even though the actual visi-
ble dislocation of the solid crust of the earth is
insignificant.
"The origin of an earthquake is at considerable
depth below the surface, say ten or twelve miles.
The pressure at this depth, due merely to the
weight of the superincumbent rocks and quite in-
dependent of earthquakes, must be about thirty
or forty tons on the square inch, equalling the
pressure of exploding cordite on a hundred-pound
projectile when being driven out of a caimon at
the moment of discharge.
"It can readily be imagined how extraordinary
must be the violence of the disturbance if the
rocks on two sides of a fault* while being pressed
together by forces like these, are sometime com-
pelled, as happens in the case of earthquake, to
slide more or less one over the other.
"This starts vibrations of the solid crust of the
earth, which, in the vicinity of the disturbance,
produce a rapid oscillatory movement which, even
though the extent be not large, is sufficient to
overturn the most massive buildings."
PROGRESS OF AN OPEN SAFETY-PIN THROUGH A BABY
The youngest patient on record in a case of
this type is described in the hospital report as
breast-fed, of normal size and weight, and of
good health; the safety-pin was an inch and
a quarter long and half an inch across at the
open end. As told in the New York Medical
Record by Dr. B. Van D. Hedges, surgeon
to Muhlenberg Hospital, Plainfield, N. J., it
seems that the mother happened to bend over
the child's crib, whereupon the little one
opened its mouth and struck out at the ma-
ternal arm with its fist. The mother held some
open safety-pins in her hand. One of these
instantly fell into the baby's open mouth and
was swallowed before a finger could be in-
serted to prevent the mischief.
The infant was at once taken to the hos-
pital and its body subjected to an X-ray exami-
nation. The pin could be most distinctly seen
in the stomach, where it was being turned over
and over by the peristaltic action. The ques-
tion of operation was eagerly debated, one of
the most eminent surgeons in the country ad-
vising gastrotomy without delay. On the
other hand, a contrary opinion was so ear-
nestly maintained by another high authority
that the physicians finally decided not to in-
terfere surgically, but to watch the case care-
fully. Elaborate arrangements were made to
perform the operation of laparotomy at the
first indication of trouble.
For the first three days the only difference
noted in the child's symptoms was that it
slept better at night. There was np vomiting, .
no exuiation of blood, no evidence whatsoever
of any gastro-intestinal irritation. On the
fifth day the pin was detected in the descend-
ing colon. The hinge end was down. On the
sixth day the safety-pin had progressed quite
through the infant's body.
A safety-pin's passage through the body of
a child eleven months old was reported in
The Journal of the American Medical Asso-
ciation last year. A child' of eighteen months
has been known to swallow a number of open
safety-pins which were subsequently recov-
ered. But this fresh case is, so far as is
known, unprecedented, as stated before, on ac-
count of the extreme youth of the patient
Nevertheless it would be a quite too hasty
assumption, in the opinion of medical period-
icals, that laparotomy would be inadvisable in
general. Laparotomy is simply the process of
making an incision through the peritoneum
and the abdominal walls. The operation
renders possible such exploration as is neces-
sarily antecedent to surgical remedy. The
peristaltic action, as a result of which the
safety-pin was turned over and over in its
passage through the body of the infant, is a
wave-like motion. The contents of the stom-
ach are moved forward in consequence. What
is called peristalsis occurs throughout the in-
testinal tract. As peristalsis is not in itself
unpleasant as a sensation, it need not perhaps
be wondered at that the infant seemed to feel
no pain from the presence of the safety pin.
Medical opinion is to the effect that when
irritating substances are present in the in-
testinal tract the peristaltic action iself is not
only abnormally strong but at times agonizing.
The bearing of this fact upon the presence of
the safety-pin in the body of the infant has
caused much discussion.
Recent Poetry
Books of poetry continue to flood, not the
markets, but the editcTrial sanctums. The trouble
with most of them is that they reveal so often
mere poetic impulse devoid of poetic ideas. That
is the criticism that comes to our mind over and
over again in reading the bards of to-day in cur-
rent magazines and books. We doubt if the poetic
impulse was ever more abundantly manifest than
it is in these days and in this "country of the al-
mighty dollar" ; but the mere impulse cannot make
a fine poem, no matter what technical skill and
melodic phrasing may be exhibited in the at-
tempt. This criticism applies, we think, to some
of the poetry in Mrs. Louise Morgan Sill's first
published volume, "In Sun or Shade" (Harper's) ;
but not, by any means, to all. One of the most
genuine of recent poems, one which Elizabeth
Barrett Browning might have been proud to
write, is the following:
OUT OF THE SHADOW
By Louise Morgan Sill
You did not think, who blindly were forsworn
In alien arms, that I might come some day
And greet you from the first dawn of my youth,
Clean and unsullied by a worldly chance.
You did not dream once in those hot, bright
dreams.
When earth so madly called you from the height.
And your soul answered, stumbling down the path,
That you might wake one day, and you might
crave
Another soul as fair as once you were.
You did not think to keep yourself withdrawn
From things that soil, that one day you might look
With equal courage into equal eyes.
You did not think of this when self besought
The gifts of selfishness, nor dared to spurn
The contumacious alms you paid your soul
To keep its silence.
Then, as morning light
Comes to a night of tempest — ^thus you say —
I came. My path led close beside your own ;
You stretched your arms and plead with eloquent
eyes —
I knew not then the uses of your eyes.
What they had charmed, nor how, nor when, nor
where.
To me they seemed the eyes of chivalry.
Of all that I had loved in union blent.
They drew me no less surely than your arms —
I knew not then w)iat others these had held.
Knew! I knew nothing! Maiden solitude
Had never brooded deeper than had mine.
Rapt in the contemplation of a world
Serenely good. Nay listen, I'll not weep;
I am too sad for tears — their time is past.
Well, thus I came, unquestioning; and thus
You loved me, as a young and saving grace
Borne far from heaven to lift your spirit up
And teach you new philosophies of life —
A pool where you might bathe and wash you
white.
And I — God help me! — loved you as the rare
Bloom of my life, the ultimate good of things.
The crown of all — my husband; blushing even
To speak the name, so sacred seemed the sound
To the chitd-soul of the incipient woman.
Then, passing all the rest, the pride, the hope,
The exquisite trust, the simple, hidden faith
In worshipping you — avj there I sinned indeed.
For true it is, in thinkmg thus of you
I thought less of my God; a costly fault.
As later I have learned in weary pain.
Then, after this fresh happiness had passed
Into a calmer joy, one day you paused
Beside me, and, with strange-accoutred words
That needed some translation to my ear.
You told me of the others you had loved —
Told me the inmost secret of your past.
Told me the ancient story of the world;
And spared me nothing, not a single lash
Of the enscorpioned whip that struck me dumb.
I rose up, you remember. It was night.
And darker night within my stricken soul.
I rose and looked at you when you had done.
Nor knew the pain you smothered with your
words.
(I told you I knew nothing. 'Twas in me
The ignorance of my virtue, as in you
The ignorance had been sin — I know not why.)
I looked, but could not speak. I went away
To hide myself, to hide the shame your own
Had put on me, your wife, your second self,
Your — there's the wound — ^your very worshipper.
From then, even as you say ... I have been
changed ;
Yet you were brave in the confessional.
And I not brave. I dreamed alone for hours.
And moaned a thousand times you had not kept
Your heart unsullied for my special shrine;
Shut your face out, cried often unto God
To know why you were you and I was I,
Or some such infant-prattling in His ears.
And when the strain was over, came out pale.
And trembled in your arms, and saw your eyes
Were full of tears I had not seen before.
And felt my heart slow melting against yours —
You cried out at my kisses, "they were cold"
I pressed you closer. Was it pity or love
That surged into my soul? I do not know.
Yet all these years it has sufficed; for Love
Has infinite vistas, and through aisles of stars
Moves, humbly, towards the eternal Altar Light
Now leave me, love; I weary, and would rest
The following little poem has in it a note of
pathos that ought to appeal to any woman's heart :
THE DREAM-CHILD
By Louise Morgan Sill
My little dream-child called to me
Upon a midnight, cold and stark.
670
CURRENT LITERATURE
"Sweet mother, take me in," sighed she,
"For 1 am weary of the dark.
My little soul has missed the way
Out in the wide and wandering air —
Oh, take me to your arms, I pray.
That I may find a shelter there."
My heart leaped up to hear the sound.
"My tender dream-child, can it be
Only the dusk that folds you round,
Folds you and holds you thus from me?
Then come! the way is broad and fair
Unto my heart, my own, my own!"
But waking came . . . and only air
Swept past into the far unknown.
Another volume that stands up somewhat out
of the ruck is Cale Young Rice's "Plays and
Lyrics" (McClure & Phillips). We do not find
in it anything that we would call great, but the
following lyric certainly has a definite poetic idea
adequately expressed:
FROM ONE BLIND
By Cale Young Rice
I cannot say thy cheek is like the rose,
Thy hair ripple of sunbeams, and thine eyes
Violets, April-rich and sprung of God.
My barren gaze can never know what throes
Such boons of beauty waken, tho' I rise
Each day a-tremble with the ruthless hope
That light will pierce my useless lids — then grope
Till night, blind as the worm within his clod.
Yet unto me thou art not less divine.
I touch thy cheek — and know the mystery hid
Within thy twilight breeze; I smoothe thy hair
And understand how slipping hours may twine
Themselves into eternity: yea, rid
Of all but love, I kiss thine eyes and seem
To see all beauty God Himself may dream.
Why then should I o'ermuch for earth-sight care?
As long as a Union or Confederate veteran
remains alive — at least that long — Decoration Day
will have power to appeal to whatever of poetic
or patriotic sensibility may be within us. The
return of the Confederate battle flags this year
gives to Dr. Mitchell a splendid theme which
he has made use of, with moderate success, in
Collier's :
THE SONG OF THE FLAGS
On Their Return to the States of the Con-
federacy
By S. Weir Mitchell
We loved the wild clamor of battle.
The crash of the musketry's rattle.
The bugle and drum.
We have drooped in the dust, long and lonely;
The blades that flashed joy are rust only,
The far-rolling war music dumb.
God rest the true souls in death lying.
For whom over head proudly flying
We challenged the foe.
The storm of the charge we have breasted.
On the hearts of our dead we have rested.
In the pride of a day, long ago.
Ah, surely the good of God's making
Shall answer both those past awaking
And life's cry of pain;
But we never more shall be tossing
On surges of battle where crossing
The swift-flying death bearers rain.
Again in the wind we are streaming,
Again with the war lust are dreaming
The call of the shell.
What gray heads look up at us sadly?
Are these the stem troopers who madly
Rode straight at the battery's hell?
Nay, more than the living have found us.
Pale spectres of battle surround us;
The gray line is dressed.
Ye hear not, but they who are bringing
Your symbols of honor are singing
The song of death's bivouac rest.
Blow forth on the south wind to greet us
O star flag! once eager to meet us
When war lines were set.
Go carry to far fields of glory
The soul-stirring thrill of the story.
Of days when in anger we met.
Ah, well that we hung in the churches
In quiet, where God the heart searches.
That under us met
Men heard through the murmur of praying
The voice of the torn banners saying,
"Forgive, but ah, never forget."
Another successful memorial day effort is the
following by a South Carolina lady. We take it
from The National Magazine i
THE KNOTS OF BLUE AND GRAY
By May Elliott Hutson
Both, Mothers of America, but reared the States
apart,
One with the Winter on her head, the Winter in
her heart,
One crowned with never-melting snows, a grave
within her breast.
But in that grave the dove of Peace had made its
little nest.
In soft, low tones they murmured on, of joys and
sorrows past,
And then with gentle hands they touched a tender
theme at last.
One wore a little tuft of gray — gray with its soft,
sad hue,
The other carried on her breast a knot of Yankee
blue.
"Why wear this token next my heart?" The
Northern mother smiled,
And stroked the fragment on her breast as if it
were a child.
"In blue our Lord has clothed the skies, and robed
the tropic seas;
RECENT POETRY
671
From azure fields our banner throws its spangles
to the breeze.
In blue the mountain drapes her head, while
through the mists and dew
Shines, like a baby's, from her breast the gen-
tian's eyes of blue.
\Vhfin, years agone, the simoon's breath smote all
our fairest flowers,
When earthquakes rent and tempests tore this
God-made land of ours,
When Maine and Massachusetts 'called, amongst
the brave and true
Who answered 'Here,' I gave them one who wore
a coat of blue.
When, gory-maned, the beast of War charged
through Virginia's hills
With dripping blood that stained the rocks and
dyed the mountain rills ;
When, bellowing with rage and hate, he shook
that bloody mane.
And tore the ranks with cruel teeth upon Ma-
nassas' plain.
They found amid the mangled heap of victims
whom he slew
A soldier, from whose boyish breast they cut this
slip of blue."
The Southern mother bowed her head, a prayer
rose to the throne,
For Christ, the Comforter, to seek this heart so
like her own.
Then lifted up her fair old face, bejeweled with
a tear.
And touched her bosom with a knot of gray .that
rested there.
"In gray our Lord has dressed the mists, and
wrapped the twilight sea.
Gray are the ashes of the dead, gray is the hue
for me.
Like silent specters grayly swathed, behold the
Southern moss.
Gray was the face that heaven turned on Calvary
and the Cross.
It is the tint of human tears, the hue of parting
day;
If broken hearts are ever seen their color will be
gray."
A sob of memory arose, it shook the Southern
breast,
And lo! the timid dove of Peace was frightened
from its nest.
Slow dripped the sad and silent drops, and wet
the gray knot through.
While opposite a soft stream fell, and wet the
knot of blue.
When next that Southern mother spoke, the voice
was not her own.
The desolation of her heart was echoed in her
tone.
"When pealed from Sumter's battlements the
War-God's awful voice,
And men and States were called by Fate to make
the final choice,
I had but one — a child he seemed — my dead love's
legacy,
The only living, human thing that earth contained
for me.
I trampled on my selfish heart, I drove my tears
away.
And with my own hands buttoned on my darling's
coat of gray.
It matters not the agony, the love, the prayers,
the pride.
The awful throes that racked my heart, for later
on — it died.
But when upon Virginia's hills they turned the
gory clay,
They brought me from a soldier's breast this little
slip of gray."
With trembling, sympathetic hands, and voice that
shook with tears.
The Northern mother quickly spoke of forms that
thronged the years.
Of Jackson, Lee and all the host, whose glory
and renown
Like blazing jewels — set in gray — adorn the
nation's crown.
Of these she spoke — ^then silently she brushed a
tear away.
And, bending forward, pressed a kiss upon the
knot of gray.
The Southern mother raised her face, and slowly
over all
A soft light, as from white wings in their pas-
sage, seemed to fall.
It rested in her eyes, despite the grave within her
breast —
The little frightened dove of Peace had fluttered
to its nest.
One of John Williamson Palmer's ballads that
failed to get into his volume "For Charlie's
Sake" is given below. It was written during the
Civil War, the manuscript was handed to a friend,
and that was the last the author saw of it for many
years. It found its way, however, into a volume
of Southern war-poems, without the name of the
author, and upon being shown to Dr. Palmer by
a friend was identified by him. The ballad, with
a statement of its history, was sent to Cukrent
Literature several years ago by Ralph A. Lyon,
of Baltimore, and was then printed in our pages.
Dr. Palmer's recent death revives the interest in
his work, and we republish the ballad:
GUERRILLA
By John Williamson Palmer
Who hither rides so hard? A scout.
Just after midnight he stole out
News, comrades! there's his signal shout;
Count :
"One — two — three." Three miles in front
Yankees in camp! Call up the hunt!
Now for the chase, the charge, the bnmt.
Mount !
She's killed, that staggering, foam - splashed
brown!
Her rider, gashed from brow to crown.
Gasps "Forward!" clutches, reels, goes down —
Shot!
"Guerrilla!" look! his flickering eyes
Flash "Forward!" even where he lies.
And the scout charges as he dies:
Trot I
672
CURRENT LITERATURE
Well, here's the hill and there's the camp,
And there's the drowsy picket's tramp;
Our brave steeds sniff the smoke and stamp ;
Pshaw 1
'Tis but a cheer, a pltmge, a yell —
Upon the horse and man, pell-mell —
And then the same old tale to tell:
See the stout major's sorrel fret!
Lord! what a harrying ye'll get,
As when at Bath — Luray, we met,
Draw!
Yank!
Ride! we've an Asht^ in each man;
Charge! we've a Gilmor in the van;
Strike, as a hundred Mosbys can —
"Guer-r-illa."
We cannot bring ourselves into such an en-
thusiastic frame of mind as that in which many
of the reviews of Trumbull Stickney's book of
poems have been written, notably the reviews in
The Argonaut and New York Times; and we can-
not help feeling that the pathetic death of the
author (he died at the age of thirty) after a life
of strenuous preparation for a great career (he
was the first American student to receive from
the University of Paris its highest degree, Doc-
torat es Lettres) has somewhat affected the judg-
ment concerning his poetry. There are in all of
it, however, distinction and delicacy. Of the
following poem The Times says: "To have pro-
duced even one thing so enchanting in form as
this, so subtle and quiet, yet so flowing and rich,
is to have won fairly and completely the great
names — so lightly worn — of artist and poet."
PITY
By Trumbull Stickney
An old light smolders in her eye.
There! she looks up. They grow and glow
Like mad laughs of a rhapsody
That flickers out in woe.
An old charm slips into her sighs,
An old grace sings about her hand.
She bends; it's musically wise.
I cannot understand.
Her voice is strident ; but a spell
Of fluted whisper silkens in —
The lost heart in a moss-grown bell.
Faded — ^but sweet — ^but thin.
She bows like waves— waves near the shore.
Her hair is in a vulgar knot —
Lovely dark hair, whose curves deplore
Something she's well forgot.
She must have known the sun, the moon,
On heaven's warm throat star- jewels strung —
It's late. The gaslights flicker on.
Young, only in years, but young!
One might remind her, say the street
Is dark and vile now day is done.
But would she care, she fear to meet —
But there she goes — is gone.
One of the most successful of recent quatrains
is the following from The National Magasine:
LOOKING FOR WORK
By H. C. Gauss
Twice, daily, up to Salem's wharves, the patient
tide slips in;
It lips the thrown-down granite, it lips the spiles
worn thin.
And, asking sadly at the flood, "Are there no
ships to-day?"
Returns an idle current, into an idle bay.
Another poem for which we are indebted to
The National Magazine is this pleasing lyric:
ARABESQUE
By Charles Warren Stoddard
Eyes, — whose every glance is such
I feel it like a velvet touch;
Eyes that all my comfort slay.
Yet grieve me when they turn away.
Eyes that flicker without fire;
That look, and burn without desire;
That seem to darken while they beam
And dart a shadow with each gleam;
Eyes that smoulder while they sleep
And glow — like planets, when they peep
From an unfathomable deep;
Eyes that wound for pleasure's sake;
That languish when they triumph take;
And slumber most when most awake;
Eyes that blur and blind my sight;
That see my pain; that know my plight;
O, thrill me! — kill me with delight —
Ye dark moons in a silver night!
The following comes from a new volume just
published in England:
RED DAWN
By p. Habberton Lulham
As from fair dreams a maid might wake and
sigh,
Fiird with distaste for day, she knows not why.
All fretful, at her glass, fiing back her hair.
And fiush'd and beautiful, gaze brooding there;
So did I see the Maid of Morning rise,
Toss the cloud-tresses from half-angry eyes.
Fling back Night's coverings from her rosy knee.
And spring forth, glowing, on the grey North
Sea.
Then wave, and sky, and little fisher-place.
Catch the effulgence of her flaming face.
That lights anew the beacon on the hill.
Gleams on the cliff -side village, sleeping still.
Shoots through the little storm-crack'd window-
pane.
Flushing the toil-worn wife a girl again,
Halos her baby's hair, and, on her man.
Makes Rembrandt glories with his throaf s rich
tan;
While— crowning loveliness— the up-grown spray
Falls like a shower of rose-leaves m the bay;
And, wheeling o'er it, the bright sea-bird shows
A flying flower, a wing'd enfranchised rose I
Recent Fiction and the Critics
Frances Hodgson Burnett is one of the story-
tellers that are born, as well as made. Her latest
novelette* is dangerously near
The Dawn
of a
To-morrow
being a sermon-story, but in her
deft hands it makes its appeal suc-
cessfully and has captivated even
the most jaded critics. The message of the
story is that of most good sermons, namely, that
the real joy of living comes from service to
others, and from that only. The hero. Sir Oliver,
is a nerve-sick millionaire who has grown sick
of life and determines to end it. To do so with-
out revealing his identity, he betakes himself to
a cheap lodging-house in London. On his way
back from the pawnbroker's, where he has gone
to get a revolver, he loses his way in a fog and
before he finds it again he comes across Glad.
She is a gutter-snipe of twelve who expects to
become something worse when she is older. Her
pluck and cheerful philosophy arouse his interest.
Through her he meets Polly, a woman of the •
streets, a boy who is a professional thief, and,
more important still, Jinny Montaubin, an ancient
and crippled ballet-dancer. Jinny is also a philos-
opher, who talks the gospel of service and good
cheer to the nerve-sick man until he forgets his
nerves in trying to relieve the distress of those he
sees around him in the slums. Jinny's religious
views have a strong resemblance to some of Mrs.
Eddy's.
One hardened critic, on the Chicago Evening
Post, berates the little book as "pabulum for the
sentimental,'* a melodrama with "decorated plati-
tudes," a somber hero, and a soothing-sirup sort
of optimism. But this critic is in a hopeless mi-
nority. The Argonaut thinks that Mrs. Burnett
may hereafter be known as the author of "The
Dawn of a To-morrow" rather than as the author
of "Little Lord Fauntleroy." The New York
Sun thinks it is as artistic a bit of work as she
has produced of late years, with reminiscences of
Dickens and Scrooge in it. The Chicago Tribune
calls it "a Christian Science fairy tale," but a
beautiful one. It certainly has a Christian Science
flavor, but not so pronounced as to repel even
the reviewers of the Church papers such as The
Living Church and The Congregationalist, The
Bookman calls it "a simple old-fashioned miracle
play, set forth in modern London, with the sure,
swift touch of a practised story-teller."
♦ THE DAWN OF A To-MORROW. By Frances Hodg-
son Burnett. Charles Scrlbner's Sons.
After his brilliant success with "The Virginian,"
one might have expected Owen Wister to repeat
that performance with another
Lady tale of the cowboy West. He
Baltimore has done just as different a thing
as he well could do. Instead of
going again to a raw new country, he has gone
for his new story* to one of the oldest commu-
nities in America, a small aristocratic tide-water
town in South Carolina, of whose people he says :
"When slavery stopped they stopped like a clock.
Their hand points to 1865 — it has never moved a
minute since." To this town the narrator of the
story has gone from the North to help his aimt
trace back her pedigree to royalty. The society
he observes there, the talk that he hears, espe-
cially the talk about Miss Rieppe and young May-
rant and their engagement, and the contrasts be-
tween this little community with its refinement
and delicacy, and an automobile party from New-
port with their loud manners and ostentatious
display of money, form the burden of the story.
The London Times is evidently surprised. It
had not thought Mr. Wister capable of this sort
of thing, of writing a "high comedy," cutting
and polishing a jewel, moving nimbly among very
delicate emotions and ideas without a single lapse
into awkwardness. It approves of "Lady Balti-
more" quite emphatically. Kings Port, the little
South Carolina town, is, it says, "a place iii which
it is always afternoon, or autumn; which appeals
with the loveliness of Rome, of Bruges, of De
Heredia's Cartagena, of Aigues Mortes, of all
places that have 'known better days.' Berqant sa
gloire Steinte, it sleeps on its drowsy waters; and
the widowed remnants of its once great families
live sweet, reticent, ordered lives, that smell of
lavender and recall, like that scent, days dead and
gone." The comedy it finds deft and witty, but
it is not mere trifling:
"There is an idea, an ideal, beneath it — ^the
American People. What will that people be, if
ever it comes to be at all? When the South can
no longer live in dignified poverty, nursing the
memory of its glory and its wounds, what will
become of it? Is the North to go on worshipping
the dollar, rioting in vulgarity and vice? Can the
two mix to make a nation without another ex-
plosion? These are the questions which Mr.
Wister asks; and we find in his book a larger
and a wiser patriotism than we had supposed to
be possible as yet."
• Lady Baltimore. By Owen Wister, The Macmil-
lan Company.
674
CURRENT LITERATURE
Several critics see in the book a strong sugges-
tion of Henry James. The Springfield Republican
notes Henry James's manner, but not his style,
and remarks:
"How contagious the Henry James virus isl
Who, for example, would have thought it possible
for the author of 'The Virginian' to be infected?
Joseph Conrad has succumbed — 'Nostromo* fairly
reeks with it. The author of The Prisoner of
Zenda' is also the author of 'Quisante/ Mrs.
Atherton tries her hand once in a while at a tale
in the Jamesian vein. Mrs. Wharton is another
natter; she began as a disciple 'd is working
iier way to an independent style, «i very normal
and proper course of evolution. But Mr. Wis-
ter has belonged to another galle> crew. Shall
we presently see Jack London and Stewart Ed-
ward White splitting psychological hairs ?"
But Mr. Wister's tincture of Jamesism "is of a
harmless sort and does not impair the interest of
his book, which is entertaining and perhaps is a
step toward a finer kind of work than 'The Vir-
ginian.' "
The Bookman finds the humor in "Lady Balti-
more" constant, whereas it was intermittent in
"The Virginian." Those who asserted that Mr.
Wister's former book was simply a string of anec-
dotes, not a novel, will, it says, find the new
work "absolutely organic." The author • "writes
like a gentleman," writes as if he enjoyed it and
as if he considers writing an art worth studying
and doing well for its own sake. Moreover, he is
not afraid to convey an idea now and then to his
readers, though the quality of the ideas, The
Bookman critic, Mr. Edward Clark Marsh, finds
never profound and occasionally alas! callow.
Nevertheless, "it is a capital story, fulfilling every
fair expectation on behalf of one of the cleverest
,and most capable of our American novelists."
The Dutchman who, under the pseudonym of
Maarten Maartens, writes novels in exceptionally
fine English, has the critics guess-
The ing over his latest work.* Most
Healers of them admit that they are
puzzled and somewhat exasper-
ated; but most of them also admit that they are
very much interested, and several of them con-
fess to a second reading. The "healers" in the
book are many and diverse. There is a great
bacteriologist who is a skeptic; his wife, a poet,
and, in the end, a Roman Catholic; their son, a
follower of Charcot and his psychic beliefs; an
idiot boy and his mad uncle, both of whom are
cured ; the mad uncle's wife, sound and sane, who
believes in the efficacy of prayer; the wife of the
disciple of Charcot, who is a Sumatran and a
beneficent hypnotist ; and a hard-shell Scotch Cal-
vinist, a servant woman, who hates spiritism,
Catholicism, and vivisection. Out of the clashing
views of these various persons is the story made
— ^a novel of opinions, as the London Times says,
rather than of persons.
The New York Outlook finds it immensely en-
tertaining, constantly witty and fascinating; but
the philosophic purpose of the author it fails to
grasp. The Literary Digest can tell what it is all
about, but confesses itself puzzled in trying to
decide what it all means; but it also admits that
the book never bores. William Morton Payne, in
The Dial, says he has read with mingled delight
and exasperation. The author has a wealth of
wholesome and tender sentiment, genial observa-
tion and unfailing humor. Why, then, should he
resort to such sensational devices and cheap
wonders as planchette-writing, table-tipping, telep-
athy and clairvoyance? Says the London Times'.
"The only question for the critic is: Does the
novelist, in showing the interaction of these many
opinions, interest, amuse, move us? The answer
to that is: He does. He opens doors; he lets us
peep into fascinating regions of hypothesis,
thought, experiment; he suggests and questions;
and he takes good care, skilled novelist that he
is, to keep his vivid persons well in front of the
opinions they represent. To a further question,
whether out of all this evasive, intractable
material he has woven a good single piece, the
answer must be that he has not. The novel is
not strongly constructed; our interest is asked
for one character and suddenly shifted elsewhere,
and the several stories touch each other but
slightly. That defect — if defect it be — is inherent
in a novel of this kind."
The author of "Ships That Pass in the Night"
has again struck a popular vein in her latest
novel,* but there seems to be a
® , general feeling that she has failed
D ht * *^ "work" it as it deserves. We
^ are introduced to a grim old lexi-
cographer who, with three assistants, is engaged
in constructing a great dictionary. Upon this
scene of scholarly research, a young girl, very
much alive, obtrudes. She is the daughter of the
lexicographer, home from school "for keeps," and
he has a dim notion that she will now devote
herself to the dictionary. But her aspirations
are stageward and she talks slang to the scholarly
assistants and, before they know it, has charmed
them out of the house and into the fields and to
the bank of a stream where they fish with evident
delight under her instructions. The girl has a
mother whom she supposes dead, but who has
*The Healers. By Maarten Maartens.
and Company.
D. Appleton
•The Scholar's Daughter.
Dodd, Mead and Company.
By Beatrice Harraden.
THE OTHER SIDE OF THE MOON
67s
simply deserted her etymological husband for the
stage. She turns up in the next day or two. Also
a young man turns up from Australia, and he,
too, is very much alive. Things turn out beauti-
fully. The girl reconciles her father and mother,
and one doesn't need half an eye to see what she
and the young Australian are going to become to
one another.
The critics find much to disapprove: it is too
theatric; it is improbable; it is* slight and super-
ficial; but it has charm. "A highly agreeable
romance suffused with graceful sentiment," is the
London Spectator's phrase. *Tt is a novel in
which artifice takes the place of art," says the
London Bookman, "and dramatic situations are
made to subserve the purposes of theatrical
effect"; but also "it is a capital story written
with easy ability in a pleasant vein that should
assure a very wide popularity for it."
The New York Evening Post finds it better
written than Miss Harraden's former work. The
same lameness of vocabulary is still in evidence,
but the workmanship is better and there is a more
definite purpose carried out to a definite end.
THE OTHER SIDE OF THE MOON— A PRIZE STORY
There is something interesting to tell about this little story. It has just taken the fairy-
story prize at the Cologne Flower Festival in Germany, though written by a young American,
George Sylvester Viereck, who is still pursuing his academic studies as a senior in the College
of the City of New York, Two years ago, at the age of eighteen, Mr. Viereck published a vol-
ume of German lyrics, entitled "Gedichte," which attracted favorable notice; and Brentanos are
just publishing for him his first English work, "A Game of Love and Other Plays." The Co-
logne Flower Festival has become a notable institution in the last few years, and many thou-
sands of poems and stories are received, in various languages, in the competition for prizes. The
fact that an American college boy carries off the fairy-story prize this year will give to the phrase
"American Invasion" a new meaning. The translation from the German is made for Current
Literature by the author.
life has despoiled us of the last rag of idealism
that we begin to pity a butterfly whose gaudy
wings have been torn by relentless hands. The
king of the land only smiled, as one smiles when
he sees another in the pangs of a soul conflict that
he has done with long ago.
The young Prince, however, did not mind what
other people thought of him, but wandered alone
on the lonely paths which his soul had chosen.
He lived only half in this world. His heart beat
in the great realm of mystery which everywhere
borders upon earth and yet is indicated on no
chart and whose very existence scientists are apt
to dispute. Ofttimes he sat on the seashore and
held to his boyish ear a shell, curiously fashioned
and strangely colored, whose secret murmurings
he tried in vain to understand. "Whence come
these voices and what do they mean?" he asked
everyone at the court from the kitchen-boy to the
King; but no one knew an answer to his question,
and what the old Professor of Physics told him he
simply disregarded. For had not he same man
told him that the earth moves around the sun,
which is manifestly absurd, and that the honeyed
song of the thrush is entirely due to so many vi-
brations per second — a fairy-tale no child would
believe ?
Once upon a time, in a kingdom the name of
which does not matter, there lived a young Prince
who was enamored of those things only that pos-
sess no real value whatsoever. This, at least, was
what the old Chancellor said, a dignitary of infi-
nite wisdom, who had well-nigh completed the
measure of years given to man. "A dreamer" he
used to call the Prince contemptuously. But he did
this only when he was among his most intimate
friends. Whenever he prepared a notice for the
court paper. The Silver Bell, or for the organ of
the popular party. The Little Drum, he never re-
ferred to the future ruler of the land without
making a special point of his "ideal" disposition.
This he would have done for reasons of policy
even if the young Prince's only interests in life
had been baseball or the chase. I don't know
how it came about, but soon everybody in the
whole kingdom spoke of the Prince only as "the
Dreamer." There were in the first place some
tremendously "practical" young men and the old
councilors. The young men threw out their
chests, rattled their swords and told of their
love adventures. This they thought mighty man-
ly. The old fogies shrugged their shoulders and
plucked at their long, white beards, but inwardly
they were green with envy. For it is only when
676
CURRENT LITERATURE
For Botany and Zoology, too, he showed but lit-
tle interest, for he saw that his teacher could dis-
sect all animals and all flowers And knew every
bone in the skeleton of a dog, but that at all times
it was the soul that escaped his notice and flew
through the open windows. Whereupon he wrote
a thick book to prove that it did not exist ! Much
more eagerness did the Prince show in the sci-
ence of Demonology. He knew by name every-
one of the thirty thousand devils that live in the
sea and the fifty thousand that live in the air,
and but for one little ingredient he knew exactly
how to prepare the Elixir of Life and the Phi-
losopher's Stone. But of all studies astronomy
held him enthralled. During long nights he kept
watch at the great observatory of the palace with
a young page, his only friend, and saw the con-
stellations come and go. He was fascinated, not
so much by the stars he could see and whose
course he might follow, as by those he could not
see. And when some comet had disappeared not
to reappear within thirty or forty thousand years,
his imagination followed it in its course onward
through eternity.
But of all stars in heaven he was most attracted
by one which has turned its mysterious, pallid
countenance toward us as long as rivers have run
and men and women have dreamed of love. But
whereas other heavenly bodies show us some-
times one side, sometimes another, the moon con-
descends to show us only one. The ancient Egyp-
tians have scratched their heads over this and the
ancient Arabs. We have invented wonderful in-
struments which bring us nearer to the stars, we
have drawn charts of mountains and dales and
canals on the planets; but no one has ever suc-
ceeded in finding what is hidden behind the other
side of the moon. No mortal will ever know, and
the great lies of science cannot compensate or
console us. The other side of the moon must ever
remain a symbol of all that is wonderful and in-
comprehensible in human and in cosmic life. I
know not whether it is a fairy kingdom that lies
there or whether it be the end or the beginning
of the Realm of Wonder; but this I know, that
whosoever can read what is written upon the
other side of the moon has solved the riddle of
the Eternal Sphinx.
This, at least, was what the young Prince con-
fided to his companion in a sultry summer night,
when the moon-rays pointed straight at him
through the colored windows. His enthusiasm
carried the young page away with him, though
the latter was a rather commonplace boy, to
whom only the personality of the Prince gave a
certain charm, as a strong magnet might for a
little while draw a needle into the circle of its
transforming power. Arm in arm they stared
one evening into the starry sky. Millions of
lights glowed and beaconed in the heavens, and
dumb and mysteriously as always the moon
beamed upon them. But there was something
in her rays which seemed to draw the Prince
toward her as it attracts the sea, or there was
something in the Prince's soul that filled him with
a strange longing for the lesser light that rules
the night, the night that is more beautiful and
holy than the day. For there are some among us
who were born in the full moon or whose mothers
looked too deeply into her luminous eyes. Upon
these, strange powers have sway which others can-
not comprehend. They love the subtile witch-
craft of the night, they sec in the dark, freeze in
the sun, and are doomed their whole life long to
seek for that which may never be revealed. As
there are flowers which turn their faces toward
the sun, so there are flowers of the dusk, moon-
flowers, which cannot take their dream-entranced
eyes from the silent mistress of the night.
The Prince was such a moonchild, and one ray
of one of her rays must have fallen on the soul
of the boy who shared his couch, or he would not
have understood at all. "Prince," he said, and
shook his darkling locks, 'T have read in a book,
brought from a foreign land, that in a far city
of the West there lives a mighty Wizard who
has built a ship t{y means of which one can float
through the air as others cross the water. What
if we two could make a journey to the Moon?"
At this news the heart of the little Prince began
to beat like a drum, his golden hair glimmered
like moon-rays imprisoned in a net, and straight-
way, though it was in the middle of the night, he
went to the bedroom of his father, the King.
The monarch was at first very wroth because
of this rude disturbance of his slumber; but the
Queen soothed his wrath, and at last he could
not help laughing at the impatience of the little
Prince and promised to send a courier at daybreak
to find this wonderful man and, if possible, to
conduct him immediately to the capital And he
did as he had promised, for he had pledged his
royal word.
How slowly the days seemed to creep I The
first three days the Queen packed twenty-seven
little trunks with beautiful laces and uniforms
and silken stockings and satin shoon for her little
boy to take on his long journey. The next three
days he passed in continually talking to his little
page and telling him what wonderful things they
were going to find on the other side of the moon.
On the ninth day his impatience had risen to the
boiling-point and he called for his little pony in
order to meet the courier on the way. Finally,
THE OTHER SIDE OF THE MOON
677
on the twelfth day, the messenger came back, all
covered with dust and sweat.
"Where is he? Where have you got him?"
"He'll be here in a minute," and the speaker
pointed to the clouds. Scarcely had he uttered
these words when a rope with a small anchor
descended just where the young Prince stood, and
a big red bird lowered itself slowly to the ground,
and lo, from its belly jumped not an old gray-
bearded wizard with pointed hat, but a young,
smooth-shaven and energetic Yankee.
"Here we are !" he said unconventionally and
gasped the Prince's hand. This was such an
enormous breach of etiquette that the old Chan-
cellor, who saw it, fell down dead on the spot
from heart- failure, for which reason he will not
reoccur in this story. This incident somewhat in-
fluenced the Court against the foreigner, though
many were glad because of it. Moreover, they
thought it improper that a young man should have
accomplished in his short life so much more than
all the gray-bearded councilors of the King. But
he didn't seem to care very much and asked a
million dollars for his air-ship. When the Lord
of the Treasury heard this he was stricken with a
fainting-fit which continued for seven days and
seven nights. But it was the Prince's dearest
wish, and so the King consented to pay the sum
the Wizard demanded if they should really reach
their goal. Whereupon the Yankee said that the
cow jumped over the moon, and he didn't see
why he shouldn't. Preparations for the expedi-
tion were made with feverish haste.
The air-ship was in readiness. The Wizard
left twenty-six of the little trunks behind with a
relentlessness which cut the Queen to the heart.
One only he took along. Then all three, the Yan-
kee, the Prince and the page, seated themselves
in the car and were soon lost from the sight of
the wondering populace. For several hours they
rose and rose, but the moon seemed to grow
more distant the higher they went. Suddenly it
began to snow and white flakes caught themselves
in the black curls of the page and the golden hair
of the Prince. They wrapped themselves in their
mantles and trembled with cold. Higher and
higher rose the enchanted machine. The air grew
chillier with every second. The little page began
to weep, but his tears were frozen on his cheeks
to ice, and hung there like little diamonds. Even
the Wizard showed evidence of exhaustion. But
the little Prince bit his lips, so as not to cry. On-
ward and onward they were carried. Suddenly
a stream of blood broke through the tightly closed
lips of the young Prince. It fell into the void
and stained with red a white anemone that was
sleeping below. The blood of the others, too, be-
gan to flow from ears and nose. There was
nothing to do but to give up. They reached the
earth half dead, but were glad to feel the firm
ground once more under their feet. The King
laughed at the misfortunes of the Prince, and the
Queen made camomile tea for him. No one cared
for the little page, who managed to creep back
to the palace in some way and was forever cured
of his yearning for the moon. As for the Yankee,
he was cast into jail, and I could never find out
whether he died there of hunger or whether by
means of his black magic he reached his native
land again.
After a while the Prince recovered from the
shock, and, though he was more pensive than ever
before, his imagination was still fixed on the only
thing that is worthy of our thoughts and dreams
— ^the other side of the moon. It was in vain
that his father gave him a little sword most beau-
tifully set with precious gems and a strange, most
wonderfully colored bird in a golden cage. The
sword he presented to his friend, the little page,
and the bird he set free. "Perhaps you can find
the other side of the moon, dear bird," he said,
as he opened the gilded door of the cagr. "I
will not hold you; fly to your home in Dream-
land!" This he said half from compassion, half
in the hope that the bird might help him to attain
his desire, for he had read even more wonderful
things in ancient fairy-tales. And this time he
was not mistaken. The bird opened its big,
parrot-like bill and spoke thus :
"Do you really care so very much to see the
other side of the moon?"
"Dear me," replied the Prince, "I would give
my young life for it"
The old bird, who had seen many things in his
time, wagged his head wistfully: "But will you
be strong enough to endure the sight?"
"It is my dearest wish, and, whatever may be
hidden behind that pallid silver disk, I shall be
happy if only I know wha it is."
"Well," said the bird, "you have done me a
great service by freeing me from this cage, in
which the evil fairy who sold me to your father
had imprisoned me. And you must be a clever
boy, for otherwise you would not understand my
language at all. In fact, I am sure that you are
thoroughly conversant with Alfari's great work
on 'Fairies, Genies and Demons in the form of
Animals.' However that may be, listen to my
advice. Pull the most gorgeous feather out of
my tail, take it quietly to your room, and at the
next full moon turn it three times in your hand
and murmur the three words which I shall teach
you now (but which may not be disclosed to the
reader in order that no one may misuse them).
678
CURRENT LITERATURE
then wait quietly and patiently for what is to
come." He had scarce uttered these words when
he disappeared, and only his shadow darkened for
a second the moon which had broken through the
clouds at this very moment.
The Prince thereupon ran to his father, the
King, and his mother, the Queen, and told what
had befallen him. Both were most glad when
they heard of their little son's wonderful adven-
ture, and at the next full moon not only the Prince,
but the whole court, and especially the Queen,
waited with feverish excitement for the miracle
that was to come.
The moon shone more brilliantly than ever.
Her argent rays were sprinkled like a silver rain
over the landscape and over the foliage of the
trees. In that night young lovers closed no eye.
On the roofs of houses and palaces one saw forms
in white garments moving restlessly to and fro.
All who were moon-struck seemed to walk that
night. It seemed as if the moon exerted all her
might before her mystery was to be unveiled for-
ever.
Upon the battlements of the royal castle, sur-
rounded by all the councilors of the realm and the
whole Court, the young Prince waited for the
stroke of twelve. And as soon as the ancient
clock struck, the Prince turned the feather three
times in his hand, spoke the dreadful words, and
lo! the heavens opened and from the darksome
clouds there burst a radiant something which
made straight for the King's palace. In less time
than a swallow needs to whet its bill there stood
before the Prince a luminous car, drawn by four
little moon-calves. The doors opened and from
it stepped a curious little man, who bore a strange
resemblance to the Man in the Moon. He said
no word, but politely motioned the Prince to
enter the vehicle. With a beating heart and flush-
ing cheek the Prince entered, the doors closed be-
hind him, and with incredible speed they were on
their way to the starry sky, the land of his heart's
desire.
Meanwhile the Queen lay in a fainting-fit, and
even the King had grown a little pale after he
had entrusted his only child to the little wagon
from the stars. The aunts and the grandmothers
told monstrous tales of little children who had
been carried off by evil spirits and who were
found the next morning in their little beds with
their throats cut. The ladies-in-waiting began to
weep and there was a terrible confusion. But
it was too late. Hour after hour ran through the
glass, the moon-rays grew paler and paler and
the horses which draw the chariot of the morn
began to beat with their hoofs impatiently on the
roof of the sky. The Queen became hysterical
and cursed the King for having permitted the lit-
tle Prince to go on the journey. The King in
turn swore and threatened to behead all his coun-
cilors should the Prince not return, for they
should have warned him against confiding the
safety of the Crown Prince to four moon-calves
and a strange man from the moon.
The excitement reached its end through the
sudden appearance of the Prince, who seemed to
have dropped from the clouds. Now, of course,
everybody congratulated him and had a thou-
sand questions to ask. But the Prince stood there
pale, with his beautiful curls all entangled and
his lips pressed together. He would not even
make answer to the King and only asked per-
mission to withdraw to his own chamber. There
he locked himself in, permitting not even his bed-
fellow, the little page, to enter. However, the
servant who made his bed on the following morn-
ing found his pillow all wet, as if he had wept
the whole night through.
After this the character of the Prince changed
totally. He searched no more for a soul in the
fragrance of an orchid and the song of the night-
ingale. And no one saw him ever again holding
communion with a sea-shell or following the
course of the stars from the observatory. He
broke behind him all bridges that led to his for-
mer castles in the air, and when he became King
he issued an edict which by a severe penalty for-
bade the rays of the moon entrance to his king-
dom. Of course, many conjecture were made as
to the inexplicable change in his disposition, but
no one dared to approach him on the subject after
the jester had been put to death for a slight al-
lusion to that journey to the moon. He was a
harsh ruler, who drank much wine and made his
children study trigonometry. At his Court one
pageant succeeded another, and in all these wild
orgies the King was the most reckless. His old
nurse would not believe that he found real pleas-
ure in reveling; she saw the serpent that was
feeding on his heart. But no one listened to her,
as she was an old woman of little education, and
not even a duchess.
So the years glided by. And one day the King
felt that his hour had come. He called the
Crown Prince to his bedside that he might give
him a last blessing. After all the servants had been
sent away the Prince said : "Father, will you not
confide to me, even on your death-bed, the great
secret and the sorrow of your life? What did
you see on the other side of the moon?" Then
said the King, and on his faded features quivered
a smile like a breaking heart: "May the grace of
Heaven save you from as great a disillusion :
For both sides of the moon are exactly alike"
190;
The Parting of the Ways
'•^m^m^ '^ '^. f-^- '^ ^^ -ci^Sio^''
34 \ ^....A^ Ai^^t^^if^iL ^.^-^^^A^ \^.....j'-^ \_..,^J^ ^.....JWiT^.
'TlfE GILLETTE'"
is ihe Smoaih, SanSimry^ Simpie and Safe Way
No ragged edge to irritate
12 blades; 24- penfeci cdgBSm
The wonderful blade that has changed the razor world.
Truthful letters from constant users tell of the marvelous tensJIe
strcn3a:th of these blades.
Srnj^le blades have been used 30, 60 and up to 142 times
Simple and durable.
Tripk silvtT-ptaU'd .stl with 1 2 htiidc3;<i .■, ^ ► + . ^ h ■*,,.. ^ , «.<,.«<.»..»».>» ^ ><■ i> . « % SJQO
Qu,i(im]:jc K'>l'-l-l^litEf(l .-^rl witJi 1 1 h[»dm -,-,,, * ...-....*--. I9i»
Quftniruplc rt<>'fl'lil^i'**l set T^ith tj biadt^ and monogram. . ^ , , ..,<...+,,....- ..h . isiOO
Stiindntid c-.iETibinulion scl with e^li^vmK briuh AnrJ #>ap In IrtpJt oilw-pliited hoklen , . . .^ » ^ . . 7^5<^
Oihi*r comhinaikm sciii in silvrt ami KfiJd tip to. ...... ^ ,. ^ ,.. ^ .,. k ,,....... , - . 50,00
StaDdunL pAckAj^H iif lo bbdcs. haviijg ao slmrp ed|£i^ fur silc b^ dEl dc^ileni* at tHe uoi- fdnv '
ToTna price of . . * , , , 5°
A^k tia sae them aitif for itur frooA/if, Write for out speviat ttiai offer.
CILLETTE SALES COMPANY, I 182 Times Bidg, New York City
vose
HAVE BEEN ESTABLTStiEP
Si YEARS
and Lit' rrceivlng mnro fav-
orable tomiiK nts tiMjay from an art-
Utic siiLtidpokit than all otber maizes comblncrl.
WE CHALLENGE
COMPARISONS.
By our m-y piiyTmiU r>l;iM cm 17 fiiinily in nioiSor^ac
ciiTiimstiiirce^ viia awu a VOSO pKmo. W'v aEl^^w
a liht ral piie« for old iiistnmn ut^ in L>xt;brtiige, ami
di'liViT the pkiim in joui- Uotise five of i"xpLn?^e.
Yuu can dual Willi us al a di.siant fHjinl the sawiti
a.sin ItosTorL t.Xtulujstie,b<MikH,
tie., uiving full InfonnaUuci
maiU d free.
vose & SONS PIANO CO.,
IfcO Boylstoo St., Boston, Mass.
MENNEN^S
BORATED TALCUM
TOILEX /riJ>OWDER
The Freshness of Roses
jiTnllcilmy Jono d >^ art> Tii»t nmro di'li-litful find
Trrji>lnn^ l]i;itl tku prmlhijUf lifctlill ihf MtMlLu's.
<iive* iiiif]ipili;ii£j;ih<l jMJ-uiv© TL^tii/f fjum Prickly
Ht^at, Chafing. Sunburn and till t^l n lrlM<l^|^'-.
Ku-ryulii re u-n] [n.il r^'iiUTiihf'fiik'd by ]th} -i<:iiui^
fejniiily. MuiiiU'iiri f.iv^ oti ivtiy hn^. Svti tfiii
5<'U gf't tlie pt'Liuriii.', F\>r T-iib cTtTi-
ivfjeri*, at ly iisiult i^5q. ^;llnt^]e fitf.
Oi*-lmrd Mriiui^n Co,, Xc*v\ strtSiK^tf .
lANOS
THE
&BACH
PIANO
As a rule
piano nd\'is,
are very sim-
ilar—all claim
superlative;
merits, etc. The
significance of this
announcement is
to urge prospective
purchasers to ■^^^^» ^^^
compare values before making a selection. To
this end we request that you send for our new
catalogue and the name of your nearest dealer.
Address
KRANICH & BACH,
2-3345 East 23ril St., New York City.
To be "IT"
MaKeYoursetfFIT!
Right food n^akes clear brain and strong
frames
One gains rjuii kly In fshysical and meniat
sircngih on Grape* Nuts which supply the
natural elements from grains, such as
Albunic'ii, Phosphate of Pol ash, etc., which
tKiturc use 3 lo rebuild worn -out cells In
brain and nerves.
A si^ientitlr fact, easily proved by a 10-
days^ use of
Grape-Nuts
"There's a Reason/'
PustiJtn Cfredl (\»,. lAd., liatik Cr«ti. Mkh., U.S.A.
X
.<-•
This book should be returned to the
Library on or before the last date stamped
below.
A line of five cents a day is incurred by
retaining it beyond the specified time.
Please return prompdy.
FEfl^'^'f^
k..
i
fl
or
mi
iniiBimnn
3 2044 092 660 869
r.^ -^
"3»^ '^.
-^.
.V '
/ t«*»
■»-/
'"I^^'' \' -
w